My First Dance
by Juanita Rey
This is what it looks like
to be dressed in
what a family can’t afford:
a chiffon dress,
blue as a lily flower,
wide lace,
vertical pleats,
new nylons,
creamy white shoes,
tight enough to hurt.
My mother remembers
when she first went dancing.
Her parents went without for her
on that occasion too.
It’s romance.
She figured we all
owe a debt to it anyhow.
Otherwise, there’d be none of us.
So why not owe more.
My father can remember
hanging out with his amigos,
all done out in hand-me-downs,
watching the cluster of la chicas.
on the opposite side of the hall.
He was brave enough
to ask my mother for a dance.
So she reckons the expense
will be worth it
if I meet someone half as fine
as the man she married.
Of course, mostly they argue these days.
But always in clothes they can afford.
My Street
Families, loners, occupy the tenements,
play in the park,
shop at the grocery store.
I’m sure there’s a story to why
all these people live where they do.
I’m learning it bit by bit.
Some have been here all their lives.
Others are just passing through.
Lots of folks sit out on their stoops.
If you want to know why they can’t get a job
then stop a while and listen.
Economy’s bad,
they tell me.
This city’s a crazy grid
of streets just like this one.
Except elsewhere
there’s different houses, different people.
So it’s not alike.
Some of the streets are better kept up.
Some look like battlegrounds.
Some boast fancier parks and grocery stores.
With others,
the playground’s littered with glass and needles
and, if they have a store at all,
it’s most likely boarded up.
I’ve seen people
sitting on their stoops
on block after inner city block.
But I only get the news
from the ones on my street.
The Whistle from Above
Are you pleased with yourselves…
I think the word is “voyeurs.”
Or is it “lechers.”
This is what comes of all these
English as a Second Language classes.
I have rid myself of el lascivo, el libertino
but then some would-be stud takes their place.
Okay, I get it.
I’m a piece of meat
with hair where it should be
and brown skin where it’s not.
And I have the shape
that corresponds with
someone’s momentary libido.
Now there’s a word that’s the same
in English and in Spanish.
So there’s no getting away from it.
But, to be honest,
a catcall, high up on a construction site.
has nothing to do with me.
From that distance,
my possibilities are endless.
Up close, I can only be so much.
BIO

Juanita Rey is a Dominican poet who has been in this country five years. She has worked many jobs while studying to improve her English. She has been writing for a number of years but has only recently begun to take it seriously. She enjoys reading. Gabriel Garcia Marquez and Toni Morrison are particular favorites. Her work has been accepted by 2 River View, Harbinger Asylum, Pennsylvania English, Petrichor Machine and Madcap Poets.



















DILANTHA GUNAWARDANA is a molecular biologist by training, yet identifies himself, as a wordsmith, papadum thief, “Best Laksa” seeker, poet of accident and fluke, hoop-addict, a late bloomer on all fronts, ex-quiz-druggy and humor-artist, who is still learning the craft of poetry. Dilantha lives in a chimerical universe of science and poems. His poems have been accepted for publication /published in Kingdoms in the Wild, Heart Wood Literary Magazine, Canary Literary Magazine, Boston Accent Lit, Forage, Kitaab, Creatrix, Eastlit, American Journal of Poetry, Zingara Poetry Review, The Wagon and Ravens Perch, among others. Dilantha has two collections of poetry, Kite Dreams (2016) and Driftwood (2017), published by Sarasavi Publishers, and is working on his third poetry collection and a book of haiku poems. Dilantha was awarded the prize for “The emerging writer of the year – 2016” in the Godage National Literary Awards, Sri Lanka, while being shortlisted for the poetry prize, in the same awards ceremony.
STEVEN RATINER has published three poetry chapbooks and his work has appeared in scores of journals in America and abroad including Parnassus, Agni, Hanging Loose, Poet Lore, Salamander, QRLS (Singapore) and Poetry Australia. He’s featured in the new anthology Except for Love – New England Poets Inspired by Donald Hall. The poems appearing in The Writing Disorder are part of a new full-length manuscript entitled The S in Sex. He’s also written poetry criticism for The Christian Science Monitor, The San Francisco Chronicle, and The Washington Post. Giving Their Word – Conversations with Contemporary Poets was re-issued in a paperback edition (University of Massachusetts Press) and features interviews with many of poetry’s most important figures.
Jerry Tyler is a “Contemporary Classic Writer.” His background ranges from LA Noir to Interpersonal Growth Counseling and is reflected in his style of writing. He is an in demand educator and facilitator for creative writing at Studio 526 as well as a world published contributing columnist in various genres.
George Cassidy Payne is a poet from Rochester, New York (U.S.). His work has been included in such publications as the Hazmat Review, Allegro Poetry Journal, MORIA Poetry Journal, Chronogram Magazine, Ampersand Literary Review, Pulsar, The Angle at St. John Fisher College and several others. George’s blogs, essays and letters have appeared in Rolling Stone, The Atlantic, USA Today, the Toronto Star, The Havana Times, Nonviolence Magazine, The Wall Street Journal, the South China Morning Post, The Buffalo News, Rochester City Newspaper and more.

Casey Killingsworth has been published in The American Journal of Poetry (forthcoming), Common Ground, COG, Two Thirds North, and other journals. He has a book of poems, A Handbook for Water (Cranberry Press, 1995), and a book on the poetry of Langston Hughes, The Black and Blue Collar Blues (VDM, 2008). He graduated from Reed College.
Luis Cuauhtémoc Berriozábal, born in Mexico, lives in Southern California, and works in the mental health field in Los Angeles. His first book of poems, Raw Materials, was published by Pygmy Forest Press. His other poetry books, broadsides, and chapbooks, have been published by Alternating Current Press, Deadbeat Press, Kendra Steiner Editions, New American Imagist, New Polish Beat, Poet’s Democracy, and Ten Pages Press (e-book).
Nanette Rayman, poetry books: Shana Linda Pretty Pretty, Project: Butterflies, two-time Pushcart nominee, Best of Net, DZANC Best of Web, winner Glass Woman Prize. Publications: The Worcester Review, Sugar House Review (newpages.com), Stirring’s Steamiest Six, gargoyle, Little Rose Magazine, isthmus, Scarlet Leaf Review, Red Wolf Journal, Seventh Wave, The Scarlet Leaf Review.
Laurinda Lind lives in New York’s North Country. Some poems are in Blue Earth, Dryland, Indefinite Space, New American Writing, and NonBinary Review; also anthologies Visiting Bob [Dylan] (New Rivers) and AFTERMATH (Radix). In 2018, she won the Keats-Shelley adult-poetry prize and the New York State Fair poetry competition.
John Califano grew up in Brooklyn, New York, and lives in Manhattan where he works helping at-risk parolees transition back into the workforce. He’s worked as a writer, actor, visual artist, and musician, and has performed in clubs, art galleries, feature films, and Off-Broadway productions. He recently completed NOTES FROM DOWN UNDER, a collection of poems, and JOHNNY BOY, an autobiographical coming-of-age novel. His work was recently featured in The Broadkill Review and The Willesden Herald’s New Short Stories Series (UK), as well as in Embark, an international literary journal for novelists.
R.T. Castleberry’s work has appeared in Roanoke Review, Santa Fe Literary Review, Pedestal Magazine, Comstock Review, Green Mountains Review, Silk Road and Argestes. Internationally, it has been published in Canada, Wales, Ireland, Scotland, New Zealand and Antarctica. He has poetry in the anthologies: Travois-An Anthology of Texas Poetry, TimeSlice, The Weight of Addition, Anthem: A Tribute to Leonard Cohen, Kind Of A Hurricane: Without Words and Blue Milk’s anthology, Dawn. My chapbook, Arriving At The Riverside, was published by Finishing Line Press in January, 2010. An e-book, Dialogue and Appetite, was published by Right Hand Pointing in May 2011.











