My Red Horse Moves
by Ashley Inguanta
like a fire in the wind.
My hipbone presses to highway,
And I see her, my horse, running
like she’s got everything to lose.
Here, the desert is a pale
wish, as fragile as my horse’s shins, thin
and temporary and unsure of how long
it will last. I fell from a great place
in order to get here: a rooftop
covered in percussion, a stretch
of ragged silver and bone
in the dusk. I orchestrated tremendous
beats–shin to hoof to desert floor.
Our racket lasted for centuries.
It was no different from the way hands
clap or the way a lover may place her
lips to another’s neck. Hunger is hunger
is hunger. Rhythm is nothing but a meeting
and release. We open one door and close
the other. My red horse bolts, a fire
in the wind. Her hoofs beat sky,
then sand. I fall from a place not unlike grace,
but more like perfect joining. My hipbone
presses to highway. A truck drives by,
and I swear, there is a mirror tacked
to its door, and I see myself, and I am
screaming, and then I am laughing
with empty hands. The truck moves
into horizon, becomes a star. Instead of myself,
I see my red horse. We fell from a great place
in order to get here: a rooftop
protecting a home of glory. Not heaven,
but a lady’s house. She played records
and kissed the forever grey sky. She was
the first opening, the first feeling
without word. And no,
her house was no different than
a harvest of stones, hands trying
to make a place. Hunger is hunger
is hunger. We open one door
and close the other. My hipbone
presses to highway, and my red horse
is there, right there, and it happens
so quickly, her body touching the
pavement, like mine.
She stares at me. She’s got everything
to lose. When the land shakes, her shins
become paper. Now, she is a story
that the lady keeps with her, that I pen
one more time, my hipbone becoming
highway now.
I remember walking on a marsh bank
in the pouring rain
A friend walked with me
I was new to the everglades
then, not knowing the given name
of any bird or grass,
but I understood the language
of that rain, holding my body
underneath storm-clouds,
cooling me, cooling us all,
bringing relief
BIO

Ashley Inguanta is a writer, art photographer, installation artist, and holistic educator. In her newest work, The Island, The Mountain, & The Nightblooming Field, she gives readers a chapbook of poetry that thrives in its simplicity. You can take your copy home through ashleyinguanta.net.
Photo by Tina Russell







Ashley Inguanta is a small-press author, photographer, and yoga teacher who has dedicated her life to helping others heal by developing healthy coping mechanisms. She earned her MFA in Creative Writing from The University of Central Florida in 2011, and she earned her 200 hour RYT certificate from YOGAMAYA New York in 2014. She is the author of The Way Home (Dancing Girl Press, 2013 / re-published with The Writing Disorder on Kindle), For the Woman Alone (Ampersand Books 2014), and Bomb, which is forthcoming with Ampersand Books this fall. As a mental health advocate and queer rights advocate, she’s volunteered with organizations and facilities like Equality Florida and Lakeside Alternative, and currently she teaches healing, restorative writing and yoga classes at several locations in Central Florida.











