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Miriam Edelson Nonfiction

My Most Constant Lover

by Miriam Edelson

 

 

I am never truly alone in this place.

Toc-toc-toc. Bleary-eyed I crawl out of bed. Toc-toc-toc. Shuffle to the washroom. Toc-toc-toc.  A downy woodpecker has staked a claim in the mixed forest outside my door. The day comes alive to the rhythmic sound of its search for bugs and beetles in the bark.

Later the loons call, plaintive and insistent. It is said the same loons return to the lake year after year and that they mate for life. I admire their constancy.

My own story is different, of course. Loves lost and found, a myriad of stories like threads woven to textured cloth. And in this colourful fabric is my centre, this land, my most constant lover.

Shoreline dappled with craggy rock. In the shadow of the trees, maple, pine and cedar, a canopy emerges. White birch trees pop against the green and brown canvas. The green belies the dust on the road that accompanies me, a gravel and stone plume trailing my arrival to this place.

I come alone now, seeking the refuge that I can only find here. A serenity beyond the noisy highway to a lakeside cabin that bears my touch. Children playing in a lifetime of photographs, paintings and sculpture adorn the knotted pine walls. In this place I am quiet, mistress to a trunk load of books chosen carefully for company during the long summer nights. Their tattered covers explode with stories to transport me and yet, I always return here.

Breakfast of coffee and yogurt with berries picked by nearby farmwives. I write until one p.m. and then walk for an hour through the woods to the gate that greets the main road. A light lunch and then, on a good day, the sun is on the dock below. I take my pocket radio and a towel and listen to CBC radio in the afternoon while sun tanning for an hour or so. I am never alone here.

As a young woman, many years before a shelter graced the property, I sat and watched by the sunlit rock, astride a still-watered lake. Covered with soft green moss, the rock anchors cedar trees with their majestic crowns. A fresh, almost citrus odor wafts from the cedar fronds, reaching me below.

Sitting on the rock, in the indented space I claim as my own, I am sunbaked and naked. I chase away the odd fisherman in my brazen nudity. As I feel the mossy texture beneath me, the water now churns amid the fishing boat’s wake. In the distance, a small island beckons. It sports one lone, spindly pine. The island is always named for the youngest visitor to the lake. To give the power of place to the children and gather hope in their outstretched hands.

 

As always, this place offers up the quiet for reflective practice, for writing. Two decades ago, I charged my laptop on a marine battery, red and black cables spilling akimbo, to create a memoir about my son’s short and difficult life. Now, having harnessed solar energy, I am able to write night and day. Power and light now accompany even the most blustery, sodden days of late autumn.

In the early years of my daughter’s life, I nursed us back to health here at this land after the breakup of my marriage. Folded together on an Adirondack chair, we read stories overlooking the lake at dusk. It was a sad time but also, a time of renewal and the sun, shade and wind helped us both to heal. After all, I had chosen the separation. But for my young daughter, abandonment reared its worrisome head. Fortunately, those fears never unfurled and this land helped to nourish her enormous strength and resilience.

Now, late afternoon, time to think about an evening meal. The rustic pine table is big enough to sit eight comfortably. It sprawls in the area once a screened-in porch, now rebuilt into a room with windows that open onto the lake and forest. The table is covered with blue and green woven placemats that set off its honey-golden hue. Sometimes it’s just me, while often we’re two or three and, on occasion, several more gathering around. There is something in its sturdiness that encourages the sharing of pleasure, of friendship. The cast of characters changes with each passing week; the table, in its constancy, endures as witness.

Lying on the dock again in the early evening. Summer sun readies to set. As if a stage prepared by professionals, the western sky turns golden, then amber-orange and finally, to pale rose. An evening grosbeak sings from his perch on the large cedar branch overhanging the dock. As the sky colours fade and darkness gathers, the temperature falls slightly. A lone canoeist on the lake seeks shelter in a cove across the way. It is evening and we all must take heed.

Night falls. It has been a productive day, I’ve fashioned a few new lines for my piece. I prepare for bed, taking my little radio with me for company. I am never alone here. The loons pierce the darkness, making their presence felt and I am content in the knowledge that we share this remarkable place.

 

 

BIO

Miriam Edelson is a social activist, writer and mother living in Toronto, Canada. Her literary non-fiction, personal essays and commentaries have appeared in The Globe and Mail, Toronto Star and CBC Radio. Her first book, “My Journey with Jake: A Memoir of Parenting and Disability” was published in April 2000. “Battle Cries: Justice for Kids with Special Needs appeared in late 2005”. She has completed a doctorate at University of Toronto focused upon Mental Health in the Workplace and is currently at work on a collection of essays.

 

 

 

 

The Writing Disorder is a quarterly literary journal. We publish exceptional new works of fiction, poetry, nonfiction and art. We also feature interviews with writers and artists, as well as reviews.

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