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The Writing Disorder is a quarterly literary journal. We publish exceptional new works of fiction, poetry, nonfiction and art. We also feature interviews with writers and artists, as well as reviews.

The Spoiled Child

by Tessa Yang

 

 

When Evelyn Farnsworth noticed her daughter, Gracie, ridiculing the hunchbacked boy on the playground, her first cowardly impulse was to pretend this wicked girl was no child of hers. It was easy. So easy, Evelyn wondered why she’d never tried it before. She had only to fake deafness, bow her head, and gaze placidly at the crossword puzzle in her lap—just another mom, fending off boredom at the playground.

As a rule, Evelyn viewed crosswords as the banal pastime of precocious college students and old people desperate to prove their mental acuity (at fifty-two years of age, she had long since stopped being the former and hoped she had at least a decade before succumbing to the latter). But she’d picked up the Wednesday crossword last week in the waiting room at the dentist, just to give it a go, and was annoyed to learn she could only solve a half a dozen clues. Since then she’d been carrying the crossword around with her everywhere, hopeful that each change in environment would inspire her with another answer—a theory which had so far proven untenable. After all, if a Sunday afternoon trapped at the playground didn’t help her think of a four-letter synonym for “inane,” Evelyn didn’t know what would.

Still she persevered, alone on her bench near the merry-go-round, tuning out the chitchat of the young moms and the squeals of their children, until a flurry of motion made her look up to see her daughter and the hunchbacked boy wrestling on the ground.

By the time Evelyn got there, it was all over, the kids having been separated by a dad on scene. The hunchbacked boy sobbed into the breasts of his babysitter, but Gracie maintained a fierce, unbroken scowl until Evelyn had marched her back to the bench. Then her small face crumpled. Her shoulders began to shake.

“He—pulled—my—hair,” she whimpered, each syllable tight with the effort of restraining full sobs.

When Evelyn had gotten engaged to an Asian man, her mother had warned her that their children would look nothing like her. “No problem,” Evelyn had said. “If I’m displeased with the results, I’ll just return to sender.” Her mother had been correct as far as Evelyn’s boys were concerned. Cal and Roger were Allens in miniature, right down to the wild cowlicks in their thick dark hair. Evelyn used to get outraged when people asked “where she had gotten them,” as if she were some crazy white lady who kidnapped Asian babies at the mall.

Gracie, a surprise pregnancy, had also been a surprise to look at: Evelyn’s green eyes and pointed chin and even traces of Evelyn’s blondeness, visible as faint reddish highlights in Gracie’s brown hair. No one ever thought she was adopted. Instead they said, “Like mother, like daughter” or “She has your eyes.”

Tears sparkled on Gracie’s cheeks. Evelyn wiped them away with her thumbs. This was not the first conflict her daughter had been involved in. Gracie was bossy and defiant and proud. She seemed to dislike other children, or to think herself better than them. What few play-dates Evelyn had arranged ended with Gracie sealing herself up in her room, leaving the chattering playmate to trail Evelyn around the house. There were emails from school. Parent-teacher conferences that felt like criminal trials. Evelyn supposed this ought to be a long-delayed Teaching Moment on her part, a chance to quote the golden rule and explain that teasing special kids was wrong.

But hadn’t Gracie suffered enough?

The merry-go-round squeaked, and children screeched joyfully, and Evelyn saw on her daughter’s stunned, tear-streaked face the dismay at having had her first real encounter with violence. Some innocence had gone out of her. Some sense of safety had been snuffed out.

Suddenly, Evelyn wanted nothing more than to wrap her daughter in her arms and murmur that things would be all right, which she did, right there on the playground, kneeling in the overgrown grass.

“How about we go out for ice cream?” murmured Evelyn. “Would you like that?”

She felt Gracie’s head nodding against her.

Evelyn rose and led the way to the parking lot. She felt weary, wrung out like a dishrag. She had worked as a full-time accountant all through her sons’ upbringing and had never expected her role as stay-at-home mom to be more demanding than her career. But she was confident that her course of action had been correct. Gracie had learned a hard lesson. They would drive to the dairy, eat some ice cream, maybe pick up something on the way home for dinner. And that would be that.

 

But of course, that was not that. That could never ever be just that, because the next day, when Evelyn was idling in the parking lot of Cleary Road Elementary, poring over her crossword while the rest of the moms left their cars to gossip in the sunshine, someone approached her Subaru and rapped on the half-lowered window.

Evelyn looked up from her crossword, which she’d spread across the steering wheel. An unfamiliar woman stood beside her car, half bent, so that she and Evelyn were eye-to-eye.

“Hi there.” The woman smiled. She was younger than Evelyn—who wasn’t these days?—and she had the slim shoulders and small, perky breasts of a J.C Penney store mannequin. Her blonde hair jutted from the back of her head in a short ponytail. She wore fluorescent spandex, as if she’d been called away in the midst of a workout. “I’m so sorry to bother you, Mrs. Farnsworth,” said the stranger. “One of the other moms pointed out your car. I’m Fiona Waters. Arthur’s mom?”

“Oh,” said Evelyn. She was baffled. Who the hell was Arthur? The woman continued to smile too widely, like someone who had something to sell. And then it hit her. Oh shit, Evelyn thought. Mother Hunchback. In the flesh.

She took off her seatbelt and climbed out of the car. The day was cloudless and beautiful. The shaggy heads of willow trees tossed and nodded in the breeze, sending shadows skittering across the pavement. Fiona Waters shook Evelyn’s hand. Her stubby nails were flaked with fading pink polish and bitten down to the skin.

“I was so sorry when Kara told me what happened yesterday at the playground,” said Fiona. “I wish I could have been there to handle it. We don’t use a sitter very often, but my husband’s hospital was sponsoring a charity golf tournament downtown. I want you to know,” she said, her voice quiet now, conspiratorial, “that I had a very serious talk with Arthur about his behavior. He had no right to lay a hand on your daughter, no matter what she said.”

“Oh. Thanks,” said Evelyn, taken aback. “I mean, yeah, I had a pretty good talk with Gracie, too.”

Fiona smiled again. There was something about her, a fake quality that did not exactly make her unpleasant, though it put Evelyn on edge. Also she didn’t like Fiona’s wording, no matter what she said, as if Gracie had uttered a disgusting racial slur, when probably she’d just wanted to know what the deal was with that hump.

The bell shrieked from inside the elementary school. The doors flew open and children tumbled out like jelly beans from a split bag.

“Break’s over,” said Evelyn. “Back to the grind.”

Fiona laughed, but made no effort to walk away. “You know,” she said, “Arthur is turning eight this weekend. We’re having a little celebration at the house. We’d love it if Gracie would attend.”

“Of course,” said Evelyn. She knew a challenge when she heard one. She took out her phone to make a note of the time and address.

“It’ll be a good opportunity for them to smooth things over,” said Fiona. “I just think it’s so important for kids to move past their differences. Don’t you?”

A few seconds after she had left, Gracie appeared at the car, holding some clay monstrosity from art class. She thrust it into Evelyn’s hands as she climbed into the back seat.

“What’s this supposed to be?” asked Evelyn.

“It’s a giraffe,” said Gracie.

Evelyn looked at the thing, turning it a few different ways in her hands.

“It’s a giraffe that’s been hit by a bus,” clarified Gracie.

 

That night, when her husband got home from work, Evelyn informed him that Gracie had been invited to a birthday party.

“That’s nice,” said Allen.

Evelyn wanted to tell him that it was not nice. That it was a trap, designed to pit one mother against another in the type of smiling warfare she had not participated in since high school. But Allen was taking off his tie, washing his hands at the sink, eyes staring blankly at his reflection in the darkened kitchen window in a way that meant he was already thinking about something else. And truthfully, Evelyn was embarrassed, having nothing to show for her day but petty squabbles between moms in the elementary school parking lot.

Gracie joined them at the table for her dinner, separately cooked, because she ate only variations of mac and cheese and a few slender green beans if you were lucky, drank only chocolate milk or lemonade out of the glass with the twirly straw. Bedtime was next. Gracie didn’t usually give Evelyn any trouble in this area—the seven-year-old sucked up sleep greedily, like a teenager—but tonight she had all sorts of crazy demands. Cups of water for her stuffed animals. Wearing sneakers to bed. Evelyn finally switched off the lamp, walked into the hallway, and slammed the door.

“Turn on that light! I dare you,” she shouted through the closed door. Gracie did not respond. Evelyn stood in the hallway, fighting the urge to go back in, to apologize or scream some more, she wasn’t sure. When she entered the master bedroom, Allen was just replacing her cell phone on the nightstand.

“Roger called,” he said.

“Does he want me to call him back?” asked Evelyn, already halfway to the nightstand. Her younger son had an entry-level position at a bank in San Francisco and did not keep in touch as well as his brother. Roger had always been private like that, a bit of a mystery. One time when he was about Gracie’s age, Evelyn walked into his room with a basket of laundry to find him kneeling on the floor before his bed, little hands tented onto the mattress. He was praying. Allen was a staunch atheist, Evelyn a lapsed Catholic. Neither of their sons had ever been to church. Evelyn had wanted to ask Roger where he’d learned. Instead, overcome by sudden embarrassment, she tiptoed out of the room.

“He said he was on his way out,” said Allen. “Dinner.”

“Oh.” Evelyn squeezed her cell phone and let it drop onto the nightstand.

“I’m just gonna say goodnight to Gracie,” said Allen.

“I wouldn’t,” said Evelyn. “I barely got out of there alive.”

He disappeared down the hall. Gracie didn’t hassle him like she did Evelyn, or maybe Allen just knew how to handle it better. Eight years ago, when the unexpected pregnancy had first presented itself, Evelyn was the one who’d suggested she stay home with the baby. It seemed logical. The cost of daycare had skyrocketed since the days when Cal and Roger were little. Her full-time salary barely covered the expense, and part-time wasn’t even worth the effort. What Evelyn hadn’t anticipated was how stay-at-home motherhood would feel less like something she and Allen were doing together, and more like a secret she needed to keep from him.

It hadn’t been easy for Allen, either. He could no longer carry out the father’s obligatory athleticism as he had with the boys. Couldn’t keep up with Gracie as she raced through the backyard, or fling her squealing into piles of leaves and snow. But his failings were private, confined to weekends in the backyard. Evelyn couldn’t hide the fact that she didn’t speak the same language as this new generation of mothers, who enthusiastically micro-managed every moment of their son or daughter’s day.

Allen came back into the room, smiling.

“She’s a good kid,” he said.

“I never said she wasn’t,” said Evelyn.

He went into the bathroom. Evelyn heard the familiar elasticky rip of Band-Aids as they were removed from skin. In the past month Allen had begun to develop warts on his fingers, and the freezing solution he applied turned the warts to squishy nubs the color of bird poop. He wore Band-Aids to work to avoid repulsing clients. Evelyn would find these sticking to the sides of the garbage can each morning. She and Allen had a policy where he was not allowed to touch her during the wart-freezing process. She felt bad about this and so couldn’t bring herself to mention the Band-Aid situation, even though she was getting extremely tired of having to un-stick them from the can.

 

On Thursday night, Evelyn drove to Prospero’s Italian Eatery for her standing dinner date with Debbie Fager. The Fagers had lived next door to Evelyn and Allen for sixteen years. Their son, Louie, an affably stupid boy who was always getting Frisbees and tennis balls stuck on roofs, had been an obligatory playmate for Evelyn’s sons when they were small. Debbie and Ron Fager had downsized after Louie went away to college, moving full-time into their house on Keuka Lake. More recently, they had divorced, and Debbie had returned to the city, prompting the renewal of the Thursday night dinners she and Evelyn had suspended over six years before.

“I don’t miss it, though,” Debbie was saying, as Evelyn consulted the wine menu. “It was stuffy and damp in the summertime, and we had these ants…Really it was just old and falling apart.”

“Your marriage?”

“Oh you’re the worst,” said Debbie, swatting Evelyn with her napkin. “You’re really terrible.”

The divorcee’s life was treating Debbie well. She had joined a local book club. She had lost fifteen pounds. She was getting along much better with her sister, who had always detested Ron. Listening to her speak, Evelyn was overcome with the feeling that she no longer had any idea who Debbie was.

“How’s Allen?” Debbie asked as the waiter came by with a basket of bread.

“Good. Great,” said Evelyn. “He’s got a big open house this weekend.” She had a sudden pressing need to tell Debbie about the warts. Instead she took a chunk of ciabatta and swirled it in the dish of olive oil.

The talk turned to children. Louie had landed an internship as a glorified errand boy for some big name in D.C. Debbie, who was paying his rent, spoke of him with the same gushing affection she’d shown throughout his adolescence. Evelyn updated her on Roger and Cal, but of course, Debbie was most interested in hearing about Gracie, this third child who’d sprung into existence just as she herself was fading from Evelyn’s life.

“It’s just so fascinating,” said Debbie, tucking into a plate of eggplant parm.

“What?”

“Doing it all again. The diapers, the nightly feedings…”

“She’s nearly eight now.”

“I don’t know how you’re managing it,” said Debbie, shaking her head. “I give you credit for it. I really do. No way I could do all that again.”

Evelyn looked at her plate of manicotti, which she no longer remotely wanted, having made her usual mistake of filling up on bread.

“Then again.” Debbie paused, fork in midair. She seemed fully capable of carrying on this conversation by herself. “I guess it could be really nice, getting a chance to do it over. You’re older now, wiser. You don’t make the same mistakes. I mean, God knows I had my fuck-ups with Lou. Turned out okay in the end.” She beamed. Evelyn divided her manicotti neatly in half. She expected she would eat it for lunch tomorrow, even though she had this fantasy of saving it for dinner. Gracie and Allen would appear in the kitchen, expecting food, and Evelyn would be sitting there with her manicotti and glass of red wine and a cigarette languidly dangling between two fingers, even though she hadn’t smoked in thirty years and had no ambitions of starting again.

By the meters where Evelyn had parked, Debbie squeezed her into a hug. “It was so fun catching up! You look amazing, by the way. Did I say that already? You really do.”

Evelyn realized she had never learned what led to Debbie’s divorce. How had the subject not arisen? She wanted to know, but it seemed like an awkward time to ask, now that they were saying goodbye. She wondered about it all the drive home. She hoped it was an affair. Affairs were really the only things for divorce. They had that soap opera shine. You could tromp around flinging dishes and screaming to high hell, and no one could say anything against you. But she really did not think either Ron or Debbie was the affair-having type. Probably it had been the usual accumulation of slow, sickly details across time, a gradual distancing, so that one day you looked up from the table and were disoriented by the sight of the person sitting beside you.

Allen had put Gracie to bed by the time Evelyn got home.

“Did she give you any trouble?” Evelyn asked as she hung her keys on the hook.

Gracie? Give a person trouble?” Allen smiled and leaned in to kiss her, his warty hands concealed behind his back.

“Listen,” said Evelyn. “I don’t think Gracie should go to that party this weekend. She doesn’t get along great with the other kids, and I’ve got a lot of stuff to do around the house.”

“But that’s the point,” said Allen. “It’ll be good for her. She’s got to learn how to play nicely with kids her age.”

“But this particular kid…I mean, they were fighting. I don’t want there to be any trouble.”

They’d been moving automatically toward the staircase, Evelyn flicking off lights as they went. Now Allen turned to her. He was fifty-seven, nearly six years Evelyn’s senior, but had the uncanny ability to age himself up or down with small adjustments to his posture and the tone of his voice. At work, he was a young man. Evelyn had witnessed him at showings, limbs loosening, laughter spilling from his lips, buyers flocking to him like moths to a warm light. Just now he’d become older. It was hard to say how. Something in the lips and eyes, and in the rounding of his shoulders. He faced Evelyn unflinchingly and when he spoke, it was with the stony authority one generally associates with movie antagonists and God.

“Gracie will go to the party,” he said. “It’ll be a good chance for her to learn how to play nicely with kids her age, and for you to learn how to play nicely with the other moms.”

Then he went up the stairs, leaving Evelyn seething at the bottom.

She knew she shouldn’t take him too seriously. Allen was like this sometimes at the end of a long day. Perhaps Gracie really had given him a hard time. But as Evelyn slowly climbed the stairs, the sting of his words deepened, not least because they granted her a benefit of the doubt she knew she didn’t deserve. Allen thought Evelyn was being difficult, refusing to “play nicely” with the other moms out of a sense of superiority. He couldn’t see that she was incompetent, that the era of mothering her two little sons was like a country to which she’d relinquished her residency. No: A country to which she’d completely lost the way.

Evelyn was in bed when Allen emerged from the bathroom. He looked like his usual self now, a fifty-seven-year-old man with a little pouch of belly fat hanging over his pajama bottoms and soft creases to either side of his dark eyes. Evelyn feigned great interest in her crossword puzzle as he got into bed.

“How well do you know Fiddler on the Roof?”

“Not well.” He reached out to graze her arm with the heel of his palm. “Hey. I just worry about her sometimes, you know? She’s not great with other kids. And with her brothers so much older…I worry she’s growing up like an only child.”

I’m an only child,” Evelyn said, throwing down the crossword puzzle and glaring.

Allen smiled sympathetically. “Yes, you are.”

 

Evelyn drove straight to the mall after picking up Gracie from school. Really she ought to have done it sometime that morning, but she hated shopping and had this idea that Gracie ought to suffer along with her, it being her fault that Evelyn had to buy a present in the first place. The problem with this plan was that Gracie’s suffering compounded Evelyn’s tenfold. She whined loudly all through Toys R Us, snatched items off shelves, and, when they had finally left the store and were eating Auntie Anne’s pretzels at the fountain in the lobby, revealed a pack of Juicy Fruit gum stolen from the check-out line.

“Give me that,” Evelyn snapped, yanking it from Gracie’s hands. But the prospect of returning to the toy store was too draining to face, so she stuffed the gum into the bottom of her purse.

In spite of herself, Evelyn had purchased for Arthur one of the most expensive Lego sets in the store. A creeping guilt had germinated inside her sometime after the conversation with Allen last night. She woke with it curling and squirming in her stomach. How had things gotten to this point? Cal and Roger had never caused such trouble. The whole plain of Gracie’s childhood seemed to stretch out before her mind’s eye, studded with warning signs she ought to have noticed. Evelyn, glancing down at her daughter licking salt from her fingertips, experienced the queasy sensation of having done an irrevocable wrong.

Around them, people drifted toward the fountain and tossed pennies into the spray. A layer of them covered the tile bottom like a copper carpet. Evelyn would have expected mostly children, but in the ten minutes that they sat finishing their pretzels, she saw two middle-aged couples, an elderly woman with a walker, and several younger adults approach the fountain with pennies clutched in their fists.

Gracie, who’d been watching this procedure closely, asked Evelyn, “Will their wishes really come true?”

“No,” said Evelyn.

She balled up the remains of her pretzel in the salty wax paper. When she returned from the garbage to find Gracie rooting through her purse, she thought her daughter was after the gum. Instead Gracie’s hand emerged with a fistful of loose change. Eyes squeezed shut, lips pressed into a tiny line, she flung the coins blindly. About half entered the water with a series of gentle splashes. The rest rolled in every direction across the floor.

“Now look what you’ve done,” fumed Evelyn. “You go and get those. Go and get them right now.”

Gracie obliged, skittering across the worn linoleum on all fours like a crab, shouting tunelessly as she went, “I wish I was an apple. A hangin’ on a tree!”Passerby laughed at the sight. Everything was funny when it wasn’t happening to you, Evelyn thought grimly. But after Gracie had returned the coins to her hand and they were getting ready to leave, Evelyn tossed a shabby penny over her shoulder into the water, almost like an afterthought.

What should she wish? For Roger to get a promotion at his bank? For Cal to dump that stupid girl? For Gracie to make some friends? Or should she dare to make a wish for herself? A traitorous thought for a mother. But what the hell. Evelyn closed her eyes and sent the wish spinning out into darkness. It had no particulars. It was more like a feeling, pushing upward from the gut. The only words marking it were a vague chant Evelyn could hear reverberating between her ears as she and Gracie walked to the car. Let me. Let me. Let me.

 

Saturday, the morning of the party, Allen rose with watery dawn light seeping through the curtains. Evelyn lay in bed and listened to the sound of the shower running. Back when the boys were little and Evelyn still worked, she was always the first one awake. The early morning hour of peace seemed to renew her before the day even began. Sometimes Cal, a finicky sleeper, would creep in shyly to join her while his little brother stayed in bed. He’d curl up in her lap while she watched CNN, his hair smelling of that sweet staleness that comes only from children just stirred from bed.

At 8:30 when Evelyn went to get her daughter up for the party, Gracie hooked her legs around the bed post and covered her head with the pillow. Once she’d been pried off, she refused to try on any of the dresses Evelyn had laid out for her and insisted on wearing a hand-me-down flannel of Roger’s.

“That’s a winter shirt,” said Evelyn. “It’s 80 degrees out.”

“No,” said Gracie stoutly. Whether this was a denial of the shirt’s seasonal appropriateness or of the current temperature, Evelyn didn’t know, and she didn’t have time to find out. She shoved Gracie into the kitchen and threw a plate of toast at her. Allen, who also appeared to be running late despite his early rising, dumped the rest of his coffee into the sink, kissed Gracie—“you smell like a DAD,” she complained, squirming away—and then Evelyn.

“Look,” he said, extending his fingers. The latest post-wart nubs had peeled off, leaving the skin shiny and fresh.

“Must be a good omen for the showing,” said Evelyn, smiling. “Good luck.”

“Thanks,” said Allen. “Good luck with—” He paused, cocked his head. At the table, Gracie overturned one of the pieces of toast and made a revolted expression as butter dripped thickly onto the plate. “Good luck with everything,” said Allen. He kissed her again, and left.

They drove to the party at half past nine, Gracie slumped in the back seat of the Subaru. Evelyn had not recognized Fiona Waters’ address. Allen had mentioned it was one of the newer developments out at the edge of town. She took the thruway, which was already crammed with cars, young families speeding out to lake houses. The wrapped present sat on the front seat, sunlight gleaming on its silver ribbons.

Gracie was quiet. Cars had this effect on her. Evelyn had discovered this many years ago when Gracie’s infant wailing had yet again woken her and Allen in the middle of the night. Evelyn tried all the usual things. Rocking, singing, feeding, changing. The baby screamed and screamed. Finally Evelyn bundled her up, stuck her in the car seat, and went for a drive. It was January. She could not say what impulse had called her to those slick, shadowy streets. Snowflakes swirled in the headlights. Evelyn drove and drove. She wondered if she was about to do something crazy, about to become one of those mothers whom people described as “snapping,” as if mothers were like twigs that could only take so much pressure before they broke in two.

The baby was silent. Not sleeping, just silent, the gleam of passing street lamps reflected in her eyes. Evelyn drove for what felt like hours, threading in and out of neighborhoods, through empty parking lots, then along country roads where silos wore white hoods of snow. When she got back to the house, Allen was in the kitchen, holding the portable phone. He stared at her. She walked right past him, carried the car seat upstairs, and placed the now sleeping baby in her crib. She and Allen never spoke of the incident. But from then on, if Evelyn got up to tend to the baby in the middle of the night, Allen got up, too.

Evelyn had to circle through Fiona Waters’ neighborhood several times before she found the right address. Once she had, she wondered how she ever could have missed it. In style and size, the house was similar to the colonial homes on either side, but cars packed the spacious driveway and the red turrets of an enormous bouncy castle protruded over the roof. She and Gracie walked around back. Two dozen children of varying ages raced across the lawn. Arthur was easy to spot, frolicking about in a bright red T-shirt and a paper crown. He had the disconcerting habit of narrating his activities in a hoarse yell: “Look at me! I’m running, I’m running! I’m eating an Oreo!”

In addition to the bouncy castle, Evelyn could now see a face-painting station, a dunking booth with a damp teenager sitting glumly on the seat, and one of those portable rock-climbing walls, children bobbing on harnesses like lures on fishing lines.

“Looks like fun,” said Evelyn.

Maybe,” said Gracie, digging the toe of her sandal into the ground.

When Evelyn next looked back at the party, Fiona Waters had materialized so suddenly, it was as if she’d sprouted from the earth. The woman was wearing a carnation pink dress with matching teardrop earrings. Her blonde hair was down, hanging in the sort of loose waves that appeared effortless but had probably required an hour of styling.

“Mrs. Farnsworth, Gracie! So glad you could make it!”

“Call me Evelyn,” said Evelyn. “And thank you. We’re—really excited to be here.” There was a loud ding, followed by a splash, as someone hit the target and the teenager plunged into the tank. “What time should I swing by to pick her up?” Evelyn asked.

“Well you must stay and chat for a little while,” said Fiona emphatically. “Kara”—she reached out an arm, and again, almost miraculously, the young woman from the playground appeared in their midst—“will you take Gracie to get her face painted?”

“Sure,” said the babysitter brightly. “C’mon, Gracie. We can get ourselves painted like cats.”

Gracie shot Evelyn a betrayed look as Kara took her hand and led her into the yard. Fiona linked arms with Evelyn as if they had been friends since girlhood and marched her to the patio, where a group of adults lounged at tables beneath sprawling green umbrellas.

Fiona introduced Evelyn to the group of more or less identical-looking young mothers, and one man Evelyn had expected to be her husband, but turned out to be her brother, Walter. A nearby table, laden with cucumber sandwiches, mini quiches, and fruit tarts, suggested that Fiona had anticipated as many adult guests as there were children. Evelyn wondered at it—when Cal and Roger were small, birthday parties had meant abandoning your kids in the ball pit at Chuck E. Cheese so you could enjoy an afternoon of peace—but she did her best to adapt. She talked about the benefits and drawbacks of Boy Scouts, and suggested a pediatrician to a woman who had just moved to town. Fiona fluttered about in her pink dress, proffering food and dipping into conversations just as they were starting to lag.

Look at me, Allen, Evelyn thought, plucking a cucumber sandwich from a platter. Look at how nicely I’m playing.

She managed to detach herself from the group and join Walter at the edge of the patio. He wore a sour, jaded expression that made her feel an instant kinship with him. Under closer inspection, he was also nearer to Evelyn’s age. When she asked him if any of the children were his, he pointed to the teenage boy sitting rigidly on the dunking booth bench as another group of children lobbed balls at the target.

“Little fucker took my Camry out for a joy ride,” said Walter. “He won’t be making that mistake again.”

Walter sold medical equipment to the city hospital where Derrick, Fiona’s husband, headed up the surgical transplant team. He was recently divorced, and his sister seemed determined to get him to attend as many family events as possible.

“She pities me,” he said with a small shrug. “She means well.”

He asked Evelyn which kid belonged to her.

“The pissed off-looking one in the flannel,” said Evelyn. She’d been keeping an eye on Gracie all through their conversation, monitoring for any signals of impending conflict. Things looked all right. Gracie had just emerged from the bouncy castle and was swatting at her static-ridden hair. But because Walter had confessed his failings to her, Evelyn felt a pressing need to share something of her own anxieties. She told him matter-of-factly about Gracie and Arthur’s fight on the playground, and Fiona’s subsequent invitation. When she had finished, Evelyn expected his disapproval. She craved it. Instead, Walter laughed. Said he bet half the kids there had been involved in a scrape with Arthur at one time or another.

“He picks fights,” said Walter. “The school wants to throw him out. Derrick says he’ll slap a lawsuit on their asses so fast they won’t know what hit them. But Fiona, she just wants everyone to get along.” He smiled and shook his head, as if both he and Evelyn knew what to think of that idea.

After Walter had excused himself to load up on mini quiches, Evelyn stayed for a while and watched the children playing in the yard. Now that she was paying attention to something other than Gracie, she noticed that they had given Arthur a wide berth. The boy had just gotten his face painted to resemble a butterfly. He charged across the grass toward the dunking booth—“I’m running! I’m running!”—and the group of girls gathered there scattered. Bypassing the rubber ball, he threw his whole weight against the target and dropped his cousin into the water, hooting. Then he was off again, carving a path through the yard, hurtling into a boy who was thrown completely off his feet. The boy had been clutching a balloon. Freed from his grasp, it rose up and up until it had surpassed the turrets of the bouncy castle, and the child, realizing his loss, let out an agonized wail.

Evelyn turned and headed back to the car. She had seen enough. It was a quarter after eleven. There would hardly be a point in driving home, but she’d passed a public park on the way into the neighborhood. She figured she might sit there and work on her crossword puzzle until it was time to retrieve Gracie from the party. Then it occurred to her that what she really wanted was to talk to one of her sons. She seemed to remember Roger had some volunteer engagement Saturday mornings, but Cal might just be sitting on his deck in Philly, tossing sticks for the dog, his cell phone face down on the patio table that had been Evelyn and Allen’s first piece of furniture in that tiny apartment they shared in 1987. They were the first of their friends to get married, the first to have children. How special it had made them feel. As if a snug domestic existence were their personal secret. As if it had not all been played out millions of times before.

Evelyn was almost out of the neighborhood when she saw the wrapped present forgotten on the passenger seat. Fuck it. She’d donate the Legos to charity. But before she’d gone another half mile, she turned around and returned to Fiona Waters’ house.

The backyard had become overcrowded with children. In an instant, Evelyn realized why: Arthur had entered the bouncy castle, prompting a mass exodus of the kids who had been inside. The party had arrived at an uncomfortable standstill. The boy who’d lost his balloon sat on the ground with his hands over his ears, perhaps refusing to move until he was given a replacement. The teenager had quit the dunking booth. He and Walter were now engaged in a shouting match behind the hedge. Two or three mothers were discreetly collecting their children and hurrying them out of the yard, deaf to Fiona’s protests as she stood on the patio, balancing a cake in her arms. It was a sheet cake, white with blue frosting. A blue plastic number eight candle protruded from the center. For the first time, Evelyn wondered where Fiona’s husband was. At work? Out of town? Why would he not be here to help her manage this chaos? Fiona set the cake on the table. Its tiny flame quivered in the breeze. Something about the sight moved Evelyn into action.

Gracie was milling around near the snack table, but she slouched across the yard when Evelyn beckoned.

“No way, José,” said Gracie when Evelyn told her what she wanted her to do.

“Gracie Marie Farnsworth,” said Evelyn.

Gracie shrank inside her flannel. She peered at Evelyn for a moment, as if weighing the threat behind those words. Evelyn fully expected her daughter to remain defiant. Why should this time be any different than all the others? Yet it was different, somehow. Evelyn knew it. Gracie must have known it, too. She turned and trekked back across the yard. At the doorway to the bouncy castle, her sandals joined the heap of sneakers and flip-flops unclaimed by the kids who’d fled the place a few minutes before.

The dispute between Walter and his son had escalated. Expletives erupted from behind the hedge. The remaining children had begun an impromptu game of toilet tag, dodging the mothers who attempted to reclaim them. The cake now abandoned, Fiona recovered the tray of dwindling cucumber sandwiches and thrust it under the nose of each adult who tried to leave. It was at least a minute before anyone noticed the cries going up from the bouncy house.

Through the black netting of the castle’s windows, Evelyn could see her daughter and Arthur leaping up and down, ricocheting off the walls like ping-pong balls. The entire structure rocked and heaved with their exertions. They came together, seized hands, and toppled as one onto the floor, only to spring upward again, legs flailing. Arthur’s voice was a delighted, high-pitched scream, drowning out the noises of the yard: “Look at us! We’re bouncing! We’re bouncing!”

 

 

BIO

tessayang2Tessa Yang is a second-year MFA candidate at Indiana University where she serves as the Associate Editor of Indiana Review. Her fiction has appeared or is forthcoming in Clockhouse, Lunch Ticket, and R.kv.r.y Quarterly. Her short story “Runners” was a finalist for The Cossack Review’s October Prize and will appear in Issue 7. When not reading and writing, Tessa enjoys playing Frisbee and counting down the remaining days until next year’s Shark Week. Follow her on Twitter: @ThePtessadactyl.

 

 

 

DISCLAIMER: This essay does not intend to imply that all bulimics are female, nor that all females are bulimic, but rather attempts to account for the starkly gendered statistics of eating disorders in which those who identify as female outnumber males 10:1.

 

Making Space

by Kym Cunningham

 

It’s presented as a perpetual occurrence, like every time we eat a salad, drink a smoothie, we run for the bathroom door, first two fingers down our throats. Maybe they do exist: people who shove others out of the way, “’scuse me, I gotta go throw up,” before launching themselves into a bathroom stall, knees hugging the pee-stained porcelain base, the smell of disinfectant as sharp as the bile in their mouths.

I’ve never met anyone like this, but then again, I’ve never known a woman willing to talk about bulimia other than the vague “same here” or “me too” that accompanies self-reflective nodding. Bulimia is not something women speak about the way we speak about eating celery to burn calories or drinking products like SkinnyMint to give that extra laxative push in the morning. It is not among the weight-loss strategies approved by fitness experts like Jillian Michaels or up-and-coming fashion icons like Kylie Jenner. There is no American Society of Bulimics to commune with, handing out tips on prevention of enamel decay. Those who participate in this distinctive method of body management know that unlike weight loss, unlike fitness, bulimia is not a social event.

It is personal. It is done in secret, behind locked doors: the shower running to cover the plunk of undigested food. A roll of toilet paper stationed at-the-ready, sheets and sheets to melt against acid-entrenched hands and speckled surfaces. All articles of clothing, apart from underwear, off and to the side, out of the splash zone, same with jewelry and hair ties, except the one currently pulling the follicles up and away, cinching them tightly against the scalp. A glance at the Hawaiian Aloha Febreze to be used after-the-fact, its sweetness designed to mask the air’s telltale souring.

Ready.

Kneel out of respect, leaning like Narcissus over the toilet bowl. Examine flaws as they emerge; the water reflects more clearly than a mirror. A mirror smudges, bows in or out, brightens with artificial bulbs that distort reflection while maintaining the illusion of reality. Water does not pretend. Look too closely at a reflection and it dissolves, revealing the self’s abyss.

Test vulnerability, sticking one, then two fingers down, spasmodic gagging at first—then choking pressure—then release.

Now is the time to be completely open, to revel in the personal, a kind of meditation—imagine it as the most intense form of yogic breath.

Breathe in—and release.

We listen to our body, continuing at our own pace until the bile from the bottom of our stomach tells us that we are finished.

We rinse our hands, turning on the faucet gently with our uncorrupted elbow, massaging slime from between our fingerprints, pushing any errant food particles down the drain. We splash water on our chin, wiping our mouth, investigating the sting of skin split from being forced open. We stare at ourselves in the mirror for a few seconds, cheekbones already more prominent, lips appearing fuller and redder courtesy of laborious flush, before turning our attention back to beauty’s workspace.

We flush once for the larger lumps, watching what seems like pounds of varicolored half-solid baby food disappear into the bottom of the bowl. We wipe the edges of the seat, above and underneath, around the base, checking for splatter on the walls and cabinet sides. We throw the paper mash into the toilet. We grab a new handful and dampen it in the sink, wipe again, erasing every trace of what we have done. We flush again.

As we watch the discolored water swirl down, down, down, and new water come up clean, we survey the tableau, congratulating ourselves on spotless work. We feel satisfied, right down to the core of our beings, in the way that food never seems to satisfy, a way that is only just for us.

Then we remember the shower is running, wasting water, and we strip the rest of our clothes off in graceful feline swoops and embrace the cleansing scald.

With the water seeps guilt—the unnecessary flushing, the rampant toilet paper abuse, of course the shower—self-incrimination growing a drop at a time, until we are forced to acknowledge that the food we just flushed down the toilet could have fed another human being. We become disgusted at our wastefulness, at our privilege, ashamed that we lack self-control and common decency. To salvage some shred of humanity, we tell ourselves this is the last time.

But like so many other lasts—cigarettes, potato chips—this bargaining is part of the ritual.

“How did it start?” psychiatrists ask with tilted heads. The walls are the same—something beige and nonthreatening, or for the new-age shrink, something tranquil, calming—sea-breeze blue. Psychiatrists are master space-manipulators, adept at reconfiguring prototypical office buildings into terrariums blooming with subconscious healing. Their walls bear the correct amount of posters, degrees, etc, not to overwhelm, but to communicate authority, to provide patients the security necessary to abdicate adulthood and responsibility.

Shrinks never do manage to get the furniture right, though. Their chairs are unsightly lumps of puce suede or uncomfortable plasticized geometric angles, Pottery Barn in a funhouse mirror. Perhaps this is for added effect as well, the physical embodiment of the mom-worn cliché: nobody’s perfect.

Because that’s how it started, isn’t it, with the first time we questioned our mothers: why can’t I be perfect? Or, at the very least, how do I convince others that I am, how do I keep myself a secret, safe from everyone but me?

We don’t tell this to those searching eyes, bespectacled or not. Instead, we come up with a date, as though we had circled it on our calendars. “Second semester, sophomore year of high school. I was 16.”

The psychiatrists smile and write something illegible down on their legal pad, confident that they are really getting somewhere. All it takes is time.

They don’t know that the first time was not important, just as the food consumed was not important, or the fact that we were watching shitty tv, or that it was late at night. At some point, it came to us in a thought, sans action: I could throw this up.

And we continued to sit on the couch, each another brownie or two, maybe some Sour Cream ‘n Onion potato chips, before we thought: I should throw this up.

And maybe that first time was in tenth grade, or maybe it was even in middle school, and maybe we did it once and stopped for a few years and then started up again. Or maybe we did it consistently for the better part of a decade or maybe one day we stopped cold turkey or maybe we’re still doing it.

But how can we tell them that the idea just kind of popped into our heads without them looking at us like we were fucking crazy? Because that look is even worse than the look we get when we first tell non-bulimics, that transparent mixture of pity, derision, and curiosity.

“Oh, I’m so sorry,” they say, as though we weren’t doing it to ourselves.

“That’s terrible,” they say, hunkering down for more details.

But we will never tell them all of our secrets. They will never know that the first time we remembered feeling fat was looking at pictures in the first grade, being able to distinguish that our cheeks were chubbier, our belly pudgier, our chin rounder than the gymnasts or soccer players. We will not tell them that we used to resent our younger sisters for their slender legs and tight ribcages. That we still do.

We will never explain to them that we enjoy this selectivity as it allows us to manipulate the conversation, to disclose only what we think they should hear. Bulimia is, after all, all about perception.

It is the perception we crave, the idea that others might see us as strong, as fearless, as instinctively thin. We want to be the heroines we read about in novels, who eat whatever they want, kick ass, and never gain a pound. We want to look effortless in clothing, trick society into believing that we are self-assured, that we do not need to wear make-up. We want everyone to believe that we are the natural ones.

And because bulimia is about perception, the battle of belief over substance surreptitiously flushed down the toilet, it begins with the idea of itself.

Health class, sixth grade. The eighth grade boys whisper dirty suggestions concerning teeth and pubic hair as we try to keep the flush from our faces and our gazes level, actions that to them, resemble coy acceptance. We do not yet understand the art of perception.

The teacher, middle-aged and slightly pudgy, though she seems ancient and fat compared to our youth, lectures loudly on the perils of the unhealthy lifestyle, which include unprotected sex, drugs/alcohol, under-eating, and obesity. At the mention of obesity, the older boys snigger, looking pointedly at Meghan, the largest female student in the class. The teacher does not seem to notice, clicking the slideshow forward to a photo of an emaciated naked back with the words, ANOREXIA NERVOSA, in bold across the top.

The back, unmistakably female, consists mostly of shoulder blades that jut out tightly underneath the skin like frustrated wings. Nodules of spine poke out from between the wings as from a vacuum, then curve back into the ribs’ well-defined corporeal abyss. A light coat of hair, so pale as to almost be translucent, covers the body like a shawl, a last-ditch effort to keep out the cold.

Groans of male disgust undulate through the classroom, but we are silent, holding our breath, shivering under the persistent air-conditioning.

There is no photo for the slide on bulimia, only a terse definition regarding binging and purging, and an eating disorder hotline. The teacher moves on to obesity.

At lunch, we bring questions of biology to our peers, who always seem to know more on this subject than we do.

“I heard Lindsay and them were all drinking last night at Katie’s house.”

“I heard they get alcohol from Lauren’s older brother.”

“I heard Katie’s parents just leave her alone when they go out of town.”

“Oh yeah, and then they invite guys over, and they all make out.”

“Well I heard that Lauren and Jill throw up in the seventh grade bathroom after lunch.”

The bell rings before we can ask why.

After school, we bring a selection of our newly acquired knowledge to our mothers in the form of workbook pages, parent signatures required. Our mothers don’t want to talk about sex any more than we do, but when we get to the section on bulimia, they pause, finger hovering over the word, considering us.

“I was never skinny growing up, you know,” they say to us as though we can imagine that they were ever our age.

We look at them blankly, unsure of where this is going.

“I did a lot of things to make weight in the army, things that were really unhealthy, things that have made it harder for me to lose weight the older I get.”

They shrug, assuming we’re too young to feel the pressure of tight shirts against our stomachs and bikini strings around our love handles. It is this assumption that prevents them from naming it, that keeps it personal, half-secret.

“Anyway, I just don’t want you to make the same mistakes I did when I was young. It’s not worth it.” They sign the page and move on, while we are stuck wondering how they could ever think that we were like them.

We do not think that we are like anyone, or rather, we do not think that anyone is like us. We have been called different since we can remember, and this difference has woven itself into a coat that would totally work if only our waist was—or our thighs were—or if clothes fit correctly, like how they do on everyone else. It would work if only we could forget to be conscious of ourselves and the space that we occupy.

But we cannot forget. We are female, after all, and to be female is to be required to justify our corporeality in society.

We hear the justifications manifest so frequently we don’t recognize them anymore, these arguments over our right to social space. In grocery isles above the M&M’s and 3Musketeers, curvaceous women like Kim Kardashian explain: It’s okay that my ass is this big. Most guys would still bend me over a table to fuck me. On Amazon, reviews from XFitGirl94 clarify: 5’4’’, 135, but it’s mostly muscle.

But we aren’t as fuckable as Kim Kardashian, or as muscular as Amazonian CrossFitters, and so we are expected to deny our need for space. We sit on laps, holding seatbacks and clenching our butts to diminish the perception of weight. We Saran-Wrap ourselves into high-rise skinny jeans and lycra body shapers. We even practice geometry, contouring our faces with color pallets to hide any evidence of excess skin or enlarged pores.

But we are not satisfied, as society is never satisfied, as the male gaze can never be satisfied. We still intrude: knocking coat hangers off racks with our shoulders, plastic cups off tables with our asses. We are chastised if we speak too loudly, or glared at when we try to prevent others from cutting in front of us. We are ranked, measured, weighed—always found wonting. We are confined in boxes too small to breathe.

We suffocate in these boxes, too-large bodies pressed up against transparent plastic, the same material that once held our Barbies on Toys“R”Us shelves. Here, we understand that our bodies are public, for sale—what the dirty whispers from the eighth grade boys were trying to show us. We are reminded whenever we are catcalled or groped, propositioned or ogled. This is your space, society says. Be grateful for it.

But we are not grateful; we are spiteful. We want to be able to breathe. We want privacy. Crouching over a toilet, we carve spaces out of ourselves as tithes for existence. We become their predestined statistics.

The knowledge of statistics rarely helps anyone. It is not enough to know that more than 5% of individuals suffering from eating disorders die from health complications, just as it is not enough to know the dangers of drug or alcohol abuse. A certificate of D.A.R.E. completion does nothing to erase memories of powerlessness or injustice.

So rather than sitting on psychiatric couches attempting to remember a specific date or incident, it seems more important and more effective to come together as a community, to find the similarities in our stories, to call into question that which allowed us to consider bulimia as a solution. So that the next time we are exasperated at the size of airplane seats or the measurements of runway models, we do not seek comfort in the tile under our knees and the edges of our porcelain thrones.

Instead, we begin to understand and revile bulimia for what it is: acceptance of the patriarchal subjugation of the female body. Only then, when we seek to remedy our anger and not the food in our throats, can we be cured. Hell hath no fury like a woman full of bile. Viva la cuerpa!

 

 

BIO

kymcunningham1Kym Cunningham will receive her MFA from San José State University with emphases in creative nonfiction and poetry.  She is the lead Nonfiction Editor of Reed Magazine, the oldest literary magazine West of the Mississippi.  She received the Ida Fay Sachs Ludwig Memorial Scholarship and the Academy of American Poets Prize for outstanding achievement in her writing. Her writing has been published in Drunk Monkeys and Reed.

 

 

 

 

 

 

 

 

Pikkake Peaks

by Victoria-Elizabeth Panks     

 

 

Her anxious fingers fondle the collar of Oxy-Blox plaited around her neck, as if it were an abacus or a strand of worry beads. Searching for the incoming frequency, her childish, nimble fingertips locate the cool silvery cube of iridium, pulsing with an aqua tint.

An unknown frequency.

Who was gaining access to her network?

“State the origin of your frequency and identify your molecular sequence. I repeat, you are an unknown transmitting into my private network. Are you some kind of local hacker?”

“I am not unknown to you.”

Images flash across her internal scanner, projecting from the incoming frequency; an eternity of visual memories: a red-haired woman, naked, in a pool; a cinnamon-skinned woman, perched on a rocky shingle; a gamine—red lipstick; black beret over pixie hair—poised at an easel; a Chinese beauty smoking a bamboo pipe; a freckled ‘tween, her green eyes reflecting the flames consuming a city. More women: they rode horses as silver earrings tangled into their windblown hair; they birthed babies in the shadow of the mission; they worshipped at the altar of the redwood forest, at the edge of the ocean, at the feet of a poet. They were Natives. They were Spanish, Asian, Irish, French and Mexican. They were the sum of a millennium and they were one.

They are her. She is them.

“Do you begin to understand?”

“Affirmative. But….what is that thumping noise?”

“C.Y.D.”

“Identify.”

“The Club. Club. Your. Destiny. I am the house DJ here—atop Telegraph Hill.”

“What’s a DJ? And what has it got to do with me? And all….that.”

“I am the house DJ. I spin sides for the sleek and sensual beauties of the night.”

“Spin sides?”

“Sides. Vinyl. Wax. 12”. House, Techno, Tribal, Trance, Dance, Ambience. I am the jockey of discs, the guardian of souls, the keeper of destinies.”

“You sound like one of those fast-talking hucksters. You certainly know how to sell yourself.”

“I know when to turn the volume up and when to slow things down. I sense their moods before they even sense them, themselves.”

“Well, I’m sure I don’t know anything about Earth’s version of sensory perceptions.”

“Ah, but I know about yours…”

“If you care to elaborate.”

“I created the system installed in your quarters. It senses your moods by reading the quality of your aura and filters a complimentary tone of music into your living space. I designed all the sensory music systems for Biosphere Peaks.”

“It must have taken you years to perfect such an invention.”

“Not too many. I based the whole design on a whimsical charm that was popular here in the late twentieth century. They called it a Mood Ring. The aura from the wearer would dictate the hue that blazed within the quartz-stone. It was elementary thermochromic and liquid crystal sleight of hand, but the concept had some interesting possibilities when applied to the natural organic chemistry of the body. If you take a look at the sensory gauge on the inner wall nearest you, you will observe the hue emanating from it is a pale yellow, caused by your sudden wakeful interest in this strange communication. The music has picked up its beat, ever so slightly, from the violet haze of introspection three point five earth minutes ago.”

“Impressive. And an ambitious feat in design concepts. It would require much time to come to fruition.”

“I have had much time on my hands…You see, I have been waiting for your arrival.”

Me?

“Yes, You. I see your destiny.”

My destiny?”

“There is a girl. She is hiding. Protect her.”

“I’m a scientist, not a mother.”

Pause.

“How did you cast all those images? Is that another trick of your auric perceptions?”

“I am sending visual images from my own memory bank, through the same telepathic pathway as our messages. I would come and meet with you in person, but I cannot leave this place at this time—and time is of the essence in this matter.”

“Wait, did you say you were on Telegraph Hill? Isn’t that the Velvets’ sector? Oh––you––you’re not human.”

“You are not human, either.”

“But you are native to this planet.”

“Much like yourself,” the beat intensified, throbbing with frenetic aural waves. “I am Ambrose. Welcome Home.”

* * *

At sunrise Astra_L circled the promenade of the observation deck attached to her quarters, assessing the unsolicited invasion from the DJ on Telegraph Hill. She scanned the distance, but the city lay covered in dense condensation––only the twin peaks she called home and the pinnacles of the absorbent, moisture-gathering solar sails were graced by the sun’s rays above the white blanket. She witnessed her own shadow appear, much elongated, on the fog, creating a haloed bröcken spectre against the iridescent backdrop.

Home.

Astra_L had never known a Home. Her first memories were of her matriculation into university on Pallas-42 and years of subsequent research had taken her to distant galaxies before being summoned to a position at the Intergalactic Biochem Institute Headquarters on Thessa_Loniki. And now this assignment in the Cygna Alpha sector, on this blue orb. From the summit of the twin peaks, straddled by the twin observatories, she breathed in the fresh sea air; the fragrant flora splattered with dew. The city seemed to have a potential—perhaps once lost, but regenerating along its organic impulses. Humans had known success and suffering here. It was her job to give them the knowledge of sustainability.

Regaining her lavish quarters, Astra_L strode across the liquid crystal floor panels, which currently displayed a tropical sea, frolicking with sleek dolphins. She wondered if that was another of Ambrose’s tricks to appease her sensory desires. Still, it was a bit arrogant to assume he could know her destiny. And what relation did he have with all of those women? Some of them naked in his presence; many in obvious distress; and the one only a child! How could she be connected to those women? And how was he? Was he immortal, this Ambrose? Keeper of Destinies, as he styled himself.

As she descended to ground level, she pondered the possibilities and the connections. She weighed the probabilities. She propagated a timeline and plotted the women along it to ascertain if the functionality would hold with consistency. Was it plausible?

Crossing the silent tarmac she found white flowers, growing in profusion along the otherwise ragged hillside. Enthralled by its sweet scent, she knelt to pluck the pale corollas, depositing them into sample vials attached to her magnetic belt. Scree spilled into the depths of the ravine, drawing her attention to the shadowy depths of a chasm. Her eyes linked with a pair of intensely violet orbs inset in the smudged, tear-stained paleness of a porcelain face.

Life Type: Human.

Orientation: Female.

Age: Fifteen Earth years.

They each froze.

Inspecting the state of the girl, who shivered in the rocky niche, Astra_L scowled. By all appearances, here was the subject of whom she had been warned. This snot-nosed creature. Protect her, he had demanded; for she is your destiny.

 

Astral_L surveyed the area surrounding the deep cleft in the side of the mountain. What had caused this creature to scramble to such a hiding place? The road lie hidden far below in swirling mist, its tarmac curling in hairpin turns. The hillside was littered with manzanita, live oak and dry scrub. In the ravines, rocks slid into positions forming homes for jack rabbits, gophers, tarantulas and rattlesnakes. Not a wise place to repose unless one was in need of camouflage from a far more perilous predator.

Protect her, he had said.

 

Spitting and scratching, the girl crouched like a gargoyle in the ravine, threatening to spring if attacked. Astra_L transmitted waves of peaceful energy but found no open frequency. The girl wore no collar—perhaps her chips were embedded. A hawk soared above honing in on invisible prey in the manzanita bushes cresting the ridge. Below lay the intense cotton batting of fog, muffling all sounds from the city. The hawk dove, rustled in the brush and rose again grasping a baby hare by the scruff of its neck.

“Humans never co-operate,” she muttered before aiming the laser at her prey.

* * *

Light streamed from the skylights and clerestory windows into the central atrium of the Twin Peaks Centre for Biological Study. Smooth flowing ramps glided in a graceful spiral from floor to floor of the North Peak facility. Streamlined in white stucco and pristine glass, the airy space glistened in the sun’s rays. Greenery hugged every curve and long vines of algae dangled like a Calder mobile from the ceiling, absorbing carbon all day and glowing with phosphorescence at night. Every component of the building’s design had a specific function. It was a living, breathing organism, completely sustainable, creating energy, gathering moisture, composting waste.

In opposition to the self-cleansing, fresh-aired surroundings, Astra_L carried the dirty, smelly, scraggly dead-weight of teenager up the ultra sleek ramp to the top floor and into the Bio-Organics Wing. She stomped across a soft beige floor composed of a cellular material that developed the strength of bones the more it was tread upon. All of the buildings’ furnishings and materials were composed of bio-plastics created in the labs and tested in the surrounding spaces. She approached one of her colleagues in the lounge overlooking the rooftop’s aqueduct pool. Palvär Aalto was a Finnish architect working on a creation he called BacillaFilla™. Using a common strain of bacteria, he was able to extrude compounds that melded cracked areas together with bacterial growth, leaving behind a strong, fibrous substance as strong or stronger than concrete. It was being tested on many of the derelict 21st century buildings downtown, in an effort to recycle the nearly two hundred year old edifices.

Square settees were arranged within the lounge opposite an cafeteria area. She heaved the teenager onto one of the cushioned platforms as if she were no more than a feather pillow.

“What’s this you’ve found?”

“I had to stun her…she was hard-headed. I couldn’t break through.”

“Yes, these low humanoids haven’t been injected with neural lace yet. They are still analog communicators.” He wrinkled his nose. “Where did you find her—in a compost ditch?”

“I have to protect her.”

The question mark response was evident by the expression on Palvär’s taciturn Scandinavian face.

“They have ceased to evolve. Which is the reason they are nearly extinct. This city is a utopia fit only for those wealthy enough to dwell in its isolationist enclaves of materialist abundance and economic modernization. She may be a survivor, but for her kind, it’s only a matter of time.”

“I’ve had a summons. From one of the immortals living up on Telegraph.”

“That’s the Velvets’ territory.”

“I do not think he is a Velvet. This child appeared rabid. She is afraid of something—she was hiding from something. I want to study her. Observe her. But first I need to have her washed, fed, and vaccinated.”

She signaled to a concierge at the lounge bar, who arrived at once to take the offending, odorous girl away.

“Take her to Aung Suu-Kyi with instructions to examine thoroughly. Thank you. And be careful, she might bite.”

 

“Palvär, can you tell me about these specimens I gathered on the slopes of the peaks?”

“Ah, those are the Pikkake flowers. Feynman brought them back from the archipelago called Ha-wa’ii. He got bored with the antiseptic smell of the lab and altered the DNA of this flower so it could thrive in the conditions of the hillsides. He was a bit of an eccentric, but it was a challenging exercise. Show off, y’know.”

“Kind of like the way the Spanish imported and cultivated grape vines for wine-making in the 19th century.”

“If you say so….” he squinted, bewildered, “I wasn’t around then.”

Astra_L hid the consternation she felt behind a stoic demeanor. She didn’t know anything about the cultivation of vitus vinifera either. She knew about 759-Vinifera which was a minor planet orbiting its sun at a perihelion of 0.969 degrees. Feeling a bit dazed by the unsolicited and mysterious recollection, she approached the bar to request a fortifying elixir before repairing to her private quarters to wash off the perplexity and disruptive debris clinging to her like perspiration.

 

Astra_L tinted the wall length glass windows with their polarizing shields to dim her sleeping chamber. The brushed metallic floors were divided into tiles by the glow of aquatic neon. Leaving her silver mesh tunic and metallic belt on a white leather pouf, she entered into the partitioned bathing facilities where a warm pool bubbled softly, its thermal mineral waters swirling in anticipation. Next to the sunken round pool, a basket held a selection of bath tablets. She chose Lemon Luminosity. Its label professed that the bath tablet would produce physical sensory perceptions to one’s neuro-processors, when dissolved in a thermal soaking bath. The logo pictured a woman with luminous red hair, soaking in a marble pool; a remarkable resemblance to the figure cast into her mind by the DJ, Ambrose. The woman looked to be in a state of arousal. Astra_L felt a sudden anger blooming through her spectrum, seething with exploitation. After soaking in the boiling waters, she adorned herself in a hydration cloak; an organic cloth robe that revitalized the derma. The fibers contained microscopic parasites that induced exfoliation, leaving the skin surface smooth. She sprayed her silver mesh tunic with a laundering canned air which used an organic compound to remove impurities without the need of water or harsh chemicals, making the clothing ready for immediate wearing.

Stomping across the main room floor that resembled a mountain meadow, she entered the island kitchen to whip up a verdant frappé. Using the intercom, she contacted Aung Suu-Kyi for a report on the human specimen.

“How is she?”

“Surly and sullen. Just like all those Rococo Graffiti kids. Craving caffeinated Monsta’ drinks and chemicated McSandwiches.”

“What else?”

“Aside from kicking, spitting and hissing like a frightened kitten, she has a chronic respiratory condition––most obviously from toxic inhalation caused by the collapsed buildings and infrastructure at ground zero. These remaining humans hold a tenacious grip on life in their post-apocalyptic world. They don’t live in the upper stratum and have been struggling to adapt to their environment. Then there’s the drugs…”

“Drugs?”

“Low level heroin and cocaine derivatives. But that’s not all…”

Astra_L arched her sleek silver eyebrow into a ?”

“She is status, primigravida.”

* * *

The room was spartan and white, furnished with only a bed, chair and desktop. An interface embedded into the wall provided communication and entertainment with the touch of a finger. A hexagonal window filled the width and height of the wall opposite the door; its views looking east towards the bay. The feral child was seated calmly on the edge of the bed staring out the window. She had been removed from her soiled medley of garments and been distilled into a simple white tunic dress and white bootlets. Defrocked from the melange of tattered laces, greasy velours, and dusty leathers, she looked passive and vulnerable. The color of her eyes was only intensified by the scrubbed paleness of her skin. Her combed hair was the color and texture of cornsilk, tinted with baby blue dye.

 

“Let’s begin with your name.”

“How did I get here?” she retorted petulantly.

“I brought you here. You were huddled in the ravine. Do you remember?”

“You couldn’t have carried me––you’re no bigger than a child.”

“Well, I didn’t put you in my satchel. And I’m stronger and older than I may look to you.”

“You look like a skinny twelve year old. Like my pesky little sister.”

“Where’s your little sister now?”

“She’s dead. Like the rest of my family.”

“I’m sorry. But I’m not a substitute for your little sister. Or your mother, for that matter. But I can protect you.”

“Protect me! Protect me from what?”

“From the Velvets…”

“Who told you about that?”

“An immortal who knows more than you or I put together. But if you’d like to co-operate perhaps we could assess the situation rationally.”

Silence.

“So, let’s begin with your name.”

Their eyes locked. The stubborn violet eyes of the human regarded the volcanic orbs of the alien biochemist.

“Where did you get that silver makeup on your face and lips? And how did you dye your hair to get it to gleam like that?”

“Your name,” with impatient force this time.

“And why are you so short?”

 

Astra_L fumed and stomped across the room. She wouldn’t tolerate the peevish attitude of a teenager. She had an important assignment requiring tireless research and development. There was no place for time-wasting in her schedule. With her hand on the lever she pulled the door open with a quick flick of the wrist.

“Wait.”

She paused without turning around, attuned to the change in tone.

“My name is Aura.”

Astra_L let the lever click into place. When she looked back into the room, she saw the girl’s figure had slumped from its proud position. Her arms crossed over her legs; her head bent low; her face quivering with tears.

“I’m scared,” she admitted, her tough veneer surrendering.

Astra_L sat down on the chair and spoke candidly.

“I am Astra_L. I’m from a planet called Thessa_Loniki which is 200 lightyears and a wormhole away from Earth. I was summoned here as a consultant in the Preservation Department. I am a Synthetic Biology Designer. My hair is naturally metallic and my eyes are tattooed with iridium oxide to improve my vision. My age in earth years is approximately one hundred and fifty, give or take a decade or two. My height computes to four feet, eight inches in earth measurements, which is normal for my species. Now, tell me who you were hiding from in the ravine. What brought you up to Twin Peaks?”

“Jean-Louis deLapin. He’s one of the Velve’teens.”

Their interview was interrupted by a rumble as the observatory swayed on its axis clinging to the mountaintop. Astra_L stared out the window at the twin observatory straddled upon the opposite peak, as it undulated like a daisy on its stem in a breeze.

“One of your famous Earth quakes?”

“Nah, that’s just the hydraulic tremulator.”

“Clarify and define.”

“It’s a sort of hammering device. It’s made to move the plates gradually and relieve pressure before it builds up to catastrophic quakes. The hydraulics are wedged into each side of the fault to push and pull from beneath. On the crust, the city feels the forced tremors, but they cause no damage.”

“How do you know about such technical engineering?”

“My Da’ worked on the construction of the Andreas Fault Tremulator.”

“Is that how he died?”

“No. He died with the rest of my family––during the meteo-tsunami.”

“And you?”

“I was up on Telegraph when it happened. Jean-Louis saved me.”

“And you became his pet.”

“No! It wasn’t like that.”

“The Velvets rule Telegraph Hill and their brood, the Velve’teens, control all you wild, young, humans, fueling you with drugs and chemicated foods. They feed off humans by stealing the warmth of their body temperature. You think it’s a kiss, but it’s the kiss of death.”

“What would you know about it? You don’t know what it’s like out there.”

“I know that this Velve’teen brute is abusive, intimidating and threatening. I know that you feel a sense of traumatic bonding with this individual for saving your life, but whose only ambition is to steal your life’s breath. I know that you are exhibiting the classic symptoms of Stockholm Syndrome. And,” she finished softly, “I know that you have been impregnated by this predator.”

“How…” she stuttered for breath, “how can you possibly know that?”

“An embryo is developing––”

“How do you know it’s Velvet?”

“The zygote is only half human: one cell is a haploid gamete, the other is of alien origin. Is that the reason you ran away?”

“I was afraid of what he would do if he found out. Their kind are very uncompromising about pure blood. They are of royal ancestry; they don’t couple with our species. I didn’t even know what was happening. He was kissing me and I became so cold, like the cold if you were dead. I was spiraling and dizzy and the next thing I knew our embrace had become charged with an energy I’d never experienced. All at once, I felt pain, warmth and euphoria—the highest High. And just as quickly it was over. I felt stained and numb.”

Suddenly, Astra_L saw a flash memory––she had been equally stunned by a past encounter, long ago in a far away land.

“I know how you must have felt.”

“You?”

“No, not me…but someone…” she trailed off vaguely. “Right now, I need to test your chromosomes to see if this pregnancy is viable in your state of health.”

“And if it isn’t?”

“Then we’ll manipulate your system to make it viable.”

“You can do that.” It wasn’t a question.

“I build organic sustainable systems. I can build your system to sustain a living organism. You will give birth to a new hybrid human specifically designed to survive on a sustainable planet. While I get to work in the lab, it is your job to rest. You can sleep safely here. You will trust me.” It wasn’t a question.

 

With Aura’s medical chart and lab samples, Astra_L spent the rest of the day in deep microscopic focus. Her thoughts dwelled on the introspection of a declining species. When Palvär Aalto stopped by the lab she began to test her ideas out loud, listing the collective successes made to reinvigorate the city landscape.

“Our aim, in these post-apocalyptic conditions, has been to create a sustainable city with new and reconditioned buildings, changing the evolution of building design. We’ve replaced a compromised infrastructure with solar sails that collect sunlight for energy and pull moisture from the daily fog; bacterium formulated to eat human waste and delete carbon; water collection that cools and heats the air; and interior and exterior plants that provide food. But what of the remaining civilians who survived the apocalyptic event only to suffer due to their inability to adapt to the new environment. How can we coerce DNA to evolve in these conditions before a species becomes extinct?”

“You’re talking about human biology now. We’re bio-synthetic designers.”

“But we manipulate cells. DNA cells.”

“We don’t even manipulate rabbit cells, let alone human.”

“Perhaps it’s time we tried. In the Andromeda galaxy, technology has evolved faster than any human mind can digest. When the Singularity Equivalence occurred we were able to create entire worlds in the blink of an eye; planets for education; solar systems for research; galaxies for new colonies. Every thought, every dream had drastic impact and immediate reality. We learned to direct our minds to create authentic, sustainable worlds of light. We focused on the chemistry of plants to show us how to harvest life-giving light. Plants are the most efficient life forms in the known universe.

Here, on this Earth planet, you tried to harvest light from solar panels which were nowhere near as efficient as one simple leaf. We studied energy transfer in light-harvesting macromolecules and found there was assistance by specific vibrational motions of the chromophores. The plant actually puts the photon into a state of quantum superposition, multiplying it by every route that the photon could possibly take, so that in this manner photons are able to break through the forest of particles which separate light photons from leaves and attain a perfect connection. Once the successful route has been configured the photon is sent back in space-time and its route becomes the only possibility that ever existed. All other probabilities are erased.”

“But that defies all classical laws of physics. That kind of prediction is likened to a Tarot Card deck.”

“In your world. And moreover, this equation of so-called non-classical behavior enhances the efficiency of energy transfer in other applications. Treating human DNA cells as efficient energy transfer conductors is theoretically possible and may be the way I can help this child.”

“And why the intense need to manipulate her DNA? She’s getting by.”

“She’s been impregnated by a Velvet; one of the teens kept her, as a sort of pet.”

“So now she’s your pet?”

 

Astra_L continued to study the human girl’s DNA structure, as well as that of the hybrid zygote. When she’d closed out her lab log and visited the canteen for a vegetarian bento box meal the western skies had already been overtaken by the marine layer of evening. On her way to her quarters, she checked on Aura and found that the girl had napped straight through the afternoon, devouring sleep befitting a teenager.

Back in her quiet domain, a cobalt night had fallen. The studio apartment’s open plan had a soothing eclectic decor. The liquid crystal floors had taken the aspect of smooth and soothing slate granite. Ivory plush seating arrangements inhabited the fringes of the room, while above and equally spacial, a carbon fiber ceiling was arrayed with starlight halogens. A reading nook was partitioned by floor to ceiling neon tube lighting that cascaded like a flickering waterfall of fairy lights. A tranquil pool reflected lights glittering onto a white drop ceiling. Its waters were mirrored by an identical outdoor pool, seen through the wall of windows. In the center of the room an enclosed circular island comprised the kitchen facilities. A glittering honeycomb pillar of metal fashioned into a column supported a white disc of light over the workspace. Astra_L set the bento box on the counter and drew water to make a pot of tea—a comforting and charming custom of Earth culture. She found the vials containing the samples of the Pikkake flowers she had gathered that morning. Still fresh, they emitted a cloyingly pleasant scent, tropical and sultry. Here was an organism, removed from its natural habitat and brought to live in a relatively hostile environment and yet, it had been manipulated to not only survive in that environment, but to thrive and propagate. Could the key to human survival be found in the theory implemented to evolve this plant’s structure?

She gazed at the stars wistfully as they began to twinkle one by one in the firmament above the nestled fog.

 

“Trouble!”

She awoke with a zing. The transmission was clear and abrupt. She’d dozed off on the settee overlooking the outdoor pool. It was deepest night. The city lay enmeshed in its foggy insulation.

“You were sleeping?”

“Resting, yes.”

“You must be on the alert. The Velve’teen is searching for his pet. He’s none too happy to have lost control over his captive.”

“They can’t come up here. It is forbidden.”

“They have minions. The girl will respond to the siren’s call. She is hungry for the drug.”

“She’s carrying fetal cells.”

“You must protect the girl and her progeny. It is your destiny.”

 

Below, someone or something was trying to break the hexagonal window of Aura’s room, waking her with a start. In the moonshine of night she could see the window bend with tensile flexibility as it resisted repeated attempts. She rose from her bed to look out into the darkness below. As she stood gazing into nothingness the door slid open and the room was abruptly illuminated. Astra_L shook her head.

“We’ll have no further disruptions tonight. Come with me.”

Aura turned from Astra_L to the window and then back again, dismayed and conflicted, but the memory of being stunned by Astra_L’s taser was equally convincing.

 

In the midnight hours, the center maintained a low hum, while the Roomba™ drones roamed the building, vacuuming and purifying the air during the night cycle. The open atrium was lit by the hanging garden of algae, pulsing with phosphorescent light. Circling the mezzanine level, Astra_L halted in front of a nondescript door and placed her palm on its sensor. After a smooth opening they entered into a small round room with no windows in its curvature but one circular window in the ceiling.

“I dare them to get through that.”

The room, white all around, was furnished with grape-hued decorative pillows, glassware, ceramics and silky bed-linens. Recessed lighting glowed from wall niches in shades of lavender, calming and serene.

“This room is more suitable. You’ll be very comfortable here and above all, safe.”

Astra_L fingered the interface screen on the wall, to open the VisualTunes application.

“I’m going to set this on Random/Ambient to aid your R.E.M.”

The room’s lights dimmed as a light-show projected, covering the walls in virtual wallpaper. Cherry blossoms fluttered gracefully to morph into butterflies wobbling over grasslands. Giant redwoods eclipsed the bright vista, shading it with dark mossy ferns and deeply rusted tree bark. The view tilted upwards to gaze at the treetops far far above.

“Tomorrow I’ll teach you how to use the computer’s Leopard Shark™ operating system. You’ll receive a password to access the most advanced applications for entertainment and classwork.”

“Classwork?”

“You’re not going to spend the next nine months idling away up here. We’re going to test your intellect to assess your level of education and bring you up to the appropriate levels for a human in the upper stratum. You might actually thank me when all is said and done.”

“Thank you,” she yawned, with a smirk.

“Don’t patronize me,” she shut the door softly, feeling protective.

* * *

For the first week, Astra_L kept the girl under close observation and fed her organic tranquilizers to insure cooperation and acquiescence. Though docile, Aura was showing increasing benefits from her isolation and with the success of learning abilities she gained personal pride and confidence enabling her to assimilate with the inhabitants of the Peaks Center. She took an interest in the composition of the futuristic applications and biochemical devices that comprised her surroundings. Eventually her tranquil state existed without the aid of supplements. The improved diet of nourishing foods filled her body, as did the arrangement of fetal cells growing within. Whenever Aura showed signs of flagging, Astra_L showed up with a new topic to distract and entertain.

On a blustery afternoon that showed portents of saturating rains, Astra_L had scheduled Aura for an intense round of sonographic imaging. The fetal cells were developing at an alarming rate propelling Astra_L into a pressure situation. She was still investigating the Pikkake flower propagation and needed more time to complete the strain of equations and translate them into workable applications for humans. Aura sensed that something was wrong and became irritable and restless.

“Enough! We both need a break from this. Aung Suu-Kyi, send the images we’ve captured to my lab log—I’ll assess them later. Aura, you may dress now. Are you hungry?”

The girl shrugged with ambivalence.

“Fine. We’ll have tea in the Mood Lounge.”

“Mood Lounge?”

“Yes, I think we deserve some place a little more uplifting than the canteen. Go on, get dressed.”

 

The interior room had no windows to flaunt the grey day of shadows and fog. Instead, it was decked out like a deep sea cavern—a mermaid’s lair of aquatic greens and blushing dawn pinks. The columns stretched in concave arches from floor to ceiling and were decorated with white seahorses on a pearlescent ground. The low ceiling was composed of waves of aquamarine lighting that faded to indigo and violet at the depths of the interior. Bubble chairs swung from the ceiling and poufs littered the floor like coral reef cushions. The music was syncopated to the rhythms of the sea, ebbing and flowing with tranquil waves of ambience.

Seated in a deep egg cup chair, an elderly human made click-clacking noises by jousting two shiny metal sticks at each other in repeated skirmishes. The pointed lances were laced with dangling threads of hemp, silk and woolen fibers, intertwined to make intricate designs.

“Mama-San, would you be willing to teach Aura the arts with which you weave these magical webs? She should learn to stitch clothing for her baby.”

“Aye, it’s simple to work up some jumpers for a wee bairn. Sit next to me, child—my, you aren’t more than a wee bairn yourself.”

“My grandmother used to knit, I think. I remember that she used to send to Iceland for wool.”

“Aye, we McLeods of Skye have always raised sheep, as well. It’s not something you see much in these parts, but I’ve been working on cultivating a new strain of alpaca that can survive in an urban landscape. They require less pasture than sheep; have excellent survival skills and fewer predators. And feel this wool—it’s as soft as a Kashmiri goat. Now, then, choose a color from Auntie Maeve’s basket. One skein will be enough. Oh yes—that’s a lovely shade of violet; as smokey as a twilight sky.”

“I’ll just go fix us some tea and we’ll have a cozy afternoon,” Astra_L was relieved to have distracted faces cast in her direction.

“Yes dearie, that would be fine.”

 

When Astra_L arrived back from the canteen with a tray of traditional tea scones and a steaming brew she found the two women—crone and child—deeply embroiled in the intricacies of knitting and purling. In no time at all a tiny tunic was taking shape in a soft shade of Scottish heather. Aura was in good hands. Not only was she in the company of a wise woman, but a resourceful teacher and able protectress.

Aura became hooked on her new hobby and entranced by the human who nurtured with a grandmotherly air. She sought Maeve McLeod’s company most days, giving Astra_L a respite from worry over the girl’s isolation and need of constant attention. It allowed her to devote her energies to the maternal and fetal DNA, pushing forward for an evolutionary equation. She was nearing the end of the third week since adopting the pregnant teenager and felt confident that another week would not end without the successful advent.

 

On a cloudy and breezy afternoon, Maeve had shepherded her wee lass outside to get a proper walk and taste the mist on her tongue for good measure. McLeods believed in outdoor exercise in all weathers. Down at the edge of the North Peak Maeve maintained a pasture for her herd of alpacas. Aura was enthusiastic to see the animals whose fiber allowed her to make exquisite baby tunics. The alpacas in the small herd exhibited several different colored coats; all of which were thick and fuzzy and particularly mopsy on the crowns of their heads, giving them the appearance of wearing Russian cossack hats. They frisked and galloped in the paddock and a young colt came right up to the fence and lashed its tongue in Aura’s hand, nosing for apples. Finding the hand empty of food, the youngster wasted no time in responding with a glob of spit, aimed right at Aura’s face. Maeve chuckled with merriment but Aura wore a stormy expression. Auntie Maeve soothed with a clean hanky and a bucket of chopped apples. The alpacas doe-like eyes with batting long lashes worked like a salve of apology and soon the young girl had forgiven the baby alpaca for its insolent behavior. As the herd chomped slowly on the little apple chunks, a calmness wrapped around Aura.

All at once, the herd became spooked and fled to the outer reaches of the pasture. Aura jumped in alarm. Maeve immediately spun around, prepared to face trouble. Two Velve’teens descended upon them. Aura shrieked and froze in place. Evelyn, ever at the ready, withdrew from her jacket pocket two long shiny and lethal knitting needles. Cast from silver with a core of iridium—elements patented to pierce a Velvet’s lungs—they shimmered with deadly glamour. As the taller Velve’teen leapt to capture Aura in his cloak, Maeve plunged with all her Scottish strength. The dark creature howled and fell with a heavy exhalation onto the ground. The smaller Velve’teen shuddered as the second knitting needle was waved in his direction. He hissed; gathered the airless body of his companion and flew down the hairpin roadway, his cape flapping in the wind. Aura was traumatized by the attack and strangely mournful for the fallen Velve’teen, whom she recognized as the older brother of Jean-Louis. The other, younger companion, she identified as a royal cousin. She wondered what had happened to Jean-Louis and why he had not come for her himself. She began to feel remorse, adding to her conflicted emotions.

It was all Maeve could do to calm the girl and herd her back to the confines of the Biosphere. Aura feared she’d never be allowed outside again. She also feared for her daughter—she knew with intuitive certainly that the baby would be a girl. She began to rub her hands together in agitation and mumbled furiously all the way up the hill, up the ramp and into her room where she slammed the door violently and flung herself on the bed.

* * *

Astra_L was immediately made aware of the attack and gave instructions to allow Aura space to calm down. Her own assessment was that the situation was going to escalate into realms for which she was unprepared. They’d had several weeks of peacefulness and a false sense of security. Not long after Maeve finished her report, a transmission came through from Ambrose. He had heavy news and a plan which must be put in motion and adhered to immediately. It was up to Astra_L to explain to Aura just how precarious her situation had become. Aura would need to cooperate for the plan to succeed. There would be no time for temper tantrums or moody sulks.

With clinical resolve Astra_L summoned the girl to the lab to extract samples. When Aura entered she found the lighting dimmed, the lab instruments cleared away into cupboards—all the work surfaces cleared and pristine. Aung Suu-Kyi was not present in her lab technician’s coat. Only Astra_L, who sat quietly typing into the interface of her log, as calm as ever.

“Come in, Aura. Today’s events have had serious repercussions. Word has come back to me about the extent of the damage. I’ve been in contact with Ambrose. Do you know of him?”

“He’s that DJ at the club. He came up here? I thought he was a Velvet.”

“I’m not sure what he is, but no, he didn’t come here. We communicate telepathically,” she paused to fondle the iridium collar, “using these frequency blocks.”

“I thought that was a necklace; it’s so tribal.”

“The Velve’teen wants you back.”

“It’s where I belong,” she asserted.

“They will beat you to a pulp.”

“I suppose I deserve it for all the trouble I’ve caused.”

“Aura, you know better than this. You do not belong in the company of abusive monsters.”

Silence.

“Aura, listen—we need time. Ambrose has convinced Jean-Louis’s coven that you are being treated for malnutrition and injuries. He’s not sure they’re buying it so he’s agreed to let the Velvet patriarch have a look at you via the Earthnet. They want to talk to you and assess your status. It will be a very quick interview and you must be strong when you face him.”

Aura began to quake visibly, shrinking into the lab chair.

“Ambrose has made it very clear to me what will happen if the patriarchy realizes you are with child. Under no circumstances can we allow that evaluation to be determined. Do you understand me? Can you do this now?”

“Ok.” The girl shivered.

Astra_L sent a vibe through the Oxy-Blox to Ambrose.

“She is ready.”

The distal beat and throb of the club could be felt through her neuro-sensors as his deep voice slid like syrup over the ambient music.

“––time for some retro beats, my dark ravens….We are going on a journey to the Zero-Point Field with Steve Moore and the Long Island Electric System. In L.I.E.S you will find the Truth. Release yourself to the gravitational flow….this is timelessness….right here, right now, with me. C.––Your.––Destiny.”

“You are quite a performer.”

“Ah, well, music is the pulse of my life.”

“Is the Velvet patriarch in the club?”

“It is his club. Monsieur Vince Noir is waiting in the Velvet Lounge. Understand that this is not a social call. Velvets are smooth negotiators and all business. They do not engage in idle conversation nor will they entertain questions that do not pertain to the transaction being discussed. They adhere to strict codes of conduct, privacy and protect their bloodlines ferociously. And when they speak they are as silky as maple syrup, coating their prey like amber snaring an insect.”

 

Astra_L manipulated the transparent interface on the wall with her nimble fingers as Aura stared, mesmerized by the visuals. She startled out of her reverie when the smooth stone face of the wizened Velvet patriarch appeared, suspended right in front of her like a Cheshire cat. His smile, a toothy grimace, tried to placate her.

“My son has been missing you terribly. He is contrite and sends his salutations. Perhaps he has done something to frighten you, Mistress Aura. What could have scared you so much as to run away?”

“I…I can’t remember. I hit my head…”

Astra_L nodded encouragement.

“And look at you––so clean and so white. You look like an angel. Where are your clothes; your lovely dark velvets. Why do you remain with these mad scientists? You’re nothing but a sad human freak to them. Come back to your bonded brotherhood. Whatever my Jean-Louis did to offend you, we will make amends.”

Astra_L stepped into the frame.

“That will do. You can see that Aura is well and on the way to recovery. It is time for her to rest now.” Astra_L prompted Aura to close the conversation politely.

“Good night and god speed you, Black Emperor.”

With a flurry of keystrokes Astra_L disengaged the interface screen. “And good riddance!”

“He seemed to really care about me.” The feral girl that enjoyed the savage pleasures of bondage had been resurrected under the powerful gaze of the smooth talking Velvet.

“Aura, they only care about getting you away from here so they can continue to manipulate you. You know this.”

Aura’s look of consternation illustrated the conflict swirling in her head.

“Understand that you are going through an awakening. So many things are being thrown at your young self. Coming to terms with the Velvets; Motherhood looming; experiments on your DNA. It is too much all at once, but you are handling it splendidly. Aura, you are going to give birth to a transitional humanoid, moving human evolution forward. You will be the mother of a new species.”

 

Ambrose cut into Astra_L’s frequency.

“That was a good performance. Aura did well. Still, the patriarch is suspicious. I am quite certain that he guesses. It is only a matter of time before they act. You must prepare her for the next stage of the plan.”

“It’s too soon,” she whispered out loud, emphasizing her thought. “Ambrose, I’m not sure how much she can take all at once. She might crack.”

“She is strong. She has survived where others perished. Her job now is to be the vessel for the human race.”

“But to go alone…”

The pulsations from the club faded out. Under Astra_L’s gaze Aura appeared to sense that something even more life changing was about to occur.

* * *

Within days, and under the shade of night, Aura had undergone preparations to leave Earth. Her DNA, successfully manipulated by Astra_L, was evolving along new strains, creating a healthy environment for the developing fetus. Emotionally Aura was learning to implement a new set of coping mechanisms, through meditational therapy. Instead of relying on depleting drugs, her nutrient-filled body was able to come to terms with life in a post-apocalyptic world. It didn’t have to include daily struggle for survival. She was becoming an uplander, dwelling above ground zero, breathing fresh air, feeling sunshine on her skin; like a seed that had sprouted and burst through the crust of the soil, photosynthesis had taken hold and she thrived in its light. She was able to visualize inner peace for the first time in her life. The time was near at hand for her to leave the biosphere.

One afternoon, as the marine layer brushed the peaks, obscuring and muffling the city below, the frenetic pace of the preparations caught up with Aura and her spirits flagged under the pressures. Her sullen and listless body language was apparent to Maeve McLeod as the two sipped tea between stitches of kidsilk mohair. Maeve was helping Aura to complete a two piece outfit and having whipped up the petite cardigan had begun to fashion a miniature tam ‘o shanter. The elderly woman was rambling one of her knitting yarns—a tale from olden days in Skye—when she became aware of an unenthusiastic response from the girl. It was the paleness of her respiration when she sighed that caused Maeve to halt in the middle of a row and finger the Oxy-Blox collar at her neck.

Immediately Astra_L tuned in to the frequency, ever vigilant of another attack.

“Maeve?”

“Don’t alarm yourself, dearie. Aura is safe here with me, but my yarns of olde Scotland aren’t proving very entertaining for the wee lass today. I think she has more pressing worries regarding her future and unknown territories. Perhaps you should spin some yarns of Thessa_Loniki to soothe the gurl; put her in the picture.”

“Of course. I’d been so focused on preparing her skills that I hadn’t given a thought to things as simplistic as stories of the landscape. It would take a Skyelander like you to make that necessity so clear.”

“Nonsense, dearie, you’ve had the pressures dragging against you as well. Perhaps you both need an evening off. Have the chef send up a grand feast.”

“Yes. I’ve done enough for today. Send her up to my quarters in a half hour and I’ll start her off with a relaxing thermal bath before dinner.”

 

Astra_L had drawn the bath and the scents of Satsuma Masseuse wafted through the air, invigorating and uplifting. As she showed Aura into the apartment the floors bloomed with the saturated colors of a tidal pool. Purple anemones, orange and mauve starfish, inky spines of urchins and the peridot greens of kelp all swirled in a soft current, rippling languidly as the two woman walked through the room into the bath. The music began to bubble in tune with the thermal jets and Aura recognized the sort of trendy music that she had always preferred and began to feel more at ease in the biosphere’s austere, modern decor.

“Take as much time as you like and have a long soak. I only just ordered dinner and it’s going to take a while for the chef to concoct my requests. When the appetizers arrive I’ll bring a tray in here. If you need anything yell loudly; I’m going to be frothing up some of my famous Thessa_Loniki cocktails—perfectly safe for the babe as well.”

Astra_L had set a prodigious task for the Twin Peaks chef. She’d sent him all the traditional recipes from Thessa_Loniki to fashion a culinary journey for Aura. The first tray that was sent up from the kitchens had an arrangement of Pseudokeftedes made with roasted red peppers and goat cheese fermented in brine. The croquettes exotic flavors paired well with a dollop of strained yogurt for dipping. The fig and mango cocktails went down smoothly as the girls eased into conversation of less pressing matters. They spoke of Ambrose and his mood-altering inventions which Astra_L pointed out, including the physically pleasing bath tablets.

Amber Aphrodisiac? Rosebud Arousal? Lotus Flower Lingam? Have you tried these?”

“They each have special properties of pleasure, but the Lemon Luminosity and Fig-ments of the Imagination induce, shall we say, more cerebral reactions.”

Aura giggled, prompting the baby to kick and roll. Astra_L helped her up out of the bath and wrapped her in thick velour robes.

“I put some soft pajamas on the bed. Get dressed while I see to the incoming platters. Can you smell the aromas? Aren’t they just mouth-watering?”

The feast was composed of individual platters containing servings of delectable richness. Aura began to open up to Astra_L, seeking information regarding the planet she would soon inhabit. The first dish comprised thin slices of marinated pork, stuffed with batons of Kafalograviera cheese, wrapped onto skewers with chunks of peppers and onions rested on a bed of pilaf. Aura began to reveal her curiosity about Astra_L. Over octopus baked with eggplant in a tomato sauce flavored with laurel leaves, allspice berries and parsley, she asked about boys and if Astra_L had ever loved one. That led to stories of Astra_L’s university life on Pallas-42 while they munched on sizzling pieces of Gia Bakalarakia—a species of Thessa_Loniki cod—fried with root vegetables until crispy. Aura wanted to hear all about the galaxies Astra_L had traveled to and what most amazed her about those distant places and the inhabitants. They paused from the feast with a palate cleanser of fig and bergamot sorbet. The music began to change its beat, with a thumping village dance harmony at home in a biergarten. The next platter served sausages with mustard greens and asparagus, and homemade bread rubbed with garlic and olive oil. They washed that down with an artisan non-alcoholic beer that the chef brewed himself, taking great pride of his Artois heritage. Aura noticed that the expansive floor, which had remained its sedate granite grey throughout the meal, had burst into an aquatic scene once more. Clear waters over rocky reefs and pink sand beaches lined with palm trees were viewed under the twilight of a violet sky. A shell-shaped tray was appeared arrayed with grilled shrimp marinaded in lemon juice, mustard, garlic, Boukovo chili flakes, cumin, honey & sea salt. Aura was certain she could actually hear the wavelets brush the sandy shoreline with gentle caresses.

“Yes, that’s Ambrose again.” The music had morphed into a seductive wafting breeze of nature accompanied by the tremulous strings of a zither.

After the gut bursting meal, they took a stroll on the observation deck to breathe in the misty night. Aura shivered, but admitted the exercise was helping her respiration. Back inside Astra_L brewed a special relaxing tea which she served with the dessert. The cake, called Pallatiko, consisted of a semolina honey cake topped by a thick layer of creamy custard, sprinkled with cinnamon. Aura went into raptures.

“I’ve never eaten or even heard of such amazing dishes as you’ve served tonight. Do you eat like this all the time? The canteen usually serves salad greens, bean curd and rice—lots of rice…” she emphasized. “Even Maeve hasn’t brought me a cake like this one! It’s absolutely divine.”

“It”s Thessa_Loniki on Earth.”

“What? You mean—“

“All the recipes for our feast are the pride of Thessa_Loniki. I had the chef follow my instructions to make a variety of savory dishes to whet your appetite for your new home.”

“You mean, I can eat that sort of food every day?”

“Well, we still eat salad greens.”

“And the cakes?”

“There are so many types of cake, Aura—so many. Honeycakes composed of a hundred layers of the thinnest pastry, coated in thick jasmine honey and pistachios.”

“Tell me more!”

“Here, have another piece of this luscious Pallatiko cake—Chef Pépin has got the perfect touch with cream custard. Now, let me tell you about the Sea of the Halkdikis.

         In the harbor of Thessa_Loniki the shallow sea is the home to a sisterhood of nymphs. From the ancient tower you can see them frolicking under the moonlight. Their silvery green tales thrashing lightning through the shallows. They have long silver hair and their faces are marked with iridium tattoes. Kalisto, Caliadne, Menthe, Daphne, Lara, Praxithea and Zeuxippe—The Seven Sisters. Often they would be joined by students, walking the beach after a heavy night of drinking, after an even heavier day of course work at the Biochem Institute. Once you have swum with the Seven Sisters and are initiated into their realm you will always find a safe harbor and protection. Of course, the ladies are willful if sufficient sacrifices are not made at regular intervals! But generally speaking a silvery talisman will charm their graces…”

The fog shifted and sighed as Astra_L told Aura the myths of Thessa_Loniki and shared her experiences living in the graceful sea port. Aura had actually broken through the alien woman’s mind and their communication had reached a common frequency.

As dawn drew her blushing fingers through the mists Aura succumbed at last to fatigue and was sent to her bed. When she parted with Astra_L, it was as a sister, for they had forged a bond stronger than any Velvet could weave.

* * *

The day had arrived and without incident or delay, Aura was gently loaded into the transport pod that would whisk her and her unborn child to the institute on Thessa_Loniki. There were tears shed and gifts exchanged. Maeve promised to send packages of wool and knitting patterns for the child would grow like a sunflower. Astra_L would send teas and bath tablets to ease the pains of childbirth. The three women—the old ewe, the ageless alien, and the feral pixie—hugged in a triumphant embrace. As they waved the pod into the stratosphere, Astra_L felt the weight release from her tense shoulders. Aura was on her way; she would grow into a woman and mother on Thessa_Loniki, living in a civilization of freedom and advancement.

Back inside the biosphere Astra_L realized how much the last weeks had consumed her and also how much they had broadened her perspectives, Though she’d traveled all over the known universe, it took a wild Earthling girl to bring her down to solid ground. She remembered the women that had been flashed across her mind’s eye when she’d first shared thoughts with Ambrose. Had she played her part in their history? Had she achieved success for their future? And would she have a further role to play?

As her thoughts pandered across the apartment, the floors bloomed with night jasmine, doused in dew. She was too tired to eat, sleep or think. The music instantly melded with her mood, transmitting a sultry siren song in soulful electronica. Astra_L flung off her silvery mesh tunic and plunged into the thermal bath for a deep soak. As the music became lusciously buoyant and arousing she indulged in a bath sensory tablet to dissolve the last remaining rigidity in her spine. As the Jasmine Orgasm tablet peaked amid the jets to thermal heat, Astra_L slipped into a cool sensation of piquant pleasure. Her body shuddered with erotic stimulation fulfilling the promise hyped on the wrapper. Completely relaxed and satiated, she soaked in a state of post coital bliss in the aquatic sensory bath.

* * *

From a red sand shingle, Aura watches as a green moon rises above the pale yellow sea, hanging in a violet sky, strewn with nebulas in jewel colors. Then another moon rises to join the first; and another; and another. Six jasper-hued globes hover, suspended in the star-splattered night sky. She climbs the ancient tower to its summit overlooking the shallow Sea of Halkdikis. The celestial orbs sway in gentle movements across the horizon, jostling amongst each other, like children at play, or space ships in formation exercises. In awe she gazes, rubbing the rounded moon rising from her own body, while the Seven Sisters appear one by one and thrash about in the gentle wavelets. Thessa_Loniki was holding her in a grip of fascination. She’s had little time to feel homesick, but she wonders if she will ever see her home planet again. Would it be her daughter, swaying in the swelling placenta, or a distant daughter, who will hear the call of the San Francisco foghorn. With tears in her eyes she contemplates the display surrounding her. If she listens very closely Aura can hear the dance of the jasper spheres as they glimmer with balmy luminosity onto the waves caressing the shore. She hears too, the song of the sirens—the Seven Sisters: “there will be a time to return—for your bloodline is fierce, strong, and loyal. When the time is right a your progeny will travel to the Earth of her ancestors and she will take with her something magical and wild.”

 

Back in San Francisco, Astra_L stands on the balcony mesmerized by the sun’s rays projecting her shadow on the fog bank hovering around Twin Peaks. She brings her arms above her head and joins her palms together in a tree pose. The sun’s radiance transforms the foggy condensation into sparkling iridescent jewels and her shadow dances into a nimbus of rainbow prisms creating a bröcken spectre.

 

Ambrose sends a pinging vibration from his lair atop Telegraph Hill.

“You did well.”

“It was that flower that showed me how to manipulate her DNA. Still there are many humans left here who are suffering from the entropy of their society and the Velvets who feed off them.”

“They build them up with drugs just to tear them back down. It is a feudal system that will languish over time.”

“And what of Aura?”

“She is your destiny.”

“You said that before. But how?”

“One of her daughters’ daughters will hear the call of San Francisco and realize your destiny. She will be you.”

“How do you know that?”

“Because you always come back. There is a strong, magical binding in place, from long, long ago.”

“And you are the guardian of Soul; the keeper of Destiny.”

“I am Ambrose.”

 

On the hillside, the Pikkake blooms sparkle with dew drops from the awakening of daylight. She springs from her balcony, to collect their sweet, sultry scent.

 

 

BIO

victoriaelizabethpanks2Victoria-Elizabeth Panks is a writer who was brought up along the central coast of California and the northern shores of Lake Michigan, but finds herself living, inexplicably, within the southern suburbs of New Jersey, where she translates French symbolist poetry and writes fanciful speculative fiction. She is currently at work on her second novel.

 

 

Sarah Blumrich

 

Autumn

 

The darkness of night
makes everything black and charred
but I can smell the rotting colors
dripping off of branches.
Deadened leaves splatter
and paint the dirt in muddy pools
that pile up before the bottom layers
have a chance to dry.

 

 

Storm

 

I inhale the storm.
The swirling fog tickles my lungs
until I cough out rain.
Clouds swim past and drown
my dampened skin in grey.
My body turns to static.
Tingling lightning spreads
like waves that crash
into my fingertips.
Madness and bliss entangle
into sailor’s knots,
watching as I sink into the wind.

 

 

Elegy

 

During the worst days–
the days when
motivation dies like
snapping twigs,
and sadness sows memories
into a heavy blanket–
I pray that it will rain.
Just like flowers,
we crave drinks when we begin to wilt.
Others turn to gin or rum
but I’d rather have the rumble
of thunder
to remind me of how small,
how truly small
I am.
The pounding rain sings me to sleep
and
I become the leaves outside,
floating into dreams, and
puddles.

 

 

BIO

sarahblumrich2Sarah Blumrich was born in 1996 in New Jersey and raised in a small Connecticut town. An undergraduate at Stony Brook University, she is an aspiring screenwriter, novelist, and poet. She is majoring in film and minoring in creative writing, Japanese, and German. This is her first time being published in a literary journal.

 

 

 

Cogito(e)    

by Jennifer Vanderheyden

 

                      

Everything changed the day I ran over the body. I wasn’t texting, talking on the phone or even listening to music. I was thinking. The Cartesian/Sartrean form of existential thinking. Ever since my therapist had asked me to find my authentic self I was obsessed by the task … probably ruminating about it was the exact opposite of what I should be doing, but I had just realized that the bare truth of the cogito was possibly what I somehow needed to get to … the tabula rasa of my being … the blank slate for me to begin again at 45 years old. My wife of 17 years had recently left me, prompting my visits to the therapist. So I was searching my soul when the accident happened.

I had just enough time to see the hearse spin around, the back door fly open and the body bag fall out on the highway. I instinctively knew that if I swerved too much I would lose control as well, so I was able to turn the wheels so that I only ran over the end of the bag, hoping and praying that it was the feet. Fortunately it wasn’t one of those misty cloudy days in Seattle or the car might have skidded out of control. It came to a stop off the side of the road, just short of the jack-knifed semi that evidently had begun the chain of events. The body bag had also come to a stop near the semi, fortunately out of the way of the slowing traffic in the other lane. I remember thinking that something about a body bag with no gurney seemed strange, but what did I know about mortuary protocol?

I didn’t seem to be injured, and I doubted my 1999 black Beamer sedan was otherwise damaged since the corpse was my only collision. I felt stunned and dizzy, but the sound of a stuck horn jolted me into action. I called 911 as I got out of the car to check on the other two drivers. The boyish driver of the semi was climbing out of his cab as well, shocked and slightly trembling but seemingly OK with the exception of a bloody nose. The driver was semi-conscious, an enormous knot beginning to form on his forehead. As we approached he moved away from the airbag just enough for the horn to stop blaring.

“What do we do?” I asked as I hung up with 911. “The squad and cops are on their way. Should we move him?”

“Dude, let’s just try to keep him awake and talking,” the truck driver said, as he took out a cigarette with unsteady hands and then thought better of it. He reached in and turned off the ignition. “Don’t look like there’s any danger of a fire, so we’d better not move ’im in case he’s got internal injuries. You stay here and I’ll put down some flares. And go to the other side of the car away from traffic unless you wanna end up in a body bag too!”

That was unnecessary, I thought, as I went around to the other side and leaned in.

“Hey buddy … what’s your name? Everything’s gonna be all right. Help is on the way.”

“What … the hell … happened?” As he attempted to open his swelling eyes, he moved his head toward my voice.

“Looks like a semi jack-knifed, you must have swerved to keep from hitting it and then you started spinning around. But don’t worry … everyone else is OK. It’s just me and the truck driver.”

“And the body?” he grunted as he tried to reach for the door.

“Look, I don’t mean to be crass since this is your profession and all, but I would think that’s the least of your worries since he/she is already dead. Which is it?”

“My fuckin head feels like it’s going to explode … I need water … which is what?”

“A he or a she….and I shouldn’t give you any water until the squad gets here.” My doctorate was in philosophy but I knew enough to not give him fluids in case he needed an emergency surgery. I leaned in a little closer to determine the size of his pupils through his squinting swollen eyes.

“Help me get outta here so I can check on the body.” I wondered how that was going to work since he could barely see, but I knew it was good he was remaining conscious.

“Look … just calm down … they will be here soon to get you out of here the right way. I don’t want to make you any worse. You stay with the truck driver and I’ll go check on the body if it’ll ease your mind, but just what am I supposed to check?” I didn’t have the heart to tell him I had run over a part of the body bag … still not sure yet which end. “Is there anyone I can call from the funeral home so they can come and get it?” I looked around to see if I could see the name somewhere. “My name’s Frederick … Fred for short … what’s yours?” I saw his eyes were closing again so I tried to keep him awake with my questions.

“Calvin…”

“OK, Calvin, I’ll make sure everything’s all right.”

I went back to where the body had fallen, hidden by the semi, and knelt down near the end of the bag that had the tread marks. My eyes were drawn, though, to the other end, where there were two holes. Strange, I thought, they didn’t look like they had been ripped in the accident, but why else would there be holes in a body bag? Ventilation came to mind but I didn’t really want to go there.

Fortunately for me, the bag had fallen with the front facing up: the zipper ran straight down the middle, and the two holes were at what appeared to be the top of the bag. Good news, I thought. Chances are I did indeed run over the bottom of the corpse, but I didn’t want to unzip the entire bag just to check the feet. I could just feel them. Make sure they were still attached and let the professionals do the rest. Nobody would see them anyway other than the mortician.

I checked to make sure no one was watching, took a deep breath and felt around the bottom end of the bag. I touched what seemed like toes and began to make my way up the calf. The leg jerked. What the hell? I moved my hand away like I had touched a hot piece of charcoal and sat down on the pavement. It could have been a muscular reflex. Or I had actually hit my head during the accident and I was hallucinating or something. I felt like vomiting. Without thinking, I stood back up, lifted the body and gently placed it in the back seat of my car. It was limp but not rigid, which confirmed that he/she was still alive. I guessed it was a she because although it was all I could do to lift her, I suspected it would have been impossible for me to lift a dead-weight man.

I climbed in the car, quickly unzipped the top of the bag, and saw a young woman with short, spiked blond hair that looked as if it had not been washed or combed in quite a long time. The jewelry had evidently been removed from all of the piercings on her ears. Her yellowing left eye appeared to have been bruised from an older incident. A long, thin scar just below her ear traveled down her neck. Eyes closed, she was breathing softly but steadily through her open mouth, showing no obvious evidence of trauma from the accident. I knew time was of the essence so I zipped up the bag, reassured that the holes were allowing enough air to sustain her. Careful to not block them, I placed my jacket over the body bag to conceal it as much as possible. What the hell am I doing? I should just put her back in the hearse and be on my way. No … for once I’m not going to think this through … I’m going to follow my gut instinct. I closed the back door of the hearse and went around to the front to check on Calvin and the semi driver. The police and EMT’s were just arriving to start their assessment and I explained who I was. They wanted to check me out but I refused because I knew I was OK and I was impatient to get back to my car before Calvin mentioned the body. I walked up to the patrolman.

“Excuse me, Sir … can I fill out the accident report now? I’m a professor at the UW and I need to get to my class.” That wasn’t entirely true … I had no class since I was on sabbatical to work on my latest book: K(c)ant Beat Sade: Moral Imperative and Philosophy in the Boudoir.

“That’s fine…if you’re sure you don’t need the medics to check you out. What do you teach?”

“I’m OK. Just a little shocked by the whole thing. I teach philosophy. Are the other drivers all right?

“The other two seem to be OK … probably nothing too serious. Tow trucks are on their way, so you should be all set after we finish the report. Philosophy, huh? More power to you … I took one philosophy class in college and sorry, but that was enough. Let’s get you on your way so you don’t disappoint those students!” I gave a feeble smile and shook my head slightly like I always did … most people say exactly the same thing when I tell them what I teach. Usually better not to mention it but in this case I was hoping it was my ticket to get out of there before I lost my nerve.

After I gave my statement the patrolman returned to his car to finish writing his report, the other cop was preoccupied with directing the traffic in order to allow me to pull out, and I was easily on my way. What the hell was I thinking? Where am I going? I can’t go back to my place until I get this thing figured out. No, wait … I need cash and clothes and now’s the time to get them before anyone follows my trail and before the girl wakes up. I took the next exit off of I-5 and headed toward my place in Ballard as rapidly as I could without attracting attention. I live on a quiet street facing Puget Sound, and since it was the middle of the day one neighbor would be at work and the elderly couple just beside me would be taking their daily afternoon nap. The driveway angled down toward the rear of the house, and I drove directly into the garage and closed the door. The garage was actually under the main upper floor and the windows of the garage door were very small so there was little chance anyone could see in. Besides, all of my neighbors were accustomed to my coming and going because of my hectic teaching schedule and they left me alone unless there was an emergency. Except the elderly couple, who considered me a surrogate son and wanted to chat every time I was out mowing the yard. But they were so naively unaware of anything other than their meticulously manicured lawn and their advice to me on landscaping and where to find another wife. Although they annoyed me at times, I tolerated them because they served as good studies of human nature and they were kind at heart.

I unzipped the top of the body bag to see if the girl was still sleeping, or whatever drugged state she was in. Her eyes flinched a bit at the sound of the zipper and the suddenness of the filtered light coming through the small windows but otherwise she gave no signs of waking up. What the hell did they give her? And what if she needs to go to the bathroom? How long has she been like that? Of course I had no way of knowing at the moment so I decided I’d better quickly pack what I needed and get back on the road.

I took the stairs two at a time and rushed into the bedroom to get a few changes of clothes, underwear, socks and toiletries. In the back of my closet there was a hidden door that, as far as I knew, my soon to be ex-wife did not know existed. I quickly opened it and within a few seconds I unlocked the combination of a hidden small safe. I had begun to suspect my wife’s infidelity a couple of years ago, and fortunately I had the presence of mind to start putting away some cash…$10,000 to be exact. Rachel was a plastic surgeon and had plenty of money, but still I wanted access to some immediate, private cash. I had not really thought about why, but now I mused that it had all been leading to this moment. I stashed the money in my duffel bag and looked around to see what else I might need. My computer was already in the car along with my iPAD, which had a sufficient number of books on the Kindle. Nonetheless I grabbed a few that I couldn’t live without (Neitzche, Kant, Sade, Sartre, and Michel Onfray, this fairly recent French philosopher whose works I had just started reading).

I tossed my stuff in the trunk as quietly as I could so as not to awaken Thalia (as I had decided to call her). I quietly slid in the car and was just about to turn the key when I was jerked back by something tight around my neck. Oh shit….I had left my exercise band on the backseat floor.

“Who the fuck are you, and where is Calvin?” a groggy voice whispered in my ear. “What happened to the hearse? Why are my fucking throbbing toes swollen to twice their size, and why do I hurt all over?”

As I instinctively brought my hands up to try to loosen the band, I felt the cool blade of a knife against the flesh of my arm.

“Don’t move or I swear I’ll either choke or stab you to death.” Damn. I should have looked a little more closely in the body bag. Didn’t really think she would have a weapon.

Somehow she had the strength to tighten the band and I realized she had hooked each end to the seatbelt attachments at the bottom side of each seat. She could make it constrict by pulling on either side or hooking it tighter.

“Look,” I said, “ I’m not trying to hurt you. My name’s Fred…. we were all in a car accident and I unintentionally ran over your toes when the body bag fell out of the car. Calvin was hurt, and he insisted on checking on the body and I said I would do it. When I saw you weren’t dead I decided to put you in my back seat…just a gut reaction. I just thought there must have been a reason you had been drugged or something. For all I knew I was saving your life. But they’ll surely look for us once they realize what happened and this is the first place they’ll come. Just trust me and let me get us outta here.” She was loosening the band as I talked, which I took as a good sign.

“And just where the fuck do you think we’re going?”

“My buddy has a cottage in the Cascade mountains north of Seattle toward Bellingham. He already told me I could use it if I wanted to get away.”

“Did you call him yet? Tell anyone?”

“No, I was going to give him a call on the way.”

“Ok. Mr. Genius. I’m going to trust you for the moment because right now I don’t have too many choices. But you have to do what I say. Throw your fucking phone on the garage floor right now and let’s get movin!”

“But I need my…..” the last word was cut off by the band constricting my throat and I knew she meant business.

“Throw out the phone, I’m gonna remove the band and crouch down so the neighbors don’t see anything, and you’re gonna drive this fucking car. You keep your phone and they’ll track us all the way to the cottage.”

I threw out the phone, started the car, and we were on our way. I decided to avoid I-5 as much as possible but it wasn’t easy since my GPS was an app on my phone. What have I gotten myself into? This is more than a diversion or procrastination because I was having trouble concentrating on my research. This is where impulse will get me! I glanced in my rearview mirror and it looked like Thalia was dosing off again. Surprising, but maybe it was still the effects of the drugs. I could stop at a rest area now that we were out of Seattle and just drop her off. It wasn’t too cold yet so she would survive until someone found her. Just turn around, go home, and if the police called I could say that she must have climbed in the back of the car at the scene of the accident while I was talking to the officer. Say she had choked me and brandished a knife and directed me to go to my house for money and then drive her to the Canadian border. That she passed out again in my car from her injuries and I left her at the rest area. Hell, I could even dump her and call them right away… if I had a phone…they would surely believe my story over hers. I glanced at my neck in the mirror to see if I had signs of being choked when the sound of a ringing phone shocked me.

Thalia answered and was talking as quietly as she could but I could still make out a few words. “Yeah, some fucking idiot.”   “didn’t ask him yet.” “I’ll call you when we get there.” “OK. You too.”

“So you make me throw out my phone and you had one all along. Who’s the fucking idiot now?”

“Look, Fred: my head and feet are killing me. I’m cold and hungry. I don’t know who you are and I’m not sure what’s gonna happen to me. Or you, for that matter. Don’t worry about the phone. It’s untraceable. How much longer?”

“Maybe 20 minutes. Look, I’m sorry about your condition but haven’t you even thought about thanking me? Maybe I saved your life. It’s about time you tell me who you are and why you were playing dead…or were you forced to do that? Was Calvin abducting you?”

“Oh my God…did you just hear anything I said? I don’t feel like talking about it right now. I could ask you the same thing. Why would anyone take a body from a hearse and drive off with it?”

“Because for the first time in my life I did something without analyzing the hell out of it. And it just seemed like fate, especially once I saw I had accidentally run over your toes. Don’t you see: you’re my muse. I was thinking about the cogito of Descartes, about the meaning of my life and then I ran over your toes. I thought you were dead and you weren’t…just like me, metaphorically speaking. It’s not I think; therefore I am…it’s more real than that…more visceral. I feel; therefore I exist. I move; therefore I exist….I…”

“WOULD YOU JUST SHUT THE FUCK UP, OR “I EXIST” WILL NO LONGER BE A PART OF YOUR VOCABULARY!!!!!!!”

 

Thalia must have dozed off after her outburst because during the rest of the drive the only sounds were her light snoring and the steady but accelerated rhythm of my heartbeat pounding in my ears. After a good deal of trial and error I finally located my friend’s cottage, which was at the end of a winding one-lane road. I had only spent a long weekend there a few years back, but I was hoping the extra key was still hidden in the same place. I pulled the car behind the cabin and glanced at the back seat to see if Thalia was still sleeping, which she was. She reminded me of my niece back in Philly: required by circumstances to put on a tough armor for the world, yet inwardly just a petrified girl. Someone Thalia’s age should be going to Greek parties at school and staying up all night in the dorm talking about life’s perplexities, not spewing out curse words at some total stranger. For all of her tough talk I suspected she was just as confused and anxious as I was. I touched her lightly on the shoulder and then held down her arm as she instinctively grabbed for her knife, which I immediately realized I should have confiscated before I woke her up.

“It’s OK…I just wanted to let you know we’re at the cottage. I’m going to look for the key. Wait here.” I grabbed the small snow shovel I keep in the trunk for my occasional ski trips and walked up the short incline a few yards behind the house to a clothesline. Buried next to one of the posts was indeed the container holding the extra key.

I helped Thalia out of the car and guided her to the back entrance of the cottage, whose screened porch ran its entire length. She allowed me to carry her up the few steps. The covered wicker furniture reeked of a musty unkempt smell. We entered the kitchen, which, although small, had enough room for a 1950’s chrome table with periwinkle blue vinyl chairs, on which she plopped down, steadying herself by leaning against the table. “I guess I’m weaker than I thought,” she said.

“Do you want some coffee or hot tea? My buddy Stan usually keeps the place stocked. Some soup maybe?” I saw that she was beginning to shiver and went in the living room to get an afghan. For the first time I looked closer at what she was wearing: a lightweight pale green dress with flip-flops … strange for late fall but fortunate for her, I guessed, since her feet and toes were so swollen.

“Look, let’s find you some warm clothes, heat up a can of soup, then we can both get some rest. Stan usually brings his girlfriends up here and someone must have left something you can wear.” I saw that she was still clutching her knife handle as she looked up at me and forced a menacing look.

“I’m going to call you Thalia since you haven’t told me your real name … so Thalia, I swear to you that I mean you no harm. I’m not a rapist or criminal…I’m a college professor who happens to also be going through a rough time right now. That’s what I was trying to explain to you earlier.” I saw her dark brown eyes get bigger.

“Don’t worry…I’m not going there again…we’re both too tired. I’m still not sure why I took you but I did, so now we both have to deal with it. Why don’t we come up with a plan in the morning…but you have to promise you won’t try to leave. This is a small mountain town in the middle of nowhere and you’ll stick out like a rose in the middle of a desert.”

“Oh my God, Fred, you just never know what’s going to come out of your mouth … it is Fred, isn’t it? I promise to not leave if you promise to stop talking. Soup sounds good … just show me where I can find the clothes and a bathroom.”

Just my luck to have a bitch for a muse. I helped her through the main living space, which crossed the entire front of the cabin, then around to the right where the two bedrooms were located with a Jack & Jill bathroom in between. I saw some women’s clothes in one of the closets, told her to take that bedroom, and went back to the small kitchen to heat up the soup.

Several minutes later Thalia limped into the kitchen and I got another chair for her to prop up her feet. I searched the freezer for some frozen peas, which I wrapped in a thin kitchen towel and placed on her feet. She must have showered because her hair was wet, and she was wearing a pair of sweats and a dark sweater, and for a minute I thought of my wife, Rachel, who usually dresses in the same type of clothes. A couple of weeks before she left, she came up to me one Saturday and asked how I liked her new sweater. “It’s very becoming,” I had answered, although it looked like every other sweater she owned, “really looks nice on you.”

“It’s not new,” she had practically screamed, “ You never SEE me. I could wear the same clothes for days and you would barely notice. I spend $150 on my hair and you say nothing. Just what was it that even attracted you to me?”

“Come on, Rachel … you know I didn’t fall in love with you for your clothes or your hair. Nothing as superficial as that. I fell in love with who you are.”

“That’s even more ridiculous coming from a philosopher, Frederick. You don’t have any idea who I am. You fell in love with your own fiction of who you wanted me to be.” I couldn’t give her an answer, even though at that moment I felt she was giving me some kind of test that would determine whether she stayed or not. Evidently I failed miserably.

Thalia took a couple of sips of her chicken noodle soup and said wistfully, “ My Mom always made this for me when I was sick. Thanks.” She held the bowl with both hands and brought it up to her nose, closing her eyes briefly as she savored the aroma.

I decided to push for more information. “Does your mother know you’re all right? Do we need to call your family or did you already do that?”

She slammed the bowl down on the table and looked up at me like a frightened runaway. “Look, Fred, don’t ask anymore questions. I’m going to level with you because of the circumstances but I will only tell you what you need to know and you have to promise to keep this confidential. I’m in the witness protection program, and Calvin was supposed to take me across the Canadian border so I could have a new identity. Since he’s still in the hospital, he’s sending another agent for me tomorrow … that’s who I was talking to on the phone.” She took a drink of water and picked at what polish was left on her half purple nails. I noticed she had some scars on her arms and when she saw me look she covered them with the afghan.

“Fred, you got yourself involved in some serious shit… and I have no idea if the bad guys are on our trail. They could even have caused the accident for all I know. But you’re the one who decided to get messed up in all this…you can imagine why I didn’t trust you because I thought you were kidnapping me to kill me. You might still, but my gut tells me that no one could keep up this act of the nerdy college professor. So I’m not your fucking muse…I may very well be your grim reaper, or whatever you call it!”

“Witness protection? What for? Does that mean you can never talk to your family again? So they think you’re dead? What drug did Calvin give you?” I had a thousand questions but I figured I’d better stop there.

“Fred, if you remember, the first thing I just said to you was don’t ask any questions. If you need to know anything else I will tell you.” She took another sip of the soup and wiped away what looked to be a few tears. “I just want to go back to sleep …. the only thing I need from you is something for the throbbing pain in my toes.”

Still in shock from her revelation, I went to the bathroom to look for some ibuprofen and gather my thoughts. I had finally done something impulsive, and this is where it got me! I needed a plan ASAP. I didn’t want to imagine what Thalia had done to get herself into a witness protection program, but if she was telling the truth, the next 24 hours were the most crucial. With luck, no one had followed us and the agent would be here tomorrow and I could get my life back. On the other hand, if anyone had followed us, we were screwed. I figured my best plan was to find some sort of weapon and keep an all night vigil. Surely Stan kept a hunting rifle or some other type of protection hidden somewhere in the cabin.

I heard Thalia call my name. I turned to see her shuffling toward me.

“Are you looking for poison or something? My feet are killing me!”

I gave her the ibuprofen and helped her in the room. She turned around and looked at me: “My God , your face is white! I don’t know what else to say. Maybe you saved my life, maybe not. Now all we can do is wait. Just don’t do anything stupid. If you hear something, wake me up first. My guy will call me when he’s close to the cabin. Night, Fred.” I heard the door lock behind me.

There was an old unlocked garage behind the cabin, so I moved the car in it and got my bags. I had noticed some wild mint growing in a neglected herb garden, so I picked a few leaves, took a bottle of rum I had stashed in my bag and looked around the kitchen for some carbonated water. No lime, but this would suffice. Rachel often made fun of me for drinking mojitos, but I always told her it was better than the absinthe that some of my philosopher buddies drank. I sat down on the back porch and looked up at the stars, taking a deep breath of the cool, fresh mountain air. The gravity of what I had done finally hit me. Not such a bad place to die, I thought. If this doesn’t give me some insight about the meaning of existence I don’t know what will. Like Roquentin, the protagonist in Jean-Paul Sartre’s existentialist novel Nausea, I had a sick feeling in my stomach, but it wasn’t from staring at the roots of a tree. It was from looking at the vastness of the universe and the knowledge that whether I lived or died didn’t really matter. Sure, my friends and family would be sad, and maybe a few colleagues and students, but they would clean out my house and my office, keep a few mementos, and life would persist. My books and articles? Just a bunch of academic requirements to help me get tenure. Maybe all of this was my therapist’s fault for asking me to find my authentic self. But now, feeling alone and genuinely scared, I had the overwhelming urge to call Rachel.

 

 

I kept sentinel all night, seated on the living room chair facing the front door with the old rifle I had found in the bedroom closet lying across my lap. Dozing sporadically, I heard only the sounds of the wind and the night owls, with the anxious beating of my heart providing a back beat. When the first rays of light appeared behind the dingy white shades, I stepped outside on the front porch to watch the sunrise over the valley. I could just barely make out the veiled Cascades in the distance, and I took a deep breath of the misty, thick air to clear my mind and settle my nerves. If I could believe Thalia, the new FBI agent would soon arrive to take her to Canada and I could return to my research and writing. Even Sade should be a comforting and welcome task given the forbidding scenarios my mind was creating should the “bad guys” show up at our door. I resolved to never again complain about conducting research. Perhaps some strong coffee would fortify my wavering anxiety, so I went back in the cabin and headed for the kitchen.

Thalia stood in front of the olive green countertop, fumbling with the coffee machine, and I cleared my throat to give her an indication I was around. She jumped a bit anyway, then a wave of relief visibly calmed her when she saw me at the threshold.

“I didn’t mean to startle you … how did you sleep?” I caught a reflection of myself in the door of the microwave: I had not yet combed my wavy, unruly hair nor shaved in days. It’s a wonder she hadn’t screamed. I felt in my pocket for a rubber band so I could at least gather my hair in a short ponytail.

“OK, except for the nightmares, which included one where I was being buried alive….and I was shivering a lot…what about you?”

“I dozed on and off but tried to keep watch from the front room. Any news from the FBI agent?” I motioned for her to sit down as I worked on the coffee. I noticed that her feet were somewhat less swollen.

“Not this morning, but I would think he should be here any minute. They had to fly in a special agent.”

Of course I had no direct knowledge of how the FBI or witness protection system functioned, but I did have difficulty believing that it was taking so long to send a replacement. I chose to not push the issue since I knew it would only anger Thalia, and so far she seemed more comfortable with me this morning …. at least she was no longer cursing! I handed her a cup of black coffee and offered her some pop tarts for lack of anything better. I loaded them in the toaster and sat down at the table opposite Thalia, glancing at her without overtly staring. The bruise on her left eye was less apparent, but the scar on her neck was puffy and reddish, indicating to me that it was fairly recent.

“If you don’t mind my asking, how did you get the black eye and the cut on your neck? Looks as if you were lucky to survive.”

“ I do mind your asking, and it’s really none of your fucking business, Fred!”

Here we go, I thought … I should have at least waited until she ate something…a little blood sugar spike to maybe calm her down. “ I’m sorry … I know you said no questions, but I can’t help but wonder.” I put the pop tarts on a plate for Thalia and was just loading another set in the toaster for me when I heard a noise on the front porch. I made a sign to Thalia to stay put, grabbed the gun and cautiously rounded the corner toward the front door, rifle drawn and ready. I came face to face with Rachel and Stan, who seemed to be just as shocked as I was. They dropped everything and threw their hands up in the air.

“Fred, don’t do it!” Rachel started shaking and crying at the same time. “Let’s all sit down and talk this through….we’re all professionals here.” Stan looked back and forth between me and Rachel and opened his mouth to speak.

“Shut up!” I yelled. “Everybody just shut up!” Thoughts were bursting through my head like fireworks: Why were they here? Did the police come to them, looking for me? Or was it the bad guys and they could be right behind them? Was this a set up? I had not told Stan I was coming to his cabin, but maybe they questioned all of my friends and put two and two together. But why would Rachel think I was going to shoot them? Oh … my … God … the truth exploded in my head like the grand finale on the Fourth of July. I had the good sense to put down the rifle because I no longer trusted myself. I sat down in the chair and stared at them in disbelief.

This is the other man? You’ve been cheating on me with one of my closest friends?” I saw Rachel’s eyes turn toward the kitchen, where Thalia was leaning against the door.

“And you’re retaliating with this underage girl? Fred, what in God’s name are you thinking?”

For a brief moment I was somewhat flattered that Rachel thought I was having sex with someone half my age. I had neglected my physical conditioning in the last few years, but I would describe myself as stocky, not pudgy. My pre-Rachel girlfriend had first been attracted by my piercing dark brown eyes….she had even written a sappy poem about them, pointing out that my right eyebrow was higher than the left, which added to the mystique of the intellectual…how had she put it? … something like sexy ambivalent piercing eyes. And I did still have all my hair, unlike Stan, who was entirely bald, yet had grown a full beard and moustache as if to compensate. I was still trying to process what Rachel could possibly see in him when Thalia interrupted my self-indulgent emotional sidebar. In what seemed like one continuous movement she swooped through the middle of the three of us, grabbed the rifle, glanced out the front door, then turned toward us and pointed it in our general direction. She was still wearing what I now realized were Rachel’s clothes.

“Would someone tell me what the fuck is going on here?” she asked.

“This is my wife, Rachel, and Stan, the owner of the cabin … evidently they decided to come up here for a lovers’ tryst … remember, Thalia, you wouldn’t let me call him to tell him I was headed up to his cabin. Stan, why did you invite me? Some kind of sadistic pleasure if I happened to see evidence of Rachel being here? What a coward … you couldn’t just tell me straight up that you were having an affair with my wife?”

“Soon to be ex-wife,” Rachel interjected, “and we were going to tell you … we were just waiting for the right time…waiting for you to stabilize emotionally.”

“Don’t use your medical jargon with me, Rachel … you were probably waiting for the divorce to be final so I wouldn’t renege on the settlement.”

“Think whatever you want, Fred…would you just please tell your lover to stop pointing the gun at us? Can’t the four of us just calmly talk about all this? Oh my God, why is she wearing my clothes? Or did you even notice?”

Thalia ignored Rachel and turned toward me: “Nice decision on the divorce, Fred, and nice work on making this mess even worse. The way I see it is we can either explain what’s going on or make them leave. But I’m not so sure I trust them.”

I noticed little beads of sweat forming on Thalia’s forehead, and she seemed even paler than yesterday. I was just about to ask if she was OK when we heard a forceful knock on the front door. Against the small window at the top of the door we saw a gold badge with the initials FBI. Thalia moved toward the door and looked out the window.

“Wait!” I whispered. “How do we know this is the real thing?”

“When I talked to him yesterday on the phone he told me exactly what he looked like and what he would be wearing. Unless someone tapped the phone, which I doubt, this is him.” Stilling holding the rifle, she opened the door.

He was much younger than I had anticipated, maybe 29 at the most, and his light brown hair was longer on the top and short on the sides, reminiscent of James Dean. His left eyebrow was pierced, and he wore a faded pair of jeans, white t-shirt, and black leather vest. He wore what appeared to be fine leather gloves, and held a revolver in his right hand. Thalia must have recognized the skepticism in my face because she quickly said:

“Look, Fred, it has to be believable that he would be with me if we are to pass the border. The dead body thing didn’t work out so well so we are trying another approach … I’m already in disguise compared to what I looked like before.”

I thought about asking Rachel to examine Thalia to verify that she had undergone plastic surgery, but then I saw Rachel’s eyes open wide in fear. She looked at Stan, then me, and said with a shaky voice:

“Dead body??? FBI?? Would someone please tell me what’s going on?” Stan started to put his arms around her but she pushed him away.

“Well, I could use a little update myself because I thought there was only one other person here in addition to this young lady,” said the FBI agent as he motioned toward Thalia.

“I can explain,” I said, “but could you just stop pointing guns at us?” Thalia pointed the rifle at the floor and sat down in a chair near the front door. The FBI guy also lowered his revolver somewhat but remained standing, facing us all. I began to recount the events of yesterday leading up to this moment, punctuated by the nervous hiccups that always overcame me when I was overly anxious.

 

When I finished telling my story there was a heavy silence in the room, punctuated by my interminable hiccups. I had left out the part about Thalia being my muse, choosing to embellish the possibility that I thought I might be saving her life. I glanced her way to see her reaction, but her eyes were closed. Rachel was staring at me, still shaking her head as she had been doing the whole time I talked. Suddenly Stan jumped up, faced us all and said angrily:

“Listen: this is MY cabin, that’s MY rifle, and I didn’t ask for any of this.” He turned toward Thalia and the FBI agent: “I want you out of here right now, and I want you to guarantee that no one has followed you. Surely you have other agents around here guarding the area who can verify that. Then I want everyone to leave, including you, Fred!” He looked at Rachel. “Of course, that doesn’t include you, Babe.” That one word made me want to run over to him and choke it out of his mouth forever.

The FBI agent saved me from it: he put the gun against the middle of Stan’s forehead and said: “And whose gun is this, Stan? And whose badge? You can’t tell me what to do, and I have the power to have this ménage à toi go down anyway I want. I can see the headlines: lover’s triangle ends with double homicide and suicide. How does that sound? You’re lucky I feel sorry for Fred ‘cause you’ve been doing his wife behind his back!”

It sounded to me like he said “toi” (“you”) instead of “trois,” (“three”) which could’ve been some sort of Freudian slip or just plain ignorance, and I wanted to comment on the possibilities and the double entendres but I thought it best to hold my tongue at the moment, especially since this was taking an unexpected turn. Stan looked as if he were going to wet his pants or worse, and though I must admit I was scared too, I nonetheless enjoyed seeing Stan suffer. Thalia stood up suddenly and rushed over to the FBI agent, but just as she reached him she fell to the floor in an apparent faint. He bent down to her and said:

“Baby girl, are you ok? Say something, Ali!”

Rachel, Stan and I stood there in disbelief and confusion, then I shouted: “I knew it! You’re no FBI agent … you’re her boyfriend, and probably the reason she’s in the witness protection program. Did you have this planned all along? Did you cause the accident with the hearse?” Wrong move on my part … now the gun was aimed toward me.

“YOU! Shut the fuck up!

Rachel moved gingerly toward Thalia/Ali… “Look … let’s all calm down! I’m a doctor … let me look at her.”

With that, Rachel’s physician persona took over. Forgetting any potential danger, she examined the unconscious Thalia and asked us to lift her onto the couch. As Thalia started to regain consciousness she began to struggle a bit, and Rachel calmed her down with her soothing and reassuring voice.

“You’re going to be OK, Ali. The wound on your neck is infected, some of your toes might be broken, you have a fever and you’re probably dehydrated. I have some antibiotics with me so we’ll start with that and plenty of fluids, but you need to rest before you go anywhere.” Rachel gave the fake FBI guy a scolding look. “So what is your name?”

“He’s not going to tell you,” I interjected, “Let’s just call him James since he looks so much like James Dean, rebel and all.” James gave me another menacing look, quickly picked up the rifle that had fallen on the floor, and sat down on the chair next to the couch.

“So she’s gonna be OK?” He said to Rachel.

“Most likely. She needs to rest and she can’t do that with us hovering over her. Why don’t we all go sit in the kitchen…we can see both Ali and the front door from there, and I haven’t had anything to eat this morning. In fact, we have groceries in the car.” She looked at James. “Can Stan go to the car and get them?”

“I don’t want Stan outta my sight. Fred, you go get the groceries.”

I couldn’t help giving Stan a smug look, and he took a seat as far away from James as he could. Rachel gave Thalia the meds, put more ice on her feet and got her settled on the couch. James took both guns and stood by the door to monitor my trip to the garage. As I reached the car and opened the trunk I hesitated for a second…well, more like a minute… as I felt the urge to jump in and drive away. I didn’t wholly entertain the thought because I knew I’d never really act on it, but somehow it felt exhilarating and liberating at the same time. I’ve never liked guns, and I needed time away from the drama inside. Time to let Rachel and Stan’s betrayal sink in. How could I have been so oblivious? I know I can become lost in my research, but how could I not have seen what was happening behind my back? Was this the reason I felt compelled to take the body? Was the universe hitting me over the head with a forced dose of revelation?

“Fred! What the fuck are you doing?” James startled me out of my reverie. I slammed the trunk shut and hurried up the front steps and into the cabin.

While we made some breakfast and more coffee James relaxed somewhat, putting his revolver in its internal holster but keeping the rifle next to his chair at the kitchen table. We all ate in silence, and when we finished I said to James:

“Look, James; I don’t know what crimes you’ve committed and I don’t need to know. You seem to really care about Ali, and I’ve no reason to judge you, other than the fact that you scare the shit out of me with the guns and all. But what’s going to happen now, and what are we supposed to do?

James sipped on his coffee and shrugged his shoulders. “Look, man, all I know is that I have to get Ali and myself outta here ASAP. You’re right about the FBI … it won’t take them long to come here.”

“Yeah… I left my phone on the floor of my garage, which they’ve surely found by now, but if they’re tracing Rachel’s whereabouts they know she’s here … probably Stan too, and they’ll be on their way to question her. I’m surprised they haven’t called already or shown up at the door. Maybe they won’t suspect I’m here with her but if they ask I don’t want her to lie and get caught up in this anymore than she already is.”

“Oh my God!” Rachel said, “I left my phone in my purse and haven’t checked it with everything going on. I put it on vibrate since I’m not on call.” She ran in the living room and returned with it in her hand. Sure enough, an “investigator” had called a half hour ago to ask her if she’d seen or talked to me recently, saying it was urgent that she return his call.

James glanced in the living room to see if Ali was still sleeping, then paced around the small kitchen. “I really don’t give a crap what you do…I’m inclined to help out Fred here because Ali seems to like him. I could just as soon kill all three of you but the FBI will still be on my trail, and I’m thinking that leaving you alive might hurt you more in the long run.”

Rachel simply declared: “I’m going to call the FBI and say that I haven’t heard from Fred, and that Stan and I are here alone,” We all listened while she made the call. “They’re heading up here to question us.” Rachel moved toward the living room with Stan behind her.

James gestured to them and said to me, “So what are you going to do about them?”

“What do you mean?” I said.

“You’re just going to take it. Your buddy messes with your wife behind your back and you let it go. That’s not how it would go down in my world.”

“Well, I’m not going to shoot him if that’s what you mean.”

“Whatever. Do what you want, but you see how far I’d go to save my woman.”

As if on cue Ali slipped into the kitchen and sat down on James’ lap, her arms around his neck. She looked more rested and less pale, and she was still wrapped in the afghan.

He took her face in his hand and looked at her intensely: “We’ve gotta get outta here, Ali. Grab what you need … your meds and water … as fast as you can.”

“Are the FBI here? How long was I asleep? What about all of them?” She gestured toward me.

James gently stood her up and said: “The FBI are on their way. You only slept for about an hour. We’re leaving everyone else here. A professor and a doctor ought to be able to come up with a plan to save their asses … I wouldn’t put much faith in Stan.”

Thalia still looked confused and startled…must have been the infection…but she began to move as James rushed into the living room. I reached out to touch her arm.

“Thalia…….Ali,” I said, “I just wanna say good bye and give you something. I know I pissed you off you with my talking and all, but that’s just me.” I went to my backpack to get some money, then handed her a thousand dollars.

“You don’t need to do this, Fred.”

“I know, but I want to. Take it before I change my mind. I really hope things work out.”

“For you too, Fred. I’m sorry I was rough with you, but you just might be the most annoying person I’ve ever met! Just try to stop analyzing the fuck out of everything. And thanks.” With that, she went to get her things.

Maybe she is my muse, I thought. I’ve been reading these complex philosophers most of my life, but maybe what they say in the end is uncomplicated. Maybe we all want some sort of Hegelian dialectic that results in a nice resolution that brings us one step closer to the meaning of existence, but what if the dialectic never resolves, and that is the simple truth? After all, I think; therefore I exist is pure and uncomplicated.

James and Thalia rushed into the kitchen, followed by Rachel and Stan.

“Can you at least leave my rifle?” Stan asked. “Take the ammunition, but give me back the rifle!”

James’ answer was to knock Stan to the floor with the butt of the rifle.

 

* * *

 

Evidently James was prepared for anything because before he and Thalia left he forced Rachel, Stan and me to sit on the kitchen chairs, then tied us up and duct taped our hands to the chairs. He left our mouths un-taped…I figure partly out of spite and partly to help us figure out our story for the FBI. So there we sat, Rachel and Stan on either side of me. The blood from Stan’s head wound was dripping slightly on my sleeve. I couldn’t help but think of Sartre’s play No Exit: we are truly capable of creating our own Hell. I just hoped this was not a weird trick of fate and that we would indeed reclaim our freedom. It actually felt good to be tied up to Rachel, but not so much with Stan, which made me think of Sade and my book project. Rachel brought me out of my meditation on sadism and Hell:

“Ok, here’s a possibility: Fred, you’ll tell them that after the accident when you were moving the body from the pavement back to the hearse, Ali pulled a gun on you and forced you to put her in the car. She made you take her somewhere in the mountains and you thought of Stan’s cabin, secretly hoping you’d be traced there. You’ll say that you heard her talking to someone on the phone but didn’t know who. That she was injured and told you she was waiting for someone to pick her up. That Stan and I just happened to show up at the cabin, and then James, impersonating the FBI.”

“That’s a bunch of BS!” Stan turned his head toward us, which caused even more blood to drip on me. “We’re talking about the FBI here….you don’t think they’ll be all over this ? And what about your phone on your garage floor, Fred? And why should we lie? Isn’t that aiding and abetting criminals?”

“Stan,” Rachel said, “ If we tell the truth, Fred might be in serious trouble. After all, he could be charged with kidnapping Ali.” She glanced toward me. “And I do feel some responsibility for his breakdown.”

“What breakdown?” I tried to jump up from my chair and almost tipped us all over. “Who said I had a breakdown? Don’t flatter yourself. I’ll admit that taking a body from a hearse appears to be a bit odd, but I’ll explain it to the FBI and take the consequences. I’ll tell the truth. I can handle it.” I knew this would hit Rachel where it hurts because A Few Good Men was one of her favorite movies, and we had watched it several times together. I thought I saw her eyes well up but she quickly looked away.

“Look,” I continued, “Stan’s right. This thing all started with me thinking I had to find my authentic self, and it would be hypocritical of me to lie. Thalia really did pull a knife on me. I’ll tell the truth. At least we can agree on one thing: none of us saw what car James was driving or where they were going, so personally I hope they have a good chance to start over.”

“The motherfucker knocked me down with my own rifle, and you turn into some sappy romantic who wants a fairy tale ending. Go fuck yourself, Fred!” I turned to stare at Stan as I thought about my retort, but when I saw his bloody head I decided to be silent.

We all just sat there for awhile, listening to the creaking of the cottage and what sounded like an occasional squirrel running across the roof. Somehow it seemed odd to me that they were scurrying around, oblivious to anything other than storing their food. I envied them. After some time Stan began snoring, and I whispered to Rachel:

“Not that I care, but is he supposed to be sleeping like that? He probably has a concussion.”

“It’s OK if he sleeps a bit given the circumstances. He has high blood pressure so this will help him to calm down.”

I saw that her cheeks were tear-stained and I wished I could wipe them away. I thought about trying to lick them as a gesture of reconciliation but thought better of it. “Rachel,” I whispered, “do you remember when I used to call you Annie, Roquentin’s former lover in Sartre’s book Nausea? How we used to talk about her “perfect moments” and how it was possible for our perfect moments to compensate for the daily drudgery and repetition of existence? Don’t you believe we can find them again?

“Fred, you started ruining the perfect moments. And it all started with the baby … you know it did.”

“Rachel, please … don’t go there.”

“Don’t you see, Fred? Maybe you took that girl because you needed to rescue someone. You couldn’t save our baby, but you never wanted to talk about it. I wanted to try again, but you wouldn’t even come near me … what was I supposed to do?

“Look, Rachel, I did start seeing a therapist. That’s huge for me.”

“Yes, Fred, but it was after I told you I was leaving. A bit too late, don’t you think?”

“But why Stan, Rachel? Do you hate me that much? Why my best friend, of all people? Surely there were some fellow doctors who would have been willing to supply whatever you thought you weren’t getting from me! Couldn’t you have had just a little empathy? For what we had in the beginning? And Stan was my best man, for God’s sake!” Speaking of whom, Stan’s body, which was slumped against me, began to jerk just a bit, which caused more blood from his head to drip on me.

“Calm down, Fred,” Rachel whispered, “You know how these things work: you started staying at the university later and later, telling me that you had student conferences, or that you couldn’t concentrate at home and needed the solace and inspiration of your campus office. Stan stopped by to see you and we started talking a lot since you were never there. He understood my devastation about the baby and my frustration with you. He said you just needed some time to deal with it on your own terms first. We didn’t mean for the affair to happen … it just evolved. We didn’t set out to hurt you.”

“Jesus, Rachel! I don’t know if I can ever get my head around this. Or if I could ever forgive you…yet with all that’s happened, even all that could still happen … who knows if the bad guys will come looking for James & Thalia before the FBI get here … I’m not sure I’m ready to give up on us, although you seem like you already did.” Just then we heard the sounds of the front door breaking in.

“Damn it!” Stan yelled. “Fred, you owe me a rifle and a front door and whatever other damage they do!”

“Right, Stan,” I said, “and you owe me a wife!”

 

Turns out the FBI was more interested in finding Thalia and James than charging me with a crime. The spectacle of us tied to the chair with Stan’s dripping wound helped convince them that we were all victims. I did indeed stretch the truth and they believed that Thalia threatened me with a weapon and forced me to drive her north to wait for James (they still didn’t tell us their real names). The two were involved in heroin trafficking, which explains the scars on Thalia’s arms. The FBI had put her through rehab and were indeed planning to take her across the border to Canada. Now they seemed to think it would not be long before they would find them because she would likely relapse soon.

I may not have found my authentic self, but at least I am on its path. I still believe the universe meant for me to take the body, which in turn resulted in the tabula rasa of my life as I thought I knew it. The cogito is just a beginning, and the fear of losing everything has made me really question what it is I want. I’m still working on the book about Kant and Sade, but I’m thinking of changing the title to The Marquis de Sade: if you K(c)ant Beat Him, Join Him! … not, however, in the sense of becoming a sadistic sexual pervert! Sade wrote most of his works imprisoned during the French Revolution, listening to the sounds of the guillotine. I suffered my own reign of terror, and I survived it a changed man who at least tries to understand other people’s emotional states, rather than analyzing them intellectually. To really understand someone, let alone oneself, merely thinking is not enough … empathy is the key.

Rachel and I are not reunited for certain, but she agreed to stop seeing Stan and not sign the divorce papers yet if I agreed to continue therapy. My therapist says that Rachel and I are not yet ready for couple’s counseling until we each confront our separate issues. We’re making progress, which for now is enough. I’m working on being compassionate toward myself for the moment. And on being mindful, especially when I’m driving.

As for Thalia and James, I really hope they can make a life together without the drugs and violence, although I can only imagine how difficult that must be. But I’m hopeful, especially after I received an unexpected package the other day in my mailbox at the university: a copy of Descartes’s Discours de la Méthode, with the following inscription:

     Cogito(e)

I think that I am

With the one who knows

And to think it all began

With some very crushed toes.

 

Keep it simple,

Thalia

 

 

BIO

vanderheyden2Jennifer Vanderheyden grew up in southern Ohio, and earned a PhD in French Literature from the University of Washington in Seattle. She lives in Wisconsin and teaches French at Marquette University. She has published a critical study on the works of eighteenth century French writer and philosopher Denis Diderot, as well as piece of flash fiction in Robert Vaughan’s Flash Fiction Fridays (Dolls, Vol. 1, 2011)

 

 

Seth King

 

 

I Tried to Answer

 

the door when I heard knocking
but I cannot navigate down so many steps
even with the new carpeting

because I have lost my feet
somewhere
maybe under the bed

my knees are still hanging
in the bathroom drying
so I’m sorry but I will not go downstairs

without my knees
I do try to answer my phone
but my words stick like meat

to the walls
and anyway cannot make it through
that tiny hole

I refuse to talk without my words
I’m not trying to make excuses
but what with so many issues beyond my control

you’ll have to forgive me
if I miss our appointment
this Tuesday.

 

 

A Saboteur Whispers

 

hops onto a deadman’s chest
steams his vapor to the air

pecked sockets find the frontal lobe
where fibers pull like strings of cheese
the deadman happy to provide

such wisdom as might be there

he trades convex for concave
murmurs change but dreams of motion

legs are lost
have turned to earth
small plants curl on mound’s remains

rodents worm through snaily trails
between his twisting squirms
bonefingers tip the tops of spore born caps

buttocks crumble moist as coffee ground
crackled rice caught crawling out
from burlap sacks of skin

the sun sautés his toxic face
in air as thick as plates

until autumn un-stalled by honking geese
arrives to chill the nights

shed their skins of shapely leaves
burned then bruised by aggressive winds
spins up twisted paper veins

fly away to brown and curl
crispy-chip on top the dirt

where the soldier lies.

 

 

When a Laridae Lands

 

in front of me to tear a bagel
from the street lifts
the slow weight of its white and black

I am surprised
though should not be
this is an island after all

I don’t remember seeing seagulls
in this neighborhood before
territory of passerines

three toes forward one toe back

elegant perching birds that distain
the clumsy foot-webs and horrible
unhinging fishy jaws

and I hate to admit that when the seagull waddles
in for a coffee nosey beak feathers flapping
it is I angling for flight between the tables

gathering speed through the held open door
finally able to unfold into the rest of the morning

and it is Jonathan Livingston I think of.

 

 

BIO

sethking2Seth King is a painter and poet living in Brooklyn, NY with his wife and two boys. His recent poetry has been published in The Furious Gazelles, Yellow Chair Review, and will be in an upcoming issue of 805 Lit + Art. See more at www.sethking.nyc

 

 

 

Judith Roitman

 

I WOULD PREDICT MOTION IF I COULD

She looked through the window past the porch and saw him move
across the yard as if he were going to swerve up the front steps. But
he didn’t. They never found him. Maybe he was tired and couldn’t
take it anymore. Maybe it was the chickens. The chickens were always
running around.

He didn’t meet expectations. He didn’t exceed expectations. He ate
too many potato chips. Nothing could stop him. He was unassailable.
He strode forth like a giant. He played the calliope. No matter where
you looked, you couldn’t find him. He buried himself under his
words. This was the fashion back then. It isn’t the fashion now.

 

 

IF I WERE STANDING IN LINE I COULD CUT IN FRONT OF YOU

She was scrubbing the heart in preparation. He was busy at the other
side of the room, unable to hear what she was saying. A long time
ago she turned over in her sleep and asked him not to kill her. He
had never thought about it before. Now he can’t stop thinking about
it.

He was in a box underwater waiting for rescue. They were taking too
long. What was he to do, in chains like this, waiting for his
accomplices, thinking of the fish surrounding him, the polyps,
the rocks, the mud?

 

 

FACING A SQUIRREL SHE IS HELPLESS

I go in. I go out. I can’t give you anything. I can’t take you in. I don’t
know you. I don’t have enough. There are so many of you. What am
I supposed to do. I am a good person. I am not unsatisfied with my
life. The curtains could be different. But generally I am okay.

They were shouting. They had signs. They went back and forth,
barricading the mayor’s office. Worthless. As if they fell into a hole
unable to get up again, police striding back and forth, their never-
ending batons.

 

 

FACING A TREE HE IS HORRIFIED

He went into battle. He went into ruin. He jumped on the table. The
car wasn’t there. His mother wasn’t there. Whatever he was looking
for wasn’t there. He gave up and went to buy some groceries. After
that, he could go anywhere.

One day they jumped into the water. They lowered themselves in
boxes. They were surrounded by ladders. Everywhere you looked
there were ladders and boxes filled with water. This is no way to live.
So they dried themselves off and turned into ducklings.

He said, “I can’t do this anymore.” She said, “You have to leave
before anyone sees you.” So they lit a fire and sat there reading the
paper. They sat there until their bones leaked. After that, nobody
bothered them.

 

 

WHEN THE BOMBS STOP COMING YOU’LL KNOW IF YOU’RE ALIVE

I have blood in my hair. He has blood on his shoe. She has blood on
her nails. We have blood in our socks. You have blood on your teeth.
They recognize each other. They slip on the floor. They come in
lightly. They wear spandex. They are not guilty.

It comes in a box. We don’t touch it. Birds move underwater, eating
garbage, going slowly. They go slowly but it doesn’t take long. It has
nowhere else to go. Where would you put it? She would lay it down
under a bench, go home, forget about it. They won’t let her do that.
Nobody would let anyone do that.

 

 

BIO

judyroitman2Judith Roitman has most recently published in Yew, Futures Trading, Otoliths, Eleven Eleven, Horse Less Review, and Talisman. Her recent chapbooks include Slackline (Hank’s Loose Gravel Press), Furnace Mountain (Omerta), Ku: a thumb book (Airfoil Press) and Two: ghazals (Horse Less Press). Her book No Face: Selected and New Poems (First Intensity) appeared in 2008. She lives in Lawrence, KS.

Martin Keaveney

 

 

The Leaves

He uses the leaves, bunches of them, to show me. He gathers them up, piles in his hands. I can see the pleasure, the deep throaty joy in him, as he makes fists, squeezes those mucky fingers together, his eyes are bright under grey lashes, white dots in the dampness. He wants to show me, he runs around in a circle, tossing them high, he grunts, they swish by his veiny legs, under his bare feet, he looks, stares open-mouthed at me, tears come. The reaction, it must not have been, not what he expected from me, or what he wanted.

 

 

 

 

Artlessly

You’ve got to love it, it was great. Real great. You’ve got to love a man for trying. He might find, no he will fail. That’s for sure, but he did try, he fell a lot of times. A lot, a lot of times, but he did try. He got the end or start, no matter. He didn’t care that much for all he said about it, the end, that is. You’ve got to love a man for trying. If he even was a man, if he was even a her or a she, who knew, must needs this, but you’ve got to love him, nevertheless.

He got out of it. He got to the end or something did, or the start, no matter. Try and fail, fail and fail. You’ve got to love them.

 

 

 

 

Company

We’ve been here for centuries now. Time does not exist here. Nothing does. We do eat, but not in time. We toilet, but not here. We reproduce, but not as nearby. We lead and follow, but only in the future. There is no time to lose or find. It is puzzling and clear. We drill holes all day for millennia. Then holes are filled, we drill more. We talk in silence. We think to others. There are no others ever, only at times. Times of the landed nearby. This time in time. We are alone together.

 

 

 

 

The Vase

He was tidy, she was not. They extended the kitchen. He brought her a flower one day, name not important, put it in a vase on the table in the new section.

She was laughing about it, much later, why he had brought in the flower, can never ask him now. Soft idea, she said, silly man.

 

 

BIO

keaveney2Martin Keaveney has been widely published in Ireland, the UK and the US. Fiction, Poetry and Flash may be found at Crannog (IRL),  The Crazy Oik (UK) and Burning Word  (US) among many others. He has a B.A. and M.A. in English and is currently a PhD. candidate at NUIG.

 

WARNER

by M F McAuliffe

 

 

This isn’t the Warner Gilchrist who’s a neurosurgeon, nor the Warner Gilchrist who’s a bell-ringer, nor the Warner Gilchrist who’s an executive lawyer, nor the Warner Gilchrist who’s a male model, but the Warner Gilchrist who’s bone and residue in a closed coffin in one of Adelaide’s cemeteries. His father was James Gilchrist, a local columnist for The Examiner, and one of the most fatuous writers I have ever read. At 15, my rage at his column was boundless. Church-goers’ and rose-growers’ regard for him was likewise boundless. Now even Google can’t find him.

Warner was his first-born, a fat-faced, slit-eyed bounceball of self-regard. He wasn’t tall, he wasn’t lithe, but walked as though he was. I knew a lot about the way he walked: he walked in late, down the full length of the theatre, every time we had an English lecture.

He was as full of shit as his father, and as well regarded.

#

He was very young, they said. There was a law that you had to be seventeen to go to Uni; otherwise you had to petition the Governor. I’d come within two months of having to petition; he’d come within two weeks.

I didn’t know his name. I knew the orange hair and freckles, the stretchy-dakked slouch, the eyes, his lack of folder as he slouched past the front rows of girls busy writing in theirs. I knew he bounced a tennis-ball across the plaza month in and month out; I saw him from the library windows. He never seemed to do any work. I expected him to fail.

At the end of the year I came third. Someone called Warner Gilchrist had come second; Walter Selim, a thin, pale worm, had come first.

In Second Year Orange Boy still had the ball. Mostly in is pocket.

Early in Third Year the student newspaper revived. Someone called Warner Gilchrist, with friends, ran it; Warner was the editor. Van Hulse, a friend of mine, gaunt and haunted flame of a boy, went off and politicked. When he came back we were the joint literary editor.

“Oh?” I said.

Not only that. Warner Gilchrist was the son of: James Gilchrist.

#

As we all waited at the entrance to the large theatre I could see the darkened study of his late nights with his father, typewriter, table, pool of light, whisky-to-whisky, man-to-man help with homework, help… (Did his father help him say the things I wanted to say – the feeling at the tip of the branch when the grapevines are pruned, how the small grey wind came from the gullies, how the scatter and spray and spew of houses lay between the hills and the sea?) He’d had help, had it for years and years and years.

“This means we can be a power on campus!” Van Hulse was glowing, his lips open with hope.

I had pressing problems, lose your scholarship and where are you going to get money problems, the entire Spanish Renaissance in Renaissance Spanish problems, Norse sagas in Old Norse and Beowulf in ornamented Anglo-Saxon problems. (Where did Warner get all his free time?)

“Mm,” I said. Hulse invented projects and cajoled students far and wide. I talked a couple of submissions out of a couple of staff. I had too much work to help him much.

Warner’s articles began to appear. Sex and the pill and the new gloriousness of life; the Hey, Jude review; the penis-piece, a four-pager on the True Humanity of not regarding your penis as a Free Strap-on Gift Offer. It was something his father might have written, if he hadn’t been addressing the middle-aged middle class. “Dear Warner, I have never regarded my penis as a free strap-on gift offer. Love, Veronica.” Did not get printed.

Around the same time Hulse told me that nothing we were digging up was getting printed, either.

Take it up with the Student Union executive?

Hulse white-faced with anger. The paper wasn’t controlled by the Union. The press was owned by a consortium of Warner and his friends.

So. His father had bought him a fake newspaper for a platform, and a press to print it on.

#

He beamed and bounced his way across the plaza and grew more orange hair. My thesis grew a hundred monster heads.

I began to be free again at the beginning of Fourth Year, just in time for the Annual Play. The other half of the Former Literary Editor of The Imperial Scheme sprang the fifty cents, and took me. Over the summer just about everybody had dropped out, Hulse said, and instead of cancelling the show… Towards the end the star and only cast member swung across the stage on a trapeze, jock strap naked, coloured streamers rippling from his arse. Hulse wanted his money back.

But when I saw him afterwards, wearing the green corduroy coat with leather elbows, wearing the shirt that somehow made him look substantial, I felt oddly sorry for that simultaneously pudgy and scrawny body.

And then I began to realize that Warner’s performance had gained him respect among the staff. I think they saw it as brave.

And the staff would decide the first class degrees, the tutorship, the scholarship, and the Medal.

#

Fourth Year.

As you walked down the corridor you could start to get a feeling for your chances, read the layers of latenight thought lodged in the satin finish of doors and doorframes. You could see vague shapes, receding possibilities. Once I glimpsed the ghost of Walter Selim, inching along like a vertical worm, his mind concise and brilliant.

But the most glittering bauble on the Fourth-Year Christmas-tree was a couple of terms’ tutoring before leaving for Oxford. If I could get that job I could do something respectworthy while I went on trying to say the sound of the wind. My heart had been set on it for years.

#

Frenzy. Exams. Orals. Alphabetically I wasn’t expecting to see Warner that week. Our paths crossed at the door; I went to knock; he opened it on his way out. Hearty male laughter within. My heart sank. I knew the sound of satisfied agreement when I heard it.

I’d staggered through my Spanish oral, drunk and mindblank, managed to make an unexpected joke with the only three words I could still remember and escape while their impressions were still good.

I didn’t dare get drunk for this. So we sat, them in front of the windows, me staring at the sun and thee silhouettes, in increasingly bad-tempered argument.

When it was over I went downstairs to the Ladies’ to get out of the dress. I hadn’t worn it for years, knew it was hideous the second I put it on –

Warner intercepted me.

The orals were closer to Christmas; the campus was closed and deserted. To this day I don’t know where he waited that afternoon, to speak to me who he neither saw nor spoke to, to see if his scholarship was still safe.

He looked down from his puff-cheeked, slit-eyed advantage and asked me how it had gone.

I shrugged. I wanted nothing but to be away from the grey terrazzo foyer with its thin brass strips, to be back in my jeans, getting to know by its smell and sound and the saltwater desert my future had just become.

“How long were you in there?” His eyes looked amused. The dress, I suppose.

“An hour.”

The pause lengthened, and lengthened again. He stood looking down. Finally I said, “How long were you?”

“Twenty minutes.”

There was so obviously nothing to say.

#

Selim got the Medal.

#

Van Hulse chatted quietly to the staff. Everything I’d been drunk for I’d done very well in; Warner’s First came largely from his marks in French. I grunted. For all I knew his French was better than Voltaire’s.

#

Teaching on the industrialized edge of the extinct inland sea. Dry geologies so barren that for a sense of human scale I began reading The Examiner again.

Warner’s French professor had become the restaurant critic.

Restaurant critic? The man had to be helped downstairs after the French Society.

I wondered why The Examiner had picked him. He wasn’t scrambling for work; he didn’t need the money. He sat in his office, obscure, bespectacled, unnoticeable to anyone but his students –

Warner’s First came largely from his marks in French.

Warner’s father, The Examiner‘s most popular columnist.

#

None of that made any difference now.

The wind grieved at night, scouring the plain under the treeless moon.

#

I drank the Education Department’s pale cups of Gethsemane and when I had the money I moved to Melbourne. I opened The Age one Saturday soon after and found a recent photo of Warner.

Back from Oxford, apparently. Going to Sid Siebel’s filmwriting workshop, writing for the South Australian Film Corporation. He’d won The Age‘s short story competition. The story stank.

I wondered how his father had fixed the workshop, and shrugged. I had to beat down another door for another part-time job.

The recession ground on.

#

Free entertainment one afternoon! Helen Caldicott Against The Bomb! City Square from 3 p.m.!

I got there after work, to a thinnish crowd. Caldicott had already left, but I wanted to see what I could see, so I followed the thick network TV cables and stopped about fifteen feet from the stage, about four feet behind a squat fat guy.

Large orange Afro. Green corduroy coat splitting at the seams. Leather elbows.

Warner leant down and whispered, directing the guy on is knees next to him with an old Sony Portapak to tape a flag too close to the camera for the average Sony lens to resolve. The portapak belonged to Adelaide Video Access. Someone had come up with the shoestring for a directorial experiment.

#

Christmases in Adelaide came and went. I finally got a job in the Public Service, went back to Adelaide for the following Christmas and caught up with Hulse, who was working for a new political rag. I took riesling, brie, edam, green olives, black olives, stuffed olives, cold tomatoes, bread, the best coffee I could find, and a sinful chocolate cake. We sat in his living room, which was small and dark. The food was on the two small tables that stood between us, touching our knees.

We’d been discussing an article he was working on. I’d just put my wineglass down. I had bread and cheese in my left hand, I was catching crumbs with my right. Hulse was examining the plate, looking for his next nibble.

“Bye the bye, Ron, did you ever hear that Warner Gilchrist is dead?”

Hulse had bought tiny car stereo speakers for his tiny living room. Very soft Haydn.

“Drowned.”

I couldn’t hear the music.

“… He’d got divorced and gone to Byron Bay to do some surfing. They told him it wasn’t a beginner’s beach.”

And Warner thought it didn’t matter. Warner thought he was as good as they’d always said he was.

His father had loved and helped him to death.

#

Solid unbreathable green, lungs starving, burning, mouth forced. Swallowing. Rid of water.

No arms. Green through greening water, no arms rescuing. Cold. Swirled. Buckled, bound, encased, inside and out, water.

I saw him fall and part from me, point of light falling and dimming in an endless exterior dark, falling down and away, my enemy, my identity, my loss.

The light went out.

And I was bolt upright in the dark, gasping and choking and terrified.

#

I saw Hulse a few times over the years before I left the country. Warner’s younger brother was a decent-enough journo at The Examiner. His father was a broken man. Warner was dead, and so was his family’s ascendancy.

#

I’ve outlived him now by thirty-five years, and yet he’s wandering cross my mind this morning, that drowned and fatuous boy. I can see him coming across the plaza, fishflesh white under his orange hair, slit-eyed in the sunlight, ball in his pocket. I’m watching him from the first-floor window, wondering what it must be like to be so favoured by family, money, gender.

I turn and draw breath.

I suppose I’m thinking of him this morning because the weather, a harmless-looking grey, not even dank, has me labouring for breath as though asthma had never been dispersed by albuterol, beclomethasone and prednisone; because I could well end up like him, drowning.

But that will be then. The weather will improve tomorrow, the asthma over the next few days. My third book has just gone to the printer, photographs and essays; my husband’s fourth came out last year.

We work around our illnesses, quietly, and get things done.

 

 

BIO

mcauliffe2M. F. McAuliffe is co-author of the poetry collection Fighting Monsters (Melbourne, 1998), & the limited-edition artist’s book Golems Waiting Redux (Portland, 2011). Her novella, Seattle, was published in 2015; her collection, The Crucifixes and Other Friday Poems, will be published this fall.

In 2002 she co-founded the Portland-based, multilingual magazine Gobshite Quarterly with R. V. Branham. In 2008 they co-founded Reprobate / GobQ Books, where she continues as commissioning editor.

 

 

 

Christina Bavone

 

Manifesto! ignorare!

 

When the leaves change,
I must write about them.
That’s what happened
I wrote about the leaves.

Natural reverence picked me up
and put me in poetry’s basket.
I stayed for a while only straying
to pick up useful adjectives and verbs.

Collecting life in tin cans,
only to pickle later
for safe keeping.

Poetry is life.
Poetry works life like a red-sequined dress,
and then goes out for dinner afterwards.

I want to have a phone conversation with myself.
And then bleed afterwards.
Eventually poetry will bandage me,
and then sometimes it doesn’t.

I want to whistle in the face of poetry.
Then I’ll know I’ve made it
when poetry has felt my
spit on its vibrato.

 

 

mangledadj.

 

I maul adjectives
and eat adverbs alive.
I step out with pejorative
statements clinging to my cheek.
The chocolate chip, Oreo images
smeared across my lower lip
and I couldn’t quite pick the crumbs of allegory
off my blouse.

The characteristics of the protagonist
dangle from my ear lobe
threatening to let go.
Slimy plot dripping from my nose
always trying to get away.

My dimples held dialogue
like ingenious puddles that would
eventually dry up over time.
I didn’t realize my
obsession for the written word
until a passerby yelled out to me,
“Hey, what have you been
doing? Making out with a
book?”

And I looked up to my reflection only to discover
a 3” thick layer of black words
coating my mouth.

 

 

Nerves shot straight to hell.

 

I wait,
straining to hear the telephone.
Red ants creep up my throat;
my stomach turns counter-clockwise this time
                  in paralysis.

                           I’m tripping
off of surreal adolescent films –
the sweet voice of Alice
wondering which land she is in.

Don’t give me that psycho-sympathetic look.
You know how it feels
to try and control
the out-of-control.

Sexual participation one night;
the clutches of murder the next.
Where will it all end?

My voice cracks under the pressure. Is it? Dead?
The twigs crumble beneath me
and I fall.
The hole was pre-dug.
It was a trap.
The judgment of dirt – what a child’s toy.

It’s all the fault of that damned rabbit hole.

My baby sister doesn’t
realize the difference
between life and death,
but I do.

The sweat pours out
in droplets, “I’m sorry, but I had to.”

The rubber band snaps in two
and the release of tension
sends me into delirium.

The Queen’s had my Ace,
but the joke’s on her.
I’m running.

But you always knew
I was crazy, so
I won’t go into disgusting, controversial details.

 

 

Death Comes Upon You

 

it hovers, then falls
like a sheet,

a white one,
translucent.

gossamer skin;
toes pointed skyward;
brick mortar over
bare legs bristly black.

now dark
thick as dinner coffee.
you wait

for an afterlife
that never comes –
stuck in this body
folded over

on the asphalt.

 

 

BIO

christina-bavone_2Christina Bavone is a teacher and writer of fiction and poetry. She currently teaches writing at National Louis University. She holds a Bachelors in writing from Columbia College and a Masters in teaching from National Louis University. She is currently pursuing a Masters in English at University of Illinois at Chicago as a part of their Program for Writers. She has published poems in online lit mag Ophelia Street and international publication Every Second Sunday. In addition to teaching and writing, Christina is mother to a boisterous 4-year-old.

 

The Masterful Art of Angelo Deleon

 

 

Cloudy day over Metro

Cloudy Day Over Metro

 

The City View

The City View

 

City Harbor and Sailboats

City Harbor and Sailboats

 

Gray Skyline

Gray Skyline

 

Teal and Aqua Sky

Teal and Aqua Sky

 

Jazz It Up #4

Jazz It Up #4

 

Neon City

Neon City

 

Lilies in a Pond

Lilies in a Pond

 

The City Bay

The City Bay

 

Neurul Circuitry

Neural Circuitry

 

Panoramic View of a Colorful City

Panoramic View of a Colorful City

 

 

 

ABOUT THE ARTIST:

Angelo Deleon

Angelo Deleon is an American artist and painter, Abstract Expressionist and Impressionist artist who is self-taught and lives in Middleburg, Florida.

 

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stephanie renae johnson

Straw

by Stephanie Renae Johnson

 

 

Now, listen. This is why I need you.

Most fathers don’t dip the moon into bottles of their own tears and booze. A father shouldn’t tell his daughter that her moonbeam body echoes her mother’s. But he did, with his mouth and with his eyes. That was why we were going to run away: just our hands clasped tight as we roved the hills. Our bare feet and the mountain laurel. Some sheep, maybe, to keep us warm. We were going to fill our mouths with lamb’s quarters and dandelions. We would find what we could and steal what we couldn’t.

We figured, the world owes us anyway, for setting her up with a dead ma and a pa stuck in a bottle. I’m not much better: a dead pa and a ma who disowned me. A mangled creature, she called me. Sick, she growled.

Her pa is a monster. Coming from me, that’s an insult.

That is why, Grandpa—I need to know how to spin straw into gold. She’s in the tower of that mansion right now, and I need you to tell me how you did it all those years ago.

No, I can’t find Ma. She’ll just spit me out again like a bad batch of moonshine. Just show me … please.

 

Grandpa, the forest at night is a cacophony. Stars swirl in a raucous chorus, coyotes yip and howl; the mosquitoes and cicadas are a damn racket. Since being ejected from home like a knocked-over nest, I’ve grown in the woods. My toes are callused blue with the dirt of these mountains. I know the rough of the bramble; my heels are pricked and pierced by blackberry bushes. But I’ll never get accustomed to the night time symphonies of these azure ranges.

I’m surprised I heard her over it all. She was in the corner of my vision, an extra tangle of roots in the kudzu, until I heard the heave of her sobs.

“Oh hell!”

Trying not to trip when you’re barefoot on a mountain is an art form I’m still learning after all these years. I fell into her lap.

“I am so sorry,” I muttered, sitting up and brushing the dirt from my arms. “Are you hurt, miss? Do I need to carry you home?”

She smiled, despite the rivers carved into her cheeks.

“No, but thank you. It’s just–” she breathed out. “–my father.”

“Ah.”

For lack of anything better to say, I plucked an ivy leaf out of her hair.

“Here,” I handed it to her. “For good luck.”

“Thank you … I’m Brenna.”

“Stilt.”

“What a funny name!” she laughed.

“It’s a family name,” I muttered.

“Oh.”

The woods resumed their noise. I hadn’t noticed it stopped until the drum thrum of “talk-to-her-talk-to-her-talk-to-her” bludgeoned through my mind.

She talked first, though. Her voice was like a newly minted coin, silver and round.

“Do you often walk in these mountains at night?”

“I live here. So…yes.”

“Oh, I’m sorry, I didn’t…” She looked over my shoulder and noticed my clearing.

“It’s fine. I’d rather be here than there.” I pointed at the carpeted view of Ashburn spread beneath our feet.

“It must be beautiful to live here. Have this view every night.” Her chin tilted toward the town, the blinking fires below, the crooked dark line against the other side of the sky.

 

This has happened before, Grandpa. Runaway girls from the town find their way up to my mountain. I never ask for them, but they stumble up as if led. The least I can do is make them a cup of coffee and listen to their reasons for running away.

After the tears dry from their cheeks, they smile at me, they push my hair away from my eyes. They tell me I’m beautiful. They might even kiss me before descending back down the mountain. But then, they realize, they only like the idea of me: the mountain recluse with un-brushed hair, long legs, and longer patience. It’s the reality of me, especially when it comes to taking me off the mountain, introducing me to their kin, their everyday life, the concept of showing me around town on their clean, slender arms that end in uncallused hands. That’s when girls become aware that I don’t fit into a dream life. I’m not a fairy tale ending. You don’t find people like me in any kind of nursery rhyme picture book.

 

That night, I remembered how gold looks when lit by a fire. As I leaned the wood together in a triangle and flung the flint to the center, her hair gleamed. She stared into the flame, but I stared at her.

“So,” I asked, sitting next to her in the dust. “Can I ask what your pa did to deserve you running away up my mountain?”

She laughed. “Your mountain?”

I grinned and glanced around. My pewter coffee pot hung from the branches. My ax stuck up from the stump of what used to be an oak tree.

“Do you see anyone else living here?”

“No,” she allowed. Her smile was like the moon, whittled down to halfway nothing.

“My mountain, then.” I sipped coffee out of my mug and refilled her cup.

She stared through the distance, past me, past the valley below. I almost didn’t want to interrupt her for the fear that her next words would be goodbye. But her lips parted.

“My father is . . . insisting I do something I don’t want to do.” I noticed a dark shadow along her neck as she pushed her shining hair aside. Its twin rested on her wrist. “So I came to the hills to decide what to do next. Seems like I’m not the only one.”

“What will you do next?”

“I’m not sure.” Her eyes swept over my camp. “Why do you live up here?”

I opened my mouth to tell her the same half truths I had told other runaway girls. My parents died. I never had parents. I was raised by mountain men. I was raised by coyotes. But the truth slid out instead, slick as wet leaves.

“When I was ten, my grandpa, my father’s father, fell sick. A little bit of…” I bit my tongue. Never tell, my pa said, never tell anyone about us. “A bit of medical ability runs in my family, so my pa spent all night taking care of Grandpa. But then my father got sick, too. My grandpa got better. My pa didn’t.”

“Your poor mother. What did she do?”

“She went wild, stopped talking to my grandpa. She blamed him for everything.” I stopped, but her eyes were tangled around me like thorns, so I continued. “My ma kicked me out a month later when she found out that I…” Biting my lip, I looked down at her hand in the dirt, inches from mine. They were the same size. Our chests rose and fell with the night air.

“Oh,” she breathed. Her tongue darted forth from between her lips, licked the top, then the bottom. She stared at me and I swear she was finding my soul, just looking at my mouth.

That’s when I fell in love with her.

 

I know you think love at first sight doesn’t happen, Grandpa. I know it took you three nights and a miracle to fall in love with Grandma. It took longer for her to return the feelings. We, as a family, are not that attractive. You have scars from the seam where Grandmother sewed you back together. I remember Father’s bulbous nose that he said you gave him.

And then there’s me. All my unattractiveness collected in my insides, Mother said. All my evil stored in my blood stream underneath my freckled skin and dirty hair. Ma said it must’ve gotten mixed in with the magic blood, like somehow sin came with the ability to make one thing turn into something else. A sickness.

Before Brenna, I didn’t believe in instant connection, either. I was raised on fairy tales just like everyone else; I knew there were witches for people foolish enough to believe in love that took only an eye blink. Witches took a poor girl’s legs. One fed a princess poisoned fruit. I was above all that, high on my mountain, just me and the coyotes, watching the moon. Or so I told myself, nights I was so alone not even the lightning bugs pitied me.

 

But Brenna was different. She listened; I didn’t feel like I had to settle into a type of misunderstood castaway for her. We spun our pasts out in front of the jumping fire. Each laugh that escaped her mouth seemed to hold eternity.

“Do you ever miss town?” she asked as the stars blinked with fury above us.

“What would I miss?”

“Pretty bar maids.”

We both laughed. She had told me how she earned a living, leaning across a bar to serve beer to red faced men. Her laugh sounded like wind in the leaves: airy, musical.

“But I’ve got a pretty bar maid right here,” I boasted. Her eyes glittered at me, the firelight caught up in them. “Besides, there’s so much more to the woods than below.”

“Tell me about it,” she implored, then miraculously—like she’d been planning it all evening and just waiting for the right time—rested the top of her head on my shoulder. The skin there tingled and burned, dancing under her fire-like curls. How many nerve endings can be in my shoulder? It felt like a thousand crinkling constellations had been swept under my skin. I gingerly, carefully, slowly, stroked her hair. It was so soft underneath my hands.

“It’s like this: once you get rid of the people, once you take away the clopping of carriage wheels over brick, every noise lasts longer. I’ve heard bird chirps that have rung through my head for hours. Everything is … easier here, because it’s just me.”

“And me!” she laughed.

I was quiet. I didn’t know how to respond to that. They always leave, these girls. That’s what makes them runaways.

She spoke again. “I wish my world was peaceful like yours.” Her eyes squeezed shut as if blocking the noise out. “My father drinks. And yells. And drinks more.”

But he keeps you. I didn’t say it because I knew how awful it would sound—the man who hits you, makes you work in a stinking bar—at least he doesn’t send you away. So instead, I put my hand over hers and watched the night fall backwards into day.

When she kissed my cheek at dawn, before she clambered back down the mountain, I never expected to see her again. So I watched her as she left, until I couldn’t make out the golden dot of her head on the dark horizon.

 

No, Grandpa, ma won’t help. She’s happier without me there, just her new husband and her pink baby daughter. Ma can only offer the wrong kind of gold. I need straw and all she has are coins, courtesy of her new husband.

In this matter, especially, I don’t think she’s likely to help me. Situations like this are the whole reason she kicked me out. To her, there’s no difference between Brenna and Violet, other than the fact that Violet lies under the earth and Brenna walks above it . . . and even that difference, I’m sure Ma would prefer to fix.

 

Brenna came back the next afternoon. Sitting on the horizontal tree trunk I call my parlor, swinging her feet in the late summer breeze, wearing the sunset in her smile. I almost dropped the armload of wood I was holding. Instead, I set each log down one at a time, staring at her. “What are you doing here?”

She shrugged. “I missed you.”

“How did you know how to get back here?”

“I counted the steps I took back down the mountain and added twenty.”

I placed the last log on the damp earth, still not breaking eye contact with her. “Well, sure, with that logic.” I paused, my chest a jungle. God. I swore she could hear it outside of me; it echoed over the whole mountain range.

“I missed you.”

“When you say that, what exactly do you mean?”

She hopped off the tree trunk and dusted her hands on her dress.

“I mean that I…” She took one step toward me, covering more than half the graying afternoon between us. “Missed.” She put her hand right where my heart felt like it was going to shoot out of me like a bird taking off. “You.” She pulled my face down to her hungry lips. Every sinful kiss, every reason my mother no longer loves me, was all worth her in that moment.

 

Oh, hell. Yes, Grandpa, Violet was that girl at the farm down the way, always stomping with me through the rivers and the dust. You’re remembering right: yes, the girl with hair the color of the earth. But when the fever swept through these hills, when you got sick, when Pa got ill, so did she. She died the month after him, that July that was so sticky hot. Remember? Your fever had broken, but we couldn’t tell because we were all sweating like fevered folk?

Ma found me praying over Violet’s body. Except my prayer, my lips hovering over hers, was the kind of prayer Ma’s God never would hear. Sinner! I can still hear her shrill echo. That’s when I took to the hills. That’s the last time she saw me.

Grandpa, I just need to know how to help Brenna. Please, please, tell me.

 

“Brenn?” I whispered into her hair later that evening. The golden strands held my words for a half-second before she turned to face me. Her eyes were still closed, but fluttered like a butterfly balanced on a falling leaf.

“Mm?”

“Why are you really here?”

“I’m really here because I want to be. Now go back to sleep. It’s night. Unlike you, I’m not nocturnal.”

The skeeters outside convinced me even nature has a metronome.

“Brenn?”

“Stilt, what?”

“I mean. What about your pa?”

“What about him? I’m gone. I’ve left.”

“And what? You just came home, said ‘I don’t want to be here anymore, I’m running away to live with the ragamuffin I met in the woods less than twenty-four hours ago?’”

“Not exactly, no.” I could barely see the thin branch of her mouth.

“Well, then, how exactly?”

“I just left.”

Visions of pitchforks and flaming pyres stamped through my mind. Me, barbecued on a spit. Me, tortured alive, my legs braided shut. Me, eyes plucked out.

“You didn’t say anything?”

“No.”

“You didn’t leave a note?”

No.

“Did you bring anything with you? Anything of his?”

In the dark, her silence.

Then, “Why do you ask?”

I sigh.

“Because I took something from my Grandpa when I left, and I regretted it later. Now I still have ties with him, I still have something of his, something I don’t know what to do with. He still speaks to me, even when I’d rather not hear.”

“What’d you take?”

“What did you take, Brenn?”

“Money.”

“A lot?”

Her hair on the pillow of leaves made a nod, a tender rustle.

“You need to give it back. It’s dirty money.”

“But it’s money we need.”

“No, we don’t. We’ll make it.”

“How?”

“We will, Brenn. Just trust me. We will.”

“Okay. Tomorrow morning, I’ll give it back. But I’ll return by dusk.”

“Promise?”

“Promise.”

A finger poked my side. This girl was lightning, worried to playful in a cricket’s chirp.

“Not fair, you never said what you took.”

The constellations above swirled with my breath. I got up, dusting myself off. Brenna brought herself up to her elbows, watching me as my arm disappeared into the trunk of a hallowed tree. My fingers closed around the thin wheel, the miniature spokes. He’d shrunk it long ago, as a spectacle for their one wedding guest: their baby. My father.

“I took my Grandfather’s spindle.” The weight of it boomed in her palms.

She examined it carefully, as if her fingers held a dying crow. “Why?”

“Because it’s the only indication I’ve ever had that love is real.” I remember the fireplace in my childhood home. Father’s scratching voice, explaining how his parents came to this country, these hills, with nothing but dreams and sheep. The wooden spindle spun between my fat fingers. The center spoke twirled as I laid on the rug, half asleep.

Brenna put her head on my chest and I held her close. From the tops of the trees, we must have looked like two fox pups, curled against the dark.

 

I know I shouldn’t have pressed her, Grandpa. Don’t you think that I know that now? I stood on that mountaintop, watching the sky fill up with messages of “no” the second she didn’t come right back, the hour the sky turned black. I screamed her name into the sky that night until a thousand crows flung from their trees and whipped around my face.

Are you going to tell me that in the year you and Grandma hid your love, in the time you plotted the midnight shout of your name in the woods, her faked nervous attack, her pretended insanity, her leaving the king, you never made a mistake? No, Grandpa, I know how close the prince came to knowing your ruse, how close he came to suspecting the new baby prince wasn’t his. I’m not the only one who has been tricked by the holes in a late night plan.

 

The following morning, I left the mountain. I bathed. Washed my face and behind my ears just like Mother taught me. There’s no soap in the woods, no indoor plumbing running over to make sure I got every last kiss of dirt off my face.

But I did it. I stumbled into Ashburn—the bright metal song of the blacksmith shop, the leather breeze of the cobbler, and everywhere, the selling. Dollar signs looked like snakes twisted over sticks. This is the world she comes from. This is the world I left. My stomach riled with acid over each shop window; some part of me knew it was where she’d return after me.

I counted the steps and added twenty, just like she’d said, but I had no idea which way that twenty needed to go. I pulled on the sleeves of strangers, but they all shuddered me off.

 

When you try to find an alcoholic’s daughter, Grandpa, you go to the town bar. Because either he’ll be there, or she will, trying to drag him off the stool. I didn’t need to look long; I followed the men whose steps curled like a chipmunk’s tail. All bars are the same, and this one was the brown variation on the theme: stinking, a row of men at the counter while the sun still hung outside on a rope.

At the center of the bar, I found her father. He looked exactly like she would if all the wishes had been sucked out of her, leaving leather for skin. Much as I hated to, I knew that the one way to make a man like him talk was to buy him a beer. I uncrumpled one of the last green bills I had saved from the days I used them myself.

He sucked down the dark, frothing liquid from the wide mouth of the cool glass, after tipping it at me.

“Much obliged,” he muttered. I nodded and leaned over a seat next to him.

“Mind if I ask you some questions?” I asked, my thick anger for him housed in my stomach. I tried to keep it from welling up into the back of my throat onto my tongue.

“You some kinda reporter?”

I ignored this and wielded my own question back at him. “Where’s Brenna?” He took another swig of beer. My rage started to taste bitter between my teeth.

“You must be the wild one. Didn’t know you were the type she wanted.” His eyes traveled up and down my form, stopping at the space right below my clavicle. “Makes more sense, now, the fit she threw when Henry stopped by to collect.”

“Who’s Henry?”

“Henry Kilgilt?” He squinted harder. “Are you not from around these parts?”

“I’ve heard tales. Lives in a giant house on the top of a hill.”

“Not just that. The closest thing the Carolinas have to royalty.”

But what neither of us said out loud was that he had a mean streak: even as a mountain recluse, I heard whispers, passed along stories of what happened if you dared go to his parts of the forest to hunt. They say he wasn’t above skinning humans, too.

“What about him?”

“Well, Brenna’s been promised to him for a while now.”

“What? She barely knows him!”

“That’s not true. They grew up together.”

“She didn’t mention-”

“Of course not. Why would she tell mountain scum?”

I bit my tongue. My fingers tightened into a fist, but stayed by my side.

He continued. “Their mothers grew up together. When Jenny died, Charlotte started to take Brenna on. When Brenna started to look like Jenny’s ghost, Charlotte wanted her son to marry her dead best friend’s daughter. It was the least she could do.”

“The least she could do is not steal a young girl!”

“She didn’t steal her. She died before it came time to collect. Henry was just fulfilling his mother’s wishes.”

“Why would a rich man want to marry a bar wench?”

“A bar wench who works so she can keep her father fed and dry,” the bartender interjected.

“Shut up, Jeremy, or you’ll lose a patron!” He threw the rest of his glass right over Jeremy’s head, but it landed against the wall and came to the floor in an uninterrupted crash. Jeremy blinked and went back to dipping what used to be a white cloth into mugs, swiping it over the glass sides and bellies. His eyes were trained at the floor, but his mouth was a white line of lightning. He doesn’t approve of this any more than I do.

“I told Brenna a couple of days ago, right before her sixteenth birthday. She threw quite a fit, that girl. I s’pose that was when she stormed off to the woods and met you.”

“Guess so,” I murmured.

“Good for her, you sent her back to me to return my drinking money. Guess I should be grateful to you.”

My stomach lit on fire and my eyes blurred. He still rambled on, his arms flailing out.

“—problem with promising your daughter to a rich snob like that is that he doesn’t always see the worth in her, not even in the fresh grave of his mother and her promises. So I told him she could turn straw into gold.”

I blinked at his stupidity. Those three words back at me—straw into gold—gripped their fingers around my gut. My family history followed me here, across the generations. The room was too small now. My feet didn’t have enough room. My lungs didn’t have enough air.

“Why straw into gold?”

He shrugged. “It’ll make Henry more wealthy. It’ll make me more wealthy.”

He believed his own lie. He was that drunk or that stupid or both. My fists tightened around his collar and I lifted him off the bar stool; he was just another log of heavy wood.

“But she can’t,” I hissed into his face. “What is he going to do when she can’t?”

He shrugged and spat at me. The glob landed between my eyes, dribbled down my nose. It smelled like feces and beer. I dropped him back down.

“Doesn’t matter. She’s not my problem anymore.”

My fists left sweet kiss marks on his nose and cheeks before my hips punched the swinging door on my way out.

 

That’s why I came to you, Grandpa. More logical folk would say you can’t hear me, but I know you’re still here. The spindle turns. The blue jays shriek in your raspy voice, the whooper wills capture your whispers. Your stone says nothing other than your name, but I need you to speak now, and not just with the wind through the trees. Please, Grandpa, you’ve talked to me before. You told me to stay in the hills, be brave.

I’m trying to be brave, Grandpa, but my hands have nothing but your dirt now. My lover has never touched golden hay, just greasy, creased dollar bills. You did it once. You turned straw into gold for a simple farm girl you loved. Here’s your spindle even: I brought it back to you. Please show me how your fingers touched the wheel. I need to know, for her.

 

 

BIO

stephanie renae johnsonStephanie Renae Johnson is the Editor-in-Chief of The Passed Note, a lit mag for young adult readers by adult writers. She is also a recent graduate of Lenoir-Rhyne University’s Master of Arts in Writing program and has just finished her first book of poetry. Her work has been published by Parenthetical and Penny, among others. She was a finalist for the 2016 Claire Keyes poetry award, judged by the award winning poet Ross Gay. She lives in Asheville, North Carolina, with her fiancé and their seven bookshelves.

 

 

 

Jon Wilkman

Jon WiIkman Interview

Author of Floodpath: The Deadliest Man-Made Disaster of 20th Century America and the Making of Modern Los Angeles

 

Floodpath

 

Jon Wilkman is a writer and documentary filmmaker. Along with a number of documentaries about Los Angeles, he is the author of an illustrated narrative history of the city, Picturing Los Angeles. His new book, Floodpath: The Deadliest Man-Made Disaster of 20th Century America and the Making of Modern Los Angeles, chronicles the events that lead up to the 1928 collapse of the St. Francis Dam, as well as the aftermat, and relevance to today. An Amazon Book of the Month, Floodpath is considered a definitive account of the disaster that took the lives of nearly 500 people 50 miles north of Los Angeles. The event was a tragic turning point in the life and career of William Mulholland—one that would ultimately ruin his reputation and legacy as the man who brought water to Los Angeles. I sat down with Jon recently to discuss his work on both the book and the upcoming documentary film of the same title.

 

Where did you grow up?

 

In the San Fernando Valley suburb of North Hollywood., Growing up in Los Angeles, like every kid, the only history you learned about were the missions and statehood of California in the fourth grade, and that was the last you heard of it. All of the other history we learned took place on the east coast. So when I graduated from high school, I was interested in history and culture. Why would I want to hang around here?

 

What did you study in college?

 

I went to Oberlin College in Ohio. And one of the great things about Oberlin is that you were free to explore. I had a major in sociology, but I had enough credits for a history major or an English degree. By the time I graduated, I knew I wanted to work in documentary films, so that sent me to New York, where some fortuitous events led me to one of the best places to work at the time, CBS.

At CBS I worked on a documentary series called The Twentieth Century, which was a great show. And then I worked on a science series, called The Twenty First Century where I met a lot of people who were designing the world we live in today. The internet was just beginning, and they talked about lasers and satellites, things that were new at the time. They talked about their vision, and they were pretty much right.

After fourteen years in New York, I came back Los Angeles and I saw the city in an entirely different way. It was more than just Hollywood and the Beach Boys. L.A.’s a very interesting city. And that’s when I got hooked on Los Angeles history. I produced a series for KCET called The Los Angeles History Project, which was the first TV series that looked at Los Angeles history in a systematic way, this was around 1988. And that’s when I first learned about the St. Francis Dam disaster.

 

I watched the video trailer for the documentary film on Floodpath, which is a companion piece to your book.

 

Working with my late wife and partner, Nancy, I actually started the film well before I wrote the book. Most of the interviews I conducted, many of which are in the book, were done as early as 1995. There were twenty interviews with survivors of the disaster. They’re all dead now. It’s one of those things. When you are an independent filmmaker, you go from one project to another. There were periods of years when I didn’t work on the St. Francis dam project, but it was always in my mind.

 

Did the documentary come first?

 

Yes, I first started researching it in the 1980s. I hope the book will be a way to attract interest in the film. I only need to complete a few more sequences, including computer-generated photo realistic animation showing the collapse of the dam, and re-enactments of the night of flood.

 

You interviewed the granddaughter of William Mulholland.

 

Yes. Catherine Mulholland, her grandfather’s biographer, has since died. I have the last taped interview with her. I knew her socially. She gave me several boxes of her own research about the collapse, which really helped with the book. I told her that I couldn’t promise anything, and that I would come to my own conclusions. I was honored she trusted me.

 

She didn’t care if your conclusion was positive or negative.

 

She said she’d been burned by others who’d interviewed her. The story is burdened by the movie, Chinatown, which was a wonderful movie,

but more fiction than fact. It contributes to appreciating the complexity of William Mulholland. He’s either the devil incarnate or untarnished icon. In fact there wouldn’t be a city of Los Angeles with William Mulholland. And yet he made some terrible miscalculations with the St. Francis dam. What I tried to do was to tell this as a complex, nuanced story. And so often what you do in books is you look at it in the present, when you know everything. But when I wrote the book, what I wanted to do was to put the reader in the time frame. So what the reader knows is what anybody knew at any particular time back then. The story reveals itself. There were things that happened that weren’t really understood until later. And what I hope I accomplished in doing that is to get people today to think in the same way. It gets them involved in the story as it unfolds in real time..

 

Mulholland also built the Mulholland Dam, overlooking Hollywood. I remember you writing about how it was lowered after the collapse of the St. Francis dam, which was a virtual duplicate.

 

Safety concerns after the St. Francis Dam required the city to lower it. There’s an image of it in Floodpath, looming over downtown Hollywood, which it still does, but obscured by a earthen berm and trees and shrubs.

 

How did you go about finding all these people to interview?

 

One of the pleasures of documentary work, and certainly writing a book, is the research. One aspect of the story that had been underplayed, and again what attracted me, was how this is a great disaster story, and a technological detective story, and courtroom drama also reflects on how history is written. Clearly, it’s the deadliest disaster in the history of twentieth century America. Why isn’t it more well-known or written about?

 

I told several people about your book, and they reacted the same way. They sort of remember hearing something about it.

 

One of the subtexts of the book is how history is written, and particularly how Los Angeles history is written—or not written. I discuss many aspects of this in Floodpath. Many of the victims were Mexican-American farm workers, not the majority, but a sizeable number. Even people who know of the tragedy, don’t know the story of these mostly farmworkers. I wanted to interview everyone involved. So early on, I brought in some Spanish-speaking friends, and they helped us find eyewitnesses and families of the victims that were Mexican-American. We also went through the Spanish press to see how they viewed the story. And a point I make in the book is why they should be included. And how more people are interested in their story today, then perhaps in the past.

When you visit these small agricultural towns along the floodpath, most of the people, and their families, have lived there for generations. So when you inquire at a local historical society, or talk to old-timers in the area, they know, and will tell you, “Oh, you should talk to this person—their mother was caught in the flood.” Or so and so was a little kid at the time.” One lead takes you to another. So my wife Nancy and I began to meet these people, and they would tell us about other people. In some cases you can look at a newspaper of the time and see the names of eyewitnesses. When you look at a phone directory today, you can see that this person still lives in town.

 

How was the story reported in the Mexican press?

 

La Voz de la Colonia was the Spanish language newspaper in Santa Paula at the time. It was basically a one-man operation. They didn’t have a lot of money. In general, they didn’t have the means to report what the bigger newspapers were reporting, but they covered local events. On the editorial page, they also had a chance to reflect on the disaster. The Anglo press would divide them into Mexicans and Americans. But the Hispanic population didn’t see it that way. The editor of the newspaper said, “We are not a race. We are Mexicans and Americans.” He had a very modern idea of American culture. It was an idea that was not popular at the time. You have to remember that in the 1920s, it was a pretty racist society. There was even a proud KKK chapter in Santa Paula.

 

What was the hardest or most interesting part of writing Floodpath?

 

The hardest part about doing this book, Floodpath, but also the most fun, was you already know the ending, you know how it’s going to turn out. So how do you write about, and make it interesting for the reader? That was the most challenging part of the book. You’re constantly trying to keep the reader involved. It happens in the first chapter, the dam is down and everyone has died. So the average reader would look and see that there’s another 250 pages. So it worked to my advantage, as you wonder what’s in these other pages. There’s got to be something interested. So you sort of lure people in. And the story is being told in real time. So you are engaging the reader with events as they unfolded back then. The reader tries to guess what caused the dam to break — was it dynamite, was it an earthquake – what was it? So slowly you uncover the truth about how and why it happened. And then you get to a point where all the official reports are in and you think that’s that final word. And you eventually learn that—no, not really. There are a lot of possible answers. From a writing point of view it was one of the biggest challenges, and the most fun.

What also what attracted me to the story, most people will look at it and say, oh, what a sad event. But it’s also reminder that we have this infrastructure today that is in serious need of repair. The dams and bridges across this country were built decades ago. This tragedy could happen again. So it’s a wake up call, to look at some of these aging structures. Even if they’re maintained, which many are not, they’re still fifty years old or more. They need to be upgraded and properly maintained. There are 4,400 dams that have been determined to be susceptible to failure.

Every time you think this story is over, there’s another aspect to it. So at the end of the book, when you say, it’s finally over, there’s still another chapter that talks about other dams that are at risk of failing—that could collapse. And nobody is doing anything about this.

That’s part of the problem in the making of the St. Francis Dam in 1928, that there were no laws requiring state supervision. That all changed after the collapse. The entire dam safety movement was a result of this St. Francis dam. So that’s great, all the newly built dams after that were deemed safe. But if nobody maintains them, they aren’t safe.

Today, they’re beginning to fill the Owens Lake again, and bring water back to the Owens Valley. And it seems that today a resolution is coming. There’s now a chance to correct these errors of the past. In Los Angeles now they’re trying to reclaim the concreted-in L.A. River.. The question today is how do you create a liveable and sustainable urban environment.

 

When you first started working on Floodpath, did you have a publisher? How did it go from concept to publishing?

 

I saw this new book as a national story. Through a friend on the east coast I found an agent at William Morris. He sold the book to Bloomsbury publishing They’re one of the top publishers in the world. It was a very smooth process. I wrote a treatment and that was how I got the book sold. The writing went relatively quickly because of all the research I had for the documentary film. We had cabinets fill of material. I had an idea of the structure. I had all these photos and interviews and newspaper clips. So I had everything I needed to complete the book in a timely manner. I could have written Floodpath ten years ago. But I was lucky I didn’t. One of the real obstacles to research was accessing the DWP archives. It wasn’t that they were inaccessible, but no one knew where they were or how to do find specific information. Fortunately for me, DWP hired an archivist who began to sort all the material. So I had access to all this information that was never available before., in cluding internal memos and notes from the field.

 

How did you turn all this research material into a narrative?

 

I really wanted to write Floodpath in a nonfiction narrative style so it has dialogue and description in it. But every bit of dialogue has a justifiable source. So when someone says something, I have a record that that’s what they said.

The difference between standard fiction and nonfiction is the narrative style. In nonfiction, unless you have a diary, you can’t get into a character’s mind, but you can tell people what they said and did. For Floodpath, a major resource to do this was the transcripts of the Los Angeles Coroner’s Inquest But when I started researching, nobody seemed to have a copy. It had disappeared — a major reason we didn’t do this book sooner. From my research, I knew the transcript was about 800 pages. But I didn’t have it – nor did the LA City Archives, or even the DWP. So one day my wife Nancy was researching at the Huntington Library and she came back and proudly announced she’d found them in the obscure collection of a retired engineer. I knew then I could do the book and the documentary film.

There’s a lot of engineering information in Floodpath, but I was fortunate to have the help of J. David Rogers, a geological engineer who’d spend decades studying the disaster. As I was writing the book, he vetted a lot of the technical information. But the book is written for a general audience. It’s not just for academics or engineers.

 

Why isn’t this disaster better known?

 

To me, that was another major mystery to be solved. One of the reasons why people don’t remember was that everything was settled fast—people got paid, houses were rebuilt, the valley was restored. That’s what most people wanted. They wanted to get on with their lives and not slow progress. People wanted to put the story behind them, and have it disappear. Also, the DWP and the City of Los Angeles had no reason to keep the embarrassing memory alive. Atr the same time, a the great era of dam building in the 1930s and 40s was about to begin and engineers didn’t want to create what they thought was unnecessary public doubt after the failure.. The Hoover dam was being planned at the time. Lastly, it wasn’t long before Americans were more concerning by the Great Depression and looming World War II. The story of the St. Francis Dam got engulfed by other bigger stories.

 

I think this story could not only make a great documentary, but a dramatic film as well.

 

Well, there’s some discussion about making it into a TV mini-series. But we’ll see how that progresses. There are a lot of intriguing elements to this story, with William Mulholland and his enemies, and the Valley and the dynamiting, the courtroom drama, and the rise and fall of a great man. It’s all contained within this tragic event.

 

Who are some of the documentary filmmakers that inspired you?

 

I think Frederick Wiseman is one of the greatest documentary filmmakers. But starting in the late 1950s, I was watching Fred Friendly and Edward R. Murrow,

and the See It Now series on CBS, which took a more journalistic approach. In the 60s the Cinéma Vérité movement started, because the equipment allowed you to run around and sych the sound. So I was at the very beginning of that. A documentary filmmaker is sort of like a teacher. You go and find something out, and then you tell people about it. When you show people what you’ve produced, they’re learning something for the first time. I find that satisfying and fun.

 

Have you ever written any fiction?

 

No, just nonfiction, and documentary filmmaking work. The pleasure of doing nonfiction is you’re up against the ultimate arbiter – the factual truth, If you’re writing fiction, you can have your characters say and do whatever you want, because you created them. But with nonfiction you’re always up against the facts. And that’s how you have to play it. It’s a challenge. To me, that’s true with any artistic medium, where the really great work is done within a form. I never thought I would be a professional writer. I liked to write. I learned I was good at it. And almost before I knew it, along with making documentaries, I was writing nonfiction books like Floodpath.  It took more than 20 years, but I hope readers will think it was worth it. It was for me.

 

Thank you very much for your time. I hope everyone reads your new book.

 

 

JON WILKMAN

Produced as a companion to the new book Floodpath: The Deadliest Man-Made Disaster of 20th Century America and the Making of Modern Los Angeles, this ninety-minute documentary will include interviews with survivors, rare stills and footage, and 3-D computer graphics that recreate the collapse and aftermath.

SHORT PREVIEW OF FLOODPATH DOCUMENTARY

 

 

 

 

Shay Siegel

Don’t Quiet Down Please

By Shay Siegel

 

I was voted ‘quietest’ in high school, an achievement that required me to send in an embarrassing picture of myself doing the “shh” sign to the yearbook committee (see below). Because being ‘loudest’ is where it’s really at, right? Apparently. It wasn’t one of those things that I developed one day because some traumatic incident occurred that scarred me for life or anything like that. No, I have always been shy. It kind of became the signature thing about me as I grew up—not quite the trademark everyone would strive for. The quiet girl—a la Hampton Bays High School 2008 yearbook.

 

Shay

Me silently hating the yearbook committee.

 

I was diagnosed “selective mute” at age seven. Now, I know what you are thinking, “Is that a thing?” I am here to tell you that yes, it is a real thing. I wouldn’t speak to anyone other than family and a few close friends. So, you see I was selecting whom I would be mute to. I am proud to report; however, that I am no longer selectively mute with the exception of Terrance who I am afraid will remain selected because quite frankly, he deserves it. I don’t see myself as just ‘the quiet girl’, but it isn’t as if I can show people the rest of who I am right when I meet them. That is not something that quiet introverts do. I’m not the person who will spill her life story in the first fifteen minutes of meeting her. i.e.: “Hi, I’m Sandra, OMG that cake looks so good. Is that hazelnut? I have the BEST hazelnut cake recipe, passed down from my grandma. The secret is just a pinch of salt, funny how one ingredient can totally change the recipe, right? Anyway, I really shouldn’t be eating cake, I have this wedding coming up and I have to fit into my dress. Strapless dress! Ugh, that cake really does look good though, maybe just a bite.” Now, me, I usually just say “Hi, nice to meet you.” And, it’s most likely barely audible at that.

In a previous life, I was a European gentleman who was protesting Parliament. At least that’s what one of my therapists told me. After all the sporadic therapy over the years and all the different interpretations as to why I have so much trouble speaking, this one finally did it—she found the cause of my anxiety and shyness. She is an “energy healer” who can sense things in other realms. So, when she told me that I was a Scandinavian activist many lifetimes ago who was beheaded for what he had said at a political hearing, I had no choice but to believe her. I am all for blaming problems on past lives.

Even though I now know the cause of my selective mutism, it doesn’t quite make the speaking pressures any easier. It has been within the last few years that I have really had to accept that this is who I am. When I started the fiction program at Sarah Lawrence, I didn’t realize how much speaking there would be in the writing program. Isn’t this why writers are writers and not speakers? Apparently not. And it isn’t as though these are big classrooms like say a lecture hall or maybe a basketball arena. No, these are tiny rooms with round tables and sometimes as few as seven students in a class. You can’t hide. People do not forget that you are there. And you certainly cannot stand up and explain that you have a condition due to your colorful past as a European Greenpeace activist—not that I would ever stand up to make an announcement anyway.

When I was younger, in school, I used to write notes for my teachers when they would ask me a question. Things such as, “the correct spelling of banana is b-a-n-a-n-a,” (I was a fantastic speller). This writing of notes didn’t only take place in school; it translated to my home life as well. Not my actual home life because my parents were puzzled as to how I had so much trouble speaking to others, but was as loud and annoying as an incessant, buzzing mosquito at home. One time I tried to sell my sister the leftover cheese off my plate at a restaurant, and I would frequently tell my dad to ‘bring all he’s got’ when he’d take me shopping. I would run through the house screaming, porpoise on the bed, and my friend and I even started a “band” where I was the lead singer. But, these instances were all about who I was comfortable with. I used to go over my best friend’s house everyday, and her mom was a receiver of some of my infamous ‘substitute for voice interaction’ notes. One day I was at her house and while we were prancing around the yard on our stick horses, we discovered that her cat, Midnight, had kittens. My friend told me to run into the house and tell her mom about the newborn felines. This is the effective way in which the selective mute child delivered such information:

 

shay siegel

 

My family used to joke about hoping that no one ever got sick or injured around me because I would be too shy to call nine-one-one. I’d like to think I could have overcome the shyness and risen to the occasion when faced with a real crisis, but thankfully I never had to find out. That phone call would have been brutal—only because I’d have to talk to a stranger, of course—and perhaps would have led to my own illness. i.e.: Severe panic attack.

Most people consider being shy a bad thing because we are all expected to not just have lots to say, but to actually say it. We live in a world where exterior success and image is valued over who we are on the inside. You must show who you are! So, of course, those who don’t struggle with social situations won’t realize that shy people do most likely have a lot to say. As a result, you have the teachers who will feel they have to force quiet students to participate by calling on them in class. If I had a nickel for every time I heard, “Now, Sharon, what did you think of that?” Well, I’d have a lot of nickels. It’s not like I’m not paying attention, if anything I’d bet I’m listening more intently than most. It’s called selective mutism! And then, there are all the people who feel the need to keep repeating, “You’re so quiet!” Why thank you for stating the obvious and pointing out that there is something different about me, moreover, suggesting that this difference is wrong. Why not just push my insecurities to the surface, people? How would they feel if I went around saying, “Oh my gosh, you’re so fat!” or maybe “Whoa, you’re extremely smelly!” I’d say it’s probably an equally pleasant experience to hear about how quiet you are every single day. And, for some reason it’s acceptable to point this out, but not to point out weight and hygiene issues. Of course, I’d never say those things anyway. Not just because they’re quite rude, but also because I don’t say much to strangers.

This is who I am, and I have mostly made peace with it. There is a certain girl, let’s call her Marian. She really helped me come to terms with my shyness. Not because she is a nice person who discussed it with me, but because she is the loudest, most annoying human in the world that has to make every situation about herself. (Refer to ‘Sandra’ on page two). So, I had to say to myself “Well, I’d rather not say a word than sound like a cackling hyena from The Lion King all day long.” I would not strive to be someone who talks a lot but doesn’t say anything.

Do I feel stupid when I sit through my classes or at work not saying a word? Sure. But it isn’t logical for me to tell myself I’m going to be the liveliest participant in a group discussion. I’ve tried telling myself that before and my real self knew I was being a damned liar. Sometimes accepting who we are is half the battle. The other half is finding a profession where there is as little human interaction as possible.

 

 

BIO

Shay SiegelShay Siegel is from Long Island, New York. She received a B.A. in English from Tulane University in New Orleans where she was a member of the Women’s Tennis Team. She recently completed an MFA in Fiction at Sarah Lawrence College. Her writing has appeared in The Montreal Review, Burning Word, Mouse Tales Press, The Cat’s Meow for Writers and Readers, The Rusty Nail Literary Magazine, Belleville Park Pages, Black Heart Magazine and Extract(s). Her website is www.shaysiegel.com.

 

 

 

The Beautiful Art of Letisia Cruz

 

Letisia Cruz

 

Letisia Cruz

 

 

Letisia Cruz Letisia Cruz

 

Letisia Cruz

 

Letisia Cruz

 

Letisia Cruz

 

Letisia Cruz

 

 

Letisia Cruz

 

 

Letisia Cruz

 

Letisia Cruz

 

Letisia Cruz

 

 

 

ARTIST STATEMENT:

www.lesinfin.com

LetisiaCruz1My illustrations are primarily rendered in pen and ink on paper. I am inspired by strong, trailblazing, bad-ass women who push boundaries, forge their own paths, and define for themselves what it means to achieve success. I am also inspired by the take-no-shit attitude of the ’90s and transformative self-expression made possible through art, poetry and music.

My illustrations often depict tattooed girls straddling light and dark, gazing into their own abyss, and redefining their sense of self. My work is infused with elements of nature and religious symbolism, from classical Greek and Roman mythology to the goddesses of Nordic, Vedic, and Yoruba Mythology. Whatever I’m reading at the moment usually works its way into my drawings. Much of my work is centered around the seasons of nature and the passing of time, as well as on the endless cycle of birth, life, death and rebirth.

 

BIO

Letisia Cruz is a Cuban-American writer and illustrator. She is enthralled by nature and the acute connection to form associated with ink illustration. Her visual vocabulary emerges through this focus and subsequently explores the connection between man and nature.

She is a graduate of Fairleigh Dickinson University’s MFA program and currently lives in Miami, FL. She is the resident artist at Petite Hound Press and the Online Poetry Re-Features Editor at The Literary Review.

 

 

Janet Buck

A Visit to the Country Club

by Janet Buck

 

I wear the wrong shoes for this place
because I have the wrong feet.
In the banquet room, an ice sculpture
carved as a silk-feathered swan
is a centerpiece servants try to save
from the ineluctable melt—
the hot breath of gossipers & body heat.
Church is done—no talk of God.
As I eat crêpes & lobster tails, foreign food,
in a bucket of butter that makes me sick,
I watch the children through large glass panes
playing on a tablecloth of snow across the crew-cut sod.
I guess their creations on grass.

The spoiled kids are packing cue balls
to pick a fight, bruise the eye of a bird,
but Sadie is not. My neighbor’s niece is four.
She is making pancakes, tortillas rolled flat
by callused palms from pulling weeds as tall as she.
A cup of sand from a nearby trap
helps them hold their shape.
She knows this recipe because
we live so many miles from here
in a trailer court that has no hired gardeners.
Our soil is used for making food
to freeze or can, to stretch
across long avenues of winter months.

As the year 3000 inches near,
Sadie will be the very last woman in town
to bake a pie from scratch
with apples from our neighbor’s tree.
We know how to cut out a bruise or a worm.
She will be wearing comfortable shoes.
A cluster of waning peonies drop petals on kitchen tile.
When the hospice nurse arrives
to discuss her sister’s pressing death,
Sadie will take her rolling pin,
knock the woman on both knees, usher her out.
Sadie will know what a real meltdown is—
swallow every drop of it.

 


When Life is Wool & Not Chenille

 

You tell me, “You deserve a rabbit’s foot—
furry, soft, and tangible
considering what surly Fate
shave handed you—in short,
a quilt with batting made of chicken wire.”
We both laugh a high-strung laugh—
touch metal cinched in loops of poles,
which hold up soaked and heavy towels.

“I know my back is lion prey shredded
by incisive claws and razor teeth.”
I think the things we cannot say.
She’s making tea. I tell her,
“Hey, I live for licorice/mint,
hazelnut and cinnamon,
that lavender with honey drops
for stress reprieve.” We both know
every shape and style and size
of bandages we’ve bought and ditched.

“What about a rabbit’s foot—
the 17th, that visit with this Dr. Stearns?”
I interrupt her with a sigh.
“Did you know that God can’t
make the sun itself boil a simple
pan of water? He or she
can only tell the sun to make
the water somewhat warm.”

My best friend knows it’s plain
I’ll never walk again, that I expect
fillets of cod to come with bones.
“I hear the thunder coming close:
let’s pull the clothes before the hail.”
She knows I don’t believe in soft.
That I won’t settle for a chair—
a lukewarm life.

 


Puddle Jumpers in a Storm

 

Our puppy begs me for my lap; I set her there.
She’s lighter than two quarts of milk—
still pressure sores react with searing arguments.
The small of my back can only hold
just so much weight. I put her down—
as if I tossed a child in dumpsters
on a filthy street, continents away.
Steps become short stanzas
and a backspace key. My foot and calf—
a corndog smashed on curving sticks.
A docx file I can’t revise,
days begin with setting suns.
Squinted eyes of olive pits,
dark punishments for pills I take.

A guesthouse tied to cleavages of broken
bridges falling in a sweeping river,
not the calm along the Seine,
where lovers kiss beneath
a white and bulging moon.
Stuff like that’s a fairytale.
I become a mannequin propped
against a pillowed chair.

I’m puddle jumpers in a storm
that do their best unlocking
wheels that won’t release.
A market in the open air, packed
with loads of fragile fruit,
which cannot handle fingerprints,
let alone smarting strikes of hailstones.
Tendrils of an octopus that meet dry land,
don’t know how to cope with logs.
I stay erect just long enough
to brush my teeth, run my tongue
along a row of broken ones,
down to worn eraser heads.

The Welcome mat of what
I see in bathroom mirrors.

 


The Broken Buddha Pose

 

In kindergarten class—for story time
all the kids sat in a circle,
perfect as a poker chip—
Indian or Buddha style.
My brace stuck out on center stage,
a metal hip attached,
thick leather waist band
digging in my ulcerated skin.
Hyperbole by accident.

Bilging even more—
a shrunken femur with a knee
that didn’t match the other leg,
cloned in one red beat-up tennis shoe
distorted by a bad clubbed foot.
Below the knee that didn’t bend,
a tiny foot—a giant, ugly hernia with toes—
covered with a carbon slab.

Then a steel pole undressed, a plastic foot
to level out my height, when I scrambled
my way to a stand. Invisible at school?
Absurd. Everyone stared,
including the teacher, skipping
words in nursery rhymes,
tripping on loose stepping stones.
Tethers of the theme were lost.

When I went home, I bent the legs
of all my Barbie dolls until they broke,
then drowned them in the bathroom sink.
On & off for surgeries, a nice MD pressed
a rag, soaked in ether, to my nose—
the blessing of a few hours’ sleep.
The first short chapter of a life
kept secret—dusty, ancient living moths—
fluttering—eating sweaters in a trunk
for more than half a century.

 

 

 

BIO

Janet BuckJanet Buck is a seven-time Pushcart Nominee and the author of four full-length collections of poetry. More than 4,000 of her poems & pieces of prose are in print and on the internet. Janet’s recent work has appeared in The Birmingham Arts Journal, Antiphon, Offcourse, PoetryBay, Vine Leaves, PoetrysuperhighwayMisfit MagazineLavender Wolves, and River Babble. Her latest print collection of verse, Dirty Laundry, is currently available at Amazon, Barnes & Noble & other outlets. Visit the ordering link at her new web page: www.janetibuck.com. Buck’s first novel, Samantha Stone, will be released by Vine Leaves Press in September 2016.

 

Lana Bella

THROUGH THE HOURS

by Lana Bella

 

The elderly man was ready to pull those
odd-shaped chairs and tables
in across the shingle floor away from the rain,
when light and water burst through
the bamboo slats,
even the air lost its grip on the weight of
this cold gray day,

he looked up to the dying sliver of the sun
as a tail end of ducks’ V formation
took off into the liquid landscape,
in this mist,
he reached through the hours
to the front of an old dream,
back in the Vietnam war,
where the visible and invisible
covered the ears and eyes and crippled sins
with bullets and cries and vain foresight,

leaning toward the scuttle of rain,
he saw an upside-down soldier being strung
with ropes from his feet, bleeding,
tongue lay sprawl under an August storm,
infinity sat hollow inside his skull orbits,
only birds of prey passed over,
their hunger hung heavy
like ireful sickles in the hands of masked gorillas,
madness greased into their mirth,
and sorrow stained the sky
a magnificent black,

along with the few remaining villagers,
he traipsed the bare-bones rice paddies
under a September rain,
when the bird family came back,
circling above a peasant woman
rocking a child whose body

was mangled, and soaked through,
like a rancid fruit,
he stood rooted on the bed of water-logged soil,
head bent to the wind-swept pour,
listening for the sounds
of soft footsteps of his companions
leaving crunches away from that earthly grave,

stranded here now with the shame of history,
he touched the aged yellow clippings of war,
cautious to the thousand teardrops
collided from the sky
against the ones flooding his insides to fullness,
as always,
he was caught between
an ever tenuous self-conceived fever
that summoned the ghosts of dead ancestors
from four decades past,
and the red pulps of war-torn maelstrom
that swam as wisps of accordion,
limbic, and deep in the underbelly
of his bloodstream,

if he could only know how to
soothe the lacerated language and moans
from bloody shapes,
in his sleep and wake,
for he feared the deciphering
of hands when they were cupped in prayers,
and the long gulps of air
that unceasingly stretched into howls,
turning up the kerosene lamp by the window bay,
he tossed a carafe of hot rice wine
down the tobacco-tempered throat,
chilled, sloshed and arthritic
upon a wool settee,
while his ghosts milled the earth in flaming felts,
spinning together again
the past, present, and future,
with tearing red threads.

 

 

THIS IS EVERY LOVE STORY EVER TOLD

 

you are a rotten tangerine hanging on
the bough of my tree, half in waiting
to splinter off, the other half already
bruised through from maturity and
hungry worms—

I watch westerly wind leap into your
gaping rind, sunlight snakes beneath
your insides like the way the ocean rushes
toward caves and dunes, leaving just
enough mystique in its wake—

seeing your whole spotted and incised,
I arch my limbs past the shingled wall
then over the ground to catch your fall,
you look at me with sad orange eyes still
wet of juice before hurling earthward in
scattering core, seeds and open pith—

someday I’ll look back on this moment
and wish I’d known how to follow you
home through black, for this is you and
me born of sun, sugar and dirt, before
you stumble and fall, before I lose all my
leaves to despair—

 

 

 

BIO

Lana BellaA Pushcart nominee, Lana Bella is the author of two chapbooks, Under My Dark (Crisis Chronicles Press, 2016) and Adagio (forthcoming from Finishing Line Press). She has had her poetry and fiction featured in over 200 journals including Columbia Journal, Poetry Salzburg Review, and Third Wednesday, among others. She resides in the U.S. and the coastal town of Nha Trang, Vietnam, where she is a mom to two far-too-clever frolicsome imps.

 

 

 

 

Robert Boucheron

Very Good English

by Robert Boucheron         

 

 

Webster Fagle had not been idle. He had gotten his client out of jail on the child support delinquency. Patrick Willis was now a free man, if penniless. Fagle had also shone a lurid light on the chief of police. J. D. Ryder carried on an affair with Ralph Willis for years, graphically described by Ralph’s emails to his brother Patrick. Ryder was now a suspect in Ralph’s death, and police detective Stewart Blake would have to question him. But a vital piece of information was missing. Where was Patrick at the time of the shooting?

Blake had the answer. Patrick Willis left the poker game at eleven, drove to his brother’s house, and made one last plea for money. The ensuing argument turned violent, and Patrick shot his brother in the basement. Why there? That’s where he found Ralph doing laundry. Once the deed was done, Patrick dashed upstairs to see what he could take in the way of money or valuables. Alternately, in desperation Ralph had given his brother all he had, and still it was not enough. Either way, it was Cain and Abel all over again.

While Patrick was cooling his heels in the county jail, Blake searched his room at the Budget Motel, searched the rental car, and canvassed pawn shops within a few hours’ drive of Hapsburg. He needed to find the jewelry, any bloodstained items, and above all, the gun. When nothing turned up, he searched again. No one could say that police procedure was lacking.

Blake questioned anyone who had contact with Patrick, such as Gopal Chatterji, the motel manager, and Dick Malone, the poker game host. He questioned those who might have had contact, such as Mary and Skip Willis. The one person he did not interview was the one who had alerted the police in the first place.

Fagle found Jolene Pitt at Hambrick’s Lounge over the weekend. Well past the age of thirty, deeply tanned, with a gorgeous mane that owed something to hair products and extensions, she wore a flame-red blouse and a wide leopard-print belt to match her handbag.

“Keep moving, that’s my motto,” she said. “Live your life, and enjoy every minute.”

Fagle treated her to a drink. He explained what happened to Patrick Willis.

“At this very moment, he lies in a barren cell.”

“Serves him right, the deadbeat.”

“You wouldn’t kick a man when he’s down, would you?”

“If you’re playing on my sympathy, that string is busted.”

“Nobody’s all bad, Jolene. All I’m asking is for you to make a statement to the police. Where you were, at what time, anyone else who was present, any detail that can be verified.”

“I don’t care if I never lay eyes on that man again.”

“You don’t have to. Lt. Blake or the officer on duty will be glad to assist.”

“The police are not real friendly with people in my sphere, if you know what I mean.”

“Patrick told me something confidential while were going over his case. He said the one bright spot in his life was a lady he met recently.”

“Who he was referring to, if I may ask?”

“He said: ‘She’s a lady who lives as hard as I do, and she never stops to look back.’”
“I guess that’s me,” Jolene mused. Then she sat up straight. “How do I know you’re not making this up?”

“Ask him yourself.”

“Did he say he wanted to see me again?”

“He’s up against the worst charge a man can face, and he’s at the lowest point a man can sink. Only you can save him.”

“You made your point, Mr. Fagle. I can see how you sway those juries in the courtroom.”

“This isn’t about me, Ms. Pitt. My client needs you. On his behalf, I beg of you.”

“Out of the goodness of my heart, I’ll do it.”

The attorney brightened.

“But I want you there by my side. There’s been enough funny business lately.”

* * *

Jolene appeared at the police station on Tuesday. Webster Fagle met her there, as promised. Blake was on hand to take her statement. The detective was impressed enough to drop his gruff manner.

“May I take your coat?” he asked.

“It’s not genuine mink,” she said, “but it’s a pretty good imitation.”

“You look fine,” Fagle said. She was dressed much as she had been on Saturday night.

“I’m here to clear a man’s name. If a job’s worth doing, it’s worth doing well.”

Blake and Fagle went over Jolene’s account of the Sunday night in question. They explained that her statement might be entered as evidence in court. They watched as she wrote with a ballpoint pen on a legal pad.

Patrick Willis phoned me at about eleven o’clock from Dick Malone’s, where a poker game was breaking up. I could hear male voices in the background, cards slapping on a table, profanity, and the name Malone.

Willis apologized for the lateness of the hour. The game was a bust, and he needed to wind up the weekend on a positive note. If I was by any chance available he would really like to see me. As chance would have it, I was. He said he would pick me up in a few minutes. A few minutes later, he pulled up in front of the apartment, and I got in the car. My roommate Marla saw us leave.

Right off the bat, I could tell Patrick was hammered. The car veered this way and that. Fortunately there was no traffic on the roads. I told him to slow down. He said he only had one or two drinks and we would get there in one piece, which we did. He’s a man who can hold his liquor, I’ll say that for him.

At the motel, we each had a nightcap. He told me his brother kicked him out of the house the night before. They had been having trouble, and this was the last straw. Patrick came to town especially to see Ralph about finances, and to try and collect an outstanding debt, both of which he was unsuccessful at. He was not bitter and hateful, just stymied.

We retired for the evening. By then it was about midnight. Patrick went out like a light. I tend to be a light sleeper, so I am certain that he did not stir until Monday morning. As a matter of fact, he was dead to the world when I left the motel. The manager called a cab for me. He’s a real Indian, not cowboys and Indians, a nice, young man who speaks very good English.

 

 

BIO

Robert BoucheronRobert Boucheron is an architect in Charlottesville, Virginia. His short stories, essays and book reviews appear in Bangalore Review, Digital Americana, Fiction International, New Haven Review, North Dakota Quarterly, Poydras Review, Short Fiction, The Tishman Review.

 

 

 

Dream Poetry

Last Night in a Dream

by Ashley Inguanta

 

Last night in a dream, I was healthy. You were a rose. You got into my car and I took you home, and when you saw the white flags at the Brooklyn bridge’s arc, you told me the story of a conflicted hero, all shadow and moon, and I told you a story about resurrecting the dead. In your story, the hero did not want to die, so she did not leap. Instead, she turned into a seed. In my story, I kneeled by your grave. When I heard gunfire, I dodged each bullet—and then, finally, I woke up next to you, all new, stripes of sunlight over your hair like a crisp photograph.

Sometimes I wonder: If God could really hear me, what would the moon do? Any good moon would reach over both white flags, carry them to you as you fall asleep. Any good moon would hold me here, in this dream, where I can run to you without losing my breath, where you are a rose and my heart is good as new.

 

Dream1

 

Dream2

 

Dream3

 

Dream4

 

Dream5

 

 

BIO

ashley inguantaAshley Inguanta is a small-press author, photographer, and yoga teacher who has dedicated her life to helping others heal by developing healthy coping mechanisms. She earned her MFA in Creative Writing from The University of Central Florida in 2011, and she earned her 200 hour RYT certificate from YOGAMAYA New York in 2014. She is the author of The Way Home (Dancing Girl Press, 2013 / re-published with The Writing Disorder on Kindle), For the Woman Alone (Ampersand Books 2014), and Bomb, which is forthcoming with Ampersand Books this fall. As a mental health advocate and queer rights advocate, she’s volunteered with organizations and facilities like Equality Florida and Lakeside Alternative, and currently she teaches healing, restorative writing and yoga classes at several locations in Central Florida.

 

PHOTOGRAPHY

Alexander C. Kafka is a journalist, photographer, and composer in Bethesda, Maryland. His photography portfolio is at https://www.lensculture.com/alexander-kafka

 

 

 

Tom Miller

Furniture Store

by Tom Miller

 

As part of the eternal quest for the perfect table, Keith parked the car in front of yet another furniture store. His breakfast nook required a table sixty to sixty-six inches long and thirty-six to forty-two inches wide, with a pedestal-style base so that people could easily slide in and out of the charming window seat. Keith and Laura had agreed that they wanted a solid wood table and not some cheap thing made of pressboard and laminate. And of course, the price had to be right.

Yes, their need was specific, but was there really not such a table to be found within a one-hundred mile radius? It felt like they had searched every brand name furniture store, local dealer, antique seller, junk shop and thrift mart in the continental United States. They had combed the Internet for countless hours, searching, clicking, reading and debating late into the night, as if they were a pair of physicists obsessed with discovering a new sub-atomic particle.

Keith’s intrepid wife refused to admit defeat, but Keith himself was made of lesser stuff. He was ready to suspend a piece of plywood from ceiling hooks and call it a day. Laura insisted that success was imminent; stores they had previously visited had now received new shipments of merchandise. Their dream table was sitting on one of those floors right now, on sale and ready to be plucked up by the persistent shopper.

Before opening the car door, Keith reached for the Ace bandage and surgical boot that he kept on the back seat. He took off his left shoe and began to wrap the cloth around his foot and ankle.

“Not again,” said Laura, shaking her head. “Why don’t you just wait in the car? I’ll go in quickly and check if they’ve gotten anything new.”

Keith secured the bandage and slipped his foot into the boot, which he had received after having bunion surgery. The boot was designed so that when Keith walked, the heel of his foot absorbed all the weight. His foot now felt as good as new, but the boot still had its uses.

“I want a Coke,” he said. At this particular furniture store, smiling salespeople met customers at the door and offered them a twelve-ounce bottle of ice cold Coca-Cola from a strategically placed refrigerator.

“Then come inside and get a Coke,” said Laura. “That doesn’t mean you have to go through this charade. I probably won’t be in there more than fifteen minutes anyway.”

The last time Laura had popped into a furniture store, Keith had sent her a text message two hours later to make sure she was okay. “It could be much longer,” he said.

“It could,” admitted Laura. “That doesn’t mean you have to put on a surgical boot when there’s nothing wrong with your foot. You could just sit down and wait for me like a normal, uninjured person.”

“But the salespeople look at you,” said Keith.

Laura pondered this statement as if she were deciphering a sentence in a foreign language. “What are you talking about?” she asked.

“I’ve felt the vibe,” said Keith. “If I go in a furniture store and immediately sit down, the salespeople give me a look that says, ‘Why did you come into my store just to loiter and sit on my merchandise?’ And here, if you accept a Coke, it’s going to be even worse. They’ll have spent actual money on me, and I won’t even be making an effort.”

“That’s ridiculous,” said Laura, “and anyway, you’re with me, and I’m shopping. I’m sure husbands come in here all the time and wait for their wives.”

Keith tightened the Velcro straps on his boot and picked up a book to read while he waited. “I hear what you’re saying, and it makes sense, but it’s not reality. In reality, I’m getting hostile glares. You don’t see it because you’re busy looking at tables.”

“Fine,” said Laura, as they both started getting out of the car. “Let’s say for a minute that your vibe is not deranged and one of the salespeople actually thinks you’re a loitering moocher. How is the boot supposed to help this scenario?”

Keith started clomping toward the store entrance. “The boot changes everything. The salespeople want me to sit down and rest. The last time I did this, one guy actually rolled a TV in front of me so I could watch while you shopped.”

Laura just shook her head as they went inside. Immediately, a man with a round head, wide smile, gray blazer, and pink, polka-dotted bow tie greeted them. “Welcome to Majestic Furniture,” he said. “Would you like a Coke?” He stood next to a refrigerator much like the ones at supermarket checkout lines. Through the glass, Keith saw rows upon rows of gleaming bottles.

Laura declined. “Thank you, that sounds great,” said Keith, as if the offer were an unexpected surprise. The salesman grabbed a Coke and removed the top with the refrigerator’s built-in bottle opener.

“I’m Scott,” said the salesman, handing the bottle to Keith and looking down at the booted foot. “What happened to your foot?”

Keith enjoyed the feel of cold glass in his palm. “Just bunion surgery,” he said. “The foot feels fine now, but it’s just hard to stand and walk around in this boot. Mind if I sit down while my wife checks out your tables?”

“Not in the least,” said Scott. “We’ve got plenty of seating.” He motioned out into the spacious showroom which reminded Keith of an ancient amphitheater. He was on a stage looking at a front row of plush, leather sectionals. Behind these sat the recliners and wing chairs, as vast in their variety as the middle tier of an audience. Dinette sets and bedding occupied the cheap seats, and china cabinets lined the walls as if in standing room only.

Laura rolled her eyes. “Yes, I’m sorry that my husband is impaired,” she said. As she and Scott headed into the depths of the store, she began to describe her dream table.

With a Coke in one hand and a book in the other, Keith hobbled through the maze of furniture to a remote recliner that also had a cup holder. He settled into velvety gray microfiber and began to read. After a couple of pages he looked up, took a sip of his Coke, and spotted Laura hovering over a table as Scott the salesman checked its dimensions with a measuring tape. Convinced that they would be there a while, Keith returned to his novel.

Just as Keith felt himself falling into another world, a shrill female voice shattered the magic. “No means no, Stevie! If I let you have a Coke you’re going to be bouncing off the walls for the next eight hours! Now stay with Mommy!” Keith looked up at the new customers who had just entered the store. The thin, young mother looked like she had just graduated from high school. She held a baby in her left arm. Stevie, with his thick, unruly mop of brown hair, looked to be about seven or eight.

With a vice-like grip on Stevie’s lower arm, the mother followed a saleswoman into the table section where Laura stood talking with Scott. Keith imagined his wife debating whether a particular table could work in their breakfast nook. A patient shopper, Laura was almost ready to settle for the “good enough” solution that Keith had suggested thirty minutes into their search.

Keith watched the young mother wrestle Stevie into a sturdy wooden chair. She crouched down, pointed at Stevie and spoke to him sternly. Stevie avoided his mother’s eyes, but he also nodded his head in assent. By the time the mother stood up and turned to face the saleswoman, she was all smiles. Mother, baby, and saleswoman began to browse the tables while Stevie remained behind in the chair.

Keith tried to return to his novel. But after two paragraphs, he found himself wondering what Stevie would do. When Keith was eight, he would have never disobeyed a maternal commandment, but kids these days did not have the same level of respect. He looked up from his book. Stevie was on the edge of the chair, studying the surrounding territory and poised to escape. With her back to Stevie, the young mother listened to the saleswoman describe furniture. Five seconds later, like a soldier advancing under sniper fire, Stevie bounded from the chair and took up a position beneath a dining room table large enough to seat eight.

Keith found himself engrossed in the mystery of Stevie. He needed to know what happened when the mother looked back and found Stevie gone from his assigned seat. Keith was not disappointed as the plot took an unexpected twist.

Stevie’s mother never looked behind her. The main character slowly rose from his hiding place until his eyes were just above the level of the table top. The table itself had a rich, deep-brown finish and thick, ornately carved legs. It was set for dinner with eight elegant place settings of fine china, polished flatware, and crystal glasses. While Stevie’s eyes shifted from one side to the other, a small hand reached out from under a table and grabbed a fork. The young ruffian then abandoned his current position. With the fork secured in his clenched fist and his back crouched low, Stevie dashed from under the table and found another safe haven behind a puffy leather recliner. Stevie caught his breath and looked around to see if anybody was watching. Keith quickly put his head back in his book to avoid eye contact.

After several seconds, Keith returned his attention to the boy. Stevie was now working the fork into one of his pants pockets. The kid was not just rambunctious; he was a thief, a shoplifter. And this place was no mini mart where the clerk was hypersensitive about young kleptomaniacs stealing candy bars. Furniture stores did not have to worry about customers palming china cabinets. Stevie was going to get away free and clean unless Keith himself became involved. All he had to do was alert one of the salespeople.

At the moment, the floor staff was busy helping customers. In the back of the store, three women sat behind a long table working the phones or doing paperwork. Keith considered going to the table, reporting the incident, and completing his civic duty, but he really did not feel like hobbling around in his surgical boot. Of course, he could take the boot off and walk to the desk, but that would expose him as a fraud and imposter.

As Keith contemplated his next move, Stevie army crawled to a new location behind a sumptuous beige sectional. Keith decided there was no need for him to get involved. Stevie had not stolen anything yet because he had not left the store. Anyway, it was just a fork. The store used the flatware only for decorative purposes. The utensil may have cost less than the bottles of Coke the store gave out for free. Moreover, Stevie was not his child. A lot of parents resented other adults saying anything that cast a negative light on their child, even if the comment was justified and made in the spirit of helpfulness. Keith was wasting valuable reading time.

Despite his reasoned decision, Keith could not stop watching Stevie. The boy slithered from behind the sectional to the Coca Cola refrigerator. Keith recognized the unfolding story: child wants Coke, child is denied Coke by parent, child ignores parent and takes Coke anyway. All salespeople were occupied at the moment. Nobody stood ready to provide welcome and refreshment to a new customer entering the store. Stevie could grab as many Cokes as he wanted.

The story took an unexpected twist. Stevie dashed for the front door and escaped into the world beyond.

Keith felt a jolt of panic as the situation evolved to a new level. By remaining silent, Keith was not just abandoning a cheap fork; he was endangering a child. Abduction was a common occurrence on the nation’s streets. Even if Stevie avoided this fate, he could be struck by a car, or wander off and get lost.

Stevie’s mother was chatting with the saleswoman, who was making funny faces at the baby. Nobody had noticed a small boy’s escape into a dangerous world.

Keith looked out the front window and found Stevie jogging around the edges of the parking lot. The boy was on the far end of the lot when a car pulled out of its space and left.

“What happened to the other guy?”

Keith turned to see a sixtyish, rotund man examining his booted foot. The man wore a charcoal suit and had a nametag pinned to his lapel that read “Ted.”

“It’s nothing like that,” said Keith. “Just bunion surgery.”

Now would be a perfect time for Keith to sound the alarm. He could tell Ted about the wayward child, and Ted could either corral Stevie himself, or alert Stevie’s mother immediately. Keith considered the aftermath of such a decision. The young mother would glare at him with recriminations. Why did he not cry out when he saw a small boy go out the door? Was he such an impotent slug that he could not summon the energy to help a child in danger? Laura would see him in a different light. Could she continue to stay married to a man for whom she had lost all respect?

“I have a friend who used to have a hammer toe,” said Ted. “He could have had surgery and been in one of those boots for like, six weeks.”

Keith concocted a plan. He would wait until Stevie ran right in front of the store. He would pretend to notice Stevie for the first time and urge Ted to act. The young mother would thank him. Laura would grudgingly admit that his powers of observation impressed her.

“So is his toe all better now?” asked Keith, as he watched Stevie round the back corner.

“Well, he’s all better,” said Ted. “He just had it cut off.”
Keith looked at Ted. “What?”

“He had it removed,” said Ted. “He’s only got four toes now.”

Keith imagined having a gaping hole where a toe had once flourished. “The doctor cut it off?”

“Yep,” said Ted, “lopped it right off. The guy’s even got the toe in a jar of formaldehyde at his house.” Ted smiled. Keith could see that the salesman enjoyed telling this story and shocking his listener. Keith did not disappoint him.

“A podiatrist did this?” asked Keith.

“I assume so,” said Ted. “My friend couldn’t afford to take time off of work. It would have taken six to eight weeks to correct it, but by having it removed, he was back to work in two.”

Keith tried to process this information. Three years ago, the dentist had located significant decay in one of his back teeth. She had given Keith the option of having the tooth extracted or doing a root canal. She recommended the root canal. She was always in favor of saving the tooth, but she realized that not everybody could afford that option. Fortunately, Keith had adequate financial means, and today he still had all his teeth.

A toe, though, seemed more significant that a tooth. One toe represented ten percent of a person’s toes. Would a missing toe have a negative effect on a person’s balance? “So does he get around okay?” asked Keith.

“Oh, sure,” said Ted. “He works for UPS, and I see him out and about, zipping around no problem. A couple of months ago he even ran a marathon.”

“I’m glad it all worked out for him,” said Keith.

A young couple walked through the front door. “Take care,” said Ted as he sprung into action.

Having recovered from Ted’s story, Keith looked out the window to locate Stevie.

The boy was gone.

Keith carefully scanned the entire parking lot from one side to another, but no Stevie. Maybe he had tired of his run and was now catching his breath on pristine furniture. Keith searched as much as the store as he could from his chair, but Stevie was nowhere to be seen.

Though Keith never really thought anything bad would happen to Stevie, there was little question that the boy was now gone and that Keith was the only person who knew about it. Stevie’s mother was watching the saleswoman add a leaf to a table. Laura was sitting and looking at catalogs, the last resort of the desperate and frustrated furniture shopper.

“Stevie, get back here right now,” said the young mother. She had finally looked behind her to find Stevie’s chair empty. The voice increased in volume and seriousness. “Steven Andrew Jorgensen, don’t make me come after you.”

Keith knew that this was his moment of truth. He could remain silent. He could pretend to be as concerned and puzzled about Stevie’s disappearance as everybody else. Nobody would think badly of him for reading his book instead of tracking somebody else’s wandering child.

Whenever he saw Stevie’s sweet, smiling face in the local paper or on a piece of bulk mail, though, he would remember what a selfish coward he had been on the day of the boy’s disappearance.

Keith got a taste of the guilt just by thinking about it. He knew that he would not be able to endure this crushing weight.

He gathered his resolve to shout at the top of his lungs. Everybody in the store would flock to the emergency, and he would tell the entire story. He would even admit that he faked an injured foot. He would make himself look like a self-centered idiot, and maybe—just maybe—Stevie could be returned unharmed to his mother’s loving embrace. Keith had read enough thrillers to know that the longer he waited to sound the alarm, the greater the chance that Stevie would never again be seen alive. The press would revile him for his indecision. Laura would either leave him or stick it out in a cold, loveless marriage. Neighbors would throw raw eggs at his front windows. There would still be regret and self-flagellation, but he just might be able to look at his unshaven, haggard face in the mirror every morning.

“Stevie, come here now!” shouted the mother. Keith thought detected a hint of distress in the voice. In the next few minutes, her fear would begin to outweigh her annoyance.

Stevie did not appear.

Keith cleared his throat.

“That’s it, Stevie,” called the mother. “We’re going home and I’m taking away your video games for a week.”

“Hey!” shouted Keith as he raised his hands.

With the baby in one arm, the woman strode past the bedding and walked right up to a white china cabinet that stood along the side wall. She opened the door, reached inside, and pulled Stevie from his hiding place. “When I say come, you need to come,” she said. With a firm grip around Stevie’s upper arm, she marched the boy to the front of the store.

Ted and his new customers were standing by the refrigerator watching the mother approach with her children. “And give the nice man back his fork,” she said. Stevie reached into his pocket, pulled out the utensil, and handed it to Ted. Ted took the fork and, seeing that the mother had her hands full, held the front door open for her. The mother thanked Ted and left.

Laura had heard Keith’s cry and looked up from her catalog. “What?” she mouthed.

Keith pointed outside and placed his head against his folded hands. Laura waved him off and returned to her table search. Then Keith finished his Coke, stood up, and headed back to the car to take a nap.

 

 

 

BIO

Tom MillerTom W. Miller lives an ordinary life yet finds insight and entertainment from his everyday experiences. He has published a previous story in Red Fez and lives in Virginia’s Shenandoah Valley with his family.

 

 

 

 

vertigo book cover

“The feeling of falling, which was not falling”

A review of Vertigo by Joanna Walsh

Dorothy (US), 2015; And Other Stories (UK); Tramp Press (Ireland), 2016. 123pp

 

Vertigo Joanna Walsh

Review by Ruby Cowling

 

Struck with vertigo, suddenly things are not what you thought. You’re dizzy, disorientated, and it turns out the world is not, after all, what your brain has been constructing every day through its normal sensory feeds. Actual physical vertigo is not pleasant, but a literary style that steps away from the one we know best is exciting, and Joanna Walsh’s approach in this collection certainly does that.

This is not to say that her stories are obscure or “difficult”; I’d hesitate to even label them with that damningly nutritious word “experimental”. They are full of recognisable situations, humour and relatable moments. It’s just that she goes directly for “the truth”, without all the niceness that the mainstream short story slips into so easily. She unhooks herself from common expectations of narrative, in turn untethering the reader from the standard, safe experience of reading short fiction.

Short stories in the form we know best – the form you find in weekend magazines or in annuals from big, safe publishers – typically feature a little aching moment of truth at their heart, which is wonderful, of course; it’s an authentic experience, a quiet, humane offering in a noisy and brutal world. But too often they’re under pressure to deliver that moment up to the reader in a nice velvet-lined box of comfort and familiarity (a named character, going about business you recognise (even if in an exotic setting), working up to a relatable moment of realisation or change). The lid of that beautiful box gently closes at the end of the story, reassuring you of solid ground. However, instead of apologetically working up to a tentative assertion about Life, Walsh just states a truth and kicks it around – no box, no lid, no tethering it to reassuring elements such as softly-introduced character or plot. Because she pulls no punches in her stories – simply stating facts, observing behaviours and honestly presenting the kind of psychic darkness that usually gets fudged – the peculiar is made powerfully universal.

There is so much in this collection: so much intellectual and emotional content, so many direct gestures toward the biggest, scariest parts of human existence. No wonder we get dizzy. One of her skills is to achieve an almost-real-time expression of thought. Internal reality moves quickly and the resulting impression is that we are inhabiting a real mind. “A man sits down at the table next to me. I wonder whether he is French, whether he is foreign, whether he is a tourist. I also wonder whether I could say hello to him, in French or in English, whether we would like each other, whether we could sleep together.” Aren’t characters in cafés supposed to mull things over in a Stately And Important Way, using their observations of the people around them to Come To A Subtle But Profound Conclusion? Once again, we are untethered from expectations, unhooked from the usual steady, authorly manipulation of time. Walsh gives us a more honest experience, and we are giddy.

“The first effect of abroad is strangeness,” says the opening story’s narrator, and it’s because we are “abroad” stylistically that it feels strange at first. But my argument is that these stories are more radically realist than the standard so-called lyrical realism. Drowning, the final story, may be one of the more accessible stories in the collection (perhaps deliberately, so that we think we’re back in safe waters and are even more emotionally unprepared for the stunning ending), and even here Walsh doesn’t shy away from admitting that “the abyss” is real, and although it is “your family who would not like to see” it, it is nevertheless a real part of lived experience which must be acknowledged, however vertiginous that makes us feel.

* * *

Some of the fourteen stories are very short and focused, addressing quite viscerally the internalities of humanhood – and, all right, of womanhood. Here, I get hesitant. It’s essential not to circumscribe Walsh’s intellectual ambition by claiming her focus is “women’s experience”. It’s easy for it to seem that way, because her narrators are female, and because of her “otherly” narrative form – the “other” arguably being aligned with the feminine. She speaks powerfully and concisely of the experience of “failed girls”, and many of her detailed observations encompass clothing, food, and the specific ways people touch each other and use language to manipulate their relationships. Historically, these have tended not to be Great Literature’s dominant concerns; I don’t have a PhD-length space here, so let’s quickly agree that this is because clothing and food have been part of the domestic realm and the significance of the domestic has been side-lined, and that if a writer includes these, the writing ends up with the label female interest. This is not a complimentary epithet: it still carries the accusation of smallness, weakness, intellectual parochialism, so I am loath to bring it up at all. But there is still that political paradox in which you have to marginalize yourself to point out that your voice is not yet, and should be, part of the mainstream – so, there, I’ve brought it up.

These female interest stories are stark and muscular; full of invitation, full of provocation, full of the acknowledgement of the non-separation of body and mind. This latter position has been a concern of feminist thought, and there are certainly explicitly “feminist” moments here (“I’ve heard him shout at her to pick up the telephone, as though she were his extra hand”, says the narrator in Claustrophobia, about her parents). But even to label these as “feminist” is to put a boundary around them: to say, well, that’s an argument, that’s a position, an opinion – instead of a fact. Hence my hesitation to bring up any of these terms.

What Walsh does, in her refusal to use standard story conceits or a banal lyrical realist style to soften the blow, is to bring all this female interest material into the realm of hard fact – of unapologetic, undeniable truth – reminding us that women’s intellectual lives are actually being lived, in reality. They are not a special interest or a theory. They are real.

It still feels radical to be intellectual, in fiction, from a specifically female perspective. It gives us vertigo. “There’s something about our un-control, no men to watch over us,” notes a character in Claustrophobia, a story in which the narrator’s father dies. “What if it never stops?” In these moments vertigo is giddy possibility: freedom, danger, adventure, the sudden removal of the gravitational force of embedded power structures.

* * *

For reasons I’ve just alluded to, clothing is a neglected node of social significance; Walsh’s narrators notice clothing and its meanings perhaps more than any other writer I’ve read. Indeed, the book opens with Fin de Collection, a plot-light exploration of a Parisian department store and its stock (and its customers). In later stories, her eye for clothes is that of an artistic sociologist: she knows what these colours and shapes and fabrics and choices mean. Nurses’ uniforms in The Children’s Ward are unsettlingly the same blue as the attendants at petrol stations; in Relativity a grandmother’s “shades are mint, peach, lemon, blueberry, cream. She dresses as she would like to see her granddaughter dressed: edibly.” A daughter’s “short pink skirt with lace” ignites the title story. And in the Paris of Half The World Over, the young women tourists “are all dressed the same, in the current fashion. The older women are dressed either more primly or more provocatively than the older women, but always in reaction to them.” The iterative effect of these observations is that they are not the stuff of flimsy domesticity but a type of forensic anthropology.

Walsh is preoccupied with the disorientating experiences of contemporary life; its shocks; its threats; the things that throw us off balance. And what delights me most is that she doesn’t shy away from any of it: she doesn’t pull the cozy blanket of standard narrative over the dark and difficult things. Like family. In the complex, multi-generational story Claustrophobia, children are mentioned in passing as “blind lumps of my flesh, detached…”, while the narrator wrestles more centrally with the meaning of her own mother. In The Children’s Ward babies and children are the pulsing, “beeping” heart of the horrific tension of being a parent at all. This story is strung out with the hopeless terror attached to parenthood, the supremely attached status a mother has, against her own will. Young Mothers takes this further: the mothers have become children in the way they dress, behave, and speak, even though it is mysteriously important to everyone that the contract remain “kids be kids” and “mothers be mothers”. Do we get soothing resolutions to these unsettling scenarios? Of course not.

It’s brave and essential to lay out so starkly the details of life – and often, women’s lives – in all their uncomfortable ambiguity. Not to say that laying things out starkly means there are no layers of meaning – quite the opposite; this book is full of those. But the layers of meaning aren’t here because of that standard, MFA-story, show-don’t-tell manipulation. They’re part of the honest presentation of the complexities we negotiate as we go through life, as “good people, who can hardly live in this world, which continues almost entirely at our expense”.

Vertigo is packed full of the stuff we’re afraid of and attracted to, in the way we’re attracted to wild animals and cliff edges and the disconcerting behaviour of other humans we’re close to. And ourselves. The overall experience is exciting in the way only a truly original reading experience can be.

 

 

BIO

Ruby CowlingRuby Cowling is a British writer currently living in London. Her work has won awards that include, The White Review Short Story Prize and the London Short Story Prize, and has been shortlisted in contests from Glimmer Train, Short Fiction, and Aesthetica, among others. Recent anthology credits include I Am Because You Are (a Freight Books collection of work inspired by the theory of General Relativity); Flamingo Land and Other Stories, from Flight Press; and Unreal City: Constructing the Capital, a book of fiction and non-fiction about London, from Cours de Poétique.

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