Unconscious Authorship Inc.
by Cal Urycki
The rattle of fingertips on keyboards echoed in his head, like the pitter of fat raindrops against a window pane. He could tell by the tempo of the quiet clicks what sort of sentences were being typed: a long one filled with clauses, with short miniscule pauses whenever someone hit the comma button, followed by rapid rat-a-tat’s as the rest of the sentence materialized on the imaginary page in his head, one letter following another in quick succession. He could hear the lack of surety behind others, with long, languid pauses followed by even faster key strokes, trying desperately to make back up the time lost contemplating the next few words. His own sequence was a well-oiled machine. He had long ago eliminated the small pauses after periods, instead pushing onwards as if the sentence. had never actually stopped but was all one continuous thought one line of consciousness that could not be halted. by any amount of punctuation.
His only pause was a brief breath in and out after an indented line, a quick moment to refresh and then continue. He sat in a cluster of workspaces, each one only 5ft by 5ft, just enough room for a chair and desk with a keyboard, surrounded by high walls that prevented him from seeing anything beyond his square area. He had no screen to see the words he typed, he was only to continue and not stop until he was told otherwise, and he was good at it. He had found that special trance state in which his fingers moved without any thought. The movements had become completely involuntary and unconscious; his eyes would dart across an imaginary screen before him, looking far beyond the gray wall of his workspace.
Sometimes he imagined what sort of art he would create, was creating. He would, of course, never know if it was him or someone else that wrote the words that were eventually assembled, but he held on to the belief that he was responsible for some of the words, some of the bits that were called especially extraordinary by critics. It was April 27th, and a new text was due out in three days. He resolved to pick up his already blistering pace in hopes that some of his words might make the final cut and find their way into the text. He pushed his dexterity even further, eliminating punctuation altogether at times in hopes that maybe by producing a large volume of words he might increase his chances that one of his would be selected and eventually he heard a steady tap tap tap tap tap tap tap tap tap tap tap tap tap and he knew he was repeating words which happened sometimes but he was never supposed to do on purpose in fact he was never supposed to type on purpose at all just move his fingers however they felt like moving and leave his brain out of the equation completely but he thought maybe now if there was a tap in the April text it might be his and he might finally have some proof that he was contributing more than the monkeys around him that just typed aimlessly without regard for pace or structure or beauty. He finally caught himself and stopped for a brief moment and shook those thoughts from his mind. He was supposed to leave the thinking to the Assemblers.
The texts each month were said to be amalgamations of all the sequences being created in the warehouse, but he had no way to really verify that, as neither he nor his coworkers knew what they typed, unless they tried to remember. Trying to remember often made one type with a purpose, which was one of the first rules of the job: don’t think. The Assemblers cut up long transcripts of endless walls of text that he and his coworkers created and stitched them into the most beautiful, definitive texts that he had ever seen. He read most of them, that is, he skimmed them enough to see that none of his passages had made the final cut and then put it up on shelf, never to be opened again. If he were being honest he hardly understood anything that came out in the publications. The punctuation was sometimes in odd places, thoughts seemed to run on forever, and there was never a concrete grounding, nowhere that he might find some footing as a reader. As has already been mentioned, even remembering what one typed was a dangerous proposition, given the chance that the text might become too self-aware. Each day a section of text was selected randomly by the Checkers, and should your text be found in violation of company rules, your job was the least of your worries.
He had seen employees removed from the typing floor by Checkers, and the looks of dread he saw on their faces were all that he needed to understand the dangerous risk he took by remembering his words. He thought they could never prove that his text was aware if he never admitted to it. What could they possibly point to in any of his texts and prove guilt? He was typing unconsciously for all they knew, and even unconscious words can become aware on their own, it didn’t mean that he did it on purpose or that he even knew that it happened.
Maybe the point was moot. Even if one day the compendium contained his words and his words alone, he could never take credit for his creation. He could never admit that he knew that they were his words, or how he knew them to be his. He wouldn’t even receive a pay raise. Many of his coworkers speculated that the monthly texts, given their continuity, were taken from the same handful of Typists each month, but giving out a pay raise would alert them to the fact that their words were being selected, and the knowledge that their words were being selected would spoil the magic of unconscious typing, a magic that the company was founded upon, a magic that had eliminated nearly every other mainstream publisher. The monthly compendiums contained more truth, more insight, more experience than any one author or group of authors could hope to muster on their own, even when working with a purpose. The numbers alone were too great to overcome. He slowed his pace back to its normal humming drone and continued, working hard to switch his brain back off and just type mindlessly, to ignore the record of text he knew he had just created and the danger it posed to his job and his well-being.
As the rattle of keys lulled him back into his comfortable trance, he heard a small discordant change in the sea of keystroke sounds. It started with a sudden stop in someone’s sequence, followed by rapid typing, panicked typing, typing that didn’t even care if it formed words anymore. That change sent waves across the sea of noise and others began moving more frantically, their pace desperate, pleading for something to rescue them from- he heard a noise that was not the deep methodic breathing of his coworkers or the chatter of keyboards. He heard the soft footfalls of rubber-soled shoes on the cold concrete floor of the warehouse. The same panic found his fingers as well. They moved as frantically as the others around him, trying to blend in with the others, give those shoes no reason to enter his square. As the footsteps grew nearer, their pace slowed, and he knew they had come for him. He had gone too far, and his remembering had finally caught up with him. The footsteps finally stopped, and he knew they were standing at the opening to his square, but he did not dare look behind him. He squeezed his eyes shut and continued to type, praying, wishing that they would just move on and go away, that they would see how quickly he typed and how many words he produced even if they were never that good and decide that he wasn’t worth the trouble.
He felt a cold hand on his shoulder and froze.
“I’m with the Checkers, you need to come with me.”
It wasn’t a question or a request. It was a precise command to be followed. He stood from his chair and turned to see a tall man in a dark suit standing behind him, stone-faced, eyes obscured by thick black glasses. He felt a lump in his throat and nodded. The Checker turned and walked back the way he had come, errant Typist in tow. The Typist peeked into the long rows of squares they passed while they walked. Everyone sat perfectly still, typing less frantically now. To those attuned to the tempo of keystroke clicks, an allegorical sigh of relief could be heard in the light taps as their fingers flitted from key to key without a care in the world. The Checker had found his mark, and it wasn’t any of them.
The Checker led him to the western wall of the warehouse, to a small inner building sectioned off from the rest of the warehouse floor: The Checkers’ room. Inside it was painted the same gray as the rest of the warehouse, but the desks didn’t have the same tall walls surrounding them. Men dressed similarly to the one that had retrieved him sat at the desks and pored over wide sheets of paper covered in miniscule letters. The men at the desks read the letters with apparent ease. He guessed that the thick black glasses they wore magnified the words somehow; no ordinary person could read words that small without straining their eyes.
“Go to Room C, I’ll be there in a moment,” the Checker said, pointing to a large ‘C’ painted over a doorway at the far end of the room. The Typist walked past three rows of desks towards Room C. It occurred to him how few Checkers there were. He thought there must be at least half as many Checkers as Typists, how else would they check all the words that were typed? Especially if his coworkers typed anywhere near as quickly as he did.
The door to Room C was open, and he walked inside, where he saw a metal table and a chair on either side. He took a seat at the far end of the room. It looked like the interrogation rooms he saw in crime dramas. Two Checkers would come in and do the good cop bad cop routine but as long as he played dumb he would be okay. He might still lose his job, but maybe that would be the worst of it if he didn’t reveal anything incriminating.
The Checker that removed him from the warehouse floor entered and pulled the door shut behind him. He had a manila folder bulging with papers in his hand. He dropped it on the table with a loud thud and sat in the chair across the table.
“You’re pretty quick, aren’t you?” the Checker asked, staring at the Typist with those impossibly dark glasses. Those glasses made the Typist squirm. In obscuring his eyes, the Checker appeared to the Typist something inhuman, separate from him, indifferent to his troubles. The rest of the Checker’s face betrayed no emotion, the Typist felt as though he was speaking to a machine, a vessel that was there to do a job, that never wondered or dreamed of creating art, of doing anything other than checking long pages of text.
“I don’t know how fast I type. I don’t really think about it,” the Typist replied. He gave himself a mental pat on the back for his response. He had to be extremely careful- revealing that he had any inkling of what he produced could be the end. The Checker stared at him for another long minute with a perfect poker face. He reached into the folder and removed the tall stack of papers. He glanced over the first one, following the lines with his finger.
“Sometimes he imagined what sort of art he would create,” the Checker read aloud. The Typist held his breath, trying to conceal any expression that might betray his recognition.
“Who do you think wrote that?” the Checker asked.
The Typist thought for a moment and then shrugged. “I guess it could have been anyone. That’s the point of unconscious writing, right?”
“So it could be you?”
“There are hundreds of us in that warehouse. It could be anyone.”
The Checker offered him a half grin and put the paper down. “I’m gonna level with you, if that’s alright.”
His breath smelled like a freshly burned cigarette, it reminded the Typist of smoldering ashes. He nodded.
“This sort of thing happens. It’s natural. We understand that. Our job here isn’t to hurt anyone or get people fired.” He rose from his seat and slowly paced from side to side as he continued. “I have a pile of proof in that folder there, and it doesn’t look good for you, buddy.”
The Typist squirmed in his seat.
“There’s two ways we can do this. You can refuse, and the company will sue. You’ll never work here, or anywhere else again.” He turned and leaned over, his hands on the table, his smoky breath less than a foot away from the Typist’s face. “Or you sign a confession for me now, and we make this problem go away. You go back and do your job, and don’t cause any more trouble.” He finally pulled away and sat back down in the chair. “It’s your call, bud.”
He removed another paper from the folder: a long, small-font legal document with a red ‘X’ beside a line that the Typist knew his signature was expected to appear beside. The document text was around the size of the pages he saw Checker’s poring over in the front room. He couldn’t have read the words even if he tried. The Checker handed him a red pencil, something that he had never seen in person. He took the pencil and clutched it clumsily, staring down at the document. He would be forfeiting his innocence, but in a way the document asserted his ownership of his words. They legally belonged to the company, of course, but he would have some sort of final proof that they were his words. Maybe they’d even appear in the Compendium. He wanted to ask if the confession excluded his work from publication, but decided against it. He pressed the pencil into the paper and scrawled an ugly squiggle of a signature, or what was meant to be a signature.
The Checker took both the pencil and the document from him and packaged it all back up in the folder.
“Is that all you needed?” the Typist asked.
The Checker reached into his jacket pocket and removed a thick set of black glasses and set them down on the table. “Put these on for me. I’ll be in to check on you in a few minutes.” The Checker turned and left Room C, shutting the door on the way out.
The Typist gingerly picked up the glasses and stared at them. They were impossibly black, and heavier than he expected. They weren’t made of plastic like other glasses, and he could hear a slight whirring of mechanical movement coming from inside them.
He took a deep breath and put them on. The material grew colder when it touched his skin, and all he saw was blackness. Eventually a small light grew in the corner of his vision and images flashed rapidly before him. He saw dozens of warehouses like the one in which he worked, all slightly different than the one before. He saw endless rows of square writing spaces, and then he rushed past them all, soaring just above the ground. He looked into each square and saw himself staring back, sometimes waving, sometimes smiling, sometimes crying. He felt his head throb as the images continued to flash across his eyes. He cried out and tried to pull the glasses off his face, but to no avail. They had fastened themselves the moment he put them on, and they didn’t so much as budge as he tore at them. He saw torrents of words, line after line of words that made sense, words that meant nothing, words that belonged together and words that he didn’t even recognize. They flew past him before he could read them, always averting his gaze just enough that he couldn’t see what they said, what they were trying to tell him. His head throbbed, and even when he tried to shut his eyes the images persisted, refusing to leave his senses alone. The pages eventually returned to black, to the nothing he saw when he put the glasses on. He sat, slumped in the chair, unconscious. The glasses slowly slipped from his temples and fell to the metal table below with a loud clatter.
His heart raced as he typed faster than he ever had before. The words just came so naturally to him that it was as if he was transcribing something that he had heard a million times before. Each word knew which word was to follow, and so did he. He sped along, filling up imaginary page after imaginary page. He was sure he was finally creating something worthy of the Compendium, something he would be able to say was his own creation, even if only to himself.
He broke off the thought and during the pause he heard something he had never once heard in the warehouse: silence.
He paused again to confirm and indeed, it was completely quiet in the warehouse when he stopped typing. He thought to stand up from his chair and look around, but knew how obvious it would be that he was violating the rules if someone saw his head poking above the barriers. He glanced around his square and saw nothing out of the ordinary, but felt a paranoia creeping in. I appeared, for the first time since he had started the job, that he was actually alone. The calming drone of keystrokes was gone, like a white noise that had suddenly stopped. He heard soft footfalls on the warehouse floor. The footsteps finally stopped and he knew they were standing at the opening to his square, but he did not dare look behind him. He squeezed his eyes shut and continued to type, praying, wishing that they would just move on and go away, that they would see how quickly he typed and how many words he produced even if they were never that good and decide that he wasn’t worth the trouble.
He felt a cold hand on his shoulder and froze.
“I’m with the Checkers, you need to come with me.”
Cal Urycki is a young author from Central Illinois. He is currently attending Southeast Missouri State University where he is pursuing a bachelor’s degree in Creative Writing. He enjoys reading and writing fiction, as well as competing and training on the SEMO Track and Field Team. After graduation in 2019, he plans to attend an MFA program and continue writing.