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Juanita Rey poetry

A BELONGING

by Juanita Rey



It’s windy outside
just the way the rattling trash cans like it.
Curtains shake.
Window rattles.
A pen rolls off the table,
onto the floor.
The noise startles me.
But it’s not about fear.
Just the dubious nature of my life here.

Mice scamper through the walls.
Spiders crisscross the ceiling.
Shadows steal half the floor,
then my leg up to the knee.
A friend I have not seen in years
appears to me in this kitchen
of all places.
It’s amazing how creative
light and dust can get
when they have my memories
as a model.
But, of course, it will be totally dark soon.
She cannot stay.

I’m reading a book in English.
I feel proud of that for some reason.
But it makes me a little less Dominican
and no more American than I was before.

Then my neighbor from the apartment below
knocks on my door.
She says she thought
she heard somebody home.
That’s not altogether encouraging
but it’s a start.




THE TAINO MOON



The sun sinks into the sea
but the moon is another kind of rising,
like the lilt of a song but without the sound,
a drum-less palo, a choir of departing gulls.
It has the air, the breezy cadence of a fateful moment
but, as I head towards home, it turns perfect.

The lights ahead are a human constellation,
the public eyes of the ones who make do,
most inside now, concluding this day
in the manner of all days, the light
nudged westward, the dark overseer,
and the old moon of the Taino,
held over for these times.




POEM TO THE WORD “NO”



Why is someone’s tongue
forcing its way into my mouth?

My legs are curled up
so I push back with my hands.

How many ways can I say “No.”
If the word’s not heard,
it must get physical.
Thankfully, “No” has muscle.

I want to believe
that life is about the choices I make –
good or bad –
and not what other people want of me.

Thankfully, he leaves –
first, out of my mouth
then through the door.



BIO

Juanita Rey is a Dominican poet, US resident. Her work has been published in Mixed Mag, The Mantle, The Lincoln Review, Lion and Lilac, amongst others.







JUST GO AWAY

by Juanita Rey

Sorry.
I refuse to be hit on
in a laundromat.

I sit on this bench,
expressionless,
senses shut down,
as if I’m in a coma.
So don’t speak to me.
I am not a person.
I am not here.

And you’ve mistaken
the intent of that green dress.
the message in
that strapless black bra.

You misread the situation.
My clothes did not
put you up to this.


MY NEIGHBORS

Sounds pass between
these adjoining apartments
but bodies do not.
My neighbors dine
at their small kitchen table.
I pick on leftovers at mine.
I hear their shower
but I don’t rinse under it.
We each have our own water,
our own bodies to scour.

I say hello when I see them
in the corridor.
And they return my greeting.
But we each go in our own doors.
There’s no comingling.

My neighbors are a middle-aged couple.
I am a young single woman.
If years and situations
were a wall,
they’d be the ones I hang my paintings on.


THE GOOD NEWS WON’T LAST


I am learning,
for the first time in so long,
that all my tests are normal.

The doctor advises:
more calcium in my diet,
exercise regularly.

She still prescribes something.
It’s in her nature.

She knows
wellness is the first step
toward sickness.
In the meantime,
have a cure.



BIO

Juanita Rey is a Dominican poet who has been in this country five years. Her work has been published in Pennsylvania English, Opiate Journal, Petrichor Machine and Porter Gulch Review.




My First Dance

by Juanita Rey


This is what it looks like
to be dressed in
what a family can’t afford:
a chiffon dress,
blue as a lily flower,
wide lace,
vertical pleats,
new nylons,
creamy white shoes,
tight enough to hurt.

My mother remembers
when she first went dancing.
Her parents went without for her
on that occasion too.
It’s romance.
She figured we all
owe a debt to it anyhow.
Otherwise, there’d be none of us.
So why not owe more.

My father can remember
hanging out with his amigos,
all done out in hand-me-downs,
watching the cluster of la chicas.
on the opposite side of the hall.

He was brave enough
to ask my mother for a dance.
So she reckons the expense
will be worth it
if I meet someone half as fine
as the man she married.

Of course, mostly they argue these days.
But always in clothes they can afford.


My Street


Families, loners, occupy the tenements,
play in the park,
shop at the grocery store.
I’m sure there’s a story to why
all these people live where they do.
I’m learning it bit by bit.
Some have been here all their lives.
Others are just passing through.

Lots of folks sit out on their stoops.
If you want to know why they can’t get a job
then stop a while and listen.
Economy’s bad,
they tell me.

This city’s a crazy grid
of streets just like this one.
Except elsewhere
there’s different houses, different people.
So it’s not alike.

Some of the streets are better kept up.
Some look like battlegrounds.
Some boast fancier parks and grocery stores.
With others,
the playground’s littered with glass and needles
and, if they have a store at all,
it’s most likely boarded up.

I’ve seen people
sitting on their stoops
on block after inner city block.
But I only get the news
from the ones on my street.


The Whistle from Above


Are you pleased with yourselves…
I think the word is “voyeurs.”
Or is it “lechers.”
This is what comes of all these
English as a Second Language classes.
I have rid myself of el lascivo, el libertino
but then some would-be stud takes their place.

Okay, I get it.
I’m a piece of meat
with hair where it should be
and brown skin where it’s not.
And I have the shape
that corresponds with
someone’s momentary libido.
Now there’s a word that’s the same
in English and in Spanish.
So there’s no getting away from it.

But, to be honest,
a catcall, high up on a construction site.
has nothing to do with me.
From that distance,
my possibilities are endless.
Up close, I can only be so much.


BIO

Juanita Rey is a Dominican poet who has been in this country five years. She has worked many jobs while studying to improve her English. She has been writing for a number of years but has only recently begun to take it seriously. She enjoys reading. Gabriel Garcia Marquez and Toni Morrison are particular favorites. Her work has been accepted by 2 River View, Harbinger Asylum, Pennsylvania English, Petrichor Machine and Madcap Poets.

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