Home Poetry C.L. Bledsoe Poetry

C.L. Bledsoe Poetry

Love Is Better Than a Warm Trombone

by C.L. Bledose

Say, there are flowers by the door. A nervous
bee tugging on its bowtie. The neighbors have
pulled up chairs. Say, a box of childhood trauma,

a list of broken hearts, a warm trombone
tucked under arm. I was a movie star in LA.
Why haven’t you heard of me? I was your mother’s

favorite son. Every woman I meet either walks
the other way or asks me to move in. No one
wants to just go for sandwiches at that new place

downtown. Pickles and three kinds of cheese.
Mayo, an abomination before God. Please don’t let
this be another fine example of American

miserableism. I’ve swallowed so much dirt,
I made it my bones. That’s why I squelch when
I start to sweat. I don’t mean to say anything

to make anyone uncomfortable. Nakedness
is more of a state of mind than an actionable offense.
I’ll give you some of my honey so you can always

be my queen. The first name on the list is my own.

I Only Feel Safe When It Rains

I launched my small life onto the dark side
of the moon, a beautiful parade of the same
day for years on end. Tycho Brahe couldn’t

see me shivering amidst the constellations.
It’s easy to appear strong to a mirror, reflecting
the familiar light. I sipped the milky sky

to grow strong, kept my head down and accepted

my place in the rotation. But it’s so hard to be
your own dawn when none of the mornings left
in the world are taking reservations. You came

to my door in light, a sigh of beauty. Shattered
the midafternoon lull, verve to accent the horizon,
color painting the sky. How could someone

so vibrant live in the gray dust we’ve made

this place? Everything falls away in your eyes; my
life, a moldering crater. I want to burn in orbit
around you, fear peeling away to greet the dawn.

Don’t Fuck It Up

Your eyes, a green I envy, their lushness
quiets me, warm waters in a moonlit night.
Peace tastes like honey on the tongue, salty
and sweet. I need you to understand how

I see you. I’m used to being small. You’re used
to being strong. You are kinder than I could
ever be to myself. Let me be kind to you.

Where are you now? I’m always with you,
no matter how loud it gets. The noise
of the world can never shout down your
shameless smile. I will drive a hundred

miles to sit on your couch and watch murder
shows while you panic about how easy
this is. Let’s lie in the grass for a little while

until our sneezing disturbs the squirrels.
Sweetheart, there will always be someone dying
in another room while you’re trying to get
the laundry done. We can hire someone

to dust the bookshelves.

Rain Damage

When the rain came, we politely asked it
to wait until after dinner. It refused, so
we came into the dining room. The rain
had blown a tire, left its phone at home.
We offered to call a tow truck, but it was
too busy complaining about the young
people. “Remember jncos?” I reminded. The rain
fingered its drooping ear holes and pounded
against the roof. “I just mean we all grow up.
One day, it’s all art and communism. Now,
it’s about who has the most recent wound.”
“I fell on the road,” the rain said, holding
up a paw. Dirt graveled its palm. I offered
it a bandage. “It will only wash off,” it said,
which made sense. “Would you like something
to eat?” I asked again, but the rain shook
its head. The children were done, so we excused
them. “You can play video games until
the power goes out.” The rain glared. I shrugged
to show I was only being practical. “No one
appreciates what they need,” the rain said.
It was getting late. The steady drum was softening
our wakefulness. All of our hints died
in the thunder. We settled in for a long night.


Raised on a rice and catfish farm in eastern Arkansas, CL Bledsoe is the author of more than thirty books, including the poetry collections Riceland, The Bottle Episode, and his newest, Driving Around, Looking in Other People’s Windows, as well as his latest novels Goodbye, Mr. Lonely and The Saviors. Bledsoe lives in northern Virginia with his daughter.

The Writing Disorder is a quarterly literary journal. We publish exceptional new works of fiction, poetry, nonfiction and art. We also feature interviews with writers and artists, as well as reviews.



Leave a Reply