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The Writing Disorder is a quarterly literary journal. We publish exceptional new works of fiction, poetry, nonfiction and art. We also feature interviews with writers and artists, as well as reviews.

Bradyphrenia

by Justin Reamer




‘IT’S-A ME, MARIO!’ Mario. Next my pillow, smiling. Blue eyes glowing. Red hat. Letter M. Red M. Large nose. Large to pull. Eyes opening. My eyes. Mario looks. Sees me. Smiling. I tired. Mario smiling. ‘It’s-a me, Mario!’ Shouting. Happy. Eyes gaze on Mario. Mario friend. Mario my best friend. He like me. Mario happy. Brown hair under red hat. Black moustache. Hair different from moustache. Why different? Must like hair-dye. Wears red shirt. Red shirt under blue pants. Blue pants with yellow buttons. White gloves. Brown shoes. Mario happy. Me? Waking up. Tired. Still waking up. Mario wake me up. Eyes still adjusting. Hands still, feet still. Yawn. Tired. Body under covers, in bed. Feel warm. Body under covers. Bed comfortable. Humming of lights. Hmmmm… Low hum. Hmmmm… Very low hum. Hmm… Very, very low hum. Hmmmmm… Not too loud. Hmmmm… Humming not bad. Quiet. Not loud. Loud hurts my ears. Mario smiling still. Cannot feel my feet yet. Still in bed. Hands still, feet still. Can’t move. Feel tired. Why tired? Just woke up. Not move yet. Don’t feel like. Need to lie. Few minutes. Few if okay. Few I need. Few more, I need now.

   Dryer loud downstairs. Hrrrrmmmm! It rolls. Hrrrrrmmmm! Very loud through muffled floor. Hrrrmmm! Continues to run. Very loud for ears. Very loud when close. Hrrrmmmm! Muffled when away. Not so loud. Slightly quiet. But loud even through floor. Hrrrrmmmm! Don’t like loud. Loud bad for ears. Can’t stand. No like. No like at all. Hrrrrmmmm! Continues to run. Mommy does dryer. Dryer for laundry. She uses for laundry. Does laundry with dryer. She like. I no like. Too loud. Hurt my ears. Hrrrrmmmm! Lights hum in my room. Hmmmm… Lights hum quietly. Hmmmm… Quiet unlike dryer. Hmmmm… Dryer too loud. No like dryer. Mario no like, either. Hurts his ears, too. Dryer loud for him. So says. I like quiet. You like quiet? Quiet nice. Soothing. Better for me. Too loud bad. Too loud hurts. Still in bed. Hear dryer downstairs. Dryer for laundry. Never want to be around. Bed warm. Bed comfortable. Mario like bed, too. Mario is my friend. We like bed. Bed nice and warm.

   ‘Good morning, Oak!’

   A voice. Know that voice? Whose voice? Mommy’s voice. Mommy nearby. Mommy in my room. Mommy be here soon? Mommy, I know. Mommy nice. Mommy, I like. Mommy nice. Mommy nice to me. Mommy, I like a lot. Reads me bedtime stories. Mario like her, too. Mommy in my room. She has nice voice. I like Mommy a lot.

   Mommy: ‘Time to get up, sweetie. We have to get you to school.’

   Mommy entering room. Mommy now in room. Turns lights on brighter. Ow! My eyes! Hurts! Pain! Ouch! Hurt eyes. Eyes hurt. Close lids. Burns. Eyes burn. Eyes hurt. Huge owie. No like owie. Owie bad. Owie really bad. No like owie. Owies hurt. Need boo-boo bunny. Boo-boo bunny help pain. Boo-boo bunny make owies bye-bye. Boo-boo bunny good. Mario like bunny. Me like, too. Need bunny. Eyes hurt. No like hurt eyes. Owie. Owies hurt. Have bunny? Have bunny, Mommy? Need bunny. Eyes hurt. Please bunny. Like bunny. Need bunny. Eyes hurt. Please bunny. Need bunny, Mommy. Eyes hurt. Owie. Owie bad. Owie bad. Mommy? Speak.

   Mommy: ‘Sorry, Oak.’

   Still pain. Owie. Painful sting. Couple seconds. Bunny not here. Where bunny? Eyes hurt. Need bunny. Bunny. Where bunny? Eyes hurt. Owie? Owie going away? Still hurt. Voice? Voice speak.

   Mario: ‘Oh, no!’

   Mario shout. He upset, too.

   Mario: ‘Mama mia!’

   Mario upset. Lights hurt eyes. Both our eyes. Hurt both.

   Mommy: ‘Sorry, Oak. I know it stings, but I didn’t mean to hurt you. I really am, sweetheart. Are you okay, honey?’

   Agh! Wanna scream! Really wanna scream. Hurt eyes. Agh! I feel…What feel? Eyes adjust. Light not so bright, not so loud. Feel…better…Feel…okay…I okay. Mario okay, too. Smile. I laugh. It funny. I like laughing. Laughing fun. Laughing good for me. Laughing, I like. Eyes hurt no more. Mario like, too. No more pain. We like a lot. Happy, we are.

   Mommy: ‘I’m glad to see you’re okay, Oak.’

   Mommy smiling. I like Mommy. Mommy nice.

   Mommy: ‘We have to get ready for school, okay?’

   School? School. Place go every morning? Mommy take me? Is school? Yes. School. Place with tables and chairs. School. That’s name. School. Lights humming. Hmmmm… Low hum. Hmmmm… Still hums, even in bed. I hear. Hmmmm… Can hear lights. Hmmmm… Not loud. Okay. Mommy around. Important. Mommy nice. Trust Mommy.

   Mommy: ‘Are you ready to get out of bed, Oak?’

   Bed? Still lying. Body under covers. Should get out? Ready yet? Covers warm. Like warm. Warmth nice. Take myself out? Body ready to move? What do? Body get out of bed. I get out of bed. That I going do. My hands and feet out bed. Remove covers. Move hands and feet. Get out bed. Must get out of bed. Can get out of bed. Will get out bed. I get out bed. Shall succeed. Make Mommy happy. No make Mommy angry. Mommy angry when stay. Mommy no like stay. Get out make Mommy happy. Mommy nice when happy. Need make happy. Scary when angry. Need make happy. Be good boy. Nice when Mommy happy. I happy, too. Feeling my feet…my hands…my arms…my legs…still…slowly moving…now move. Pull off covers. Move feet. Move hands. Pull myself out bed. Feet on ground. Standing. Standing two feet. Out of bed. In bed no longer. Mario in arms. Mario happy, too. Mario out of bed, too. Me and Mario happy. We out of bed.

   Mommy: ‘Great job, Oak. Now, it’s time to take your medication.’

   Lights humming in background. Hmmmmmm… Low hum still. Hmmmmmmm… Very quiet. Still hear. Not so loud. Mommy reaches. What reaching for? Bottle. Brown bottle. Brown bottle, white cap. Look funny. Rattles. Rattles like maracas. Venomous? Is it? No, not venomous. Rattlesnake venomous. Bottle not. Bottle rattle, though. Sounds funny. Stings my ears a little. Ch! Ch! Ch! Ch! Rattles. Bottle rattles. Loud. Ch! Ch! Ch! Ch! Hurts my ears. Mommy stop? Please? Hurts. Please stop. Grab bottle, but Mommy snatch. ‘It’s okay. We’ll just make sure you get your medication, okay?’ Bottle open. Pwuh! Puts finger in bottle. Grabs square. White square come out. Fingers hold it. Holds what? White square? What is? Pill? Oh, no. Pill taste bad. No like pill. Mommy hold, look at me. Avert gaze. Lower eyes. No want pill. Pill taste bad. Gross.

   Mommy: ‘Now, put this in your mouth and swallow, okay, Oak?’

   Puts in mouth. Taste bitter. Yuck! Very gross. Taste terrible. Want to spit out. Swallow, though. Must swallow. Swallow make Mommy happy. Mommy nice when happy. Be a good boy. Swallow bitter pill. Taste terrible. Mommy happy, though. Better when Mommy happy. Close bottle. Put away. Rattle stop. Takes out another. Repeat three times. All yucky, all gross. Don’t like. Taste bad. All them. Tastes blucky. Must swallow, though. Swallow, Mommy happy. Like my Mommy happy. I good boy. Swallow. I swallow. Mommy happy. I good boy. Mommy happy now. I happy, too. Me good. I love Mommy. Mommy the best.

   Mommy: ‘Okay, Oak. Time for you to use the bathroom, oaky?’

   Bathroom? What that? Bath. B-A-T-H. Bath. Water. Splashing water. Lots of water. Toys inside. Soaps and suds. Bubbles. Warm water. Bath. Bathtub. That bath. Room. R-O-O-M. Tables. Chairs. Couch. TV. Nintendo. Rug. Carpet. Room. That room. Bath-room. Bathroom. Room where bath is. Room I take bath. Bathroom. That’s bathroom.

   Mommy: ‘I’ll get you dressed after you go potty, okay?’

   Mommy grabs hand. Holds hand. Walks with me. Walk toward door. Grabs doorknob. Fingers rotate. CATCHIKH! Doorknob rotates. Door opens. ERRRRREEEEEEE! Door screeches. Ouch! Loud in ears. Very loud. Hurts. Really hurts. Tears in eyes. Really painful. Can’t stand. Really hurts. Really hurts a lot. Really…

   Mommy: ‘It’s okay, Oak. I have you. You’re going to be okay. Come with me.’

   Mommy comforts me. Feel calm. Voice soft, soothing. Relaxing. Like her voice. Voice nice. Voice very nice. I like Mommy. Mommy really nice. Mommy best. Okay now. I okay. Will be okay. Walk down hallway. Leading me. Holds hand. Another door. Already open. Lights buzzing. Hmmmmmm… Low hum. Hmmmmmm… Walk into room. Room big. Bright lights. Blue paint. Hmmmmmm… Lights hum. Always humming. Hmmmmmm… Giant bowl in corner. Leads me toward it.

   Mommy: ‘Time to go potty, Oak.’

   Giant bowl in front. Leads me to it. Bowl full of water. Has seat. Seat like chair. Opens seat. DUNK! Porcelain. Seat clanks with porcelain. This bowl has water. See handle. Silver handle. Flushes. Oh, no! No like flushing! Flushing loud in ears. Hurt my ears. No like. Please, Mommy. No like. Please.

   Mommy: ‘It’s okay, Oak. Just go potty, okay?’

   Okay. Make Mommy happy. Like Mommy happy. Need to make. No make in pants. Makes Mommy angry. Need to make. No make in pants. Be a good boy. Hold my butt. No make in pants. Need to make. Hold my butt. Make Mommy happy. No make in pants. Go in white bowl. Make Mommy happy. Be a good boy. I good.

   Mommy grabs waist. Lifts me off ground. Flying. I fly. Feet dangling. WHEEE! This is fun! I airplane. I like flying. Flying fun. Can do more? Land on seat. Mommy place me. Need make. I high above ground. Feet dangling. Can see floor from above.

   Mommy: ‘Go potty, Oak. Are you ready?’

   Need to make. Hold butt for Mommy. No want Mommy angry. Need to make. Wait for Mommy. No make in pants. Make Mommy angry.

   Mommy: ‘I am going to take off your pants, Oak, and then you can go potty. Are you ready?’

   Chick! Button unbuckled. Zzzzp! Zipper lowered. Pulling down pants. Feels funny. Feels very funny. No like. No like. Cannot stand. Please stop. Please stop, Mommy. No like. No like. Tears. Mommy…

   Mommy: ‘It’s okay, Oak. I’ve got your pants down. Now, you can go potty.’

   Butt on seat. Cold seat. Brrrrrr! Very cold. No like cold. Brrrrrr! Shiver. Very cold seat. No like cold seat. Brrrrrr! Then go. Need make. Make now. Pluck-plakh! Make. Spsh! Splash in water. Sound funny. Feel better. Less pressure. Pluck-plakh! More sound. Spsh! Another splash. Sound funny. Less pain. Make in white bowl. Not in pants. Make in bowl. Pppppffffffffft! A sound. Funny sound. Sounds funny. Ppppfffffft! Funny. Funny sound. Laugh. So funny. Can’t stop laughing. Butt speak. Butt sound funny. Why butt sound funny? Why speak in funny? Ppppppppppfffffffpppppptt! Butt speak again. Laughing. So funny. Laugh. I like sound. Sound funny. Can’t stop. Pppppffttt! Laugh more. Funny. Like funny. Butt funny. I like butt. Butt an old friend. We old friends. I like butt. Mario like, too. Make funny sound. Make Mommy happy.

   Mommy: ‘All right. That’s enough, Oak. Let’s get you down, okay?’

   Mommy bend over. Grab waist. Fingers wrapped around me. Lifts me. Flying. I fly again. Land on the floor. Feet on floor. Feel feet on ground. Ground very still.

   Mommy: ‘I’m going to pull up your pants, okay? Then we’ll get you changed.’

   Fingers grab pants. Lifts them up. Feels weird. No like. No like at all. Zzzzzp! Zipper up. Chick! Button buttoned.

   Mommy: ‘Good. Now, I’ll flush the toilet.’

   Toilet? What that? Mommy look at bowl. Giant bowl. Hand out, lever reached. That bowl. No! Loud in ears. No like flush. Flush bad for ears. Tears in eyes. Please, Mommy. Please no. Hurt ears. Please. No me like. Hurt ears.

   Mommy: ‘I’m going to flush this, okay, Oak? You might want to leave the room.’

   Leave the room? An exit? Move head. Door behind me. Open. Move legs. Run behind door. Wall. Brown wall. Crouch. Crouch on ground. Cover ears. Giant waterbowl loud. Too loud. Cover ears. Don’t like pain. Hurt ears. PHECH-EWWWW-WHOOSHHHHH! Loud flush. Very loud. AHHHH! Hurting ears. Ouch! It hurts. Can’t stand it. GAAAAHHH! Hurts ears. No like. Make it stop! Make it stop! Painful. Make it stop! QUA-QUA-QUA! More noise. Toilet painful. Tears in eyes. Really hurts. Can’t stand it. Really hurts. A lot. Gaaahhhh! Make it stop! Make it stop! Hurting me. Gaaahhhh! Cannot compute! Cannot compute! Head no work. No work. Make it stop! Pounding head. Cannot compute. Pounding head. Head against wall. Brain won’t work. Gaaaaahhhhhh! Thud! Thud! Thud! Thud! Banging head. Thud! Thud! Thud! Thud! Head banging. Thud! Thud! Thud! Thud! Too much noise. No workie! Gaaaaaaahhhhh! Thud! Thud! Thud! Thud! No workie. No workie. Bad. Bad! Thud! Thud! Thud! Thud! Bad. Too much. Really bad! Thud! Thud! Thud! Thud! No workie.

   Mommy: ‘Oak, what are you doing?’

   Thud! Thud! Thud! Thud!

   Mommy: ‘Oak, stop that! You’re gonna hurt yourself.’

  Thud! Thud! Thud! Thud!

   Mommy: ‘Oak, cut it out. Stop banging your head. You’re going to hurt yourself. Stop it, you hear me? Stop it!’

   Thud! Thud! Thud! Thud! Gaaaahhhh! Thud! Thud! Thud! Thud! Ugh! Collapse. Back on ground.

   Mommy: ‘Oak?’

   Tired.

   Mommy: ‘Oak?’

   Tired.

   Mommy: ‘Oak, are you okay?’

   Tired.

   Mommy: ‘Oak, sweetie, are you all right?’

   Tired.

   Mommy: ‘Oak?’

   . . . . .

   Long pause.

   Mommy: ‘Oak, it’s okay, honey. Mommy’s here.’

   Brain back. Tired.

   Mommy: ‘It’s going to be okay.’

   Wake up. Stand.

   Mommy: ‘You ready to get up and get changed?’

   Yup. I love Mommy. Tired, but love Mommy. Time to get up. Get up. Change.

   Mommy: ‘Sorry I hurt your ears, Oak.’

   Mommy nice.

   Mommy: ‘It’ll be okay.’

   Love Mommy.

   Mommy: ‘Let’s get changed, okay?’

   Mommy help me. Mommy change. I change. Clothes change. Change clothes. Downstairs we go. I like Mommy. Mommy the best. Continue downstairs. Mommy the best.

Table. Brown table. Shiny table. Shiny table glowing under yellow light. Light humming. Hmmm… Table brown under yellow light. Yellow light illuminate room. White light far off. Table brown. White and yellow light, both on ceiling.Mario on table. Mario happy. I in chair. Sitting in chair. Waiting for Mommy. Mommy here, too. Someone else. A voice.

   Voice: ‘What happened to Oak, Mommy?’

   Sister. Emily. Emily’s voice.

   Emily: ‘Why was he crying?’

   Mommy’s voice.

   Mommy: ‘He was upset, Emily. That’s all. Why don’t you eat your breakfast, okay?’

   See Mommy’s voice. Eyes gaze at table. Mario in lap. Mario see Mommy, too. Mario understand. Emily speak.

   Emily: ‘Okay, Mommy. I still think he’s weird, though. He cries too much.’ No understand. Weird? What mean? Buzzing lights. Hmmmmm… Low hum. Hmmmm… Not loud. Quiet enough. I like quiet. No hurt ears.

   Mommy: ‘Now, don’t say that about your brother, Emily. He’s just different. That’s all.’

   Humming lights. Hmmmm… Low hum. Hmmmm…

   Emily: ‘But why can’t he be normal like the rest of us? He always wastes so much time. He’s such a weirdo.’

   Weirdo? What mean? What weirdo? Who? Weirdo? Barking dog. Arf! Rover. Beneath table. Arf! Barking. Arf! Arf! Barking a lot. No like. Mario no like, either. Humming lights. Hmmmm… Low hum. Hmmmm…

   Mommy: ‘Just eat your breakfast, Emily, so we can go to school. Sound good?’

   Clang! Bowl on counter. Really loud. Clang! Ding! Dang! Bowl on table. Very loud. Need cover ears. Ears can’t stand. Hurts ears, noise does. No like. I no like at all. Lights hum, too. Hum like bumblebees near flowers. Hmmmmm… Low hum. Hmmmm… Hovering bumblebees in garden. Hmmmm… Pollen tasty. Hmmmmm… Low hum.

   Emily: ‘Yes, Mommy.’

   Humming continues. Blowing air vents, too. Whirr. Whirr. Wind blowing. Whirr. Whirr. Hear in ceiling. Whirr. Whirr. A soft blow. Soothing to Mario. Soothing to me. Nice. Like wind. Nice wind. A voice. Hear it? Whose? Mommy’s. Mommy speaks.

   Mommy: ‘Now, Oak, I’m going to pour you some cereal, okay? Let’s eat breakfast so we can get you to school.’

   Brown table glows in yellow light. White light even brighter. What saying?

   {Breakfast school?}

   Are they words?

   Emily: ‘No, we’re not having breakfast at school, Oak. We’re having breakfast here. You’re not that stupid, are you?’

   {Stupid?}

   No not say. What mean?

   Mommy: ‘Emily, be nice to your brother. Eat your cereal, okay?’

   Humming lights. Whirring breeze. Mario smile. Mario understand.

   {Breakfast school?}

   Smile. Mommy smile. Smile back. Why smile? Mommy speaking.

   Her voice: ‘Yes, Oak. We’ll get you to school. Let’s eat your breakfast, okay?’

   Cling! Bowl on counter. Ouch! Loud. Very loud. Hurts. Hurts ears. ‘I’ll pour you cereal, okay?’ DING-DING-CLANG-DING! More crashing. Ouch! Loud. No like. Really no like. Hurts ears. No like. PSH-WHOOOOSSSSHHH! Pouring of liquid. What that? Not sound good. No like.

   Mommy: ‘All right, Oak. Eat up.’

   Mommy’s hands. Hands on table. Bowl. Bowl placed in front. Front of me. See in my eyes. Bits and orts. Grains. Food grains. Food grains floating in liquid. White liquid. What liquid? Milk. White liquid milk. Silver thing. Silver utensil. Spoon.

   Mommy: ‘Eat up, Oak.’

   Cling! Spoon on bowl. Ouch! Hurts. Not nice. Crunch, crunch, crunch! Chewing. Sister chewing. Emily chewing. Chewing cereal. Gulp! Swallow. Swallow cereal. Cereal down throat. Cling! Spoon again. Collides with bowl. Hurts. Cover my ears.

   Mommy: ‘Right, I forgot your earmuffs. Here, Oak. Use these.’

   Earmuffs over ears. Muffs good. Muffs better than none. Allow me to quiet. Quiet always nice. Going to eat cereal. Going to grab spoon. Going put food in mouth. Going to chew. Going to swallow. See my hand lifting spoon. See put food in mouth. See me chew. See me swallow. Can eat cereal. Can grab spoon. Can put food in mouth. Can chew. Can swallow. Fingers move. Move fingers. Fingers twitch. Raise hand. Right hand. Hand reach bowl. Fingers grab silver. Can do it. Can do it. Can do it always. Fingers silver wrapped. Lift right hand. Milk flowing in curve. Grains flowing in. Lift hand to head. Spoon in mouth. Close mouth. Wrap lips around. Move spoon out, hand backward. Chew grains. Crunch, crunch, crunch. Chewing. Tastes sweet. Soggy. Very soggy. Like moist sugar. Gulp! Swallow. Liquid down throat. Grains down throat. Repeat. Clang! Spoon against bowl. Crunch, crunch, crunch. Chewing. Gulp! Do again! Tastes good, too. Repeat. Repeat. Want more. Scooping and scooping. Bowl empty. Full. Stomach full. Feel better. Food good. Cereal good. Not bad. I like. Mario likes, too. We both happy. Wait Mommy. See what Mommy says. Mommy knows best.

   Muffs off.

   Mommy: ‘All right, Oak. I’ll brush your teeth for you. Let’s go upstairs, okay?’

   Scratch head.

   {Upstairs?}

   Confusion. Not sure. What she want?

   Mommy: ‘To the bathroom, Oak. We’ll brush your teeth.’

   Bathroom. Flushing toilet. No like sound. But bathroom. Understand! Love baths. Mario, too. ‘It’s-a me, Mario!’ Mommy.

   Mommy: ‘No, Oak. Mario doesn’t need his teeth brushed. Please leave him here.’

   Takes Mario.

   Mommy: ‘Let’s brush your teeth.’

   To bathroom. See Mario soon. Bye, Mario! See you soon! Mommy hold hand. Walk stairs. Back to bathroom. Lots of walking. Stairs big. Move up. Reach the top. Hallway above. Go in door. Shhhhh! Water running. Faucet, sink. Emily. Emily brushing teeth. Chigga-chigga-chigga! Scraping teeth. Sounds weird. Shhhhh! Still running, water in sink. Shhhhh! Sounds nice. Not too loud. No hurt ears. Me like. Mommy standing at sink.

   Voice: ‘Okay, Oak. We’re going to brush your teeth, okay?’

   Drrrruurrrr! Open drawer. White tube. Long and white. Long and white with cap. Fwit-fwit! Cap off. Plickew! Paste on brush.

   Mommy: ‘Open wide, Oak.’

   Open my mouth.

   Mommy: ‘Say, “Ah!”’

   Open mouth.

   {Ahhh!}

   Brush in mouth. Scrubbing teeth. Feels weird. No like. Brush. Brush continues. No like. Chigga-chigga-chigga-chigga! Scrubbing teeth. No like. Hurts teeth. Chigga-chigga! Chigga-chigga! Brushing. Minty taste. Gross. Blucky. No like. Taste bad. No like. Chigga-chigga! Chigga-chigga! Brushing finish.

   Mommy: ‘All right, Oak. Rinse out your teeth.’

   Ptooie! Spit out paste. Gross. Mint gross. Taste bad. Bleckh! Disgusting. No like. Taste really bad. Ilkh! No like. Gragga-gragga! Water in mouth. Schwuck-schwuck! Shake head. Water in mouth. Ptooie! Spit out. Disgusting. Bad taste. Taste gone. Better.

   Mommy: ‘Great job, Oak. Now, we’ll go to school. Come on, Emily. Let’s go.’

   Bring Mario?

   Mommy: ‘No, Oak. Mario must stay here. He can’t be in school. You can bring your shell, though. How about that?’

   Green shell. I take. Shell in pocket. Go to school. Bye, Mario! See you soon! Must go to school. Shell stay with me. I like shell. Shell soft. Soft in hand. Shell good. Like shell. Like shell lots. Go school. We go school. School nice. School good. Shell good. Shell nice. Shell like. Like shell. Go school now.

   Mommy: ‘All right, Oak. Let’s put on your shoes.’

   Shoes? What shoes? Look shoes. Shoes where? Mommy find thing. Picks up.

Desk. Big brown desk. White light. Buzzing. Bzzzzz… Buzzing white lights. Bzzzzz… Buzzing loudly. Very noisy. Loud. Distracting. Hurts ears. No stand. No standie. Very loud. No like. Need quiet. Bzzzzz… More sound. Scratch, scratch. Pencils. Lots of pencils. Pencils on paper. Scratch, scratch, scratch. Many pencils. Scratching paper. Very loud. Scratch, scratch, scratch. Very loud on every desk. Very, very loud. Makes anxious. Bzzzz… Low hum. Scratch, scratch, scratch. No stand. DV-VWVWVWVWVWVW! Roaring engine. Mama mia! Sharpener. Even louder. Hurts ears. Hurts a lot. DV-VWVWVWVWVW! Roar. Bzzzzz… Ugh. Scratch, scratch, scratch. Gah! ‘Enough of the pencil sharpening. Get back to your seats.’ Shell in hand. Twirling shell in hand. DV-VWVWVWVW! Roar too loud. What do? No standie. No stand. Scratch, scratch, scratch. Ugh. Bzzzzz… Ouch. Too loud. Must cover ears. Ears hurt. Must cover. DV-VWVWVWVWVWVW! Covering ears. No stand. No stand. Covering ears. Too loud. Too loud. No workie. No…

   Voice: ‘Oak, are you okay?’

   Hand on shoulder.

   Voice: ‘It’s okay. Here are some headphones. You can use them.’

   Quiet. Headphones on. Quiet. Much better. Shell in hand. Feel good. Much better. Calmer. Feel calm. Soothing. Like Mozart. Mozart nice. Mozart good on ears. I like Mozart. Mario like, too. We both like. Both happy, too. Teacher walk in front. Name? Think of name. Thinking. Mrs. Ashby. Mrs. Ashby talking. What say? I no know. Voice next me. Woman. Tall. Give me headphones. What name? Ms. Janca. J-A-N-C-A. Sounds like ‘YAHN-kuh,’ not ‘JAN-kuh.’ Janca with j sound like y. My what word? Trying find. What word? Help? Other word? Aid? She my aide. She Mommy’s friend. Mommy like her. Ms. Janca like Mommy, too. I like. Mario like, too. Both happy. Like Ms. Janca. Ms. Janca helpful. Ms. Janca good. Ms. Janca nice. I like very much. She always good. I’m happy always.

   Tap on shoulder. Tap on left shoulder. Poke. Hurt little. Ouch. Flinch. No touchie! No like touch. Hurt a bit. Skin hurt. No like. No like at all. No touchy. But mean something? What mean? Attention? What wrong? Mozart playing. Headphones on. Move head left. Move eyes left. Peer over shoulder. Woman kneel. Kneeling on ground. Head at eye level. Long, dark hair. Cream skin. Blue eyes. Gold necklace on neck. Very shiny. Voice speaking. Can’t hear. Hands over head. Remove headphones. What happening? Buzzing lights. Bzzzzz… Low hum. Bzzzzz… Barely hear. Bzzzzz… Ms. Janca. Look in eyes, speaking. Voice, I hear. Voice, I see. ‘Hey, Oak. It’s time to take out your iPad. Mrs. Ashby says we’re going to do reading this morning. Are you ready?’ iPad? Not with me. Ms. Janca has. Not me. No have. She has.

   Janca: ‘Here, let me take out the iPad for you.’

   Eyes watch. Pull off purse, Ms. Janca. Lower on ground. Reach for clasp. Click! Clasp open. Zip! Unzip zipper. Hand reach inside. Rumble, rumble. Fingers dig purse. Rumble, rumble. Digging, searching. Rumble, rumble. Still digging.

   Janca: ‘Aha! Here it is!’

   Fingers grasp item. Pull out. Black rectangle. Big black prism, rectangular, come out bag. Zip! Zipper zipped. Click! Clasp shut. Purse back over arm. Black rectangle. Big black rectangle. Dark screen. Silver back. Case enclosed. Enclosed red case. iPad? Is it? Black rectangle iPad? Tablet? Called tablet? Yes, is tablet. Also, iPad. iPad, it is.

   Janca: ‘Here is your iPad, Oak. Here, let me open it for you.’

   Mess with iPad. Fingers moving, eyes moving. I watch. Watch Ms. Janca move fingers.

   Janca: ‘Here it is. Now, when I give it to you, plug your headphones in, okay?’

   Will do. Put iPad on table. Plug in headphones.

   Janca: ‘Now, we’re going to read Maniac Magee with the rest of the class. Are you ready?’

   Nod. Ready read. Ready learn. Reading nice. Push sideways triangle. Play. Text on screen. Highlight so I read. Voice read. Ears listen, eyes follow along. No read without iPad. Too hard. Headphones help. iPad good for reading. Follow along very well.

   Going to read. Going to sit in chair. Going to sit still in chair. Going to watch iPad. Going to listen to iPad speak. Going to hear iPad’s voice. Going to follow along. Going to follow highlight. Going to follow highlight text. Going to read book. Going to read Maniac Magee. Going to read with rest of class. Going to understand book. Going to learn. See me read. See me sit in chair. See me sit still in chair. See me watch iPad. See me listen to iPad. See me hear iPad’s voice. See me follow along. See me follow highlight. See me follow highlight text. See me read book. See me read Maniac Magee. See me read with rest class. See me understand book. See me learn. Can read. Can sit in chair. Can sit still in chair. Can watch iPad. Can listen to iPad speak. Can hear iPad’s voice. Can follow along. Can follow highlight. Can follow highlighted text. Can read book. Can read Maniac Magee. Can read with rest of class. Can understand book. Can learn. Can do anything. Can be me. I like me. I can do it!

   Stare at iPad. Black letters. Letters? Letters: alphabet. Alphabet? Alphabet: a, b, c, d, e, f, g… Letters make words. Letters a and s = as. Letters d, o, and g = dog. Letters make sounds. G = guh like baby: Goo-goo, ga-ga! D  = duh like Banjo: Duh-huh! B = buh like sheep: Baaaaahhhhh! M = muh like cow: Merrrrrrrrr! U = uh like Goofy: Uh-hyuh-uh! Letters make sounds. Sounds make words. Words reading. Looking iPad screen. Voice speaks. Highlight appears. Highlight moves with sound. Voice in ears: <Chapter 2. ‘Everybody knows that Maniac Magee (then Jeffrey) started out in Hollidaysburg and wound up in Two Mills. The question is: What took him so long? And what did he do along the way?’> Voice continues reading. Ouch! Kick under table. Flinch. What that? Hurt. Leg hurt. Voice read. Can’t listen. Kick again. Ouch! What that? Who hurt? Look up. Boy. Front of me. Cross table. Smiling. Kick me? Again kick. Ouch! Hurt! Flinch. Lot pain. Boy smile. Laugh. He kick me! Boy name? Steven. Steven Hayworth. Steven kick me! Kick again. Ouch!

   {Stop…}

   Speak no. Hard speak. But try. Hurt. Leg hurt. Steven laugh.

   Steven: ‘What are you gonna do about it? Idiot.’

   Kick again. Ouch! Hurt. Stop! Please. Please stop. Steven laughs. Laughs hard.

   Steven: ‘That’s what you get for being an idiot!’

   Mad. Can’t stand it. Throw headphones off. Gaaaah! Stop! Kick again.

   Steven: ‘Take that, retard!’

   Ouch! Hurt.

   Steven: ‘That’s what you get for being an idiot!’

   Laugh. Not funny. Cannot compute. Cannot compute. Cannot… Scream! Head bang. Thud! Thud! Thud! Thud! Brain! Cannot compute. Cannot compute. Thud! Thud! Thud! Thud! Cannot compute. Sensory overload. Cannot compute. Thud! Thud! Thud! Thud! Information breached. Brain jacked. Cannot compute. Sensory overload. Cannot compute. Too much noise. Cannot compute. Thud! Thud! Thud! Thud! Head banging. Thud! Thud! Thud! Thud! Cannot compute. Cannot compute. Thud! Thud! Thud! Thud! ‘Oak, stop banging your head! You’re going to hurt yourself.’ Thud! Thud! Thud! Thud! Cannot compute. Cannot compute. Thud! Thud! Thud! Thud! Cannot compute. Cannot compute. Thud! Thud! Thud! Thud! Brain! No brain! Brain! Screaming. Crying. Head banging. Tears in eyes. Thud! Thud! Thud! Thud! ‘Oak, stop it!’ System shutdown. 3, 2, 1… Disconnect. System terminated. Time to recalibrate…

   Janca. Voice: ‘Oak, what’s wrong?’

   Exhausted. Very tired. Very, very tired. Uhhhhnnnnnhhhhh…

   Steven. Voice: ‘Ha ha! You’re an idiot!’

   Sleepy. Can’t think. Can’t pay attention. Sleepy. Feel tired.

   Janca. Voice: ‘Steven, stop being mean to Oak. You must behave.’

   Sleepy…Very…Tired…Very, very tired…

   Ms. Ashby. Voice: ‘What’s going on, Cheryl? Is something wrong? Why was Oak banging his head?’

   Sleepy…Cannot pay attention…Very, very tired…Uhhhhhhhhhgghhhhh! Feel sick. Very, very sick…

   Ms. Janca. Voice: ‘Oak is sick. I’ll take care of him.’

   Janca bend. Grabs hand.

   Voice: ‘Come on, Oak. Let’s get you outside, okay?’

   Hold hand. Help me on feet. Ugh. Feel very sick. Legs feel wonky. Can’t balance. Lights hum. Hmmmm… Hmmmm… Low hum. Hmmmm… Hmmmm… Very sick. Legs wobbly.

   Janca: ‘Come on, Oak. I know you can do it. Let’s go to the hallway, okay?’

   Help on feet. Move feet. Left foot, right foot. Left foot, right foot. Step forward. Little step. Me no like. But tired. Need hallway. Noises too loud. Room too loud. Need rest. Left foot, right foot. Left foot, right foot. Holding hand. Janca carry. Ms. Janca nice. Like Ms. Janca. Nice lady. Happy with her. She make happy. Left foot, right foot. Left foot, right foot. Near door. Door come close. Janca: ‘We’re almost there, Oak.’ Left foot, right foot. Left foot, right foot. Tired. Very tired. Cannot stand. Janca: ‘Almost there.’ Left foot, right foot. Left foot, right foot. Tired…Left foot, right foot. Ptuck! Hand grab door. Click! Hand rotate knob. Errr-errr! Door creek. Janca open door.

   Janca: ‘All right, Oak. Let’s go in the hallway, okay?’

   Left foot, right foot. Left foot, right foot. Errr-errr! Door creek. Kthunk! Door close.

   Janca: ‘Sit down, Oak, okay? Just sit and relax.’

   Sit down. Brain tired. Very tired. Need rest. Recalibrate. Tired. Sleepy. Sleep now. Sleepy…

Bzzzt! What now? Where? Where I? Bzzzt! Bzzzt! Buzz? What that? Black brick? Bzzzt! Bzzzt! Black brick. Always buzzing. Black brick buzz. Buzz like a bee. Bzzzt! Bzzzt! Office. Quiet. Office. Tikka-takka-tikka-takka. Fingers on board. Typing? Tikka-takka-tikka-takka. Typing? Typing. Keyboard. Fingers on keyboard. Tikka-takka-tikka-takka. Person typing. Who? No know. Tikka-takka-tikka-takka. Typing. Weird. Quiet. Nice, quiet. Where I? Hand in pocket. Reach inside. Find object. Grab. Pull out. Shell. Shell here. Green shell. Koopa shell. Soft. Soft in hand. Look at shell. See top. Green top. Shapes. Count shapes. One shape. Two shapes. Three shapes. Four, five, six. Seven, eight, nine. Ten, eleven, twelve. Thirteen. Thirteen shapes. Thirteen shapes on top. What this? Not same? Shapes not same. Two not same shapes. One shape: six sides. Hexagon. Like beehive. Bumblebees. Bzzzz! Hexagon many. Other shape: three sides. Triangles. Like Egypt. Egypt pyramid. Mummy. Oooooh-oohhh! Scary movie. Scooby-Doo. Triangle many. How many? One, two, three. Four, five, six. Seven. Seven hexagons. Other? One, two, three. Four, five, six. Six triangles. Hexagons: seven. Triangles: six. Thirteen shapes on top. Shell many shapes. Rotate. Rotate shell. What this? White rim. White rim, round shell. White rim. Top and bottom. Not same. Rotate. Hand rotate shell. What this? See bottom. Bottom shell. Bottom not same. Shapes not same. One? Round. Round circles. Black round circles. Other? Four sides. Not same. Long and short. Rectangles. Lot rectangles. How many? Circles. Count circles. One, two, three. Four, five, six. Six circles. Rectangles? Count rectangles. One, two, three. Four, five, six. Six rectangles. How many total? Shapes. Count shapes. One, two, three. Four, five, six. Seven, eight, nine. Ten, eleven, twelve. Twelve shapes. Six circles. Six rectangles. Feel good in hand. Like shell. Feel good. Shell nice. Miss Mario. Wish had Mario. Mario friend. Shell nice, miss Mario. Shell fine now. A voice. Someone speak. Ms. Janca.

   Janca: ‘Hey, Oak, are you feeling okay? You seem to be fine.’

   Okay. I okay. What next? Where go?

   Janca: ‘Well, Oak, we’re going to recess, okay?’

   Recess? What recess? Playtime? Is playtime? Playtime nice. Where go? Playtime? Playtime nice. Play good. Like playtime. Where go next? Janca hold hand.

   Janca: ‘What’s this?’

   Titta-titta-titta-titta! Titta-titta-titta-titta! Hear sound. Titta-titta-titta-titta! Titta-titta-titta-titta! Sound outside. Titta-titta-titta-titta! Titta-titta-titta-titta! On roof. Titta-titta-titta-titta! Titta-titta-titta-titta! But what? Titta-titta-titta-titta! Titta-titta-titta-titta! Scratchy sound. Titta-titta-titta-titta! Titta-titta-titta-titta! Sound nice. Titta-titta-titta-titta! Titta-titta-titta-titta! What sound? Titta-titta-titta-titta! Titta-titta-titta-titta! What be? Titta-titta-titta-titta! Titta-titta-titta-titta! Tap sound? Titta-titta-titta-titta! Titta-titta-titta-titta! Sound no know. Titta-titta-titta-titta! Titta-titta-titta-titta! No know sound. Titta-titta-titta-titta! Titta-titta-titta-titta! What is? Titta-titta-titta-titta! No know. Voice. Ms. Janca. Janca speak.

   Janca: ‘It’s raining!’

   Rain? Is rain? Titta-titta-titta-titta! Titta-titta-titta-titta! Sound rain? Titta-titta-titta-titta! Titta-titta-titta-titta! Sound rain. Titta-titta-titta-titta! Titta-titta-titta-titta! Go to window. Titta-titta-titta-titta! Titta-titta-titta-titta! Look out. Titta-titta-titta-titta! Titta-titta-titta-titta! Watch window. Titta-titta-titta-titta! Titta-titta-titta-titta! Watch rain. Titta-titta-titta-titta! Titta-titta-titta-titta! Hear? … See rain. … Hear? … Hear nothing. … See? Drops. Rain. … See rain. Sound quiet. … Rain see. Titta-titta-titta-titta! Titta-titta-titta-titta! Sound on. Titta-titta-titta-titta! Titta-titta-titta-titta! Sound hear. Titta-titta-titta-titta! Titta-titta-titta-titta! Rain is sound. Titta-titta-titta-titta! Titta-titta-titta-titta! Sound rain. Titta-titta-titta-titta! Titta-titta-titta-titta! Think? Titta-titta-titta-titta! Titta-titta-titta-titta! What think? Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! What same? Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! Sound same. Titta-tatta-tatta-titta! Titta tatta-tatta-titta! Think. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! Mind. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! Mind past. Titta-tatta-tatta-titta! Was outside. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! Rain. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! Water. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! From sky. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! Clouds. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! Dark. No sun. Titta-titta-tatta-titta! Titta-tatta-tatta-titta! Dark clouds. Wet. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! Ground wet. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! I wet. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! Puddles. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! Jump puddles. Titta-tatta-tatta-tatta! Titta-tatta-tatta-titta! Laughing. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! Mud. Muck. Mud muck. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! Dirty. I dirty. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! Is rain? Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! Rain, yes. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! I okay. Titta-tatta-tatta-titta! Why now? Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! Sunny before. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! Voice. Speak.

   Janca: ‘It seems like it’s raining, Oak. You might have recess inside.’

   Ms. Janca speak? Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! Ms. Janca speak. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! How know? Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! No know. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! Not sure. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! How know? Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! Not sure. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! Ms. Janca think fast. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! She quick. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! She fast. Titta-tatta-tatta-titta! She think very fast. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! Magic. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! Like magic. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! Think like magic. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! She magic always. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! Wish magic, too. Titta-tatta-tatta-titta! Titta-tatta-tatta-titta! Janca speak.

   Janca: ‘Ready for recess?’

   Speak.

   {Recess rain?}

   Janca speak.

   Janca: ‘Yes, we’re going to recess.’

   {Rain know?}

   Janca: ‘Rain? Oh, it’s raining. It’s okay, though. We’ll just take you to recess, okay, Oak?’

   Still know no. Recess inside? Okay by me. Recess fun.

Recess. Classroom. In classroom. Lights hum. Hmmmm! Hmmmm! Low hum. Hmmmm! Hmmmm! Soft sound. Hmmmm! Hmmmm! Nice on ears. Hmmmm! Hmmmm! Not too loud. Hmmmm! Hmmmm! Like more. Nice in ears. Like much. No bad. Enjoy hum. No need bunny. I okay. Enjoy hum. Hum nice. Hmmm! Hmmm! Sound okay. Me okay. What this? Shape. Look. Need look. Like look. Need look find. See shape now.

   Eyes look down. Rectangle. Rectangle in hands. Top? Gold. Gold top. Bottom? Red. Red bottom. Both form rectangle. Top? Gold top. Middle gold top? Blank screen. Black screen. Black screen blank. Why blank? Not on. Power not on. Where power button? Find soon. But more. Words. Words top screen. What say? S-U-P-E-R. S = sss like snake. Hiss! U  = uh like Daddy. Uhhhh… P = puh like balloon. Pop! E = eee like Mommy. Like see spider. Eeeek! R = ruh like dish-dish. Ruhruh-ruhruh-ruhruh-ruhruh! What say? Super. Soup-errrr. Super. Like Superman. Super. Next. What say? M-A-R-I-O. M = muh like cow. Moo! A = ah like dentist. Ahhhhh! (Brush no fun. Brush bad.) R = ruh like dish-dish. Ruhruh-ruhruh-ruhruh-ruhruh! I = ih like Emily. Like mad. Ihhhhhh! O = oh like Mommy. Like ear hurt. Oh! What say? Mario. Like friend. Mario best friend. Mario my friend. Word mean friend. Mario. What say? Super…Mario. Mario Superman? No. Not Superman. Mario super. No same. Super Mario = Mario super. No Superman. Superman Mario no same. Different. Mario different. Mario Mario. Not Superman. Next. What say? B-R-O-S. B = buh like sheep. Baaaah! R = ruh like dish-dish. Ruhruh-ruhruh-ruhruh-ruhruh! O = oh like Mommy. Like ear hurt. Oh! S = sss like snake. Hiss! What say? Bros. Bros? What mean? Bro. Ah! Brother. Luigi. Mario’s bro. What say? Super…Mario…Bros. Super Mario Bros. Mario, Luigi. Super Mario Bros. Word bottom screen. What say? N-I-N-T-E-N-D-O. N = nuh like horse. Neigh! I = ih like Emily. Like mad. Ihhhhhh! N = nuh like horse. Neigh! T = tuh like tree. Tap! E = eee like Mommy. Like see spider. Eeek! N = nuh like horse. Neigh! D = duh like Steven. Duh-huh! O = oh like Mommy. Like ear hurt. Oh! What say? Nin…ten…do. Do? No, doh. Like cookie. Cookie dough. Yum! Nin…ten…doh. Nintendo. Say Nintendo. Like Nintendo. Like a lot. Nintendo good. What this? More. Two shapes. Circles. Red circles. Two red circles. Round red. Round red circles. Letters. A. A = ah like dentist. Ahhhhh! B. B = buh like sheep. Baaah! What say? Ab. Ab? What ab? No know. No sense. Oh, well. Ab = buttons. Okay. Other sign. Black. Black cross. Plus sign. Like plus. One plus one. 1 + 1. Black plus. +. Plus. Arrows. ó. Lot arrows. ß. Left. à. Right. Up. Down. Button? No know. Oh, well. Right top. Words. First. What say? G-A-M-E. G = guh like Rover. Grrrrrrrrrr! A = ah like dentist. Ahhhhh! M = muh like cow. Moo! E = eee like Mommy. Like see spider. Eeek! What say? Game. Like tag. Game. Next. What say? No know. Sign. Draw finger. Finger draw. &. What mean? No know sign. No know. Oh, well. Next. What say? W-A-T-C-H. W = wuh like baby. Waaaaaaahhhhh! A = ah like dentist. Ahhhhh! T = tuh like tree. Tap! C = cuh like clock. Cuckoo! Cuckoo! H = huh like me. Like me run. Huh-huh-huh-huh! Wa-tuh-chuh. Wahhh-tuh-chuh. T quiet. Watch. Like Daddy. Daddy’s wrist. Be a clock. Watch. Game…Thing?…Watch. Game watch. Game watch? Sport clock? Ball clock? Why clock on ball? Kick ball with clock? Won’t break? No. Game. Eye game. Like Pac-Man. Pac-Man game. Maze game. But clock? Why clock? Pac-Man like dots, not clock. Eat dots. Ghosts? Ghosts clock? Nee clock? Like clock? No, no clock. Ghosts like Pac-Man, not clock. No need clock. None do. Both in maze. Maze no clock. Eye game clock? Think so. Game watch? No know. Oh, well. Eye game, though. Know that. Turn on? Want on. Where button? Turn. No left. Turn. No back. Turn. Ah! See! Grey circle! Push! Screen light. Turned on! Colors. Many colors. Pretty. I happy. Word? Word flashing. What say? P-A-U-S-E. P = puh like balloon. Pop! A = ah like dentist. Ahhhh! U = uh like Daddy. Uhhhh… S = sss like snake. Hissssss! E = eee like Mommy. Like see spider. Eeeek! What say? Pause. Mean stop. How go? No know. Need find. Find button. Button help. Where button? Need find button. Button need find. Where be? Find button? Need find. Shapes. What shapes? Round. Grey. How many? 1…2…3… Three round shapes. Ovals. Grey ovals. Words. See words. What say? First. On top: G-A-M-E. G = guh like Rover. Grrrrr! A = ah like dentist. Ahhhhh! M = muh like cow. Moo! E = eee like Mommy. Like see spider. Eeeek! What say? Game. Game. Like tag. Tag a game. Button? No. Not button. Next? Words. What say? T-I-M-E. T = tuh like tree. Tap! I = ih like Emily. Like mad. Ihhhhh! M = muh like cow. Moo! E = eee like Mommy. Like see spider. Eeek! What say? Time. Time…like clock. Numbers. Minutes. Time. Where I next? No know. Button? No. Not Button. Next? What say? P-A-U-S-E. P = puh like balloon. Pop! A = ah like dentist. Ahhhh! U = uh like Daddy. Uhhhh… S = sss like snake. Hisss! E = eee like Mommy. Like see spider. Eeeek! What say? Pause. Mean stop. No more. Stop. Pause. Look screen. Same word? P-A-U-S-E. P = puh like balloon. Pop! A = ah like dentist. Ahhhh! U = uh like Daddy. Uhhhhh… S = sss like snake. Hiss! E = eee like Mommy. Like see spider. Eeeek! What say? Pause. Same word? Yes. Pause = pause. Words same. Button? Yes. Button. Press button. Push! Screen on! Screen work! Yay! What this? Music. Music play now. What for? Need know.

   What screen? Shapes on screen. What shapes? No know. Why? Need know. What shapes? No know. Lots of colors. Bottom screen? Shapes. Lot shapes. What shape? No know. Count sides? Count. One…two… three…four. Four sides. Sides same? Same sides. Four sides same. What shape? Four sides. Same. No long. No short. All same. What shape? Rectangle? No. Not rectangle. Square? Yes. Square. Shapes squares. Color? Brown. Brown squares. How many? Lots. Lot squares. Lot brown squares. What make? No know. Need. To. Think. Need think. Think. What brown? Sweet-sweet? No know. Is sweet-sweet? Sweet-sweet brown. What like? Sweet-sweet think. Think sweet-sweet. Four sides. Wrap. Brown. Sides same? No. One long, one short. Square? No. Sides no same. Sides different. Rectangle. Not sweet-sweet. Table? Table brown. Is table? Think. Need think. Think table. Table think. Shape? Sides. Four sides. Same? No. Not same. One long, one short. Not same. Square? No. Not square. Rectangle. Square not table. Chair? Chair brown. Is chair? Think. Need think. What shape? No know. Sides? Lot sides. Many sides. Have four? No. Not four. No chair. Not square. Chair not square. Not square. Dirt? Dirt brown. Square? No know. Sides? No know. No sides. Dot. Dirt dot. Lot dots. But brown? Brown, yes. But bottom screen? What screen like? Other screens? What has screen? TV? TV has screen. TV play eye-play. Bottom screen? Brown? Brown, yes. What be? Hmmmmmm… Look feet? Look feet. What see? Floor. See floor. Else? Ground. See ground. What like out? Dirt? Dirt, out. Dirt ground? Dirt ground, yes. Ground same? Ground same, yes. What bottom screen? Mmmmm… Ah! I know! Ground! Ground bottom screen! Ground = brown squares. Ground bottom screen. Top screen? Top screen. Look. Shapes? No shapes. But one. What shape? No know. Count sides? No count. Blob. Shape blob. Color? White. White blob. One white blob. What be? No know. Other shapes? No. No shapes. Color? Blue. Shade blue. Blue color. What make? No know. Wait! Look bottom! Look bottom. Ground. Ground bottom. Feet ground. Ground feet. Walk ground. Ground walk. What not ground? What blue? Look up. Lights? No. Not lights. Lights not blue. Lights white, not blue. Lights hum. Hmmmm! Low hum. Hmmmm! Not lights. Blue else. What be? Boards? No. Not boards. Boards not blue. Boards white, not blue. Boards four sides. Boards rectangles. Boards not blue. Blue not boards. What be? What this? Art? Draw? Draw. Top page. Top page blue. What blue? Sky. Blue sky? See window. Look up. Blue. Lot blue. What see? Sky! Blue sky! Blue sky top screen! Top screen blue sky! What blob? Puffy. White. Puff. Cloud! White cloud! Blob = cloud. More shape? Two. Two ground. What shape? No know. Count sides? No sides. Blobs. Blobs like cloud. Blobs like cloud in sky. Color? Green. Both green. Both different. One left, one right. Left blob: dark. Right blob: light. Left: dark green. Right: light green. What be? No know. What green? Searching. Wall? Paint. Shade. Green. Flat. Big. Blob? No. Not blob. Wall not blob. Wall wall, not blob. Blob not wall. Luigi? Luigi…Searching…Hat = green. L = green. Shirt = green. Blob? No. Not blob. Luigi man, not blob. Blob not Luigi. Yoshi? Yoshi… Searching…Skin = green. Nose = green. Arms = green. Legs = green. Tail = green. Hands = green. Blob? No. Not blob. Yoshi Yoshi, not blob. Blob not Yoshi. Plant? Plant…Hmmmm…Searching…Leaf = green. Stem = green. Needle = green. Tree = green. Grass = green. Bush = green. Blob? No. Plant plant, not blob. Not all plant. Bush? Bush blob. Bush plant. Bush plant and blob. Plant bushy blob. Plant blobby bush. Plant bush and blob. Plant blob and bush. Aha! Plant blob! Blobs plants! Other shapes? Yes. What shape? Mario! Mario friend. Like Mario. Mario nice.

   Buttons? What do? No know. Buttons: Ab and plus (+). Ab: red circles. Plus (+): cross. Cross arrows: ó. Up. Down. Left. Right. What do? Try. Push button. Ab same? No. Different. Two circles. Right: A. Left: B. Say Ba. Ba? What mean? Sheep? No know. Ba different. B and A. Try? Try. Which? A first. Try A. Press button. Push. Boing! Whoa! Jump. Mario jump. A = Mario jump. Press more? More press. Press more. Push. Boing! Push. Boing! Push. Boing! More push. Boing! Boing! Boing! Boing! Boing! This fun. Jump fun. Like jump. Like Mario jump. Mario jump fun. Like fun. Like Mario jump. Always fun. Next? B. Red circle. What do? No know. Try? Try. Press button. Push. None. None? How? Try more. Push. None. Push. None. Push. None. Push. None. Push. … None. What? None? Odd. B = none. B = not fun. None not fun. No like. No like none. None no like. No like not fun. Not fun no like. No like B. No press. Next? Plus (+). What do? No know. Try? Try. Press button? Press button. Which? Up. Up first. Press up. Push. None. None? How? Try more. Push. None. Push more. None. Hmmmm… Up like B. No work. Why? No know. Next? Down. Try down. Press button? Press button. Push. None. Push. None. Push. None. No work. Why? No know. Oh, well. Next? Left? Left. Try left? Try left. Press button? Press button. Push. ß. Push. ß. Push. ß. Push. ß. Push. ß. Whoa! Walk. Mario walk. Walk left. Mario walk left. Left = Mario walk left. Left = Mario walk ß. Hold? What do? No know. Try hold? Try hold. Hold left? Hold left. Hold button? Hold button. Hold. ß. Walk. Mario walk. Walk left. Mario walk left. Not same. No stop. Keep walk left. Walk left no stop. Mario no stop. Mario keep walk. Mario keep walk left. But wall. Wall stop Mario. Mario no stop. Mario keep walk. Mario walk wall. Mario keep walk left. Mario walk left wall. Fun. Hold ß = Mario keep walk left. Hold ß = Mario walk ß ∞. This fun. Like fun. Like Mario walk. Like Mario keep walk. Mario walk fun. Like fun. Like Mario. Mario friend. Next? Right. What do? No know. Try? Try. Press button? Press button. Press right. Push. à. Push. à. Push. à. Push. à. Push. à. Whoa! Walk. Mario walk. Walk right. Mario walk right. Right = Mario walk right. Fun. Like. Like lot. Hold? What do? No know. Try? Try hold. Hold right? Hold right? Hold. à. Walk. Mario walk. Walk right. Mario walk right. Keep walk right. Mario keep walk right. No stop. Mario no stop. What do? Hold à = Mario keep walk right. Hold à = Mario walk à ∞. Whoa! More shapes! See more shapes! Stop! Must stop! See shapes. Must see. How? Push button. Which button? Oval. Grey oval. Bottom oval. How know? I know. Say P-A-U-S-E. P = puh like balloon. Pop! A = ah like dentist. Ahhhh! U = uh like Daddy. Uhhhh… S = sss like snake. Hiss! E = eee like Mommy. Like see spider. Eeek! What say? Say Pause. Pause = stop. Pause stop eye game. Push pause? Push pause. Push. Game stop. Word show. P-A-U-S-E. What say? P = puh like balloon. Pop! A = ah like dentist. Ahhhh! U = uh like Daddy. Uhhhh… S = sss like snake. Hiss! E = eee like Mommy. Like see spider … Eeek! What say? Pause. Pause = stop. Eye game stop. New shapes? Must see shapes.

   New shapes. New shapes screen. What shapes? Noise. Hear noise. Noise approach. Pause. Pause game. What noise? Voice. Funny voice. Sound funny. What voice? Whose? Voice. Speak.

   Voice: <WHAT ARE YOU PLAYING?>

   Odd voice. Shocky. Shocky voice. What voice? Look voice. Boy. Boy front me. Sit in chair. Boy in chair. Chair boy. Boy chair. Who boy? No know. Make noise. Chair noise. Noise chair. VWOOM!  Whoa! Chair move. How move? Things. Round things. Round on bottom. What be? Think. Wheels. Chair move wheels. Who boy? No know. He loud. Voice loud.

   Voice: <WHAT ARE YOU PLAYING?>

   Owie! Loud. Voice loud. Hurt ears. No like voice. No like. Hurt ears. No like voice. Hurt ears. Stop. No standie. No like. No standie. Hurt. Hurt lot. No like. Need phones. Where phones? Need phones. Ears hurt. No like. Need phones. Need…

   Hand on shoulder. Look. Who be? Ms. Janca. See Ms. Janca. Hand on shoulder. Look in eyes. See face. Open mouth. What say? Speak.

   Janca: ‘What’s wrong, Oak? You look upset. Do you need your iPad?’

   Hold ears. Ears hurt. No like. Shocky voice loud. No like. No like.

   Janca: ‘I see. You need your headphones. Here. I’ll give you your iPad.’

   See Janca. See Janca pull bag. Janca pull bag. Janca open bag. Janca reach.

   Janca: ‘I found it!’

   Pull out brick. Black brick. Long brick. Rectangle.

   Janca: ‘Here you go, Oak. Here’s your iPad.’

   Reach hand. Grab iPad. Push button. Touch screen.

   iPad: <My ears hurt.>

   Janca: ‘I see. How can we help you with that?’

   No know. No think. No workie. No like loud. Loud voice. Press button.

   iPad: <Voice is very loud.>

   Janca: ‘Whose voice, Oak?’

   No know. Try talk. No talk. Press iPad? Press iPad. Press button.

   iPad: <Boy in chair.>

   Janca: ‘Oh, I see. That boy. Oak, that’s Tony Burns, one of your classmates. He’s trying to be your friend.’

   Friend? Why friend? Mario friend. Like Mario. Who Tony? No know. Why friend? What want? Want to be friend? Why friend? No know. No sure. Need know more. What do? Look iPad. Press button.

   iPad: <He wants to be my friend? I didn’t know. His voice hurts my ears.>

   Boy in chair look. See boy in chair. Chair boy speak.

   <I’M SORRY. I DIDN’T MEAN TO HURT YOUR EARS.>

   Ow! Voice loud. Very loud. No like. Hurt ears. No like. Ears hurt. No like. Cover ears. No like. Really hurt. Ouch. No like. Need phones. No like. Janca look. See Janca look. Speak.

   Janca: ‘I see, Oak. His voice hurts your ears. I’m sorry.’

   Janca look Tony. See Tony. See Tony look. Tony watch. Janca speak.

   Janca: ‘Hey, Tony. Could you turn down the volume on your computer?’

   Look Tony. Tony speak.

   Tony: <Yes, I can turn down the volume on my computer. Does this help?>

   Janca speak.

   Janca: ‘Yes, that helps. Thank you, Tony.’

   No hurt ears. Feel better. Like quiet. Tony voice better. Like lot more.

   Janca: ‘Hey, Oak. Do you feel better now?’

   See Janca speak. Look iPad. Press button.

   iPad: <Yes.>

   Janca: ‘Good. Now that you feel better, I’m going to tell you something you might like to hear.’

   What? What be? Gift? Eye game? What be? No know. Glee. What be? Need know.

   Janca: ‘I see the excitement on your face, so that’s a good sign. Well, Oak, did you know that Tony likes Mario, too?’

   Tony like Mario? No know. How like Mario? I like Mario. Tony like, too?

   Janca: ‘Yes, Oak. He loves Mario, don’t you, Tony?’

   Tony speak.

   Tony: <Yes, I love Mario. He’s fun to play with. Can I play with you?>

   Tony like Mario? Cool! I like Mario! Mario friend. Mario nice. Mario’s friend, mine also. Like Mario’s friends. Tony new friend. Like Tony. Tony cool. Like Tony. Mario like, too.

   Janca: ‘So how about you play together?’

   Look Tony. Smile. Excited. Press button.

   iPad: <Yes! I would love to!>

   Janca smile. Janca speak.

   Janca: ‘All right, Oak. Feel free to play together.’

   Smile. Smile real big. Make new friend. Tony new friend. Like Tony. Tony nice. Excited. I happy. I happy always. Mario happy. Mario like, too. Mario make friend. We make friend. New friend happy. We play eye game, Mario and Luigi.

Notanda

I never thought I would write this short story. Prior to graduate school, I was working on a novel pertaining to some personal interests which I will not mention, but when I returned to graduate school this past fall, I took a course called Disability Studies with Dr. Christine Neufeld, which led me down this path. In LITR 590, I began researching autism in literature and the many stereotypes that permeate throughout fiction in general. When I researched this area, I discovered an article by Claire Barber-Stetson entitled the following: ‘Slow Processing: A New Minor Literature by Autists and Modernists.’ In this article, Barber-Stetson argues how modernists revolutionized narrative via the method of stream-of-consciousness with writers like Joyce, Woolf, and Faulkner each writing in a way that is fragmented and cacophonous instead of straightforward and monolithic. Then she mentions how autists like Tito Mukhopadhyay began developing the subgenre of ‘Slow-Processing’ to subvert neurotypical cognition like the modernists did and, in doing so, illustrate autistic consciousness to neurotypical readers so they can comprehend the autistic mind. As an Aspergian myself, I became intrigued with the endeavor and sought to replicate this genre myself. Like my forebears, I hoped to capture autistic consciousness and transcribe it on the page so people could understand it. By illustrating it, people might be able to understand autism, and that was what I hoped to do.

   Writing ‘Bradyphrenia’ was no easy task. I needed to understand the psychology of nonvocal autists who are ‘on the lower end of the spectrum,’ as they say. For this reason, I needed to do lots of research, so I began reading the books by nonvocal autists like Naoki Higashida and Tito Mukhopadhyay so I could understand their cognition and began taking vigorous notes on their psychology. The most poignant of them was Higashida’s The Reason I Jump because it offered lots of insight into nonvocal autistic consciousness. At the same time, I read Joyce’s Ulysses very closely so I could absorb his style and replicate it on the page to master the art of ‘slow-processing.’ I performed several writing exercises accordingly to practice this foreign style, and lo and behold, Oak was born. After several exercises, I managed to capture Oak and his mind, and I wrote the piece you see before you. In doing so, I captured autistic consciousness, which I hope readers find enlightening. I worked hard on it, but I’m glad I did.

   In capturing autistic consciousness, I created a piece not only unique and unorthodox since it diverges from neurotypical cognition, but also human and childlike since it portrays a character with whom the reader is sympathetic. As a character, Oak is innocent and childlike, exploring his world with insatiable curiosity and mirthful whimsy and wonder. His imagination runs wild, and his efforts to understand it, although sometimes impeded by outside obstacles, never cease as he tries to overcome them in various ways. Deep down, all he really wants is to be understood, so when he makes a friend at the end, he finally achieves his goal, although he may not always comprehend his environment or its inhabitants at first glance. This desire for both under-standing and companionship is something we all share, and in this desire, we identify with Oak and recognize his humanity as a sentient being with thoughts, feelings, needs, and desires which is not much different from our own. In doing so, we empathize with him and understand the autistic condition better, for we can now see others as we see Oak in this story. As Tolstoy once wrote, the sole purpose of art is to teach us empathy, and this, I believe, I have accomplished, so I am glad to share it with everyone. Now, I think, neurotypicals can, perhaps, understand we Aspergians and autists more so we can avoid further confusion. In doing so, let us build a better future for neurotypicals, autists, and Aspergians alike. This, I hope for us all, so let us strive for a brighter future together. Anyway, thank you for reading. I hope you enjoyed the piece.



BIO

Justin Reamer is a poet and a fictionist from Holland, Michigan. His work has appeared in several feuilletons such as Straylight Literary Magazine and The Sampler. He is currently attending Eastern Michigan University to obtain his M.A. in Creative Writing.














Nick Bryant is a tattoo artist, working out of Dark Light Studios in Fort Collins, CO. He’s been tattooing for over eight years professionally, getting his start in Seattle, WA. Tattooing is his passion—striving to give clients his best work, and a great experience in a welcoming environment. This series is an ode to a couple of his favorite artists, Norm Collins aka Sailor Jerry, a tattooer, and Bill Waterson, an illustrator/cartoonist and the creator of Calvin and Hobbes. Nick combined the art of both artists into some really fun images to hang on the wall or get tattooed. Both have happened.

If you’d like to see more of Nick Bryant’s work, you can see his most up-to-date pieces on Instagram at @wolfantlers



Sandman

By Kate H. Koch



            A blur of glass and color flashed past Ted’s eyes. He watched it move up, steadily higher and higher, until it came to a gentle stop at the sixth floor.

            “Glass elevator,” the man sitting across from him mused as he watched it climb back down. “Classy.

            Ted offered no reply, tracing a finger across the thin grey lines of the lobby table beside him. Smooth, cold, hard. He’d always liked marble.

            “Classy,” the man repeated. “Don’t you think?”

            “Loosen your tie.”

            “What?”

            “Loosen your tie, Ripley.”  Ted hissed the words through gritted teeth. “If we go in there and you look desperate, you’ll blow it.”

            “I’m not desp—”

            “When you’ve got a pitch like this, you don’t grovel,” Ted looked up at his partner, watching the kid fidget with the cuffs of his shirt. He sighed, and continued more gently. “Look, I get it—I was nervous during my first pitch, too. But you have to be firm in there. Remember, this isn’t just any million-dollar idea.”

            Ripley smiled back sheepishly.

            Ted scanned the crowded atrium as he spoke. His partner was right, the headquarters of Apophis Incorporated were designed to impress. Light poured in from the tall windows high above him, bouncing off the smooth white floors and against the polished stone walls. It jumped into every nook and cranny, daring any visitor to find an imperfection. His eyes settled on a large plaque against the back wall:

SEMPER VICTORIX.

            His mind wandered to Tori. She’ll get over it.

            Ted settled deeper into the velvet lobby chair. “We’re not some door-to-door salesmen, Ripley,” he continued. “That’s one thing I need you to remember. We belong here, so you have to act like it.”

            Ripley tugged at his collar. “Ok,” he stammered. “Ok—but, if that’s the case, shouldn’t we look professional? They all do.” He gestured toward a group of businessmen milling around the lobby’s entrance. “I mean, it’s—it’s a pitch, Ted. And I get that it’s your idea, and that you’ve done this before. But, they’re expecting professionals, aren’t they?”

            “They’re expecting to be disappointed.” Ted reached across and hooked his fingers around the knot of Ripley’s tie. “They’re expecting something they’ve seen before. But that’s not us, Ripley. I told you on the train, stop trying to amaze them. They’re here to be amazed. This—” he yanked on the tie, leaving it to fall lazily over Ripley’s chest. “This thing we’ve got is going to provide that amazement.” He sat back with a satisfied grin. “We’re doing them a favor, and they need to see it that way.”

            Ripley fussed with his loose tie and said nothing for several moments. At last, he mumbled about the time.

             Ted gave no indication that he’d heard the kid. On days like this –days when image mattered—Ripley could be infuriating.

            To be fair, he was likable enough. And useful, too. The resume he’d given Ted certainly proved that. A certified wunderkind, the kid had graduated top of his class the previous year with degrees in computer science, finance, and statistics—all before he’d turned twenty-two. He could code in his sleep if he wanted to. And he never said no.

            Ted needed a decent business partner this time around, and Ripley certainly fit the bill. Even so, he couldn’t abide the kid’s insistence on shuffling around with his tail between his legs, an unspoken apology always hovering over his lips. The thought of being lumped in with someone like that made Ted’s skin crawl.

            But it would be worth it, in the end.

            “Did you bring the papers?”

            “Yes,” Ripley replied.

            “And?”

            “Well, if they sign it, they’re locked in. But I added a couple of clauses in there that’ll make our lives easier.”

            “I’m listening.”

            Ripley rifled through the papers in his briefcase. “Like, I—where is it? Oh—like if they sign, they work exclusively with us, but we can sell the—”

            “Don’t say it.”

            “Right, sorry. Right. We can sell it to anyone. Complete control on our end.”

            Ted leaned back, a broad smile spreading across his lips. “Not bad.”

            “You know, my brother and I were talking last night. He actually reminded me of one of those old wives’ tales about dreams.” Ted shot him a warning look, and Ripley quickly added, “No, I didn’t tell him about this thing. Totally unrelated. But he told me that some people say that if you die in a dream, you don’t wake up. That’s wild, right?”

            Ted raised his eyebrows. “Wild.”

Ted watched Ripley’s eyes dart around the room, searching for any excuse to get going.

            “Let’s head up now.” The plea tumbled out of Ripley’s mouth. “Floor fourteen, right?”

            Ted made a show of glancing down at his watch. “We’ve got a few minutes.”

            Ripley gave a half-hearted laugh. “Come on, Ted. Please.”

            Ted held his partner’s gaze for a moment. And then, with feigned exasperation, he made his way towards the elevator.

*

            The receptionist on the fourteenth floor had thick dark hair that fell elegantly over her narrow shoulders. She looked young, twenty-two, maybe, and smiled warmly as the pair exited the elevator. Ted smiled back, nudging Ripley. From the corner of his eye, he saw the kid’s face go red.

            “Ted Brace and Dennis Ripley.” Ted knew better than to speak too formally. “We’re here to see the investment team.”

            “I’ll let them know you’re here.” The girl stood. “Is there anything I get you while you wait?”

            “We’re fine, thank you,” said Ripley.

            Ted glanced at his partner, who absentmindedly tightened his tie as he spoke. When the girl moved out of sight he reached over and tugged at it again. “I told you to loosen that damn thing. We’re doing them a favor. Remember that.” He paused for a moment before adding, “You can tighten it before you ask her to meet you for a drink.”

            Ripley gave a nervous laugh.

            “I’m serious, kid.” Ted gave his partner a gentle shove. “I know that look. I had it when I met Tori, too.”  

            The blush crawled back up Ripley’s cheeks, and he looked relieved when the receptionist returned.

            “Mr. Brace, Mr. Ripley, they’re ready for you. If you’ll just follow me…” 

            They followed the girl –who quickly introduced herself as Ivy LeMay— down a wide hallway. The walls here were glass, too, but thick and textured for privacy. Ted could see the shapes of desks and the blurry figures hunched over them. Ripley started to fidget again.

            “It looks like they’ve got the room booked for you two for the next hour,” Ivy began. “That’s typically a good sign, Mr. Brace.”

            “Oh, I doubt we’ll need the whole hour, Ivy. But Ripley and I appreciate the sentiment.” Ted made sure to linger on his partner’s name.

            Ivy smiled at Ripley. “You’re welcome.”

            The trio turned a corner and faced the entrance to the conference area; another glass room, filled with other blurry shapes.

            Inside, three people sat around a sleek wooden table. Ted and Ripley shook hands with each of them. Ms. Maria Harper, tall and severe, Mr. Ryan Kelley, well-groomed with a permanent scowl, and the real prize: Mr. Amos Bell, whose net worth hovered somewhere around $108 billion.

            Ted felt his heart beating against his chest.

            Ryan spoke first.

            “Well, gentlemen, we’ve heard a lot about you, and you’ve piqued our interest.  Maria here says you’ve promised us ‘the pitch of our dreams.”

            Ted chuckled obligingly. “Maria’s not wrong about that. What I’ve got here really is the stuff of dreams, especially for an advertiser like Apophis.” Still standing, he placed his hands on the back of his chair. “But I could stand here and talk at you for the next hour, or—”

            Ryan raised his eyebrows. “Or…?”

            Ted hoisted a speaker onto the table. “Or, Ryan, I can show you how to level your competition to the ground.” He looked around the room expectantly. “I just need one of you to take a sleeping pill for me.”

            “Why?” Ryan look on warily, leaning back in his chair.

            “That’ll spoil it.” Ted winked. “And everyone here knows that any investment requires a little risk.”

            None of them offered any reply. From the corner of his eye, Ted could see Ripley wiping beads of sweat from his forehead.

            “We could get someone from the lobby.” Ripley’s voice shook as he spoke. “Offer them $100 to come up and test it out?”

            Maria smiled. “Sure, that s—”

            Ryan leaned forward. “Come on. Anyone down there could be working with you for all we know.” He rolled his eyes. “I’m sorry, but if that’s the best you can do…”

            “Why don’t you test it for us, Mr. Kelley?” Bell looked up at last. “I think everyone here would agree that you owe us a favor after your little stock experiment last year.”

            Ryan’s face went white.

            “Besides,” Bell continued, searching Ted’s eyes for any hesitation, “if this thing works, then you have nothing to worry about.”

            Unfazed, Ted held out his hand to Ripley, who offered him a small bottle of pills from his pocket.

            Bell held up a hand. “No. Let’s use one of ours.” He turned to Maria. “Miss Harper, didn’t you just finish a campaign for a fast-acting sleeping pill?”

            “The one for plane rides?” Maria asked, unzipping her bag. “I might have some on me now.”

            In a moment, she slid a pill across the table to Ryan.

            Bell smiled. “Good luck.”

*

            Maria was right, the sleeping pill worked quickly. Soon, Ryan slumped forward over the conference table, snoring lightly. Ivy tip-toed around him, placing three cans of soda in the center of the table. In his corner, Ripley had set up his laptop and a small speaker.

            “Orange, cherry, and cola—perfect.” Maria turned to Ivy. “That’s all, thank you.”

            As Ivy moved towards the door, Ted cast a glance at Ripley to see the color rising in his face again.

            “Alright,” Ted settled into his chair. “I just need one more thing from the two of you: What would you like Ryan to want?”

            Maria raised her eyebrows. “‘To want’?”

            Bell leaned back in his chair. “The cola.”

            “Good luck,” Maria looked down at her sleeping colleague. “He hates those.”

            “Perfect.” The corners of Ted’s mouth twitched. “Ripley?”

            Ripley opened his laptop, quickly typing strings of code. Ted turned back to the investors.

            “In a few minutes, I’ll be in Ryan’s head. I can make him dream about anything, anything, and that means I can make her want anything, too. With the Sandman Update.”

            “You’ve danced around this for a while now,” Maria replied. “What exactly is the Sandman? I think I speak for everyone here when I say this isn’t going forward until we get some information.”

            Ripley carefully slid a stack of papers across the table to Ted. He passed these around without looking at them. This part – the graphs and numbers— had always bored him—it was why he’d scouted Ripley form MIT anyway.

            “Ripley, want to tell them how it works?”

            “The Sandman opens up new avenues for advertising through soundwaves and sleep cycles.” Ripley tightened his tie. “By installing this update in the software of your phones, electronic home assistants, computers, et cetera, Sandman will release a soft hum, and those soundwaves interrupt the sleep cycles of anyone within 30 feet of it.”.

            Maria flipped through the pages before her. “What do you mean by sleep cycles?”

            “Sleep stages, I should say.” Ripley corrected himself. “The hum gently interrupts stages I-IV until it permeates the target’s REM stage.”

            Bell pushed his papers to the side. “Once you get to REM sleep, Mr. Ripley, that’s when you get into the dreams, I take it?”

            “Exactly.”

            Maria narrowed her eyes. “But how do you control the dream? You’ve interrupted the stages, then what?”

            “Then we plug in a string of code that manipulates the soundwaves to produce a specific effect in the target’s brain.”

            “It’s like writing a script,” Ted jumped back in. “That code changes the way the hum sounds. It adds pauses, changes pitch… the code basically creates a unique pattern for the hum to follow.”

            “And that controls the dreams?” asked Bell.

            Ted smiled. “A good line of code can do just about anything.”

            Silence fell over the room.

            At last, Bell spoke. “Apophis is successful because we don’t tolerate mistakes.” He paused, straightening up in his chair. “You’ve certainly intrigued me, but I like to know that I’ll see a quick return on my investment. If you can’t promise that for me in eighteen months, then I don’t see a future for you here.”

            Ted sighed. “I can’t promise one in eighteen months.”

            “Well, then—”

            “But I can promise one in eighteen minutes.” Ted bit his cheek. “Let’s get things started before that sleep aid wears off, though.” Ted jerked his head in Ripley’s direction. “Feel free to look through those papers while we wait for Ryan here, but now…”

            Ripley switched the speaker on. For minutes, no one dared to speak as Ryan’s eyes flickered in his slumber.  

            “One last thing.” Maria turned to Ted. “Have you thought about the FCC? Lawsuits? Competitors? This thing won’t do us any good if we can’t get it off the ground.”

            “Why?” Ted asked. “There’s no legal precedent for something like this. There’s no hacking, no theft…” 

            “That’s true,” she replied. “Dreams are uncharted territory, and that lack of legal precedent will make outside litigation difficult, to say the least.”

            “I think,” Bell began, toying with his pencil again, “that we’re being shortsighted. You boys know the story of David and Goliath, yes?”

            Ripley nodded. Ted Raised his eyebrows and said nothing.

            “Well,” Bell continued, “it’s always told as a feel-good story, but there’s much more to it than that—it’s a cautionary tale about poor planning, when you think about it. If a giant worries about every little thing in its way, it dies. But, if you crush David before he can grab a slingshot, you have nothing to worry about at all.”

            Bell leaned back in his chair. “And that’s one of the benefits of being a giant like Apophis: we get to keep things pretty contained. If we keep everything in house, the FCC won’t know to grab their slingshots. Do we understand each other?”

            A smile spread across Ted’s lips. “Absolutely.”

            Ryan stirred in his sleep. Maria gave him a sharp nudge. He blinked in the light, the embarrassment and annoyance clear on his face. With a grunt, he reached across the table for the cola and drained it in one gulp.

            Bell laughed and extended a hand to Ted. “Well then, let’s make a deal.”

*

            The brassy numbers on door 436 glared at Ted as he approached. They stuck out against the white paint behind them, gleaming obstinately yellow in the low light. Ted shoved the key into the scratched lock, feeling his heart lift a little as he did so. His days here were numbered. Finally.

            Before he could turn the knob, his phone buzzed in his pocket.

            “Hello?”

            “Ted, hey” Ripley said, breathless. “I’ve got a bad feeling about this whole thing.”

            “Stop,” Ted fought to hide his annoyance. “I told you when they signed that contract, we have nothing to worry about.”

            “I know,” Ripley persisted. “But everything in there—no FCC, Goliath—”

            “Ripley, I don’t think you understand the gift that’s been handed to us.” Ted turned away from the door and lowered his voice. “Forget the FCC, forget the legal bullshit. You’re not just in a new tax bracket, kid. You’re in a new life. Go call that secretary and celebrate.”

            He ended the call before Ripley could reply.

            Tori Brace stood with a wooden spoon over a tall soup pot, and didn’t notice her husband walk in. Ted had called and told her not to expect him until late tonight.

            “Hello, beautiful.”

            She spun around. “Hey! Where were you today?” Short, mousy brown curls framed Tori’s face. She had small, bright blue eyes that disappeared when she smiled, but tonight they searched Ted’s face with concern. “You didn’t say when you called.”

               Ted grabbed her in his arms and kissed her. “What do you think of this place?”

            She blinked. “What?”

            “What do you think of this place?” Ted gestured around the cluttered studio apartment. “What do you think of it, really?”

            “Ted, if this is another—”

            Ted held a hand up to silence her. “Humor me.”

            Tori bit her lip. “You know how I feel about it. This place works for us. We don’t need another—”

            “This place worked for us. But who wants to live here?” Ted grabbed his wife’s shoulders, guiding her towards the kitchen cabinets on the opposite wall. “You know what’s behind the bowls in there?”

            “Ted…”

            Ted opened the cabinet door and playfully lifted one of Tori’s hands up towards the bowls. “You know what’s back there, right?” He watched his wife’s fingers tremble slightly. She’d glued on a new set of fake nails, baby pink. Ted inched them closer to the shadowy corner of the cabinet. “Well, Tori?”

            She tried to pull her arm away, but Ted held it firm. “Ted, I don’t want to do this.”

            He pushed her hand closer, imagining the eight long, spindly legs so near her fingers. “Answer me.”

            “Spiders. Ok? A hundred tiny, disgusting spiders.” He didn’t let go. “Please, Ted.”

            Ted dropped Tori’s hand, just a breath away from the cobwebs. “Exactly. Spiders. Flies, roaches, who knows what else? You hate it here. Admit it.”

            She moved back to the pot on the stove. “You know I hate when you do that.”

            Ted followed her. “Come on, you know I wouldn’t actually let a spider get you. But you can’t lie. This place is awful and we both know it.”

            “Fine.” Tori turned to face him. “But we can’t afford another move. We talked about this.”

            Ted wrapped his arms around his wife. Lowering his voice, he moved his lips towards her ear. “But we can.”

            Tori squirmed, exasperated. “Ted, I’m not doing this aga—”

            “I had a meeting today, Tori. A big one.”

            His wife went still. “What kind of meeting?”

            “I pitched the dream idea. We’re calling it the Sandman.” Ted hugged her closer. “They bought it.”

            “The dream idea? My idea?”

            “The dream idea.”

            Tori spoke slowly, cautiously. “Ted, I came up with that idea in school. I told you about it when we started dating.”

            “Tori,” Ted hugged her closer. “It doesn’t matter—”

            Tori broke free and turned around. “Yes, it does. It was my idea, and we made a deal. I know you remember, Ted.”

            He did remember. They’d been the two poor kids in business school with stars in their eyes. He remembered lying in bed with Tori, promising never to become one of those miserable couples who crossed each other at every turn.

            “I’ve got your back, you’ve got mine.”

            But when he made that promise, Ted didn’t think he’d still be living in a shitty apartment with brassy yellow numbers on the door.

            “Try to think about it logically. These guys were old school. Old boys club-types. The idea had a better shot if Ripley and I pitched it alone.”

             “You took your assistant?”

            “He’s not an assistant,” Ted interjected.“He’s the one who writes the code for it.”

            “Whatever he does, you took him and not me?” Tori stared back at him, gripping her spoon like a weapon.

            Ted stretched out his arms. “Babe, I already told you why. Think about it: you already tried to pitch this, and it fell flat. I mean, you said so yourself.”

            “Yes,” she responded slowly. “But that was one bad pitch. One.”

            “And you haven’t pitched it anywhere else since.” Ted smiled back with sympathy. “And I get it –I know how much those rejections hurt. I just didn’t want to see this great idea die because of one bad pitch.”

            Ted watched Tori’s anger soften, but she continued, “Still, you didn’t even think to tell me? Why couldn’t I have been in the room at least?”

            “I should have told you. I messed up” He watched the corners of his wife’s mouth tremble. “It was a great idea—something you get once in a lifetime; I couldn’t just let that go. But you’re my partner in the business now, so the pitch doesn’t matter.”

            Tori turned back to the stove. “I’d better be.”

            Ted pulled his wife into his chest again. “Of course you are. And you know what? We’ve already got a pretty successful thing going. They paid big money for it.”

            “How much?”

            “They offered ninety million.”

            Tori blinked. “Ninety million? Ninety million dollars?”

            “Ninety million dollars.”

            Tori leaned her head against her husband’s shoulder. Neither of them spoke for several minutes. At last, she asked “What does that mean for us?”

            Ted’s lips curled into a smile. “It means that you won’t have to live in a dump with spiders in the cabinets. With yellow wallpaper that smells like piss. It means you don’t have to buy shitty plastic nails again.” He put his knuckle under her chin to raise her face up to his.

            “It means that I’ve got your back.” 

*

            A passerby likely wouldn’t look twice at the headquarters of Sandman Industries. Ted had resisted the urge to roost in a glitzy high-rise; he knew discretion would benefit him in the end, so he and Ripley had set up shop in squat building at a strip mall on the edge of town. The old GNC next door had been empty for years, much to Ted’s delight. No nosy neighbors.

            Ted looked over the list of new clients before leaving for the night. He had just finished writing the dream code for a new prescription. In a few hours, that obscure blood pressure pill would be a household name.

            Ripley sat next to him, pinching the bridge of his nose. “Should we add something about the side effects before we send this one off?”

            Ted didn’t bother to look up. “Why?”

            “Don’t we have to? We don’t want someone to go in without underst—”

            Ted slapped Ripley on the back. “Go home, kid. You’ve done your time.” Ripley looked up at him with bloodshot eyes. “We don’t need to add anything—it’s a dream, not a TV commercial. We can do whatever we want.”

            “But don’t we owe it—”

            “Go home, kid.” Ted threw his jacket over his shoulder. “Unwind with Ivy and don’t lose sleep over this.”

            Ripley smiled. “Maybe you’re right.”

            Ted laughed. “Of course I am. How long has it been now? Two years?”

            “Just about.”

            “Looks like I was right about a couple of things,” Ted said with a wink.

            Ripley stood and cleared his desk. “She’s been asking when we can get dinner with you and Tori again. How is Tori?”

            Ted sighed. “Good question, I haven’t looked at the calendar. I’ll let you know.”

            “How is Tori?” Ripley repeated.

            Ted chuckled and moved towards the door. “She’s fine kid. The way you always hound me about her, I’d think you were interested if I didn’t know any better.”

*

            Tori smiled as her husband sauntered into the brightly lit apartment. She stood at the tall window in the living room. Life on Fifth Avenue continued busily below her.

            Ted tossed his jacket over the leather sofa and stopped to admire his wife’s silhouette against the setting sun. She’d started dressing better after the first Sandman check came in, he thought, and he was pleased to see that she’d used some of the money to tame that frizzy hair. As he approached, Ted reached out an arm and twirled Tori around in full view of the window before kissing her neck.

            “Ted,” she pushed away slightly. “You’re going to put on a show for the neighbors.”

            “I don’t mind.”

            She extracted herself from his grip. “You hate PDA.”

            He shrugged. “Not anymore.”

            Tori raised her eyebrows. “Why’s that?”

            Ted could sense the gears turning in her head; he could almost see the word secretary flashing across her mind.

            “Do I need a reason?”

            “Does the reason wear stilettos?”

            Ted laughed. “Maybe you should get yourself a pair.” He thought about whether this little game would be worth the fight tonight. As Tori’s hands started to shake, he added, “Come on, you know it’s not that. I got a big new client today. Guess it put me in a good mood, but if you’re…” His voice trailed off.

            Tori’s eyes went wide, “Oh God, I’m sorry Ted. Honey, I’m sorry. I always do this.”

            “It’s fine.” He poured himself a drink and settled in the kitchen.

            “Ted…” She placed a hand on his shoulder. “I’m sorry. I just haven’t been sleeping well lately.”

            Ted knew why, but he raised the drink to his lips to hide his smile. He’d been careful—hiding the speaker, wearing discreet earplugs to bed. Maybe the sleep wasn’t great, but she hadn’t asked him for a favor in weeks.

            “Who’s the new client?” Tori pressed.

            “Pfischer. The pharmaceutical company.”

            “Nice!” Ted could hear the relief in her voice. “What are they selling now?”

            “I can’t exactly say.” He took another drink. “The CEO had me sign a bunch of NDAs before we got started.”

            Tori traced her fingers around the nape of her husband’s neck. “Not even with your business partner?”

            Ted felt her plastic nails through the fabric of his shirt. Dammit, Tori, do you always have to look cheap?

             “Not even you.” Ted turned and took her hand in his. “You’re still wearing these, huh?”

            Tori pulled her hand away. “Ted, I want more out of this company.”

            “You own half of it.”

            “But it doesn’t feel like it.” Her voice was gentle. “It was my idea, Ted. I need more of a say.”

            Ted took another drink.

            Tori sat down beside him. “I’m serious. You know I’d be good. When it comes down to it, we have the same qualifications. Same school, same grades…”

            Ted rolled his eyes. “And yet you still interrogate me like I’ve got a mistress for every day of the week when I get home. Do you really think you have the nerve to sit in contract meetings all day? They don’t tip-toe around your feelings, babe.”

            Tori balled her hands into fists to keep them from shaking. “Give me a chance to prove that I ‘have the nerve,’ then. I have a right to be there.”

            “We both know you can’t handle it.”

            “I can.”

            Ted drew his wallet out of his pocket. “Yeah? Then you might as well make yourself stand out.” He threw his credit card onto the counter. “Buy yourself a pair of stilettos.”

            With that, Ted stood, drained his glass, and moved toward the bedroom. He’d almost reached the door when he heard his wife’s voice.

            “I can’t do this anymore, Ted.”

            He turned to face the kitchen. “Do what? Whine about not having to—”

            “I want a divorce.”

            Silence.

            Ted wandered back to Tori’s side.

            “This hasn’t been working for a while. We both know it, Ted.”

            “So you want a divorce? A messy, legal, nightmare divorce?”

            Tori nodded.

            “You want to lose this lifestyle? You want to go back to shitty spider cabinets?”

            “I’m not losing anything. I own half this business.”

            Ted felt his face go white. “Well, I mean—”

            “My name is on all the documents. I know it is, I was there.” Tori turned to face her husband. “It was my idea, Ted. My idea. You don’t even know how I came up with it.” She paused for a moment, before adding. “You and I both know I could ask for a lot more than half.”

            “Then you’re asking for half?” Ted asked.

            Tori locked her eyes on the back wall. “I’m asking for half, and I’m going out to find more clients. We’ll split the business, and from here on out I’m keeping anyone else I sign on. You can do the same.”

            Ted reached out and put a hand on her shoulder. “Honey, I told you, it’s an old boy’s—”

            “I don’t care.” She shrugged him off. “That’s my proposal. You can take it, or I can go for the whole business.”

She stood. “You decide, Ted.”

            “Tor—”

            But the apartment door slammed shut before Ted could finish his thought.

*

            A week later, Ted stood over the kitchen counter. Watching the remnants of a strong drink settle in his glass.

            “What are you doing here?” Tori asked from the doorway.

            “I think we need to talk about this.” Ted poured himself another glass of scotch in the kitchen. Ripley’s words echoed in his ears: “Some people say if you d—”

            “It’s been a week, Ted.” Tori’s words pulled him back to reality. She hadn’t moved from the doorway. “I told you I’d give it a week but I’m not changing my mind. We don’t need to make this difficult.”

            Ted pulled out a chair and motioned for her to sit. “I know. But that doesn’t mean we can’t talk about this.”

            Tori took the seat next to her husband. Wary. “I won’t be vindictive.”

            “I know.”

            “Then what’s to talk about?” Tori pressed. “I’m filing tomorrow. You can be there if you want.”

            “I told Ripley not to come in today.” Ted’s words muddled into one another as he slumped over the kitchen island, his fingers still firm around the scotch glass.

            “What does that—Ted, what do you want to talk about?”

            “He couldn’t be there—” Ted caught himself. “You wanted to go to Hawaii.”

            “Yes.”

            “You talked about that when we met.”

            “Ted…”

            “Used to look up pictures of the beach. Remember that?” Ted swallowed. “Used to say you wanted to fall asleep under a blue and white umbrella.”

            Tori closed her eyes. “I did.”

            “But we never went. Why didn’t we go?” He looked directly at Tori now, her face swimming in his eyes. “We had the money.”

            “You’re not making this any easier, Ted.”

            “Why didn’t we go?”

            Tori turned to face her husband. “Because I wanted us to have a reason to go. I wanted it to be special.”

            Ted nodded.

            “What did you want to talk about, Ted?”

            “I can’t—I can’t do this if you hate me. I had to be here to make sure you don’t hate me.”

            Tori put her hand on his. “I don’t hate you, Ted.” Her tone was soft. “We just aren’t good for each other anymore.”

            Ted drained his glass. “That’s true.”

            “Should I call someone? Ripley?”

            Ted stood quickly and his head spun. “No—don’t call Ripley. I’m leaving.”

            “Goodbye, Ted.” Tori wiped her eyes.

            “Goodbye.” He paused.

            Ted waited until the lock clicked behind him. After a few moments, he closed his eyes and sent the code.

*

            He’d waited until the next morning before he called the police. When the paramedics arrived, Ted tried to shake his wife awake, explaining that she had been completely fine the night before.

            The funeral had been hard, but the wake was worse. In the receiving line, he took pulls from a flask between shaking hands. He didn’t need to be sober, everything the mourners said blurred together anyway.

            “I’m so sorry Ted.”

            “Dying in your sleep. If it has to happen, that’s the way to go.”

            “At least it was peaceful.”

            That part was true. Ted had paid special attention to Tori’s comfort as he’d written the code. Calm, white sand beaches, a warm, comfortable tide to carry her out to sea. He couldn’t think of a better way to die in a dream.

            Eventually, a familiar couple shuffled up to him.

            “Ted,” Ivy pulled him into a hug. “I’m so sorry. Tori was—I don’t even have a word for her. She was incredible.”

            “Thanks, Ivy.” He replied, before taking another pull.

            “She was like an older sister to me,” Ivy continued. “Just a brilliant mind, and so kind.”

            “That’s true,” Ted replied, blankly.

            “I’m sorry, Ted.” Ripley looked at him with bloodshot eyes. “I know what a loss this is. There will never be anyone like Tori.”

            “Exactly,” said Ivy. “She was one of a kind.”

            “She was,” Ted replied, taking care not to slur his words. “She was. Ripley, I’m going to stay out of the office for a while.”

            “Yes.” Ivy spoke for him. “Yes, Ripley will take care of everything. And I’ll even come in to help –I mean, I already understand how it affects people, anyway.”

              Ripley threw his arms around Ted, who stumbled under the embrace.

            “I’ll take care of it.”

            “Thanks kid,” Ted whispered, taking a long pull as he watched the couple walk away.

*

            Back in the apartment, Ted sat on the edge of the sofa, watching the ice cubes crash into each other as he swirled them around with the dregs in his glass. He knew eventually he’d have to enter the bedroom –whether to sell the bed or gather his belongings—but he couldn’t face it yet.

            Besides, some part of him welcomed the sore neck and stiff muscles he’d get after sleeping here. Maybe if he did enough penance here, he wouldn’t feel sick when he saw Tori’s hairpin, or a box of her fake nails.  

            Ted’s phone buzzed next to him. Ripley’s name flashed across the screen.

            NEW ACCOUNT? WHAT’S THE “HAWAII” CODE?

            Even in his stupor, Ted felt his heart drop. He rubbed his eyes before replying:

            DON’T REMEMBER. DON’T WORRY. PROBABLY TOOK CARE OF IT.

            Before he had time to set the phone on the nightstand, it buzzed again.

            OK. I’LL HAVE IVY FILE IT.

            A pause, and then:

            ANY IDEA WHAT KIND OF PLACE IT WAS? COMPANY? INDIVIDUAL? JUST SO I KNOW HOW TO FILE THE CODE.

            Would Ripley piece it together?  He shook the thought from his head. He’d been careful. No one would know. 

            IGNORE IT. IT CAN WAIT. GO HOME.

            Ted tossed the phone on the couch and ambled into the shower, desperate to scrub the sweat and guilt from his skin.

*

            A loud rap at the door jolted Ted awake. He looked over at the clock on the mantle.

            12:30 AM

            Ted closed his eyes. They’ll leave.

            Another rap, and then another. Ted swore and pulled himself up from the sofa.

            Ripley stood in the doorway, holding a bottle of wine. “Ted,” he beamed at him.

            Ted stared, bewildered.

            The kid stumbled in. “I brought a bottle.” He held up the wine. “Thought we could celebrate a little.”

            Ted rubbed his eyes. “What are you doing here?”

            “Celebrating, Ted. We’re celebrating.” Ripley wandered into the kitchen and began searching for a corkscrew.

            Ted followed. “Celebrating what?”

            Ripley wrenched the cork out from the bottle. “Tori’s life. Get some glasses.”

            “What?”

            “Glasses. Wine glasses.”

            Ted pulled two down from the cabinet while Ripley sloshed the wine over them. It glugged and splashed, speckling the dark drops all across the marble counter.

            “Raise a glass,” Ripley commanded, “to an incredible woman. Tori was one of a kind.”

            “Kid, what the hell do you—” Ted tried to protest, but Ripley was already shoving the glass into his hand.

            “We’re celebrating Tori’s life, Ted. It’s what people do.” Ripley smiled at him with wild eyes. “We owe it to her, to honor her memory.”

            “I’m really not in the mood.”

            “Drink.”

            He met Ripley’s gaze. Did he know?

            Ted put the glass to his lips, draining it. The minute it touched the counter, Ripley was pouring again.

            “It must be hard,” Ripley continued. “I know what she meant to you.”

            Ted drained the next glass. “She meant a lot.” Ripley’s face blurred as he looked back at him. The only things in focus were those eyes, wide and bloodshot.

            “You know how much she meant to me?” Ted asked.

            “Of course I do,” Ripley responded, already gathering the glasses for another pour. “It was easy to see why you fell for her.”

            Ted smiled. Relieved.

            “Anyone would fall for her,” Ripley continued. “We should focus on the happy times you two had. I remember the first time the two of you came out with Ivy and me.”

            “The Hibachi bar,” Ted pulled his glass towards him, spilling most of it over his shirt. “We talked about when we knew each other in college.”

            “Yes,” Ripley’s voice sounded more distant. “Ivy thought that was adorable.”

            Ted rested his head against the marble countertop. “It was.”

            “And you two talked about all those big dreams you had.” Ripley laughed hysterically. “Remember? You said you wanted to make a million dollars.”

            “Mhmm,” Ted nodded his head slightly.

            “And Ivy loved Tori’s—she was just telling me about it. Those two talked about how badly Tori wanted to see Hawaii. Do you remember that, Ted?”

            Ted was hardly listening now, laboring just to keep his eyes open. 

            “We were just talking about it, before I got here.” A smile stretched across Ripley’s face, pulling back his ruddy cheeks. “You were right, Ivy’s pretty great—observant, at least. But hey, we’re drinking for Tori, not my girl. We need some music. Where’s your speaker?”

            Ted jerked his head towards the living room.

            “Perfect.”

            The lyrics soon floated into the kitchen.

            I’ve just closed my eyes again…

            “You like Gary Wright? Dream Weaver?” Ripley called, but Ted had had enough. His head ached, and the marble felt so smooth and cold. He didn’t even mind the wet wine spots against his skin. It would be so nice to sleep here, so easy…

            Ted hardly registered the click as his apartment door swung shut, nor soft hum from the living room, fainter than his own measured breathing. As it rose, he became aware of how heavy his body was, how it seemed to be pulling itself towards the ground. It had been a long day, an awful day. His muscled screamed out for rest.

            That hum was so sweet, so soothing. Where had he heard it before?

            Ted rested his head against the marble. Tori had never liked it. I bet she’d have gotten rid of it after she left. Ted felt his eyes droop. I bet she’d still wear those cheap nails, too.

            He succumbed to sleep before the Sandman’s hum hit its crescendo.

*

            Ted awoke to the sound of rain. Not heavy, but enough to ruin a nice pair of shoes.

            Perfect. Ted groaned and stretched his arms, slowly easing himself up from his chair. The clock across the room read 10:43. Ted looked around. Shards of glass glittered across the kitchen floor.

            Ripley, he thought. Too drunk to clean up.

            As Ted stumbled around the kitchen to sweep up, he caught a glimpse of a soft blue glow on his right. He turned towards it, watching the light ebb and flow under the bedroom door.

            Until then, Ted hadn’t registered the pounding in his own head. He sighed. What could he expect after last night?

            The light grew more intense.

            What did I leave on in there? Ted rubbed the sleep from his eyes.

            As he made his way towards the bedroom, the glow stretched farther across the floor. When Ted closed his fingers around the doorknob, he heard seagulls in the distance.

            “What the—”

            The door flung open, and Ted stumbled onto a beach. The sand burned white hot beneath him. A short distance ahead, he saw a woman resting under a blue and white umbrella.

            “I’ve got your back,” she called to him, not bothering to turn around.

            “Tori?”

            “You’ve got mine.”

            “Tori, I’m sorry.” Ted tried to walk towards his wife, to get away from the thick, stinging sand. He felt his legs sinking deeper in with every step. “Tori, please. I’m so sorry.”

            “I’ve got your back.”

            Clear blue waves began to break against the shore. Each reaching slightly farther than the last.

            Ted looked down to see that the sand had reached his waist. In the distance, the sun began to set against the horizon. The waves pushed closer and closer to Ted.

            “Tori—” the hot sand had swallowed his torso now. “Please.”

            “You’ve got mine.”



BIO

Kate H. Koch has synesthesia, which means every sound flashes as a color before her eyes. Her vivid condition inspires her to create dark, colorful writing, and this has helped her during her time as a graduate student at Harvard Extension School, where she is pursuing an ALM degree in Creative Writing and Literature. You can find Kate’s work in Corvid Queen Magazine, Flora Fiction, The Metaworker Literary Magazine, Club Plum, BOMBFIRE, Cholla Needles, and Z Publishing House’s Minnesota’s Best Emerging Poets of 2019: An Anthology, as well as a script for ESPN and poetry forthcoming in Belle Ombre Literary Journal. You can also find her writing on her website: katehkoch.com



Three Footnotes from Henry-Louis de La Grange, Mahler, Volume I

by Clarissa Nemeth



P. 44

Vienna, 1877

            Frau Landler cannot rid herself of the headache. It feels as if someone holds ice to her temples; they throb coldly, deeply, and each pulse of pain reverberates in the cavity of her mouth. For days now. Weeks. Even when she sleeps.

            She has never had such headaches, and she believes they come not from within her, but from some malevolency without, some creeping evil spirit kicked up from the city’s mud and dirt by the careless feet of its socialists, its Jews. Her tenants, three bedraggled boys, drag such filth to her door on the tracks of their boots.

            She dreams of leaving Vienna. Her husband once promised her a house in the country, by a lake, but now she has only the meager income from the room she lets. She hates him for dying. She hates the boys. She hates this pain.

            From downstairs comes the clanging of a piano that used to be her husband’s, the one she cannot bear to see anymore. Then bellowing voices, monströs. The little shits never stop singing. The low notes of the piano echo in her head, but the high falsetto, the warbling Brünnhilde, she feels in her teeth.

            Frau Landler heaves herself down the stairs, into the little room that reeks of sweat and dirty clothing, coffee and overripe fruit. “Aussteigen!”

            The trio, crowded around the piano, look up at her, puzzled. The one in the middle, the the one she suspects is a Jew, pushes up his glasses. His gaze is piercing, pitiless. As if the sin were hers.

            “I will not stand this! Aussteigen! Jetzt aussteigen!”

            She screams until they scramble their skinny limbs like spiders, grabbing armfuls of clothing, stacks of sheet music and scores, boots, an apple, a coffee cup. She screams so that they cannot speak to each other. She screams until they have put their threadbare coats upon their backs, and then she stands in the doorway and screams at them in the street.

            Then the room is bare but for their smell, and the piano. The pain in her head pounds as if the boy still sits at there, fingers splayed over the keys. As if he has given it rhythm, texture, cadence; a terrible, insistent kind of beauty.

P.565

Venice, 1900

            When the stranger at the door tells her that the conductor of the great Vienna Opera is in the courtyard, she thinks it is a joke. She asks, Do you think I am a fool?

            No, no, signora, the strange woman says; the conduttore is…indisposed. We are touring the canals, you see. And the need came upon him…

            Then a man comes up behind her, tall and pale. He argues in German, she does not know what he says, but it hardly matters. How can it be, she thinks; such serendipity!

            Conduttore, of course, she interrupts, gesturing for them to come in. Conduttore, this is an honor, to be in the presence of such a great artist, such a master, it is a dream of mine to hear the opera someday, tell me, do you play Verdi there?

            His companion translates, says, Madam, may he…?

            Oh yes, of course, you must make yourself at home, conduttore, please, let me show you.

            She thanks God she has just replaced the flowers in the drawing room, that there are baskets of fresh oranges at hand should the great man need refreshment. She fetches the chamber pot, presents it to him like a chalice.

            The conduttore’s eyes are wide, his face flushed. He protests with his hands, speaking rapidly to his companion

            Madam, is there not another place?

            No, no, I insist, you must use the best room in the house, it’s only right.

            But if there were a more private…?

            No, no, it does me honor to have you here, you are an artist, a genius!

            And so she and the translator slide shut the little door and leave him to his performance. She wants to sing with joy, that history has come to her humble little house on the Giudecca. The longer he stays in the room, the more blessed she feels.

            When he emerges some time later she offers him water, wine, food, but he insists he must be going along. To thank her he goes into the courtyard and picks a little bouquet of violets. When she takes the flowers from him she clasps his hand and kisses it. When they leave she can hardly believe it happened.

            But there is proof. The chamber pot sits in the drawing room, between the window and the undisturbed basket of oranges. She peers into it, thanking God for the blessing of the visit; thanking God for the blessing of the violets.

P. 553 

Vienna, 1900

            The Deutsche Zeitung is calling her a Jewess again.

            Every time she sings, whatever the role—Elisabeth, Sieglinde, Leonora—they imply in their reviews that she is on the stage not because of her talent, but because of the Kapellmeister’s agenda. They are always comparing her to Marie Renard, the soprano she replaced. Selma Kurz, they say, is not as pure as Renard.

            The readers understand they are not referring to her voice.

            Once she ignored this sly libel. It was easy to do when after every performance he praised her lyric voice, her liquid eyes, the incomparable softness of her tone. So supple, he said; watch, and I will shape you into a woman no one will forget.

            In those early days his genius seemed fierce, towering, irresistable. So when he insisted that she rehearse for days with a blindfold to capture the movements of Iolanthe, or break the Guild’s rules to sing his own lieder with the Philharmonic, she never considered that she might say no.

            She kept the notes he slipped under the door to her dressing room: Selma, come round my flat tomorrow, I want my friend to paint you.

            Selma, Liebchen, come to my office, I must see you.

            Mein Schatz, my eyes ache for the sight of you.

            Selma, why did you slip away after rehearsal? Don’t be angry, Schatzi, you know how I must behave. When we are alone, I will cover that treasured face with kisses.

            Selma, have no delusions; my heart belongs to you and you alone, but how can I marry you unless you leave the opera?

            Selma…

            She burns them now, the notes, the letters, every one, in the flame of the candle, along with the review clipped from the Deutsche Zeitung. The edges crisp, curl, blacken. The words flake away to smoke and bits of ash that she can blow off her hand in half a breath, no effort at all. She knows how to conserve and use her lungs. He taught her, his hands around her waist, beside the piano: just there, Selma. See? Oh, but what they will say when I am done with you.    



BIO

Clarissa Nemeth is originally from Gatlinburg, Tennessee, and currently hails from Asheville, North Carolina. She has a Bachelor of Music degree from Boston University and an MFA from North Carolina State University. She has previously published work in The Writing Disorder and Appalachian Heritage (now The Appalachian Review), and is the winner of the latter’s 2015 Denny C. Plattner Award for Excellence in Fiction. When she’s not writing, Clarissa is involved with community animal welfare work and enjoys spending time with her husband and their pets. 



the wounds of anne sexton

by Jonah Meyer


anne sexton, at what point were you surprised to see the waters still
rippling in the long island sound?

anne sexton, 2 o’clock on a tuesday, august 1960, has everything
happened, or has nothing happened at all?

anne sexton, did your sun-drenched yellow dress add light upon light
under intrusion of the pock-filled hospital room ceiling, nurses and
doctors with scissors in hand, making origami of your tender pale skin?

how much for the poem, anne sexton? how much for the sea? how much
your pack of cigarettes, dangling from a sunburnt hand relaxed on the
pane of the ship, and where, by the way, is your wallet? where, your keys?

anne sexton in the age of luminous eyes!

anne sexton, composing ‘keep off!’ against the
lovely surface of the sea.

anne sexton, the good fat plump happy babies have sunk snug into their
carriages heavy like stones, and so why are you saddened, why
almost undressed?

anne sexton says nothing at all.

is as fragile as sponge.
light as a cup of milk.



THE POETS WILL NEVER BE PUT OUT OF BUSINESS.


they have their words to keep wheeling, whispering.
have their stories always spinning.

the poets will yes inherit the world come
end-of-day.

have their rhyme, their meter, their
pleasant confusion.

the poets are now forming a corporation.
conducting business overseas.
holding late-night clandestine
get-togethers, serving white wine & chocolate biscotti & discussing
the meaning of it all.

ten dollars an hour the poets are paid.
twenty on particularly productive sessions.
bonuses each time a new poem
breathes on its own.

the poets walk the streets, shuffling like madmen,
joy burning in the eyes.
it’s funny how one might say to another:
the day is young, the season
marvelous, without
spilling word.

sometimes the poets rest in tall homemade hammocks,
their gnarly raw language setting the sun.

each new break-of-day, the poets can be seen dropping
bread-crumbs to geese,

such happy animation dancing through breeze.
they hiss & they howl & they
generally carry on.

the poets speak of things which
they – indeed all hoomankind – shall
never understand:

love, they moan outloud,
love is a chinese riddle!

the poets create poems on napkins,
tabletops, restaurant barstools.

         (the poets have convinced themselves
         graffiti is no crime)

once a new poem is borne, the poets
circumcise it, speaking a little hebrew,
careful not to cut too much.

at age 13 the poem is thrown a huge party in
which the poets get drunk &
dance into the skies.

yes the poets are really getting ahead in life.
really grasping a handle on
how much mess there is to be made.

weaving freshly-woven limericks into flower petals,
thrown to the wind, the poets take
long afternoon naps,
dreaming of eternity

             – and –

             the day when    all
     humankind  will  take  to
    writing  love  sonnets


sixty-one


sixty-one times i lost my soul to the small asian lady wearing pink cotton
jumpsuit and large copper earrings behind the counter at my favourite
place to grab lunch in san francisco chinatown

sixty-one times the colour of my true love’s hair

sixty-one the number of tics i glance at the young couple as they sink into
snuggling state of union, the movie theatre down in the dark front-corner
row, matinee showing of the life of freddie mercury

sixty-one times playing with soft language until we approximate
literary ejaculation

sixty-one calls to arm a busy nation policing the planet
a budweiser country high on box-office porn, buttered beer and
blustering pontification

woke up this morning with poetry crusted in the eyes, tried to rinse it out
while it spilled into these dog-eared pages

sixty-one stages in pure confused delight

sixty-one flags lowered at half-mast
some small god’s wind attempting to schmear it back up
the length of the pole

sixty-one, says the city bus driver
6161 pennsylvania avenue, dripping with blood,
fangs in the eye-sockets

and kerouac’s railroad earth is drenched in sunset
and all of general georgie washington’s d.c. is drenched in heavy flooded
moonshine machinery

observe the great heavenly satellite sky hovering over every man woman
child—she is a drunken sailor, smacking chewing gum grit & grin

and the humble buddha here on earth, schvitzing heady mindful practice
at the guidance of a video rental on the subject he got for a buck-sixty-
one down at video review on lawndale boulevard

and the sea, she is whispering sixty-one

and the old-growth forests are burning alive on tee-vee sets

and sixty-one hills and valleys busy shedding their stubborn
botanical growth as the great gab-smacked goddess returns with baggies
of dust, of deceit

how does one begin to spell out mother earth? 
the way we are all fashion’d from star?

glorious hydrogen oxygen calcium carbon organic,

sent spiraling spending the lonely centuries speeding thru milk the
way a baby, rocked gingerly, might burp into
some semblance of
slumber




HOW TO READ A POEM.   /   WHAT TO REALIZE.


1. as if your precious fucking life depends on it

2. as though, through the magic & craze & pure joyous glee
         involved therein, at once nothing matters save
         that freeing dance with words — broken, insane
         dreamy, divine
         she is a gatekeeper — the poem — and
         when you come a-knocking she’ll rise & rise &
                  cast a heart into hot jazz graffiti
         — sum
         this & that informatics, baby — charged, symphonic,
         this beating sweating flirting flickering
         storm that is
         itself the poem

3. hungrily

         knowing well every hearty morsel
         heals

4. with a newfound peace

5. for the sole purpose

         of

         being caught inside the words



BIO

Jonah Meyer is a poet, writer, and editor based in North Carolina. His creative work has been published in O.Henry Magazine, Ampersand Literary Journal, Carolina Peacemaker, Bohemian Review, American Crises, JAB Fiction and Poetry, Found Spaces, The Mountaineer, Cold Lake AnthologyRaise the Voices, and The US Review of Books, among other places. Jonah serves as associate poetry editor with Mud Season Review and associate editor with Thrush Poetry Journal.


Better Late Than Ever

by Jeff Underwood



May 3, 1831

London is wet. The rain has flooded Father Time’s courtyard, leaving little chance for our croquet match to continue. I had been playing a most friendly contest with my siblings, Early, Timely, and Late, so its continuation is certainly desirable. I write now from my childhood bedchamber. The pillicock engravings on the desk delight me nearly as much as they did those days long ago. Out the window, I watch Father Time’s groundskeeper tend to the torrent of rainwater laying waste to the various gardens. He is a good man, Groundskeeper Jack. I often enjoy our long-winded conversations and I know he is well and good to be called a decent family man. Tonight we celebrate a far greater family man, though, my father, Father Time. Nary a one of us believes him when he says he will be three-thousand, two-hundred and fifty-two years old. Seems like not yet just yesterday he was turning three-thousand, two-hundred and fifty-one! But time is funny and Father is time so… Anyways, it’s been fun to see Mother Nature in such a good mood. She can be so temperamental and broody! But the day saw easy rain and we thanked her for it. She even baked Father Time his favorite cake, German chocolate! I think I will venture down and treat myself to a slice. Till we speak again, dear diary!   

– Never

May 4, 1831

Oh diary, today was utter dog dredge. Father Time wasn’t satisfied with a single night of birthday celebrations so he demanded we dine out at his favorite victualing house. Thus, we all piled into and onto the carriage and bumbled all the way out to the financial district so Father Time could have his Sweetings. He once said their oysters are the best thing he’s ever eaten in his life and he’s broken bread with Jesus! The rest of the family loves them, as well, but I can’t say my feelings are mutual. Slippery little buggars, those oysters! At any rate, we’re at the house and everyone orders their oysters and I order just a burger and a shake, nothing crazy, ya know. I tell ya, if we hadn’t been caught up in another one of Father Time’s stupendous New Year’s Eve stories (this one involving Napoleon, Duroc, and Mozart), we would have taken more notice of the time it took for our food to arrive. Father Time is especially perceptible to that kind of stuff. Finally, Early’s oysters arrived at the table. He complained about them being slightly undercooked but he wolfed them down. Then Timely had her plate arrive, along with Mother Nature’s and Father Time’s, all cooked to perfection. Late and I watched them nearly finish their plates and they were even starting to lick the plates when Late’s oysters finally showed up to the table. They were obviously overcooked but he actually likes his food that way so he annihilated them. Now everyone had their food except me but I figured, hey, it’s a burger, probably just needs to cook longer. I like them well done. Well, we didn’t see the waitress again until she brought over the bill and when I asked her about it she said it was going to be out at any moment. So we waited another forty minutes before deciding just forget it. The waitress said thanks for coming when we left but I didn’t say thanks back. I’m so sick of this happening every time we go out to eat!

– Never

May 5, 1831

I heard the most curious of phrases today, diary. My brother Late and I were down at the Westminster Public Library returning some overdue books when up to the front desk barges the old librarian, Miss Cranks. She had some not-so-great words for us about the sanctity of time and how disappointed our parents would be if they knew how late our library books were, yadda, yadda, yadda. But she got pretty quiet after Late busted out the overdue books and tossed them onto the counter. It was an absolutely ace move! And so Miss Cranks was logging the returns in the ledger, muttering to herself as she does, and upon finishing, she looked up to Late and I and said, verbatim, “We’re happy to finally have these books returned, gentlemen. Better late than never, after all.” Better late than never? What does that even mean? I looked over at Late after she said it but he was just staring off and smiling wide. I wonder if he knew what she meant by that. Maybe I’ll ask him tomorrow but if you find out first, diary, let me know. Thanks.

– Never

May 6, 1831

Oh, diary, how I loathe my Uncle Tony! I loathe him so! I’ve told you about him in the past and how he doesn’t have any time powers but that doesn’t stop him from dictating how all things shall pass. He’s Father Time’s older brother so you can probably imagine that dynamic. One is an all-powerful time-god and the other works in the Department of Agriculture. Uncle Tony does a lot of compensating. But they get along well and Dad is still trying to squeeze out some birthday love so he invited Uncle Tony to come over tonight to play board games and what have you. Father Time decided he wanted to play Kriegspiel so we began to split into teams. Here’s where the night turned, diary. Now, I’m used to being picked last in all things competitive, or, hell, never picked at all. It comes with the name. But Father Time and Mother Nature had been kind about bending the laws of time lately so that I could have as much fun as the other children. Instead of never being picked to participate in croquet, I am simply last to be picked now. So I was so excited to play because I love Kriegspiel and I could see Timely was just about to pick me for her team when I felt Uncle Tony’s hand fall on my shoulder. “Grave consequences await those that meddle with the sanctity of time,” he says. So I’m like, “Righto, Uncle Tony, I just wanna play a little Kriegspiel.” And I tried to pull away from him but he just gripped my shoulder tighter and repeated that same line. I looked at Father Time but he just shrugged as little brothers do. Thanks, Father Time. Mother Nature at least flashed lightning in her eyes before yielding to Uncle Tony’s demand. “Can I at least be umpire?” I asked my ratbag of an uncle. “Never!” He shouted over and over until we were all like, oy, we get it. And so I didn’t play the game but watched as they divided up into adults vs kids and then brought in Groundskeeper Jack to be the umpire. Such an insult to my ability as a time-god and Kriegspiel player! Finally, the evening ended with a steady win for the adults, and Uncle Tony was almost out the door when he just had to turn around and brag, “You’ll never beat Father Time, Mother Nature, and your dear old Uncle Tony!” I don’t know why he had to stare at me while he said it but it just made me feel even worse. I hate Uncle Tony. I won’t cry because he doesn’t deserve that satisfaction. But, damnit, why do people have to be so mean! Thanks for listening, diary, I love you.

– Never

May 7, 1831

Well, work sure was a drag today. Father wanted me at the factory to ensure nothing ever arrived in my department despite me assuring him that nothing ever did. “Father Time, you are Father Time, you see all planes of time and space, you know nothing is coming into the Department of Never.” I told him this, but he just said to be in at eight. I got there at eight-fifteen only because the roads are still so damn wet and the carriage rolls like a bumbuggy! But Father Time laid into me, nonetheless, giving me one of his tried and true lectures on the ‘sanctity of time’. Bullocks, I really don’t care about being on time when THERE IS NO WORK FOR ME TO DO. I sat around the office watching Barb and Mel run community theatre lines. Even they know our department is useless! It’d be nice to have some kind of purpose, diary. Eh, tomorrow’s another day. Goodnight.

– Never

May 7, 1831

Better Late than Never! Better Late than Never! I heard it four fucking times today, diary, and that was just while walking the flooded back streets well away from the main square. And the words weren’t even directed my way but seemed to have been placed into the lexicon of commoners all over. Men and women using these words as justification for tardiness and lazy efforts. Bah! Why do they heap such praise onto a brother of mine with such slipshod practices and shameless abandon of the sanctity of time? Curse him and curse them all!

– Never

May 8, 1831

Feeling rather delightful today, diary! The night’s sleep felt as if I had been stork-wrapped and upon waking I found myself in the most amazing of spirits. After breakfast, Late and I have scheduled ourselves another rousing match of croquet. Despite having never lost to my dear, younger brother, I find myself increasing in unease at his rapid development in the sport. However, if he should ever overtake myself in skill and finally find himself on the receiving end of victory, then I shall swallow my pride, congratulate him so, and help guide him forward in his quest for croquet dominance. I love my dear brother Late after all!

– Never

May 8, 1831

LATE IS DEAD. Late is fucking dead, diary. And I know it didn’t have to be but the universe compelled it so! I am a time-god, in the end, and one time-god can only take so much torment! I lost the croquet match. But through no fault of my own. It was that damn groundskeeper, Groundskeeper Jack. See, Never and I had been enjoying our contest for some time and were nearing the finish when that pesky Groundskeeper Jack came to the fence for a heckle. It started innocently enough, him calling fouls each time my mallet met the ball or him laughing in a fit each time I missed the wicket. It wasn’t much a bother until he hollered a couple of unsavories along the lines of: “Has little brother Late always been better than you, Never?” and “What’s better than Never, Never?” They were teases and I could see them for that, allowing them to roll off my back at first. Late, however, began to take them as cheers and used the jeers as fuel for a champion’s performance. As stated previously, diary, I have never lost a match to Late. I would rather perish altogether than lose a match to Late. And so when he cracked that final winning wicket with his ball, hatred burned inside me at Sol’s heat. But I prepared myself for the gracious defeat, lending my hand out for the congratulatory shake. And instead of shaking my hand and being a most gracious champion, Late simply gazed down towards my hand and then into my eyes. His smile spoke for him before his mouth did so I knew the words that were coming. “Looks like it really is better Late than Never,” he said to me as he walked by. And I just fucking lost it! One swing, diary. That’s all it took to bring the pompous power of Late down to his dead knees. His head split open like the grapefruits we used to mallet as youngsters. When Groundskeeper Jack saw this, he totally lost his cool, of course. But Groundskeeper Jack is old and slow and he tires fast and he can’t protect himself much. So I made quick work of him and now he’s buried beneath his precious tulips, diary. Look, I didn’t want to kill him but, I mean, witnesses? Yuck. Alright, I’ve got to get back down there and make sure the palm leaves are still covering the spot I buried Late in. Not a bad day, diary!                                               

– Never

May 9, 1831

Unsurprisingly, the family has been a bit worried about Late’s disappearance but I managed to convince them that he ran off for the week with the stable girl from down the way. It was hard to convince them of such a story as Late has never missed a day of work and so when he didn’t show up after his usual late entrance I had to do much satisfying. But satisfied they were and now I am so. Father Time even trusted me with Late’s work since he wouldn’t be in to tend to it and because my department is so bare. I gotta say, Late’s job really isn’t all that tough. Sure, the workload is enormous with all the late arrivals, late pregnancies, late registrations…but it beats NEVER getting any work. I can handle this.

– Never

May 10, 1831

Oh goodness, diary, what a mistake I’ve made! Why did I think I could run the Department of Never and take on all of Late’s work? Bloody well stupid, that thought! Obviously, I am getting my arse kicked. WHY ARE THERE SO MANY DAD’S COMING HOME FROM WORK LATE? Now that they’re being processed in the Department of Never they’re not coming home at all. Never! By all accounts, they just sit there and stare at their office walls, stuck in some kind of time-limbo. And what the hell am I supposed to do about it? I didn’t go to school for Late, I studied Never, damnit! I need to fix this ASAP. I need to bring Late back.

– Never

May 10, 1831

Ok, I’ve got his body. Had to dig it up from under the pile of palm leaves but thankfully the decomposition hasn’t had too much of a run at him. He still kinda looks like a time-god! Now, the tricky part is going to be bringing him back to life. I never took biology in school so I’m really not too sure what I’m doing but I do have one trusty resource. An old graverobber lives down the block with whom I’ve had some lively chats. He’s never said anything about bringing a corpse back to life but some of the tales he told lead me to believe he can get it done. I do worry about his hands as they lack any kind of steady countenance but we don’t need a Super-Late. Hell, we don’t even need the Late of old. Just something to pass as time.

– Never

May 11, 1831

Capital news, diary! Late is back once more! And hardly a mare could notice a difference in the lad. Hell, he’s even more late than ever! Late enough to convince Father Time and Mother Nature of his return, at least. Needless to say, my time in the Department of Late was forgettable and Father Time made that apparent when he recalled all the Dad’s back from the Never-realm and returned them to a natural state of late. No matter, I had a smashing time. And I know some of the Dad’s did, too! We’ll see how good of a time they’ll be having when little Frankenlate is bumbling around the office. I am filled with delight at the prospect of that three-ring!

– Never

May 11, 1831

No, diary, I will not bring back Groundskeeper Jack.

– Never

May 12, 1831

Diary, have you heard of the word ‘kismet’? I can’t help but feel a tad bit regretful with how this whole ordeal has played itself out. Perhaps Late didn’t deserve any of this and that I was a wee more reactionary than I ought to have been. If I should happen upon my dear brother then I think I shall divulge the exact details of how these last few days have played out. Our relationship has seemed stilted since his resurrection. I do not enjoy it much, I must say. I love my dear brother after all.

– Never

May 13, 1831

Mother’s mercy, diary, we have a massive problem! Groundskeeper Jack is back! And he is mad! Oh diary, my regrets only intensify with each passing day’s transgressions. And today was most regretful. I saw Late and I told him what happened, everything. I’m not sure if it was because we could only scoop half his brains back into his head or what, but he wasn’t even mad when I told him. He was more concerned about Groundskeeper Jack which then made me mad. So I made him promise me that he wouldn’t dig up Groundskeeper Jack and that he wouldn’t take him to my graverobber friend and that they wouldn’t rebuild him but he said NO PROMISE! And now Jack’s bloody well back. I tried to apologize to Groundskeeper Jack but he just stared at me, drooling heavily. Eventually, I had to softly sidestep his outstretched hands as he slowly raised them towards my throat. I shall be avoiding those hands in the future, I do say! In all seriousness, diary, I do hope Father Time finds reason to terminate his employment. Be well, diary.

– Never

May 3, 1831

Well, Father Time heard about what happened and reversed all of time. All the good I did for naught. Then he gave me a lot of grief about the ‘sanctity of time’ and told Mother Nature what I had done. And so, London is wet again.

– Never



BIO

Chicago based writer Jeff Underwood has a strong affinity for comedy and the absurd. He was born into a large family in the mountains of Arizona and was forced into weaponizing comedy as a means for attaining affection. His humor has led to laughs from the likes of famous men such as Sacha Baron Cohen and Kurt Thomas. Check out his Instagram @horstapony for more work of a similar nature.



A Prequel to My Sister’s

By Donna Talarico




I called my mom from the yearbook office phone—being on the staff had its advantages, including dialing home without the need to find a quarter or wait in line at the payphone—and told her I’d be driving around with Laura to sell ads as part of my official duties of cataloging the 1995-1996 academic year. Laura was a junior, one of my best friends, not even on yearbook staff, and not old enough to have a license; but her dad allowed us to use his old powder blue Chevy Celebrity station wagon as long as I drove and neither of us got in trouble.

“Not today,” Mom said, letting out a drag. I could tell she was smoking, and probably holding the phone between her cheek and shoulder while doing dishes, all with a lit cigarette. It was like she had three hands, always.

“Why?” I asked. I was never told no. Like ever. Especially now that she was busy with the kids.

Christopher and Brittney were still in diapers, and they shared the middle room in a small cabin-like house we moved into right after the owner died (we’d kept all his things, even the spaghetti in the cabinet), shortly after we moved back to Pennsylvania from four years in Oklahoma—where they’d been born and I’d lost my virginity.

“Just not today,” she repeated. “Take the bus home.”

My school district was big. It’s vast and rural and woodsy here in the Poconos, and it takes me almost an hour on windy backgrounds to get to school on Bus 31—only about 35 minutes, though, if I catch a ride with Wayne, who has a black pick-up truck and good radio. Laura lives in another direction, and I have an unofficial-permanent pass to ride her bus. (I lived with her for a few months when we first moved back to PA because there wasn’t room for me at my step-dad’s parents’ house. And the bus driver liked me.) The plan was to take the bus to Laura’s, get the Celebrity, and then drive up and down Route 940 to visit restaurants and video stores and ski rental shops to talk the owners into buying a full page ad—or, please just at least half, sir—to support the Cardinals.

I twirled the tan cord around and around while taking stock of the closet I was in; we call it the yearbook office, but this is actually a storage room that happened to have a phone jack, so Mr. Jeffries (or maybe the yearbook advisor before him) equipped it with an extra school desk, chair, and telephone. We worked on the yearbook in an actual classroom, in the basement, next to the graphics arts room, woodshop, and ceramics studio. I would sometimes get a pass out of class to come to this office-closet to do official yearbook business; I’d bop into Jeffries’ English class and I didn’t even need to say anything; he’d just take the yearbook key off the main ring and hand it to me and continue talking about Chaucer or whatever he was teaching that day. Laura joked that I was in love with Jeffries and that we’d do it, right here against this desk. [Maybe I had a mild, mild crush, and maybe I fantasized about it once or twice, but only after she put the idea in my head.]

What could be SO important that I couldn’t go to Laura’s after school? I thought. And then I finished that thought by thinking aloud, “What? Did you get me a computer or something?”

“Just. Come. HOME.”

***

My uncle Matt—my mom’s little brother and one of the twins [Melissa is the other]—was at the house when I got home. Came all the way from outside Philly. He was in business school and was getting rid of an old computer, so my mom bought it (promised to pay him one day?) as a surprise for me.

I was happy, but also I felt terrible. I’d ruined the surprise. I didn’t know if I was smart or psychic, but somehow I knew.

I knew that my mom knew my deepest desire was to write and that I longed for a computer more than anything in this world. I knew that deep down my mom wanted to make me happy if she could. So I knew that if she was telling me to come home after school that it must be something big. And the only thing big enough, special enough, to me, would have been the miracle of a home computer.

Things had settled down and I was in my room playing Mavis Beacon Teaches Typing, and I was in heaven.

“Donna got a ’puter,” Chrissy kept saying, and it was adorable as the time he shoved a pea up his nose and started to cry.

***

I still called them “the kids” long after they were out of diapers and big enough to microwave themselves hot dogs for dinner.

“How are the kids?” I’d ask my mom every time I called, which I know wasn’t often enough. I was out of the house at 18, never to look back. It wasn’t her, exactly. It was her choice in men. I was old enough to know better before I should have been old enough to know better. That’s why I had multiple after-school jobs, and seasonal ones, too, because the Poconos was a tourist area and there was always work at the ski resorts in the winter. [That’s how I met Wayne, with the truck.] If I was awake, I did not want to be in that house. Not ever.

So I remember them in diapers, maybe training pants. And they remember me as the older kid with the ’puter.

***

If I’m being honest, when I asked my mom, “How are the kids?” I already always knew the answer, especially as they became tweens. And if I’m being really, really honest, I was asking my mom because I wanted her to say it out loud. And hear herself saying it. I wanted to be right.

That procreating with a monster meant these poor kids’ lives were doomed.

When I was working on my MFA thesis in 2009, even though it’s almost two decades since that first IBM interrupted my afternoon of official sales calls, I still thought of it as the ’puter. Still do. And when I think of the ’puter, and the tiny voice that said it, I want to cry.

***

My thesis has been in today’s digital equivalent of a drawer for more than 10 years. It’s not that I’m NOT writing, but I write so much in my day job and read and edit so much in my passion project literary journal that sometimes my creativity is drained. My emotional energy, spent. When people ask about my memoir-in-progress, I remind myself that I can’t even call it a work-in-progress because, progress it doesn’t. But I was once told it still counts as writing when you’re constantly thinking about your story, working it out in your head.

I could also be fooling myself. It might not be lack of time or lack of energy — or not JUST lack of time or lack of energy. It could also be that when you’re writing about your own life, it’s a never-ending story. But it — that “it” being a specific piece of that story, a story within a still-evolving story — has to stop and start somewhere. And, sometimes, I feel that I don’t yet know my destination.

***

I haven’t seen my sister since my cousin Adam’s funeral. He’s OUR cousin, I know. But “my” always comes out. Just like my mom never referred to “Grandma” as “grandma” when talking about her; instead, she’d say things like, “My mom grew up in Jersey….” or “My mom is coming over today.”

Adam, only 39, died not long after his dad; our Uncle Paul. Which was not long after our mom, my (adoptive) father, my cat, my same-age aunt Theresa—and just before “our mom’s mom.”

It was a rough couple of years.

Then my (our) brother Christopher Then their (not our) dad.

***

“I have nightmares that Britt kills me,” I tell my other childhood best friend, Jasmine. “Like, they’re crazy vivid.”

“That’s some shit,” Jasmine says. We’re talking about my gradual approach to getting back in touch with my sister. Jasmine lost her dad many years before I’d experienced the loss of the parent, before that few years of terrible family losses; at the time, I know, in my heart of hearts, I was not there for her like I should have been. It’s true what they say: you’d don’t know the gravity of losing a parent until you do. I want to be a better friend to her, forever and ever.

***

This is why you need distance when you’re writing a memoir. I’d added an epilogue because it seemed important at the time, but it didn’t belong in my story, at least not in this way.

But, at the time, when I called my mom and asked, “How are the kids?” I found out that one of the kids would be having one of their own.

I told you so, was what I wanted to say. But instead, I asked the due date.

Later that night, I lamented how it was so unfair that these two kids shared their DNA with a monster, while also realizing that they wouldn’t be here if it wasn’t for him, and, now, neither would this baby, and this tortured my conscience. Then, a thought came to me. I’d lost my virginity to a much older man at about the same age my sister and brother are now; it’s just that no one had to ever know about it because I did not become pregnant.

A few months later, as I left work early to rush 45 minutes in one direction to pick up my brother from Red Rock Job Corps., where he was living/working/learning at the time, to race to Lehigh Valley Medical Center an hour in the other direction to meet my mom and sister (and new niece or nephew), the adrenaline told me, this THIS is the end of your book.

***

We come from a family of halves. My mom has a half-sister and a much older half-brother, but they are still my real aunts and uncles. So I promised my mom that I’d consider Chrissy and Britt my “real” siblings, even though we had different dads. Even though HE was their dad.

In my late 30s, as I became distant—and grew ashamed of their actions—I started referring to them as half-siblings in conversations with newer acquaintances, people I’d just met. I wanted to ensure 1) that people knew that half of them came from something I have zero part of and 2) that nothing was their fault, really.

***

All I knew about my sister was via her public Facebook posts. I was usually scared to look; but sometimes I would, especially on days on which I had dreamt or night-mared about her the evening before. In 2021, the content of her posts began to change significantly. I accepted her lingering Friend request.

***

I run a literary magazine and one of the essays we published in the March/April 2021 issue hit me in a way I didn’t expect. Empathy poured out for my sister, instead of my anger toward her father and resentment for my mother’s choices. These thoughts were overwhelming and definitely something I’d need to talk with someone professionally about, to sort through all of these memories and grudges and emotions—and grief for the years with her I’d lost, and for those with our mother and brother neither of us would get again.

But, in that moment, I knew those feelings were the start of something big, something healing. I suddenly saw my sister as a whole person, her own person. I reflected back to the time I thought I had an epilogue to my story (I’d still need 10 years to figure out what I was actually writing and why). I also thought about superheroes and supervillains and origin stories and the rising popularity of prequels in Hollywood/Streamingwood—when the beginnings help us better understand the end.

It’s not that I no longer have a story to tell. It’s just that—that little diapered girl I left behind when I packed up my ’puter and headed off to college and then to forever—I want to know what happened to her.   

This is more than a realization that Britt has a book in her, one that might pick up where mine left off. Rather, this metaphor of the prequel is helping me understand that she’s not a bit character in my story, but a main character in her own. A survivor.

She is my sister. She has a story. And I can’t wait to learn it—and learn from it.



BIO

Donna Talarico is an independent writer and content marketing consultant in higher education, and she also is the founder of Hippocampus Magazine and its annual conference, HippoCamp. She writes an adult learner recruiting column for Wiley, and has contributed to Guardian Higher Education Network, The Writer, mental_floss, Games World of Puzzles, and others. Her creative nonfiction appears in The Los Angeles Review, Superstition Review, and elsewhere. Donna teaches or has taught about branding and digital identity in graduate creative writing programs, including Wilkes University and Rosemont College, as well as at Pennsylvania College of Art & Design. She lives in Lancaster, Pennsylvania.



Beaufort 4

by Bruce Parker


Like the sea my body pulses
choppy in wind against its current,
an open sea concealing squid eyes,
phosphorescence and fish that briefly fly.
It is the pulse of sex along my spine
still seeking surcease, sometimes
finding it and love, the sea otter, floats
on its surface, cuddles its young until
they are gone and my sea is empty again,
open sea with choppy waves.



Belle Hélène


The room was small and dingy
in a small and dingy hotel,
nothing to remember about it,
perhaps an unremarkable print hung on
a probably brown wall, I don’t remember.
Down at the end of the narrow hall
on each of the two floors was a decrepit
shared bathroom.  The hotel would have been
forgettable anywhere but there in Greece,
standing alone in bright sunshine
a little down the road from Mycenae,
where Schliemann believed he had found
the mask of Agamemnon, where he stayed
during his excavations, had signed
the guest register that I, too, signed, signed
also by Heinrich Himmler, Charlton Heston,
and others* who must have each enjoyed
the same shared bathroom at the end of the dingy hall.

*The others include:
  Claude Debussy
  Jean-Paul Sartre
  Hermann Goering Joseph Goebbels
  Pedro II of Brazil
  JK Rowling
  Gustav Adolf VI of Sweden
  Albert II of Belgium
  Agatha Christie
  Allen Ginsberg
  The Duke of Windsor and the Duchess of Kent
  Henry Miller
  Virginia and Leonard Woolf
  William Faulkner
  Irving Stone
  Jack Kerouac
  Andre Malraux
  Lawrence Durrell



Theology


The question of god begins with definition
name an attribute and there remains an exception
yes for every one of the ninety-nine names
suffering persists
we are allowed to destroy our home like children in
the name of free what
can you expect I am the deity you know
he is said to have said and even he
is suspect gender need not apply
is everywhere not a person in the way
of peculiar substance and accident combined
my empty hands will be fulfilled does supernatural
mean anything any more
any more than anything
more than anything else
any god imaginary friend invisible
all outside time and space



BIO

Bruce Parker holds a BA in History from the University of Maryland Far East Division, Okinawa, Japan; and an MA in Secondary Education from the University of New Mexico.  He has worked as an ESL teacher, technical editor, and translator.  His work has appeared in The Inflectionist Review, Pif, Blue Unicorn, The Hamilton Stone Review, and elsewhere. He lives in Portland, Oregon, and has a chapbook, Ramadan in Summer, forthcoming January 14, 2022, from Finishing Line Press. 



Arrival

By J.T. Neill



            In the winter, storms were frequent. They held the coastline to ransom. The sea that only a few months prior held waves on long leashes of refrain would wrestle with white horses that rode as far as the eye could see. It was power Islanders had understood for generations. But that was the winter. Such nights were rare in the summer, and only a particular wind, from a particular direction was able to dig down to the seabed floor. As the garden door slammed shut, she knew that that night could be one of those rare nights.

            The Island awoke the following morning as if witnessing a strange and messy argument between the sea and the wind. Seaweed was thrown everywhere, small dinghies once painted as transit marks had snapped from their anchors and washed up on the beach. Pebbles that had been thrown into the sea by children returned in their droves, forming walls of rock.

            Virginia Huntington was a third generation Islander and had a house on the seafront which she shared with her husband Mark and their three children. She had inherited the Victorian property when her father died and the house became the family’s bolthole to escape the city. Mark would drop by for weekends and bank holidays like a passing ship, careful not to dock and offload his worries in a place he had always felt like an outsider. Virginia had spent most of her childhood on the Island; playing in the rock pools to catch crabs, crying on the seafront when her boyfriend broke up with her, making love to Mark under the autumn stars, and a space she called her own to think.

            She was up earlier than usual. She picked her ‘walking Barbour’ up off the hook in the hallway and closed the door behind her.

            Down on the beach, as Virginia turned over mangled seaweed with her foot, she began to think about a problem that had been plaguing her for some time — the education of her eldest son, William. He was coming up to thirteen and Mark, single-mindedly thought the Big-Five were the only suitable suggestion, airing his frustrations as he said, ‘we’ve been over this ground before,’ annoyed that she wouldn’t see things his way. Virginia thought William was too sensitive to go to boarding school and had heard horror stories about bullying at what Mark regarded as ‘esteemed institutions.’ However, Mark controlled the money, so she knew her protestations could only go so far. She knew there were people she could talk to about it, but that would mean she had to admit she had a problem, something the Island didn’t take kindly to.

            ‘I may have to go back to work,’ thought Virginia.

            The transience of the morning’s light hung delicately over the beach, gently bringing out its sandstone colour. Her toes had managed to dislodge a clump of seaweed attached to a rock. She kicked it to the side and headed to Friars Bay, a stretch of beach that curved round like a bent forefinger, beckoning those at sea to come ashore.

            ‘Morning Virginia,’ said a local resident, whose name she could never remember.

            ‘Morning.’

            She walked past, sure to keep brooding when the Islander grabbed her by the arm.

            ‘I don’t suppose you’ve seen what’s further up the beach,’ said the man, as Virginia looked startled at being accosted in such a way.

            Is it Simon?

            ‘Not yet…What do you mean? What’s further up the beach?’

            ‘Well, I must insist I come with you, because I came across them earlier this morning and couldn’t quite believe my eyes.’

            ‘Did something wash up?’

            ‘You could say that. It’s best if you see for yourself. If I explained, you wouldn’t believe me.’

            She still felt tired, and longed more than ever to know the man’s name. She remembered the fact he had a brother named James, but then thought everyone down on the Island had a brother named James.

            Was he a cousin, perhaps, of the Peridot family? Mind you most people are, I think I may even be loosely connected to them. Incestuous place this is.

            They walked briskly, and the man’s dog, not wanting to be ignored, weaved between their legs, sniffing every bit of seaweed that’d come ashore.

            ‘It’s a little further,’ said the man.

            The beach was abnormally quiet, except the excitable croon of seagulls flying above. Virginia thought perhaps she had missed some grand event that everyone else had been invited to. The seagulls dipped down to the sea’s surface, everything went quiet.

             Just past eight, she said to herself, strange.

            ‘You see,’ said the man, bending down to pick up what he thought was a torn red jacket half buried in the sand. ‘I thought you’d be interested.’

            ‘A lifejacket? I don’t suppose someone was wearing that?’

            ‘This is nothing,’ said the man, ‘there are plenty more of these further up the beach, look I’ll show you.’

            She realised she remembered his name.

            ‘Just behind that rock,’ said the man with an almost giddy expression.

            Rupert, ah yes, his name is Rupert, thought Virginia, pleased she now remembered.

            A pair of sandals were the first things to catch her sightline.

            What is this?

            Then a jumper, then several more lifejackets.

            What are these things doing here?

            Then a foot, then a leg, then a body.

            Then people.

            Resting against a large slab of a rock, a huddled mass with legs and arms all woven into a great knot, sat shivering. Their skin was blotchy with goosebumps the size of cysts. The tide was far out and Virginia stood in disbelief. Her eyes looked at the mass of bodies then to the sea, then back to the mass. They were still sodden as if the sea had given birth to them at some point during the night. The colour had drained from their Middle Eastern faces and the coarseness of their lips spoke to each second, minute, and hour they had spent at sea.

            They can’t possibly have survived the storm, she thought, it doesn’t make any sense.

            Virginia murmured something. Then she cleared her throat and said: ‘Let me help you.’

            One woman, who hugged her knees appeared to open her mouth, but her chattering teeth rang out where her voice would have been. Virginia was able to make out the word ‘water’ just before her mouth closed, her jaw shaking all the same.

            Damn it, I don’t have any water on me.

            ‘Rupert…Rupert, water, do you have any water?’

            She turned around.

            ‘What are you doing over there?’

            ‘Afraid not,’ said Rupert, whose head popped out from a rock behind her that blocked Virginia’s view of the route she’d just taken.

            ‘I think they’ll be alright. They’re here now.’

            ‘No Rupert. No they’re not going to be alright. They’re barely alive.’

            ‘They’ve made it this far,’ said Rupert, casually, like he was commenting on a flock of seagulls. ‘Now Gin I really…’

            ‘Don’t you dare say it,’ she snapped, ‘don’t you dare say you’re leaving.’

            ‘Ok, ok,’ said Rupert with palms facing her. ‘But all I’ll say is that I have to feed Mercutio, he’s been awfully unwell recently and he needs some rest. Vets orders.’

            ‘Mercutio?’

            ‘My dog.’

            Virginia’s face froze in disgust. Mercutio’s tail wagged excitedly as he ran up and licked her shoes.

            ‘Rupert, you can’t be serious. These people need our help, your dog’s belly can wait. Surely, you can see that.’

            ‘He’s an old man these days Gin, but I can see you need my help. Now shall I call the police?’ Virginia grabbed his arm as he reached for his phone.

            ‘No, they need water not the authorities.’

            ‘But they’re not our responsibility! They’re grown adults, they decided to come here, they have to live with that.’

            ‘Can you understand what I’m saying?’ said Virginia as she bent down to speak to the group. ‘Where’s the boat…the boat…the vessel you arrived on? Do you understand?’ She was now speaking as slowly as possible, like you would to a child.

            ‘Leave them to the authorities, they’ll know what to do,’ said Rupert pleadingly.

            ‘Rupert, just for one minute could you pretend to stop being such a heartless bastard,’ said Virginia angrily as she stood up to face him. ‘There’s a little girl here! Hardly a grown adult is she. Do you think she deserves being stranded on this beach until the police show up and arrest them all?’

            They both turned to look at the mass of frozen bodies wrapped in red lifejackets that displayed the fading grasp of the devil’s hands.

            ‘Ok fine,’ sighed Rupert. ‘What do you want to do with them?’

            ‘Well, there’s…’

            Virginia started to count how many there were, disentangling one body to the next. ‘There’s ten of them here, so why don’t I take five and you take five.’

            ‘What?’ barked Rupert, ‘I hope you’re not suggesting I take these people into my home. My boys are there, they’ll think I’m a madman.’

            ‘Fine,’ she sighed. ‘I’ll take them back to mine. I have plenty of space.’

            ‘I’ll help carry their belongings, or whatever these things are,’ said Rupert, picking up the sodden rags of clothes and inspecting them like they were live animals.

             It was a short walk from the beach to Virginia’s house but several times on the way she went back to encourage those who fell behind to keep up.

            ‘I think that’s the last of them,’ said Rupert like he had personally lifted each one up the stairs of the seawall.

            ‘You have a kind soul Virginia. I’ll be round later to see how you’re getting on.’        

            And you have no soul at all, is what she wanted to say, but social bridges on the Island took years to build and only minutes to break.

            ‘Thank you for your help. I’ll phone you later, we may need some supplies, my food delivery isn’t scheduled until tomorrow.’

            ‘I’ll see what I have.’

            Rupert shut the gate and walked along the seawall out of sight.

            This is a lot of people, thought Virginia.

            She surveyed the contents of her house, slightly fearful things may be stolen, and thought about hiding some of her jewellery.

            ‘Just stay here…here,’ she said pointing, ‘one, two, three…there we go.’

            She then got out the biggest jugs she had in the house, which were only really used for special occasions, and filled them up with water. She then refilled it, then again, and again. Next she went into the store cupboard and removed all the towels, leaving them in a big pile next to the kitchen table. 

            The woman, who had tried to speak earlier, pinched the salt-crusted sleeve on her arm, and tugged upwards.

            ‘Ah yes…clothes, I’ll show you. Lets get you out of those rags.’

            Virginia directed them to separate rooms along a short corridor. They each slowly went into one and closed the door and by this loose association, Virginia was able to gauge the different relationships within the group.

            ‘Finally getting somewhere,’ she said to herself.

            Now food, what do I have.

            The kitchen was in the process of being re-done so there wasn’t much. But there were half a dozen packets of dried pasta, and she started to cut up a few onions and peppers. After that she added a few tins of chopped tomatoes, moving methodically around the room. Unfixed cupboard handles were pushed to the side. It annoyed her that after six-months she still didn’t have a kitchen. The fitter came recommended from mutual friends on the Island. But in reality there was only one carpenter in the village and he was paid per job. Two-months into the project she realised he was also the local boat builder and being the only one of everything meant he rushed only when filling out his invoices.

            By now, the sun had claimed the day and the sound of running water from the shower briefly put her mind at rest. The sun’s rays cast out, bejewelling the surface of the sea.

            Suddenly, this tranquil moment was broken. A man, speaking Arabic, kept saying the same unintelligible word. She didn’t know what he was saying but he was pointing at his towel and then putting his arm up, waving his hand around.

            ‘Clothes…are you saying you need clothes?’ said Virginia.

            The man nodded, ‘come with me, there might be something here.’

            She led him into her bedroom, which was furnished sparingly, and directed the man towards Marks side of the wardrobe. He clearly was not much impressed with the selection available and turned some hangers back and forth, inspecting them, and then feeling each individual shirt.

            ‘What’s your name?’asked Virginia, with the kind of tone you would expect from a headmistress speaking to a naughty child.

            He turned around with a perplexed expression.

            ‘Your name?’

            He shrugged, not saying a word, and pointed in the direction of a woman, coming out of one of the bedrooms who was drying her hair. Virginia thought she looked quite beautiful, as her long chestnut hair fell across her back.

            She couldn’t be more than twenty or so.

            ‘Excuse me. Do you any of you speak English? I asked that gentleman over there,’ said Virginia, pointing to the man in her bedroom, who was measuring the length of one of Mark’s shirts with his arms. ‘But he just pointed to you. I don’t suppose you speak any English?’

            ‘Little,’ said the woman, whose hardened walnut eyes, both entranced and unnerved Virginia.

            ‘Well, I must insist that you tell me something about yourselves.’

            This is my house, she could hear herself say.

            ‘Who are you? Where have you come from?’

            ‘Asma,’ said the woman putting her hand on her breast, ‘that man, who try shirt is Yusuf, he came Sudan, escape war, he lost brother in storm.’

            ‘Goodness,’ said Virginia, slightly taken aback, ‘where did you come from?’

            ‘Ahleppo.’

            ‘Athens? Why would you want to come here?

            ‘No,’ said Asma pausing, ‘A — leppo.’

            ‘Oh Aleppo, you’ve travelled quite a way.’

            Virginia thought of the destruction she had often seen in the news about the ancient city, that had been reduced to rubble.

            ‘Did you come on a boat from France?’

            ‘Yes.’

            ‘Gosh, I mean I’ve seen on the news about the crossings but never did I think they’d be in my house.’

            ‘Yes.’

            ‘It’s very brave what you did, do you understand.’

            She went back and stirred the pot.

            ‘I just can’t believe it, in my house, you’re lucky my husband isn’t here,’ said Virginia smiling over her shoulder, ‘he wouldn’t be very happy.’

            A few more people came out of the rooms, their bodies had steam rising off of them and looked at Asma and spoke among themselves.

            ‘What are they saying?’ said Virginia, pointing with a spatula.

            ‘They say you a nice person.’

            ‘Oh really, that’s nice.’

            More people came out and sat on the sofa, they each went into Virginia’s room after the man had put on his shirt and let them feel the fabric. 

            ‘I can’t believe you all came on the same boat.’

            ‘Yes, a man called it dingay,’ said Asma.

            ‘Dinghy, what man?’

            ‘The man who sold it, they everywhere in France, selling big boats and small boats.’

            ‘How big was yours?’

            Asma shook her head, then attempted to measure it with her arms, but gave up.

            ‘All of you were in this dinghy?’

            ‘Yes,’ said Asma, ‘we meant to reach Duhver but storm was too big and we were scared and held each other. When we woke, we on beach.’

            ‘Unbelievable,’ whispered Virginia, ‘I mean, really unbelievable, and Yusuf’s brother was the only one who died in that storm?’

            ‘No,’ said Asma meekly, a sorrowful expression absorbed her whole body, ‘two others also die. Now we are ten, before thirteen.’

            A girl came running into the room, where two buttoned cotton sofas faced opposite each other, in stale conversation, as long floor-to-ceiling windows, seemed to be listening in.

            ‘Mama, mama, mama,’ said the girl running to Asma to hug her leg, the sodden clothes from the beach made her physique even smaller. She looked almost like a small, soak-ridden gerbil, with raisin eyes and a stub nose.

            ‘Is she yours?’ said Virginia, stooping down to look at the child. She started speaking in gobbledygook which the child frowned at and with a rag in her mouth, dug her little nails into Asma’s legs.

            ‘Malika.’

            Asma then started to rub her back, assuring her that this woman wasn’t going to harm her.

            ‘Isn’t she just delightful,’ said Virginia excitedly.

            Malika steadily came forward, the rag still in her mouth and extended her small, delicate hand to Virginia, who shook it gently. She had always wanted a girl.

            Two more middle-aged men came out of her bedroom wearing Mark’s clothes. The daylight had done little to relax the wired expressions that seemed to be made out of stone. Then another woman, who was much older than Asma, and had a skeptical, prejudicial face, came over to inspect what Virginia was cooking. Simultaneously, a couple with the airs and graces of nobility, came over, and though they appeared graceful in their movements, there was an immeasurable gulf of loss between them. It was as if the storm had robbed them of something greater than the sum of their parts. There was a heavy smell of damp as they all sat down on the sofas with towels wrapped round them.

            ‘What are you doing?’ said Virginia.

            Pools of water gathered on the floor. The sand, still too afraid to let go, accompanied their feet on the thick fibrous rug.

            ‘Asma, Asma, please tell them to get up, they’re still wet for goodness sake. My husband would be furious.’

            Asma indicted that they stand for the time being while Virginia went about wiping up the water and sand.

            ‘If they need clothes, they’re in there,’ she said, irritatingly pointing to her room, before adding: ‘but its still warm, tell them I’ll hang their clothes up outside.’

             Virginia drained the pasta to combine with the tomato and pepper sauce. She then measured out roughly equal portions into small bowels. They each took one, and ate prodigiously, barely stopping to breath. Some stopped, but only to take a swig of water before going back to the bowel.

            Virginia watched and felt a flash of brevity in helping these people in a physical sense, rather than just giving them money, or showing them where the nearest hotel was. She had always thought that people should strive to do the right thing. It was a code of life instilled in her from her father, a vocal opponent of the government of the day in the House of Lords. His position was always the devil’s advocate. ‘It’s always useful to ask questions those in power don’t want asked,’ he used to say. Virginia took this on board and this sense of morality had dictated her life since when she was a young girl, and proved a point of contention when Mark finally met her parents some thirty years ago because he wasn’t used to being challenged.

            But now as she looked upon her latest act of goodwill, she knew her father was right, and she asked herself, what am I to the vulnerable?

            Before she could answer this question, a spasm that had started in her gut, had made its way to her mind, somewhere in the periphery, something wasn’t right. She again looked and examined the faces of momentary solace on those around her. It was when she looked at the old woman, a figure of featureless contempt for all those she crossed, imagining what her own face would look like, when in twenty years time, she would be a similar age. At all those years of difference, ten to twenty, back to ten, the number branding itself in the forefront of her mind.

            Ten, ten…it came like a message in a bottle. Then…she remembered there were ten on the beach. She looked round, counting only eight, and it suddenly dawned on her that she had been deceived, that perhaps her father was wrong, that doing the right thing was a precarious occupation.

            It opens you up to being vulnerable, thought Virginia, before consolidating, never again.

            A loud, rapid thump, was heard on the front door. The sound of which echoed throughout the light-flooded room. The sound of forks scrapping porcelain halted and everyone found themselves staring at the door. The hair on Virginia’s arms stood to attention and a gentle shiver traversed down her spine. She opened the front door just a slither.  

            ‘Virginia, sorry to intrude, but I need to speak to you,’ before adding, ‘now!’

            Standing in the doorway was MacTaggart, a retired British Army Major with a firm handshake, and bird-like face, those he commanded said he had the appearance of a raven, helped by a full head of black bottlebrush hair. He was known on the Island for his distinct voice that sounded as if he were continually shouting into a barrel.

            ‘Hello Major, what’s wrong?’

            ‘Have you heard about these people arriving this morning. I heard you met them?’

            ‘Yes, I did.’

            ‘Well,’ said Major MacTaggart, leaning away from Virginia to catch a glimpse of inside the house.

            ‘Look I’ve heard on good authority, they’re in here,’ he said pointing to her house.

            ‘Here,’ said Virginia, ‘what makes you think that?’

            ‘Half the village knows,’ said Major MacTaggart, with his hand on the door as some kind of insurance policy. ‘You know how quickly word spreads down here. Now, I’ll ask you again, are they in there?’ His eyes narrowed, as if he were on a perch.

            Virginia relaxed her slant against the front door. It slowly opened and Major MacTaggart seemed to comprehensively examine the face of each person, as if painting a picture of the different shades of villainous traits they had.

            ‘So it is true,’ said Major MacTaggart, ‘I will alert the authorities immediately.’

            ‘Wait stop, what are you doing, they’re not criminals. Why bring the law into it?’

            ‘Virginia! Are you out of your mind? The law governs this land, I suggest you look up the Dublin rules when it comes to this sort of thing because the courts will agree with me. Period.’

            ‘I’ve never heard of the Dublin rules, but they’re eating, at least wait for them to finish.’

            ‘Gin,’ said the Major stepping closer, ‘you must understand, I’m doing this for the good of the Island.’

            ‘But John…’

            ‘Please, it’s Major,’ he puffed up his chest and boomed: ‘I worked hard for such a title.’

            ‘But John, for whose good? I’m down here for such a short time. They are not a nuisance, if anyone should be annoyed its me. They are in my house. But they are not a threat, please J — Major, let them at least finish their food.’

            She decided in that moment not to disclose to MacTaggart that two people were already roaming the Island.

            ‘I don’t like this at all. Are you not worried that your life might be in danger?’

            She looked round as they were all eating and chatting, and then returned to his stern repose.

            ‘I’d say I’m more worried I’m not going to have any food left.’

            She smiled, and relaxed her shoulders. But any charm slid straight off MacTaggart’s back.

            ‘Gin,’ rumbled MacTaggart, ‘this is no joke, you can get in trouble. Does Mark know?’

            ‘John, I really don’t see how that’s relevant.’

            ‘He’s the man of the house, of course its relevant.’

            ‘What age are we living in?’

            ‘Look Gin,’ the rumble returned, ‘all I’m saying is that there are too many of them,’ MacTaggart start to point behind the door, ‘there’s too many here already.’

            ‘I simply disagree.’

             MacTaggart stood firm, then without turning took two steps back and announced: ‘we are a community here, we protect one another, can you safely say the same?’

            ‘Excuse me?’  

            MacTaggart felt he had made his point and saw no reason in responding. He marched off down the gravel drive to the road with fumes of dust trailing after him.

            She stayed resting against the door frame thinking.

            As the years ticked by, it was becoming increasingly clear that this place was not right for her. When she brought it up, Mark always said, ‘but you’ve been coming here since you were a little girl, you’ve always known what this place is like.’ But as she watched MacTaggart turn left out of sight, she wondered if she really did know what the Island was like. For lack of a better idea than to come down because her boys enjoyed it.

            I’m so sick of it, she thought, closing the door. I feel like a moth dancing round one particular type of flame.

            Standing with her back to the door, she thought: To hell with these people, I can’t take it any longer. Then she moved just a step and thought: I have to stay, what would I say to Mark? What would I say to the boys? They must never know.

            Asma was holding Malika’s arms and swinging her around the room. Malika kept giggling, asking again, again, again. She reminded Virginia of Mark doing the exact same to William. Virginia was taken back to the beach when William had just been born. For a moment, her worries dissolved. Then the phone rang.

            ‘Virginia its me.’

            ‘Hi Lizzie.’

            Lizzie was Virginia’s neighbour from two doors down and rarely called. Lizzie had all of her conversations on the beach, by the time she returned home, there was little else to say.

            ‘So how are things?’

            ‘Same as usual I guess.’ Virginia chewed her gums. ‘I did want to ask you about the Big Five, though we’re thinking…’

            ‘That’s good isn’t it.’

            ‘Yes, well…’

            ‘A little birdie told me you have friends staying.’

            ‘Only for a short while.’

            ‘Who are they?’

            Virginia could hear Lizzie in the background whispering to someone, ‘she says they’ve been there a short while.’

            ‘Just friends.’

            ‘Oh lovely,’ Liz paused, then continued: ‘well MacTaggart paid us a visit and said they were in fact migrants. Is that right Gin, you have migrants in your house?’

            ‘I haven’t asked.’

            ‘You know my husband’s very ill at the moment, terrible cough. Doctors say it’s a chest infection and well we don’t want any outside contact, you know, we can’t risk any foreign nasties, if you see what I mean?’

            ‘I thought you said MacTaggart came round.’

            ‘He’s an army man Gin, you know that.’

            ‘Right.’

            ‘Anyway, you must pop round soon, perhaps when your friends have gone.’

            ‘I will let you know. Bye Lizzie.’

            ‘Bye, bye.’

            She hung up the phone. There were numerous other messages flashing red. She put the phone on the receiver and walked over to the group. The group were huddled round one another, and Virginia felt like they were trapped birds that needed to be freed. Her boys had always been reticent to believe her when she said, ‘down here news travels like wildfire.’

            If only they could be here now, she thought. Then they’d believe me.

            ‘Who was that?’ said Asma.

            Oh whats the use. Virginia put her head in her hands. The phone started to ring again and Asma ever so gently tapped her shoulder but Virginia could no longer take it and got up and ran into her bedroom. She sobbed and sobbed, each tear felt raw as if it had been conjured up as blood. Throughout all her years on the Island, Virginia had never been in such a situation; torn between her allegiances on the Island, people she had known since she was a girl, and being responsible for those in her care. As she grew up, there were always lingering thoughts about never returning, but then she saw how much her boys enjoy it, how happy some moments are. In those moments, not a grey sky, nor rain could ruin. They were hers forever, and she wanted to keep them that way.

            Asma came and put a box of tissues near her leg. She grabbed them, embarrassed to look up. The whole day had been some strange apparition, the concept of time had floated off long ago. But as Asma stood there refusing to move, her presence diluted the syrupy thoughts that Virginia had built into monuments. She wiped her eyes, breathed in and looked up.

            ‘You have problem?’ said Asma.

            Virginia blew her nose to the point where her nostrils could give no more.

            ‘I do.’

            At that moment, Asma said something and the whole group came into the room. The couple, whose faces had previously expressed such immeasurable sadness sat either side and started to console her, while the stern-faced looking woman stood directly in front as if she had come to collect Virginia’s emotions.

            ‘It will be alright,’ said Asma, as she offered another tissue for her eyes, ‘you’re a good person.’

            ‘Oh stop it will you,’ snapped Virginia, ‘I’m not good, I’m just scared.’

            ‘We are all scared of something,’ said the old woman who had not moved.

            Virginia looked up, speechless and shocked.

            ‘Mama, mama,’ said Malika, tugging on Asma’s arm.

            She quickly turned and said something that sounded like ‘lays alan.’

            ‘You speak English, after all this time. Why didn’t you say something?’

            ‘When you’ve been through what I’ve been through, sometimes being quiet is greatest friend.’

            ‘God I wish that’d work down here.’

            ‘I hear your troubles with that man, angry one who came earlier, he’s just messenger boy, don’t worry.’

            ‘Everyone knows,’ Virginia said exasperated. ‘Everyone, people don’t like outsiders down here especially you’re…especially people who come off boats.’

            Asma was about to say something but the old woman spoke over her saying: ‘then they don’t know themselves, every one comes off boats.’

            ‘Are we going to be taken away,’ said Asma.

            ‘Oh,’ said Virginia sobbing again, ‘I don’t know.’

            She picked up another tissue and blew into it fiercely, ‘I don’t know.’

            Virginia gathered herself and stared blankly at the wall before continuing: ‘they would have told the police by now, who have probably told the Home Office or Immigration. I’ve thought about leaving many times, all the whispering and the gossip. Christ my brother’s divorce was known by my neighbour before me.’

            Asma rubbed Virginia’s back, in a similar manner to how she introduced Malika only an hour before, and said: ‘You know in Syria, we have saying, for difficult situations.’

            While Virginia looked her squarely in the eyes, Asma continued: ‘It’s better to deal with the devil we know than the devil we don’t.’

            Virginia smiled, and said: ‘And I’ve known this devil for a long time, perhaps too long, perhaps meeting you will finally get me to leave this Island.’

            Asma nodded along, pretending to know what she meant, but the food and warmth had made her own history indulgent.

            ‘I’ll never forget, you say fiancé, told me, just after the first shots were fired.’

            Virginia had recovered herself and everyone scattered themselves into chairs around the room. Asma rested against the wardrobe looking up at the ceiling.

            ‘You see, as protests started, people they were very hungry. Not just for food. I remember hearing at university about boys, what’s the word,’ she said something in Arabic to the old woman.

            ‘Graffiti,’ she replied.

            ‘Yes,’ said Asma before continuing: ‘they spray graffi-titi on school in Daraa, that say doctor you’re next. Since then we suffer hell, everyday, a hell even the devil would run from. But Faheem, my beautiful Faheem.’

            Asma’s tongue lingered on his name, as if she could taste him and then said: ‘he told me we get rid of Bashar, where we go then? Like father like son, they say over here. Same in Syria, we know too well graves the Assads dig. Too many to count. We hoped Bashar would reform Syria, give us the change he want, but just like father he couldn’t. He killed us, his own people. My family killed, my mother killed, my sister killed, even my beautiful, beautiful Faheem, killed.’

            Everyone in the room was solemnly nodding.

            Asma put her hands on her chest, and said: ‘I’m the only one of my family who got out, only one.’

            Asma’s voice started to break and the old woman picked up her story as if it were part of her own.

            ‘If Bashar listen, just listen once about reform, everyone we love would still be alive. But then came devil we don’t know. Extremists, terrorists, things people say we are, but we’re Muslim, terrorists are not followers of Islam. No Islam we know. They butcher us just like all the Assads, but your country can’t have two Assads so they start a war. Everyone follows UK, why do you think we want to come here in first place.’

            Asma traced the scars on her hands.

            In the background, Malika innocently played with the curtains, while Virginia looked on in silence.

            ‘Faheem told me only bitter people are angry, and if you suck lemon long enough, of course you’ll be bitter.’

            ‘What do you mean?’ said Virginia.

            ‘If you really want to leave, you would have done already, but you prefer devil you know.’

            ‘It’s not that simple.’

            The old woman stepped in, ‘it is, but you want more difficult because then you don’t have to make decision. Like those two people who came with us, you don’t speak about them — why?’

            ‘So you knew, were they your friends?’

            ‘Of course not,’ said the old woman raising her voice, ‘what you think all Syrians are friends, have you not been listening.’

            ‘But they came with you, anyway, they’re the Island’s problem now.’

            ‘And what about us,’ said Asma, drawing her hands to her chest.

            Virginia didn’t know what to say and rubbed her ear lobe. She always did when she was nervous.

            After a few seconds, she said: ‘I don’t know, I’m sorry, I really am.’

            A silence drifted over them. The old woman gave curt and quick remarks in Arabic to other members of the group, who were looking down at the floor. Virginia got up, hoping her absence meant they could discuss in earnest what they needed to say. But as soon as she got up, she sat back down. The way one does when you feel truly comfortable in your surroundings, where the simple act of savouring the moment disrupts time and place in equal measure, there’s no rush because there’s nothing on the horizon except more of the same and who would want to ruin that?

            Outside, the wind had disappeared high up into the heavens. The water shimmered in the afternoon light as the sun’s rays travelled along uninterrupted grooves on the surface, wiggling and waving. Virginia dreaded what would come after the moment had passed and wished for nothing else than to seize it and make it her prisoner.

            She thought about Mark and what she would say to him. Whether to tell him what happened on that fateful summer’s day.

            Later, she thought. I will tell him later.

            In the distance, the soft crunch of gravel could be heard. Virginia took a sharp breath in.



BIO

J.T. Neill is a London-based writer. Born and raised in Ealing, he graduated from the University of Manchester, where he studied English Literature and American Studies. During this time, he did a semester at the University of Tennessee in Knoxville. Since then, he’s worked as a journalist in Spain and the UK. You can follow him @jedtneill on Twitter.



Under the Ice

by Holly Day


In the winter, I surround myself with pictures of frogs
statues of frogs, books about frogs, because you never see frogs
when it’s 10 below zero, and that’s the time I seem to really miss them.
When I go to the zoo, and I see the little poison frogs in their cages
it’s not the same, because it’s not like seeing a flat-footed toad
sliding down my office window in the middle of a rainstorm
scrabbling against the glass as if trying to get in
or when I go to my mother-in-law’s house
in the dead heat of summer, and find a tree frog
perched on top of her doorbell, or spying over the lip of a flower pot.

It’s not so much that I like frogs, but that I miss seeing them because it’s winter.
It’s not so much that I miss frogs, but I miss the weather associated with them:
the hot summer rains that cause tadpoles to sprout legs and spring free from the water
the way the lawn explodes with tiny brown toads when I start the mower up
the way my daughter used to dance with the frogs she found in the back yard,
around and around, like she was some sort of fairy tale princess
this is why I’m surrounded by motionless surrogates, these harbingers of spring,
always, and especially now.


Sunday


The wasp climbs out of the hole it’s chewed in the rotten apple
stumbles drunkenly across the grass as if stumbling towards me.
I, too, have been drinking, and I have no desire to fight
am only interested in enjoying the warm sunlight on my face and shoulders
the cool, tiny feet of the occasional butterfly treating my arm like a perch
the soft cushion of grass and purple wildflowers pressing into my back.

I turn my head and watch the passage of the drunk wasp, track it
as it tumbles into a depression in the mud, emerging moments later
shaking its head as though it’s angry or laughing. I prefer to think it’s laughing
and I laugh, too, startling the finches congregating in the branches overhead
a couple of rabbits hiding in the tall grass nearby, even myself, a little bit
so out of place my voice sounds
in this world of buzzing bees and crackling undergrowth.


Touch


Cockroaches are one of the only insects that actually like to be touched,
are some of the only non-domesticated creatures
that crave physical attention, aren’t comfortable unless they’re wrapped
in the bodies of their companions, in the palm of your hand
tucked deep in the bottom of a shoe or the folds of a pocket or a hat.

If I had known that when we put the new wallpaper up
I would have left the cockroaches where they crouched, low,
against the wall, covered them carefully with paper and paste
circled the area on the wallpaper so I knew where they were.
I could have made it a routine to carefully stroke those circled spots
every time I went up and down the stairs,

knowing there was a little cockroach under there
contentedly gnawing on dried paste varnish
perhaps slowly tunneling a passage to escape
through the underside of the paper.



BIO

Holly Day (hollylday.blogspot.com) has been an instructor at the Loft Literary Center in Minneapolis since 2000. Her writing has recently appeared in Hubbub, Grain, and Third Wednesday. Hernewest books are The Tooth is the Largest Organ in the Human Body (Anaphora Literary Press), Book of Beasts (Weasel Press), Bound in Ice (Shanti Arts), and Music Composition for Dummies (Wiley). 







An Analysis

By Robert Boucheron


     As a baby, the patient had golden curls, a skin complexion of white and rose, and chubby limbs, all of which prompted strangers to say, “What a little angel!” By way of proof, he brought an album to the psychotherapeutic suite. Photographs showed a cherubic little boy in a romper. Under one picture was written “His new shoes. Adorable!” Another showed a pair of gossamer wings affixed to his back as a costume. For confidentiality, and because the analysis depends in part on the nickname, I will call the patient “Angel.”

     At the time we met, Angel was in his twenties, sensibly groomed, wearing street clothes. His manner was earnest, ready to confide. His body was well-developed in bone structure and muscle mass. His facial features were regular. He said he ate a balanced diet and exercised three times a week at a gymnasium. Now and then he posed as a photographic model in advertisements for clothing and consumer products.

     “You’ve probably seen me in a newspaper insert for a department store sale,” he said. “I have the right combination of chiseled masculinity and bland vacancy,” he said. “On the street people stare without knowing why. A moment later they forget about me.”

     In a large city, hundreds of people pass in the course of a day. It is impossible to remember one seen for an instant on the street, or for the duration of a ride on public transit. And freelance gigs are common. Was the patient unduly sensitive? Did he expect too much from a casual encounter?

     In possession of a superb body, a good address, and many creature comforts, Angel said he suffered from a lack of purpose, a sense of cluelessness. This mental state was so strong, he said, “I struggle to get up in the morning, drift through the day on automatic pilot, and go to bed with a feeling I accomplished nothing.” Angel was employed full-time, I should point out, in the business office of a well-known manufacturer of medical supplies and products for the care of infants.

     From the age of fifteen, Angel experienced an inner compulsion, a need to tell others what was on his mind. “I had this urge to express myself. It was like I had an important message, only I didn’t know what the message was, or who it was for.”

     In the way of adolescent boys, he was silent and sullen, afraid to blab. When not shooting baskets or throwing a football, he began to write poems, scraps of dialogue, and short stories. He dared not show these pieces of writing to anyone. Even the mention of them caused his face to burn red from embarrassment.

     “They were awful, exactly what you would expect, imitations of what I read in English class and what I heard on television. I threw them away.”

     Angel did well in high school. He attended college, where he studied the liberal arts, and graduated at a favorable time to enter the labor market. Life proceeded smoothly. Within the metropolitan area, he found a job and an apartment, made friends, and as noted, picked up modeling assignments.

     Unmarried, Angel had dated women since his teens. Lately he had been seeing a young woman I will call “Mary.” From his description, Mary was amiable and unremarkable, much like him. He showed me her photo on his pocket phone: an attractive brunette with nothing on her mind.

     Mary and Angel met for dinner once a week, watched movies together, and engaged in bedroom frolics. The neurosis, then, had nothing to do with repressed or deviant sexuality, the subject of so many cases. Meanwhile, in the placid pond of Angel’s life, the urge to write seethed below the surface.

     “Now and then, I grabbed a notebook and started to scribble. I never knew what was going to come out, only that I had to put words on paper. It was an itch I had to scratch. I heard voices in my head, like characters in a play. Plot lines, conflicts, descriptions of places. Moods and sudden turns. This might sound crazy, but writing stuff down was my way of coping.”

     “Nothing sounds crazy,” I said. “Feel free to say whatever comes to mind. Ramble and rant, blather and blurt. An analyst listens and takes it all in. Did you know, by the way, that ‘angel’ means ‘messenger’ in Greek?”

     “No. So what?”

     “In the interest of putting our time to its best use, allow me to ask a question. Do you still feel compelled to write?”

     “Yes. Now I type on a laptop.”

     “Do you favor poetry or prose?”

     “Mostly I stick to stories.”

     “Creative writing is a harmless hobby. Where is the problem?”

     “After all these years, I still don’t know what my message is. What am I trying to say? And who needs to read it?”

     “Has Mary read your work?”

     “No. She isn’t into contemporary fiction.”

     “Have you talked to her about writing?”

     “A little.”

     “And what is her response?”

     “She says, ‘I’m here for you.’”

     “Does she encourage you?”

     “She says, ‘If that’s what you really want to do, maybe I can help.’”

     “Do you love her?”

     This challenge elicited a degree of squirming, and at last an affirmative.

     The onset of symptoms at puberty implied that Angel’s “message” was simply the need to find a receptive partner, or in biological terms, to seek a mate. The frustration he experienced in writing stories indicated a misdirection of psychic energy. The analysis suggested a course of action.

     “Write a love letter to Mary,” I said, “not a literary exercise, but a sincere declaration.”

     Angel did so. Mary’s response was encouraging. It led him to propose marriage. Without hesitation, she accepted. The next day, Angel reported this to me by text and attached a photo of the two, all smiles.

     “You know that mysterious urge to write?” the message said. “It went away.”

     A follow-up session was unnecessary.



BIO

Robert Boucheron is an architect in Charlottesville, Virginia. His short stories and essays appear in Bellingham Review, Christian Science Monitor, Fiction International, Louisville Review, New Haven Review, and Saturday Evening Post. He is the editor of Rivanna Review. His blog is at robertboucheron.com



An interruption
And the night shifts. Something
Clatters the bamboo.

No one clatters
Along this bamboo but I,
This lonely night.

Night clatters along.
Something lonely shifts
The bamboo reeds.

Lonely reeds shift and
Something in the night clatters
An interruption.

*

From damp earth
A bright gray smell
Of leaves, of earth again.

No smell of damp.
Leaves soon turn bright and
Fall to earth and mud.

How soon it must turn.
Damp leaves fall bright, then
Mud and earth again.

The leaves, gray. The smell,
gray and earthen. Damp,
mud, the turning earth.

*

In the frost, listen.
To the water, listen.
The moon cries: listen.

Listen to the frost
Crying at the moon, the water
crying too. Listen.



BIO

Ash Ellison is an artist and educator in Tennessee.

Make It Go Away:
Love, Loss, and What I was Reading

By Joan Frank



            Quick: what’s the first goal for a writer—for artists, for anyone—living in a time of worldwide plague?

            Easy, on the face of it: Survive. Keep strong. Stay well, and alert.

            Shut up and do everything it takes. Care for beloveds. Minimize risk. Obey the Surgeon General. Stay put. Get the vaccine when it shows up.

            Soon—maybe by the time you read this—we’ll be looking back on the scourge in relief. Trading memories of how it was.

            At this writing, we’re barely able to keep up with the now.

            That’s become—putting it gently—the trickier task.

            For this moment, breaking revelations still blizzard down nonstop, burying us past our eyebrows. By revelations I don’t just mean the progress of vaccines, political wars, riots and insurrections, gossip, ecological cataclysm, mortality numbers, or dwindling hospital beds.

            I mean revelations about meaning. Hide-and-seek with meaning.

            With the advents of all the above, meaning itself seems to mutate almost hourly, twisting, collapsing, shredding. Life’s under siege. Nothing can feel the same from the moment one steps outside the door—though if you squint, things on their surfaces appear familiar. It’s what’s directly beneath those surfaces that decimates. The news screams death, destruction, chaos. Our minds struggle to look straight at it.

            Unsurprisingly, our responses have popped forth in waves, a surging of flung-open jacks-in-the-box. We’ve had awful trouble sleeping. We’ve experienced bad dreams, anxiety, stress; muzziness; depression, manic panic. We’ve felt spaced out or angry or glum, tired or twitchy, scared or numb or listless; wanting to eat or drink ourselves insensible or just to stop eating and never get out of bed. We’ve burst into tears at odd moments. Former goals (productivity; social gestures; acquiring things) have flattened and bled out, unrecognizable as road kill.

            The known world shrank to the size of domestic floor space. Fastidiousness seguéd into neurosis, childlike irritability, and straight-up freakouts. You’re standing right where I want to be. I like that cup best. Get dressed? Why?

            Analogies for lockdown realities have varied. One is Ann Frank’s attic. Another is living under house arrest. Another—repeated ad nauseam like the particulars of our days themselves—is the movie Groundhog Day, which I’d only reprise here to highlight one refinement. Our predicament’s best captured, I think, by one crucial cut in that film—to the scene in which Bill Murray calmly reads a book at the lunch counter of the local diner. With that inspired shot (which no one, to my knowledge, has yet singled out for major praise) we’re slammed by the totality of Murray’s character’s surrender. Forced to accept his entrapment, sentenced to live out the same day into eternity, he’s done a poignantly existential thing.

            He’s made himself at home inside it.

            To a large degree, many of us have done the same. We’ve resigned ourselves to reading quietly at the eternal lunch counter.

            It’s consoling—sort of—to find oneself inducted into a huge club by default. But that does not change the unspeakable conditions of membership. A dear friend commented wisely: “I know we’re lucky and that so many people we know are lucky [to have] good health, homes, enough food, etc. It sometimes strikes me that complaining is a luxury. Even so, I complain—and malls are closing and small businesses can’t pay rent, so the outside world is a twisted art installation of shuttered doors.”

            It may be that when this thing is past—if it will ever be past—we’ll promise each other never to forget it, to be and act and do better. Then we’ll quickly forget every last speck of it and go back to being heedless, grabbing idiots. It is possible.

            Meantime? The prime internal bulletin for me, during the deep-vault exile of lockdown, has been one I don’t see a slew of writers admitting.

            A saggy joke throughout this pandemic, from well-meaning friends and family referring to us writers—well known to be introverts, cranks, hermits—went like this:

            “Jeez, you must be in heaven. You don’t have to go anywhere or see anyone. You can live in your pajamas and eat popcorn and write your heart out.”

            Cue everyone’s sour laughter. Utterers of the quip sounded proud of its fresh wit, waiting for the writer to find it hilarious, too.

            Technically, it’s true. We’ve gone straight to the work every day. We’ve maybe felt some guilty thankfulness for being able to do it, without preamble or apology.

            But that’s where the joke breaks down. Have writers viewed this new, enforced working time as perfect heaven? Did we feel clear and purposeful about whatever we’d been tapping out in our plague-buffered hidey-hole?

            Yeah—no, I don’t think so. No. Would you easily celebrate hunkering down at the notebook or keyboard while an asteroid sped toward earth, or a tidal wave raced toward your home? Feel compelled to restyle interior decor in the Titanic’s cabins?

            I couldn’t. Can’t.

            No question, in the old days certain jolly distractions—travel and recreations imposed by my dear spouse and innocent others—seemed a zombie-conspiracy to drink my blood, to block my blazing love affair with reading and writing.

            Yet if you asked any number of writers during a plague year, I’m suspecting they might well confess the unspeakable, as I do here:

            We’ve missed everything and everyone. Teeth-chatteringly.

            That could, I know, be another way of saying we’ve missed the enemy.

            We’ve missed Zorba’s “full catastrophe:” the pulse and chaos of life, the fussing and yammering, juggling and chafing. The endless, draining noise and dance.

            I can’t believe I’m saying this, but I’ve missed ground-level hubbub—even if it was always something I routinely fought. Like Kingsley Amis’s battleships laboring to turn around at sea, I’ve begun to grasp the stunning lesson of plaguetime: the utter primacy to us as animals, of gathering.

            Take away gathering; little remains. Commerce, services, systems implode or go wonky—and with them, culture, and close behind that, mental health. Without familiar shapes, motions, and networks, we lose our bearings. Who’d guess that even within the saddest, most people-hating hearts lurked an actual, physical longing to hug and be hugged (even those lucky enough to live with a beloved partner)?  Some of us have also painfully missed the very small beings (not, alas, in our pods) whom we once could unthinkingly hold in our arms. By the time we can safely hold them again, we fear they may be grown.

            We’ve missed thoughtless, intermingled, physical, busy, abrasive, stupid, forceful, exalted life.

            I never could have accepted this, had I not felt it.

            But the revelation goes deeper. It’s been about more than animal hunger to hang out and be held.

            What’s also gone mushy and mealy is identity. One defines oneself, as a rule, against a witnessing backdrop. If you say to a wino crumpled on the curb hey, I’m a writer, he or she might or might not deign to grunt back at you. But you’ll have named a calling in recognizable language before a fellow-member of your species. Something happens. You’ve defined yourself—if only for yourself—before another’s gaze, another’s sensibility, however weird.

            If witnesses vanish, do we exist? Crisp boundaries loosened during lockdown, disassembled, floated off in motes. This weightlessness seems related to the riddle of a tree falling in a forest with no one near to hear. It also feels connected to the futility of dressing in street clothes—street suddenly such a telling designation—or wearing makeup or jewelry. By extension: why fuss with meals? Why arrange the green beans in their own little pile beside the veggie burger? Why anything? Why not just stare out the window watching the light change for, oh, twelve or fourteen months?

            (Bathing, I do hope, won’t fall by the wayside.)

            Parents raising kids? You’re hereby given a complete pass on everything. Not for you such lazy whithering. More: You deserve medals and prizes. The same for healthcare workers; also service workers, first responders, and everyone on the front lines: everyone who’ll have acted, in Mr. Roger’s words, as a Helper.

            At the beginning of all this, an astronaut wrote an article advising us that if she could live in space alone for a year, we could manage living in isolation under lockdown. She itemized her principles: make a routine, exercise, care for your brain and emotional health; stay connected. Turns out these sane basics did not prove so easily adaptable by earthbound types. Are we inferior creatures? Certainly, later historians will feast on the naughty-nice list of our small triumphs and cavernous failures. And without doubt a ton of zingy post-facto studies will appear, like thousand-piece human nature puzzles (shadows of Lord of the Flies flickering through the window).

            Except, guys? To hell with it.

            Like everyone, I never wanted to be part of this experiment. I want back the simple luxury of fighting people for private time. I crave the clarity of knowing, without an avalanche of second (third, hundredth) thoughts, what I’m doing and why. I want to embrace friends while eating and drinking with them—if later grumbling about them.

            More than anything I want people to stop getting sick and dying, to get jobs, food, health care, schools, and decent life restored to them.

            In the words of my then-very-young stepson when my husband, telling him stories, channeled a scary invented ogre named Mr. Meany:

            “Make it go away!”

            It’s worth noting here that in many an artist’s heart a tremendous deadlock has raged, around which all the above-named commotion twirls—like that symbol for medical doctors with its famed righteous sword entwined (menaced) by snakes.

            How can writing—any art—matter during mortal terror?

            “Leave me alone to make—”

            To make what, exactly? More to the point, why?

            Who wants to make up stories or discuss vagaries of style when people are dying in swaths? What can any of us produce that will be of real use—or even make sense in this context?

            Cue the slow, deep breath. Cue the lowered head.

            Multiple times the above question has reared its big angry head. And my reflex each time is to surrender, conceding the worst: that mere art, during a plague, can make no more difference than morning dew—that it can scarcely matter. If bombs are falling, how puny art must seem.

            Yet in the next instant I’m forced to remember the heroism of European museum curators who, during war years, evacuated precious inventories and hid or buried them in secret locales until it was safe to exhume them. How this fact repeatedly fills us with wonder as we gaze on incalculable treasures, generations later.

            Then I begin to think about our own personal choices, daily, hourly, for the use of time during isolation—with no observer taking notes or holding a gun to our heads.

            I notice what I’ve seen myself reach for constantly as comfort, nourishment, reinforcement. And from their reports, a lot of friends have appeared to be doing pretty much the same.

            I’ve reached for music, films, and books. Simple as that.

            I’ve never stopped playing the music I love, Bach to Barbosa-Lima. Evenings we’ve watched movies that distracted, beautified, stirred, soothed, or made us laugh like maniacs. Documentaries. Dance. If anything made me happy-cry, so much the better.

            But above all I’ve been constantly immersed in the reading I sensed would fortify me, the language that would feel irreducible—even if bombs fell.

            This reading has included some horrific material, stories others might consider nihilistic or weird. Carson McCullers’ Reflections in a Golden Eye  (my paperback edition introduced with fierce relish by Tennessee Williams), proved as powerful a nightmare as they come. Yet something about its calm recital of human peculiarity and darkness felt like release, pure and invigorating as lungfuls of alpine air. The terrible truths embedded in every word of its eerie murder story—of jealousy, erotic confusion, inchoate mortal longing—reassured. I couldn’t question this odd chemistry. Most of what I’ve been reading could not have been written to address someone stranded in frightened isolation during a plague year. Yet there was no escaping the awareness that the material had been written because it had to be written. Thus, the writing that most mattered felt as if it had been murmured in the dark to a secret friend—me—with that gorgeous one-on-one urgency that reverberates in a reader’s skull like a struck gong.

            Meredith Hall’s novel Beneficence, an epic, glittering novel chronicling an American farm family’s ordeals during the early 20th century, was one such discovery. So was Nicole Krauss’s dreamlike yet ruthlessly cerebral story collection To Be a Man, and Robert Hass’ latest book of glittering, gritty poetry, Summer Snow. Wright Morris’s Plains Song (I’m late to it) struck me as wondrous. I was swept away by Peter Cameron’s dark, austere, nearly perfect What Happens at Night, and wished it would never end.

            Other reading that “gave good weight” during plague-time included Henri Troyat’s brilliant, bristling biography, Tolstoy. (Troyat’s oeuvre proves eye-poppingly vast.) Another was Rachel Cohen’s deep dive into her own experience interleaved with that of Jane Austen, in Austen Years. Another still was Margot Livesey’s luminously compassionate The Boy in the Field.

            I’ve got a queue of waiting titles at the library (via curbside pickup) as tall as me. In that queue are some surprises, if what I’ve cited sounds too draconian. I’ve ordered plenty of what’s making the rounds (Ayad Akhtar, Charles Yu, Yang Huang, Robert Jones Jr.) but also essays: Homo Irrealis, Andre Aciman; My Lives, Edmund White; The Way of Bach, Dan Moller. Black Futures, Kimberly Drew. Late Migrations, Margaret Renkl. Wintering, Katherine May.

            Underpinning the above also runs a series of impulses to reabsorb some timeless icons. The Russians. Shirley Hazzard. Marguerite Yourcenar. Tove Jansson. Virginia Woolf (A Writer’s Diary was written while real bombs fell, and describes them).

            Not every title works. I’ve had to abandon some. It’s a waste of time to pretend otherwise. And time’s still precious, even as it collapses and bubbles like lava. The oldest criterion applies: given horrific straits, what insists we stick around? What reaches into us; what puts something back? Engagement’s slipperier than ever, given our pulverized attention spans. I’m after whatever works—aware too, very sadly, that for plenty of others this might mean video games.

            As my canny young granddaughter notes, shrugging: “What’re you gonna do?”

            Maybe good art (in any form) fixes a hard ground-floor of honesty that can be stood upon calmly while the planet shudders; a sturdy roof when the heavens open: Here is the church, here is the steeple. The works that feel talismanic, as if they emit lifesaving signals, demand we hold them tightly: Here’s who we are. Here’s who we’ve been. Here’s what we have meant and can still, may still, mean. Certain books act like emergency-relief parcels dropped straight into the yearning heart. Their voices—all some variant, per Louise Glück, of “the solitary human voice, raised in lament or longing”—still talk to me, telling me things it helps to remember while the shitstorm rages outside. In truth, the exact same chemistry applies post-shitstorm. It’s the only answer to inarticulable anguish I can locate for now—one I’ll keep taking as I find it.


BIO

Joan Frank (www.joanfrank.org) is the author of eleven books of literary fiction and nonfiction. Her newest novel is THE OUTLOOK FOR EARTHLINGS (Regal House Publishing). Concurrent works include WHERE YOU’RE ALL GOING: FOUR NOVELLAS (Sarabande Books), and TRY TO GET LOST: ESSAYS ON TRAVEL AND PLACE (Univ. of New Mexico Press). She lives in Northern California.



Drive-up Christmas Eve

by Stuart Watson



Only a week had passed since someone from our church, wrapped around one too many holiday martinis, suggested a drive-in Christmas Eve service. In the parking lot of the newspaper, just downhill from the red taco truck.

I was still living with my parents, going to juco. Getting some credits out of the way while I figured it out. They said they were going, maybe I could join them. I asked them what was the plan.

Nobody would have thought of such a thing, if not for the clouds of virus wafting around the planet, dropping in here and there, infecting dozens of people with a lassitude counterproductive to mass holiday consumerism. People, deprived of their drug, were stressed.

As a result of the plague and an understandable public desire not to get the extensive sores and oozing worms and the sudden inclination to fall down and roll around and shout out in language never before uttered from one’s lips, the congregants tilted toward seeing Jesus through their windshields.

The Rev hadn’t had indoor service in months. It seemed like an atheist plot to not have Christmas Eve. She had heard about people doing service at old drive-in movie parks, so she convinced the editor of the paper to let her stage a drive-in service.

“You gonna show Psycho?” he asked. “I’d come. I did the first time.”

“First…?”

She didn’t pursue it. The editor and his girlfriend, who would later become his wife, conceived their first child watching Norman Bates slash Janet Leigh. He just figured it best to let the church people have their way.

Then the Rev turned to the flock, to help her paint the fence.

I was driving a 1979 Ford LTD at the time. Bought it at a local salvage yard, got it running with help of my auto shop class (we live in a small town, where they still have such things, and I sure as hell wasn’t going to take home-ec). It had an eight track player with this cassette of Bad Company’s Straight Shooter stuck inside of it. Talk about heavy rotation. It was the only cassette I could listen to. Oh, man, my best memories were all attached to this car and that cassette. I told my folks I would go, if my girl Florice wanted to go too. She was done baking Christmas cookies, so some heavy rotation sounded good to her, too.

The event came together at warp speed. Mandy told the Rev she would build a spreadsheet. A column for names, a column for cars, a column for how many people needed extra space for barbecues and coolers. She should have included a column for weather.

Mandy used to run a clothing store. She had names of contractors who could turn out some hats and T-shirts. She sent that to Katie, who managed the newsletter, and fired off a quickie blast to all the Christians and hangers-on who liked the Gospel Choir. A couple dozen said they might like a little Tailgating with Jesus.

Elrod said he could round up some volunteers to help park cars. Stand in the lot in reflective vests. Wave flashlights so people knew that they should pull in to parking slots and keep going to the opposite slot so their car and the one behind them would all be facing in the same direction.

There would be a stage. With people wearing reindeer antlers, purchased from the Dollar Store. Sue Zee was in charge. She also enlisted people for the creche, a Joseph (Stan), a Mary (Wanda) and a baby Jesus (a potbellied pig dressed in a lamb’s wool vest).

Sue didn’t want anything to do with the sound system. That fell into the lap of Marv, who ran the speakers in the sanctuary when the faithful weren’t all trying to avoid breathing on each other. He had a trailer full of gear with lights and knobs and places to plug in wires. He would pull it into the lot and let church members get out of their cars and wander by and take a gander.

“Is that where the plug goes?” someone might ask, and he would say, “Yep. Gotta plug the plug.”

Then, when the Rev said “Go,” he would crank it up to thirteen and blast the faithful to the great beyond.

Betty said she would get the kids together to create costumes that made them look like dessicated deer. With lights on their heads, operated by battery packs hidden inside the deer butts.

Several of the ladies from the Good News Grannies were planning their next outreach to shut-ins when one of them mentioned the service . Another said it sounded like going to a drive-in movie or a car-hop burger joint.

“I’ve still got my skates,” Loretta said. “I think. I know the box where I think they are. If my son didn’t steal them and sell them on eBay. Shitbird does that.”

“Me, too!” squealed Cindy Lou Talmage, one-time Miss Southeastern Missouri Hog Farmer. “I could wear my sash. Should we take orders?”

“For what?” asked EllaMae Whisenhutt. She liked meetings, but wasn’t too swift on the ideas, or helping with ideas that others contributed. Kinda like a pile of mashed potatoes, but she smiled a lot, and folks liked her, even though most could count her IQ on two hands.

“We could have the tailgaters make stuff,” Cindy Lou said. “Hot dogs. Chili. Chili dogs. That’s a menu, isn’t it?”

“For Christmas Eve?” EllaMae asked. “Jesus didn’t eat chili dogs.”

“I agree, there are limits,” Cindy Lou said. “We can’t do shish kebab, or onion rings. But how long is this thing — an hour, ninety minutes?”

They contacted the barbecue crew, and the boys were down with it. A couple even had thoughts about brisket, and were planning to drag a smoker into the lot. Elrod was excited. He came up with an idea for a Communion Wafer Burger — two thin crackers wrapped around a slice of brisket, with a daub of “moose turd” from the line of packaged condiments produced by the company of church deacon Beneezer Filbert. They sold a shit-ton at roadside stands, to tourists infatuated with the idea of foodstuffs made from stuff grown within eyesight of the highway.

Phil Bertelsen, one of the ‘cue crew, later said he was merely joking when he suggested they set up a drive-through booth so people could order. The roller girls objected, so they settled on a compromise to sell canned beer at the drive-through window, to folks entering the lot.

An hour before the service, darkness settled beneath the downward pressure of winter’s thumb. A wad of Arctic air collapsed onto the valley floor, driving the last vestiges of warmth from air above and around and upon the newspaper parking lot. Then an extremely moist cloud slid over the frigid air, and disgorged its contents. The rain fell and when it hit the pavement, it froze.

Cars began sliding into the lot about fifteen minutes later. The Rev rode her e-Baru into a bank of arbor vitae, kicked the door open, and crawled with the help of a couple ballpoint pens across the parking lot to the stage.

Marv had started with the sound system the day before, so he was ready, and popped in his thumb drive when he saw the Rev.

Paul Rodgers rocks, but never more so than he did that night.

“Feel like making LOVE to yooouuuu!” pounded out of the speakers.

Marv was aghast. Wrong thumb drive, for one thing, but where was the one with the carols on it? And if he had a clue, he couldn’t get there anyway. Every time he took a step, he fell flat on his wide Texas ass.

Elrod’s parking crew was struggling. Most were lying in the lot, waving their flashlights as cars slid from the street through the curb cut and twirled on ice into the railing in front of the newspaper office. They just stacked up, one on another, until the lot was mostly full of people suffused with the holiday spirit. You could see them, tipping bottles of bourbon to their lips, to settle their racing heartbeats and restore to themselves a vision of future life on earth.

That’s when I slow-rolled the LTD into the lot and glided through a couple donuts before lightly trunk-bumping us into the pile. We could see the stage. Florice smiled at the chaotic scene outside. The windows were already streaming up when she leaned close.

“I got something for you,” she said.

I hadn’t bought her anything, but she found it anyway.

Outside, a few diehards tottered from their cars and removed propane grills. Before long, the smell of grilling brats and tri-tip filled the lot.

EllaMae and her roller girls tried, bless them, to reach the car windows, but finally agreed that skates weren’t cutting it. They had to shed the shoes and try to walk, but even that failed, with ice on everything. They would slide sideways across the lot until they neared a car where they thought they might take an order, and then they would slide beneath the car and out the other side. The occupants finally figured out that the only way they could place an order was if they opened their door and grabbed one of the carhops. Hold them. Talk to them. Help them write down what they wanted.

Elrod and the boys jerry rigged a system of ropes and pulleys to drag the carhops to the tailgaters and relay the orders.

Delivering the orders was another thing. They had to reverse-pull the ladies, none of whom were very agile, bunched as they were on the upside of seventy. People in the cars were so damned happy to have something to eat, though, they were more than glad to wait until the carhops quit slipping around before they opened their car doors. No need to clock the poor things in the noggin, just for a Holy Brisket Burger.

The Rev finally got vertical and used a pair of ski poles to help her approach the microphone. She said something that nobody could hear because they were safe inside their cars eating burgers.

Marv had rigged up a low-wattage broadcasting thing, but something happened. It linked up with Bluetooth and dialed everyone within a half mile for a lecture on the coming of the Christ child.

Problem was, the lecture took a turn. The church kids were supposed to walk up a short flight of stairs to the platform and light some candles. The candles were mounted too high for the kids to see what they were aiming their wicks at. Years later, they would look back and think of it as foreshadowing, but on this holy night, they struggled to stay upright, what with the ice and all. The biggest kid teetered backward, and his wick flew over his head and into a holy banner the organizers had hung from the sign — Duncom Call Eagle — above the newspaper office. The banner went up in a “Foof!” and lit the roll roofing. As flames marched across the roof, they must’ve hit a gas line. We heard a huge sucking sound, and the walls of the building bowed inward just before the detonation that blasted the newspaper sign over the vehicles in the lot. The publisher of the newspaper was not happy about that, even though the Rev later tried to mollify him with the thought that “at least nobody died.”

“Don’t even think about an Easter service,” he said. “Cutting a little close to the bone.”

Nobody could hear the Rev anyway, but Marv heard Paul Rodgers kick into “Shooting Star” and did something only Jesus could approve of. He cranked it up. Cars were bouncing in the lot when the newspaper building soared overhead.

Nothing about the blast reduced the negatives of the ice. Tow trucks had to come and haul everybody out of the lot. It took a while. They had chains, but it wasn’t enough to keep them still while they were loading a car.

Florice and I had to mop the windows off before we could leave.

“That was the best Christmas eve ever,” I told my parents later.

“It was a disaster,” my dad said. “What service were you at?”

“I was there. With Florice. She said it was really special.”

I felt like I had gone down a blind alley. Any second, he might ask me what was special about it. If I said anything more, I would never get out, so I just went upstairs.

I don’t know much about Jesus and the like. When I recall that night, I think of that quote from Matthew: “Whenever two or three come together in my name.”

Behind a veil of steamy windows, me and Florice and Paul Rodgers felt the spirit of Christmas descend. From that day onward, I cherished a huge and abiding faith in a much higher power.



BIO

Stuart Watson wrote for newspapers in Anchorage, Seattle and Portland. For fun and low pay, he and his wife later owned two restaurants. His writing is in more than thirty publications, including Yolk, Barzakh, MacQueen’s Quinterly, Bending Genres, Flash Boulevard, Revolution John, Montana Mouthful, Sledgehammer Lit, Five South and Pulp Modern Flash. He lives actually in Oregon, with his wife and their amazing dog. He lives virtually at chiselchips.com and tweets @StuartWatson50




Months drop off the calendar.
Nothing changes
But the weather.
Dirty mugs still litter the sink.
The neighbor’s dog still barks
At every passerby,
And so we live
In silence.




Didn’t there used to be snow
This time of year?

I seem to recall a blanket,
A window blank as paper,

Air crisp as ice.
But now it is late

Winter and nothing
But rain streaks the glass.




When building boats, we try
To hold out against the waves.

Some boats are beautiful. Some
Do the job. When you need to cross

Whatever seas need crossing, you
Sometimes need to build a boat.

Though you do not know how
To build or boat. Though you have

No tools or oars. Just
A bedsheet patterned like clouds:

A single sail,
A breath of wind.




All the cool kids
Have children now
And jobs in the city.
Late nights just stories
Told at brunch.




BIO

Kate Porter is a full-time bartender and part-time poet. Her work has appeared in The Writing Disorder and Ziggurat.

Singing Under Veils

If You Know

Intuited

Mother’s House

The Fever

Plague of Senses

Entremet

Second Palette

Autumn Spirit

Dream Film

Here But When

BIO

As a fallen limb, bent spoon, snow melting over stone.
Inward life veering toward largely empty landscapes. Collector.
History, miniatures, shapes dug from the earth, animals, awkward postures, hair, 
long necks, textures, scents, window views.
Something out of time, flattened, studied, uncertain and uncomfortable.
Small, ineffectual mirror.

Amy Earles

Links:

pushedunder.com

https://www.instagram.com/amy_earles/?hl=en

Sleight of Hand

by Sarah Terez Rosenblum



            I’m making tacos when the tour bus shows up. “Didn’t you buy avocados?” I call.

            I can see them through the narrow kitchen windows. Little kids, noses glass-flattened, some dad type taking pictures, and bored teens scrolling their phones.

            “Did you say something?” Meg wears a grey cardigan over cotton pajamas. Reading glasses on a silver cord around her neck. In the doorway, she’s shrouded in nighttime distance. She looks nothing like my mother. Nothing like the women I know.

            “Avocados?”

            “None were ripe. It’s November.” Meg’s from Anaheim; she knows when things are in season. I grew up in Idaho, so if it isn’t potatoes, I’m out.

            On the bus, a gaggle of old folks knit and listen. The tour guide’s name is embroidered on his button-down. He still uses one of those mics with the curly cord.

            “Last week, I ran into Gus at the drug store. I was picking up Mitchell’s prescription and he blew right past.”

            “Like when I saw Katie Couric at Panera.” Meg settles at the kitchen table with her wine glass. “I kept waiting for her to know who I was.”

            Door County’s growing; we’re not all on a first name basis. But I live in the house Gus shows up each week to describe.

            “We’ve got carrots.” Behind me, Meg rustles through what’s left of Sunday’s paper.

            “You want me to make guacamole with carrots?”

            I line up three soft tomatoes for chopping. I bought them for the Meg’s cheese sandwiches, but they sat for two weeks in the drawer. After business trips, sometimes, I check the refrigerator to see what’s shifted. When I’m gone, Meg eats only olives and crackers. Sometimes, she forgets to eat at all.

            In my family, wasting food is sinful. “Who needs a son?” My mom said when she toasted Meg at our wedding, but if she finds expired milk when she visits, she practically sits shiva. (“Look at this. Your grandmother is spinning in her grave.”)

            “Are they still out there?” Beside me now, Meg nods to where the bus sits, idling.

            “It’s five fifteen, they’re right on time.”

            “Maybe this year the snow will come early.” She rests her head on my shoulder.

            “I don’t know. I sort of like them.”

            “It’s like when you got your tooth filed.” She means how for weeks after, I complained I didn’t know what to do with my tongue.

            “Shit. Can you?” I nod at my phone, buzzing on the window ledge.

            “Hmm?” Meg tips the last of the wine from the bottle. Her lip prints like frost on the rim of her glass.

            “Mitchell’s calling.” I wipe my hands on a dishtowel, and Meg and the bus people watch me answer the phone.

*

            When our son was eleven his teacher sent an email.

            “Mitchell seems disturbed by our unit on Global Warming. Shall I set him up in the library till we’re done?”

            We talked it through, the three of us. Our home, we said, is a democracy. Easy to say when you’re the parents. Mitchell pointed that out early; that he had only the illusion of control. Right, I told him. A democracy. No one thought that was funny but me.

            In this case, Mitchell’s vote went for the library. “I’m not a kid anymore. I can’t keep crying in front of them.”

            I spun his desk chair and straddled it. “Crying just means you’re smarter.”

            “Tyler never cries, and when we did testing, he was 90th percentile.”

            “How do you know?” Meg asked.

            “He told everyone.”

            “That’s inappropriate.” In Mitchell’s doorway, Meg leaned her head against the wall.

            “Why?”

            “Grades and money are private.”

            Mitchell glanced between us. “But Mom tells everyone how much we paid for the car.”

            “Okay, let’s not get distracted,” I said. “Mitchell, your kind of smart means you understand the real world ramifications.”

            “You mean food security and the polar ice caps?”

            “Exactly. This isn’t just science, it’s real.”

            “Mom doesn’t mean science isn’t real.” Meg tugged her blue cardigan around her. I’m always offering to turn up the thermostat. But Meg says putting on a sweater is free.

            “Right.” I said. “I mean it’s okay to have emotions about what he’s learning.”

            “But he can’t let himself be run by them.”

            “You can acknowledge your feelings without them running you. Self-awareness is different than being out of control.”

            “Guys.” Mitchell waved his hands like a plane was landing. “I can learn in the library. I’ll take my textbook.”

            Meg folded her arms. “Now it sounds like you’re just trying to get out of class.”

            “If I cry there, no one will see me.”

            “People will forget about that,” Meg said.

            “No one in my school ever forgets anything.”

            “It just seems that way, honey.”

            “When I was your age,” I said, “I got hysterical when Mrs. Snow showed a documentary about Haiti.”

            “Because of the poverty?” On his bed, Mitchell fiddled with his shoelaces.

            “Because of the zombie witch doctors. My teacher had to shut it off in the middle and explain that part wasn’t real.”

            “Did they laugh at you?”

            “Totally. But the next week Beth Meeks threw up in the coatroom.”

            “We’ll bring in a ringer, then.” Meg dusted her hands. “Problem solved.”

            Mitchell hunched forward, poking the tip of his shoelace through the metal eyelet. “But when I cry, Anya keeps Snapchatting me, and also global warming isn’t not real.”

*

            By the time I’m through security, Meg’s wish for snow is granted. The rinkydink plane still lifts and lands, somehow, but after that I’m stranded at O’Hare.

            “Your turn.” The man in slim tweed pants looks like Stanley Tucci, and I spend our first drink assuming he’s gay.

            “I didn’t know there would be something as formal as turns. I thought we were just chatting.”

            Meg’s word. Jews don’t chat, we debate or we process; depends on which tribe we’re from.

            “At work, we use a talking stick,” Tucci says. “God bless the millennials. They all think they have the right to be heard.”

            We’re in this cliche of an airport lounge, drinking martinis. By our second, I know he’s meeting his wife in Berkeley. Their elder daughter has something academic requiring their presence; a debate, or a meeting, or a prize. As he talks, the details slip by. To me, martinis taste like medicine. When I fly, my drug of choice is Cinnabon, but what with the phone call, and the thunder snow, and all the texts Delta keeps sending about de-icing, I figure I might need a more traditional source of calm.

            “C’mon. What’s your story?” Tucci sheds his orange sweater-vest.

            “You won’t like it.”

            “That’s why fiction’s better than life. You don’t have to like it for it to be good.”

            “Didn’t you say you’re in software?”

            “Fiction was my first love, before my wife even. But writing code’s not all that different. You fall in love with your lines, even when they’re not working. We’ve got just as many darlings to kill.”

            He says he doesn’t code much anymore, not since he sold and runs his company. Big macher, is what my mother would say. Tucci’s the kind of guy she probably wishes I’d married. But I’m not his type either; when he shows me his wife’s picture, she’s blond.

            “Once the girls are grown, I’ll get around to fiction.” Tucci’s still talking. “I wanted to write novels when I was a kid.”

            “Meg and I used to talk about that. Everything we’d do once our son was in college-”

            “At the graduation parties there was this rumbling. All the parents asking each other, what will you do now that you can?” Tucci crosses one long leg over the other. “Like when you’re a kid and some grownup’s always drilling you. We all had same answers, just delayed.”

            “Right. But now that he’s a freshman, it just seems like he’s in a high school that’s farther away.”

            “That’s how Cristina feels,” Tucci says. “But we can’t helicopter them. It’s enough our oldest’s still on our insurance and our phone plan-”

            “We get Mitchell’s anxiety meds and ship them.” I watch the snow. “There’s just so much to be worried about.”

             “What did we have, the Cuban Missile Crisis?”

            “Barely, I was, what, two?”

            “Now they’ve got Parkland.” Tucci sets down his empty glass. “My youngest was ten, and she was convinced her school was next. Even Hayden was upset by it, and she’s goddamn hard to ruffle. She’s my Berkeley girl. Cristina wanted us to tell her sister it wouldn’t happen at her school.”

            “Meg’s the same.” I sip and feel my face twisting. What about this sensation is fun?

            “I’m a numbers guy so I agreed it was unlikely, but I’m not going to lie to my kid.”

             “Exactly. But with global warming Meg wanted him to white-knuckle it, just ignore the feelings it brought up for him. With North Korea, she wanted to tell him there was no chance.”                       

“Both are ways of lying.” Tucci signals for another drink.

            “Personally, I blame Santa Claus. That’s what Meg grew up with, meanwhile, each year I get a lecture about how starting with Pharaoh, the whole world’s out for my blood.”

            “L’chiam.” Tucci touches his glass to mine. “Let’s get you another.”

            “I’ve hardly…”

            “You’ll catch up.” Tucci points to the window. Outside, the snow gusts, horizontal. The bartender’s already begun to mix.

            “So how did you end up handling Parkland?” I ask.

            “I sat down with my girls and I said you’re right, it’s a possibility, but the odds are low. Hayden’s pre-law now, so of course she argued. ‘We’re right to be anxious.’ Me, I majored in philosophy. I said, ‘Do you want to be right or do you want to be free?’” 

            “You sure you’re Jewish?”

            “Maybe Cristina’s rubbed off on me.”

            I accept my fresh martini from the bartender.

            “Give me a wave if you need anything.” She smiles between the two of us. “It’s mostly vermouth,” she says low.

            “What did you tell Michael, about the shootings?” Tucci’s four drinks in, so I don’t correct him. I’ve learned the conversations you have with a drunk person don’t matter, because really you’re having them alone.

            “We’ve tried to teach him anxiety is like a phone ringing.” I eat my olive, which Meg says is just a garnish. “You can keep the conversation short and even-handed, but first you have to answer the call.”

*

            I phone Meg from the Marriott the next morning. “My room has a coffee pot,” I say.

             The joke’s from the first night we spent together. We were in our late thirties when we got married, and we both needed some convincing. As my mom said, “If I met your father now, I don’t know how I’d commit to him. Everything would seem like a red flag.”

            All through my twenties, I’d done the typical lesbian overlap, each relationship averaging 3.5 years. One day,  I was hauling my shit from the apartment I’d shared with my girlfriend to the one where my next one lived. On the way there, I remembered it was Sweetest Day. So I stopped at the first place I saw. Inside Jewel-Osco, it hit me. I had no idea how to grocery shop. With one girlfriend, I did what she called a ‘big shopping’ every Saturday, with another I haunted farmers markets, and with my last one, I’d grabbed TV dinners on the fly. All that flashed before my eyes like some kind of grocery near death experience. I had to squat down near the canned beans so I could breath. Once I got out of there, I put all my shit in storage. I crashed with a friend till I found a place of my own.

            I met Meg a year or two later at one of my seminars. I’d founded Women Up to help women in the workforce. The idea was to provide tools to shift the culture; we shouldn’t have to act like men to succeed. Sounds obvious now, but I’d started it just out of college; back when secretaries padded their shoulders like football players, and Reagan’s paternalistic capitalism ruled the day. We’d spent years getting by on grants and donations. I fell asleep most nights wondering how I’d pay rent. Anyway, Meg says the meeting was in Middleton, but I distinctly remember the UW-Madison campus. They’d given us a sunny conference room with a broken coffee maker and a view of the lake. Either way, we wound up fucking. Meg had complained about the lack of coffee. “My room has a coffee pot,” I’d said.

            After that we really had no blueprint. By then Meg’s first marriage was mostly tradition: summer barbecues at their Door County House, her husband’s five p.m. scotch and soda, and on Christmas, wrapping paper fed into the fire. Still, she was comfortable, sunk into her habits, and I finally knew how I liked to buy groceries, and neither one of us was ready to change.

            “Have you seen him yet?” Meg says now, when she answers.

            “It’s five in the morning. I didn’t even expect to get you.”

            “You think I could sleep?”

            In eighteen years with Meg, I’ve seen her sleep through: a 6.5 earthquake, The Chicago Air and Water Show, and the last four hours of my labor.Once at a hotel in Schaumburg, I woke her when the fire alarm didn’t, and made her race down ten flights of stairs.

            “I’m meeting him for breakfast.”

            “At his dorm?”

            “I told him to take an Uber to meet me. He’s not feeling super comfortable on campus. Everyone’s asking why he withdrew from the brass trio and the lit magazine, and of course he’s not allowed to explain.”

            “Do we know anything more about this girl?

            “I told, you I haven’t seen him yet.” I picture Meg propped on pillows. More likely she’s spent the night curled on the window seat in the den.

            “I thought maybe you’d talked with the university.”

            “That’s not something they disclose.”

            Through the line, I hear Meg breathing. I could pick her exhales out of a crowd.

            “How’s it there?”

            “Snowing. Right now the afternoon flights are still running.”

            “You really can’t get Peter to cover?”

            “This is the Parsons,” Meg says. “They’ve been with me since Mags was a pup.”

            “Your work ethic is laudable, but-”

            “They’re terrified. We won’t know how bad the cancer is until she’s on the table. And if we need to put her down, I should be there. You know all this.”

            “And you know why we can’t meet on campus.”

            “Excuse me, I’m exhausted. I forgot.”

            When we hang up, I slid back the hotel curtain. Outside, the lush greens and milky fog shock me. No matter I’ve flown across the country: after two relentless days I expect to see snow.

*

            When Mitchell was nine we hid his candy. It was Meg’s idea; he’d been complaining kids at school called him fat. I wanted to start by explaining refined sugar, and how to read nutrition labels. Give him the tools to consider, not restrict. But Meg felt a parent was only as good as her boundaries. (“Yours could use some work, as we both know.”) If we can’t agree on everything, we try to trade off victories. I’d just won our last debate, so we weren’t giving Mitchell Tylenol PM for his insomnia. Then we got the call he’d pushed Hope Clark.

            “This is pretty out of character,” the principle said when I arrived, literally panting. “I’m hoping now you’re both here he’ll explain.”

            “I cabbed right from the airport.” I’d been leading Women Up’s first seminar in Redmond. We were retooling as our market expanded. One of my exes had provided an in.

            “I was at the baggage claim when—what do I do with-”

            “You can leave that with the office gals if you want.” Dr Cobb held open the door to his office.

            “Mom.”

            “Mitchell, what happened?” I dragged my suitcase into the inner office.

            “He says it’s his business.” Meg gestured for me to take her chair.

            “Do I have to say it?” Mitchell pointed at the principle.

            “Dr. Cobb needs information so we can all decide what to do.”

            “Can’t he just punish me?”

            “Hope’s okay, isn’t she?” I asked Dr Cobb.

            “Mrs. Haverford says he hardly touched Hope. Which doesn’t make it acceptable, of course.”

            “Mrs Haverford?” I said.

            “One of our lunch ladies.”

            “This happened in the cafeteria?” I asked.

            “Mitch, come on.” Meg had backed up to lean in the doorway. “Mom’s exhausted, and I have a procedure at three.”

            “Don’t rush him,” I said.

            “I’ve been here half an hour already. I don’t even know where I parked the car.”

            “There’s visitor parking behind the kindergarten.” Dr. Cobb perched on the edge of his desk.

            “Okay,” I said. “but truth takes time, we’ve talked about this.”

            “In the real world, no one’s going to sit around waiting.”

            “Mitchell might not even be fully clear on what he did.”

            “Hope stole from the coat drive.” Mitchell held out his hands like a traffic cop.

            “That’s why you hit her?”

            “I saw her. She took the pink leather jacket from the bag.”

            “A better option would be to tell your teacher.” I watched him.

            “I was going to.” Mitchell scrapped his shoe against his chair leg. “but she said if I did, she’d tell you.”

            “Tell us what?”

            “Can I please just be punished?”

            “Here, do you want to whisper?” When I set my hand on Mitchell’s back it was damp.

            “Okay.” I said after he finished.

            “Obviously you need to let us in on this.” Meg stuffed her hands in her pockets.

            “Can I please not be here when you do?”

            We watched him shuffle into the outer office. One of the secretaries handed him a Dum-dum from a bowl.

            “Apparently Mitchell’s been buying chocolate milk instead of regular.” I watched Dr Cobb glance between us. “He’s supposed to limit his sugar intake. I guess Hope threatened to tell us if he told on her about the coat.”

            “How did Hope know about his diet?”

            “Oh, the kids know everything about each other,” Dr Cobb said.

            Back home, I opened the refrigerator. “Jesus Christ, it smells like death.”

            “I think it’s the tuna casserole.” Mitchell looked up from his stack of library books.

            I slide aside the lid. “You guys didn’t have this for dinner Monday?”

            “I think we had cereal.”

            I tipped the mess of noodles and fish into the trash. “Can you take this out, Mitchell? And for once, don’t drag it. We’ve got that new sod.”

            Upstairs in our bedroom, I moved aside the clutter of Meg’s glasses. They collect on the bureau when I’m gone. Once Mitchell walked in on us arguing about them, and Meg said we were just disagreeing on how to describe them. (“Mom thinks they’re half-empty and I say half-full.”) I set my suitcase on the bureau and unzipped it. Dark jeans and a blowdryer. Beneath that, a par of red-soled heels.

            “What are those?” Mitchell said from my doorway.

            “I must have grabbed the wrong suitcase from the carousel.”

            “Carousel?”

            “Not like with horses. You’ve seen them, the bags go around.”

            “Hey, what do you call it when you take the wrong suitcase?”

            “Mitchell.”

            “A case of mistaken identity!”

            “Hilarious. Go share your comedic stylings with the garbage, please.”

            I wasn’t lying. The shoes didn’t belong to some chick I was fucking. Loyalty is under-appreciated  Maybe Meg would have wanted me more if I was.

            Outside, the bus’s engine turned over. Somehow, Mitchell was outside already, dragging the bulging Hefty bag across the lawn. I turned back to my suitcase, still trying to square my expectations with what I saw.

*

            The best thing about my job is hotel showers. Today, I wash my hair twice and leave all the towels on the floor. In the lobby, Mitchell’s already waiting. I thought he’d look different than he did at Thanksgiving; mustachioed and pock-marked. But he’s got the same thin blond hair that makes people think Meg gave birth to him. The same pale skin that goes pink when he eats wheat.

            “Hey, honey.” I hug him. “You hungry? They have a buffet.”

            In the restaurant, Mitchell loads his plate with ham and bacon and waffles and bagels. We order orange juice and coffee.

            “He’s already decided he hates us.” I point at the sullen waiter as he leaves. Usually Mitchell and I dream up whole inner worlds for the servers—Meg thinks it’s ridiculous—but this time Mitchell won’t play.

            “Where’s mama?” Eyes on his plate, shoulders slumped.

            “The weather’s bad there, but she still might make it.”

            “Did some important dog get sick?”

            “You know how she is.”

            “The thing is at four.” Mitchell rips open a stack of sugar packets.

            “What do you want to do in the meantime?” I spread cream cheese on a sorry excuse for a bagel. ‘If it’s not boiled it’s just bread,’ my mom would say.

            “Are you just going to act like it’s a normal visit?”

            “I figured we’d get to it. But we still have to eat, am I right? Thank you.” I add cream to the coffee the server drops. “I don’t know why he’s so brusque. It’s not like it’s busy.”

            “You sound like grandma.”

            “Hey, there’s a knife right there on the table.” I mime stabbing myself. “You could have used that instead.”

            “Mom.” Mitchell shovels in bacon. Around us, a few scattered business types are glued to their phones.

            “I’m not trying to make light of this. I called a lawyer I know in the city.”

            “How do you know a lawyer here?”

            “She’s someone from my twenties.”

            “The school said I don’t need one.” Mitchell adds two more sugar packets to his cup.

            “I don’t know if we should believe that.”

            “Why not?”

            Mitchell’s a young seventeen, certainly, but the innocence of his question curdles the cream in my guts.

            “They said it has to be handled on campus,” he says.

            “Right. Something to do with Title Nine. But Mitchell, what’s happened so far—the what did you call them? Interim restrictions? You can’t visit any other dorms, you can only go to the one dining hall. It’s affecting your whole college experience, and no one’s even proved what she said is true.”

            “What did the lawyer say?” Mitchell gulps most of his orange juice.

            Tabby didn’t say much I should tell Mitchell. Not how The Department of Education can cut all federal funding if they don’t think a school’s response is sufficiently aggressive, and not how she still misses the way I held her wrists above her head.

            “She stressed the importance of getting help early.” I refold my napkin. “Why didn’t you say anything over Thanksgiving?”

            “I thought I could handle it.”

            “The thing is, it’s not like the court system. You’re not presumed innocent. It’s your word against the other student’s, and they only have to believe her a little more.”

*

            Mitchell’s sleep issues started early. Everyone says night terrors are harder on the parents; your child flailing and growling, eyes rolled back into his head. By two years old, he’d grown out of them. In his next phase he refused to sleep alone. One night, Meg and I were both curled around him like parenthesis, all of us jammed in his bed.

            “Honey, can you explain exactly what scares you?” I asked.

            “It’s past midnight.” Meg touched his back.

            “He doesn’t know how to tell time.”

            “Yes, I do.” Mitchell pressed his face into his pillow.

            “Mom and Mama have work in the morning, Mitch.”

            The first time I heard Meg call Mitchell that, I felt like one of us three was a stranger, but I couldn’t tell you who. Meg’s the nickname type—her whole family is. It’s because they name their kids after living relatives, and then they’re stuck trying to differentiate. It’s how grown men end up with names like Junior and Tad. But Mitchell’s M is for my father, Moishe. Maybe it’s assimilation; we get to honor the deceased’s memory without having to saddle our kid with some old Jew’s name.

            “What?” Now, Meg leaned toward Mitchell. “Babe, talk louder.”

            “He said he doesn’t want to be by himself when he dies.”

            “How does he know about death?” Meg propped herself on one elbow.

            “Mitchell,” I said, “sleep is different. Sleep is just a break from thinking.”

            He was crying and clutching his stuffed llama. “It’s not a break for me.”

            In my memory, he was barely four when he said that; always advanced for his age. Babies don’t develop depth perception until the sixth month, but by five months he was pointing at the bus through the kitchen window. When he could toddle, he’d make a beeline. When he could talk, he’d ask “What dat?”

            “Go bu!” He repeated after I told him. I thought my answers were age appropriate. When he was six: “Ghosts are made up stories about people who aren’t alive anymore,” when he was eight, “Ghosts are ideas about our souls.” Meanwhile, Meg stuck to her story: “Mitch, the bus comes here to visit us.” She thinks a parent’s job is to filter, not explain.

            When he was ten, Mitchell started checking books out of the library. Most kids would have gone on the internet. Maybe it’s because our donor was an archeologist—Mitchell preferred words he could hold in his hands.

            “Ghosts come from something called animism.” Mitchell sat at the kitchen table. “It’s ancient and—what does ‘attribute’ mean?”

            “What’s the rest of the sentence?” I layered a flat pan with lasagna noodles.

            “Animism attributes souls to everything in nature.”

            Meg leaned in the doorway. “In that context, ‘grants’ or ‘assumes.’”

            “What’s ‘context’ again?” Mitchell asked.

            “The words around it.”

            “How can a word’s meaning change because of that?”

            “Words are flexible,” Meg said. “It’s like how Mom gets called sir a lot when we’re with strangers. Context affects how you’re understood.”

            After Mitchell got through our tiny library’s ghost section, he moved on to astral projection. Then came cults and UFO’s. I don’t think his research affected his sleep habits. By his teens it was mainly insomnia. He refused warm milk and melatonin. One summer, he set up  a tent on our lawn.

            “You think it’s safe for him?” I asked Meg.

            “Babe, it’s Door County.” On the couch, she sipped wine like liquid sunlight. We’d been to Stone’s Throw Winery earlier that day.

            “What happens when it’s winter?” I lifted my arm so Meg could nestle against me.

            “He’ll have some other new sleep problem by then.”

            “I just seems counterintuitive. Why would he sleep better outside?”

            “I slept great when my parents took me camping,” Meg said. “And at summer camp, my favorite was the overnight.”

            “You went to sleep-away camp, the whole thing was an overnight.”

            “Once per summer, the counselors would take us camping in the woods.”

            “I don’t even like sleeping with the windows open. What’s that Woody Allen line? ‘I’m two with nature?’”

            At least that’s one way Mitchell and I aren’t the same.

            “I called her my little shut-in,” my mom told Meg at our wedding. “Every weekend, in her bedroom with the shades drawn.”

            “Even in the summer?”

            I knew Meg had spent her Saturdays horseback-riding, on Sundays she had church and flute lessons. In her white pantsuit beside me, she looked appalled.

            “She’s exaggerating.” What I liked best about summer were the sealed up windows, the air conditioner’s low, constant drone.

            “Your sister was much more social,” my mother said.

            “Fuck lot of good that did me.” My sister scraped raspberry filling from a fat cube of cake.

            “What about the Goldstein’s son?” My mother suggested.

            “Mom, he’s been with his wife since grad school.”

            “Well, I’m not sure how this became my fault.”

            “No one’s saying that.”

            My sister thinks all the good Jewish men are taken. Married to shiksas with kettle corn hair. Today of all days, I couldn’t contradict her. I held Meg’s hand and kept my mouth shut.

            “You wore a night gown?” Meg asked, when mom had gone off to hug Aunt Rachel.

            “My mom just called me agoraphobic and that’s the part that upsets you?”

            Meg sipped champagne and leaned against me.“It’s a little like finding out your husband’s a transvestite.”

            “Are you eating that?” My sister reached for Meg’s cake.

            “You haven’t finished yours.”

            “She only likes the filling,” I said. “If it helps, I don’t feel like I’m someone who wore nightgowns.”

            My sister licked the tines of her fork.“But who you feel like isn’t always who you are.”

*

            Meg doesn’t make it by four, but neither does the Dean of students. At three-thirty, we’re on benches outside the conference room, waiting. The building is graceful, a sort of rotunda. More benches curve away out of sight. At three-forty five Mitchell’s phone rings. I watch him. Hair slicked back, he’s changed into Dockers we bought him. The Marriott’s built above a mall.

            “Okay. Okay. Right.” His listening expression is the same as always. No matter whether he’s attending to Blues Clues or Call of Duty or CNN.

            “It’s postponed.” Mitchell slides his phone in his pocket.

            “Till when?”

            “Same time tomorrow.”

            “Did they give a reason?”

            Mitchell stands. “The dean ate some bad shrimp is what the guy said.”

            “I guess the good news is Mama will make it. The airport should have its shit together by tonight.”

            “What do we do now?”

            “Are you hungry?” I shoulder my messenger bag. “What do you feel like?”

            “Mexican?”

            “Let’s research what’s around.”

            “Well, hello.”

            I look up from my Google search to see Tucci. Today his tight sweater’s bright blue.

            “What a coincidence.” I turn to Mitchell to introduce him, but Mitchell’s skittered backwards, colliding with a plant.

            “You okay?” I follow his gaze to the girl a few feet behind Tucci. Brown hair, green windbreaker. My mom would call her zaftig if she felt kind.

            “What’s wrong?” When I turn back to Tucci his face has gone pale.

            “I’m not supposed to talk to her.” Mitchell grabs the plant to stop it from falling.

            “Are you kidding me?” Tucci glances between me and Mitchell.

            “Come on.” A blond woman tugs at Tucci’s sweater. “Seriously. This isn’t the time or place.”

            “You little piece of shit.” Tucci advances. Clenched fists and bald, gleaming head.

            “Back off.” I step between him and Mitchell. Impotent, Mitchell still clutches the plant.

            “Dad.” The brown haired girl whispers.

            Tucci exhales. “Okay, baby.”

            The blond woman takes Tucci’s arm.

            I watch the group retreating. “She’s Stanley Tucci’s daughter?”

            Mitchell releases the plant, finally. “Her last name is Kerplowski,” he says.

*

            Meg swore her Door County house wasn’t haunted.

            “Unless you mean by shitty memories.”

            I set the box of kitchen stuff among the city of cardboard. I’d just done a seminar in Los Angeles— Women UP was finally gaining national traction— and now the boxes reminded me of Skid-row. “But you really want to live here?”

            “I’ll make new ones with you.”

            In my memory, she took my hand and led me upstairs to the bare mattress. Meg says we did it there on the floor. Later, we unpacked dish ware.

            “How long does the guide’s spiel last?” I glanced through the window. While we were upstairs, the bus had pulled away.

            Meg blinked at me. Her legs were bare beneath a worn Yale sweatshirt, her hair snarled up near the crown.

            “Spiel means patter or little lecture. What happened here that got the house added?” I pictured blood dripping from the high beamed ceilings, chopped up bodies in the crawlspace beneath the stairs.

            “It’s just a fun thing for the tourists.” Meg wandered to the table.

            “There must be some specific reason.”

            “It might be a burial ground, or else someone’s uncle hung himself?” Meg used the corkscrew on my pocket knife. “I always get this one and that barn down the road confused.”

            I thought poltergeists might show up when Mitchell turned thirteen, or something. Like a paranormal bar mitzvah, which my mom’s still mad we didn’t have. But all that ever happened was explicable. A hornet’s nest in the attic. Creaky floorboards when no one was walking. A thunderstorm that brought down an old oak.

            His senior year of high school, Mitchell’s English teacher emailed us. “It’s my belief that your son plagiarized his final paper.”

            “I haven’t told the principle,” Mr Boyles said when I arrived.

            “Why not?” I squeezed into the desk he gestured at.

            “I’d like to think the three of us can handle this.”

            “You me and Mitchell?” Sometimes teachers forget he has two parents. It’s not homophobia exactly, more like some brand of denial.

            “You me and your wife.” Mr Bowles strode to the front of the room.

            “I’d like to see what my son has to say.”

            “Kids will say anything when they think they’re in trouble.” Puffed up and pigeon like, he took a perch on his desk.

            “We teach Mitchell to stand up for himself.” From my angle, the teacher’s crotch was eye-level.

            “When I confronted him, he implied I didn’t know my own subject matter. Respect for authority is paramount.”

            “Self-respect’s right up there, too.”

            “I’m here.” Meg shut the door behind her. She settled her sunglasses on top of her head. “What’s the punishment?”

            “Hang on a second.” I turned to Mr. Boyles. “What makes you think he didn’t write it?”

            “It’s simply too good for someone his age.”

            “You’re punishing him for being a good writer?”

            “I’ve taught kids for two decades.” His lip twitched, an accidental sneer.

            “Did he copy from the internet or something?”

            “I’ve developed a sixth sense for these things.”

            “What exactly activated your Spidey sense?” I shifted, trying to get comfortable. Attached desks are made for people without ribs.

            “For one thing, this word, ‘preternatural.’” He tapped a sheaf of papers. “When I asked him, he couldn’t define it.”

            “That’s it?” I glanced at Meg.

            “That’s the least of it.” He adjusted his cuffs. “Have you read Heart of Darkness?

            “I have.” Meg said.

           “In class, I taught that Kurtz’s unchecked greed was the source of his descent into madness.” Mr Boyle watched us. “But your son attributed it to more complex psychological factors.”

            “So you’re punishing him for coming up with something on his own.”

            “When I asked him to take me through how he’s reached his conclusions, he said he couldn’t remember. Here’s all I could get out of him.” Mr Boyle read from one of his papers. “He said, and I quote ‘Something about madness and ownership? And, Kurtz is really alienated? So like, how you try to control things so you feel less alone?’” Mr Boyle’s voice lilted at each sentence’s end.

            “This is all just one side of the story.” I extracted myself from the desk.

            “I’m his teacher?” This time, the lilt seemed accidental.

            “I’m his mother. We’re going home.”

            “Why’d you read the book early?” I asked Mitchell later. I was washing dishes and he was drying.

            “I get anxiety.” Mitchell ran a dishtowel around the mouth of a mug. “I worry I won’t finish. So it helps to work ahead.”

            “Mr Boyle said they like students to stick to the syllabus.” Meg still wore her sunglasses. She looked poised to leave.

            “If he turns his work in on time,” I said, “then who cares?”

            “He’s not a special case. People can’t go through life expecting everyone to make exceptions.”

            “Can they expect to have a chance to explain?”

            “Guys.” Mitchell raised his hands like a suspect. “Mr Boyles did his dissertation on it. Probably I should just have been more respectful.”

            “I’m exhausted.” Meg turned. “I’m going upstairs.”

            “Where’d you get all that stuff about alienation?” I asked Mitchell.

            “I related to Kurtz, kinda. Not really the part where he thought he could do what he wanted. That’s like, colonialism or whatever. But I don’t think the problem was greed, really. I think he was too isolated. He got swept up in his version of reality. He just spent too much time in his head.” Mitchell folded his dishtowel. “If you write a dissertation, doesn’t that mean you become a professor?”

            “I guess so.” I turned off the faucet and squeezed out the sponge.

            “Then how’d he end up teaching high school?”

            “I’m sure he’s asking himself the same thing.”

*

            The next day, when Meg arrives at the Marriott, Mitchell runs to her. Like when he was four and we left him with my family. Just for a weekend, so we could have some time to reconnect.

            “You made it.” I take Meg’s bag.

            “Finally. If this is December, I can’t imagine the rest of the winter.”

            “Is that dog okay?” Mitchell asks.

            “The cancer hadn’t metastasized.” Meg kisses his temple and releases him. “We got the bad spot on her lung.”

            “So you saved her?” Mitchell presses the button for the elevator.

            “I performed the surgery.” Meg’s the worst with compliments. When I first told her I loved her she said, “Okay.”

            “You have enough time for a shower.” I say. “Have you eaten?”

            “Does the room have an ironing board?” Inside the elevator, Meg sags against the wall.

            “The meeting’s at two. I think so.”

            “Mom, we’re on eight.”

            “Shit. I was saying two, so I pressed it.” When the doors open on our floor, I squeeze Meg’s hand.

            “I forgot my toothbrush.”

            “Mitchell, can you run downstairs and see if they sell them? Here.” I pat my pants for my wallet.

            Mitchell turns for the elevator. “I’ve got cash.”

            “We used to have to lift him up to press the elevator buttons,” Meg says.

             In the room, I set Meg’s bag on the bed. “Remember my trip to Redmond, and how I wound up with someone else’s suitcase?”

            “That wasn’t Redmond, that was Los Angeles.” In front of the window, Meg stretches. Her arched back and the slope of her neck.

            “Come here for a second.”

            “Are you nuts?” Meg twists away.

            “Apparently.” I’m left holding her cardigan.

            “Your text was confusing. Why was the postponement good?”

            “For one thing, he gets to have both his parents here.” I toss Meg’s cardigan on the bed.

            “You said something about a lawyer?”

            “Tabby. She’ll meet us there. Yesterday she was tied up in court.”

            “How did you find out her name, exactly?” Meg unzips her bag.

            “I’ve known Tabby since-”

            “The girl.”

            “She’s allowed to come to the meeting and represent herself.”

            “I thought her identity was protected.”

            “Not from the board. And not from Mitchell, obviously.”

            “What did she look like?”

            “Why does that matter?”

            Meg fishes through her suitcase.

            “Like my sister, a little. Younger, of course.”

            “Did she seem…off in any way?” Meg sets a pair of khakis and a grey sweater on the desk.

            “It all happened so fast, I don’t know. Mitchell acted really scared of her. We went for dinner after that, and I got it out of him that they’d hung out, which I think means they dated.” I unfold the ironing board.

            “Did he break up with her? Was she upset?”

            “It’s nothing so formal with kids now. They ‘hook up,’ apparently. There was something about it on NPR. It seems like she’s the one who ended things. The allegations happened after. And I guess he tried messaging her on Facebook, but he wasn’t supposed to, he says he didn’t know that was part of the no contact order.”

            “Shouldn’t that have been made clear to him?” Meg presses her finger to the iron.

            “It seems kind of obvious. No contact is no contact, right?”

            “But he couldn’t do anything to her in writing, so he may not have understood, and now there’s this whole other set of—what did they call them?”

            “Interim restrictions. You’re tired, I can do that.”
            “This thing just seems stacked against him.” Meg’s bicep flexes as she irons.
            “I know. She’s really protected.”

            “Well. That’s what we get, I guess.”

            “What does that mean?” I scoop up a pair of Meg’s underwear that’s slipped from her bag.

            “That’s your whole raison d’être, right? Offering women protection, so they have a voice?”

            She means Women UP. Over time, it’s evolved into something more slick and corporate-friendly. We’ve got fewer seminars directed at women’s groups. Mostly we teach HR departments how to create an environment safe for everyone. I figure more people benefit, even if the message is leavened. Ideally, that’s how movements function; the counter culture fighting so hard for mainstream acceptance, then the mainstream changing as a result.

            “The work we do is important.”

            “I’m not saying it isn’t.” Meg folds the ironing board.

            “What are you saying then?”

            “Can you put my underwear back in my bag?”

            After the meeting, I take Tabby aside to thank her.

            “My pleasure. I’m just sorry you’re going through this.” On the steps of the administrative building, Tabby touches my arm. “He seems like a nice kid.”

            “He is. He’s really sensitive. His whole life, I worried we’d fuck up and traumatize him. With kids, it’s never the thing you expect.”

            “I think it’s like that for everyone.” The wind tugs blond hair from her bun.

            “We’ll get him back into talk therapy. His psychiatrist is really just there for his anti-anxiety meds. Do you think that will count against him? Make him look troubled?”

            “Honestly, most of what he does now is meaningless. As long as he doesn’t try to contact her…”

            Tabby looks so official with her slim briefcase. Last time I saw her she was shitfaced at Stargaze. We’d gone out drinking to celebrate my move the next day.

            “…the board is still judging what allegedly happened before.”

            “How the fuck did we get here?”

            Right away, Tabby gets it. “You ghosted me, and I got into UCLA.”

            “What’s ghosting?”

            “Oh, wow. Bless your old, married soul.” Tabby touches my arm again. “They’re your type, both of them.” She means Meg and Mitchell. From the back they’re both whispy-blond and fine-boned, waiting for an Uber at the curb.

            “People think she carried him.”

            “She didn’t?”

            “She tried.” I glance at Meg. “Should we be doing something more active than waiting?”

            “It’s good he offered them access to his Facebook messenger-”

            “They didn’t even want it.”

            “-but in the meantime, your best focus is to start thinking about next steps.”

            “You mean prepare him for the formal hearing?” I fold my arms against the wind.

            “We may not want to let it get that far.”

            “I don’t understand. How would we stop it?”

            “If they decide to expel him-”

            “Can they just do that?”

            “If they think it’s in their best interests.” Tabby shrugs. “Anyway, he’ll have a mark on his transcript.”

            “What does that mean, exactly?”

            “As I understand it, every school he applies to will see he’s guilty of sexual assault.”

            “No one’s proven that.”

            “Do you want to risk his future?”

            “What are you advising?”

            “I’m a tax attorney,” Tabby says, “but just be strategic. This girl can derail his future without ever calling the police.”

            At the curb, I join Meg and Mitchell.

            “That was nice of her, after everything.” Meg shivers.

            “I guess I’m just that charming.”

            “That’s the Uber.” Mitchell looks up from his phone.

            When the it pulls up, I slid into the front seat. “The Marriott. Wait, you know that. I always forget.”

            “S’all good.” The guy behind the wheel has ropy forearms. He’s somewhere between my age and Mitchell’s. At this point, people in their twenties all look like they’re twelve.

            In the backseat, Mitchell says to Meg, “aren’t you going to ask if I did it?”

            “I hadn’t planned on it.” Meg looks away when I try to catch her eye.        

*

            Mitchell was always big on experiments. He had one where he stood an egg on its end to see if it was rotten, and one about speed and acceleration, where he dropped a different egg from the roof of the house.

            No eggs were harmed in his bus experiment.

            “What’s the verdict?” I asked when I picked him up at the library. The Ghost Tour ends with a trip through its basement. That’s where they keep the microfiche, or at least they used to. On moonless nights they say the founder still walks the cold floors.

            Mitchell leaned his forehead against the passenger-side window.

            “Did you see me hopping up and down and waving?”

            Mitchell dug in his backpack.

            “Did you see Mama doing cartwheels?”

            “She always said the bus came to see us.” He pulled a pack of gum from his bag.

            “She didn’t want you scared until you were old enough.”

            “But I still thought we were part of it.”

            “What do you mean?” I turned down the volume on All Things Considered.

            “I couldn’t see anything.” Mitchell mashed two sticks of gum into his mouth.

            “Are our windows that dirty?” I held out my hand.

            “It was the angle. The bus people don’t even know we’re inside.” He handed me the package. The gum was damp—whoever knew what was going on in that kid’s backpack—still, I popped a piece in my mouth.

            “Did you see any ghosts at least?”

            Mitchell shook his head.

            “Well, now we can run relays in our underpants.”

            Mitchell stared through the windshield.

            “No? How about we all pretend to be monkeys? What would you do if no one could see?”

            Mitchell shrugged and chewed harder. I checked out his profile. I guessed that was how my nose looked from the side.

*

            “Will you shut up if I let you fuck me? Just shut the fuck up,” Meg said. She was drunk, and she didn’t want anything to do with me.

            “But it’s our honeymoon.”

            “It’s a hotel in fucking Schaumburg.” Meg tugged at the bedspread.

            “So let’s make it feel special. Wait, they don’t wash those.” I slipped the spread from beneath her dead weight.

            When we first got married, we agreed not to splurge on a vacation. We both had cars and bedroom sets and dish ware. Meg’s divorce had granted us the Door County house, plus we needed all our savings for IVF. After I had Mitchell, I got super busy pivoting Women Up’s focus, and Meg was building new her practice. Now that Mitchell was four, we’d finally taken some time away.

            “Fucking Schaumburg,” Meg repeats things when she’s extra drunk.

            “So let’s fuck.”

            “Ha-ha-ha-ha hilarious.”

            I touched her bare shoulder. “I want to feel close to you.”

            After nine years of marriage, we were mired in our habits. Bedtime by nine-fifty-seven, Mitchell clutching his llama between us. Meg’s reading glasses and her Ipad. My stack of presentation notes. So much of marriage is parallel play.

            “Fucking Schaumburg. This hotel doesn’t even have a pool.”

            “I’m sorry, I’m not Tad Jeffrey Junior. I can’t afford five nights in the Bahamas. I’m sorry I didn’t graduate from Yale.”

            Meg rolled to her stomach, her linen shift rising. I helped it along a little, exposing the tops of her thighs.

            “What? You’re talking into the pillow.”

            “I said you might as well be Tad if you’re not taking no for an answer. If you don’t care at all how I feel.”

            “You’re my wife.” I never got tired of saying it. Despite Meg’s cold shoulder, I warmed.

            “Stop.”

            “I care how you feel, absolutely. That’s the whole point, I want to make you feel good.”

            Meg shook her head into the pillow, but she lifted her hips at my touch.

            “Meg, come on. Turn over.”

            Meg’s skin beneath her linen shift felt humid. Her exhales were pungent with wine.

            “I want to sleep.” She crossed her arms over her chest.

            “Meg.” I ran a finger under the elastic of her panties. Blue lace. Thin from years of wear.

            “Leave me alone.”

            It’s inevitable; you can’t both want each other equally forever. But sex is a need like any other. That’s what’s hard about relationships. If you’re hungry, you just open the refrigerator. But I’d been down this road with all my girlfriends. The one who stops wanting sex is the one who wins.

            I eased her dress up around her hips. “I’m not like Tad is.” Her underwear was easy to tear.

            I was still awake hours later when someone pulled the fire alarm. I got Meg to her feet and down eight flights of stairs.

*

            The carolers aren’t like the Ghost Tour. They don’t keep a strict schedule. It’s almost seven when they arrive. In the kitchen, I’m stirring batter for cookies. My secret is fresh ginger. Last week I made latkes, only because my mother was visiting. Meg can’t stand how afterward the scent of oil haunts the house.

            First thing mom asked was why Mitchell was home so early. Berkley runs on a trimester, was what we’d agreed to say.

            “I told you,” I whispered to Meg in the kitchen, later.

            “Relax. Your mom doesn’t know how to google.”

            “How will we explain when he starts Whitewater next semester?”

            Meg rubbed her temples. “I always forget how many questions your family asks.”

            “What’s so wrong with asking questions?”

            “Case in point.” Meg handed me a paper towel to pat the latkes dry.

            “Would it kill you to answer?” I gripped the spatula.

            “People need privacy.”

            “What about intimacy?”

            “The pan’s smoking.” Meg hugged herself.

            “What they need is to know each other.” I turned down the heat.

            “You know me. I’m right here.”

            “I know more about all those girls I shacked up with in the nineties.”

            Saying it made me feel like some kind of asshole. Who uses the phrase ‘shacked up?’ ‘Maybe you should go find one of them,’ was how Meg would have replied once, and I’d’ve said, ‘you’re who I want though,’ and we’d have fought until we built enough steam to fuck.

            In the pan, the oil snapped and splattered.

            “And you’re not with any of them.” Meg gestured for me to step out of range.

            “So?”

            My mom pushed open the door to the kitchen. “Whew, it’s smoky.”

            Meg passed me my ‘King of the Grill’ apron. “So, you got what you wanted with me.”

            “Your sister texted.” My mom settled at the table.

            “Meg, can you hit the fan above the stove?”

            “She says she’s sorry she couldn’t make it.”

            “Yeah, what happened?” I turned down the heat under the pan.

            “She’s got some work commitment. She forgot Chanukah was early.”

            “Why do Jewish holidays keep moving?” Mitchell asked from the doorway.

            My mom shrugged. “They’re like us, they migrate. Maybe someone’s always kicking them out of their homes.”

            Now, I check the timer on the oven. Still a while for the cookies. Most kids like bland foods, but when Mitchell was little, he’d come running to lick the bowl.

            Last night, I found him in the kitchen, Sunday’s New York Times wrinkled in front of him, water boiling on the stove.

            “It’s for cocoa,” he said. “You want some?”

            “I think we have marshmallows somewhere, but they might be as old as you.” I turned to search the cupboards. “This is like that scene in A Wrinkle in Time. Remember that day we stayed in reading it? You weren’t sick or anything, but I had a sore throat when we were done.”

            “How do you do that?”

            I heard Mitchell turn a page in the paper.

            “Read for hours? Wait till you’re a parent. Comes with the territory. They hand out the power at the hospital. They inject it along with the fertility drugs. How to read till your vocal cords fray.”

            “I mean, how do you even get there? How did you guys both agree on each other at the same time?”

            “Me and Mama?”

            “You and Meg.”

            “I guess some of it was timing. And you have to want to be with someone enough to get over all the downsides.”

            “What downsides?”

            I opened another cupboard. “Like, Meg’s allergic to flowers and I’d love to fill the house with them. Or I used to be obnoxiously jealous.”

            “Why?”

            “Probably because I was a cheater. Or maybe because she’d been straight.” I stood on my toes to feel for the marshmallows.

            “I was going to go with Hayden to San Fransisco for Christmas.”

            This was the first Mitchell had said about it.

             “Then her texts back got shorter.”

            Meg and I had agreed not to push.

            “I wanted to be sure, so I graphed them. The length and the quantity were different since we started. When I said that, she asked if I had Aspergers.”

            I teetered on my tiptoes. On the stove, the kettle began to hiss.

            “I wish I had fucking Aspergers. I’d be too obsessed with like, exotic bug types to care. After that she stopped mentioning Christmas. She blocked my texts and her roommate kept telling me she was out.”

            By then, I’d patted my way to the marshmallows, but I didn’t take them down, or turn.

            “How could just texting and calling and meeting her out places make her feel like I was a rapist? We barely even had sex, just the one time I asked about her text patterns. She said she was just busy with school stuff. She said she was sorry she told me I had Aspergers. Then she got quiet in the middle, but she never told me to stop.”

            When I finally turned, the kitchen was empty. I don’t know how long I’d stood there, just facing the cupboard, while the kettle screeched like a banshee on the stove.

            Unlike the bus people, the carolers coordinate their outfits. They wear vibrant red cloaks and green hats. All the kids are apple-cheeked and invested. The old folks lean into each other. Like most weeks, today Gus is there with his flute. In the kitchen, the scent of ginger seems nearly physical. Vaporous, like an orange fog. When I crack the window, I catch the last of the figgy pudding song. ‘Piggy pudding,’ Mitchell used to say. For a while there, we worried he might have a speech impediment, but then instead he got that wheat allergy. It’s all misdirection. Raising kids is like slight of hand.

            The oven buzzes.

            “Mitchell,” I call toward the stairs, “come ruin your appetite.”

            It’s only luck, the cookies are ready. Sometimes our neighbors bring the carolers eggnog, but we’re not always home when they arrive.

            Outside now, the snow falls more thickly, but there’s Mitchell, in just a white T-shirt. Spindly arms, poky spine. He crosses the yard, dragging the garbage bag. Behind him, its weight indents the snow.

             “I just don’t understand what happened,” he’d said last night while my back was turned. “The harder I tried the farther she went.”

            Now he lingers, watching the carolers. “Fall on your knees,” Gus takes the flute from his lips to sing.

            When Meg opens the garage door, it seems to release Mitchell. He dumps the bag in the trash bin. Meg says something, and together they step into the indent. They follow the accidental trail back to the house. Thanks to Mitchell’s experiment, I know they can’t see me. Still I half lift my hand, and I wave.



BIO

Sarah Terez Rosenblum’s work has appeared in literary magazines such as Diagram, Brevity, Third Coast, Underground VoicesCarve and The Boiler. She has written for sites including Salon, The Chicago Sun Times, The Satirist, and Pop Matters. She was shortlisted for Zoetrope All Story’s 2016 Short Fiction Contest, receiving an honorable mention. Most recently, Sarah was a runner-up for Prairie Schooner’s annual summer Creative Nonfiction Contest and her work was published in their Summer 2020 issue. Pushcart Prize nominated, Sarah holds an MFA in Creative Writing from The School of the Art Institute of Chicago, is a Creative Coach, and teaches creative writing at The University of Chicago Writer’s Studio. Her novel, Herself When She’s Missing, was called “poetic and heartrending” by Booklist.

Whose There

by Maria Marrocchino


My mind races with nonsense parables and rhymes.
I haven’t got the time to hang it up
clear it.
I’m tripping but there’s no acid to speak of.
I miss the innocence I once knew.
Eyes that look through windows of ripe cherries not yet bruised.
I want to get all the goodness from the ocean, the sky, but
instead I keep listening to widowed thoughts
telling me I’m vapid or wrinkled or wasting my time.
Me and the lonely moon are singing each other’s
high crimes again tonight.
I’ve wasted yet another love, trying hard to make him mine or perfect or something.
But I keep failing and so I get into a cold bed with just my fantasies
and I’m so fucking bored.
What happened?
Did I let all those needled scavengers rape me dry of my humility?
You see I love myself too much and really I am nothing at all.
I walk around like I don’t have a care but truly I am scared. 
I tried to call my mother and tell her she better not waste her tears on me anymore
but I was too late.
She’s shriveled.
Just like an Edvard Munch painting
I want to scream like that.
No you have a nice day, mine is already filled with too much honesty.
Trying to sort through all these filthy lines
and everyone keeps calling me to ask me how I am
and I tell them I’m so great, super, I just need to be saved.
And they hang up on me.
I guess I better work on saving myself.


This Is A Long Poem


This is a long poem
It will be passed over
But the flow of my hand
And my chestnut thoughts
Overwhelm me so I go and go
Letting blue ink stream wonderfully
I sit and the gush of everything
Comes like a full orgasm
It surely is not a great group of words
Maybe only average at best
It surely will not get printed
Maybe even tossed.
This is a long poem
Not even fit to read really
Seldom should anyone care about the outcome
But I’m up all night
For this pedestrian poem
I lose sleep
Many minutes of loss
But long poems are worth it
Phone keeps ringing
The baby is crying
My soul begs me to give up
But I go on and on.
This is a long poem
The throbbing of my hand
The crinkling of my fingers
It’s working
It’s haunting
It’s mature
Short poems are dull
To be a true love of this verse
It must be sweeping
And the opposite of puny
It’s giving me clarity
It has a barrel of hope.
This is a long poem
It stirs such uncertainty
But I feel a sense of humanity
With every crooked prose I still go
Not everyone can do this you know
A cryptic passage to let you know I’m alive
And I wonder when it will stop
Do you think now?
Why are you still reading this?
Have I made a mockery of this art we call “ode”.



BIO

Maria Marrocchino is a writer and producer living in Manhattan. She has lived in Manhattan for over 15 years and has been writing since the age of 13. Her poetry has appeared in Clockwise Cat, Broad, Belleville Park Pages, SNR Review, Main Street Rag and PDXX Collection. Her stories have appeared in The Sun for “Readers Write” and her travel stories can be found in Independent Traveler. Maria is a features writer for Dazed & Confused, Platinum, Nylon and City magazines. She has also published a book of poetry, Winged Victory: Transcending Breast Cancer.

Her website is krop.com/mmarrocchino.

Her blog is https://singlenycmom.com/



Whatever Happened to Mr. Saguaro?

by Carolyn Weisbecker



            Kneeling before the crumbling wall like a repentant sinner rested a row of dusty mason jars filled with flowers. The pink carnations had long dried out, their brown skeletons clutched together in its glass burial tombs. Seeing the wall, Darren dismounted his bike and hoisted it over the curb because of the bears. Yes, bears. Not the kind of bear where one would escape but the kind one would, instead, embrace. Perched beside the mason jars, the bears’ sodden tummies bulged while laden heads lowered in defeat. One bear wore a plaid vest of yellow, red, and black with a matching bowtie. The second bear clutched a pink satin heart. An aura of misery and melancholy grasped Darren’s chest as he stared at the bizarre scene laid out before him.

            The feeling hung over him like a stormy sky that whispered of abandonment, of death, a hole that only grew deeper and wider as the minutes passed. He wondered about it all. Had his dad mentioned something about this from his daily peruse of the Tucson Times? A child riding his skateboard or bike before the screech of brakes and inevitable whack that led to this roadside memorial? He winced. The thought of a life snatched away bothered him. But then, everything bothered him.

            As the unpleasant feeling persisted, he turned away to hug the Santa Catalinas, a towering mountain range north of Tucson, Arizona. Darren decided that if he had to spend the summer with his dad, he would find comfort in the mountain views, desert landscape of cactus and bush, and the quiet of the star-scattered nights at Mount Lemmon Sky Center; Tucson—so unlike his home in Chicago—surprised him daily by its authenticity. The city’s lack of pretentiousness beckoned Darren to wander music, book, and thrift stores; clerks of all ages greeted him with smiles and gave him the freedom to shop without idle chatter or worse, a barrage of suggestions regarding an imminent purchase. Darren’s thoughts scattered, and as the minutes gained speed, a series of beeps rose from his smartwatch. He ran one rough hand through his damp hair. “Shit.” He was late. Again. Grabbing his bike, he pedaled, careful to avoid giving anyone a reason to add another memorial to the existing one.

            Fighting the wind, Darren forced his legs to pump harder through the hilly streets. But the bike was old with splotches of rust and a chain thirsty for a few squeezes of oil, so it needed extra prodding. Despite the work required to pedal, he liked the bike’s faded red paint and the shiny new tires, although he wasn’t exactly sure Mrs. Norris, the thrift store lady who seemed one step away from a nursing home, was entirely truthful about the bike’s true condition. He could tell by her small eyes that darted from the bike to the ceiling and back; not once could he recall her gaze reaching for his in a gesture of humanity. No enthusiasm. No encouragement. And least of all—that which he really craved—engagement. But the fact remained that thanks to Tucson being a college town, with the University of Arizona just a few blocks away, decent used bikes were a tough find. So, after a bit of stilted haggling, pregnant sighs from Mrs. Norris, and a trip to the ATM, Darren handed over his last twenty bucks to the old woman who neither thanked him or offered a receipt. Not even a goodbye.He hated that he cared.   

            The bike resisted him, so he pedaled with a ferocious heart until the Old Tucson Book Store loomed into sight. There was a reason for the word, old, hethought as his tires went bump-bump-bump over the gravel surface that led around to the back. The one-story building, like many along the weathered street, whimpered for a drink of fresh paint, indicated by its cracks, peeling stucco, and remnants of graffiti the store owner ignored. Still, the building wasn’t all bad. Probably its best feature was the bright orange door that beckoned customers to enter; but once inside, the gray walls and uneven floor—oh, and the remnants of marijuana smoke and microwave popcorn—made even the most curious customer leave.   

            After leaning his bike against the garage wall, Darren entered the building’s rear door on soft feet. The shop sighed when he stumbled, mimicking its long-time owner, Mr. Saguaro—Darren never knew his real name—who usually only muttered whenever Darren arrived while his eyes made love to the artwork hung on three of the four walls. All Saguaros. The east wall highlighted Saguaros stoically keeping watch over its underlings—small cacti, unkempt shrubs, and a smattering of Joshua trees. The west wall proudly boasted Saguaros that held the mountains upright—the thick cacti arms opened wide to catch a tumbling rock like a mother who catches a tumbling toddler. But the ones that deserved special attention made their home to the north.

            The north, known as the celebrity wall, where Mr. Saguaro—called Mr. Sag, for short—hung select Saguaro artwork—the ones that got headlines or held the title of biggest, largest, oldest, like the Saguaro deemed the Grand One from Tonto National Forest that towered at 46 feet; next rested a print of Old Granddaddy from Tucson’s Saguaro National Park with fifty-two arms and the title of “oldest known cactus in the world.”

            And then there was the one that mocked the rest because, well, according to Mr. Sag, it deserved the honor. The one and only oil painting with a gold wooden frame. The one and only oil painting he had actually purchased from an art studio and not a discount store. The one and only oil painting where Mr. Sag had mounted a picture light he found in a dumpster to show the world—or at least his customers—that number one, he was an art connoisseur, and number two, he was—but without the financial support—a patron of the arts.  

            The one and only oil painting was the crested Saguaro. Its fan-like tips resembled giant waving hands, and Mr. Sag referred to it, with bated breath, as his one and only favorite.

            “It’s a crested Saguaro. Very rare,” Mr. Sag would say to whoever glanced in the painting’s direction.

            With the Saguaro shrine behind him, Darren’s shoulders relaxed as he approached the main store area. I’m in luck, he thought. Mr. Sag must’ve gone out for a coffee.Humming at the pleasant thought and the realization he truly alone, Darren strolled over to a pile of books that needed sorting. Then, his humming faltered. Then stopped. Darren gulped as Mr. Sag’s weathered body stood up from the chipped wooden chair he kept in the corner. Today, the old man wore a tie-dyed purple and yellow tee shirt along with his standard worn jeans. A silver Cuban link bracelet slid down his bony wrist as he lifted a palmful of popcorn to his lips. Darren waited while Mr. Sag finished chewing, but before he could utter, “I’m sorry I’m late,” Mr. Sag lifted a tattooed arm.

            “You’re late again, so you’re fired, boy. Now get out of here, and don’t come back!”

            Darren sniffled, not from emotion, but from a cloud dust. Being Tucson, and being an old building, and being the windows were old and not fitted properly, dust did a slow dance around anyone who stood long enough to notice. He coughed to buy time; he knew he needed this job. Wanted this job. Because as shitty as the pay and his treatment by old Mr. Sag, Darren had nowhere else to go. Nothing to do until his mom picked him up in August to return home and then maybe he’d be back to spend a holiday. That’s what happened when his parents got divorced; his dad moved across the country for a fresh start, and summers and occasional holidays were the only times Darren got to see his dad. He accepted it.

            Not a sound was heard except for the heavy tick-tock of the huge black clock that hung above the cash register. Mr. Sag’s dark eyes never left Darren’s as he continued shoving popcorn into his greedy mouth. Finally, Mr. Sag cocked his silver head. “Are you deaf, boy? I told you to get out. I’m sick of you being late. I’m running a business here. This is my livelihood. My life. This ain’t no hobby for me like it is to you.”

            Darren watched his heart plummet to the floor and collide with a colony of dust balls. He blinked. “But Mr. Sag, I still need to dust the floor and all the shelves. Then I was going to set up that computer and printer you bought to get you into this century.” Darren’s eyes rested on the small table by the counter where an ancient drip coffee maker rested. “And then there’s that!

            Mr. Sag’s eyes flickered with curiosity as he followed Darren’s gaze. “You mean the coffeemaker? What about it, boy?”

            Darren nodded. “There’s something you need to know, Mr. Sag. You might want to sit down for this.”

            The room waited while Mr. Sag remained rooted to his spot, arms folded, his lips curved downward. Darren coughed again and scrambled for an idea to prolong his imminent departure.

            “Well, it’s like this,” he said. “You claim you’re running a business, that this is your life, but it’s not true.”

            Licking his lips, Mr. Sag gazed down at his now empty popcorn bag, and Darren knew the old man wondered if he should pop another bag. “What you talking about? Besides, why you still here? I told you to git.”

            Darren’s legs melted into the floor. “You’re not running a successful because you’re not giving people what they want.” He marched over to the coffeemaker stand. “People want coffee—good coffee—when they browse for books, and this old machine can’t make it. I’m guessing the inner parts are worn out.” He opened the coffee machine lid and let it drop with a thud. “Wasn’t it used when you bought it?”

            Mr. Sag scratched his head. “You know I buy all my appliances and what-nots second hand. Otherwise, I’d be out of money in no time, and the misses wouldn’t like that!”

            Darren nodded. “I understand, but it doesn’t make decent coffee.” A line appeared between his brows. “You know, if the coffee was good, people would drink it. And while they’re drinking it, they’d be looking at the books and maybe even buying some.” His eyes flew around the room, and although his glance was fast, Darren noted everything. The creaky ceiling fan that shuddered every five minutes. The mismatched bookcases—some without shelves—painted in various shades of blue, yellow, and green. But most disturbing of all, Darren felt the shop’s fear; its sadness oozed from up from the tired floors, and tears dripped from the walls by the humidifying unit. Even the coffeemaker let out a big sigh whenever Darren turned it on.

            Mr. Sag glowered at him. “What do you know about coffee? You’re just a punk. What are you, fifteen?”

            Darren jutted his chin. “No sir. I’m seventeen. I start my senior year in the fall, and I know plenty about that deep complex nectar we fondly refer to as coffee.” His words sounded hollow, even to him, mostly because he’d never drank coffee. He preferred pop.

            Mr. Sag scratched the sliver of belly that peeked out from under his shirt. “No one else gives free coffee away but me. You would think that incentive would flood the place with customers. You’re trying to make me keep you here, but that’s not going to happen. Now, for the last time, get out of here before I toss you out myself.”

            Whatever courage Darren had slithered away, and he headed to the door. But the hand of courage wouldn’t hear of it, and instead, whipped him around. “You’re wrong, Mr. Sag!”

            Mr. Sag’s forehead puckered. “What ya mean, boy?”

            A slow smile eased onto Darren’s pudgy face. “What I mean is that you’ve got competition, which might explain why it’s a ghost town here.”

            Mr. Sag yawned. “Competition? You talking that internet thing?”

            “Forget online shopping. I’m talking about the new book store just a few blocks over. I stopped by the other day and saw all kinds of customers drinking coffee and buying things. It was a real community thing, people laughing and talking. Said they loved the book selection and how nice and clean everything looked. Overheard some of them saying they loved the coffee and would be back.”

            Mr. Sag lifted an eyebrow.

            Darren continued. “It smelled real good, too, not like that nasty stuff that comes out of your machine. It’s too bad you fired me because I had a big surprise for you.” He shook his brown head. “Your loss.”

            Mr. Sag couldn’t help himself. After all, he loved surprises, especially since he never got any. He rubbed the stubble on his chin. “Maybe I’ll let you stay. Depends on what the surprise is. I’ve got high expectations, you know.”

            Darren’s mouth lifted into a smile. “You see, my dad manages a business supply store in Oro Valley. I told him about the sad state of your coffee machine. He said he’d get you a top-of-the-line coffee maker for a fraction of the cost. You know, as a courtesy because I work here.”

            “Top of the line?” Mr. Sag repeated.

            Darren nodded. “That heavenly coffee aroma from your new machine will pluck people right from the street, and before you know it, this place will explode with business. Think how happy that will make Mrs. Sag.” Darren grinned. “What do you say, Mr. Sag? Can I stay?”

            He narrowed his eyes. “Fraction of the cost?”

            “Yes, sir. My dad will give a cheap price. And, I’ve got some other ideas, too, that will bring in more customers than you can handle.”

            As Darren talked, Mr. Sag thought while his eyes took in the dank smelly couch, chipped side tables, and stained area rug. He wasn’t stupid. He knew his shop needed a boost, something exciting that would draw customers through its faded orange door. He needed to offer more than books. Like Darren said, he needed to offer a sense of community. Coffee could do that. His mind filled with the image of a shiny new coffeemaker dripping like a song while his customers lined up for a cup, books tucked under their arms and thoughts of what to buy next.

            I’ll move the machine up toward the front so everyone can see it before they check out. The idea pleased him, and before he could catch himself, his lips eased into a smile. “Sure, boy. You can stay.” For now, he thought.

            It only took mere seconds for Mr. Sag’s smile to dissolve into a dark pool that dripped to the ground and formed a puddle around his feet. No one possessed the power for his transformation except one person—his misses. For at that very moment, the much-younger, much bigger, and much smarter Mrs. Sag stormed through the door, not caring that the slam led Mr. Sag to groan.

            “My god, woman. What did I tell you about that?” His eyes rotated from one wall to the next, making sure his treasured Saguaro paintings remained intact.

            She followed his eyes then turned her attention to inspecting her nails. “Screw your paintings. I’ve been stuck all week with that girl, and now it’s your turn.”

            Darren caught his breath at the sight of her hot pink mini-skirt and plunging black silk blouse. Turquois earrings stretched from each ear. Her matching pink lips gleamed like fresh paint. As he stared, she read his thoughts by pulling a tube of lipstick from her Louis Vuitton bag. “What girl?” Darren asked, but what he really wanted to know was this: what in the world did a hot-looking woman like her see in old Mr. Sag? Was he a millionaire or something?

            The Sags grunted the name, “Rainbow!” in unison then glared at one another.

            Mr. Sag coughed. “Rainbow is my step-granddaughter from my second marriage.”

            Mrs. Sag rolled her painted eyes. “Second marriage baggage should remain in the second marriage, not rolled into the third.”

            Mr. Sag opened his mouth, but the sound of a shriek sliced through the air. Darren led the way as the three rushed out the back door. “What the heck you screaming about, Rainbow?” Mr. Sag asked.

            “I just wanted to see how far my voice would go.” The girl before him fluttered her eyelashes at Darren. “Who are you? You’re cute.”

            He thought the girl must be about ten or so.

            She twirled a single dark braid that hung past her shoulders. “I’m hungry, glorious Grandma. When’s that pizza kid going to come?”

            Mrs. Sag sighed. “I told you to call me Grandma Gloria, not glorious Grandma. Why don’t you play out here with Darren, and I’ll let you know when it’s here.”

            Darren straightened to his full five-foot, four-inch height. “I’m sorry, ma’am, but I’m no babysitter. Besides,” he glanced at Mr. Sag, who remained planted by the door. “The boss here has work for me.”

            Rainbow stuck out her lip, folded her arms, and pouted. “But I want him to play with me! Now!”

            “Darren.” Mr. Sag’s voice held a warning. “As my newly appointed assistant manager, I want you to play with my sweet little Rainbow, so starting now, she’s your responsibility.”

            Darren gulped. “Assistant Manager? But who’s the manager?”

            “Me, dummy.” Mr. Sag smiled at Rainbow. “I’m the owner, manager, head honcho … I’m everything. Congratulations, you just moved up from chore boy to my assistant. So, get to work boy, and play with this child.”

            Darren’s eyes flew to Rainbow, who tapped her foot while she waited. Once the Sag’s backsides disappeared through the door, he turned to his new responsibility. “Okay, kid. What do you want to do?” His brown eyes swallowed the dismal scene around him. “How about I find you a broom, and you can sweep while I pick up this trash that’s blown about? Your grandpa would like that.”

            She shook her head. “Nope. I want you to find me a kitten to play with. A sweet, cute, tiny kitten who will sleep on my bed and dance around the house with me.”

            Darren rolled his eyes. “I don’t have one.”

            Rainbow sighed and tapped her lip with one pink-painted fingernail. “Well, then. I want to play pet rescue. I’ll be a poor, abandoned puppy dog you found by the garage here, and you have to get me to trust you by being nice to me.”

            He bit down on the word ‘that’s stupid’ before they oozed from his mouth. “That’s no fun.”

            She blinked—long and slow—a wisp of a girl who suggested fragility but in truth, possessed determination, grit, and unfortunately, resourcefulness. “You either play like I said or else…” She met Darren’s eyes before throwing herself to the ground. “Ow! That hurt!” As quickly as she fell, she jumped up and brushed off the pebbles from her knee. “I’ll tell my grandpa and my glorious grandma you pushed me down!”

            Anything Darren might have said at that moment disappeared as a small, rusted car roared up the drive and stopped at their feet. A tall, gangly kid of about Darren’s age emerged holding a white slim box.

            “Pizza!” Rainbow shrieked and ran in circles.

            The pizza kid yawned. “You’re brilliant.”   

            Rainbow stopped and held out her hands. “Give me!”  

            Wiping his forehead with the palm of one hand, the boy muttered, “That’ll be $18, plus my tip. I’m sure you’ll be generous.”

            Rainbow’s hand flew to her pocket. She pulled a wad of bills from her shorts and counted out loud. “Five, ten, fifteen, twenty, twenty-five, thirty, thirty-five, forty.” A sly smile eased onto her small face. “How much did you say?”

            Tired and hungry, Darren snapped. “Just give him a twenty.”

            She wrinkled her nose and shoved the bills back in her pocket. “I’ll give you a good tip if you play with me first because Darren is boring. And stupid.”

            The boy moaned and looked at Darren. “What’s this oddball talking about?”

            Darren shrugged.

            “Look,” Rainbow said. “I’m a poor, abandoned puppy dog someone dumped by the garage here, and you need to rescue me. Then I’ll give you a twenty-dollar tip.”

            The pizza kid straightened. “Twenty-dollar tip, huh?”

            She nodded and looked around the littered yard. “Darren, fill up that hubcap with water, and bring it into the garage. That’s where poor abandoned puppies like to hide. And, you, pizza kid, I want one slice now and a ride around the garage.”

            A flash of doubt crossed the boy’s face. He tossed the pizza box onto the hood of his car and lit a cigarette. After taking a long drag, he nodded at Rainbow but spoke to Darren. “Is she for real?”

             Darren strode over to the hubcap and picked it up. “I’m afraid so.”

            The garage stood silently a few feet away, just a shell with missing slates and no door. The pizza kid peered inside, and seeing nothing but boxes and a pile of old clothing, he threw down his cigarette butt and stomped on it with one black boot. “Okay, fine.”

            Rainbow raised an eyebrow. “Pizza?”

            The boy yanked a slice from the box. “I’ll give you three minutes.”

             Rainbow clapped her hands and grabbed the pizza. Shoving half the slice into her mouth, she mumbled. “Let’s go!”  

            While Darren rinsed and filled the hubcap, he wondered if he should alert Mr. Sag to all of this but decided it wasn’t worth bothering him.

            The pizza kid turned around and kneeled to one knee. “Okay, oddball. Climb onto my back. Your ride awaits.”

            As soon as they entered the garage, the kid—with Rainbow squealing on his back—jogged around the building’s perimeter three times then dumped her onto the ground. She whined in response until he shoved the hubcap toward her and ordered her to drink.

            “You’re a puppy, right?”

            She nodded.

            “Then lap the water like a puppy.”

            She did.

            As the pizza kid sped away—his twenty folded into his shirt pocket—he cranked up his music, and the sound of rap floated away with graveling flying from his tires. Darren nudged Rainbow’s shoulder. “Come on, the game’s over. I’m going inside. I’ve got work to do.”

            She sprang up. “Where’s my pizza?”

            He turned and glanced at the trashcan by the rear door. “Sorry. I didn’t know you wanted more.”

            Rainbow stiffened. “You ate the whole pizza?”

            “I was hungry. Besides, the pizza kid gave you a slice. Remember?”

            “You think one slice is enough? You’re a moron!” She pulled a long chain out from under her shirt, and seeing Darren’s eyes widen, she held up the chain’s gold skull and kissed it. “That ride didn’t last three minutes. I don’t like people who cross me.” She shoved the skull back under her shirt. “I’m telling my grandpa you ate my pizza.” With one last sniff, she marched into the store and slammed the door in Darren’s face. “Grandpa! Glorious Grandma! Darren ate all my pizza!”

            Seeing nothing else he could do, Darren turned on his heels and fled. 

            Darren arrived at the shop early the next morning. In his left hand he held a cup of coffee from Mr. Sag’s favorite shop, and in the right, a small white bag that held a fresh blueberry muffin—Mr. Sag’s favorite. When he reached the back door, he shoved the bag under his left arm and turned the knob, but nothing happened. A heavy feeling filled his stomach. He wondered if he should go home because obviously Mr. Sag was still upset about him devouring all of Rainbow’s pizza. Deciding to try the handle once more, he tilted the coffee and yelped as the lid popped off and scalding liquid exploded, splattering his white shoes and socks.

            “Shit!” He shoved the lid back on. Anger simmered in his brain and traveled down to his legs. If Mr. Sag hadn’t locked him out, this would never have happened. He jogged to the front entrance. The door knob turned easily in his hand. He blinked. Except for the lamp behind the counter, darkness invaded the shop. He flipped on the overhead lights. “Mr. Sag?” No answer but the buzz of the black clock. His shoes made a swooshing noise he never before noticed, but he welcomed it for it gave the quiet room a bit of life. Stepping behind the counter, he set the half-empty coffee cup and muffin down then froze.  “Whoa!”

            Quarter size droplets of blood dotted the desk behind the counter. One, two, three, four deep red circles. A knife rested nearby, and when he squinted, he saw a streak of red smeared down its shiny blade. His eyes lowered to the floor where more drops congregated. What the hell happened? he thought. His eyes flew to the clock. Eight thirty. The shop opened at nine. Where was Mr. Sag? And why was the front door unlocked? Whispers rose from the shelves that bulged with books; the characters ached to tell him what happened but couldn’t. Panic danced around him, and he backed away until a hand grabbed his shoulder.

            Darren cried out and yanked free. Whoever killed Mr. Sag had returned.

            “Darren, calm down! What’s wrong with you?” Mrs. Sag stood before him wearing tight blue jeans and a lacy red blouse. Diamonds sparkled at her throat. Her long fingers rested on her ample hips as she waited for Darren’s reply.

            Blinking several times, he fought back the urge to run from the shop. And from her. But he couldn’t. She blocked the narrow space between him and the door.

            Gulping, he found the words he needed to say. “Someone killed Mr. Sag!”

            She smiled. “Don’t be silly.”

            He pointed to the desk. He pointed to the blood. He pointed to the knife that looked even bigger than it had before. “Look!”

            Her eyes—with too much mascara and eyeliner—loomed like black holes. She turned to the desk and studied it with great interest. “Whatever happened to Mr. Sag?”  

            Darren squeezed past her. “I don’t know. I came in early today, and the front door was open. I went to turn off that lamp, and that’s when I saw the blood.” Darren’s mind raced with ideas. He wondered if she killed him and then came back to clean up the mess. Did her bronze face mock Mr. Sag as she plunged the knife into his heart? After he collapsed, she would’ve dragged his body out the front to shove into her new Cadillac Escalade—ironically, a gift from Mr. Sag because he said she needed a larger vehicle to haul things. Like dead bodies, Darren thought.

            Mrs. Sag brushed past him. “I stopped by to look for his cell phone. Rainbow was playing with it yesterday.” She straightened her fingers and gazed down at her nails—long and painted red, like blood. “That girl is crazy. Did you know she ran into a car last month on her skateboard?” She nodded at his blank look. “You know the intersection of Speedway and Country Club? Dumb girl skated off the sidewalk right into the street. Thankfully, all she got was a few bruises, but by the look of all the teddy bears and flowers people left, you’d think she got killed.” She drew in a breath. “I hate those roadside memorials. So depressing.”

            Darren swallowed. “I’m glad she’s okay, but what about Mr. Sag? The blood? Where is he?”

            She glanced at her watch. “The old man probably cut himself doing something foolish and went home to clean up.” Her eyes flickered. “You like working here?”

            His eyebrows drew together. “Well, now that you bring it up, yeah. I like it here.” The question moved him; maybe because no one ever asked—not his mom or dad or even Mr. Sag—and spurred by her interest, he found himself explaining how his parents divorced and his dad moved to Tucson, leaving Darren and his mom behind in Chicago. “My parents decided I’d spend summers here with my dad. And, it’s been okay, I guess. I’m just glad Mr. Sag lets me work here. Otherwise …” He left it at that.

            She listened while fingering her gold hoop earring, and when Darren finished, she tilted her head. “I like you, Darren, and I’m glad my husband made you manager. You deserve it.”

            “Assistant manager.”

            “What? No! You are the manager. And, I’ll tell Mr. Sag that when I see him.” She fanned her face with one hand. “I’m making the decisions now.”  

            He straightened. “Wow. Okay. Thank you.”

            “Tell you what. It’s about opening time, so why don’t I clean up this mess, and you take care of business. After all, you’re the manager.”

            “But what about Mr. Sag?” He gulped and glanced at the knife.

            She gave a huff. “Don’t worry about him. I’m sure he’s fine. Now, get to work while I clean up.”

            Darren watched as she strutted to the back for a cannister of sanitizing wipes before flipping over the door sign to read ‘open.’ While Mrs. Sag scrubbed away the blood, Darren dragged out the vacuum from the closet and pushed the heavy relic across the room in search of an outlet. Matted gray fur—courtesy of the stray cat Mr. Sag allowed inside under the pretense of catching mice—clung to the carpet along with the dirt clods that caught a ride on someone’s shoes.

            Tufts of dust spewed from the vacuum’s cannister. Grunting, Darren pushed the cleaner across the floor and hoped the effort would pay off by giving him bigger guns. Crackling and groaning, the cleaner wasn’t used to so much work, so it began to ignore the dirt and dust until Darren kicked it as a reminder of who was boss. That accomplished, he returned to the now-cleaned desk where a pile of new books waited to be catalogued and priced. No blood. Not even a trace, and in fact, the desk, with its orange laminate surface, never looked so good. Or clean. Still, Darren wondered about the blood. And, Mr. Sag.

            “Maybe you should call him. Mr. Sag, that is, to see if he’s okay,” Darren said. “Something’s not right. He left the door unlocked. And then there’s the knife. I’m kind of worried.”

            At the mention of the knife, she held it up and admired it under the overhead light but then shoved it into her bag. “Oh, I would, but …” She patted her pocket and grinned, showing bright white teeth. “I got his phone right here, so that won’t help. Besides, I’m sure he’s fine. I mean, why wouldn’t he be?”

            Darren shuffled from one foot to the next. “I’ll be here until three today, but I can stay longer if you need me. But I’m sure Mr. Sag will be back by then.” His eyes locked with hers. “Right?” Silence prodded him to repeat himself. “Right, Mrs. Sag?”

            Laughing, she slung her bag over her shoulder. “You’re a sweet kid, Darren. Why don’t you plan to work the full day? And since you’re not in school this summer, how about you work full-time? I mean, I’m not exactly sure when Mr. Sag will be back.”

            “What do you mean?”

            “I think it’s about time he took a vacation.” She nodded. “Yes, that’s it. A long, relaxing vacation somewhere with palm trees and a pool. When I see him, I’ll talk him into taking a vacation.” She straightened the large silver and turquoise cross that had tangled with her diamond necklace. “While he’s gone, I’d like you to think up some ways to make this place better. We haven’t had a profit for too long, and you are the manager now. I believe you’ve got what it takes to make this old place a success. After all, you’re young and strong and smart.” Her mouth resisted a smile. “Unlike that jackass I married.”

            She killed him, he thought. Or, did she? She seems pretty nice.

            After Mrs. Sag left, Darren wandered the shop with purposeful steps. He winced at the dust coated windows that filtered the light and made him think of allergies and altered senses. Reverting his vision to the four stucco walls, his eyes clutched the monuments of painted and printed Saguaros, the rows of shelves stuffed with books hopelessly abandoned and dismissed due to either too-high prices or unpopular content, the beaten-down sofas and wing-back chairs with electrical taped arms and wobbly legs, and last, the old mean coffeemaker that on any given day, vomited streams of tar and black steam. Would Mrs. Sag agree to replace it?

            A flood of doubt washed over him as he thought about his abilities and how she expected him to turn things around. She’s wrong, he thought as he emptied the coffee’s filter basket into the trash. I don’t have what it takes. His thoughts bullied and mocked him until he saw no other option but to leave. She’ll get someone else to help her, he thought. But then he heard the slam of the door. Whirling around, he saw him. And smiled.  

            “Hey, man. I know you!” When Darren caught the high pitch of his voice, he forced it lower. “You delivered pizza here yesterday.” Seeing another kid lifted Darren’s mood. Desire for company and curiosity overwhelmed him, so he took a few deep breaths—hoping the kid didn’t notice—and said, “You here to buy a book?”

            Consternation dug into the pizza kid’s face; his eyes protruded like he just spotted a tarantula on Darren’s shoulder. “Book?” He erupted into laughter. “You’re funny.” Sweeping his hand from side to side, he said, “Who buys these relics you call books?”

            Darren stiffened. “Why are you here?”

            The pizza kid pulled a pack of cigarettes from his back pocket. “I can’t find my skull. Have you seen it?” He lit a cigarette, took a drag, and eyed Darren as he waited.

            “Is this a joke? By the way, we don’t allow smoking.”

            Before the pizza kid could reply, he saw a tiny gray mouse scamper across the floor behind Darren. He grinned. “You need to get a cat, bro. But, no joke, Einstein. I was wearing a chain with a gold skull yesterday when I brought the pizza. Now I can’t find it.” He glanced around the room. “Is there someone with some authority I could talk to? Because you don’t seem too swift.”

            An image of Rainbow holding up the skull to kiss it flashed across Darren’s mind. He clamped his lips shut and wondered what to do.

            “Well?” The pizza kid tapped his foot. “Are you deaf or just stupid?”

            Darren felt his lips twitch, and he struggled to push back a smile. “Hardly. I’m the manager. Why don’t you and your stinking cigarette go outside and look around there, Einstein? Maybe it fell off out back by the garage while you were playing with my boss’s granddaughter.”

            The pizza kid stubbed out his cigarette on Mr. Sag’s laminate desk. “I already did that. Maybe that little girl found it. Is she around here? Maybe sniffing glue behind the desk or licking stamps for fun?”

            “Nah, she’s not around today. Even if she was …” The two boys locked eyes.

            The pizza kid dropped his gaze. “Look, I’m sorry I’m being an ass. My grandpa gave me that skull years ago, and it’s special to me.” He took a step and held out his hand. “You seem pretty cool. I’m Liam.”

            Darren gripped Liam’s hand as hard as he could. “I’m Darren. I’ll ask Rainbow—that’s the little girl—about your skull.” He shrugged. “She might be able to help. You could stop back later next week if you want.”

            Liam’s shoulders relaxed. “I will. By the way, where’s that crazy old man who’s usually in here?”

            “That would be my boss, Mr. Sag, but that’s not his real name.” He couldn’t stop talking. “He loves Saguaros, so that’s why he’s called Mr. Saguaro, or Mr. Sag, for short.” His stomach churned at the thought of the blood knife and blood drops across the floor. “Mrs. Sag, his wife, said I could take care of things until he returns.” Remembering Mrs. Sag’s words, he added, “I think he’s on vacation.”

            Liam sauntered over to one of the shelves and peered at the row of books. He gave Darren a pointed look. “You know, I’ve stopped in here a few times after school to look around, but …” Yanking a book from the shelf, he handed it to Darren. “When was this printed? The 1920s? By the way, that old guy wasn’t too nice, especially when I asked him who buys these books? They’re old and outdated, man. Way overpriced. You say you’re the manager? If that’s true, you’d better start managing things, or this place will crash and burn—if it hasn’t already.”

            Darren nodded. He felt an unfamiliar pang in his chest that became stronger as his excitement grew.

            Mrs. Sag said she needs me, he thought. If I try, I can make this place successful.

            “Did you hear me?” Liam frowned. “I said this place will crash and burn if you don’t do something soon. And that would suck because it’s pretty cool. Like, retro cool. All it needs is some love and labor.”

            Finally, working here felt right. “I’ve got some ideas that will make this place awesome. In fact, Mrs. Sag said I could do whatever I want to improve things.”

            Liam looked down at his scuffed black boots. “You know, no one would guess by looking at me that I love books. I was a 4.0 student until … well, I did a little juvie time, but that’s over.” He paused. “I’m not delivering pizzas anymore either, so maybe I could help.”

            Darren rubbed his chin. “You’re not going to rob me, are you?”

            Liam laughed. “Of what?” He fished his cigarette out of his pocket. “I’ll be back in the morning, but until then, take my advice—get a cat. And not one of the fluffy little kitties from the pound or a tom. Get a female cat. They’re badass.”

            The next morning, a reluctant sun struggled to stream through the windows of the Old Tucson Book Store. Darren arrived shortly after with a mop and bucket clutched in each hand. He attacked the front window first, the one that stretched across two sofas and a chair, and scrubbed inside and out until his sponge matched the black liquid he knew as water. Three bucket refills later, he looked up from his work to see Liam standing over him, an orange tabby cat nesting in his arms.

            “Hey, kid. I brought you a cat. She hangs around the pizza parlor parking lot, and I’ve seen her carry off a rat or two, so I know she’s a hunter. Anyway, I knew if I didn’t take her, my ex-asshole-manager would probably poison her.”

            Darren tossed his sponge down and stood. “So? What am I supposed to do with it? I’m not running a shelter, and frankly, she doesn’t look like much.”

            Liam gently set the cat down, and immediately, her nose and tail twitched. “Look, don’t let her cuteness factor fool you. She’s a killer. She’ll get rid of the mice you’ve got roaming around. No one wants to see mice when they shop. Do they?”

            As the weeks unfolded, Liam helped Darren revamp the shop. Each of the long, rectangular windows of the small bookstore sparkled. Whatever carpet and wood once covered the floors was ripped out and gone, replaced by red terracotta tile installed by two guys from Tio’s Tile down the street. The boys had emptied all the shelves of books. They repainted the bookshelves yellow then sorted, catalogued, repriced, and tossed the current inventory, and with Mrs. Sag’s permission, purchased a slew of new books from the wholesaler Mr. Sag once used. Liam even invited a local historical author to give a presentation and to sign his latest book. 

            “It’s definitely an improvement. Still …” Liam paced the room; his sharp eyes took in the stained and tired couches and chairs from every angle. “Let’s talk to Mrs. Sag about new furniture. Like I said weeks ago, we don’t want customers to leave. We want customers to sit, look at books, buy some, and stay.

            Darren agreed. The darkness that hung over him at the beginning of summer had—little by little—disappeared. He knew why. He found his place—in Tucson, Arizona, on a block of crumbling buildings with blue, yellow, green, and red graffiti that bounced off the stucco walls into the eyes of everyone who passed; he loved the delectable aromas of spicy chorizo sausages, chili peppers, simmering salsas, marinating pork carnitas, and tangy barbeque that drifted from nearby cafes, and the friendly, cheerful neighbors who brought the boys food and cleaning supplies ever since Darren replaced the open sign with one that read: closed until September 1st for fix up.

            Things got done. The store reopened with lots of new things but missing one old—Mr. Saguaro.

            Three couches—one in red, blue, and green—sat in the middle of the store between the open aisle bookshelves and check-out counter. Between each couch sat a white tiled rectangular table, and a matching table hosted the new, state-of-the-art Bunn coffeemaker that Darren’s dad sold Mrs. Sag at cost. Mrs. Sag arrived late one afternoon while Liam and Darren worked on setting up a new computer and accounting system. Her wide-set eyes popped as she gazed around the room. She folded her arms and smiled.

             “I see you’ve spent Mr. Sag’s money—I mean, my money well.” She pranced around the shop and nodded; her red-framed sunglasses slid down her forehead and bumped her nose, so she yanked them off and shoved them into her bosom. “All I can say, boys, is without the life insurance I got recently from …” She shuddered and paused. “From mi tia—she made the sign of the cross and whispered, “God rest her soul”—none of this would be possible. I’m sure Mr. Sag would be pleased. But more important, I’m pleased. And that’s all that really matters.”

            Four days before the grand reopening, Darren tried again to find out what happened to Mr. Sag.

            Frowning at the question, Mrs. Sag said, “Forget Mr. Sag. I’m your boss now. Poor Mr. Sag decided to pursue other things. But I’m sure his curiosity will entice him to stop by one day. Now wipe that frown from your face, and get back to work.”

            Darren cleared his throat. “What about the blood and knife? Was he injured, or … ?” He raised his eyebrows and waited.

            She scowled. “Didn’t I already tell you what happened?”

            He shook his head.

            “Well, the old fool used that butcher knife to cut himself an apple. The knife slid, and he cut his finger to the bone.”

            Liam and Darren gave one another a furtive look.

            “Well, of course he rushed home for a bandage. I found him whimpering and bleeding all over my kitchen when I got home later, but don’t worry.” Her eyes sparkled. “I took care of him. Now can we move on already? Before we open, I want you boys to get rid of all those damn Saguaro paintings. Throw them in the dumpster or whatever. Then second, repaint everything a golden yellow—the shade of a Harvest moon.”

            Instead of throwing the paintings out, the boys quickly packed the Saguaro artwork into boxes and stacked them in the renovated garage. Sweat rolled off Liam’s face while Darren’s face glistened from fear.

            “You know, Liam.” Darren’s voice lowered as he glanced around. “I think she did it. I think she killed old Mr. Sag. And, I think we should tell someone.”  

            Mrs. Sag demoted Darren to assistant manager while giving Liam the manager job. Darren understood. Liam had graduated from high school last May, and for the time being, had no plans for to go college.

            “I never liked school. I lied when I said I was a 4.0 student,” Liam confessed. “It’s a miracle I made it as far as I did.” He swept his long, bony arms in a dramatic gesture. “Besides, this is the only education I’ve ever wanted.” The boys rested on the new picnic table out back, a gift from Mrs. Sag so Liam could have a place to smoke while Darren chugged his can of coke.

            Liam took a final drag of his cigarette then crushed the lit end against the side of the table. “Have you talked to your parents anymore about letting you stay?”

            Darren drained his coke; his eyes never left Liam’s face. Wiping his hand across his mouth, he sighed. “It wasn’t easy. Mom had all kinds of reasons why I should go back to Chicago—you know, finish school, be with my friends, continue my violin lessons. Blah, blah, blah.” He looked off in the distance. “That shows how little she knows me. I hate my old high school, I have no friends, and I suck at playing the violin.” A warm breeze stumbled past and wrapped its arms around Darren in a hug. “Anyway, yeah. I’m staying. I’ll be going to the same high school you just left. Besides, Mrs. Sag needs me here.” He nudged his friend. “And, you do, too, since I’m your assistant manager.” Feeling a bit awkward, he scrambled off the table, tossed his can in the trash, and reached into his pocket. “Here, dude.” And with that, he tossed the chain with the gold skull in Liam’s direction.

            Darren didn’t want to lie, but he also didn’t want to be honest about the skull, specifically, Rainbow’s part in it. When he confronted her several days earlier, she pursed her lips and clammed up; that is, until Darren opened his backpack to show her the sleeping cat Liam had brought him. Rainbow threw her hands up and squealed; before Darren could stop her, she lifted the cat from the bag and nuzzled it under her chin.

            “I love her! What’s her name?”

            Darren rolled his eyes. “Mouser?”

            “No. I’ll call her Angel because she’s my little angel cat.”

            Darren watched for a moment, then he held out his hand. She didn’t hesitate. Rainbow pulled the chain and skull up over her head and dropped it into his palm.  

            Once a month on a Saturday, the shop hosted a group of young guys who played mariachi music. The shop bustled with book and music lovers alike who tapped their feet, swayed their hips, and hummed. Liam rushed around the room to answer questions, find books, and offer suggestions, while Darren worked the counter. As the afternoon slowed down to a crawl, Darren took a deep breath and sat at the stool behind the register. He pulled out his cell phone to check for messages when Liam rushed over to him.

            “Hey, man, I need your help with this guy.” Liam pointed to the back. “He’s hogging the coffee machine, and people are getting pissed. I’d help, but I’m working with a customer.”

            Darren’s shoulders slumped. “I just saw Mrs. Sag come in. Can’t she handle it?”

            Liam shook his head. “She said to get you.”

            Darren marched over to the coffee machine and glared at the man’s back. He tapped his shoulder. “Excuse me, sir? Is there something I can help you with?”

            The man laughed, a deep and throaty sound that vibrated his body. He turned. “Well, well, boy. It’s about time you came over to say hello.” He grinned at Darren’s blank look. “What’s the matter? I wasn’t dead, dummy. I was getting detoxed. Damn booze.” Glancing around the busy room, his eyes darted until they rested on his wife, absorbed in replying her lipstick. “Now don’t go around telling anybody. The missus wants to keep it quiet.”  

            Darren grinned. “Glad you’re back, Mr. Sag.”

            Mr. Sag smirked. “Nice job, kid. Except for one thing—what the hell did you do with my Saguaros?”


BIO

Carolyn Weisbecker earned her Master of Arts in English & Creative Writing from Southern New Hampshire University. Her fiction has appeared in the Penmen Review, the Binnacle, Mark Literary Review, and Adelaide Books included her short story, “Bo and Arrow,” in their 2019 Children’s Literature and Illustration Anthology.

The Arraghey Wander by Seven

by Ruth Heilgeist


Ar·rag·hey (Manx (v.) move, change, change course, digress, shift, remove, trim, dislodge, adjourn, (n.) motion, digression, maneuver, removal, mutation, adjournment, dislodgement,  displacement).

My terrified run across a freshly plowed field, the earth exploding around me, is a frequent memory. Then I wonder why my father would shoot at my nine-year-old self.           

Being plowed is one term for drunkenness. Besides describing tilled soil, the word is also used to describe a ponderous, plodding way of walking.

Drunkenness is a condition that can foster a tendency to walk carefully and slowly. I have been drunk a few times in my life. Brandy and I are no longer speaking.

My first foster family was my favorite. When I faked an illness, giving social services grounds to take me from my mother, I demanded a new family. And got the Brady Bunch, replete with three girls and three boys.

A favorite animal of mine is Doona. Under five pounds with no tail, Doona is a black cat who tends to remain elusive when I want to pick her up. But when she relents to be hugged, it feels like a reward.

Doona means dark maiden in the language of Manx, the native language on the Isle of Man, and is where the tailless Manx cat originated. A friend found Doona in her Virginia driveway, a tiny kitten a long way from her ancestral island.

The language of animals, and especially cats, has the same tonal value of human language. They speak of anxiety, want, anger and contentedness. My cats understand that books make me deaf, so one of them always jumps onto whatever I am reading.

Cats have always been a family member. I once had twenty-seven rescue cats residing on my farm. One day, I heard screeching above my head and saw a kitten clutched in the talons of a bald eagle. Poor baby. Mama couldn’t save you from that.

The member of my blue eyed, white stallion is often on display as he dances around his mares in the pasture. Even when the mares are not in estrus, Mykael feels obligated to remind them of his manhood. But, when he comes too close, they reward him with a kick to the chest. Like a player waiting for his turn off the bench, he waits.

White is supposed to be the color of sheep, but my Katahdin ewes are brown, black and tan. All four were to be lawn mowers to save me from the tyranny of grass. But, instead of munching grass, the girls decided the asparagus, Japanese plum and forsythia bushes were better eating. So they were fired from their day job and are doing the real work of mothering.

Color is a motivating factor in my life. Right down to my farm gates (hunter green), driveway gates (a subtle light gray) and my animals. Charcoal gray, Burmese white and black with green eyes are the cats. Blue merle and black tricolor are the dogs. And dun, dark bay, golden bay, chestnut, paint, palomino, and perlino white are the horses. But the ducks: all buff.

My central theme for farming is subsistence. But planting, watering, hoeing and weeding is arduously repetitive. No wonder farmers always kept a crop of children on hand to do the chores. I farm because I am a closet prepper and have memories of food insecurity. I should be thinner.

Subsistence living is akin to a prisoner lifestyle as the need to grow food imprisons me on my farm. A diverse crop is key to ensure enough vegetables for the year survive if weather or insects destroy some varieties. It’s a lot of work to live without grocery stores. No wonder fast food is popular. Less work.

A prisoner by choice, my vegetables and animals are my inmates. All look to me for care. Every morning I am a minor celebrity when I appear on the front porch, all animal eyes on me, waiting. Will I pick up the buckets first or load the hay cart or fill water tanks? I change it up just to keep them guessing.

The animals are my family, more honest than most humans and accepting of multiple hugs. Some let me sit next to them to meditate. Bugs, bees and wasps buzz around us as we zone out, listening to our breathing.

Honest reflection at times makes me desire less responsibility, to answer the urge to thru hike to see. Just see. This need for movement motivated my long-distance bike rides, marathon running and competing in endurance races of 50 miles or so on horseback.

Desire for a life of meaning awakens me every morning, along with my latest “why” question that needs an answer. My father, now eighty-nine, says he is waiting to die, when he can remember. Long after the incident, I asked him why he shot at me, my sisters and Mom when we ran from his rage all those years ago.

“I was trying to get you to stop.”

“Dad, people run away from gunfire.” He remained silent until I asked, “What does a deer do when you shoot at it?”

“Run.”

“And people?”

“I think it is going to rain today.”



BIO

Ruth Heilgeist is an MFA student at Lindenwood University and a volunteer tutor for an adult literacy program. Ruth writes about her life past and present. An avid opportunity-maker, Ruth’s experience ranges from paper girl, modeling, belly dancing, waitressing, actor, portrait artist, horse breeder/trainer, fraud investigator, endurance rider, marathon runner, voice over artist, mortgage underwriter, farmer, illustrator, bartender, equine sports massage therapist, cartoonist, writer and a receptionist for The School for Private Detectives. Ruth lives on her farm with seven horses who think she’s the bomb (but only when she feeds them), three cats who complain when she’s late and two Aussies training her to get up early. In the near future, Ruth hopes to survive tandem skydiving.

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