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Charles W. Brice

Rationalization

by Charles W. Brice

 

The man behind the couch
serves libido for lunch

destrudo for dinner
Mmmmmmmmm

Ration your reason
Your ratio of reality
Too much is scary

It’ll all be okay

He needs to get paid for missed sessions
You understand

He has kids you need to send to college
A mortgage you pay with your neurosis

That’s understandable

A good gig if you can get it
And I got it when I entered
the Psychoanalytic Institute in 1990

My Supervising Analyst charged me $180 an hour on a patient I was seeing for $10
            an hour four times a week

Es vas reasonable

I was only in the hole $140 a week
for the privilege of my supervisor falling asleep
while I was reporting to him
my patient’s dream

He wanted to empathize with that dream
by dreaming himself

He lived in a huge house
with oak paneling
Crystal
Oriental rugs

He should get my money
He had a right to it

He was rational

 

 

Displacement/Sublimation

 

What place is Dis

Chain gang a workin’ Displacement Road

for the sub/bureau
the psychoanalytic precinct

Moving from sublimation’s sublime to displacement’s slime

From painting the Sistine ceiling because it’s forbidden to be gay to kicking a dog after the
            iconic rough day

It’s the place you’re
meant to be
bumped along
the metonymic
highway

Yield the right of way

Yield the right way

 

 

BIO

Charles W. Brice is a retired psychoanalyst and is the author of Flashcuts Out of Chaos (WordTech Editions, 2016) and Mnemosyne’s Hand (WordTech Editions, forthcoming, May, 2018). His poetry has been nominated for a Pushcart Prize and has appeared in over forty-five publications including The Atlanta Review, Hawaii Review, Chiron Review, The Dunes Review, Fifth Wednesday Journal, Sport Literate, SLAB, The Paterson Literary Review, Spitball, VerseWrights, The Writing Disorder, and elsewhere.

 

 

 

The Writing Disorder is a quarterly literary journal. We publish exceptional new works of fiction, poetry, nonfiction and art. We also feature interviews with writers and artists, as well as reviews.

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