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The Writing Disorder is a quarterly literary journal. We publish exceptional new works of fiction, poetry, nonfiction and art. We also feature interviews with writers and artists, as well as reviews.

Elizabeth Johnson

Chartwell Manor

by Jennifer Elizabeth Johnson

 

 chartwell manor

 

“Forgive and forget all the while, love and pain become one and the same in the eyes of a wounded child”
Pat Benatar

 

*Some of the students’ names have been changed to protect their privacy.

 

Have you ever as a child, been so victimized by a caretaker that you carried the scar well into adulthood? Many of you have, so let me ask you this instead: What if you found out later on in life that other children had been terrorized to a greater extent than you had by that same person? Let’s add another layer: What if you suddenly learn that said perpetrator did prison time for some of the most egregious of his crimes? What would your emotional reaction be? Would you feel sorrow for those with the bigger scars? Would you feel relief or joy knowing that the abuser was punished? What happens when you realize that what happened to you could have been worse, and was for many others?

I went to a nightmarish, Kafkaesque boarding school when I was eight-years-old.   I was a terrible kid, unquestionably, and needed to be separated from my younger sister, Laurie, for her protection. I was a breech birth. I had tried to exit the womb butt first, folded into two slabs of infant meat, with my feet pressed against my head. There was an oxygen shortage and as a result, I had minimal brain dysfunction, which later resulted in a severe behavioral disorder. Or maybe it happened because I fell in the bathroom when I was still a baby and hit my head on the tiled floor, hard. Could it be that my preexisting condition was exacerbated by my father’s unforgiving parenting style? Whatever the reason, I was a monster, but these issues didn’t’t surface until I was two, which is when my sister Laurie came into the world.

According to my parents, I was jealous of the new infant, and I would act out in ways that they weren’t equipped to deal with. I would engage in frequent tantrums, throw things and punch holes in my bright pink bedroom wall. I stopped eating most foods, especially vegetables. My father’s version of this is that it did it all for attention, even though that attention came in the form of a beating. I preferred negative attention to none at all.

As I got older I didn’t get along with other children. Rumor has it that I threw a brick at another child, and that I wasn’t nice to animals.  But nobody suffered my wrath more than my little sister. My mother claims that from a very young age my father beat me mercilessly, and that I turned it around onto Laurie.

My parents’ marriage was an unholy union, to say the least. They fought constantly, and when I was five, my dad moved out, followed by acrimonious divorce proceedings. My mother had to take on the task of policing my sister and me on her own. After the divorce, my father moved to a slum in Piscataway, New Jersey, while we remained in Kendall Park. My sister and I only saw him once every other weekend, so my mother, for all intents and purposes, was a single parent. I can still remember a day when I was especially vicious to my sister. My mother was on her own with the two of us in tow. She needed to run a quick errand, and didn’t’t want to deal with the hassle of packing us up in the station wagon. I was seven-years-old and Laurie was five.

“Let me babysit,” I said.

“That’s a terrible idea,” my mother answered.

I begged. “Pleeeeeaaase? I promise I’ll be good”

Against what I suspect was her better judgment, she agreed. She was barely five minutes out the door when I was on top of my sister, who was lying on our grey velvet sofa, with my knees in her chest, pounding on her with closed fists and a dragon-like malevolence. For reasons I can’t recall, I really wanted to do damage. I was filled with an unidentifiable rage.

My sister’s harrowing screams must have been audible from outside the house because upon her return, my mother bolted through the door, made a B-line for the couch, pulled me off of my sister, and threw me to the floor. I don’t begrudge her that. I’d do the same thing as a parent. I still experience guilt for everything I did to Laurie, but that day stands out in my mind because I was so out of control, that I believe there was some chance I could have killed my sister if my mom had come home mere minutes later. It was a terrifying prospect for my mother. Geographical separation was the only effective solution, so at eight years old I was sentenced to Chartwell Manor for an undetermined amount of time.

* * *

Chartwell Manor, named for Winston Churchill’s estate, was located in the town of Mendham, New Jersey in Morris County. It was run by Terrence and Judy Lynch or as I like to call them, The Lynch Mob. I did three years time there before I was released. The headmaster was a sadistic British man in his thirties. He wore wire-rimmed glasses, spoke in a thick British accent, and had dark hair perfectly parted to one side. His body was slightly rotund and he had a round, cherubic shaped head, which gave him a deceptively innocuous appearance. We were instructed to refer to him only as “Sir”.

His wife Judy was a very large and curvy American woman. She had enormous breasts, a macro-booty and always wore a big, dark brown bun on the top of her head.  She wore form-fitting, dark colored dresses.  I had never seen such a big derriere in my entire life. Her hips moved so much when she walked it was easy to picture her shimmying down a narrow corridor, swinging them left and right, hitting the walls each time. She was cold, stoic and just as intimidating as her husband was. She rarely smiled, and sometimes beat the girls viciously. Although I never witnessed it first hand, one student claims that they saw her beat a girl with a riding crop for what felt like an eternity. Another stated that he and his friend looked on helplessly as she punched a twelve-year-old girl in the face, knocking her to the ground for the alleged crime of having kissed a boy. Judy wore a large diamond wring in the shape of a crystal doorknob, so her punches did some damage. Every time she entered a room, most of us were in the habit of disappearing, whenever that was an option.

 

chartwell manor

 

“Sir” would have made a great post-apocalyptic dictator. It wasn’t until I was much older that I realized just how unhinged he was, and only very recently I discovered that he was far sicker than I had previously imagined.

I can still conjure up a pretty clear image of the day I was taken there for the interviewing process.  We stood at the top of his majestic, sanguine colored staircase as he smiled at my mother and I with that phony, Muppet-like joviality. He looked a little to Pillsbury Dough Boyish for either of us to sense any type of peril.

The large, stone mansion was regal and elegant, stunning to some, I imagine. The building contained The Lynch’s living quarters, the classrooms and the boys’ dormitory. The foyer was huge, with classrooms to the left and a large dining hall to the left of the classrooms. Elegant French doors connected all three sections, and French windows graced the entire building. So did chandeliers.  Red carpet covered every room in the building except for the dining hall and classrooms, which had painted brick and hardwood floors, respectively. The carpeting gave the place a Stephen King like quality and seemed to reflect The Lynch’s blood lust. It extended from the foyer to the double, wrap around, mansion style stairs, to all of the second and third floor hallways, which featured Sir’s office, the Lynch’s apartment, a payphone, and boys’ dormitories.

“Have you ever been to sleep away camp, Jennifer?”, Lynch asked me. I smiled and nodded. “Well this is a lot like that,” he said, grinning.

It turned out that except for the element of living away from home; it was nothing like sleep away camp. I had lived in several summer camps. I remember arts and crafts, roasting marshmallows, volley ball games, campfires and the lush greens of Pennsylvania campgrounds. I don’t remember ever having been beaten or humiliated by a person of authority at such a place.

As I ran in circles around the majestic staircase I overheard Mr. Lynch tell my mother, “Our specialty is hyperactives.” or something to that effect. As his eyes followed my frenzied little feet scurrying around, it didn’t occur to me at the time that he was probably thinking about the beating he’d be giving me, had not been for the presence of my mother. He saw a wild beast in me. I was the shrew, and he was damn sure going to tame me.

The boys outnumbered the girls about five to one. There were approximately sixteen girls and eighty boys, so the girls lived down the road in a separate little cottage, which was actually a five-bedroom house. Each room except for our housemother’s was color themed. There was a red, orange, green, and purple room. The walls were white, but the bedding and carpets had a color scheme. I lived in all of them at one time or another. There was a payphone for collect calls in the downstairs hallway.

The girls’ dorm was a kind of hell in and of itself, despite the lack of “Sir’s” presence there. There was only one bathroom where the older girls picked on me constantly; always trying to force me to take baths I didn’t think I needed.  They called me names: “ugly”, “greasy hair” and others. We had a lovely housemother named Barbara Sainsbury for a brief time during my tenure there, but Olga Reimer, who was far more unpleasant than any of my coeds, soon replaced her. What a nasty old hag Olga was.  She was also British, but much older than the Lynches. I don’t know what her relation to Sir was, but she was a pretty good stand-in for him in terms of excessive discipline. I remember wondering what was wrong with British people, having had such limited exposure to them at that time. I can vaguely recall her dragging me by the hair on more than one occasion. She loved to tell me what and idiot I was. “You’re an idiot, Jennifer. You really are. You really are an idiot!” she’d say in a piercing, high-pitched voice and hoity British accent.

 

chartwell manor

 

In the beginning, I went home every weekend. I’ll never forget the first time I returned Sunday night sobbing in my mother’s car. My mother had moved us New York City, so it was a little over an hour’s ride to the school. After we drove up the long winding driveway and past the snow covered forestry that spanned the distance between the girls housing quarters and the mansion, I begged my mother not to leave me there. I wouldn’t even know how to describe the feeling of terror and abandonment. Mr. Lynch had no love for me. My mother had to drag me to the door and drive away as quickly as possible.  Later that evening, I called my mother, still sobbing. Much like prison, collect calls were the only option.

I would dial zero and the number and when the operator came on line I’d say. “Hi, I’d like to make a collect call, my name is Jennifer.”

My mother always accepted the calls when she was home, at least it seemed that way. But she was back on the dating scene, so sometimes she was out and some babysitter would answer the phone. I hated those nights. On this particular evening I made the mistake of calling my mom from the mansion payphone, just down the hall from Sir’s office and the couple’s apartment.

“Mom please don’t make me stay here. I hate it here. I’m so homesick and they’re so mean!’’

“You’ll get used to it Jen, I promise. It’s just going to take some t…”

My mother barely made it through a sentence before Sir grabbed the phone from my hand and demanded that I go wait for him in his office. As I headed in that direction I heard him talking to my mother.  He was eerily composed. “No worries, Mrs. Johnson. Jennifer is just a little agitated right now. I’m going to try and calm her down.” He hung up the phone.He stormed back to his office and began striking me left and right, mostly on my head and face. “How dare you make a scene like that?!” he told me. I begged him to stop hitting me and finally, after about five or six blows he shoved me out of his office. I practiced what I would say to my mother the next weekend when I went home again. This man was lying to parents. Surely, she would understand that this gulag was no place for her daughter.

Well I wasn’t withdrawn; in fact I started spending most weekends there. My parents decided that I needed to get used to the place, and that taking me home to be with my Mom or Dad was just too disruptive. I’m fairly certain Mr. Lynch was behind this decision. Like most sociopaths, he could be extremely charming and convincing when he had an agenda. Parents saw an entirely different person than we did.  They saw Fred Rogers. We saw a draconian prison guard. Lynch could be so charming at times that many parents donated money to the school on a regular basis, and one student even told me that her mother had put the Lynches in her will. My mother believed that Mr. Lynch was a good disciplinarian who was acting in my best interest, and that my tales were just the result of the active imagination of children.

My mother was wrong, and I made all of my future calls from the girls’ dormitory. Shortly after my escape at age eleven the school was investigated for allegations of child abuse.  In the year of 1976 Lynch’s accusers were unsuccessful in their pursuit of justice. What I discovered recently is that school did eventually shut down in 1984, when I was nineteen years old, after the headmaster Terrence Michael Lynch was sentenced to fourteen years of incarceration, for the ritualistic sexual and physical abuse of young boys. There is also a great degree of speculation that some of the worst abuses were never brought to trial and remain undocumented: incidents including sex trafficking and the creation of child pornography, which was all said to have taken place during Chartwell’s annual excursions to Europe.

Lynch only served seven years of his sentence and was released in 1997 only to become a volunteer at a Beginnings, a substance abuse rehab center where he molested grown men in a similar fashion, in spite of the fact that he was branded under Megan’s Law. Apparently, he wasn’t only a pedophile; anybody vulnerable was fair game. As reported by Kevin Coughlin, of The Daily Record a local Morristown paper, in 2009 three survivors of Beginnings received a total of 780,000 for the abuse they endured under Lynch’s care. More will be revealed later in the essay, but if you’re feeling curious, dubious, or impatient here is one of the sourced articles:

No Spank

* * *

If I had to choose a room at Chartwell as the most ominous place on the campus, I’d have to go with the foyer. We would all stand there downstairs, on that god awful crimson carpet, lined up according to grade in our school uniforms for what Sir called assembly. The uniforms were absurd: navy blue blazers with the Chartwell Manor insignia, with grey skirts for girls and grey slacks for boys.  Both sexes had to wear a tie. I looked ridiculous standing in front of the mirror. Who dresses like this? Was this a British thing too? Mr. Lynch would stand at his podium in all of his eccentric glory, and preach to us about nonsense.

 

chartwell manor

 

Assembly met several times a day. Of all the images of rooms at this school this one stayed with me the strongest, because it’s where Mr. Lynch was the least restrained and the most venomous. It was in this room that Mr. Lynch repeatedly subjected us to his terrifying psychobabble, knowing full well that many of us were too young to understand it. There was nowhere to go and nothing we could do about it unless we wanted beatings, so we would stand there and listen to him, until he dismissed us.

He was our personal evangelist preacher, only unlike a TV evangelist; we didn’t have the option of turning him off. I didn’t understand most of what he carried on about, but the gist of it was about debauchery and disobedience, and the subsequent consequences. Just like any talking head on The 700 Club, he used fear and propaganda to keep us in line.

He would start with a stern yet serene tone of voice, and then get progressively louder and more delusional, waving his hands around while he yelled about drugs, lust, or whatever his scourge du jour was. One of his favorite topics was the benefits of corporal punishment. He never tired of hearing himself “reassure” us that he beat us out of love.

I’ve been interviewing former students, and many of them actually believed that Lynch’s declarations of affection were genuine. While they feared Sir, they also considered him a father figure, and felt desperate for his approbation. According to some of the boys I interviewed, this betrayal of trust was perhaps the most detrimental aspect of the abuse. The pain that some carried around later in life was so unmanageable that many suffered from Stockholm Syndrome, with memories of the abuse repressed well into their twenties and thirties. A few former students responded to my research with reactionary contempt, which I can only imagine stems from the pain associated with these memories, and the need to suppress them.

Beyond the usual “If I don’t beat you, you won’t learn, and if you don’t learn you won’t survive in the world” bullshit, I mostly just recall random words during these assemblies. The only other word group that comes to memory was “Fuck fuck fuck! Lovely, lovely!” His hands seemed to fly every which way as he said it. He was trying to make a point about how ugly curse words were, and what sinners we all were for using them. Other words that I recall hearing were “sin, lust, bedlam, anarchy, drugs, honor, whore, virgin, pure, slut, zeppelin, woman, and temptation.

Terrence Michael Lynch was the first to teach me about the virgin/whore complex. As far as he was concerned girls should be “pure.” He spoke with great contempt about a girl from his school days called “Mattress Mary” who he referred to as a “slut.” The oldest students at Chartwell were 15-years-old. Since teenagers are wired to be both sexual and curious, some heavy petting was inevitable, and occasionally one of the female students was made an example of, in the worst way imaginable. First they were slut shamed in front of the whole student body, and then beaten. I can’t remember the exact words Sir used, but at eight-years-old I knew what a tramp was, and I knew that you could only be one if you were a girl.  I also knew that if you did happen to be one of the girls caught in some teenage dalliance sanctioned by Mother Nature, Sir would convince the rest of us that you were a Jezebel of the worst kind, capable of the darkest of sexual transgressions. Yes, we were the perverts: Projection in action: Calling Dr. Freud! What occurs to me now is that Sir was jealous of girls, because they were the object of the boys’ affections. Judy Lynch was said to have done routine “virginity checks” on some of the older girls. Officials tried to make a case against her as well, but the state lacked witnesses who were willing to testify.

I can’t remember which fundamentalist brand of Christianity Sir embraced, but in light of the fact that I now know that was a convicted sex offender, it’s so much easier to connect the psychopathic dots. It’s fairly common knowledge that there is a strong link between sexual repression and sexual deviation, and the more an orator follows the narrative that “sex is dirty and shameful” the bigger pervert he either currently is, or is destined to become. You know the saying: “Me think thou art protest too much” or something like that. While I attended Chartwell there were at least two girls who were either expelled or withdrawn for sexual “indiscretions”. The official story was that they were expelled, but I knew what a pathological liar Sir was, so I questioned everything.

Dianna Carrington and Courtney Abbot both left Chartwell Manor for these reasons, but not before they were branded with both a physical and psychological Scarlett Letter. Bruising students was commonplace. I remember going home with a giant bruise on my ass, although on that particular occasion it was Mrs. Lynch who had savaged me. My mother was strangely unaffected when I showed it to her. Shortly after Dianna left, her parents decided to take Sir to court. They were not impressed with the welts on their daughter’s backside. The girls were set to be witnesses. Some time before her parents were scheduled to come The Lynches pulled all the girls into a classroom for “rehearsal.”

“Miss Carrington’s parents are going to ask some of you some questions.” Sir told us. “They’re going to ask you if we beat you here and you’re to tell them that we don’t. Is that clear?”

We all nodded in agreement. Nobody was going to martyr herself to this cause. Thankfully, Dianna’s parents never approached me.  I don’t think I would have been brave enough to tell them the truth.

* * *

Assemblies were bad enough when Sir just went on some random diatribe, but once in a while he required an actual victim: someone to accuse, mock or terrify for no good reason.  I can remember at least two times when I was the victim of choice.  I was one of the students he hated, so I was targeted disproportionately. Nothing was more dreadful than being singled out as this man’s personal plaything, especially in front of the whole school. I had seen him do it to others.

Even at eight I was enough of an independent thinker to know that something was horribly wrong, even when he targeted other students. I had seen him make an announcement that someone clogged up one of the boys’ toilets, and then look around for a scapegoat. It didn’t take him long to point to a eleven-year-old and say “Mr. Green, you have a very guilty look on your face! Go up to my office and wait for me.!“ This is how Mr. Lynch adjudicated our alleged crimes. Apparently, he wasn’t a big fan of the American justice system, where actual evidence is required before a sentence is passed.

Not much later, I was accused of a more serious crime. During the weekends most of the students went home, so the girls would sleep in the empty boys’ rooms in the mansion dormitory. During such a weekend, a male student’s belongings were ransacked and his musical apparatus was smashed. I knew nothing of it and had nothing to do with it, but damned if Il Duce let that get in the way of administering his own special style of justice.  After he ranted about the alleged vandalism that took place, he announced without hesitation that I was the guilty party.

“Miss Johnson!” he said. “You broke that boy’s radio just because you didn’t have one of your own! Get up to my office! We’ll be docking your student account to replace it!”

So just like that I was simultaneously losing money, having the entire student body turned against me, AND I was getting a beating? The combination of rage and fear I experienced was unimaginable, because I was so angry I wanted to kill him, but also so terrified all I could mutter was “But I didn’t do it! It wasn’t me! It wasn’t me!” which as you can imagine, was not effective.

I never went up to his office so I didn’t receive that beating. I refused to get a beating with a wooden hairbrush for something I just didn’t do. Luckily, he had so many other kids to beat or violate that day that he must have forgotten about it. I later discovered that it was commonplace for some of Lynch’s former victims to return to the school, often in a drug or alcohol addled state, in order to vandalize the property and steal cars, money and other things. In all likelihood I was taking the rap for someone Lynch no longer had access to.

One of final acts of retaliatory vandalism against the Lynchs: Terrence and Judy’s gravestone was “christened” by a former student.

Calls to my mother were frequent. “When can I come home?” I asked after returning from Thanksgiving break. My homesickness was always worse after visiting my mom or dad.

“Christmas,” she said.

“Christmas?” I asked. “Christmas is like six weeks from now.’’

“It will go by fast, you’ll see,” she said.

Sometimes I begged her. “Let me come back home,” I’d say. “I promise I’ll be good.” But she’d heard that before.

Christmas break would come and go with all the excitement and subsequent heartache that came with seeing family for only a couple of weeks. Christmas and summers were the longest breaks I got from Chartwell, but the longer I was home the harder it always was to go back, although after the first year I was more resigned to the sadness.  I believe the psychoanalytic term is “learned helplessness” It wasn’t like my parents were going to listen to me anyway.

The aforementioned bruise was a consequence of smoking. At the time I lived upstairs with the older girls: Karen, Anita and “slutty” Courtney. There were four of us in the room, and sometimes some of the boys would sneak down from the mansion to the girls’ dorm in the middle of the night. We had a ledge right outside our window, where the boys would hang out, although I have no idea how they got up there in the first place.  My roommates and the boys woke me from the deepest of slumbers. I let out a grunt. I was tired.

“Go back to sleep. You’re dreaming,” Courtney would say over and over again. Eventually I was fully awake. There wasn’t much point in trying to sleep. The girls were all up smoking and talking. I had little interest in smoking at the time, but Courtney said “She’s a witness, so she has to take a security drag.” So I did. I sucked on a cigarette and blew out the smoke immediately without inhaling. The very next morning after my roommates had gone Olga entered the room to do some cleaning and began sniffing.

“I smell cigarettes. Jennifer, were any of the girls smoking in here? I had intended to lie, but became so nervous I just gulped a little and then heard myself saying “Yes” in hesitant, almost whisper like tone.

Later that day all four of us were beaten with the wooden side of a hairbrush. We all sat in the Lynch’s living room and when it was our turn, Mrs. Lynch took us to their bedroom and ordered us to lift our skirts and pull down our underwear. She remained very quiet during the beatings. She hardly uttered a word the entire time we were all in there. Sometimes the quietist villains are the scariest. When my turn came around I tried to block the first blows with my hands, but that hurt just as much. The burn on my ass was intense and I screamed. It was the worst pain I’d ever experienced. I’ve never been so relieved as I was the minute it was over. I don’t know how many lashes I received, probably about ten, but I believed that the grapefruit size bruise that spanned both cheeks had a story to tell.

Child protection laws rendered it illegal to leave long lasting marks, especially bruises. I don’t remember how, but I was familiar with these laws, so I assumed that naturally, this would be the tipping point for my mother. She couldn’t ignore bruises like that, could she?  Her reaction to the bruise was similar to all of my other complaints of abuse. “What did you do?” or “I’m sure they didn’t mean to leave a bruise like that.” I think she felt trapped and conflicted with her lack of choices, which caused her to ignore inconvenient truths. How else does one justify such victim-blaming statements?

On another occasion Sir saw fit to humiliate me during an assembly, for no reason in particular. He was explaining that a new girl from a foreign country had just become a student, but didn’t speak any English.

“You have to talk softly to her,” he said. “Not like Jennifer Johnson. Don’t say ‘Helloooo!’” he said, while making loud, guttural sounds, as though he were mimicking an actual monster. The students laughed as I teared up. It didn’t seem to matter that I was the new girl’s only friend, and had been spending my free time taking her around, pointing to objects and saying them in English so she could repeat and learn, which she seemed to greatly appreciate. I was absolutely mortified. After the laughter died down he asked,  “Is Jennifer crying yet?” with a big shit eating grin on his face. To his great satisfaction, I was.

Mr. Lynch did this to me on more than two occasions, but these were the most memorable. Perhaps my behavioral problems were so severe that I deserved a beating now and again. But I can’t recall any “fair” beatings.  Justified disciplinary actions are far less eventful than flagrant acts of abuse, so the abuse what I remember.

The thing is, I knew he was wrong. I knew that what was happening to me was not normal. I knew it was unjust. I often wonder if this has something to do with the fact that I was raised without religion. Most kids accept what happens in their childhoods as the norm, but I had a better bullshit detector than most, and I wasn’t even remotely impressed with fake father figures with misguided God complexes. I hated the man, through and through. I understood his intentions.

* * *

I can’t remember why, at the age of eleven I was finally withdrawn. Maybe my mother’s guilt got the better of her, or maybe she believed that I would be less violent after living in such punitive, despotic circumstances. I honestly don’t recall many the details of my visits home because as bad as they might have been, it was always better to be home. For this reason, I can’t reliably tell you if I struck Laurie less often or with less malice during visits home or after my tenure at Chartwell. What I can tell you is that I was still a very angry child, probably more so than I had been previously.

What I didn’t figure out until adulthood was that the man was just bat shit crazy. Before that, I was too busy reflecting on how evil he was and how much he had hurt me.  I didn’t have the emotional resources left to consider his illness.  After some processing, the guilty verdict remains in tact. I have no pity for the man and his sickness.  He’s harmed too many people to cash in on any of my empathy. As one victim stated,  “ The ruined lives this guy is responsible for is staggering.”

Brendan Burt was a student in the early eighties right before the school was shut down. He told me that Lynch would routinely bring him into his office, order him to pull down his pants, fondle his genitals, penetrate his anus with his finger and then beat him. He also informed me that on one occasion Lynch threatened to break his mother’s arm if he told anyone about the abuse, and that sometimes after beatings Lynch would congratulate him for “taking it like a man.”

Perhaps one of the most disturbing accounts revolved around a year long epidemic of bowel incontinence that took place in the boys’ dormitories. According to Brendan, some of the boys were defecating in their beds, and the afflicted students were all assigned to designated rooms. “Those rooms should have been quarantined,” he recounted, since the odor was so foul. None of the girls were affected, which suggests it was not the result of a contagious illness. At first I thought it must have been caused by rectal damage resulting from sodomy, but an equally plausible scenario is that it was psychosomatic; students were soiling themselves to keep Lynch away from their rectums. Apparently, some students just stopped wiping themselves after a bowel movement, probably to the same end.

I understand that Lynch died in 2011 after becoming very ill during a trip to Cuba. The official story is that he went there with a group of missionaries, but it is widely suspected that this trip was intended as a sex tour for pedophiles, although I cannot confirm or deny this.

* * *

The worst part about this for me is that my mom had always been dodgy when it came to being accountable for having sent me to this school in the first place. We had blowouts about it every Christmas for a while, until my stepfather Phil, made a point of convincing my mother to accept some blame for what had happened.

I remember wailing, sitting on our soft off-white sectional sofa, all facing one another surrounded by ravaged gift-wrapping paper and an all-white-lit Christmas tree several feet away.  I don’t remember how the conversation started, but I remember saying something like “I came home with a huge bruise on my ass and you sent me back!”

“How do you know you had a bruise? How could you see it?” Yeah, she really asked me that.

“In a mirror!” I said

“What mirror?” my mom answered.

At this point my stepfather Phil intervened. “Gretchen!” he said with a shocked look.

This was the Christmas that put this subject to rest. By her own admission, Phil was the only man my mom ever really loved. She didn’t love my father or my first stepfather. Phil was her one and only true love, so his opinion mattered. My mom realized that this was the time to stop belittling me, and take my complaints about Chartwell seriously. I was about twenty-two or twenty-three and this was the first robust apology she’d ever given me. It was heartfelt, and all I ever needed from her.

“I’m sorry Jen, I’m sorry I sent you to such a horrible place. If I had to do it over I would choose another option. I wish I could take it back, but I just can’t. I was a young mother and I didn’t know how to control the situation. I had no support from your father or anyone else. The seventies were a very mother-blaming era. I thought I was doing the right thing at the time.”

There was truth to a lot in that. They didn’t know then what they know now about ADHD. Every time there was something wrong with a kid it was just assumed that the mother was fully culpable. My mother was working full-time, taking care of my sister, and going through rancorous court proceedings with my father regarding retroactive, unpaid child support. Consequently, she had deluded herself into thinking that a military type environment would protect Laurie for a time and set me straight. She was correct about the former, but mistaken about the latter.

* * *

I googled  “Chartwell Manor boarding school abuse” just recently, and several articles popped out at me. In the internet age with so much information at my disposal, I wonder why I never considered doing this earlier. All these years it was just a button tap away. It might have given me better clarity into the depths of Lynch’s twisted inner workings.  I guess I thought it was all behind me.

According to an article published in 2006 by Peggy Wright also from the Morristown, New Jersey Daily Record, boys were routinely lined up naked, beaten, and molested through various ceremonial manifestations. As Wright points out, Michael Uhl described Lynch as having “a forceful, hypnotic quality that compelled students to obey him, even when he bent them over his knee to beat them with a slipper, his hand, a brush or paddle”.  The article also explains that Lynch “went to prison for seven of a 14-year sentence for sexually abusing boys by spanking them, squeezing their genitals, or giving them enemas.”

I spoke to Mr. Uhl on the phone for five hours recently. Due to the statute of limitations, Uhl was the only student from our era to successfully sue Lynch. His lawyer argued that the memories of the abuse were so painful that Uhl had repressed them until his twenties,

so effectively that he was sending Lynch yearly Christmas cards, even after he had been incarcerated for his crimes. Lynch used various techniques to indoctrinate students. What I remember specifically is being forced to watch the Sidney Poitier movie “To Sir With Love” every year. I also remember graduation ceremonies, where graduates were forced to sing “Thank You Very Much” from “A Chorus Line”. Our yearbooks were filled with self-aggrandizing statements written by and about Lynch in the third person. The pervasive theme in all these examples seemed to be the unending gratitude we should all feel for a person who was essentially, our kidnapper.

Some of Wright’s anecdotes came from students like Andrew Fleisig who claimed he got a “bare-bottomed spanking” just for crying when he arrived at Chartwell for the first time. Sound familiar? Student Glenn Head, who attended Chartwell around the same time I did, claimed that Lynch was fond of “beating the boys, and then cuddling them when they cried.”

Some students claim that they were commanded to masturbate in front of Lynch, while others say that he forced them to perform oral sex on him. Still others have stated that Lynch sodomized them. The school offered an annual trip to Europe for one thousand dollars, which was a lot of money at the time. My parents were broke, so I never went myself. In retrospect I’m grateful for my parents financial limitations, because some-of the worst abuse was said to have occurred on these trips. Since laws regarding the consumption of alcohol are more relaxed in Europe, Lynch allowed the students to drink beer and wine. One student claimed that he was drugged, raped and filmed by a group accompanying Lynch. That student has since committed suicide. He confided in Uhl about the incident, and for this reason I am unaware of his identity. Since then, I have heard of at least four other boys who took their own lives sometime after leaving Chartwell. I did specifically seek out information about suicide in my research. This was all mentioned to me through casual conversation. If you consider the fact that the percentage of former students who are in touch with one another is a mere fraction of all Chartwell alumni, it would be logical from a mathematical standpoint to assume that there were many more, perhaps dozens who took their own lives.

Many students such as Sam Jacobs and Kevin Steiner struggled with substance abuse. Some became criminals. Kevin Steiner died in a car accident, during which time he was in and out of rehab and stealing cars. At one point he stole Lynch’s cars. Sam Jacobs became a convicted rapist at the age of 14, mere weeks after Lynch had sodomized him.

Brendan internalized the blame and engaged in self-sabotage in the form of heavy drug abuse. He didn’t know why until the age of 30, when visions of Chartwell were revealed in a dream. “I barely slept for the next three years,” he told me. Both Mike Uhl and Brendan Burt had managed to keep the memories at bay until adulthood, but in both cases all their recollections came flooding back in a single defining moment, like an emotional tsunami. In Uhl’s case it occurred when Lynch sent him an odd, metaphor riddled, parable from prison, which contained a strange message about embracing victimhood.

But Lynch abused children even before the creation of Chartwell Manor. Bill Moore was a Jewish sixth grader in the 1960s at Somerset Hills School in Warren, Somerset County where according to former teacher Jerry Amedeo Lynch was fired when the owner discovered he was spanking children. The sexual abuse was only discovered after Lynch left, when students felt safe enough to start talking.  Not only were students beaten, forced to parade naked together and selected to cuddle in bed with Mr. Lynch for intimate TV time, Wright explains how Moore described a scene to him where “Lynch would hold part of a comb to his upper lip and imitate Adolf Hitler.” In 2006 Lynch volunteered at an adult rehab center called Beginnings where he molested men, presumably because he no longer had access to children.

His Beginnings victims say he posed as a real doctor to facilitate molestation, and asked to be called “Dr. Mike” In an ironic twist; it was Lynch’s parole officer that landed him the position at Beginnings, on account of his “experience” as a headmaster, in spite of his status as a registered sex offender.  Lynch pleaded guilty to three fondling charges, after which he did spent only ten months in a county jail. The short sentence probably had something to do with how well he was well connected with the local police, to whom he gave expensive bottles of scotch every Christmas.

* * *

The year of 1984 completed almost two decades of Lynch abuse that fell under the radar of law enforcement. I was nineteen that year, and wished I’d heard about his incarceration then. It might have given me some closure earlier. I also might have been able to write this essay while the Lynches were still alive, exposing them to the entire country. I had never realized that I was actually one of the lucky ones. There are undoubtedly countless survivors as well as causalities.

“Sir” Terrence Michael Lynch is dead and in the ground, but his legacy of tyranny will live on a long time. According to extensive psychological research, it is likely that many victims’ stories will bleed into generations of families to come. Jacobs is a case in point.

After a great deal of research I discovered that Sam started sexually abusing girls in early adolescence and at fourteen, raped a girl at knifepoint. According to Sam, Lynch had attempted to sodomize him shortly before, but was unable to complete the act, because Sam screamed so loudly from the pain that Lynch retreated for fear of exposure.

“He would beat me, molest me, and then rub my butt and tell me how much he loved me,” Sam told me. “He was like a father figure.”

“That’s probably what fucked you up the most,” I said.

“It definitely is,” he responded.

Sam committed his first offense as an adult in the year of 1977 and spent ten years in prison. As far as I’m concerned, this is Lynch’s handiwork. I don’t excuse Sam for his behavior, as I believe he made a choice to rape. I firmly believe however, that he would not have become a rapist if it weren’t for the years of abuse he endured.

Sam was released from a treatment facility in 1987 and in 1994, married and had a daughter, but was divorced shortly thereafter on account of heavy drug and alcohol use. He was re-incarcerated from 2002-2006 on a stalking charge. According to court documents from 2006 and 2009, Sam was sentenced to remain at a sex offender treatment facility under a civil commitment mandate, in spite of the fact that he had completed his prison sentence and hadn’t committed an actual sex crime in decades.  Because of the stalking incident, the court decided that he was still a sexually violent predator, even though the stalking charge was ruled as a non-sexual. He is still being detained today.

Sam and I talk on the phone a lot these days.  He told me that Lynch abused him sexually, physically and emotionally with frequency and severity. “ I don’t hate women,” he told me. “When I raped those girls I never really wanted to hurt anybody. Some of them fought back and I let those girls go, because I didn’t want to be violent. I didn’t realize that rape was violent or harmful. I was insecure and didn’t know how to talk to girls. Lynch took away all my control. I thought this was the only way to get it back. I thought it was the only way to prove that I was a man.”

“Didn’t your victims cry?” I asked him.

“No, actually, they just begged me not to hurt them. I told them I didn’t want to hurt them. During my incarceration I underwent a lot of therapy. It wasn’t until then that I realized what kind of damage I had done. Before that, I actually believed that they enjoyed it. I even went down on a few of them before I raped them, so it could feel more like seduction than rape”

Earlier, I had sent Sam a heartfelt letter along with a copy of my latest version of the memoir and some copies of articles regarding Lynch’s incarceration. He said that the pictures of Lynch in the article filled him with terror and that he cried when he read my letter. I don’t think he is accustomed to people treating him with empathy.

“Sam,” I said. “You do realize that when your victims see pictures of you they have the same visceral reaction. You get that, right?”

“I do now,” he said. “I really regret hurting those women. I was an asshole.”

Sam Jacobs was a handsome, young boy. When he was only four years old his father put him in Lynch’s care at Somerset Hills where Lynch was then headmaster. After Lynch was fired from Somerset and created Chartwell Manor, Sam’s father allowed Lynch to take his son with him. Research conducted over a number of years indicates that a child’s conscience and capacity for empathy is not fully formed before the age of six. Some people remember a very different Sam Jacobs than the one that the psychologists, lawyers and inmate staff know today.

The Sam Jacobs I briefly knew as a kid was sweet and playful, never mean spirited; at least not to me. There were plenty of bullies there. He was not one of them, despite the fact that I was an awkward, skinny little girl with buck teeth, six years his junior, who was bullied by many. Amedeo, who was also Sam’s teacher from Somerset recalls Sam as “a great kid.” Lynch robbed Sam of both his innocence and humanity. He never stood a chance. His tragic story gives a whole new meaning to the phrase “school to prison pipeline”

So how do I think and feel, now that I know what I know? I’m sad for his male victims, but thankful that he didn’t molest girls, at least as far as I know. As unpleasantly as I experienced those three years, I take comfort in the fact that I wasn’t a young boy or teenage girl at Chartwell Manor. I now wonder how many former students have become pedophiles themselves. I’m happy Lynch did some hard time, but I wish it had been longer. I’m disgusted that a registered sex offender was given the freedom to abuse again with such apparent ease and negligent oversight.

How many other victims are now out there hurting people? And who will their victims hurt? How many lost, broken Lynch souls are running amok without refuge? These are questions few of us can answer. We only know that the infamy of the man we knew as “Sir” and “Dr. Mike” is likely to live on well after our lifetimes, and that is the most unsettling aspect of all.

 

 

BIO

Elizabeth JohnsonJennifer Elizabeth Johnson has a BA in sociology, studied creative writing at Austin Community College. She currently lives in Newark, New Jersey. She’s lived in five countries and is a cinephile who believes that dubbing movies in another language is a grave crime against art. She wishes Bernie Sanders was her father.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Bloodline

by Janet Damaske

 

 

My mother had the best set of legs; anyone who ever saw them would agree. They didn’t see much sun and they didn’t go on forever like some great legs do, but they were dancer legs, always working, twirling, pointing, flexing, barely ever still.

When she got the call that her cancer had come back for the third time, she and I were standing in a subway station. When I saw her face fall, I sat down on a bench and lowered my head, my eyes resting on those legs. They were still for longer than a moment. But when they started moving again, her body stayed still and her left leg straightened and stiffened, while her right leg swung forward, kicking back, toe pointed. I heard her words, quietly spoken, but kept my eyes on those dancing legs and hung onto a shred of hope.

My daughter Grace, now 4, got her Grammy’s legs. They have more definition than one would expect in a tiny person, solid little calves, a miniature version of my mother’s, with the right calve a bit larger than the left. Her legs do not work with the skill that my mother’s did and her toes are never pointed, but they move just as fast and often. Legs pumping, arms flailing, she dances and skips and she runs, towards me, away from me, sometimes stumbling, always counting on me to steady her, no matter where I am.

Grace and Mom missed each other by six months and seven days. I took the pregnancy test in the hospice house where my mother was dying of ovarian cancer. She cried and then laughed: “I bet that’s the only pregnancy test that’s ever been taken in this place.” It was April then; we thought if only she could make it to Christmas, she’d get to meet my second child. But she was gone by May.

In the weeks when my mother lay dying, Grace was taking form – her heart pumping blood; her brain and spine developing; her tiny nose, toes, fingernails, all brand new. I cannot decide how I feel about this, that at the precise time my mom’s heart was slowing pace, as her body was shutting down for its final rest, Grace’s was booting up. The little girl whom Mom and I had spent years envisioning slipped right past her Grammy, leaving me hopelessly shouting, “You missed her! You missed Grammy! She was JUST HERE!” And to Mom, “Tell me you can see this child. Tell me you aren’t actually missing this.” One is here and one is not.

And now, I see my mother’s legs and her petite hands and her long, narrow fingers and the walnut shell shape of her eyes in my 4-year old girl. I wrap her folded hands in mine and cup them to my face, breathe her in. I never meant to see my mother in my daughter, but I do, and I am grateful, but also troubled.

My mother got her good looks and her hot temper from her mother. Her love of music and her nervous energy came from her father. And, it seems, the mutated BRCA2 gene that we discovered in the years before her death came from him as well. This imperceptibly small error lay along the Chromosome 13, where one particular gene, whose job is to suppress certain cancers, breast and ovarian among them, simply does not work. The BRCA gene ended my mother’s life long before her body should have ever shut down.

I can’t say I was shocked to learn years after her death that the exact same mutated gene ended up on my own Chromosome 13. I have her green eyes and her inability to lie and that tiny dimple at the top of my left ear. I have her nervous energy and I have her bloody BRCA2 mutation, and I have a terrible suspicion that my daughter does too.

“Will Grace have to do what you did?” My 7-year old son asks on our way home from karate.

He refers to my double mastectomy and my bilateral salpingo-oopherectomy, though he doesn’t entirely understand what he’s asking or what’s gone on. My breasts and ovaries and fallopian tubes are gone now, but that doesn’t mean a whole lot to him. He has been told there will be no more siblings, which he’s responded to with relief more than anything. And he knows that if he puts his hand on my chest I will flinch, not out of pain, but because I’ll never get used to this numbness. I’ve been scraped out and refilled, and what is there now is hard, foreign, and entirely man made.

“I hope not, Noah, but I really don’t know,” I say, looking in the rearview mirror as Grace, buckled in her five-point harness, stares sleepily out her window.

When he was 5 and she was 2, and I had just learned I was BRCA positive, I had my breasts removed to prevent my near 50 percent chance of getting breast cancer before age 70. My toddling girl stared at me in bed, poked at my bandages and stared at the drainage tubes protruding out of my skin. “That hurt, mama? Your booboos hurt? Why did you get boobies at the hospital?” The words are used interchangeably and over time, it sticks. Booboos, boobies, they are the same.

My tiny nurse watched over me in the weeks that followed my mastectomy, nestled up to my side, sometimes standing over me as I awoke from medication-induced naps. She’d stay an arms length from the tubes dangling from my chest, but she was not afraid of the rest of me. She’d run her tiny finger along the bandages, and later, along the bright red scabbing lines, and later, along the fading scars. She’d check on me by the day; she’d comment on my improvement. “Oh! Better! The booboos look great, Mama! No more boobies!”

If ever I’d been forced to picture this time of my life, breasts removed, a sense of disfigurement sweeping through me, it was my mother who was standing over me, feeding me comfort and warmth, with soft words and soup from a can. But in her place, a not quite three foot, fuzzy-headed, pacifier-addicted, heavy-breathing, sweaty morsel of energy. She fed me plastic chicken thighs in tiny blue bowls made for stuffed animal tea parties and I felt better.

Early this year, when she was 4 and I, 36, a spike in a routine screening test resulted in a surgery my doctor advised I have as soon as possible, and so out came my ovaries and my fallopian tubes and any hope of one more pregnancy. I came home exhausted and infertile, and began my recovery by sleeping through the day. Grace peered in on me, listless on the couch, that late Friday morning, and then quietly mentioned she was tired too. She walked up the stairs and slept, three long naps within that one day, broken up only by mealtimes. She hadn’t napped in over a year and she’s never napped since. She will likely not remember this day, but I always will.

I did not expect to accept empathy from a 4 year old or nurturing from a 2 year old, but I suppose she started holding me up long before I even met her, perhaps from the moment I realized a life was starting in a place that only sees death. A chance of hope, subdued indeed by my own shame at envisioning a future while those residing in the same space were reaching back into their lives once lived or, worse, simply at a standstill, just waiting to die.

Because I never really believed my mother was actually dying, even as she lay on her deathbed, she held her place in my daydreams, right plunk in the middle, holding the new baby while I chased my son. Still, today, she is there in my head, coming in the front door of my home, whisking the kids away to the park, laughing as she closes the door behind her and runs to catch up with them.

The room across the hospice house hall must have welcomed and parted with at least five people in the six weeks we were there. I always knew when the end had come; calmly whispering nurses, sometimes with tears, followed by a noticeable increase in activity in and out of the room. At some point, our door would get quietly closed as the room across the hall was emptied. I listened and watched as it all took place, every time, and still I could not picture the moment that this scene would be ours to experience.

Things were perhaps more settled in our room, but our shared desperation became more palpable by the day until we could not help but acknowledge it. My mother took the lead, and in stunned, silent resolution, we followed. One day, she asked me to bring my laptop to her bed; we spent that afternoon online buying clothes for her grandkids in ascending sizes to cover the next several years. Another day, she sat the family down to explain where all Christmas decorations could be found. Other days, she talked about where she wanted her clothes to go after she was gone. On the nights when it was only she and I, we talked about baby names.

Most days, I lay next to my mother in a reclining chair and sometimes I crawled into bed with her, unable to put any space between us. At times, I sobbed until I could hardly breathe, and when my mother, sinking deeper, could no longer calm me down, the thought of my little boy and the tiny person I was supposed to be making usually did; I’d catch my breath, anyway; I’d pause to breathe. I wondered if a fetus could survive this sort of stress. Hang on, please just hang on, I thought, hand on my stomach, eyes on my mother.

I hovered over her in those final weeks, checked her feeding tubes, brushed her hair, added blush to her cheeks, and, later on, I sat towards her head and dripped water from a sponge, the slowest drips, every few minutes, onto her lips and her tongue.

What I wanted, every minute, just one more lucid moment with her, and then one more, until the day came when I was too afraid I’d waste her energy if she gave it to me. I begged my father to stop trying to make her talk because I wanted her around longer. He looked at me frantically and I covered my face, knowing full well I had chosen her stability over his.

And there I was, both daughter and mother to my mother, holding on for dear life.

The years following my mother’s death were uniquely lonely and humbling for all of us. I did not stop it – or even realize it – when Grace, in her infancy and in all her innocence, somehow took the reins and blindly guided us along. I welcomed her neediness, my hands in motion all day, changing diapers, offering milk, wiping spit-up, thrusting something new into the life of our family.

I never meant for Grace to help save us from our grief. But it couldn’t be helped. Born into a family in mourning, this six-pound morsel seemed to have passed her maternal grandmother in the night. Six months and seven days after our loss, here was Grace, reflexively grabbing our thumbs and not letting go, and we could not help but feel a relief akin to rescue. It was never fair, but it couldn’t be helped.

And now she is a child. I look towards this little girl and, it seems, I’ve created a miniature version of myself. I see her fine, scraggly hair and hear her raucous, unapologetic laugh. I watch her in her shyness, stepping back, observing, and I see her, in moments, tangle her words in her tongue and quickly ask me to erase what she said. I see her head in the clouds and her eyes on me and, as I look back at her, I see my own reflection.

But oh, how I want a map of her genes, to be assured that if we magnified her Chromosome 13, it would look exactly like her daddy’s and nothing at all like mine. Perhaps the day our coded strands were grabbed and combined at random was a lucky day for her. I am full of doubt, but for now, what more can I do but hold onto the chance that her shapely leg gene and her boisterous laugh gene lie on any other chromosome than 13? Perhaps her BRCA2 gene is entirely intact and we have somehow broken this wearisome, worrisome pattern.

Each morning, she slowly emerges from her room and walks downstairs, a late riser like me, with her arms outstretched. She’s getting big now, but I lift her up and she collapses in my arms. I pat down the thin layer of hair that covers her head, pull it out of her face and look at her. “I missed you last night!” I say, and it’s true. Because, after all, this is a love story. It is a love story with perhaps more complexities than other love stories I’ve been able to tell. It’s a love story between a daughter and a mother and a grandmother, though two of us have never met. Here are three Davis girls who, in and out of life, have held each other together, swapping roles, instinctively grabbing ahold of one another in desperation or support. Yes, we are daughters of BRCA, but more importantly, what runs through our blood is fierce love, an intuitive need to heal each other’s pain, an energy that endures on and on and on. We dance on until we’re entirely out of breath.

I was not there the morning my mother died. After weeks of sleeping on a hospice house couch, I began to think that if this baby did have any chance of surviving, I needed to spend my nights in my home, make steps towards some sense of balance. The last evening we spoke, she was barely conscious and impossibly weak; she had not moved on her own in days. I sat on the left side of the bed, leaned over her head and kissed her again and again. “I can’t say goodbye but I need to watch out for this baby,” I said. “I think I need to go home tonight, Mom. How can I go?” I laid my head and arms upon my mother’s tiny body and shook with sadness, soaking my face and her sheets. And then I felt a hand on my head, the gentlest touch, now smoothing my hair. I looked up and saw her face, drenched in tears, and I saw she was nodding. I will miss you so much, said the sorrow in her eyes. But you need to take care of my daughter and my grandbaby, said their twinkle, still alive, amidst the green. At some point that night, and I don’t know when, I lifted my head, rose from her bed, and slowly walked to the door.

 

 

 

BIO

Janet DamaskeJanet Hope Damaske is a stay-at-home mother with interests in writing, reading, editing and psychology. After earning her BA in psychology with a minor in creative writing at Hamilton College, she worked for several years at a rehabilitation center for people with mental illness, providing job training and running a writer’s group for creative therapy. She later moved onto a career in medical publishing, where she continues to work part-time. Janet currently volunteers with several non-profit organizations in her hometown of Winchester MA, where she lives with her husband and two children. She writes a blog, which can be found at http://jhdamaske.blogspot.com. This is her first published piece.

 

Tips on How to Choose Clothing for the Deceased

by D.G. Geis

 

Something dark is best.
Perhaps a Sunday suit

or formal business attire.
Something you might wear

for a special occasion—
like interviewing for a new job.

Your new position
will require a certain panache.

Stiff determination
and a resolute smile

should make a lasting impression
on your new Employer.

Later, as your suit empties
and you fade slowly

into the woodwork,
it will come to you

how deep
life’s roots really run—

two of which
are already knocking,

discreetly,
at your new front door.

 

 

Hexagram 23

“Bo” (Splitting Apart)

For D.S.

The last man to die the death of 1000 cuts
was a Mr. Fou Tchou-Li. The year was 1905.

In Chinese this form of execution
is called Lingchi or “slow slicing.”

In English there is no exact equivalent,
but “death by fillet” is a good approximation.

The French philosopher Georges Bataille
was said to meditate every morning

on a photograph of Mr. Fou Tchou-Li
midway through the process of his

deconstruction. The object in question
has both arms removed and two

gentlemen are assiduously severing
the quadriceps femoris. The skin

and muscle on both sides of his
upper rib cage have been folded back

to better view the lungs which
continue to function as evidenced

by the look on Mr. Fou Tchou-Li’s face,
a signification which betokens neither agony

nor ecstasy, but something in-between.
It is the astonishment of a thinker

in the midst of a great thought, losing himself
a little here, a little there, until the answer floats by

so pure, so final, so free—
and like all great thoughts,

just out of reach.

 

 

State of the Universe Address

 

Lights out
in this arm of the galaxy

where things spiral wondrously
out of control.

Stars glittering like sequins
on a party girl’s miniskirt

vanilla sprinkles frosting the void
of a trillion year old birthday cake.

And the Good Lord,
our Birthday Boy,

poised in his high chair
waiting patiently, so patiently,

to blow out the candles.

 

 

Busboy

“And that was the whole show.”
—Charles Simic

 

Busboy by day,
Philosopher by night;

This strange world of
Disappearing tablecloths

And naked tables
Flashing leg.

A little cheesecake
For the diners

Or maybe a fork
Out of thin air.

A brief demonstration
In four parts

And the metaphysician
Struts his Stuff.

The cosmology of tableware,
The ontology of napkins:

There’ll be no applause
When he makes

Nothing from Something
And hardly a glance

When the diners levitate
On a cloud of atoms.

Prix fixe, the last course
Is a mystery.

This sleight of hand,
This aproned magician,

Bending over a table
Reshuffling the universe

One spoon at a time.

 

 

 

BIO

DG GeisD.G. Geis lives in Houston, Texas. He has an undergraduate degree in English Literature from the University of Houston and a graduate degree in Philosophy from California State University. His poetry has appeared or is forthcoming in Fjords, Memoryhouse, 491 Magazine, Lost Coast, Blue Bonnet Review, The Broadkill Review, A Quiet Courage, SoftBlow International Poetry Journal, Blinders, Burningword Literary Journal, Poetry Scotland (Open Mouse), Crosswinds, Scarlet Leaf, Zingara, Sweet Tree, Atrocity Exhibition, Driftwood Press, Tamsen, Rat’s Ass, Bad Acid, Crack the Spine, Collapsar, Grub Street, Slippery Elm, Ricochet, The Write Place at the Write Time, Steam Ticket, Razor, Origami, Matador, Cheat River, Euphemism, Two Cities, The Hartskill Review, Sugar House, Literary Orphans, Dash, Zabaan, Clare, Panoplyzine, Boston Accent, Silkworm, Drylandlit, Permafrost, Gingerbread House, and The Machinery. He will be featured in a forthcoming Tupelo Press anthology of 9 New Poets and is winner of Blue Bonnet Review’s Fall 2015 Poetry Contest. He is also a finalist for both The New Alchemy and Fish Prizes (Ireland).

The Adults

by Paisley Kauffmann

 

It began as it always began. A man was there in the morning calling Joe, buddy or pal. The man would pillage their refrigerator, watch their TV, and shit in their toilet. This man, like the others, was tall and probably considered attractive. He had striking blue eyes with long black eyelashes. This man, like many of the others, bore intricate tattoos detailing the significant detours of his life. This man had a daughter.

On Saturday, Joe woke up early to play video games before his mother would insist on turning the channel to a reality show. He kicked through the clothes on the floor until he found his favorite tee shirt left behind by the last boyfriend and pulled it over his head. Tiptoeing past the shut door of his mother’s bedroom into the small living room, he discovered a small figure covered in a flannel shirt sleeping on the couch. Motionless, he stared at the round cheeks and pink, puckered lips of the intruding, unknown child. With a stab of disappointment, he decided it was a girl. He had wanted a brother. The girl snapped open her lids revealing shimmering blue eyes laced with dark feathery lashes. Joe startled, stepped back, and tripped over a pair of size thirteen leather work boots. The little girl smiled but did not move. Joe held his finger to his lips signaling her to stay quiet. Mimicking him, she held her finger to her lips and then stuck her finger into her nose. Joe rolled his eyes.

He waded through empty cigarette cartons, unpaired shoes, and fast food wrappers to his video game. Jamming the power button in a half dozen times, he shook the black box until it resuscitated. He sat on the floor with his back against the couch and ignored her as she wrapped her fingers around his brown curls. The tickling sensation made him inattentive, and he got decimated by a zombie. He closed his eyes and let her light touch put him into a trance.

“Hey, buddy.” Devon’s voice quaked through the room. “How old are you?”

Joe dropped the controller. “I’m eleven-and-a-half.”

“You ever babysit before?”

“No.”

“Well, then now is a great time to start.” Devon swung the refrigerator door open causing the beer bottles to chime together. “I’ll give you five bucks for the day.”

“Twenty.”

“Twenty!” Devon stopped pilfering the refrigerator. “You just said you ain’t never babysat before and now you want to charge some professional rate.”

Joe remained silent.

“Ten.”

Joe resumed pounding on the red button of the controller blasting away at zombies with his laser beam. He always aimed the crosshairs at their heads because, if he hit them just right, the head exploded into satisfying vivid chunks of skull and brain.

“Jeez, kid. Fine. Fifteen.” Devon stood with his hands on his hips.

Joe nodded slightly without moving his gaze from the screen.

“Great,” Devon said, and stuck his head back into to the refrigerator.

Joe glanced over his shoulder at the girl, but she had cocooned herself under the shirt. Devon pulled out the pizza box, leftovers from dinner, and tossed it on the counter. He grabbed a slice of cold pizza, tore off a bite with his large stained teeth, and wandered back to the bedroom. Joe had planned on eating the pizza for breakfast himself, and he would have eaten it immediately if he had known there was going to be competition. The last man, with the cool tee shirts, never ate breakfast. The last man hardly ate anything, only drank. Joe focused on smashing zombie heads and ignored his growling stomach. Devon, barking obscenities, returned to the kitchen and folded the last two pieces of pizza together. He worked his feet inside his leather boots and held the pizza in his teeth while he tied the laces. Devon strode through the apartment searching, first, for a clean shirt and then his car keys.

“Where the fuck are my keys?” Devon said.

Joe’s mother, succumbing to Devon’s tirade, dragged herself from the bedroom into the living room and said, “Well, where’d you put them?”

“If I knew that, Amber, they wouldn’t be lost, would they now?”

“Joe, sweetie?” Amber asked, pressing her thumb and forefinger into the corners of her eyes. “Have you seen Devon’s keys?”

“No,” Joe said. He knew where they were, but he was disinclined to make Devon’s day any easier.

The two adults stomped around the apartment cursing blame at each other about the mess. They took turns banging around the kitchen and shuffling through the shirts and jackets flung on chairs.

“Get up,” Devon said to the red flannel shirt.

The flannel shirt remained still.

“Get. Up.” Devon snatched the shirt off the girl.

With her body curled into a knot, her face was tucked into her knees.

Devon swung the girl off the couch by her arm, and she landed on the matted carpet with a thump. He jabbed his hands between the cushions around Joe, who had no intention of moving.

“Devon. Calm down,” Amber said.

“What’d you just say to me?”

“Look,” she said, pointing at the sliding glass door. “There they are.”

“Where? Outside?” Devon stopped molesting the couch and stood.

“They’re on the ledge of the railing.”

Joe was disappointed in the rapid resolution of Devon’s frustration. Last night, Joe had watched Devon step outside and set his keys down while he lit his cigarette. After Devon flicked his butt from their third floor balcony, which was against Ridgeview Terrace’s policy and could incur a fine, he came inside—forgetting his keys. Joe considered giving them a little push, but Devon was new and his volatility was still unpredictable. After more hustle punctuated with a few sharp words, Devon stormed out slamming the door behind him. His mother flinched, sighed, and turned to Joe, but he ignored her and focused on killing zombies.

In the kitchen, Amber started the coffeemaker and crushed beer cans. The little girl picked up the red flannel and climbed back onto the couch. Waiting for the coffee to percolate, Amber shuffled into the living room and sat cockeyed on the ottoman with a missing wheel. “So, did you meet Mia?”

“Yep.”

“She’s Devon’s daughter, or one of them. He’s got four all together. Three from his ex-wife and this one here from his last girlfriend, who, like a total idiot, got arrested last night trying to buy dope from an undercover,” she said with perverse satisfaction.

“Sounds like you’re babysitting today,” she added.

“I guess.”

“Thanks, because I got to run some errands.”

Amber poured her coffee and sat on the balcony ledge to have her morning blast of caffeine and nicotine to get things moving.

Joe paused his game and turned to look at Mia. She smiled at him with a toothless grin. He snarled at her and she buried her face in the cushion.

Amber, with her platinum blond hair piled into a mess on the top of her head, shoved her cigarettes and phone in her purse. She applied a thick layer of pink lip gloss, and said, “I’ll be back in a few hours,” Amber scrutinized Mia like she was another stain on the carpet, “Keep her out of the bedrooms, she seems kind of dirty.”

“I’m not giving her a bath,” Joe said.

“I know, just keep her out here.”

Joe nodded.

Hungry, Joe paused his game and went into the kitchen. Mia slid off the couch and followed him. Joe opened the refrigerator and searched through the condiments and beer. He found a half package of bologna. He peeled a round slice from the stack, folded it into fourths, and stuck it in his mouth. Mia watched him cram a second slice in with the first. With both cheeks filled with processed pork, he chewed with his mouth open. Mia’s eyes followed his hand as he pulled a third moist piece from the package. He held it up and, like a hypnotist, swung the slice back and forth. Her eyes remained fixed to it. Joe let go, and it hit the floor with a smack. Lunging after it, Mia shoved the bologna in her mouth with both hands swallowing most of it without chewing. Disgusted and bewildered, Joe held out another piece. She froze, waiting for him to release it. He tossed the meat behind her and, again, she scrambled after it. Joe continued to toss Mia bologna until the package was gone. Opening and slamming cupboards, he searched for something else to feed her to continue this fascinating game but was interrupted by a knock at the door. Mia’s eyes grew wide and she covered her mouth. Behind the door, Joe found his buddy Brock with a black eye and a red scooter.

“What happened?” Joe asked.

“Mateo’s older brother found me in their garage.” Brock gasped for air. “I wasn’t going to take anything, but he punched me any ways.”

“Where’d you get the scooter?”

“From Mateo’s garage, but only after he punched me. I better bring it in before he sees me.”

Joe held the door, and Brock rolled the squeaky scooter into the apartment. There was a socioeconomic distinction created by apartment residents with garages and apartment residents without garages.

“Who’s that?” Brock asked.

Mia, covered in a golden powder, peeked out from the kitchen.

“Mia,” Joe said. “Her mom’s in jail.”

“What’s on her face?”

Joe shrugged and led them into the kitchen.

Mia held a box of yellow cake mix, ripped opened and half spilled on the floor.

“What are you doing?” Joe asked.

Mia raised her brows and sucked in her lips.

“Gross. She’s eating cake mix,” Joe said. “Should I take it away from her?”

“I don’t know. What’s the difference if you eat it that way or cooked?”

The boys watched Mia shove fistfuls of cake mix into her mouth and chew it into batter, nearly choking with each swallow. As Mia, surrounded by a halo of yellow powder, finished the last of the mix, the boys lost interest and turned their attention to the video game. Stuffed with bologna and cake batter, Mia wrapped herself in the red flannel and dozed on the couch.

Amber returned with a twenty-four pack of Bud Light. She struggled to slide the case over the threshold into the apartment.

“Hi, Amber,” Brock said, craning his neck in her direction.

“Boys?” Amber dropped her purse on the floor. “A little help?”

Brock tossed the controller and jumped up. Reluctantly, Joe paused their game and rose from the floor. Each boy took one side of the box and carried it into the kitchen. Brock let go of his side and the beer bottles concussed together.

“Careful, jeez. Hey, what is this powder everywhere?” Amber gestured to the yellow ring on the kitchen floor.

“Cake mix,” Joe said.

“Why is it all over the floor?”

“Ask her.” Joe jutted his chin towards Mia.

With cake batter encrusted around her mouth, Mia watched solemnly as Amber groaned and said, “I was going to make you a cake for your birthday.”

“Like over a year ago.”

“I just bought that.”

“No, you didn’t,” Joe said. “You were going to make it for my tenth birthday and I’m eleven and a half.”

Amber did not argue. She yanked open the sliding glass door, slammed it shut behind her, and lit a cigarette. Joe glanced at Mia, and she stared back without expression. He smiled at Mia, not to comfort her, but because he relished the irritation she caused his mother.

“Let’s go,” Joe said to Brock.

Mia followed the boys as they worked on getting the scooter through the doorway.

“She coming with us?” Brock asked Joe, heading down the hall with Mia jogging to stay on their heels.

“Yep.”

“Watch out for Mateo and his brothers,” Brock said. Peeking around the edge of the trailer, Joe watched flashing vehicles fill the parking lot.

“You can’t hide from them forever. You might as well give it back. It’s a piece of shit any ways.”

“It works fine. It’s just a little wobbly.”

In the elevator, Mia picked at the dried cake mix around her mouth.

“Does she talk?” Brock asked. “My little sister talks all the time. I mean, like, all the time, even when she’s alone in her room all by herself. Why doesn’t she have any teeth?”

“I don’t know. I think there’s something wrong with her.”

“Why is her mom in jail?”

“Drugs.”

“Mateo’s mom is in jail too.” Brock rolled the scooter back and forth. “I wonder if they’ll see each other.”

The elevator doors opened and Brock glanced around cautiously before dragging the scooter out. Brock held the front door of the building open and all three stepped out squinting under the bright sun.

Someone shouted, “Get ‘em.”

Joe and Brock broke out into a run. Mia put her hands over her mouth.

“Come on,” Joe yelled at her. Mia looked behind her at the three boys bolting across the parking lot, dodging around cars, towards them. She started to run. Although struggling against the scooter squeaking in tempo with his speed, Brock raced ahead and around the back of the apartment building. Joe cut around the corner, he found Brock lifting the scooter above his head to drop into the dumpster.

“Help me,” Brock said, over his shoulder.

Joe grabbed the handle bars and shoved, and the scooter disappeared over the edge.

Occupying the bottom of the growth chart for eleven-year-old boys at four-foot-one, Brock said, “Now me, push me over.”

Joe linked his fingers together and lobbed Brock into the dumpster. Mia, with bright and wild eyes, barreled towards him as fast as her short legs would take her.

“Come on,” Joe said. “Brock, help me get her over.”

Joe lifted Mia up to Brock and, ungracefully, the two of them fell into the metal box of garbage. Joe climbed the side and jumped in just as the three brothers cleared the corner. Crouched around trash bags and cardboard boxes, the three kids listened to Mateo and his brothers pound by in a flurry of gasping breaths.

“Maybe those idiots will keep running all the way to Iowa,” Brock said.

“They’re a bunch of inbreeds,” Joe said.

“Kinda like this one here.” Brock raised his brows at Mia.

“No shit.”

“Sh.” Brock held up his hand. “I hear them coming back.”

Mia covered her mouth with both fists. The boys’ sneakers slapped against the asphalt around them.

“Hey,” one of the boys shouted. “Look in there.”

“Shit,” Brock said under his breath.

Mia pulled a pink lighter from the pocket of her denim shorts. With both thumbs on the striker wheel, she ignited the lighter. She held down the fuel lever with her thumb and finger and reached for a paper towel tube.

Joe and Brock watched Mia hold the cardboard over the flame. The dry paper flickered and a thin black line of smoke danced wildly, distorting Mia’s face. She waved her wrist back and forth antagonizing the fire.

Mateo and his brothers clambered up the side of the dumpster and yelled, “Gotcha, motherfuckers.”

Joe and Brock kept their eyes stitched to the little fire-starter. She tossed the burning paper tube into the center of the dumpster. All five boys held their breath as the fire leapt across the top of the rubbish.

“Shit,” Brock yelled, moving to escape the sudden heat.

Mateo’s oldest brother yanked Brock out by an arm and a leg.

“Come on,” the other brother screamed at Joe. “Get outta there.”

Joe grasped Mia’s arm. She allowed them to push and pull her limp body out of the dumpster. The flames grew exponentially, rapidly oxidizing the refuse. Joe threw himself over the lip.

Surrounding the dumpster with the blaze reflecting in their eyes, the six children forgot the red scooter feud. The roar of the fire and crackling of plastic, wood, and paper masked the wailing sirens.

“Run,” one of the boys yelled, breaking the through the moment of catatonia, and the kids scattered.

Joe ran away from the burning dumpster and the screaming fire trucks. Sprinting through a small line of trees into the neighboring trailer park, he zig-zagged between mobile homes jumping over yard gnomes and tipped tricycles. He concealed himself between two homes to catch his breath and swallowed against the burning in the back of his throat. As the beat of his heart slowed, his skin began to throb. He twisted his leg around to examine his calf, it was shiny and pink akin to a severe sunburn. Peeking around the edge of the trailer, flashing vehicles filled the parking lot. A commotion of urgent voices and the powerful spray of the water ringing and hissing against the metal dumpster replaced the rage of the fire.

“Mia?” He called out around the other end of the trailer. Weaving through the rows, he ducked behind a tree as a squad car cruised by. He spotted Mia down the hill, naked and pale, standing at the edge of what was generously referred to as the pond of Ridgeview Terrace. Over time, the parking lot run-off water, trapped by cardboard boxes and discarded furniture clogged sewer, created a permanent body of brown, stagnant water.

Joe held tight, rocking foot to foot, waiting for the cop to make a second pass around the lot. Mia bent her knees, swung her arms, and jumped off the edge of the grass into the dirty water.

“Shit.” He ran for it. He imagined pulling Mia’s gray, lifeless body from under the oily black surface and willed his legs to fly down the hill. Splashing into the water, he dropped to his knees and frantically reached around on the slimy bottom. His hands battered against cans and broken glass before he mercifully connected with a warm, soft extremity. He wrenched Mia through the obstinate, dark resistance. As her face broke the surface, her eyes were open wide and she smiled exposing her toothless gums. Her blond hair was plastered across her brow. She coughed streams of colloid water from her mouth and nostrils.

“Jesus,” he yelled at her. “Jesus!”

She flinched between coughs and gasps.

“Don’t do that,” he yelled, tightening his grip on her soft arm. “What the fuck is wrong with you?”

Clumsily, Joe rose to his feet keeping Mia’s head above the water. Holding her under her arms, he staggered towards the edge. He set her down in the grass, dropped down next to her with his elbows on his knees, and wiped the acrid water out of his eyes. She moved closer to him and began to shiver.

“Here.” He reached over and collected her jean shorts and tee shirt. “Put these back on.”

Mia did as she was told and, between intermittent coughs, she delicately manipulated her shirt until it was right-side-out. A curtain of clouds lifted and the sun exposed rainbow shades of bruising on her back and arms. Faded green bruises ringed with a shades of yellow contrasted against the fierce blue and purple bruises. On her head, dark-pigmented lumps shadowed through her wet hair.

Joe raked his fingers through his wet curls. “Why are you even here?”

Mia pulled a fistful of grass out from around her. She examined the smooth green blades before putting them in her mouth.

“Stop. Don’t eat grass. Come on.” Joe stood and lifted Mia into his arms. She was weightless and soft. Wrapping her legs around his waist, she rested her cheek on his shoulder. Joe climbed up the hill, scanned for squad cars, and crossed the parking lot towards the apartment building. The air was sour with the scent of burning refuse.

“Mom?” Joe said, entering the apartment.

There was no answer.

Joe pried Mia off of him and set her down on the kitchen floor. He poured Lucky Charms into a bowl and handed it to her. Lifting the bowl to her lips, she filled her mouth and spilled toasted oats and rainbow-colored marshmallows around her. She plucked cereal off the floor and pressed them through her rosebud lips adding them to her full cheeks. Joe hopped up on the counter, poured himself a bowl, leaned over to the sink and added water. He had long ago forgotten about milk.

The door opened and slammed shut, and Brock raced into the kitchen. His chin was scuffed red against his brown skin. “Can you believe that?” Brock said. “That fire was huge. The cops are everywhere and, lucky for me, they grabbed Mateo’s brother just as he was dragging me out from under a car by my foot.” He held up his scraped palms. “They think he started the fire since he’s already got a record. Is my chin bleeding? It hurts. Can I have some cereal?”

Joe pushed the box of Lucky Charms across the counter.

“Will you pour her some more?” Joe asked Brock. Mia’s eyes had been boring into him since she finished her last marshmallow.

Brock squatted next to where Mia sat on the floor and refilled her bowl. Mia set the bowl on the floor and sifted through the cereal with her fingers.

Brock selected a bowl and spoon from the pile of dirty dishes in the sink. He shook cereal into the bowl, added water, and crammed three spoonfuls of cereal into his mouth. Spitting out cereal, he said, “I had to hide under that car for like an hour. The cops were all over the place. Did you see the size of that fire? We could have burned to death, like dead-dead. She’s crazy. She’s done that before, I betcha.”

Joe watched Mia organize her yellow stars, pink hearts, and purple horseshoes into discrete piles, and eat the blue moons.

“Why are you guys all wet?” Brock asked.

“She decided to go for a swim in the pond, but she can’t swim,” Joe said.

“Gross.”

“Pretty much.”

“Mateo dared me to take a sip of that water once. I said, hell no, but Jackson did it for a cigarette. He ended in the hospital because of it. Remember that? They took his appendix or something out.”

Amber opened the door and stomped into the kitchen. “Have you seen Devon?” She was crying.

“No,” Joe said.

“Hi, Amber,” Brock said, wiping his mouth and smiling at her with gaped teeth.

She glanced at Brock and Mia and turned her attention back to Joe. “He’s not at work. I just went by the construction site and the guys said some woman picked him up. Really, Devon? Really? He’s nowhere to be found and I’m stuck with her,” Amber said, pointing at Mia. “Seriously, this can’t be happening.”

“Did you try calling him?” Joe asked, tilting his bowl to gather the last few bites of cereal.

“Of course, I’ve tried calling him like a hundred times.” Amber wiped her cheek with her sleeve.

There was a change, like a tectonic shift, and Joe set his bowl in the sink. The scent of the fire was replaced by ripe smell of the clogged sink. He noticed his mother’s pink tracksuit stretching across her hips and her stomach pooching over the top of the elastic waistband. Rhinestones missing from both shoulder embellishments created PacMans from the peace signs. “Sorry, Mom,” Joe said absently, examining the newly chiseled lines across her forehead and etched around her eyes.

She stepped back seemingly conscious of his scrutiny.

Brock shook the last of the cereal into his bowl, and said, “Don’t worry, Amber, he’ll probably show up later. He’d be an idiot to leave someone as pretty as you.”

“Well, that cheating son-of-bitch better not show his face around here and she’s definitely not staying here,” Amber said, grabbing at her over-sized imitation purse and rifling around until she fished out her menthol cigarettes. She stuck one between her glossy lips and searched her purse. “Where’s my lighter?”

Brock choked on his Lucky Charms and Joe shot him a look. Amber rummaged through the drawers until she found matches. Standing on the balcony threshold with the door open, she lit a cigarette, and thought out loud, “We’ll drive her over to her mom’s house.”

“I thought her mom was in jail?” Brock said. “For drugs? Right, Joe?”

“She’s got a few other kids.” Amber flicked her cigarette ash over the edge. “Someone must be there looking after them.”

Amber led the mission to her Buick Sedan followed by Joe, Brock, and Mia. Amber still referred to the Buick as Grandma’s car because it was handed down to her after her grandmother died six years ago. Amber’s parents signed the title over to her believing her lack of transportation was holding her back, when they still had hope for her future, but now Joe reads the disappointment on their faces at every Christmas Eve dinner.

“Joe, will you sit in the back with her and keep her down?” Amber asked, unlocking the door with the key. “I’m not getting a ticket, because of her and that carseat law.”

Brock’s face lit up. “I’ll sit in front with you.”

Joe opened the door, but Mia made no move to get in the back seat .

“Come on,” Joe said, gesturing into the vehicle.

Mia remained still.

Amber turned around from the driver’s seat. “What now?”

“Nothing,” Joe said, and held out his hand to Mia.

Mia placed her hand in Joe’s palm and he guided her into the backseat. He climbed in next to her, and Mia scooted closer to him pressing her entire leg next to his thigh. He wanted to move away, but her warm skin exerted an irresistible gravitational pull. She seemed even smaller and more vulnerable in the expanse of the back seat. Amber, as always, drove while she texted and made calls.

“Call Rebecca,” Amber robotically demanded of her phone. “Mobile.”

Amber bitched to Rebecca about Devon’s lies and his miserable, creepy daughter. The conversation with Rebecca, including details of her intimacies with Devon, enthralled Brock. Brock listened and nodded along sympathetically as if Amber was having an exclusive conversation with only him. Mia strained her neck to look out the back window.

“Keep her down,” Amber said to Joe through the rearview mirror.

Joe amused Mia with illusions of removing his fingers at the knuckle and pulling a quarter he found on the floor out of her ear. Tricks he had acquired over the years from a variety of men instructed to entertain him.

Amber pulled the Buick in front of a tired two-story house with chipped yellow paint, and rebounded off the curb twice before she shifted the vehicle in park. Into her phone, she said, “I gotta go. I’m here.”

“Come on,” she said to Mia. “Out of the car.”

Mia squeezed against Joe.

Amber yanked open the back door. “Come on. Move it.”

Mia made no move to exit, and Amber said, “Joe, can you help me out here?”

Joe lifted Mia onto his lap and maneuvered out of the back seat. Mia wriggled herself around and clung onto him. “I’ll come with,” he said.

Amber and Joe, with Mia wrapped around him, walked up the weed-riddled sidewalk and cement steps. The ripped screen door was open about an inch.

Amber knocked on the wood frame and it banged against the jamb. “Hello?” she yelled into the house with urgency.

A child with a blond afro wearing purple corduroy coveralls appeared in the doorway. He or she carried a sippy cup upside down.

“Is your mama here?” Amber asked.

The blinking child did not move, but the cup steadily dripped onto the floor.

“Hello?” Amber tried again louder. “Anyone home?”

“Coming,” a voice returned. “Hold your horses, I’m coming.”

Mia pulled her face from Joe’s shoulder and turned towards the voice resonating from inside the house. A heavyset black woman with gray hair pulled into a tight bun came to the door. She squinted at Amber, and when she saw Mia, she held her hands up and said, “Oh no. That one is not mine. No way, uh uh.”

“But she—“

“Hi, sweetheart,” the woman addressed Mia before she continued her protests against Amber. “I said, no.”

“But she’s the sister, or at least half-sister, of that one,” Amber said, pointing down at the amber-eyed child smiling at Mia.

“I’m looking after mine, and that one is not mine,” the woman said, nodding and winking at Mia. “I’m sorry, but I gots my hands full with the three boys here.”

“That one is not mine,” Amber said, thumbing at Brock’s brown face watching from the passenger seat of the Buick. “But I’m looking after him.”

“That’s your own business.”

“This one belongs here. This is her mama’s house,” Amber said, and tried to pull Mia off of Joe.

“Girl, if you put that child down, I will open this door and come outside, and you do not want me to open this door and come outside. This here is my house. Her mama is not coming back for a long while this time, and that little girl got her own daddy to look after her.”

Amber stopped yanking on Mia and turned back towards the formidable woman behind the screen. “Well, he’s gone off with somebody else. What am I supposed to do with her?”

“I don’t know, but she is not coming back into this house. I got three grandbabies of my own in here and I am too old to keep up with them as it is.”

Amber rubbed her forehead with the heels of her hands and groaned before marching back towards the car.

The woman smiled sympathetically at Joe and said, “I’m real sorry I can’t help ya’ll.”

Joe shrugged and said, “Have a good day.”

“You too, son.”

Joe followed his mother back to the Buick. From the corner of his eye, he saw Mia waving with her fingers at the woman and child in the house. Joe climbed in the back with Mia while Amber stood outside the car smoking, pacing, and yelling into her phone.

“So?” Brock asked.

“She’s not staying here anymore. I guess this is the wrong grandma,” Joe said.

“Aliyah’s grandma and grandpa don’t like me much either,” Brock offered, referring to his half-sister’s father’s parents. “They spoil her rotten. That’s why she’s such a brat.”

Amber threw her cigarette butt into the woman’s yard. She got into the car, and said, “I have an idea.” She held up her phone as the British-accented automated voice asked how it could help her, and, she answered, “Directions to the nearest daycare.”

The phone instructed her to take a few left turns and then a few right turns until they arrived in front a beige rambler with a homemade sign in the front yard incorrectly spelling out, Lisenced Daycare.

“What’s your plan?” Joe asked. “Just drop her off?”

“Exactly. Let them figure out what to do with her,” Amber said. “Come on.”

“Want me to do anything, Amber?” Brock asked.

“No.” Amber scrambled out of the car. “Stay here.”

Amber jogged up the front sidewalk. Joe followed with Mia wrapped around his neck.

Amber rang the doorbell, a dog barked, and she said, “Follow my lead.”

Only a few seconds passed before Amber rung the bell again.

“Jesus, mom.”

“What?”

The door opened and a woman, surrounded by six children of varying heights, wiping her hands on a dishtowel, asked, “Yeah?”

“Good afternoon,” Amber said over the agitated beagle. “I’m looking for a quality daycare for my daughter.”

“Oh, I can’t. I’m at the maximum right now.”

“The sign in your yard led me to believe that you are available to care for children.”

The woman’s gaze moved past Amber towards the sign as if she was surprised it was still there.

“So, can you take her?”

“I’m sorry,” the woman backed up and started to close the door.

“Wait,” Amber said. “Please, if you could just make an exception for today, I’ll pick her up in a few hours.” Amber started to cry. “It’s just that my mother’s in the hospital and they won’t let children under ten-years-old into the intensive care unit.”

The woman eyed Joe who turned away in humiliation over his mother’s histrionics.

“Listen, I’ve got a family to feed and can’t afford to lose my business. I don’t know what you’re up too, but if you don’t get off my property, I’ll call the police,” the woman said, and herded the children behind her before she closed the door and clicked the chain into place.

“What the fuck?” Amber yelled and kicked the door with her pink sequined flip-flop. “What kind of bullshit place are you operating here? Goddammit, I broke my toe.”

“Come on, mom,” Joe said, and walked back towards the Buick.

Amber, shedding genuine tears, limped across the yard towards the misspelled sign. Pulling the wooden sign from the ground, she curb stomped it into pieces.

“Brock, roll up the windows.” Joe said, climbing into the back seat with Mia. “I hate when she gets like this.”

“I can’t. The car isn’t on,” Brock said.

“Turn it on.”

“I can’t. I don’t have a driver’s license.”

“You don’t need a driver’s license to start the car to roll up the windows.”

“Yes, I think you do.”

“Forget it.”

“Here comes a cop,” Brock said, looking over Joe out the back window.

Joe stuck his head out the window and yelled, “Mom! Cops!”

Amber kicked the remains of the broken sign into the street and hobbled to the car. She jumped in the front seat, pumped the accelerator three times, and cranked the ignition. The old Buick revved to life. Slamming the transmission into drive, she sprayed gravel peeling away from the daycare.

“That was close,” she said, eying her rearview mirror and speedometer. “Keep her down.”

“She’s on the floor,” Joe said.

“Great, keep her there.”

The sun inched towards the horizon and graduated from yellow to orange. Brock lowered the visor to block the sun and inspected his raw chin in the mirror. Amber, winding and unwinding a loose strand of hair around her finger, drove in silence, before she gripped the wheel, pressed down on the accelerator, and said, “Let’s stop at the grocery store.”

They pulled into a parking lot of a large grocery store chain and walked in under the scrutiny of the fluorescent lights. The air conditioned store caused Joe’s skin to goose bump, irritating his burned calves. Amber yanked a cart free from the corral. The kids followed her as she limped up and down the aisles thoughtlessly added items. Mia picked up a four-pack of Jello cups and glanced at Amber for approval. Receiving no acknowledgment, she pressed the package to her chest before placing it back on the shelf. Brock slipped a Hershey’s Chocolate Bar into his waist band. They meandered down an aisle with a small section of dog and cat supplies. A basket filled with plush toys for dogs distracted Mia. Picking through the basket, she hugged a pink fuzzy pig to her chest. She grabbed a squeaky frog, chirped it repeatedly, and held it up for Joe to see. He nodded.

“Pick out your favorite one, honey,” Amber said.

Mia grinned a gummy smile at Amber. She stuck her arms deep into the basket and scooped dog toys onto the epoxy floor. Beginning a system of sorting, Mia assessed one toy at a time before setting it in a pile designated by color. Amber released the cart, stepped back, and whispered, “Okay, let’s go.”

“Mom?” Joe said, holding his palms out helplessly.

“Come on,” Amber said. “These stores have protocols to deal with missing kids.”

Joe choked for air.

Amber took Brock’s hand, walked away from Mia, and looked back over her shoulder at Joe and said, “Come on.”

“Mom? You’re going to dump her here? Alone?” Joe asked, his voice cracking into a higher octave.

Amber turned away and pulled Brock along with her.

Despite his protests, his feet obediently followed his mother down the aisle. Trailing behind her, he scowled at his mother’s frizzy bleached hair and the way she walked on the insides of her cracked heels. He flinched with each slap of her glittery flip flops.

Joe walked out of the grocery store without Mia. For the rest of Joe’s life, he was haunted by the voice of the silent little girl.

 

 

BIO

paisley kauffmannPaisley Kauffmann lives and writes in Minneapolis, Minnesota. Life provides her with millions of bits and pieces to stitch together into stories. Her short stories have been published in The Talking Stick and The Birds We Piled Loosely. She writes with one of two pugs in her lap and receives gracious feedback from her husband. The Loft Literary Center, the Minnesota writing community, and her writing group support and fuel her motivation.

 

 

 

 

 

Obligatory Silence

by Claire Tollefsrud

 

 

“Do you play any instruments?” For some reason people always ask that question.

You want to tell the truth: “Yes, I used to.”

But then they ask, “Which one?”

“The piano.”

“That’s a great instrument,” they say. “Why did you stop?”

They wait expectantly, wanting an easy answer, a normal answer. But you’re tired of lying to stay comfortable.

“My older brother was studying piano in college,” you say.

And if they know anything about your family they’ll shut up real fast. The blood will drain from their face and they’ll quickly change the subject, or leave, or say something stupid like, “I’m sorry.”

Not their fault. You wish it were, though, so you could be mad at someone.

Instead, when people ask, “Do you play any instruments,” you say, “no.”

Then you go to the empty, quiet room in your house, where the picture frames have started gathering dust. You sit on the bench in front of the grand piano and let your fingers brush the keys, rifle through the yellowing sheet music. One day, you tell yourself, you’ll play again. Start with one song, something slow and easy, and then work your way back up to harder stuff. Feel that love of music again.

Yes, one day you’ll do that. Not today though. Not today.

 

 

BIO

Claire TollefsrudClaire Tollefsrud is an undergraduate student working on a double major in Psychology and Creative Writing. Storytelling has always been a passion of hers. She also enjoys Tae Kwon Do, singing, and going on small, everyday adventures.

 

 

 

Bethany Pope

A Pretty Smile

by Bethany Pope

 

I didn’t have enough money for a full set of dentures and the county dentist only accepted cash in hand (he said on the phone that he’d gotten sick of chasin’ down late payments), so I had to settle for a bridge. Luckily, I still had a couple of eye teeth to hook the new fronts onto.

I’d been fired from my job at Kash’N’Kary last week (after Bobby got through with me) and if you’ve never had to seek employment while your smile shows the gum where there should be incisors you can count yourself lucky. People look at you like you was somethin’ scraped off the bottom of their shoes if your cheeks get hollow.

I think it’s because people think that poverty is contagious, somehow, and not a sickness that you can’t help, either. It’s treated more like the clap than the flu. Something a better person could avoid, or at least treat with enough willpower and effort.

Anyway, there I was with the choice of gettin’ the water turned back on or financing a new smile, and out of things to sell after I stuck the ‘For Sale’ sign in the cracked windshield of my shitty, rusted out Volkswagen. I paid the phone bill, though. Good luck gettin’ a job if the boss can’t call you. One of my neighbours let me draw a plastic gallon jug of water from her garden hose and I gave myself a cat-bath by pouring about two cups of it onto a dish and scrubbing my armpits with salt. It burned, but it worked. Hell, I don’t mind. My granny cleaned herself like this every day of her life, even when she had soap.

When I was dry, I put on my best Goodwill clothes and walked two miles to the bus stop.

According to the sign, a bus came out here once every two hours. When I finally find another job I’m going to have to plan accordingly. It’s going to be one hell of a commute into Palmetto.

If I could live closer without losin’ granny’s house, I would. It’s just four white-painted wood walls standing on cinderblocks, just three rooms with a leaky roof settin’ on a postage-stamp, but it’s all my family ever had. I got to hold onto it for the sake of my blood.

By the time I made it to the bus stop my ratty old pump-tongued Reeboks were stained gray with the dust and so was the bluejean hem of my dress. I stood there for about an hour, leanin’ against the trunk of a Queen Anne palmtree and smellin’ the sweat-stink rising up from my crotch, before the bus finally pulled up. I slid my quarters into the slot by the driver and settled myself down in the near-empty back row.

The ride wasn’t too bad. I’ve always liked looking out of windows and if you’re a good driver you don’t get the chance to do that very often, unless you got someone drivin’ for you and in that case you’ve got to pay attention to him unless you want to make your honey angry.

We passed the orange groves, those long hollow-eyed trailers they keep the migrant workers in, passed the Tropicana orange juice plant, then the Esso gas station that gave away free coffee two years ago, one paper cup per person, per day, the whole first week it was open. I watched the country degrade into township and I felt somethin’ steel slide into me, somethin’ cold and hard settling into my guts the same way it always does when I cross that border.

I could hear my granny, loud as life, talkin’ to me inside of my head. She said, “Such a shame, Norma. When I was a chile we took care of ourselves. We grew cane and tobacco which we traded for supplies at at the Post. My daddy went out huntin’ and brought home braces of opossums and gators, sometimes he’d catch a rafter of turkeys or even a deer. We didn’t have much, but we took care of ourselves. Now you got to go out there and be a shame to the family. I bet you’ve even forgotten how good a hot, fatty biscuit tastes, or how to make a mess of grits into something edible. If it were my day you’d be married to someone steady. You might have been beat some, but you’d have kept your teeth until you’d birthed a baby or two…”

I turned her off then. That’s the nice thing about the dead. If it’s daytime, and you’re in public, you can shut them off like radio.

Anyway, the bus was filling up fast. There were a lot of black people, more Mexicans, and one or two white faces sticking out like the pale grains in a jar of crushed pepper. I didn’t talk to any of them. Weren’t none of them my kind. But lookin’ at them was enough to serve as a distraction.

I got off three stops from the station and walked the mile into the office of the only local dentist who will take a body without any insurance. It was a cinderblock box, painted with a coat of white that glittered in the sun, peppered with specks of mica. There were some purple wanderin’ Jew plants growin’ by the doorway, and a mummified brown lizard stuck in the corner of the door, caught and flattened between the wall and the hinges.

The receptionist was a heavy blond lady with a set of long, purple acrylic fingernails who looked up and glowered at me so hard from behind her linoleum counter that I felt self conscious at myself and smiled at her. The shocked look on her face soothed the embarrassment I felt at forgettin’ again about the state of my mouth.

I filled in the paperwork, laid my greasy stack of cash by her fat, freckled paw, and sat in the single white-plastic lawn chair decoratin’ the waiting room.

Eventually, the dentist called me into his office. I sat down in the brown reclinin’ chair (it was patched with silver strips of duct tape) while he reached in with ungloved hands and measured my mouth. I felt him palpating my eye-teeth (they wouldn’t move, no matter how hard he wiggled them) and then he did the same with my molars and frowned, sayin’, “Miss Nelson, these back ones are going. You sure you can’t scrape up another two-hundred? You’d be better off if I just pulled them right out and fit a plate in there. You’re getting a used bridge anyway, and a lot of people come to this state to die off. I could get you a fine set for a total of seven-hundred dollars.”

Dr Bronson pulled his fingers out of my mouth, wiping my saliva off on the collar of my dress. I answered him, “I already sold my car to get these-uns. I can’t raise no more until I find myself a job.”

The dentist turned away from me, arranging a selection of ivory-coloured teeth onto his rust-speckled tray. He spoke as he tried them, one by one, against the width of my mouth, “All right. I know how that is.”

I felt a click in my mouth, and Dr Bronson smiled, “Yep. That’ll do nicely.” He winked at me, sliding one thick lid over a rheumy brown eye, “The undertaker sold me this one just yesterday. Lucky for you that old man bought it, or you’d be out of luck. All the others were too small. You’ve got a mouth like a man, practically.”

He held up a blue-plastic hand mirror and I saw my face in it. The dentures were huge, and coffee-stained. They looked like they hadn’t been cleaned in a while. But at least they looked natural. I told the dentist, ‘Thanks’ and resolved to give them a good bleach scrubbing as soon as I could get Miss Ginny to lend me a capfull.

Dr Bronson stuck his hand out and I shook it. He said, “Tell you what. You use these teeth for now but don’t damage them. When you’ve got the extra money saved up I’ll take them back and get you some real dentures. I can always resell these to somebody else.”

I thanked him kindly for that, and told him to plan on seeing me again in three or four months. Then I walked back out into the swelterin’ sunlight and started making my round of Dollar Stores and Cost-Cutters. I had about four hours before the last bus back home and I meant to spend as much time as I could filling out applications.

BIO

Bethany PopeBethany W. Pope is an award-winning writer. She received her PhD from Aberystwyth University’s Creative Writing program, and her MA from the University of Wales Trinity St David. She has published several collections of poetry: A Radiance (Cultured Llama, 2012) Crown of Thorns,(Oneiros Books, 2013), The Gospel of Flies (Writing Knights Press 2014), and Undisturbed Circles(Lapwing, 2014). Her collection The Rag and Boneyard, shall be published soon by Indigo Dreams and her chapbook Among The White Roots Will be released by Three Drops Press next autumn. Her first novel, Masque, shall be published by Seren in 2016.

Guam

by Lucas Shepherd

 

 

Rafters of tall, sprawling
ifit trees. Cobwebs wallpapering
the edge of the road. Fantails
and drongos flapping in and out of sight.

Our guide, a Chamorro woman dressed
in jean shorts and a polo shirt with hair so black
it’s blue like the South Pacific on a cloudless night
when you’re exactly drunk enough to see all the facts God has disguised.

Before this deployment I never knew
the U.S. liberated Guam in 1944. But
we have not let the Chamorro
people forget ever since.

During midshift I light my way with the fiery tails
of F-15s performing full afterburner takeoffs. The
flightline is alive with the glory of freedom, JP-8,
and a coconut crab that has lost her way.

Our guide showed us things we may have
otherwise missed. On this island they say
An guaha guinaiya, guaha lina’la’ lokkue’.
If there is love, there is life.

 

 

Veteran

 

I take the garbage can to the curb, brush my
hand up and down our juniper tree’s waist.

Crows shotgun from the leafy cluster. Wind gusting
down Truman Street sounds like fabric being ripped.

We live our lives so fast—that’s what I think,
out loud. Lemon peel sun, clouds a flavor I tasted

once at a mall and never thought of again.
Hot day cooling down at last. Ides of March

and I forget the setup, only remember the punch
line to a childhood joke: Orange Julius Caesar.

Neighbor’s rusty SUV the color of a two-week-
old banana. Yucca plants—Spanish bayonet—

daggers in their yard. Driveway cracks
reminds me of first-grade cursive.

Someone important once said time is a dish best
served cold. A rolling stone gathers no time. Etc.

 

 

EOD

 

When I left, my friend Tony from Ammo
gifted me a spent 105 millimeter

howitzer shell. Brassy color and smells
metallic, oily. Round as a beer mug,

long as a big man’s boot. It’s hollow.
When you flick the top it rings like

an angry wind chime. For now, I hide it
from my son in the spare bedroom closet.

When he’s old enough we’ll
excavate it together using

a VBIED Inspection mirror, HME
Detector Kit, breakaway pulleys.

Multi-Plier 600 with lanyard ring
and flat-edge knife. Spool with carabiner.

Medical shears, curved forceps.
Blast suit with acoustic impedance.

Radio silence until Alpha Charlie.
I will tell him, this is from the past.

A long time ago. It can no longer
harm us. But you can’t be too careful.

 

 

Paternity

 

Where I come from a doe abandons her fawn at birth
for several days so her scent won’t compromise
the newborn to predators: coyotes, mountain lions, etc.

The buck leaves for less noble reasons, never
to return, which is why we rarely mention it.
Son, I stay for you not because of instinct

but a total disregard for it. I can teach you
how to disassemble a dash sixty generator;
I was never that good at putting it back together.

 

 

 

BIO

Lucas ShepherdLucas Shepherd is an MFA student at the University of New Mexico. His creative work has appeared or is forthcoming in The Atlantic, Aldous Huxley Annual, and Conversation Noises. These and more can be found on his website, lucas-shepherd.com. He is now completing a novel, West by Midwest, about demolition derby and redemption.

 

 

 

The Illuminating Photography of John Tavares

 

 

Tree Line Northern Lights

Tree Line, Northern Lights

 

Reflections of the Light Show

Reflections of the Light Show

 

Moose Creek

Moose Creek

 

Aurora Borealis Ojibway CountryClub

Aurora Borealis Ojibway CountryClub

 

Frog Rapids Bridge Night

Frog Rapids Bridge, Night

 

Iron Bridge

Iron Bridge

 

Aurora Borealis Pelican Lake

Aurora Borealis Pelican Lake

 

Snowmobile Trail

Snowmobile Trail

 

Sioux Mountain Summer Morning

Sioux Mountain, Summer Morning

 

Aurora Borealis Pine Tree

Aurora Borealis, Pine Tree

 

 

ARTIST STATEMENT

In creative endeavors, I have a strong passion for writing, particularly creative writing, but I found photography an engaging form of free expression long before I attended journalism school. I first became fascinated by photography as a medium and art form through magazine cover illustrations and especially the photojournalism of Time-Life photographers such as Robert Capa while I was in high school, when I read World War Two and Viet Nam war history. I always gravitated towards the journalistic medium, so when I acquired the training afforded by journalism college I felt more assertive behind the camera lens. I found digital photography liberating – a tool that empowered me in efforts to photographically document, far and wide, various aspects of everyday life and the urban environment, including social issues and norms and morays, in Toronto and rural landscapes in the sparsely populated latitudes of northwestern Ontario. In the northern setting I am often overwhelmed by the vastness and inexorableness of nature and I experimented in slightly unconventional manners with capturing landscape images, including using very long focal lengths, extremely long shutter speeds, in very low light. Inspired by the photography of artists like Ansel Adams and Annie Leibowitz, I nonetheless tend to eschew efforts towards their technical perfection, which at times seems unattainable. Likewise, I’ve been content to keep photo editing to a minimum, so I simply don’t use sophisticated image editing programs like Photoshop or Lightroom. I have utilized Aviary, Flickr’s online photo editor, and its predecessor, Picnik, at a bare minimum, to crop, color correct, or to tweak saturation and warmth, but even then I’m often dissatisfied with the results. For some images I selected for The Writing Disorder, I’ve allowed myself to be enchanted by the color and beauty of the northern landscape, occasionally set against the intrusion of technology and human development.

 

 

BIO

John TavaresBorn and raised in Sioux Lookout, Ontario, John Tavares is the son of Portuguese immigrants from Sao Miguel, Azores. His formal education includes a two-year GAS diploma from Humber College with concentration in psychology, a three-year journalism diploma from Centennial College, a Specialized Honors BA in English from York University. He’s worked as a research assistant for the Sioux Lookout Public Library and the Northwestern Ontario regional recycle association with the public works department. He also worked with the disabled for the Sioux Lookout Association for Community Living. Meanwhile, his short fiction has been published in a wide variety of “little magazines” and literary magazines, online and in print, in the United States and Canada. Following journalism studies, he had articles, photography, and features published in East York Observer, East York Times, Beaches Town Crier, East Toronto Advocate, Our Toronto – as well as community and trade newspapers such as York University’s Excalibur and Hospital News, where he interned as an editorial assistant. John recently wrote a novel.

 

i, Clouded

by T.E. Winningham

 

Pardon for those who died despairing; hope for those who died unhoping;
good tidings for those who died stifled by unrelieved calamities.
On errands of life, these letters speed to death.
– Herman Melville

 

 

The Company put us way out in the frigging sticks, tripled-up in the cheapest ratty room nowhere near the campus, off the wrong expressway even, in these cornfields stretching must be hundreds of miles in every direction. Nick, Tracy, and me. Checking into the motel we could see it, the campus, standing up from the flat horizon the way state universities make bubbles out of the void like sealed ecosystems. Standing there with shirttails flapping in the wind, a nervous twitch started in my eyelid waiting for the GPS to find us, shock and horror settled in my stomach when it gave up. Walked across the gravel lot in the heat, from the motel to the dust caked gas station where the greasy-fingernailed attendant sold me an actual—never to be folded correctly back to its original shape—paper roadmap. In the room we sat around it at the table in Nick’s cigarette smoke and stale lamplight, marking in pencil. The route of county roads leading from our We Are Here dot to the We Need to Get Here Every Damned Morning dot traced the shape of a lost Tetris game. Then we turned off the lamp and lay listening to flies trapped between the window and screen, stripped down to underwear and sweating, thinking this is only April.

The library sat square in the center of campus, towering over the stone-columned museumesque buildings and surrounding lawns. Students on foot and bicycle made a kind of swirling vortex around it, a hurricane’s empty center. The first morning we introduced ourselves to the head reference librarian, a small woman with a thick Slovenian accent and papers prepared for us. Call numbers by floor, tutorials for the online card catalogue. Unexpected, really, as this was merely a formality but nevertheless she led us under the arched marble and stained glass of the lobby to an echo chamber of a vacant reading room and sat us down at the first of the long mahogany tables. “You will find the book stack very well ordered,” she said, passing out the stapled pages. “In spite of this area being originally closed to the students.”

“Closed?” Tracy asked.

“Yes. The students needed only to bring call numbers of the books they desired to the front desk. An attendant would then return with them. This changed quite some time ago, problems with the staff and with budgets, but we have worked diligently to reorder the entire stack to make it accessible to the students. Who are not often accustomed to library methods.

“Now,” she continued, and began reading deliberately from the handout. The numbers and decimals and cross-referenced charts were incomprehensible to me. Nick exhaled loudly as he flipped ahead through the pages.

“Ma’am, I’m sorry to interrupt,” Nick stood, “but we need to get started. Waivers we’ll sign, as our Company agreed, but the rest of this, it isn’t how we work.”

“But you will not know where to find the books you are looking for.”

He pointed to the bookstack entrance, a small doorway behind the librarian’s desk, smiling. “They’re in there. We just start at one end and work our way to the other, Company policy. Anyway, with searchable text we’re basically making catalogues obsolete.”

She gasped; we all stood.

“Thank you for your time, we’ll let you know if we need anything,” I said as we left her just standing there and walked into the stacks.

We were scanning twelve hours a day, driving back and forth on the dark two-lanes with drunk pickup drivers, suicidal raccoons, and teens standing on parked cars shooting rifles at God knows rustling in the fields. In the mornings, still dark, the same minus the kids on the abandoned cars. Mists hung low like a ceiling over the corn stalks to either side, long gray nightmare tunnels in the headlights, breath and coffee steaming over the windshield and Nick’s cigarette ash floating up from the backseat. And Tracy, asleep, head bouncing against the passenger window with the smearing noise of skin on wet glass. Three weeks and we were zombified.

In the motel Tracy got her own bed, tiny and swimming in her flowery pajamas, hornrimmed glasses pushed up as a headband holding red bangs from her face. The paintings hanging around us made me think of some Bob Ross assembly line sweatshop, rows of easels and brushes twitching furiously, making the trees happy or else. Past midnight and the TV options are softcore porn and an advertisement for this new acne-busting home laser system, and between the two it’s hard to tell which paid actors are more excited. Tracy clicks back and forth and decides on porn. Nick sleeps next to me, mumbling something about focused light and ray guns. “Bart,” Tracy rolls onto her side to face me. “We haven’t slept in a week. This has to change.” On her wrist is a tattoo of a band-aid and scissors, a kind of warning against permanent mistakes. Hers is the personality that disappears under sackcloth dresses, the Company simply forgets her, she’s quiet and acquiescent-seeming with authorities and they don’t understand irony. “Hey there, Nickers, wake up! We’re formulating a plan.”

Nick snorts or coughs or just something wet catches in his throat.

Tracy takes pen and pad of paper from the drawer with the Bible. Tearing sheets off the pad, she throws them in our direction and they swirl like snowflakes between the beds. “Y or N to the commute,” she says.

“What’s our alternative?”

“Either a Y or an N.” She mutes the moaning TV.

“I mean, if we don’t commute then what?”

“We’re checked in indefinitely,” Nick’s awake. “We stay here.”

Tracy writes on one of the sheets. “I’ll mark that as Abstained.”

“It’s not…” Nick sits up, “it’s clearly an N. Or, wait,” he looks to me.

“Oh good, settled then.”

“You mean Y, Nick,” I hand him a slip of paper. “As in: yes we commute.”

“Too late,” Tracy folds three sheets in her lap. “We’re in unanimous, resounding agreement.”

###

We moved into the library at the end of Finals Week when the building’s mostly a ghost town. The lights go off predictably at night and flicker back on in their little metal cages in the morning. Important administrative things are surely going on elsewhere, though I can’t imagine what they are. But the stacks are quiet. We’re contracted with the university to be here “until we’re done” scanning and the Company made it very clear they don’t care to hear from us until then. Assuming we haven’t all died and rotted first. We left the rental car parked next to a dumpster behind off-campus housing and set up camp in the Medieval French Poetry section, confident we won’t be discovered. Sleeping bags, two flashlights, lots of bottled water and energy bars, pizza delivery on speed dial along with obviously plenty to read. The twelve hour days continue, down on the bottom floor where we started, still, eventually working our way up. We’re already chilled in the unbelievable air conditioning fanning constantly from the vents, sitting alone in our aisles scanning page after page until the lights go out and feeling our way back to camp.

There was at one time a plan for this building, you can tell, but it’s long forgotten. The aisles stretch sometimes forever while others end abruptly against support columns, plastered with yellowed signs taped over each other with call numbers and arrows pointing left or right in the dead ends. The fire sprinkler plumbing and electrical conduits run exposed overhead, the casings for power outlets often hanging empty next to bundles of the multi-colored wires of a newer system. Reflective tape traces paths along the floor where it’s swept clean from the elevators to freshly painted shelves, everything near the stairwells is decaying and dirty. I can only imagine the asbestos waiting to ooze down over us from the cracked HVAC and hot water pipes.

This kind of isolation, of sensory deprivation, of course we’re all going a little insane getting used to it.

Nick reminds me of a woman in drag if she overdid the five o’clock shadow and greased a pompadour to its natural limits, he’s from the East coast and I’m telling myself he was going to crack under Company pressure anyway. He started talking about himself in the 3rd person but weirdly, as if relaying messages to all three of us from some fourth, boss-type person coincidentally named Nick. Like, Nick wants us to work American Literature, 1937-38 today. Or, Nick has an updated completion timetable for us. The orders come down without discernable pattern, and the random changes totally screw us up. Tracy usually shakes in place for a second before saying for example Who fucking promoted Nick? and running off down the aisles. She’s right, too, he’s not in charge—just a little older. I like playing along but this invisible Nick can be a humorless ass. I asked him once if we could take lunch outside for a change and all he said was No, no, Nick doesn’t think that’s a good idea, Bart. Then, In fact, Bart, Nick has cancelled lunch breaks.

Which is really too bad, because this job is boring. Imagine scanning book pages with a handheld gizmo for a living. It’s pretty much the same as holding an extremely docile cat in your lap and brushing it until well after your arm goes numb, then putting it back on the shelf and taking the next cat, then the next, over and over for thousands of hours. The detritus and wisdom, conquests and failures of the world shelved to the ceiling around us. Most of it. Or at least part of it, there’s no way for us to know: for time’s sake, Company policy forbids reading. But I feel the shelves looming so impossibly high, even as I thunk my head on a fire sprinkler standing up. I’ve scanned more pages than I can count, haven’t seen the sun in longer than I’ll admit, and I’m freezing. There are no windows here, no clocks. No floor marked G and I know the one marked 1 isn’t but forget which one is. We take elevators in both directions, stepping off it seems always into basements.

“It’s worth it,” Nick says, “for the future.” Marking the place in his book, he stands. “We think of libraries as social institutions, as a common good, but the building is just a warehouse. An antiquated system. Indexes, catalogues, all that’s gone now. Our warehouse is virtual. And with tags and searchable keywords it’s the end of systems.” He gets that Rally-the-Troops look. “We’re consolidating the network, and once we’re finished this never has to be repeated. This,” raising the book at us, “I could throw this anywhere because we’ll never need to find it again. It’s in the Cloud now. We’re getting rid of old ideas of organization because they’re holding us back like a dead weight, like hobbling a horse.”

“Very eloquent,” Tracy says, checking her email.

Nick looks at the phone in her hand. “By the way, Nick doesn’t want us using our mobile devices anymore. He feels they’re distracting us from our work and so, as of tomorrow, he’s cancelling our internet access. If you want to update your away message, now would be a good time.”

Tracy looks up at him, eyes almost murderous or dead. She opens her mouth to speak but closes it again, looks at me. She stands and walks off and we don’t see her for the rest of the day.

Sanity took a turn for the worse without the internet. There is not a thing left to do but scan, and the constant, endless enormity of it all is crushing. The web becomes a phantom limb, a displaced itch or a tapping on my shoulder for attention. It’s there, I feel it there, but our connection only goes one way now through the scanners: up, out, away into the Cloud.

So for something to break up the day I make lists of new Company slogans, things like Feed the Cloud and We’ll Read For You. I like the Cloud. As abstractions go it’s a good one. An ether-land all around us tethered to a few black boxes, no one knows where, with some demonic genies inside throwing switches and pulling levers, moving little 1s and 0s across magnetic disks buried anonymously in a desert. But it’s a hungry Cloud. It’ll fill the sky and not be filled, though we try—offering what we can, books, pictures and tags, names and where we are, mapping every moment so it can learn. Still it demands more, everything and all of it in three dimensions. And so on the title pages of books I write, very faintly in pencil, The Cloud thanks you for your devotion to its Mission.

Tracy barricaded herself behind a luggage fort and gets up in the middle of the night. I hear her unzip out of her sleeping bag and creep off down the aisles. At first I only followed to the stairwell, it’s so cramped in there with the low zigzagged flights of echoing metal steps she’d hear me instantly. But I grabbed the door as it slammed, before the latch caught, and stood listening and watching for the flashlight beam above and counting her steps rising up and around and up. I figured she’d gone to fifteen and the next night waited until long after she’d left camp, went up there and walked toward the dim light far off in a corner, the smell of mildew and cardboard in the air and the sound only a typewriter makes clacking through the dark. She’s at it for hours each night. Floors below, I lie awake listening for the hammering keys, and wonder what she could be trying to say. Maybe I imagine it, but all night I hear a river of taps washing down over me while Nick snores by my side. And I keep looking but can’t find the reams of typescript she must have.

Meanwhile invisible-Nick is driving our Nick to the brink. He’s scanning with a stopwatch in his free hand, going over the same page again and again.

“Nick, can I ask what you’re doing?”

“Nick wants us to start training to maximize efficiency,” Nick says. “The scanners read one inch per second, Bart, and if we time ourselves we can commit that pace to muscle memory. We’ll move as fast as we can, and no more error messages. Then once we’ve got that, we can address the problem of page flipping, which is inherently wasted motion.”

“You’re joking.”

“Where’s Tracy? Nick would rather inservice all three of us on the new procedures at the same time.”

“Sure, whatever Nick says. I’ll go find her.”

She may as well have vanished into the labyrinths of hell. Floor after floor is silent, empty. I check our camp, nothing. I check the dusted-over corner where the typewriter sits quietly, all of fifteen eerie and dim with most of the lights burned out. Boxes upon boxes stacked full of unshelved books and the unfiled remains of everything else, this will be torture when we get to it. It doesn’t look as if anyone’s been here for 50 years. Age and disuse, mold and crumbled plaster dust, and then a door closing and Nick is behind me. “This is why we’re here,” he says. “People build and they forget, leave everything behind to rot. What we’re doing, in the Cloud, there’s no past so no more forgetting. Everything is continuously updated, all this in front of us in the immediate present, always.”

I open the flap of a cardboard box, lift out a book. The dust jacket’s missing, the black cloth cover frayed, title worn to illegibility on the spine and the binding creaks as it opens. Is it really forgotten, the weight of it left here? Is it lost, I ask myself, as the acid paper dissolves? “Yeah, glad to do my part.”

“Bart, I’m afraid Nick doesn’t want us up this high yet. We have a schedule to stick to.”

“No, I know, I was just looking for her everywhere.”

“We’ll get to this soon enough. Let’s go.”

She doesn’t come back to camp at all that night and I’m worried. Nick mumbles in his sleep, an argument with iNick, like a man overcome by fever and shivering. We’re not losing control, he murmurs, we’re not skipping ahead. She’s here and we’re on task. I pull my sleeping bag up over me and zip as high as it will go, the clicks of hot water pipes and a ringing in my ears.

The next day I’m sure someone’s following me. The air feels heavier, colder, I hear doors open and close. My legs cramp, knees start popping every time I stand. I hear a sneaker squeak on the tile and follow what sound like moans for an hour down unfamiliar rows into corners where the lights have burned out. I find empty study spaces, metal cubicles piled with discarded books and imagine students here, weighted down with fatigue as if chained to these desks. Row after row of silent bodies, lips moving soundlessly, pencils scratching in notebooks and fingers dog-earing pages. I read the titles. At this desk an 18th century economics term paper, at this one a Renaissance history of unknown playwrights. I read notes in margins, imagine outlines on scratch paper, the damned straining to absorb all they can remember, and the ghoulish reference librarian passing between the rows with her strict hair and index cards. Handing down call numbers for more, ever more in a cruel parody of assistance. I imagine them, eyes red and malnourished, one by one collapsing onto the bound journals and ancient encyclopediae strewn before them, dead of boredom and insomnia and if Nick’s right the Cloud can save them.

###

Turning a corner I almost step on Tracy, curled cross-legged between the shelves among unpublished dissertations. She stops scanning, looks at me, she’s started wearing drastic eye makeup. I cough a sort of apology. “Are you lost?” she asks.

“Nick’s been looking for you. He thinks you’re AWOL.”

“I’m not absent; there is no leave. Besides, I’m working.”

“It looks like you’re reading.”

“This is fascinating,” she resumes brushing her scanner down the page.

I sit next to her, “Not the point. We’re already like a century behind, don’t you ever want to get out of here?”

“Do you?”

She loosens the drawstrings of the knapsack at her feet, pulls out a typescript page, lays it flat on top of the page she just scanned and begins brushing from the top.

“What. In. God’s. Name are you doing? That’s going into the same file.”

“It’s like an abacot. Look it up.”

I can only stare at her.

“I’m writing a memoir. Every so often I slip a page in.”

“And you just put the book back? There’s no way to find which ones you’ve ruined.”

“Exactly. No one checks.” She holds the typed page away from her body and lights it on fire, watching it curl and flame and smoke into ash. I launch into a coughing fit as orange and red lick across her face, shimmering spots in my eyes. “I’m adding to the Cloud,” she says.

When she returns to camp Nick’s out cold as he is a bit earlier every day. She drops the knapsack on my shin and leans down over me. “You should start reading before it’s too late. You already missed the beginning,” she kisses my cheek before crawling over her luggage and lying down.

###

Summer’s gone, Tracy’s memoir shrinks and grows from the beginning toward the end, whenever that might be, the last page curling up in flame. I hide with a flashlight in my sleeping bag like ten years old, trying to keep pace with it, the tap tap tap from above racing behind her voice reading the words aloud in my head. With the fall comes Work/Study undergraduates making rounds, wraithlike in black polo shirts, with such maddening regularity and I avoid them. It’s the intrusive eyes that bother me. The lights stay on longer now, and the workday stretches to fill the time but the stacks go on interminable as ever, inch of text after inch, line by line, recto and verso, leaf after leaf, book, then shelf, then aisle, floors, and then the abandoned boxes stored where no one’s seen them for decades in the dust and then books left open and kicked under tables with the marginalia of some doctoral student left in 1924 waiting for us to add to the Cloud forever.

Graduate students are a small but constant presence, as passively nagging as a termite problem. They’re a territorial lot but usually don’t mind if I sit with them, scanning whatever they’re not at that very moment reading, so long as I’m quiet. So godawfully quiet I don’t know how they live like this, sitting in their rows. Some with their own reading lamps plugged into outlets at the desk, fleece blankets over their laps, others getting up every so often to ask the next one to lower the volume of their headphones. It’s unreal the silence they bring onto the floor, they’re living sound dampeners sucking the life out of the air itself. Nick doesn’t have the same rapport with them, and if he’s nearby they move off lumbering in silent packs, grocery bags filled with books, and Nick yelling Wait, we need those!

Nick’s taping charts and pencil-drawn maps and timetables all around the camp, orders and revisions iNick hands down mercilessly. Nick scribbles the hanging papers to oblivion trying to account for where Tracy’s already been. Dark circles spread under his eyes, he’s losing weight and his jaw moves mechanically, grinding teeth in place of food he won’t eat. His delusion’s skewed a bit on him, he talks directly with iNick in the 2nd person now. He says things like This is a good strategy but we need more procedural freedom to accelerate our progress and We’ll meet whatever deadlines you set so long as ultimate responsibility lies with you but the 1st person pronouns don’t seem to have a referent anymore. He’s fanatical about efficiency and holds morning meetings in the washroom, just for me since Tracy’s away wherever. Today he claims to have solved the page-flipping problem. We’re standing against a wall, looking down an unending aisle, and he hands me a book from the shelf.

“You’re going to tear the pages out and lay them end to end. No more flipping. I’ll follow you and scan,” he says.

“I’d literally rather do almost anything else.”

“It’ll be much faster,” he steps toward me, “no more wasted motion.”

“Tearing is a wasted motion, just a different one. Not to mention one that destroys the book.”

“Nick feels the physical object itself is expendable once it’s safely in the Cloud.” He opens the book and starts, slowly and perfectly, tearing out pages. “Fine, I’ll tear. You scan.”

“I’ll be somewhere else. Doing something else.”

“That’s insane,” Tracy says when I tell her later.

“And you’re Miss Rational these days.” She’s grown pale and freckles stand out on her cheeks. We’re sitting among the boxes on fifteen, she’s unpacking and scanning the timecards of some forgotten payroll. “So what is an abacot, anyway?”

“Doesn’t exist.”

“Like something made up?” I hold up a timecard in the dim light: Julianne Peterson Feb. 14, 1957.

“No, the word doesn’t exist. Started as a mistranslation of French, which somebody copied and somebody else changed the spelling a little by mistake. Finally somebody else included it in their dictionary, meaning a crown-type hat worn by kings. Don’t know how they came up with that, then other dictionaries just copied that first one.”

“So you’re adding mistakes to the Cloud?”

She looks at me, glasses slipping on her nose, “I’m adding judgment.”

I arrange the timecards into little stacks and repack the box as she empties it. We sit without talking then until the last card is scanned, the file is uploaded, and the box is again full as though we were never here.

“Want to see something neat?” She stands, wiping at wrinkles in her dress.

I nod. She leads me by the hand running up the stairwell. I hit my head, stumble, and follow floor after floor with my hand in hers. I can’t breathe, pain in my eyebrow and fiberglass needles in my lungs. She stops, bends over with hands on knees. “It’s good for you,” she looks at me but her hair hangs all in the way. “C’mon,” she pulls at my hand again, walking now. I use the railing and make her stop three more times, coughing, as we wind our way into smaller and steeper circles. At the top is a landing, a door and a sign. BookStack Stair 2: No Roof Access. And the door shrieks as she opens it.

It’s a watchtower but with stained glass windows, thick and blue religious figures I’ve never known, the outside light barely coming in. We’re underwater swimming in it, vague shadows of another world darken the glass and I have no idea how high we are, or where. She places her hand against the glass where it looks like the setting sun and I hear the wind pick up just beyond her reach.

“It’s beautiful,” I say mostly to her.

“It is. But it’s not what I wanted to show you,” she points to the room’s large center column, to a door in the column I hadn’t noticed. Inside is a small office, dirty and cobwebbed without even a lamp. She shines the flashlight on the desk, on a rotary phone on the desk. “Nick has no idea this is here. It works.”

I step through the flashlight beam into the room, into a clean swept space on the floor where now I know she’s been sleeping and she follows.

“Is there anyone you need to call?” she asks.

I turn to her, the light rising between us, “No.”

“No one?”

“No.”

She switches off the light, the blue filters deeper in from the outer room, and the saints in the windows stand watch until they, too, go dark.

I wake to whispering, on the ice cold floor, from the best sleep I can remember but cramped all the same. A soft click and rustling and then that shrieking door sends me nearly out of my skin. Her steps fade down the stairwell to nothing, leaving me again to sleep.

###

On three, where I left Nick, there’s nowhere really to step, pages line every aisle, blanket every tile square and still the shelves don’t show a dent. I’m afraid to leave the doorway; it reeks of cigarette smoke here. A sweeping noise moves through the shelves, a whirlwind, then waves of paper in the distance. The undergrads. In the midst of swirling pages, black polos standing out in the white like doomed arctic explorers. They’re pushing brooms, shaking out plastic bags, stuffing them full and the reference librarian’s yelling now so loud, so fast it sounds like German. It’s time, I think, to be somewhere else. But she steps into this same aisle, direct line of sight and here I am backing into the stairwell and letting go of the door. It swings shut with the force of a gunshot and through the little window crisscrossed with wire mesh she’s walking this way, all rage and hate. I run.

The rest of the day I hear her everywhere behind me, and in my poisoned imagination the teenaged furies have grown wings, rushing through the stacks after me with their broom handles poised overhead as flaming swords, their eyes scarlet in the glow and the smoke. I run from every noise, every squeak on the floor and metal click in the pipes above. By lights out I’m utterly lost, under a cubicle desk in a corner, hungry and confused in the freezing air. I lie on my side, arms wrapped around knees, and dream of Tracy when I sleep. She’s bathed in the shades of blue and enfolded in white cloth, her hair turns purple in the light, kneeling and whispering softly over me here on the floor like prayers.

The lights flicker in the morning and burn, I crawl from under the desk and look for the stairs. In the bathroom near camp feet are visible there in one of the stalls, between the bottom of the door and tiny checkered tiles. I turn on the sink and take off my shirt, put my head under the tap and, straightening up again, call out toward the feet, “Nick?”

“Bart?” he answers, hiding from I assume himself and smoking, the cigarette plume’s smothering as it reaches me, I bury my face in a paper towel and hack. I don’t like the look of what remains there when I’m done. That goes right into the trash, I splash my face with water and look into the mirror. “I’m in a nightmare,” sounds like something I’d say, “they’re relentless. Everywhere at once.” But it’s Nick speaking, and then banging on the flimsy walls around him. “They didn’t understand, none of them did. And that woman…” I walk toward him while he describes his discovery and eventual escape, the elevators called for and sent away as decoys, the stairwells and utility closets. His cigarette hisses in the water below him. He tells of the furies and fascist librarian, the long night balancing on the toilet rim and an irrational fear of the sound it would make flushing, that they’d hear him.

“It’s not irrational. They’re really after us, Nick.”

“I know. But Nick tells me he’s negotiating a truce, with a significant payment involved. We just need to lay low.” He draws his feet up and they disappear above the bottom of the stall door.

Camp is well outside the usual undergrad patrols and offers some measure of safety, of what at least feels like safety. Nick’s almost completely encased us in walls of hanging paper at this point. I look around and through Tracy’s luggage fort, hoping to find her memoir, something to lose myself in for a while, but instead find layers of complex lingerie folded and sorted by color and pattern. The purpose of certain buckles, snaps, and webs of strappy elastic are beyond me. I close everything and sit on my sleeping bag, facing away from it all but her disappearances feel sinister now. I think I need to watch her movements more closely at night, and during the day.

Around midterms and finals the stacks fill with actual people around us, but they’re lost and empty in the eyes and we don’t worry. They’re so out of place here they mostly ask us for help even as we wrestle books from them. It’s horrible though, chasing students around this way, their greedy hands trying to take and take from us. Who could know what they’re after? Or when those books would return or how to find them then. I just want them to stay at home, wait comfortably on couches and understuffed beanbag chairs until we’re finished. They’ll never have to come here then, derelict as they are, with the wide eyes and little maps sketched on the damned index cards, the strings of meaningless letters and decimals. Mouths moving dumbly, fingers tracing along the spines for some stitched block of paper, they don’t even know what’s inside, if they need it at all. Wandering, backtracking, they curse the skies for books misshelved or missing altogether. They recall books from each other and fight over limited resources. Just stay home and wait. The Cloud will find what you’re looking for and it will already know what’s inside.

They don’t wait but do stop coming back after exams are done and then it’s very quiet as the snow deepens along the bottom corners of the watchtower windows. Shadowed flurries swim past the angels there and the wind whistles against the blue glass while I sit waiting for Tracy, who vanished in person if not spirit. She still delivers her memoir every day, I find it waiting tucked inside my sleeping bag at night. It started smelling of perfume and, honestly, needing an editor. It’s hurried, as though she’s rushing now toward some end only she can see. I read for clues, some sign of where she is, what she can be thinking, but the story hasn’t caught up with us yet. We’re still stuck in college with her sister and some vague love interest in a water polo player. She buries me in descriptions of falling leaves on the main quad’s rolling lawns, of the blinding sunshine warming nothing and mittens around steaming coffee cups, of hooded sweatshirts and the heavy backpacks on everyone’s shoulders. She writes of the stone buildings and marble columns and crisscrossed paths between them, halls with amphitheater rows of wood tables and too many chalkboards. These long winded lectures she transcribed, it seems, but probably made up with semesters’ worth of notes she can’t possibly remember, all laid out in paragraph after quoted paragraph for reasons only she can know. Telling me of the suit jackets and leather briefcases, the sound of chalk on the cloudy green boards and bourbon bottles pulled from desk drawers in office hours. I read on, racing along the doomed pages, wishing, begging these leaves before they’re consigned to the fire, to get to the point please.

The last several weeks Nick’s been in the bathroom already when I wake, in closed-door meetings with iNick. He hasn’t had time to bother with the nuisance of actually scanning, preferring talk of Taylorized efficiency measurements and motivational strategies, of team-building exercises. He says an increased managerial presence is necessary to keep us all on the same page, and he doesn’t seem to notice the pun, or the irony. By noon he’s visibly shaken, collapsing in nervous exhaustion. And with Tracy MIA I’m left to myself, mostly, making almost no progress. I catch myself sitting frozen, staring intently at nothing, with disconnected sentences stuck in my head like songs, a feeling of remembered dreams. I think of the books now as either empty or solid, like prop books on movie sets for all I could tell you what’s in them. Just endless print and a creeping déjà vu, and I feel like that character in a story I’ve nearly forgotten, too poor to buy the books he wanted so the fool took only the titles and wrote the rest himself.

###

Tracy reappeared after the lights didn’t come on. Either she took pity on us left with only the one flashlight or she’d been somewhere around here all along. Or she was scared, too. Imagine the sun didn’t rise one morning. We felt nothing, no great tremors, no explosion, no trumpets announcing the end of days. At first I thought a Work/Study teen overslept hungover in a strange bed without an alarm clock, woke up lost and sick and fled straight home in shame. But no, the dark lasted long enough we couldn’t explain it away. We were here, sitting on our sleeping bags in the abyss, and no one was coming.

“I, for one, am glad we can just sleep in,” Tracy’s voice from the other side of her luggage.

“You don’t get it,” Nick says. “It was finals last week, this is winter. They don’t have winter classes!”

Tracy shines her flashlight in his face.

“It’s probably a month break,” he continues, “turn that light off. We’re going to be so far behind.”

“Behind what?” is all I can think to ask.

You can only sleep for so long, sadly. Nick hums fugues to himself, setting some kind of mood and Tracy burns through her flashlight battery revising the memoir until the black is all but complete, the mass of these unseen, mute voices collected around us. They haunt me and terrorize Nick, I hear him taking down books and fingering through them as though they were Braille, whispering to himself and inhaling cigarettes, the burning paper and lingering acid trails of glowing red as he gestures toward nothing.

“Bart,” Tracy calls, “I’m bored as shit. Talk to me.”

I feel my way toward and over the walls of her luggage, catching a foot and twisting down to the floor on my back. “There’s no way this is going to last a month,” I say.

“Does it matter?” she reaches for me, hands I think looking for my shoulder, a sense of occupied space.

“I don’t want to sit here like this forever,” I move toward her.

“Then let’s get out of the dark.” She takes me by the arm and stands, leading me shuffling and blind past Nick’s hallucinations up to the watchtower. Every window glows like a lightbox; it must be the middle of the day.

“I’m leaving soon,” she says, sitting down. “I’m done with scanning, I can’t take it anymore.”

“I thought you liked it here. I see you reading all the time. Seems like the perfect job for you.”

“God no, it’s compulsive. If there’s text on a page I have to read it. Can you imagine? Think about all those pages of 8 pt. footnotes, the bibliographies, the indexes.” She leans against the window, breath condensing there under her nose.

“Yikes. I had no idea,” I put a hand on her lower back, “what are you going to do?”

She turns, slides down against the wall to sit. “My sister and I are starting a business. Video editing.”

“Aren’t there already enough people doing that?”

“Not like us. We’re only going to do home movies, tourist’s vacations, that kind of thing.”

“Like kids’ birthday parties and stuff? Nobody watches that crap.”

“Because there’s too much tape to sift through. They already lived it once, who has time to watch the whole thing again? You’d need to live twice as long,” she tucks a lock of bangs behind an ear, brushes an eyelash off a blue cheek. “So that’s why we’re going to go through it and cut out all the boring bits. Voila, the best memories of Florence or nephew’s baptism or whatever. And we’re selling little video cameras that’ll attach to like a hat or coat or something, so people can stop staring into tiny screens their whole trip. You know, if they go to Florence they may as well enjoy it while they’re there.”

“Genius. How are you going to screw this up?”

“Haven’t decided yet, probably something to do with the scraps we cut out.” She wraps her arms around her knees and rests her chin there. “You could come with.”

“I don’t know. I’ll think about it.” And we watch the windows dim and brighten toward blue and fade again four more times before checking again on Nick.

###

The lights were anticlimactically on and we heard him in the washroom, revising revisions of iNick’s schedule. No way for him to know how short lived his plans would be as the librarian’s undergrad minions stepped off the elevator en masse, a lynch mob armed with buckets of soapy water and mops, paper towels and these horrid spray cleaners. We hid like rats, bleach fumes overpowering us on every level, muffling coughs and moving camp every night to stay ahead of them, driven upwards on a rising tide of foaming disinfectant. Days spent in closets, climbing stairs and doubling back, curling under desks until finally we were able to move down past them in the night. We slept then in the chemical smell and worked the next day as they continued upwards, Nick cursing after them.

With Tracy determined to leave, nothing would convince her to just scan a plain old book like a normal person. I followed her around for the company, to spend time with her before insane Nick was the only one left with me here.

“You know you’re not doing what you think you are,” she tells me.

“And what do I think I’m doing?”

“You and Crazy aren’t making some wonderful, liberated world. The opposite, actually. People will look back at this as the moment everything went wrong.”

“But it’s not going wrong. It’s just taking time. When we’re done the Cloud will be there for everyone—whatever they want, whenever they want it, and free.”

“And all stored on Company servers. This,” she holds up her scanner, “is just the first step.”

“A benevolent king benefitting the people.”

“Right,” she pushes her glasses up the bridge of her nose.

She’s scanning floor tiles now, the signs pointing to call numbers, the bookends and dust covered shelves, scanning desktops and sleeping graduate students, brushing her scanner across the spines of books lined row after row, waving it like a wand through the air, scanning empty light.

I asked what she thought would happen to her memoir; she said it’s almost done. Written and mostly in the Cloud and almost destroyed. I think we have two different ideas of what done means. Scattering bits of herself on the wind where they’ll never be found.

I’m about halfway through Holy Alliance: The Unified Force of Church and State Governments in 14th Century Spain and its Effects on the Peasant Population but still thinking about the memoir, my hand freezes. “It’s not that no one will know where to look, but no one will know that they should look.”

“You think maybe that might be part of the point?”

“I mean, someone might stumble across the right search terms and see part of it…” my scanner is giving me all kinds of error messages.

“Somebody will find a page of it while they’re reading.”

“Nobody is going to scroll through a whole book anymore.”

“See? That’s what I’ve been telling you. So my book is like a reward, a little mystery for those who do. If you don’t read the whole book you might miss out on a clue.”

“You’ve got a lot of eggs in that basket there.”

She looks around at the shelves, waves her arm from left to right. “And if they don’t, so what? Same fate as some of the best minds in history.”

My scanner beeps erratically; I turn it off and shut the book. Tracy lays out flat on her back and stretches, “It’s comfortable here.”

###

In the dream I was submerged in fire, but a movie’s fire, like photographs of the sun, blinding orange explosions and the smoke venting mysteriously somewhere. Instead of being consumed in flame and ash the books glowed white hot and melted into thick lava pools on the floor, rising around me. Nick dissolved into a black heart of coal, iNick the fuel, and Tracy’s eyes reflected the flame, her skin shone brightly through the smoke as I rolled and crawled on my belly toward her. Face to the floor, sputtering and burning in the weirdly melted pages. The noise was like a river, a whoosh, a sliding fluid and a crackle. She was a shining skeleton, her teeth exposed smiling, she turned away toward the elevator. iNick stood, stiff and crumbling, charred and barely hanging together, turning his head after her. Raising an arm, fire dancing along the length of it, pointing after her. I was being washed back on a current, swimming for the elevator against it, drowning. Worry in Tracy’s eyes for the first time. The doors opened and she stepped inside. The watchtower’s angels tore the clothes from their bodies and wept, the bookshelves around me disintegrating. Tracy’s face burned to that skull’s helpless grin, waving goodbye as the doors closed, the elevator car rose through the tunnel behind the burning walls. And iNick, unmovable, laughing now as he swung the charcoal arm around to point at me.

I woke, I hope understandably terrified, to a flashlight bulb staring down on my face. Nick snoring off in a corner in the dark and Tracy says, “It’s time to go.” She leads me to the ninth floor and sits me down at a desk, she sits across from me and turns off the light. We sit watching the shapes of one another dissolve into spots of color swimming in the black. It’s maybe 20 minutes before the lights click and flicker on and she’s still exactly there at the table across from me, confirming the statue-image of her I had in my mind this whole time. She stands as my eyes adjust, takes Monotheism and Empire from a nearby shelf and returns, opening it on the table in front of me.

“I’m leaving,” she says.

“I know.”

“No. I mean now. I just want you to do one last thing for me before I go.” She pulls my scanner out of her knapsack and sets it next to my hand.

“Why do you have that?”

“For this.” She places both hands down on the open book, palms up and perfect fingers outstretched. “Scan,” she says.

“Why me?”

“I can’t do it myself, silly. I need your help.”

Her hands, my scanner, her memoir floating in the ether. “I mean, your fingerprints. They’ll be in my scanner. They’ll come to me for everything that you’ve done.”

“They never check.”

“But if they do.”

“Then I want you to know this isn’t everything. It feels like it right now, because you’re inside it, but all you have to do is step outside.”

I take hold of her by each wrist, one at a time, and scan.

“See, that wasn’t so bad. The first step is always the hardest.” She leaves for the elevator then, looks back over her shoulder until the doors open. Inside, she hits a button it looks like somewhere in the middle but it’s hard to tell and she blows a kiss in my direction. She’s gone, I’m coughing again and hard, and since I’m here already I might as well get to work. The scanner blinks, ready for the next file, and I flip back through the pages on the table in front of me to start from the beginning.

 

 

BIO

TE WinninghamT.E. Winningham holds a PhD in Literature from the University of Southern California and a BA from the University of Iowa. His work has appeared in Fourth Genre, Anamesa, and the Overtime Chapbook series, among other journals. He currently lives in Los Angeles.

 

 

 

Homecoming

by Brad Rose

 

My one-armed, little brother is 6’ 2”
his face quirked, like a question mark.

He’s back from the army,
filled with a silent language he doesn’t understand.

Says he dreams of a job,
maybe something at the post office,

or in the library, shelving books.
At dinner he tells mom he just needs a few weeks

to get his bearings.
Some mornings, I catch him in the living room

slack on the khaki couch, his blond hair growing back,
the TV’s anesthesia unplugged. He stares

out the front window, into the slow daylight.
When I ask him what he’s doing,

he says, just staying in my lane, Bro.
Just staying in my lane.

I troop upstairs to hide his nine millimeter,
            again.

 

 

The Problem of the Trees

 

Influenced by Derrida and Foucault,
I’m a drowning man,
electrocuted.
Just your average homologue,
give or take 15 percent.
If I was music, I’d be a police siren,
or an Arabian shriek,
but I don’t want to cut off my own legs.
I’m thinking about 1.3 million women.
Unofficial sources say it’s not a sin,
it’s a case of popular mechanics.

The world is filled with mystery.
The Spanish Steps are in Italy,
fortune cookies are nearly free,
but these days, it seems like all my carrot stories are about sticks.
Some people tell me this is either an evasion of privacy
or catering to a niche market.
Yes, I’m a Jesus capitalist
because it’s always good to have a friend
in customer service.

If there’s one thing I’ve learned
from my many years in the wholesale circus industry,
it’s that our secrets are locked-up in ourselves, like tiny homunculi
with their hats off.
We’re plush mannequins yearning to become tan-toned statues.
Nevertheless, after I turn myself inside-out,
I hope to receive a reduced sentence.

Justine told me her skin didn’t feel like it was really hers,
so I told her to relax, its only formication.
I’m an experienced myrmecologist, even if it means keeping my pants on.
She reminded me that Socrates was convicted
by a very small majority of the jury.
That’s the problem with the whole truth and nothing but the truth.

Outside, the wind struggles with the problem of the trees.
You’d think lightning could solve it.

 

 

Like a Forest, the Unsuspecting Crowd

 

Trekking through the natural history museum,
counting my vowels and consonants,
I like the idea of flames
the way I like paintings of trees.

A man-made lake, unmade,
my eyes, a secret country,
I once read about rage in a book
about fire.

Wild animals have talent,
but they’re sworn to secrecy.
Maybe they aren’t flammable,
but you never know for sure.

I envy my shadow,
as it escapes my bones.
The only thing it lacks
is a good, clean siren.

I’ve been studying fire safety,
I can answer all the questions.
This kind of thing happens
more often than you think.

If the crowd goes wild, stampedes the doors,
who’ll bury the bodies?
On second thought, no worries.
Leave it to me.

 

 

 

BIO

Brad RoseBrad Rose was born and raised in Los Angeles, and lives in Boston. He is the author of Pink X-Ray, Big Table Publishing, 2015 (www.pinkx-ray.com). Twice nominated for a Pushcart Prize in fiction, Brad’s poetry and fiction have appeared in The Los Angeles Times, Folio, decomP, The Baltimore Review, The Midwest Quarterly, Lunch Ticket, San Pedro River ReviewOff the Coast, Heavy Feather Review, Posit, Third WednesdayBoston Literary Magazine, Right Hand Pointing, The Molotov Cocktail, and other publications. Brad is the author of three electronic chapbooks, all from Right Hand PointingDemocracy of Secrets, http://www.righthandpointing.net/#!brad-rose-democracy-of-secrets/c1ec2, Dancing School Nerves, http://www.righthandpointing.net/#!br16-home/c1ujz, and Coyotes Circle the Party Storehttps://sites.google.com/site/bradroserhpchapbook/. Links to Brad’s published poetry and fiction can be found at: http://bradrosepoetry.blogspot.com/. Audio recordings of a selection of Brad’s published poetry can be heard at: https://soundcloud.com/bradrose1. An interview with Brad is available at: http://www.righthandpointing.net/#!brad-interview/cfo5

 

Mitchell Grabois

Art

by Mitchell Grabois

 

1.

I walk into the house. I see that my wife has decided to remove the popcorn ceiling. In fact, she’s removed it. I told her we needed to get it tested for asbestos first. She said we didn’t need to. She sits on a wooden chair, wet crumbles of the former ceiling strewn around her. Her smile is triumphant. It was even easier than they showed on YouTube.

A book is in her hand.

What are you reading? You’re not reading that trash again, are you?

She recites: From a very tiny, underused part of my brain – probably located at the base of my medulla oblongata near where my subconscious dwells – comes the thought: He’s here to see you. My wife begins to unbutton her blouse.

Jesus, you’re reading Fifty Shades of Grey again

I feel the color in my cheeks rising. I must be the color of The Communist Manifesto. My wife throws her blouse to one side atop a pile of popcorn litter. She wears no bra. Her tits are small, but “perky.” We make love on the wet asbestos. Afterwards we take a shower together, but the damage has been done. I already feel the cracklings of MESOTHELIOMA in the lobes of my lungs.

 

2.

I wake at 5 a.m. to drive a neighbor to cataract surgery. I drop her off and go to find a McDonald’s with Wi-Fi, but find none between the clinic and the Front Range, just a Jack-in-the Box. Standing at the counter I peruse a poster, a man with a Jack head and an athlete’s muscular arms. I didn’t get this body eating chocolate milk shakes, the caption reads. Sometimes I got vanilla. I take a table, drink bitter coffee, and remember Bob W. in high school, a tall skinny guy with long, lank hair and a comical face. I remember his night-time raids, stealing Jack-in-the-Box heads from drive-throughs, leaving the “restaurants” bereft of their mascot. Some businessman would be really pissed in the morning, but that was part of the point. There was a connection between the Jack heads and the U.S. military (Bob lectured us as we smoked dope in his bedroom) and the atrocities they were carrying out in Viet Nam. It took me a couple of years before I understood, and then I became an activist member of the small cadre of Jack- head thieves. I finally got caught (though Bob never did) and spent some time in Juvenile Detention, to my parents’ everlasting shame.

 

3.

My wife falls asleep. She’s like her Lithuanian grandmother: she can sleep on a manhole cover.

 

4.

I grew up and moved to “Paradise,” where bougainvillea vines and Poinciana trees blazed, and escaped iguanas made a commune on my front porch. I fed them slices of banana from my palm and regularly refilled the shot glasses I left on the rail with iguana adult beverages, namely water with lime.

But I was exiled from “Paradise” by ugly politics, a kind similar to what Adam experienced in the Garden of Eden.

 

5.

The goldenrod of my new, Midwestern home made my head swell. Wasps stung me in the face when I entered the barn. Holding my spray can of poison, I couldn’t find their nests. Maybe they were high up in the eaves, or hidden somewhere in the hay mow. But the expansive fields of corn and soybeans were a kind of meditation.

 

6.

I drive to my one-room schoolhouse.

It was the Amish school for a while, until the local Amish community suffered a rift. The elders ordered everyone to disband, to scatter like dandelion seeds drifting in the wind.

But while they were still here, the Amish children drove little wagons to school and put the horses in the horse barn, out of the snow, across a miniature ball field next to the schoolhouse.

The horses were bored while the kids were in school, and chewed on their stall boards. It’s amazing how much wood a horse can chew in a school year. After the community failed, I bought the schoolhouse. I thought I might start an art academy, buy some abandoned farmhouses nearby for dorms, use the barns as studios, but the more I thought about it, it just seemed like too much work.

 

7.

The industrial turbines were built, over our protests. By then I was a member of the community, sort of, though my cousins kept their distance. When I was walking on the road and they drove by in their vans or pick-ups, they wore sneers. The turbine blades sliced the air. Surely to say that is metaphorical, but why did I start finding streaks of blood on the floor of my front porch? I had recently scraped it and painted it glossy grey, and the blood was vivid against it.

 

8.

I bought a chain saw, the most expensive one Farm Supply had, went into the horse barn and sawed out the horse-chewed boards. They were old boards, probably milled on the adjoining farms. I put them in rough frames, branded them with the image of a laughing horse, called them: Horse-Chewed Board #1, Horse-Chewed Board #2, up to #26. I shipped them to my agent. The art world was astir, me coming out of retirement. Some folks had assumed I was dead. Each piece went for about two-hundred grand. They sold out within the month. My total cut was about 3 mill, if I remember right. I love art. I was reconsidering starting an art school, out in that verdant township.

 

9.

As in a horror film, the streaks became small pools, scattered across the porch floor like grisly polka dots. Hypotheses straggled across my mind. Had animals been fighting there?

 

10.

Eventually it became too much and I took to the road. The Front Range rose before me like a mirage, as if I were a Spanish pilgrim on the trail. But I have no faith so I can’t be a pilgrim. I’m merely homeless, like so many others, like the refugees of the Dust Bowl.

 

 

 

 

 

Climate Change

by Mitchell Grabois

 

Day One

Dear God, let everything broken be unbroken.

Tiffany: The roadway is not asphalt but the bodies of Doberman Pinschers. Sometimes they come back to life.

Still, an urge to swim in her father’s pool, her breasts desperate for her children, or needing violence against her pale skin, a voice whispers: run run run.

Global warming has stopped ice bridges from forming, isolating the wolves who live on this island, as if fenced in barbed wire, trapping the Doberman Pinschers who inhabit Tiffany’s nightmares, trapping Tiffany as well on this Alcatraz-like place.

Inbreeding has made the wolves as twisted and angry as those humans who live in my township (off in another part of the state), in which the wind turbines, erected too close to our homes, have destroyed our health, the enjoyment of our property, the value of the property itself.

 

Day Two

Everything is gone, but they demand I get out of bed and brush my snaggle teeth. Can’t you hold me, Hank? Close, as if I were beautiful?

After years of hospital work, I am ubermensch with x-ray eyes. Under ugliness, I see beauty,

under dysfunction, capability. I see Tiffany before illness’s smears. She kneels in sunshine, in rich earth, like Mary Magdelene.

Greed shows itself in infinite forms, as does grief.

 

Day Three

Soggy collard greens.

Tiffany is not here.

Toilet graffito: Eternity—too long to be wrong.

At Highcastle Pharmacy, I stand in front of the lipstick display and read the names of colors.

She said: You buy me a tube. I shake from medication and you guide my hand,

I gaze at her new-colored lips. What if all the barriers —including her illness—suddenly collapsed?

So porcupines hurl themselves from trees at the greedy, climate changing humans, making themselves suicide bombers, though each hopes he’ll survive to bomb again. They have plenty of quills, and know how to hide as skillfully as French resistance fighters during WWII.

 

Day Four

At the grunge band crash-pad: Dax: prison tattoos, ragged hair, pinwheel eyes. Couch-bound,

he stares at the ceiling, his electric guitar on his chest, its neck between his legs.

“Wazzup, man…? Tiffany? Yeah, she’s here. Shaggin’ our new drummer.”

My heart soars, then falls to the pit of my stomach. I am ready to vomit with elation.

Dax leads me into a room with a bare, cum-soiled mattress, crushed PBRs on the floor.

“Probly went to score. You gonna bust her?”

“She’s a chronic schizophrenic, an escapee.”

“Dig, you gotta let people tune their own karma. You can’t just lean in like a shade-tree mechanic, spray ‘em with WD-40, and re-torque their mind with your kryptonite wrenches”

“So terror and confusion are Tiffany’s fate, and we should let her die under a freeway?”

“I’ve got to head for the McJob, man”

Drowsy, I lie on the couch, cover myself with his Fender. I’m a three-headed dog, Cerberus, at the gates of Hell.

I awake in deep dark, sneeze four times, feel dizzy. There’s meth in the couch cushions. I stand, grip the guitar—an ax—and head for the cum room. No grunge punk is gonna interfere with my treatment plan.

 

Day Five

As long as climate change continues, the porcupines will remain at war. If some call them terrorists, so be it.

 

 

BIO

Mitchell GraboisMitchell Krockmalnik Grabois has had over a thousand of his poems and fictions appear in literary magazines in the U.S. and abroad. He has been nominated for the Pushcart Prize, The Best of the Net, and Queen’s Ferry Press’s Best Small Fictions for work published in 2011 through 2015. His novel, Two-Headed Dog, based on his work as a clinical psychologist in a state hospital, is available for Kindle and Nook, or as a print edition. To see more of his work, google Mitchell Krockmalnik Grabois. He lives in Denver.

 

 

 

The Comic Art of Brad Gottschalk

 

Gottschalk Curiosity

Gottschalk Curiosity

Gottschalk Curiosity

Gottschalk Curiosity

Gottschalk Curiosity

Gottschalk Curiosity

 

 

BIO

gottschalkBrad Gottschalk is an exile from the realm of live theater. Currently he is a cartoonist living in Madison, Wisconsin. His art and comics have appeared in Raven Chronicles, Nerve Cowboy, and Berkeley Fiction Review. Read more of his work at www.slienttheatercomics.com.

 

 

 

 

 

 

Oliver Perrin

The Music of Eastern Europe

by Oliver Timken Perrin

 

For Andrea Jurjević

 

The boots of Sultan
Tsar and Kaiser
leave muddy prints
on your mother’s breasts

Fanged wooden spires
rise like dog hackles
from the deep snow
that sometimes causes
frost-riddled gypsies
to drop from their trees
like stiff and staring fruit

Your sad fiddles
invoke immodest sorrow
with merciless reliability
because everyone
is missing a string

In the frostbitten hour
before dawn
ten thousand tiny hussars
flutter their wings
in your crooked wells

They’ve been waiting for Spring
for centuries

Your dancing masters
resort to strong drink
and minefield choreographies
to ensure their art survives

Your soil is fertile
blood makes it black
like krvavica sausages
or the rings that stain
Báthory tubs

Every bandit is a prince
and every prince a bandit
with a bulge in his pants
formed by a fat roll
of bills or what might be
red opera gloves
if it weren’t for the dripping

And wolf brothels
where boards beds and babes
all squeal like little pigs

Close your eyes and listen

The howling is beautiful.

 

 

Weightless

 

I’m in a café

a refuge from
the damp chill and
acrid coal smoke

Istanbul in winter

a table for one
outside the circle
near the door
shoved in beside
narrow wooden steps
leaning upward

my spoon clacks
in the criss-crossed
narrows of Beyoğlu
5,771 miles from home

from foreigner or stranger
it’s only a stone’s throw to enemy

when Istiklal street
is less crowded
I draw suspicious eyes
simply because
I’m walking alone

they talk to each other
like the big family
I’ve never been part of
abi, abla, teze, amca
big brothers and sisters
bigger uncles and aunts

I humblehunch
over my cooling bowl
in the real fear
somebody will kick
crumbs and dirt
into my soup

women with long
red noses and scarves
come in just behind me
with an irritating bell jangle
with deep voices
and laughter
spinning threads of perfume
from full and heavy
heads of gleaming hair

the muddy shivers
trail them too
and sometimes snatches
of the evening ezan
summoning the faithful
to sock footed prayer
in rolling waves
from graceless bullhorns

I can’t resist
the furtive glances

puzzlement and longing
twisting my neck
to glimpse
the taught contractions
in the muscles of their legs
stomping upward

one pair of shoes
after another
passing in review
at eye level

it seems so strange
that they strain
to climb something
as mundane
as a few steps
to another floor

I can almost hear
their bones creaking

it seems so strange somehow
that they do not float.

 

 

A Postcard From Greece

 

In Thrace
on a slow
dirty train
a shirtless
young soldier
didn’t like me
with one wet eye
while the other
wandered drunk

I learned to say
Malaka

 

 

 

BIO

Oliver PerrinOliver Timken Perrin is a native of the American South. His poems have appeared in Bohemian InkScapegoat Review, and the Negative Capability Press anthology Stone River Sky. Perrin also co-wrote the independent feature film Crude which received the 2003 IFP Los Angeles Film Festival Target Filmmaker Award for Best Narrative Feature and a Special Jury Prize at the Seattle International Film Festival.

 

 

 

 

WAXenVINE Photography

The Beautiful Images of Scott Irvine & Kim Meinelt

 

WaXenVine

 

WaX en Vine

 

WaX en Vine

 

WaX en Vine

 

WaX en Vine

 

WaXenVine

 

WaXenVine

 

WaXenVine

 

WaXenVine

 

WaXenVine

 

 

ABOUT THE ARTISTS:

HAUNTED ::: photographs

WAXENVINE is the collective vision of husband and wife team Scott Irvine and Kim Meinelt.  Their work centers around themes of light, shadow, texture and beauty. They are drawn to finding the unusual within the mundane and beauty in unexpected places. Their process often involves blending multiple images together – resulting in a haunting dreamscape that transcends reality and the singular image.

SCOTT IRVINE received his BFA in photography from Rochester Institute of Technology.   His work has been exhibited internationally. Scott manages one of the few remaining black + white darkrooms where he works and lives as an artist in Williamsburg Brooklyn NY.

KIM MEINELT studied at North Carolina School of the Arts with an intense focus on set design and scenic painting. After freelancing as a sculptor, painter and interior designer in NYC, she crossed paths with Eileen Fisher in 93 evolving into a successful career as the Creative Concept Director.

www.waxenvine.com

www.instagram.com/scottirvine57

 Scott Irvine scott irvine photography (@scottirvine57) • Instagram photos and videos

www.instagram.com

Brooklyn NYC. Film, Polaroid, Darkroom, Silver-gelatin, Rolleiflex, Holga, Lomo, Wet-plate, Vintage cameras, Hipstamatic.

 

www.instagram.com/kimmibird

 Kim Meinelt kim meinelt photography (@kimmibird) • Instagram photos and videos

www.instagram.com

See Instagram photos and videos from kim meinelt photography (@kimmibird)

 

http://theselby.com/galleries/kim-meinelt-and-scott-irvine-at-home-in-brooklyn/

Kim Meinelt and Scott Irvine at Home in Brooklyn « the selby

theselby.com

Kim Meinelt – Artist and Visual Director at Eileen Fisher, and Scott Irvine – Photographer and Musician

 

Kristian Hoffman

David Bowie Diary Entry

by
Kristian Hoffman

 

I was introduced to David Bowie because of a Rolling Stone article about “Hunky Dory.” Yes, I was THAT pedestrian. But it seemed sort of “gay-ish” with that Lauren Bacall cover, and piqued our nascence stirring for an outrageous representative, and our perhaps too forgiving love of all things British. Atypically of the time, my friend Lance Loud had already schooled me in the fine art of shoplifting, and, being a completist, I drove down to Tower Records in L.A. and proceeded to steal everything in the current David Bowie catalogue, which included The Man Who Sold the World, Mad of Words, Man of Music, and a few British import 45s. It was love, and some befuddlement, at first listen.

Then the local record store on Coast Village Road, in Santa Barbara, from which I regularly sneaked out LPs under my faux Portabello Road Pepper-adjacent epauletted jacket, happened to have a whole cardboard box of Bowie’s ill-reviewed Deram 1rst LP, for 10 cents apiece! I actually think I paid for that. I was confused by the Newley mannerisms, and didn’t care for the lumpen “comedy” moments, but was intrigued enough that when “Images” was released, I easily fell profoundly in love with “In The Heat Of The Morning,” a song I have occasionally attempted to perform, with varying, but not altogether unpleasant results, ’til this very day.

It’s hard to imagine a time when I could make out a diary entry as specific as the one I have included here. By the time I moved to NYC in the 1970s, the bridge between the NY Dolls and the CBGBs/Max’s scene was so dizzying with daily incessant adventure and event that I could barely keep track.

But I thought I’d share with you an actual diary entry from 1970, when a fairly unsophisticated child trapped in the rusticating environs of Santa Barbara suburbancy had to share, if only with ‘Dear Diary” his fledgling experience of “La Bowie.”

 

Kristian Hoffman (ACTUAL) Diary Entry
March 7, 1973

 

Last night I went to see David Bowie at the Long Beach Arena with Michele and Delilah Loud, both sisters of my long time “best friend” Lance Loud. Both endearing little nippers in their own way; however I must confide in you I like Michele’s “own way” a trifle more than Delilah’s — I know comparison is odious – but if it’s unfair, that’s just fine, because it’s MY BOOK. It’s just that Michele really laughs when she sees old people fall down.

Anyway, Mr. Bowie (I will resist the temptation to make Mr., Mrs., Miss, and Ms. jokes, but won’t resist it very well) has been one of my very few self-indulgent, coveted, and clipped fave raves lately, and his concerts are “events,” or at least time markers in my life right now. And they are also nice fillers of comfortable small talk for letters to “friends” (still one of my favorite words, along with the meaningless “special”) which otherwise might have been embarrassingly short.

I can chat about him, express concern, delight, and even interest in his hair dressing methods, his clothes, and of course the latest albums, which I can play OVER AND OVER again — a real redeeming feature!

And besides, he’s just so great — he’s made his entire life into a great show, and if the “jams” are too long, the romantic interest makes up, as do the cute idiosyncrasies, so worthy of classic fan magazine write-ups.

On the way down to Long Beach in my fairly recently purchased Chevy Vega ($2,000.00 new, as I recall; I asked for it in silver because I thought that was Andy Warhol-esque), we had to stop for gas at a strange freeway turnoff near the venue, and some stranger who could be kindly described as rumpled, but less kindly described as “homeless” or “a bum” accosted the girls and asked, “Where are you going?” They kindly but a little trepidatiously replied, “To see David Bowie!” The apparently culturally attuned vagrant replied excitedly, “Jane Boo? I LOVE Jane Boo!” without further incident.

Anyway, Michele and I sat, rather conservatively dressed, next to a sparkling and glittering Delilah, whose whole-hearted commitment to a sort of strumpet/contempo prom queen attire is one of her best features, and exchanged turns with the binoculars while waiting with avid attempts at breathlessness for SOMETHING to happen.

It finally did – the lights went down, and as the communal oooh-aaah loosened itself free, a reluctant and somewhat washed-out crowd, a spotlight revealed that, NO! It wasn’t Mr. BOO-wee. It was just the hitherto unnamed “Supporting Act”, which turned out to be JUST THAT – a mediocre, if fashionably imported, ’50s revival band called Fumble with a pleasant lead vocal that failed to even whisper the rumor of competition to the obvious rival in the field, Sha Na Na.

I allowed myself a modicum of irateness because OF COURSE it was an insult to the negligible part of the crowd who had come to see Davey-Baby, and NOT just to make the scene. But even though it didn’t seem like it, Fumble was over soon enough.

Then the already familiar Clockwork Orange-ified Beethoven came on, with the same old familiar strobe, and David and band did “Hang Onto Yourself” with Mr. B in the first of FIVE costumes: a slick white tapestry (with culottes) suit and orange patent leather space boots.

Then a couple more quick rockers and a switch into gold lame, which was quivering and quavering on the edge of fashionability (DANGER! DANGER!) but still looked pretty keen. Mr. B had not brought the “show” that Lance had ranted and raved over, but had brought a quite nice horn section, and a mellotron, so “Space Oddity” didn’t sound quite so much like a rich kid’s home movie, and “Suffragette City” took on a pleasantly pregnant tone.

Then, in “Width of a Circle”, he changed during the ENDLESS GUITAR BREAK (evidently part of the ENDLESS things that showbiz has given us to ponder, and be endlessly ponderous) into the UGLIEST DRESS which Lance calls a “KAFTAN”, which was white satin with those green and orange sort of bird/rainbow deals on it that reminded me of a nice plastic bib to protect a loving but appearance-aware mother from baby’s messy strained pears, and he billowed about in that for a while before settling on an invisible chair to sing “My Death,” which was the FIRST song the crowd warmed up to, oddly enough.

I mean – I like that song – but in my automatically condescending frame of reference towards “THEM,” it never occurred to me that “THEY” would like it.

Then he stood up and these “mysterious” green-clad figures emerged from the shadowy sides of the stage, each grabbing a sleeve from Mr. B’s outstretched arms, and as they pulled back, the costume pulled off “LIKE MAGIC” to reveal the looniest outfit I had seen in a coon’s age.

It was this skin tight sort of double-knit pantsuit with a silly Penney’s stripes and squares pattern on it, completed with detached leggings and sleeves. The main part of it might have been a tank top, except that it extended up the middle of his chest with the sort of turtleneck collar. And of course his sometimes self-consciously posturing bare feet were a sight for sore eyes, or an eyesore, because I had always wondered if he was really THAT white all over.

So — ON with the fluffily light green feather boa, and a vamp with an ENDLESS cigarette holder (to add to that ENDLESS list) to the tune of a great new song called “Time,” during which the rest of the group re-emerged with a bare chested Mick Ronson, who, mere moments before, had sported a fetching black patent leather outfit, and a bass player ensconced in some sort of madcap bird costume – VERY SPACE AGE OF COURSE – with the stupid but fetching little growths curling out from his shoulders.

Oh dear, am I beginning to sound, heaven forbid, like Star Magazine’s fashion editor?

Well, at least I won’t have to bother to remember it all, because, you – dear diary – will remember it for me!

Anyway, B made his ultimate bid for Piaf-dom with that song “Time,” and then pranced around for a few more songs before ending with the aforementioned “Suffragette City,” only to come back for an encore of “Jean Genie” in a white satin jump suit and white iceberg clogs transparently appropriated from the New York Dolls’ Mercer Arts shows, which caused him some consternation and a very near fall. He kicked them off in the general direction of a pretty enthusiastic crowd. What a show!

But that crowd – they were too boring and wishy-washy to rush the stage, and although Delilah and I tried to fend off the brutish security guards and scramble down the aisle, we were thrown back into the backs of an already despairing audience who were heading towards the exits. What are floor seats floor if not to overcome security? So we sat there in our seats, soaking up energy with no release, and that was time enough to nervously ponder the prospects of just GETTING OUT OF THERE before we were trapped in a jumble of bumbling Long Beach-ites. Almost before the encore was over, Michele, Delilah and I rushed out to the parking lot, and, finding all the exits barricaded for some obscure reason, drove my trusty Vega right over the curb – where it teetered agonizingly for a moment next to the screaming “No Stopping At Any Time” sign, and headed back to Santa Barbara. Jane Boo!

 

 

BIO

Kristian HoffmanKristian Hoffman was the founder and main songwriter for Mumps, his CBGBs era punk/pop combo with Lance Loud of PBS’ “American Family,” also being a member of the Contortions, the Swinging Madisons, and Bleaker Street Incident. He went on to become musical director and songwriter for Klaus Nomi, musical director and songwriter for Ann Magnuson, musical director for Rufus Wainwright, and toured with the Kinks’ Dave Davies for five years.

He has since released four solo CDs, while playing keys, touring and/or songwriting with Congo Norvell, Abby Travis, El Vez, Jane Wiedlin, Prince Poppycock, Timur Bekbosunov, Lydia Lunch, and many more.

 

Jill Jepson

The Drowning Time

by
Jill Jepson

 

Edith Brinkerhoff is given her medication at 6:00 a.m. The nurse might be Judith Green, a stout woman with big, blond legs, who is brusque to the point of meanness, and who leaves the room as quickly as she can, closing the door loudly—not quite a slam, which would be a violation of protocol. Sometimes it is one of the male nurses—Edith thinks of them as “the boys,” she can never remember their names. This morning, it is Helen Arlington, an efficient black woman with thin arms in short, cuffed sleeves.

“Good morning, Mrs. Brinkerhoff. I hope you slept well. I hate to wake you so early. Doctor’s orders. Here, you go, your treat for the day.” She rolls the bed to a sitting position and hands Edith two miniature paper cups each containing an assortment of pills, pastel blue triangles, green disks, pink disks. Edith tips her head back and pours one cup then the other into her mouth. She holds the pills on her tongue while Helen Arlington hands her a glass of water.

“There then,” the nurse says. “Let’s get you to the bathroom.”

Helen Arlington chats even though she knows Edith will not respond. Edith has not spoken for decades. The nurses say that, even if she had thoughts in that head, she wouldn’t be able to speak them, her vocal cords atrophied by now. Judith Green mutters that she’s glad the old bag is mute, who would want to talk with that one? Nazi bitch. She says it out of earshot of their supervisor, and of Edith, except for once, when she muttered it under her breath, just as she shut the door behind her. Most of the nurses are not so openly hostile, but they look at Edith warily as they rush through their work.

Rumors about Edith Brinkerhoff lurk in the corners of the nursing home. Every new nurse learns the first day in a whispered conversation that she was once a member of the Nazi party. That she was guilty of war crimes.That she murdered a Jewish family in her home—her own home—a family she’d known all her life.

How she escaped the authorities is anyone’s guess.

There was no proof. There were no witnesses.

Should have been tried with the rest of the war criminals. Should have been hanged.

Just a rumor.

It’s no rumor, look at those eyes.

Some of the nurses, but not Helen Arlington, secretly call her Frau Brinkerhoff or the Commandant.

Edith knows what they say. They do not say these things to her face, but she knows. She has trained herself not to care. They roll her onto the deck when the weather is pleasant and position her in front of the window of her room when it is not. She occupies herself with the movement of sunlight across the room. Now it is at the corner. Now it has reached the smudge on the wall, where a swath of paint covering a stain does not quite match the rest. It creeps across the door to the hinge. The nurses come with her medication and meals. Sometimes they speak to her, sometimes not.

“Well done, Mrs. Brinkerhoff,” Helen Arlington says when Edith is finished in the bathroom, as if urinating were an accomplishment. Edith brushes her teeth and washes her face. The nurse wheels her back into the room to get her dressed. She knows precisely how to maneuver her patient, how to pull her forward and support her as she lifts her buttocks. She fastens a brassier around Edith’s chest and pulls on underpants. She gathers a dress in her hands, and drops it over Edith’s upraised arms. She does not care whether the rumors about Edith are true. Patients are to be cared for. A job is to be done. She is neither kind nor unkind. She is professional.

Edith allows herself to be moved, jostled, dressed like a doll. She watches the nurse fold her nightgown into a perfect rectangle and slip it into the drawer.

She knows this: Six hours later, Helen Arlington will be dead. She will be driving home after her shift. A driver coming east on Appleton Parkway will be texting to his girlfriend. You were with him. I saw you. Dont lie 2 me. The nurse will be listening to All Things Considered on NPR, a bag of groceries on the passenger seat, a loaf of raisin bread on the top, a bag of not-quite-ripe peaches. At the stoplight, she will reach to punch a radio button, turning to soft jazz. She will enjoy the music, which she finds relaxing. She will think about her son, how he’s doing better in school. The light will change. She will toe the gas pedal. There will be no screeching breaks, for the driver of the other car will be reading his screen. U R such a baby i dont even like him.

The impact will hurtle Helen Arlington’s body forward and to the right. The other car, an SUV belonging to the parents of the texting driver, will tear into the body of the nurse’s old Saturn, into her own living body. The pain will be shattering explosions, purple, red. It will last for 9 minutes and 16 seconds before Helen Arlington dies.

The sunlight reaches the edge of the dresser in Edith Brinkerhoff’s room. Edith looks at the clock. It is 7:05. Helen Arlington will die at 1:17.

“Here comes your breakfast,” the nurse says. The aid has arrived with a tray. Steam rises from a bowl. The aroma of oatmeal mingles with the scent of hot tea.

The aid places the tray across Edith’s chair. “Enjoy your breakfast, Mrs. Brinkerhoff. I’ll come and pick up your tray in an hour. It’s a beautiful day out, so I can put you on the deck for awhile. Would you like that?” The aid is young and uncertain. It embarrasses her to talk to Edith, since there seems to be no point. The woman’s mind is clearly gone. Lights out. No one home. She looks up at Helen Arlington with a questioning expression. The nurse nods approval. Pleased that she has done the right thing, the aid turns and leaves.

Helen Arlington fills Edith’s pitcher with fresh water. She picks up crumpled tissues from the stand next to the bed and opens the blinds. “I’ll tell the girl to check on you every hour,” she says. “Have a good day, Mrs. Brinkerhoff.” Edith watches her leave, the last glimpse of her dark ankle in her white shoe.

After breakfast, Edith is pushed to the window. The day is sunny and warm, but the aid has forgotten her promise to take her outside. Mrs. Brinkerhoff will spend her morning watching the cars through the glass, noting their colors. Light blue. Dark blue. Silver. Maroon.

The rumors about Edith Brinkherhoff are true, mostly. Now, when her life consists of the moving wedge of light, the counting of cars and days, she has only this: to remember.

She remembers the Levinsons. Samuel, a quiet man with dark eyes and a threadbare jacket saturated with pipe smoke. His late wife, Rachel, cheerful, blond as any pure German, who died young of influenza. The twin boys, toddlers in her earliest memories, then raucous schoolboys, then awkward twelve-year-olds, who had left cuteness behind and would never have the opportunity to become handsome. The boys played the piano. The Brinkerhoffs heard the music from their apartment every afternoon, major scales, minor scales, Mozart, Chopin.

The Levinsons were the Brinkerhoffs’ neighbors for fifteen years. They were friendly, but not friends. The Brinkerhofs didn’t care that they were Jews, not until later. They were too absorped in their own troubles—the broken stove, the leaking pipes, the rising price of everything—to worry about the Levinsons. Edith’s father drank too much. Her parents argued.

She was not Mrs. Brinkherhoff then, but Fraulein Edith, a bony-kneed, nervous child, easily overlooked. Not disobedient or rowdy, but neither cute nor charming, and with a tendency to say odd things.

The bird stood on my palm, and that’s when I saw it—the wall coming so fast. I felt my shoulders move, not shoulders but wings.

Good God, girl, what are you talking about? Stop tugging at your hair. Stand up straight.

I didn’t see the wall, and then I did, it was white and it came so fast I couldn’t stop.

Go to your room and read one of your books. Papa is not in the mood for nonsense.

The bird was a wren who had eaten seed from her hand as she stood on the landing one spring afternoon. She found the wren—she felt certain it was the same one, though she could not say why—lying by the wall of the school, ants in her beak and eyes. Edith was with her sister Ilse, who was seven, two years younger than Edith. The younger girl wrinkled her nose at the sight of the bird’s broken neck and swarming eyes, and made gagging sounds to indicate her disgust. Edith took her hand. Come on. Class is starting. Ilse ran up the stairs, but Edith turned to look at the bird, the white wall.

It did not happen for a long time after that and Edith began to think perhaps she’d dreamed about the wren. No one can experience the death of another, a death that hasn’t happened yet. But she could not forget.

One day, Herr Levinson met Edith on the stairs.

“Wait here. I have something for you.” He disappeared into his apartment and returned with a small bag containing two chocolates, one for her and one for Ilse. A relative had sent them from Holland. “I suspect you do not get chocolates often,” he said.

“Thank you, Herr Levinson,” Edith said. She had been taught to be polite.

The same week a boy from Edith’s school died of measles. Rainer Muller was a tall, studious boy in her class, a boy who liked science and wanted to be a chemist. Many children had measles that year, but while most returned to school in a week or two, and were soon running around as if nothing had happened, Rainer was buried in the graveyard by the church two weeks before his 12th birthday.

Edith told her parents she’d dreamed about it before it happened. She called it a dream, though she knew it wasn’t. She was wide awake when Rainer’s hand brushed hers as he walked past. She felt the burning fever, her eyes like hot stones, the drilling pain in her forehead, the sweat-laden weight of the quilt. She heard the soft sobbing of a woman. When she opened her eyes she saw not her own mother, but Rainer Muller’s, clutching a handkerchief, her face damp and swollen. Edith closed her eyes and lay in the still center of the pain until she felt Rainer’s death, the slip-sliding away.

Her mother told her it was a coincidence that she saw Rainer’s death just before it happened. You’ve heard people talking about children who died of measles. It’s made you anxious, and your worry turned into a dream, that’s all. Now, go outside. Why don’t you take your sister to the park?

Edith was not like Isle, who was dimpled and empty-headed. Ilse sat on papa’s knees and giggled. She sang, and the relatives beamed and applauded, not because she was talented, but because she curtseyed so cutely and had such a pretty little mouth. Edith sat, lost in thought, ignored.

The child is so odd.

Herr Levinson did not give Edith chocolates again, but he did invite her in for tea. He told her to ask her parents if it was all right. She didn’t, but she told him she had. She sat politely in his living room while the little boys played the piano and showed her their books. She was not interested in music or books, but she was happy sitting in the Levinson’s apartment. Herr Levinson showed her a picture of him and Frau Levinson when they were young. Edith thought the couple looked very beautiful together, that they seemed to be glad to be married to each other.

“You are lonely, I think,” Herr Levinson said. “I was a lonely child, too. With an elder brother who grabbed all the attention.” He lit his pipe, filling the room with fragrant smoke. “If you ever want to come play with the boys, you let us know. Our door is open.”

When Edith left the apartment, she sat in her room and cried silently, as if Herr Levinson had opened a wound that needed cleaning. She was much too shy to come for a visit again, but every time she saw Herr Levinson, he smiled and stopped to talk. Even after she stopped speaking, he talked to her.

One day—autumn, gray—she stood in the rain outside the door of Herr and Frau Hofmeister’s, neighbors two doors down, for more than an hour, trying to get the nerve to knock. From beneath the door came the smell of sausages and potatoes frying, children shouting. She raised her hand three times and put it back down three times. The fourth time, she forced herself to be brave. Frau Hofmeister, who knew her only as the Brinkerhoff’s daughter came to the door in a grease-spattered apron, her hair frizzing out from her bun.

What is it then? Speak up.

I just came to say…

Yes? Say what? Frau Hofmeister turned to shout over her shoulder. Maddalen! Ferdy! Stop running in the house! Then back to Edith. If you have something to say, say it.

I came to say…please be careful of your cat, Frau Hofmesiter.

My cat? Wenzel? Frau Hofmeister turned to look at the smooth white cat reclining on the sofa, licking his side. What about Wenzel?

Please don’t let him outside. It isn’t safe.

What are you talking about?

He could get run over by a car. You wouldn’t want that to happen, would you? If you keep him in the house, he won’t get hurt.

Frau Hofmeister was busy and tired and she sent Edith off, but two days later, the Hofmeisters appeared at the Brinkerhoff’s door, Frau Hofmeister clinging nervously to Herr Hofmeister’s arm, both of them peering inside, looking around the room anxiously for the strange child. Edith listened from the stairs.

Wenzel has gone missing. Two days now! He is always home at supper time. I give him scraps from my own plate. He must be hurt—or worse.

The girl did something to him. Not Ilse, of course. The other one.

The other girl? Our Edith? She’s not the kind of child to harm an animal. She would never… Edith heard her mother’s voice dwindle. She heard the doubt.

She came to our house. She threatened us! She said she would harm Wenzel if we let him out.

Papa called Edith’s name.

Edith, what do you have to say? What did you tell the Hofmeisters about their cat?

Wenzel had sauntered up to her one day outside her house. She crouched to pet him, heard the squeal of tires, felt the crunch of bone. She jerked her hand away and stood, staring at Wenzel as he snaked around her ankles.

I dreamed it I dreamed it I dreamed it. It wasn’t a dream.

Edith was not punished. Mama and Papa told the Hofmeisters they were mistaken, that cats run off or die, it happens all the time. Still, Edith saw something new in their eyes. That night, she heard them discussing her. Such a strange girl. She’d heard this many times before, but now it had taken on new meaning.

After that, she kept her dreams-that-were-not-dreams to herself, and since she could not tell the most powerful thing she felt and knew, she fell into a silence broken only when adults demanded it, and sometimes not then.

The images came and came. When Frau Schmidt touched her palm while giving her change at the bakery, Edith saw her slip on a slick bathroom floor, felt the impact of the sink cracking her skull. It would not happen for another year, but it would come. An elderly man brushed past her on the streetcar and she felt his chest explode, saw the light grow white in his eyes before it blinked off. Two years in the future. Inevitable. She held the Schneider’s baby and knew his breathing would stop, unexpectedly and for no reason, in three months and four days, at 2:04 A.M..

She tried only once to stop it. There was a dog, a stray who lived in the neighborhood, and whom Edith fed scraps of bread and fat sneaked from her own plate. He was shy, but one day he lowered his head and allowed himself to be petted, and in that way she learned his death would come on a Tuesday morning in August, in the canal near the bridge, not far from the church. He would be trying to drink when he slipped. Cold water, a desperate flail of limbs, the burn of the lungs the hold hold hold hold hold of air, and the one thing that is worse than not breathing, and that is breathing water.

She thought about the dog every night, week after week, and as the day of his death approached, a deep, firm determination formed in her chest. She could not keep the wren from the wall or Rainer from measles or Wenzel from the crushing wheels of the car. She could not stop Frau Schmidt from falling or make the Schneider’s baby breathe. But she could keep the dog from the canal.

The day before, she waited, sitting on the ground, dirtying her dress, knowing she would catch trouble for it. She waited a long time, several hours, and finally, the dog came. She had a rope and a bit of bread. The dog was hungry. He knew her. He was a sleek, bony dog, completely gray with gray eyes that studied her face. He hesitated only a moment before lowering his head and humbly coming to her. He did not snap or bite when she slipped the rope over his head. He did not protest when she led him home. She managed mirculously to get him into the house and up the stairs without her parents knowing. She put the gray dog in the closet. He seemed to know to remain quiet. She lay down a blanket, and he curled obediently on it. She filled a bowl with water and placed it down for him, and that night, she sneaked him scraps wrapped in a napkin. When the family was asleep, she allowed the dog out of the closet and onto her bed. He would be safe now. When the time came, he would be nowhere near the canal, but in her room. In the morning, she would release him because the drowning time would have come and gone. He would die someday, but not this day. She closed her eyes and breathed next to the contented snoring of the dog.

A scream woke her. It was early morning, cold, and the scream came from her mother. The door to her bedroom was open. But how could it be? She had made sure to close it. She stumbled out of bed and down the stairs in her nightgown, rubbing sleep from her eyes.

Mein gott! Mein gott!

Papa swore. “How could such a thing have happened? How did that mutt get into the house?” The gray dog lay on the kitchen floor, his eyes glazed, his muzzle in a pool of blood. He had eaten the white powder Mama used to kill rats. He had ignored the scraps of fat and crusts of bread in the garbage, which he could easily have reached. He worked the cupboard door open, going for the one thing in the house that would kill him.

That is when Edith learned. Death comes when it comes.

In school, Ilse grew popular. At fifteen, she had large round breasts. She giggled, and no one minded that she did poorly at her lessons.They called her sweetie and angel. She no longer sang for the adults, her voice so out of tune that even her prettiness did not make up for it.

Edith, to her great relief, no longer went to school. She did not listen to the radio with the family or pay attention to Papa’s pronouncements when he read the paper. The world changed around her, and she grew more silent. She was sent out sometimes to buy bread or cheese. Mama could not stand the way she shut herself in her room. It frightens me, the way she stares. She made up errands to get her out of the house.

On a snowy day in February, Edith went to the butcher in Haupstrasse. She returned with a miniature piece of beef and a dish of cabbage and chicken the butcher’s wife, had made. She was a friendly, smiling woman, who more than once had given Mama pieces of meat when her husband was not looking. No, no. Pay later! Times are hard.

It was nearly seven by the time Edith returned. If it were not for that, she would never have met Herr Levinson on the stair, where he sat smoking in the evenings. He would never have said, Guten Abend, Fraulein Edith. He would never have helped her with the key. She would never have touched his hand.

She staggered back. The dish fell, shattering on the concrete, shards of glass mixing with cream and cabbage.

“Oh dear dear,” Herr Levinson said. “A terrible shame. I will get the boys to help clean it up.”

She stared. She did not speak. Her breath would not come, then it came too fast. She fled Herr Levinson, the stairs, the mess of meat and glass, up the stairs, through the apartment into her room. She closed the door. It is not a dream.

She had known a hundred deaths by then, but never one like Herr Levinson’s. It was far off, months or possibly years in the future, but coming, coming. There would be unbearable cold. There would be hunger. Not ordinary hunger, but a raging yearning for food, a burn in the gut like cold fire. Look at the wrists, the jutting bones, the skin hanging like rags. These are my wrists, my hands, these claws. She saw the eyes of strangers, too large in shriveled faces. She saw a face, a well-fed boy, not a man yet, rosy cheeks, cruel eyes. She smelled death everywhere, everywhere. Where are the boys? The boys, my boys, my boys. What did they do to my children?

Edith locked herself in her room. She curled up in her bed, but she did not sleep.

In the morning, the Levinson boys came to the door. She heard their voices and got out of bed to press her ear to the door.

“We cleaned up the mess, but our father was concerned. She seemed unwell.”

“She is fine. Thank you.” Mother said nothing more. She didn’t thank the boys for their concern or their father’s help. She closed the door. She no longer spoke to the Levinsons.

Edith heard the boys’ voices, and she remembered their father’s words, the words he had not yet spoken, that he would speak some day. My boys my boys my boys my boys.

Edith refused to leave her room, despite her mother’s roaring demands, the pounding of her father. Come out this minute! She would not speak. She heard footsteps on the floor above her bed, and muffled voices—Herr Levinson and his sons. They would all die, the boys before their eighteenth birthdays, grotesque, lingering deaths, without dignity or comfort, and their names would be forgotten.

Death comes when it comes. How long ago had she learned that? She remembered the wren, the cat, Rainer Holtzer dying in a fevered haze. She remembered the gray dog. She could not save any of them.

On a gray March afternoon, Edith Brinkerhoff knocked on the door of the Levinsons’ flat. She held a covered dish, one hand resting on the bottom, a potholder shielding her palm from the heat.

“I wanted to thank you. For cleaning up the mess. For inviting me into your house that day. Long ago now.”

Herr Levinson’s eyes widened. “You are speaking, Fraulein. It has been so long since I heard you speak.”

“I brought you a dish. Kugel. I hope…” She hoped the Levinsons would eat the kugel. Perhaps they ate only Jewish food. Perhaps they would be wary of eating a dish prepared by such a strange young woman. Perhaps they would throw her kugel out, not knowing it was their only chance. They did not have long. Things would get very bad soon. Later, they would get worse. A few months, and it would be too late to help them.

Herr Levinson took the dish, smiling.

“Come in, Edith. Have some tea.”

She said no. “Good evening, Herr Levinson. Say hello to your boys for me.”

“I will, Edith. Thank you.”

Edith’s mother ranted. She ranted when the Levinson’s died. Poisoning themselves! What trash! Good riddance! She ranted about her silent daughter, the price of meat, her husband’s drinking. She ranted, too about the rats. What had become of the white powder she kept below the sink? There was half a jar last time she looked. That Jew poisons his own sons and we cannot get rid of the rats in our walls. Later, she opened her eyes her heart speeding in the middle of the night, when the connection she could not make in the daylight came to her in the dark.

Ilse was relieved when her husband went to war. She did not mourn when he died, though it left her with two hungry children and not enough money and the bitter sense that she had been robbed. She listened to the radio and believed the stories of triumph and patriotism and was bolstered, thinking of her sacrifice for her nation and her race. When the war ended, her only regret was losing her beauty at too young at age.

In 1952, she and her second husband emigrated to St. Paul, Minnesota. There was nothing for them in Germany now, they said. Mama and Papa had died by then, both of colds that turned into pneumonia. Ilse insisted that they bring Edith, despite her husband’s protests.

We can’t leave her alone. She’s crazy as a bat. A murderer. If it got out what she did…

We can’t live with her, Ilse. Think of the children. We have to keep the children safe.

We’ll find a place for her.

Ilse paid for the nursing home out of her inheritance, and then from her husband’s salary, a dear price. Edith was, after all, her sister.

“I won’t be back,” she said, parking Edith by the window on the day she brought her to the home. “Ever. We’ve had enough, Edith. We know what you are, what you did, and we don’t want you in our lives. You will be provided for. We would not let you out on the street. We’re not monsters. Not like you.” She left the room. A few minutes later, Edith saw her below, walking through the parking lot to the car in her gray wool coat and hat. A cloud of exhaust puffed from the back, and Ilse was gone.

The same day, struggling with a strange country, a language she spoke imperfectly, an angry husband, and the burden of a sister she feared and hated, Ilse told someone—a new friend in her new land—the shame that burned like fire smoldering under ice, swearing the new friend to an impossible secrecy. Ilse must talk, as Edith must be silent. She didn’t know the way words spread, from one person to the next to a nurse who tends to Edith every morning.

Edith does not know how long ago it was that Ilse brought her here. She has watched the sunlight move across the room perhaps ten thousand times. Judith Greene brings Edith her lunch, and one of the boys comes in with her afternoon medication. She watches the clock hands move inevitably toward 1:17.

It is nearly two when she hears alarm in the voices from the hall. She cannot make out the words, but she knows they have gotten the news. They liked Helen Arlington and will grieve her.

You just never know when it is going to happen. You get up in the morning, and you just don’t know.

The sun moves to the small table, where there have never been flowers. It glares on the metalic edge of the mirror. It dims.

From her window, Edith counts the cars. She notes their colors. Three blue. One white. Four silver. Doors open and doors close. Footsteps mark out complex patterns, thousands of steps back and forth, leaving and returning, each one stepping toward the same end.

 

 

BIO

Jill JepsonJill Jepson is the author of Writing as a Sacred Path: A Practical Guide to Writing with Passion and Purpose (Ten Speed Press) and the editor of No Walls of Stone: An Anthology of Literature by Deaf and Hard of Hearing Writers (Gallaudet University Press). She holds a doctorate in linguistics from the University of Chicago and an M.F.A. in Writing from Vermont College of Fine Arts. She is a full professor at St. Catherine University in St. Paul, MN.

 

 

 

Maximum Compound: Mug Shots

by Stephanie Dickinson

 

“Anything with glitter is great. The girls go crazy over that. We use it for make-up and art so when you see a card with glitter, send it.” — Krystal Riordan, Inmate #661387

 

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CLINTON, NJ. Edna Mahon Correctional Facility for Women

Maximum Compound revolves around the sun but the air’s darker and more confined. Understand these aren’t the femme fatales and sex selling dahlias, not the thieves and drug dealers, not the welfare cheats or DUI violators, these women are the violent offenders. They don’t pull up in a Porsche; they’re transported under armed guard. They’re young, they’re ghetto, white trash, a few are middle-aged college-graduates, some will get their GED here and take college classes, others will become senior citizens, some will die here. They’ll arrive pregnant, psychotic, post-traumatically stressed, they’ll deliver their baby here, or have a hysterectomy. They’ve got dreads, and natural blonde locks, they’re tattooed like a graphic novel and wearing the last address of their baby daddy inked on their wrist. Many of these women have killed or kidnapped an employer, neighbor, husband, child, a stranger. Maximum Compound women arrive encumbered with their crimes and the weight of their sentences. They arrive put upon and willing to use anyone.

 

“I need to get some favors if it’s possible. I’m really struggling. I have not been getting my state pay for the last 2 months. I have 1 bar of soap to my name. Is there anyway you can send me $30 by next Wednesday so I can order? I feel like a bum. Also can you call this number for my friend Shanikah and tell him to write her or email her. He lives in Newark but has a house in Summit NJ. Happy Holidays

Krystal Riordan, Inmate #661387

 

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It’s a rule bound world, a world where dance competitions and making birthday chili and rice for your girlfriend co-exist with fight blood on the floor. Although time is filled with a job, a routine, a mess hall schedule, real time stales. It pools around you, goes stagnant, and doesn’t flow. Each day is similar from the view of a locked world, a day hard and long to get through, and the years flying away. There are no hickories and maples and quaking aspen, no huge-eyed deer. No smell of burning pretzel dough. No strolling into a Starbucks for a coffee tall. No dressing to go out looking edible as tiramisu. The outside world stands still, remembered. The inmates in Maximum Compound count their absence from the outside in decades. Television is their one window. Rules, rules. Yet life teems here—new inmates arrive, new friendships, new loves, new hates. I’ve been a friend to this prison planet, this Maximum Compound where the most dangerous women in New Jersey live, the ones who the media portray as topping the depravity index. EMCF lies outside Clinton, a two-hour trip by car from Manhattan, but for those visitors without vehicles, there’s a prison bus that leaves from Midtown on Friday evening and arrives eight hours later. All must prepare to be searched, and to stow their possessions in a locker, before visiting an inmate. No water, no sodas, nothing but your flesh covered appropriately, i.e. no halter tops or bustiers.

 

Can you please find me an image or 2 of Woody Woodpecker, Angry Birds, and Stewie from the Family Guy. My friend needs 3 more copies of gothic lettering. Books must arrive via the publisher or Amazon, but Amazon consistently leaves out the packing slip.”

—Lucy Weems, Inmate #922870-C

 

mugshot #1: Krystal RIORDAN

The reason I’m drawn to this world is Krystal Riordan, Inmate #661387. She’s pictured here in sneakers and the white, knee-length shorts and white, short-sleeved t-shirt inmates wear in warm weather. Summers in the New Jersey heat there’s no air conditioning to cool inmates in Maximum Compound only the administrators can control their climate. Winters, Krystal wears grey sweats, an undershirt, a hooded sweatshirt, and tie-up boots. Visiting days, blocks of two hours, a photographer comes and the inmates can pay for pictures with their commissary money. Everything runs through commissary, the real food, the fun food, Tampax and toothbrushes, shampoo and stamps, sneakers and underwear. Krystal is a beauty, her height 5’10”, her skin, the plush pale of an eighteenth century beauty whose face never sees sun and whose lady maid dusts it with a lead powder. Incarcerated for nine years, she’s moved farther beyond the headlines that once focused on her as if she was guiltier than the perpetrator, as if a male’s lust and aggression could be understood, but not a female who doesn’t to stop an attack on a fellow female. On July 26, 2006, Jennifer Moore, age 18, was abducted after a night of underage drinking. Jennifer’s friend drove them in her mother’s car to Manhattan from New Jersey, to go clubbing. The girls parked in a No Standing Zone and when they returned, discovered the car had been towed. The night has interested me since first seeing Jennifer Moore’s picture on the New York Daily News cover. Teen Missing after Night of Underage Drinking. Her face appears as if born underwater of the half-fish, half-human species, dreamily sloe-eyed as if she’s looking over your shoulder. It’s a mysterious face, her half smile like the Mona Lisa’s. The next day the teen’s body is found in a Weehawken dumpster and a pimp and prostitute are under arrest. Weehawken, New Jersey. The ménage à trois that ends with one girl dead, the other girl charged as an accomplice, and her boyfriend confessing to kidnapping, murder, and rape. The city built on the rock cliffs overlooks the Hudson, the pristine waterway that Henry Hudson, the great navigator, marveled at like the Hackensack nation before him. Manhattan lies just across the river and from the ferry launch Weehawken’s cliffs appear as pedestals for trees and stone mansions—like dreams half-remembered in the sleeping heads of robber barons.

 

 

“I used to get a lot of mail but I never wrote them back. “I’m glad you’re in my life. I asked my Mom if she would be interested in talking to you. She said she doesn’t want to dig into the past. That time was hard for her. The Media following them. People they thought were their friends stopped talking to them. She said when she goes out people still whisper behind her back. She will be 70 in November.”

Krystal Riordan, Inmate #661387

 

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And it was a mugshot I first saw of Krystal Riordan on the cover of the New York Daily News. Hooker Watched boyfriend kill teen. Arrested at age 20, the prostitute girlfriend of ex-con and small-time pimp Draymond Coleman, she had watched him beat and strangle eighteen-year-old Jennifer Moore in a Weehawken hotel room. Panicked, frozen, she’d not tried to stop him. Although, she’d left the room during the assault, she’d alerted no-one and had used the venting machine to buy a soda. This act was caught on the hot-sheet hotel’s video camera, a shabby black-and-white world where green plants, blue water, and air didn’t exist. Sure he would kill her next, she’d split into two beings, one watching herself from a distance. Not quite a robot programmed to obey him, but loyal to a fault. Wearing a pink tube top with spaghetti straps, a nose piercing, and silver necklace, her lips looked caught in mid-tremble. The mugshot that captures her soft face and frightened eyes speak their own truth. Draymond had cracked wide open, he’d snapped. Terrified, she helped him clean the dead girl’s body, and together they disposed of Jennifer in a nearby dumpster. A public defender represented her. Her sentence: thirty years. The maximum. Tabloids had a field day with the story—the underage girl/victim, a hooker, rape and murder. Fox News blamed the victim, pointing out Jennifer’s scanty attire as if a halter top had made the teen deserving of her rape. What should have been a teenage misadventure, an impulsive flirtation with the forbidden, led to ultimate consequences. Bloggers portrayed Draymond Coleman as a force of nature, bestial, hardly human and uninteresting, while they pilloried Krystal as if she were the murderer. On the escort circuit I imagine her blinking her blue icicle eyes but warm icicles. Later she will tell a friend that Draymond had sex with Jennifer after she was dead. In county jail Krystal stared at the floor for month, not speaking.

 

“Please look in the jewelry section for a cross and chain (Walkenhorsts.com caters to Institutions). The cross no larger than 1 inch by 1 inch. The chain no longer than 12 inches. I want to give Krystal a cross for her birthday. It is the only necklace they allow.”

Lucy Weems, Inmate #922870-C

 

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After you’ve befriended an inmate, the Maximum Compound of requests comes at you, things that only someone on the outside can finesse. “Please help me buy a toy for my daughter’s birthday from Kmart or Toys R Us. Some type of fashion design kit of lip glosses or a cute purse from Hey Kitty.” You who can make duplicates of court documents, who can goggle and download welfare applications, who can Xerox copies in full-color of the nameless photographs that come in stacks. The photographs are so old especially those of the outside: photos of three girls sticking out their pierced tongues, arms thrown around each other; girls in indigo-blue robes graduating, choir girls singing; girls in slinky club clothes blowing lipsticked kisses. Some photos are so taped they stick to the glass of the Xerox machine and you feel the heft of something precious in your hands, many are of children—brown-eyed boys and girls ages 2 to 7, infants in flannel footsie pajamas, many of the children’s photos are old and those pictured have grown and left behind the selves they are here, but to their mothers the children are fixed, they do not change. The new photographs are from the inside of Maximum Compound—a parade of women in pairs standing before colorful wall painting (as if an altar) wearing winter’s grey sweats or summer’s teeshirts, lovers, friends, cellmates. The newest inmates have Facebook pages and you can look up their profile and page and print pictures from their photo gallery, but no pictures with gang signs or middle fingers or else you can color out hand signs with a marker, but please do send information i.e. the inmate number and address to dirt buddies, (friends from the cradle to the grave).

In Maximum Compound a Santa comes on Christmas. The state pays for the holiday bus that brings children of inmates to Edna Mahan. Here for photographs the inmates wear beige dress slacks and mannish short-sleeved shirts.The pretty mother, heavily tattooed with arms crossed over her chest, stands next to Santa, a scowling black man in red suit and dazzlingly white beard. He’s an inmate from the men’s prison and the baby boy on his lap is howling. On the back of the photo the 20 year old mother Evy Shine has written, “My baby boy don’t like Santa. Me and my Prince Duce.”

 

&

When Krystal first entered the locked land of EMCH she had a cell to herself and worked on the grounds detail. She mowed lawns, painted, waxed floors, took out the trash, and moved people from Maximum to Minimum Security. After almost nine years into her time served her public defender requests through the courts for a sentence reduction. It is denied. Here everyone likes her, both inmates and guards, but that can change in an instant. A slight. A perceived insult. She rarely criticizes anyone and never the prison. Every word leaving or entering the correctional facility is monitored. The Edna Mahan website itself says: “Incoming general postal correspondence may be read as frequently as is necessary to keep safety and security or watch any problems regarding any inmates.” And then a new inmate punches her in the face in the mess hall. Krystal defends herself and finds herself taken to solitary confinement, so too the new inmate who rumor says is psychotic. The only way Krystal could have avoided punishment would be to let herself be hit.

 

“Can you send this to Shaniqua Pierre. Hey Puddin Cup, I was going through my stuff and found letters from you. I really miss you and need you in my life. You were and are my better half. You know we always find our way back. I love you so much. I will be down there on Saturday. Maybe we can get some time together. Write me back on here. Stephanie will send it to me. I wish you were with me right now so I can do some things like we did in Ad Seg.) I didn’t want to leave. I could have done my whole time with you in there. Well I love you. I miss you. Love Always. Snuggle Bunny.”

Krystal Riordan, Inmate #661387

 

In solitary you have quiet time 23 hours a day. 3 showers five minutes each a week. No commissary so Krystal stops eating. She lies on her bunk remembering movies she’s seen. In one a jet stream opens the sky with its tail of mist. Clouds herding, long blue tusks and storm brewing. Panning shots of the Greek caves, temple ruins, islands—chunks of burning lamb over the sea’s fire. If you talk like that with the street pimps their eyes roll back. On the third day she starts making her own movies up. She stars in them. The fine restaurant in Acapulco and on her cocktail fork the white of a shrimp with red vessels. Dessert’s a flaming baked Alaska. Dining out takes three hours. She stars herself as the Marriott maid who cleans the room of Tristan Wilds from The Wire, a hot black actor under 30 Soon they’re both sprawled in the chaises, the remains of breakfast, scrambled eggs and muffins, spilled over. Raspberry jam and butter for lube. She wears a long billowing white robe. The robe’s spreads across the aquamarine pool’s surface like a napkin. The blue is the color of her eyes, she dives in. Here is another movie the one in which she escapes Draymond and her own fate. Her blond hair is matted. She’s wearing a long skirt and a tube top. There are red crumbs around her nostrils. The bell clerk is from Guyana, (like the one at the Park Avenue Hotel) and he’s fallen in love with her. It is the Park Avenue Hotel and the murder hasn’t yet happened. “That lout must have hit you,” he says. “I want to take you away from this place.” She’s picked Jennifer Hudson from Dreamgirls for the role. Funny, it’s a woman she’s cast in the role of a man. “I don’t know how it can be but your face takes my heartbeat away. You are just the right pretty for me.” They are in a tropical country and Krystal’s wearing a thong. She shouldn’t be half naked like that in her fiancé’s Guyana with mosquitoes like small birds and disapproving eyes everywhere. You smack your arm when you feel them drinking their blood meal and your hands come away wet. But soon the woman-man and Krystal are naked and making love.

 

“Steph, me and Nicole were damaged when we got adopted. I would always tell the Riordans they weren’t my parents. I just wanted to go home. I feel like I’m losing it. Please don’t think I’m crazy but I’ve been smelling sometimes lately…I don’t know what it is. But it’s triggering something in me. It’s a bad feeling and my stomach starts to turn. I get scared and want to go somewhere and throw up. I think the smells goes back to when I was young and my uncle was touching me.”

Krystal Riordan, Inmate #661387

 

&

In solitary there is time for life review. Krystal is 29 years old. The child of a prostitute and a drug dealer, Krystal spent the first five years of her life in a dirty apartment sharing a bed with her two sisters, growing up hungry and neglected, nights the oldest sister would ferry out into the wilds of the kitchen in search of food, pilfering the empty cupboards and refrigerator, coming back with treasures of dill pickles and canned ravioli. Tomato-mouthed little girls nestled against each other. Then the night men would visit, brought to the bedside by her mother. The silver bellied men. There are fishes who build nests in the weed-choked waters, like the stickleback, with its long body and strong jaw. The mother lays the eggs in the seaweed nest, and the father fans water over the eggs, then he guards the hatched offspring until they are ready to leave the nest. Krystal’s birth parents were less nurturing than the stickleback. Once the wan blond girl started school, in the fluorescent’s objective light the neglect was apparent. Now Eva has reached her 49th year and her picture on the people profile finder shows Krystal’s biological mother living in Connecticut and still married to Krystal’s father. The tiny photo shows a black-haired woman dressed in grey stretch pants tights bent over and mooning the camera, so what you mainly see is her buttocks. In Charlie’s photo he wears a white t-shirt imprinted with a pot leaf and exhales a gigantic cloud. When Krystal closes her eyes and tries to remember her early years, there’s nothing there but her uncle stroking her hair and then his fingers moving over her, touching her.

 

“As far as the “work” goes, most of the men were okay. A few jerks. The police were the worst. One put a gun to my head. Another put a knife. They would force you to do favors for free. Usually some weird stuff. How would you feel about me putting you on my phone list? It can only be a land line. I think one goes in within a few weeks.”

Krystal Riordan, Inmate #661387

 

Krystal once lived at night and slept days. She worked in the world’s oldest profession inviting strangers to enter her body. I want to ask her about the sex, and while I’ve asked her about the murder, I’ve not gone too near the sex. Did she always use condoms? How did the work make her feel? How much of it was straight sex? When her ad read full-service what did that mean. What kind of men did she attract, and how did she find them? craigslist? I read on-line that one of the escort services Krystal worked for accused her of cheating them out of their percentage.

“My sister Nicole hasn’t been seen or heard from since December. She’s getting high again. Steph, you send me books. My family hasn’t sent me one book in 8 years. I don’t think they understand the whole commissary concept. I have to order everything, nothing is given out. I need to order clothing, sneakers, food, cosmetics, personals. You’re really my only source of income.”

— Krystal Riordan, Inmate #661387

 

&

Krystal tells me of being sent to Elan, the exclusive boarding school for troubled teens. Her adoptive parents, partners in the Greenhaus Riordan accounting firm, don’t know what to do with her. She’s ruining their reputations. Once at Elan she’s made to write a letter to them confessing her sins. She’s never had sex, never had a boyfriend, yet she’s forced, this virgin molested before the age of five, to call herself a whore. “It was a lockdown residential school. I was there for three years. If I’d never been sent there, I might have had a full basketball scholarship. The scouts were watching me from junior high on. In group therapy I started to believe I’d done all those things.” And in Elan she meets other troubled teens, many will later appear in police blotters some charged with murder. After graduation Krystal escapes to New York City, moving in with a girl she went to Elan with. The girl works as a prostitute and initiates Krystal into the trade. You don’t need a resume. No references. Men desiring her enough to pay money for her favors makes her feel beautiful. A princess in a fairy-tale. Placing ads on craigslist, calling herself Lisa, offering the $150 special. The good money buys her clothes and a truck; the good money attracts Draymond Coleman, the husky ex-con.

 

Please send Antoinette Carter the Cristal Bic Pens. Please send ASAP. Her numbers are #179192E/761091. Well I love the Halloween cards. I can’t wait to use the glitter for make-up. I also received Love Highway today. I will start it tonight. Don’t worry I won’t be mad. Your friend Krystal

Krystal Riordan, Inmate #661387

 

&

Sometimes she dreams of returning to the weathered buildings of Weehawken—its sooty cliffs. The Park Avenue Hotel, a single-room occupancy, five-story brick dungeon in the middle of the block, is gone, torn down after the “notorious murder of an 18 year-old girl” in one of its rooms. A senior center has taken its place. Is that a sign that Krystal will be 50 upon her release, almost a senior? Thelonius Monk spent the last years of his life in Weehawken. And Monk’s syncopations might have been playing on WBGO in the taxi ferrying the soon-to-be murdered Jennifer and her Good Samaritan through the Lincoln Tunnel and into the cliff city. The jazz musician’s genius—tinkling piano like the bebop stirring of ice in a mixed drink, like one of the many—the blue licorice, the amaretto—the doomed teen had consumed that night. Across the street from the now senior citizen center there’s still the Dunkin’ Donuts where Candida Moore wishes Jennifer had sought shelter. Krystal staggers into the darkness, “Hey, wait,” she calls to the girl in white mini and black halter. Who doubts that Jennifer is still out there wading into the darkness. Alone.

 

“When you love someone too much, you can’t see past that person. That’s how I felt about Dray. I thought I couldn’t live without him. I can’t compare the way I loved Dray to the way you love Rob. But if I did, I hope that wouldn’t offend you. I never considered myself a strong person. People say if they got the time I got. They would kill themselves. They ask how I do it. Why I’m so nice.”

Krystal Riordan, Inmate #661387

 

&

The Krystal who lives behind bars seems freer than the baby-faced prostitute trapped between her pimp/boyfriend Draymond Coleman, the funny charmer, and Draymond, the killer ex-con. Letters still come from him. “You showed me true love and I didn’t know how to handle it. I thought it was all a game, but it was true. You put your name on your body. You had my baby. You gave me everything. Now it’s all gone thanks to my stupid ass.” There are paragraphs of complete sentences with no misspellings, letters written in a delicate cursive. “We’ll be Natural Born Killers,” he told her after Jennifer’s last breaths. It surprises me to see the handwriting, and think of the same hand breaking every bone in a young girl’s face. Yet Krystal’s never forsaken him. You could interpret that as a great weakness or a strength. “I’m no longer in love with him but I still care for him. He has no one else.” Yes, Krystal bore him a baby girl who Child Welfare Services removed after finding marijuana in the infant’s blood. The night of his arrest Draymond claims that he’d picked up a working girl at the Port Authority. “I am not a wholesome man,” he tells police, “but I am no murderer.” Wholesome, such an odd word to choose. My mother’s generation used it to describe a good girl, a wholesome girl, what they hoped for in their daughters.

 

“Krystal and I can both have 24 pens sent to each of us, and I found a place that will send 24 pens, including shipping and tax, for about $16.50 in total. The pens would be very helpful in many ways to us. I will e-mail you the info when I get a chance (website, item #’s and costs).”

— Lucy Weems, Inmate #922870-C

 

Eight years after the murder, the inmate Krystal is bitten by a spider and her elbow and forearm swell up. When the redness starts to fade, another bite appears on her arm, and on her leg. Krystal goes to Medical and is told the spider’s venom has caused a blood infection. The poison is oozing out through those spots. The spots are like weeping red eyes that open on her torso. Where the poison seeps out it eats away at her flesh, leaving deep and painful wounds. The inflamed sore on her leg makes it impossible to walk and then the soaring fever sets in. Antibiotics and Motrin are at last prescribed. I wonder if Dray is finally leaving her body. Pour rum over yourself and strike a match—ultimate flambé. His dark poison, his love.

 

* * *

 

 

BIO

Stephanie DickinsonStephanie Dickinson, an Iowa native, lives in New York City. Her work appears in Hotel Amerika, Mudfish, Weber Studies, Fjords, Water-Stone Review, Gargoyle, Rhino, Stone Canoe, Westerly, and New Stories from the South, among others. Her novel Half Girl and novella Lust Series are published by Spuyten Duyvil, as is her recent novel Love Highway, based on the 2006 Jennifer Moore murder. Heat: An Interview with Jean Seberg, was released in 2013 by New Michigan Press. Her work has received multiple distinguished story citations in the Pushcart Anthology, Best American Short Stories, and Best American Mysteries.

 

 

 

Janice E Rodriguez

Ground Control

by
Janice E. Rodríguez

 

 

I blame the International Astronomical Union for my mother’s departure from rational thought. Their announcement of Pluto’s demotion from planet to planet-like object left schoolteachers racking their brains for a my-very-excellent-mother-just-served-us-nine-pizzas replacement, museum curators wondering whether to snap the last orb from their orreries, and my mother, always sensitive to minor shifts that no one else felt, floating away from reality, converted into a mother-like object.

“I’ve sold the house,” she said on an October morning.

Our waitress circled the diner with coffee pot in hand, lingering a second too long by our table, sniffing the air for resentment and gossip. I waved her off.

“Mother, it’s too soon after Dad. You should wait a while before you make a big decision like that. Give it until Christmas.”

Mother wiped her mouth on a paper napkin and counted out her half of the bill plus a tip, stacking the coins into neat piles.

“The papers are signed. ’Tis done,” she said, affecting a vaguely Scottish accent. “You two should come over and see if you want anything. It won’t all fit in my apartment at the retirement community. I can’t keep the telescope, and I’d like someone to have it. Of course, that supposes that David will deign to set foot in my place.”

I kept my face bland and soft, refusing to rise to the bait. She stood and headed for the door.

Irrational. On a whim and probably at a marked-down price, she’d signed away the house whose threshold she had crossed as a bride, my childhood home, the single fragment of our family existence my father was able to recognize when his other memories had fled.

“She hates retirement communities,” I said. “So did Dad.”

The waitress looked at the bill and money and then at me, and I scrabbled in my wallet for my half.

“That your mom?” she asked. “You’re like two peas in a pod.”

“Not really.”

Since I escaped to college, Mother had maintained an untidy orbit on the far reaches of my existence. Six visits a year were plenty—three melodramatic and disastrous holidays, her birthday, and two random days marked in black on my calendar. David always stayed away, which gave Mother an opening line: “Is he at home, or did you finally kick the pompous ass out of your house?” This she alternated with, “Did you wise up and move out yet?”

We scheduled all six visits for neutral ground, like two wary souls on a blind date or two weary spouses navigating a divorce. She had never been abusive; she wasn’t evil; we were just too unalike to get along.

And now, three years after the IAU sent those unexpected vibrations rippling across the solar system and through Mother’s body and soul, she’s gone, a clot shaken loose from a leg or an arm to lodge in her brain. Her pastor and a hospital social worker assure me that she went in an instant.

I stand at the door to her apartment, empty boxes next to me on the floor, her purse tucked under my arm, her key in my hand. The keychain, a battered souvenir of the 1964 World’s Fair, swings heavily, and I hope for a second that its weight will pull me away from the door. I look at the fob, a heavy disk depicting the Unisphere, one of my only memories of that vacation. Mother and Dad hated traveling. The mother-like object that entered my life three years ago visited Cape Cod and the Jersey shore four seasons out of the year and sent tacky postcards with enigmatic messages.

I insert the key in the lock and am pushing open the door when my cell rings.

“Hey,” my husband says.

I juggle the two purses and the phone. “Hi.”

“Your Aunt Betty called. She said nice funeral and she wants your father’s burial flag and his Army medals.”

I stare in horror at Mother’s apartment, decorated in Dad’s least favorite color, blue.

“Are you there?”

“Yeah, David,” I say. Navy wall-to-wall carpeting. “I’m here.”

“She says that the widow has first priority but then after that, that stuff should pass to the nearest living male relative.”

“To cousin Rob.” Blue willow china in the corner cupboard. Toile cobalt children and farm animals scampering across the sofa.

“I gave her your cell number.”

“What? No, David. I have too much to do today.”

“So do I,” he says. “She can’t keep calling me here. I have a business to run.”

I yank the key from the lock and let the door fall closed behind me.

“Did you pick up my dry cleaning?” David asks. He sounds like a cliché.

“It’s on my list. I’ll see you tonight.”

The counselor would be proud of us. It’s the most civil conversation we’ve had without her supervision in six months.

I walk to the kitchen and dump the phone and purses on the table. As I dig for my to-do list, I notice that the kitchen is awash in a sea of blue, too, with some sunny Provençal yellows to keep it company. I pencil the word cleaners where it belongs, between the post office, where I need to find out how cancel Mother’s mail, and the liquor store, where I need to buy a bottle of anesthetic to get me through this week.

On the bookshelf, a gaudy ceramic rooster and chicken stand in front of a jagged skyline of cookbooks. Mother preferred her cookbooks in alphabetical order by author, blind to the untidy look that created.

The rooster and chicken were table decorations at Aunt Betty’s reception the second time she married, the first and last country hoe-down theme wedding I ever attended, and my twelve-year-old self never expected a bride in a patchwork prairie skirt or a groom with a bolo tie, especially when the bride was from Philadelphia and the groom from Secaucus.

Grandmom Parker and Great Aunt Irene sat at a gingham-covered picnic table with us that day. There were ribs and fried chicken, applesauce, potato salad, and a brownie wedding cake. Grandmom ate nothing but applesauce. Great Aunt Irene explained that their hotel was too close to the railroad tracks and Grandmom had ground her teeth—her gums, really, because her full upper and lower dentures had been in a jar on the nightstand—the whole of the sleepless night, and her mouth was too sore to put the dentures back in.

“Isn’t that a shame?” Aunt Irene asked. “Her own daughter’s wedding, and she can’t say or eat hardly anything.”

Grandmom glared at her.

“Of course, there could be a third wedding. With Betty you can’t tell,” Aunt Irene said.

“Harry’s a good man,” Dad said. “He and Betty have known each other for a long time.”

Aunt Irene helped herself to a second drumstick. “Know each other? Well, you know what I always say.”

Grandmom’s eyes narrowed at her in warning.

“I always say that you never really know a man until you’ve seen him naked.”

Our table and the two beside us went quiet in response. Another round of scratchy, bouncy fiddle music started up a few tense moments later.

“Isn’t that right?” Aunt Irene asked Grandmom.

“Let’s dance!” Mother said to Dad, smiling, eyes shining.

“When have you ever known me to dance?” Dad said.

I avoided the withering look he gave her by knocking my fork to the floor and spending more time than necessary recovering it. Under the table, Mother’s feet kept merry time with the music.

I move the ceramic rooster and chicken and begin to pull the books down, unsure of whether to box them up or to reshelve them by height. The doorbell rings and helps me avoid a decision for a little while.

Three elderly women stand in Mother’s doorway, sad smiles on their faces.

“We’re the Transitions Committee,” the first woman tells me.

The second hands me a business card. Happy Meadows—There’s No Place Like Home. Transitions Committee.

The third pats my arm and says, “We’re so sorry to hear of your loss.”

They have matching perms, tight curls blown dry into soft helmets, a blue rinse.

“You look just like your mother, dear,” the first woman says. She hands me a brochure.

They bustle into Mother’s apartment in unison, a single officious body with three heads and six legs.

I remember them now. They were at Mother’s funeral. David and I had been seated in the front pew, with Aunt Betty, Husband #3, and my cousins behind us, their kids behind them. I saw the three-headed, six-legged beast in the back pew on my way to the ladies’ room.

“TB, the family disease,” Mother would have said. “Tiny bladder. Give us Miller women an important occasion, and we just have to go and go.”

I paused on my return from the ladies’ room and listened to the three women.

“The son-in-law is an architect,” said the first.

“I understand they don’t have children,” the arm-patter said.

“That’s a shame,” said the card-carrier. “Is that the son in the second row with all those kids behind?”

 

“No,” said the first. “It must be some other relative. She only had the daughter and no grandchildren at all, poor thing.”

The card-carrier pointed to the left and said, “Is that the organist’s husband?”

“He’s gotten awfully heavy,” said the first.

The arm-patter shook her head sadly, “I never would have recognized him.”

The first woman opens the brochure, which is in my hand, and begins to speak while her two companions eye Mother’s blue living room. “Some families, when they have finished dividing a loved one’s possessions, find that there are usable goods left over. It can be difficult at times like these to find worthy charities to accept the goods. The Transitions Committee has assembled a list of places in the community where your loved one’s memory will live on in the form of donations.”

The arm-patter points to an address. “This food bank will accept perishable foods, within their expiration date, of course, and will even come here to make a pickup. We suggest that you tackle the refrigerator first, even if you don’t want to call the food bank. Otherwise, it becomes an unpleasant job.”

The other two concur with delicate shudders, and their shudders turn to startled jumps as my cell rings. It’s Aunt Betty’s area code.

“Thank you so much, ladies,” I say, closing the door on their surprised faces. “I’ve got to take this call. You’ve been so much help, really. Thanks. Thanks again.”

I put the chain across the door and toss the phone onto Mother’s blue recliner on my way back to the kitchen.

There are only two cookbooks that I remember, a Betty Crocker and a Fannie Farmer, and I put them in a box with a yellow sticky note—yellow for you is how I’ll remember—before loading the rest into a second box. I slap a green sticky note on the box; green for Goodwill. The bottom shelf holds Mother’s collection of astronomy books. I box them and affix a green sticky note.

The kitchen cabinets are next, the cans and jars alphabetized, for heaven’s sake, with no thought to the fact that lentil soup is tall enough to obscure the sliced button mushrooms. There are three boxes with blue sticky notes marked Food Bank when I finish. I search in vain for Mother’s good china. The everyday dishes—more blue and yellow Provençal—go into a box with a green sticky note.

Mother was a gifted and adventurous cook. In the back of the large bottom cabinet are the tagine, the fondue set, the madeleine pan, the springerle board, the wok, the bamboo steamer, and the little metal cornets on which she rolled delicate cookies into cornucopias. Dish after dish of exotica she would set before us when I was growing up, relentlessly innovative even with my favorite, macaroni and cheese, and Dad would patiently eat most of it, only occasionally delivering words that set her lips into a tight, thin line: “Well, we don’t have to have that again.”

I keep the madeleine pan. The rest goes in a box that I carry to the living room before tagging it a green sticky note.

The Transitions Committee be damned; I’m not going to save perishables. I put aside some bread, peanut butter, and juice for breakfast and send the remaining contents of the refrigerator sluicing down the garbage disposal, sad vegetables, fruit that’s seen better days, sour milk and memories. The frozen food goes in the trash.

It’s nearly five, and there’s not enough time to make it home and get dinner on the table before seven. I pick up the phone and dial into David’s voice mail; the counselor would tell me I’m avoiding authentic communication, but she’s never seen how he gets when his routine is disrupted.

“It’s me. There’s a lot more here than I thought, so I’ll stay the night. I left dinner in the fridge. Just reheat it. The dry cleaners will give you your suit if you give them your phone number, well, my cell phone number.”

Mother used to say that husbands have to be treated like colicky newborns—kept on a strict schedule. I remind myself that even the most distant planets align from time to time.

I pull Mother’s phone book out of the recycling bin and dial a pizza parlor, smiling and thinking that when the cat’s away, the mice order out.

Awaiting dinner, I put pink sticky notes on the living room and kitchen furniture—pink for the poor—all of it destined for pickup by the Fourth Street Shelter, all of it new, the furniture from my childhood home apparently jettisoned with the rest of our family memories.

There’s a bottle of wine in the corner cupboard in the living room, a little too sweet and effervescent for my taste and far too pedestrian for David’s, but it goes great with the pizza.

The combined effects of wine, packing, and memories leave me feeling sleepy. I choose Mother’s guest bedroom—her own room would be far too strange—which is mauve. I search the closet for a guest bathrobe.

No bathrobe, but a box marked china. I slide a thin blue photo album from on top and toss it onto the bed for later inspection. I peer inside the box; Mother and Dad’s wedding china is there. I smile and put a yellow sticky note on it. In a box below it, I find her wedding dress, draped over a busty form beneath a plastic window, preserved in its acid-free box, awaiting the day when her daughter or granddaughter might wear it. I disappointed her twice on that one.

There’s no guest robe in the bathroom either, so I go into her bedroom. Everything inside her closet smells like flowers and summer hay, and I shut the scent of her away, unexpected tears burning my eyes.

I open the bottom drawer of her dresser. It’s a new dresser destined to be marked with a pink sticky tomorrow, but I know Mother. Her bottom dresser drawer always contained clothing she never wore but felt guilty giving or throwing away. Front and center is the tee shirt David and I bought her on our trip to Hawaii ten years ago. Beneath that is the fifteen-year-old one from Paris.

I pour myself another glass of dreadful wine and crawl into the guest bed, wearing the Paris shirt and steeling myself to look through the photo album. Before I open it, I make a trip to Mother’s room to retrieve a box of tissues.

Mother and Dad in their twenties, at a picnic with friends, everyone’s arms linked, everyone’s face contorted against the sunshine. Mother and Dad at a meeting of the church group for young couples, The Twosomes, Dad out of focus. Dad bowling, Mother looking off camera. Mother and Dad at Niagara Falls, Mother’s eyes closed and Dad’s popped open in surprise.

Me on Dad’s lap, Mother standing behind us, one hand on Dad’s shoulder and the other on mine, smiling through clenched teeth. Mother and Dad at one of Aunt Betty’s weddings, sitting apart, the air tense between them.

Anniversary pictures, posed and stiff. Me graduating college, arms thrown around both my parents’ waists, leaning into Dad, away from Mother. Candid photos, with one or the other smiling, but never both.

I swallow wine. Leave it to Mother to compile a record of the unhappiest moments of her forty-six years of married life. There is another, thicker photo album on the nightstand, and I fortify myself with another glass of wine before opening it.

The first pages are blank, and I turn the album upside down. But then the photographs are upside down. I right the album and begin at the back. Mother and Dad in their twenties, seated on a picnic table, their knees, heads, and shoulders together. Mother and Dad as secretary and president of The Twosomes.

Mother has arranged this album in reverse chronological order, and every photo shines with happiness and family pride. Then, as I page backward through the album and forward in time, Mother with new friends, people I don’t know.

Mother at Mount Rushmore. Mother with another woman and two men by Lake Louise. Mother and her friends in front of the Eiffel Tower. Mother in London. Mother in a store in Scotland, holding a kilt in front of her waist. Mother dressed as an elderly Christmas elf serving dinner at a homeless shelter. Mother and a white-haired man at a Western-themed Halloween party. Blank pages, and I sleep.

***

Thin-crusted, cardboard-boxed pizza undergoes a magical maturation process overnight in the refrigerator, and it makes a delightful breakfast, one I usually enjoy only when David’s out of town, so I give it the full treatment—serving the slices on a paper towel instead of a plate, crooking one knee and resting my foot on my chair, watching the television and reading a magazine while I eat.

The pizza keeps my morale high as I strip Mother’s bed and put pink sticky notes on the furniture. I’m prepared this time—windows open to draw her perfume away, the television keeping me company, and it works until I open her closet door. Headless, handless, empty clothes sag on hangers, looking like her and not like her. Front and center is an outfit that crowds the others, one I recognize from the fatter of the two photo albums, a pink top with a ruffle under the scoop neck, ruffles under the puffed short sleeves, a pink and green plaid skirt that flares out, and underneath that, about a mile of stiff petticoat. I shake my head.

Except for the green and pink costume, the clothes are organized by color, and I pull them out, sort them into piles by season, bag them, and put green stickers on them. Shoes go into a box. Underwear I throw out, mechanically, purposely avoiding thought. The detritus and whimsies of life grow when they’re released from the confines of their storage spaces and pose impossible questions: Why did you buy me? What do I say about you? Why wear that to a Halloween party?

Cooking magazines and romance novels form an irregular tower by the bed. I throw them into a heavy-duty garbage bag, sweep a parade of tiny perfume bottles from the nightstand after them, and pull the plastic drawstrings closed.

Curled around the base of the lamp is one of Dad’s watches. He bought and lost a half-dozen a year, cheap ones, even before the Alzheimer’s, the kind you used to be able to buy in a corner drugstore. My eyes sting. I can’t believe Mother saved one of them. I find the box with the good china, wrap the watch in tissues, and tuck it inside,

The bedroom takes up the rest of the morning, with a brief interruption for the pickup by the food bank. Only the bathroom remains, where I suspect that I’ll throw out everything, and the closet by the front door. My cell rings. Aunt Betty. I ignore her.

I haven’t found Dad’s service flag or the medals. Aunt Betty will declare this a perfect opportunity for a melodramatic scene. To the closet, then, to find a way to shut Aunt Betty up.

I hear a knock as I go, and I’ve got the front door open before the man outside has withdrawn his lightly closed fist. He stands there, hand raised, one knuckle extended beyond the rest, face frozen like a mask, eyes shifting away so I can’t read them.

“I, uh … hadn’t heard. She never … The ladies told me when I got back this morning.” He jerks his head to the right, and I see three blue-haired heads disappear around the corner of the hall in unison.

I pull him inside and close the door.

He smiles and pats my hand. “So you take in strays, too, just like her. I’m John Bailey.”

I can’t figure out whether to pull back my hand to shake his or to put the other one on top, so I settle for stepping back and offering him a glass of water.

His throat catches. “You sound just like her, too.”

When I return, he’s blinking back tears as he surveys the stacks of boxes and piles of bags.

“Would you like a few minutes alone, Mr. Bailey?” I ask, and I retreat to the bathroom before he can answer. I wonder out loud if the Fourth Street Shelter can use opened toiletries.

I hear sniffling and shuffling, and he appears at the bathroom door.

“The tissues aren’t in the bedroom,” he says.

“Guest bedroom, Mr. Bailey.”

“John,” he says.

“John.”

He returns with the box, blowing his nose loudly. “I was visiting my kids in Michigan. No one called me.”

“I’m sorry. I didn’t know.”

“I brought her this.” He extends a blue folder.

I usher him back to the living room, and we sit so I can read the certificate inside.

Belles and Bucks Modern Western Square Dance
Mrs. Doris Parker & Mr. John Bailey
First Prize
Division 3—Senior Beginners

“May I buy you lunch?” he asks.

I’m not sure why I accept. Perhaps it’s the way he holds his grief back, under the surface, wrapped in a thin and fragile skin. Perhaps I think the skin will be less likely to burst if we’re in public. Soon I find myself in the retirement home’s café, fiddling with a menu, ordering a cheeseburger.

John leans forward confidentially. “So have you thrown that no-good husband of yours out of the house yet?”

I cough iced tea up my nose.

“Sorry. It’s what your mother would have asked you.”

“And it’s just about exactly the way she’d ask, too.” I let several minutes pass in silence to show my disapproval before asking about the square dancing.

John talks between bites of sandwich. “Your mother was a terrific dancer, God rest her. If she had started sooner in life, she could have been a professional.”

“There are professional square dancers?” I ask.

He stares out the window. “I can’t believe she’s gone.”

I repeat the comforting words of the pastor and social worker—no pain, gone in an instant—hoping they’re true.

Being in public is no proof against John’s grief, and he begins to cry in the way of those who rarely permit themselves to do so, a few fat tears smeared away with the balls of the hands, then wracking, painful sobs.

I walk him back to Mother’s apartment, people giving me angry and suspicious glances as we go. I cannot carry or assuage the grief of this man I do not know, so I settle him in Mother’s blue toile armchair, fetch him tissues, and begin sorting through the last closet.

A cardboard box with Mother’s bank statements and bills, yellow sticky note. Coats and jackets for all seasons, green sticky note. Boots, green sticky note. Umbrellas … trash?

“You’re very efficient, very contained,” John says. “I can see why Doris would have thought that seemed cold sometimes.”

I’m glad my back is turned. I find a box the on the top shelf of the closet. Dad’s flag and medals.

John is standing behind me now, looking at Dad’s things.

“She was proud of you,” he says. “Proud of your work. You know, there was no such thing as art therapy when I was your age. I wonder if it would have helped the boys who came back from Korea.”

“I work with children, not adults.”

The doorbell rings, and the workers from the Fourth Street Shelter are here for the boxes and bags with pink sticky notes. The Goodwill people are next. I hand them the estate donation forms, and they carry out everything marked with a green sticky note.

“I should go,” John says. “You keep this for her.”

He presses the certificate into my hand. I have no way of explaining to him that the thought of Mother square dancing is completely alien to me.

He’s halfway out the door when he asks, “Did you find a watch? It’s nothing fancy. Brown leather band. I left it here last time.”

“No.” So long as that watch is in the box with the good china and a yellow sticky note, it’s mine. It’s Dad’s.

“I’ll give you my address in case you find it.” John writes it down, draws a little map. “I guess you’re going soon.”

“Tonight.”

His eyebrows quirk, his lips twitch, words forming and unforming and failing to emerge from his mouth. He gulps and nods and pats me on the shoulder.

“Wonderful woman, your mother.”

When he leaves, I consolidate my boxes and bags and begin to haul them to the car. I open the fatter of the photo albums and flip through to the picture of what I supposed to be a Halloween party. I scan the background—azaleas in bloom, green grass, the women dressed in ruffled tops and flared, tiered skirts with petticoats, the men wearing matching fabric on the yokes of their Western shirts or on their ties. Next to Mother, arm behind her back, is John Bailey. There are tiny indentations at her side where his fingers must surely be clasping her to him. His tie matches the green and pink get-up she wears; his broad smile mirrors hers.

I slip the certificate that John has brought into a blank page in the album and close Dad’s—John’s—watch between the cover and first page. On my way out of town, I stop at his place and put the album on his doorstep. I ring the doorbell and walk away, but he hails me before I get to the car and does an old man’s half-jog over to me.

He points down the street. “Half a mile from here is the turnpike. Past the grocery store. Two more lights. You’ll see the sign on your right when you get to the gas station. There’s a whole universe out there. You’d be happier without him, you know.”

I thank him and nod and head the way he pointed, toward infinite possibilities and alternate worlds. When I’m out of sight of his place, I double back and drive home.

 

 

BIO

Janice E RodriguezJanice E. Rodríguez inhabits two realities—the rolling hills and broad valleys of her native eastern Pennsylvania, and the high, arid plains of her adopted land of Castilla-León in Spain. She currently teaches Spanish at Albright College in Reading, Pennsylvania. When she’s not teaching, writing, or gardening, she’s in the kitchen working her way through a stack of cookbooks. She can be found online at janiceerodriguez.com.

At the beach

by Abigail George

 

Bright lights in the city.
You had been made of iron.
Your memoir is made of whirlpools.
As vital as a tombstone.
I can thrive in this cancer ward.
Filled with the song of mannequins.
In the dark, I turn black.
Sea of trees I cannot fathom you.
Swimming pool once a myth.
Upside down and wishful.
I can see Jonah’s Whale from here.
Stars in the fabric of moonlight.
Everything smells of spirit.

 

 

Hibiscus and insects

 

Now I meet with disaster.
I come with bereavement.
The ways of water run deep.
Salt and light. Before disability struck
Do you remember?
The epic heights you reached.
The cigarettes you smoked
In high school. Boys made out of paper.
Men made out of gin.
You were unsuitable for both.
You stopped drinking milk.
You stopped eating altogether.
Anorexia they called it.
The elephant in the room.
You went to the moon
In addition, back in dreams.
You held the autumn chill
In your hands. Its journal.
There were the walks you took
Around the church. Up to the
Garage where you bought peanuts
And raisins with your father.
The cashier would not smile
As he bagged your purchases.
Your dad’s granadilla hands
He is in the autumn of the years.
It is that festive time of year again.
When you eat, drink, and be merry.
I will not be doing that this year.
I am fragile. A mountainous
Version of tenderness. I melt in the
Presence of children. No good
For anyone. Stay away from me.

 

 

Jericho

 

I am a cat person. I collect strays
Like others collect coins or stamps.
I believe in God, love and crashing
Into things. I spend too much
Time inside my own head.
I am tired of instructing my own work.
I write about the song in the wind.
It becomes my own song.
The song of loneliness. Of Rilke,
Of Nabokov, of Akhmatova,
Of Ernest Hemingway driving
Ambulances during the war.
I write about the seasons
As if I were a poet. The leaves that
Leave fingerprints behind them.
A pint of milk. A jar of honey.
I write about angels and goddesses.
I am impatient and angry
At the human condition and I read
To find myself because this is
This is what the river whispers to me.
Sometimes the road inside too.

 

 

BIO

abigail georgeAbigail George is the author of ‘Africa Where Art Thou’ (2011), ‘Feeding the Beasts’ (2012), ‘All About My Mother’ (2012), ‘Winter in Johannesburg’ (2013), ‘Brother Wolf and Sister Wren’ (2015), and the forthcoming ‘Sleeping Under Kitchen Tables in the Northern Areas’ (2016). Her poetry has been widely published from Nigeria to Finland, and New Delhi, India to Istanbul, Turkey. Her fiction was nominated for the Pushcart Prize. She briefly studied film and television production at the Newtown Film and Television School opposite the Market Theater in Johannesburg. She is the recipient of writing grants from the National Arts Council (Johannesburg), the Centre for the Book (Cape Town), and ECPACC (Eastern Cape Provincial Arts and Culture Council) (East London). She writes for Modern Diplomacy, blogs with Goodreads, and contributed to a symposium for a year on Ovi Magazine: Finland’s English Online Magazine.

 

 

 

MP Stien

The Oracle

by
P.M.  Neist

 

 

He was in no position to miss the meeting, or cancel it for that matter. He hadn’t written a thing in months: not a paragraph, not a sentence, not a word. And he had to admit: they’d been nice about it. Yes they had. They had granted him a six-month sabbatical, followed by a two-week creativity retreat in Colorado. When that had failed, they had stepped it up, and he couldn’t blame them: weekly mandatory group therapy, a writer’s boot camp in Nebraska, goal setting, visualization, coaching, hypnosis. Now this.

He had driven bumper-to-bumper for two hours and parked in the last spot on the roof of the garage across the street. It was raining, the hard October wind pushing moisture into his shirt collar. He should have worn a scarf. He should have shaved. He hurried into the stairwell and made his way to the ground floor, bracing himself for the short walk to the Bellevue. He remembered going on a date there, eons ago, with someone’s sister.

He pushed the door open.

The hostess, lumpy and myopic looked vaguely familiar. He handed his coat, finger-combed his hair into some semblance or order, and scanned the dining room.

There she was, the only guest at a square table under the oversized crystal chandelier. She was shorter than he’d imagined, much older, with what looked like a dead animal around her neck, or was that a fur collar?

Peter Knudsen, he said. Pleased to meet you.

She squeezed his fingers, limply he thought.

I have taken the liberty to order. The mussels are excellent here. I hope you don’t mind.

He was allergic to seafood. Surely that would be in his file? But would they have shared this information with her? He wasn’t sure how these things worked.

That’ll be great, he said.

She smiled and motioned for the waiter. The baby blue walls, the fussy gilded dining chairs and the tall windows with their two layers of semi-transparent curtains were as he remembered. The menu was probably be the same as well, and the catatonic-looking waiter pouring the white wine.   She lifted her glass.

Cheers.

They each took a sip, hers considerably deeper than his. He’d barely set down his glass when the waiter came back with two steaming black pots of mussels, and two small plates of French fries balanced on his inner wrists. She made an ambiguous noise. Was that a hint of a mustache on her upper lip? He made an effort to return her gaze.

So, Peter, why don’t you start by telling me about you? Writer in Chief for the Little Sisters of Prayerful Mercies is an impressive position. How did you get there?

This was simple enough. He’d answered an ad for a part-time position his senior year of undergraduate studies in romance languages.   The Sisters had started him with the weekly prayer at the back the their children’s magazine, Papillon, she must have heard of it? (She hadn’t). Within the year, he had progressed to writing the monthly prayer of contrition for Spiritual Teen and by the time he was finishing graduate school, he was in charge of the congregation’s seven annual novenas: for the well-being of expectant mothers, the safe return of the troops, the recovery from cancer, pneumonia, croup and bankruptcy and of course the two semi-annual retreats at the shrine of Our Lady of Infinite Pardon.  One thing led to another.   When the previous Writer in Chief died of a heart attack, a month before his graduation, the Little Sisters offered him a full-time job. That was it. He paused, considering the food.

Married?

Divorced.

Children?

Two dogs.

She gnawed at the foot of an impressively large mussel, juice dripping from her chin. Should he say something? Offer his napkin? She was older than his mother. Certainly his gesture couldn’t be misinterpreted as anything but kindness. Before he could act, she reached for her own napkin and slurped at the sauce in the shell.

Soulful repose?

Pardon me?

Do you write for the deceased?

Rarely. There is another writer who is in charge of funerals. But I do write the annual card for All Saints Day and the Prayer of General Mercy for the Unborn.

He watched her work the food.   He’d not touched his plate yet.

The sisters make quite a bit of money from all those prayers don’t they?

I don’t deal with the business aspects of the congregation.

But he had thought about money. In fact, he had toyed with the idea of going into business on his own, writing a small prayer book perhaps, under a pseudonym, something comforting and light, one of those small formats that sold in the magazine rack of drugstores. But he had never had the stamina of an entrepreneur. In any case, his non-compete agreement prevented him from writing anything spiritual for anyone but The Little Sisters. There were ways around it of course, and the sisters had never refused permission for him to write an occasional heartfelt birthday or sympathy card for friends or family. He just never had the time to explore anything else. That was all.

She burped into her fist.

Excuse me.

She dabbed at her lips, leaving two scarlet crescents on the linen napkin. He picked up a French fry, dipped it in mustard.

Are you a believer Peter?

Of course.

She lifted an eyebrow.

Are you sure?

I have always had faith.

She could fish all she wanted, the old bat. Mass every day, confession once a week, altar guild: he had absolutely nothing to fear in that department. She rested her hunched shoulders against the back of the chair.

Faith is a given, you know, a bit like a piece of family furniture, something that’s being passed on to you by your upbringing. Believing, on the other hand, is an act of will. It takes grits to believe. With believing comes doubts and with doubts come suffering. So I am going to ask again.

She paused for effect, a bloody drama queen.

Are you a believer Peter?

He didn’t even raise his sight from his plate.

With all due respect, I don’t agree with your semantics, though you are perfectly entitled to your opinions.

He hadn’t felt this calm in months.

She looked to the left and must have made eye contact with the waiter because the guy appeared almost immediately, a trained dog answering her call. They remained silent through the next glass of wine. Suddenly, without ceremony and certainly without asking, she switched her near empty pot of mussels for his full one and started eating his food. Seriously? Did she think he was going to fall for this?

You know who I am, don’t you? She asked.

I know what they call you: the Oracle.

Her laugh startled him: deep and pebbly, unsuited to the size of her body.   And what had he said that was so funny? Everybody had heard of the Oracle. There were plenty of stories of people whose lives had been done and undone by her predictions. Happy stories, sure, but plenty of sad ones too. She was nothing to laugh about, and nothing about this meeting seemed remotely pleasant or funny to him. She was quieting down.

What do people call you, Peter? Prayer Man?

He felt the pang of anger rise in his chest. He counted to six, a trick he had learned at one of those annoying day-long workshops the Little Sisters scheduled twice a year: “Managing the range of feelings” ,or something of the kind. At least, this one had proved to be surprisingly memorable and effective. He breathed out, slowly.

To tell you the truth: I have never cared what people call me. I do my job, do it well and leave it at that.

You used to do your job.

He counted again, staring at the framed reproduction on the dining room wall above her right shoulder: “Oldham from Glodwick” by John Howe Carse. He was surprised he could name the painting. The waiter was back, clearing the table.

Dessert? Coffee? She asked, like the good hostess she wasn’t.

Not for me, thank you.

She ordered cherry pie and a triple espresso.

And a cognac, she added.

They sat in silence for a while. She was rummaging through her purse, absorbed in her search for something or other: phone or notes. He disliked her small, ferret-like movements, the way she pursed her lips. At least she was no longer talking and that was a huge relief.   Soon, the waiter would bring the last of the food and drink and they would be done. He would find himself into the safety of the street and later, that of his apartment where he would lie down on the couch and listen to music as he had done almost every day for the past eight months. If the Little Sisters decided to fire him, that would be fine.

But when she finally looked up, her eyes had turned an intense shade of blue that shook him to the core. This was it. He’d read accounts of other people’s meetings with the Oracle, how there was never a way out, how you just knew you had been cornered and would have to learn your fate. His heart was racing like a miniature pony trying to escape from his chest. When her voice finally came out to him, it sounded like one of those old vinyl records, scratchy and smooth at the same time.

Listen Peter, I believe you are a good person, I really do and so do The Little Sisters, which is why we are having this conversation. But I must let you know: your chances at happiness are getting slimmer by the minute. You can keep being tossed about by life and your brand of anxieties or you can start believing – really believing – that your fate has nothing to do with you or what you do. Take me, for example, do you really think I can predict the future?

She didn’t wait for his answer.

Frankly Peter, I have no idea whether or not I can. I show up, say what I think I must say and let others worry about the outcome. You should consider doing the same.

He nodded. Whatever she was saying, he wanted it to end, the sooner the better. She leaned forward and took his wrist, her fingers warm as a ring of fire.

All of this…

She made a vague gesture toward the curtains and the street beyond.

It’s one big motion: a process. That’s all. We do our part, we move on. It’s not really our concern. Do you understand me?

He had no idea what she was saying.

Yes.

Excellent.

She let go. He felt himself go slack. The waiter was back, placing a slice of pie, coffee and drink on the table in front of him.

This is not for me, Peter told him.

But the Oracle was up from her chair, a hand on his shoulder.

Oh, but it is, she said, her hand heavy as an iron chain. Eat it. It will do you a world of good. You’ll see.

She shushed him with a firm pat on the shoulder.

So this was it? All he had to do was eat and drink, and it would be over? He felt relieved, but as he reached for the spoon, she lowered her head, tenderly it seemed, and for a moment he thought she might kiss him.

She bent further, her lips grazed his right ear.

Peter? She whispered.

He didn’t dare look up, or move.

Do us both a favor will you? Get the fuck back to work.

 

 

BIO

MP StienRaised in a French fishing village, P.M. Neist acquired her storytelling skills from a colorful cast of spirited relatives. After moving to the United States, Neist switched to writing in English. Soon after, she started drawing. She is the author and illustrator of Barely Behaving Daughters, an illustrated alphabet of girls who like to do as they please.

 

 

 

 

Taylor García

Monica in Georgetown

by
Taylor García

 

Pie Sisters isn’t packed on a Sunday night, and though I want it to be darker, the place is airy and bright, and the smell of butter and sugar almost knocks you out. On first glance, it’s just students with Macs and books, and couples over slices of pie and cups of coffee. Then, toward the back, her black hair and unmistakable profile jump out. My palms sweat and they never do. My mouth goes dry. Sure, this was Mom’s idea, and I’m only appeasing her yet again, but shit, this is Monica Lewinsky.

“Ms. Lewinsky?” I reach, then pull back. No hand offered from the cool invisible bubble that surrounds her.

“Oh, hi.” Only a flat acknowledgment of a smile. “Troy?”

“Are you alone?” I say.

Monica shifts her eyes left. A big, bulky brother in plain clothes, sits a table away, deep into his smart phone. It would make sense she has protection. The presidents and their families have it for life. Why not their mistresses? Though Monica, not the taxpayer, must be fitting the bill for this guy.

I’m overdressed in a button-down and tie against Monica’s modest Gap-ad wear and her detail’s gym clothes. Her manicured fingers lace around a latte.

Way back, when I wrote for my high school newspaper in Little Rock, our advisor, the lovely Ms. Georgiou, drilled it into me to be a train on a track when interviewing. “They’re giving you their time. Don’t waste it,” she’d say. I had brought that into my budding journalism career in D.C., had it wired for years, but right now, it won’t work. My skin is shriveling up into itself.

Monica gives me the flat smile again, takes the lead.

“I typically don’t meet with strangers, or discuss the Clintons, but the story you told my publicist sounded—provocative.”

“Well, thank you for meeting me. Especially here in D.C. I’m sure it’s the last place—”

She waves it off. “I happened to be here for a fundraiser. It all lined up.” She waits, but I’m still speechless. Here’s Monica Lewinsky, not that much older than me, both of us merely children in the summer of ’98, both of us starry-eyed for the man that would never love us back. She: that woman, publically shamed, and me, her lover’s illegitimate son, waiting, plotting to come forward.

“So,” she says, “you claim your mother had a liaison with President Clinton?”

According to Mom, it was back in 1978 in Arkansas. Nine months later, me. I’ve told her a million times it would make a much sexier story if she came forward first, Clinton’s secret African-American mistress, and then me, the product of that affair, but she’s too chicken. She’s been putting me up to this since I first came out here for college.

“Well, he was just elected Governor of Arkansas then.” I lick my lips, trying to get my mouth to move again. Monica must think I’m a perv. But wow, she is pretty. “She was a staffer on his campaign.”

“And you know, without a doubt, that he’s your father?” she says.

“Yes. That’s what my mother says.” I can channel Mom when I need to. She adjusts her frame when talking about Dad, like I’m doing now.

“Well, you’ll need DNA proof,” Monica says, “otherwise there’s nothing.”

She sips her coffee, makes brief eye contact with her guard. He gives her an imperceptible nod. This won’t last long, I know. The vultures could swoop in any second. I used to do it all the time as a reporter.

“What do you do, Troy?” she says.

“I’m out of work. My paper shut down. Right now I’m just spending a lot of time at the Libertarian Party office. Getting ready for the election.”

“Are you running?” she says.

“One of these days.” My palms have stopped sweating, and her face has softened. Still no vultures. “I want to be President some day.”

“Oh,” she says. “Just like your father.” She flashes that classic toothy smile from her intern I.D. badge, circa 1990-something.

“Yeah, just like him,” I say, embarrassed. At least that’s what Mom has always wanted for me. Our plan has never changed: expose the truth with Monica’s help, then use that vortex fame to topple the Clintons and build my own campaign to be the first third-party president.

Monica’s smile vanishes. She moves her coffee aside. “Do you know the full story? Has your mother told you everything?”

“No.” Every time I’ve tried, she changes the subject. Gets testy. Something hurts.

“It’s quite possible she was a victim—who knows?” Monica says. “And I understand if she wanted to keep it secret and avoid the humiliation. But you need to know the truth.”

“Yeah, you’re right.”

“And, I’m never one to bash anyone’s dreams, so please don’t take this the wrong way, but I think a Libertarian president in this country is a long shot. It’s a two-party system.”

Her bodyguard stands. Monica glances up at him. It suddenly feels like a break up. No. A straight-up dumping. I’ve got a fresh one in mind: Deepa Viswanathan. A cute Indian girl from Philly and a die hard Democrat. Hillary all the way. Deepa spent one night at my place in Alexandria a couple of weeks ago. We had two more dates, then she dropped me when I told her the family secret.

“No, no, I get it. I just—we just thought you could help us. I’m sorry to trouble you. Coming out here tonight.”

She leans forward. “Troy, I wish I could do something for you, but this is between you and mother. Face her.”

Monica stands. Flat smile. She seems so alone. I know exactly how she feels.

***

The Oakwood has that depressing Sunday night vibe. Grills gone cold, pool decks dry and empty, and cars waiting to be rocketed back into the Beltway come Monday. It’s the time of night you’d want to watch a movie and open some wine with your lady, if you had one.

Whatever happened to Mom on his Arkansas gubernatorial campaign shorted some fuses in her head. That much is clear. What kind of person goes from being a Democrat to Green, then Independent, then Republican, then eventually Libertarian? And who goes along with it, door-to-door, passing flyers, shaking hands, and serving chicken dinners, following along with her dream? A good co-dependent son, that’s who.

My phone blinks with a voice mail. Must have missed it on the Metro back to Alexandria. It’s Mom again. She’s frantic. Something about a pain in her left arm and neck. Headache, too. Calling Mrs. Wilson for a ride to the hospital. She didn’t have any of those symptoms when we talked earlier, just before I left to go meet Monica in Georgetown.

This might be a false alarm. It wouldn’t be the first.

There’s no answer at home in Little Rock. I try Mrs. Wilson, our life-long neighbor.

“Hi, Addie. It’s Troy. Is my mother okay?”

“Oh hi, honey. Yeah, she’s fine. They’re just running some tests. She needs to talk to you though. You ready for the phone number to her room?”

Mrs. Wilson’s daughter Niki and me used to fool around in our shed growing up. In elementary, we mostly kissed, and by junior high, we helped each other lose our virginities. Mom and Mrs. Wilson never knew a thing. Kids learn from the best how to keep secrets.

My phone vibrates. It’s a number I don’t know, but from a Little Rock area code.

I know what’s killing Mom in the hospital. Curiosity. She wants to know about Monica. She still thinks she’s the girl in the beret. But that girl is a ghost. Monica’s a grown woman now. She’s not a victim anymore. I shouldn’t be either.

A fourth ring. I answer. Mom’s out of breath.

“Oh baby,” she says. “I thought I was having a heart attack.”

“But you’re not.” What I’m about to say to her just might give her one.

“No. I’m—I’m just tired, I guess,” she says.

“Are you still lying down? Still comfortable?”

“Yes, baby, thank you.” She sounds suddenly all better. “So how did it—”

“Before that, let’s clear something up.”

“Oh, baby, I feel that pain coming back,” she says.

“You’re fine, Mom. You’re at the hospital. Now, listen to me. I need to know what actually happened with you and Bill Clinton. Did you two have a… sexual relationship?”

“Oh, son, I’m in so much pain.”

“Mom. The truth.”

There’s a certain silence between two people on the phone when the conversation temporarily dies. That living breathing person on the other side, regardless of their location, waits for you, and you for them. That absence of sound swallows you both.

“He—tapped me on the behind,” she says.

“It that all? Nothing else?”

“Yes, that’s all.”

“Who’s my real father?”

“Oh, honey let’s just talk about­—”

“Tell me.”

“Will Dumas.”

“The bus driver?”

“Yes.”

Willie Dumas. The older white bachelor all the kids knew, but no one ever thought a second more about. I had known him all the way from elementary to high school. The man who was checking up on me, asking why I never went out for sports.

“Why didn’t you two ever make it right?”

“It was a different time, son. Black women didn’t just have babies out of wedlock with a white—son, just come home. We’ll talk it over.”

The silence builds solid again. Reminds me when I actually spoke to Monica’s publicist a few months ago. The woman had said, “Yes, she can meet with you. Privately.” In the stillness of the open line, I couldn’t speak.

“Hello,” she had said. “Are you still there?”

“Are you still there, honey?” Mom says.

“No, Mom. I’m not coming home. Not for a while at least. We both need some professional help. We’ve needed it for so long. I mean, I don’t know why you’d keep up this twisted-ass revenge plot with me thinking Bill Clinton was my goddamned father. The politics, the story. Why? Why? You know, it’s kind of fucked.”

“I know, son. I did you wrong. I was confused and scared. Know that I love you more than anything. I always will.”

“I have to go, Mom.”

“Please call me, baby. I’m so sorry.”

“I will. Just give me some time. Bye.”

We hang up, and instead of smashing the phone against a wall, a sudden calm stirs up inside me. It surrounds me, like a hug. It’s that fear and confusion she was talking about, morphed into the truth you can’t ignore. It’s holding me tight, rocking me gently.

I’ve often wondered what it was like to have my father hold me. Maybe like this. But maybe not, because this is the feeling you get when you’ve known all along you’re all you need. Could be why Clinton always got out of the jams he was in. He was always holding on to number one.

My chest expands, fills with the best breath on record. I could probably grow wings and fly right out of this apartment if I tried. It’s been 17 years in this dead air, and it’s no coincidence I’ve been thinking about folding it all up.

Monica’s right: there won’t be a Libertarian anything. This chapter’s over. Boston’s been on my mind for some reason. Maybe Chicago. Hell, even California. Just the other day I read that in St. Croix, you drive on the left side of the road, and in certain bays, the water glows at night.

 

 

BIO

Taylor GarcíaTaylor García’s short fiction has appeared in Chagrin River Review, Driftwood Press, Fifth Wednesday Journal, Hawaii Pacific Review, McSweeney’s Internet Tendency and Caveat Lector. He also writes the weekly column Father Time at the GoodMenProject.com.

He lives in Southern California with his wife and young sons. www.btaylorgarcia.com

 

 

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