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The Writing Disorder is a quarterly literary journal. We publish exceptional new works of fiction, poetry, nonfiction and art. We also feature interviews with writers and artists, as well as reviews.

The Illuminating Photography of John Tavares

 

 

Tree Line Northern Lights

Tree Line, Northern Lights

 

Reflections of the Light Show

Reflections of the Light Show

 

Moose Creek

Moose Creek

 

Aurora Borealis Ojibway CountryClub

Aurora Borealis Ojibway CountryClub

 

Frog Rapids Bridge Night

Frog Rapids Bridge, Night

 

Iron Bridge

Iron Bridge

 

Aurora Borealis Pelican Lake

Aurora Borealis Pelican Lake

 

Snowmobile Trail

Snowmobile Trail

 

Sioux Mountain Summer Morning

Sioux Mountain, Summer Morning

 

Aurora Borealis Pine Tree

Aurora Borealis, Pine Tree

 

 

ARTIST STATEMENT

In creative endeavors, I have a strong passion for writing, particularly creative writing, but I found photography an engaging form of free expression long before I attended journalism school. I first became fascinated by photography as a medium and art form through magazine cover illustrations and especially the photojournalism of Time-Life photographers such as Robert Capa while I was in high school, when I read World War Two and Viet Nam war history. I always gravitated towards the journalistic medium, so when I acquired the training afforded by journalism college I felt more assertive behind the camera lens. I found digital photography liberating – a tool that empowered me in efforts to photographically document, far and wide, various aspects of everyday life and the urban environment, including social issues and norms and morays, in Toronto and rural landscapes in the sparsely populated latitudes of northwestern Ontario. In the northern setting I am often overwhelmed by the vastness and inexorableness of nature and I experimented in slightly unconventional manners with capturing landscape images, including using very long focal lengths, extremely long shutter speeds, in very low light. Inspired by the photography of artists like Ansel Adams and Annie Leibowitz, I nonetheless tend to eschew efforts towards their technical perfection, which at times seems unattainable. Likewise, I’ve been content to keep photo editing to a minimum, so I simply don’t use sophisticated image editing programs like Photoshop or Lightroom. I have utilized Aviary, Flickr’s online photo editor, and its predecessor, Picnik, at a bare minimum, to crop, color correct, or to tweak saturation and warmth, but even then I’m often dissatisfied with the results. For some images I selected for The Writing Disorder, I’ve allowed myself to be enchanted by the color and beauty of the northern landscape, occasionally set against the intrusion of technology and human development.

 

 

BIO

John TavaresBorn and raised in Sioux Lookout, Ontario, John Tavares is the son of Portuguese immigrants from Sao Miguel, Azores. His formal education includes a two-year GAS diploma from Humber College with concentration in psychology, a three-year journalism diploma from Centennial College, a Specialized Honors BA in English from York University. He’s worked as a research assistant for the Sioux Lookout Public Library and the Northwestern Ontario regional recycle association with the public works department. He also worked with the disabled for the Sioux Lookout Association for Community Living. Meanwhile, his short fiction has been published in a wide variety of “little magazines” and literary magazines, online and in print, in the United States and Canada. Following journalism studies, he had articles, photography, and features published in East York Observer, East York Times, Beaches Town Crier, East Toronto Advocate, Our Toronto – as well as community and trade newspapers such as York University’s Excalibur and Hospital News, where he interned as an editorial assistant. John recently wrote a novel.

 

i, Clouded

by T.E. Winningham

 

Pardon for those who died despairing; hope for those who died unhoping;
good tidings for those who died stifled by unrelieved calamities.
On errands of life, these letters speed to death.
– Herman Melville

 

 

The Company put us way out in the frigging sticks, tripled-up in the cheapest ratty room nowhere near the campus, off the wrong expressway even, in these cornfields stretching must be hundreds of miles in every direction. Nick, Tracy, and me. Checking into the motel we could see it, the campus, standing up from the flat horizon the way state universities make bubbles out of the void like sealed ecosystems. Standing there with shirttails flapping in the wind, a nervous twitch started in my eyelid waiting for the GPS to find us, shock and horror settled in my stomach when it gave up. Walked across the gravel lot in the heat, from the motel to the dust caked gas station where the greasy-fingernailed attendant sold me an actual—never to be folded correctly back to its original shape—paper roadmap. In the room we sat around it at the table in Nick’s cigarette smoke and stale lamplight, marking in pencil. The route of county roads leading from our We Are Here dot to the We Need to Get Here Every Damned Morning dot traced the shape of a lost Tetris game. Then we turned off the lamp and lay listening to flies trapped between the window and screen, stripped down to underwear and sweating, thinking this is only April.

The library sat square in the center of campus, towering over the stone-columned museumesque buildings and surrounding lawns. Students on foot and bicycle made a kind of swirling vortex around it, a hurricane’s empty center. The first morning we introduced ourselves to the head reference librarian, a small woman with a thick Slovenian accent and papers prepared for us. Call numbers by floor, tutorials for the online card catalogue. Unexpected, really, as this was merely a formality but nevertheless she led us under the arched marble and stained glass of the lobby to an echo chamber of a vacant reading room and sat us down at the first of the long mahogany tables. “You will find the book stack very well ordered,” she said, passing out the stapled pages. “In spite of this area being originally closed to the students.”

“Closed?” Tracy asked.

“Yes. The students needed only to bring call numbers of the books they desired to the front desk. An attendant would then return with them. This changed quite some time ago, problems with the staff and with budgets, but we have worked diligently to reorder the entire stack to make it accessible to the students. Who are not often accustomed to library methods.

“Now,” she continued, and began reading deliberately from the handout. The numbers and decimals and cross-referenced charts were incomprehensible to me. Nick exhaled loudly as he flipped ahead through the pages.

“Ma’am, I’m sorry to interrupt,” Nick stood, “but we need to get started. Waivers we’ll sign, as our Company agreed, but the rest of this, it isn’t how we work.”

“But you will not know where to find the books you are looking for.”

He pointed to the bookstack entrance, a small doorway behind the librarian’s desk, smiling. “They’re in there. We just start at one end and work our way to the other, Company policy. Anyway, with searchable text we’re basically making catalogues obsolete.”

She gasped; we all stood.

“Thank you for your time, we’ll let you know if we need anything,” I said as we left her just standing there and walked into the stacks.

We were scanning twelve hours a day, driving back and forth on the dark two-lanes with drunk pickup drivers, suicidal raccoons, and teens standing on parked cars shooting rifles at God knows rustling in the fields. In the mornings, still dark, the same minus the kids on the abandoned cars. Mists hung low like a ceiling over the corn stalks to either side, long gray nightmare tunnels in the headlights, breath and coffee steaming over the windshield and Nick’s cigarette ash floating up from the backseat. And Tracy, asleep, head bouncing against the passenger window with the smearing noise of skin on wet glass. Three weeks and we were zombified.

In the motel Tracy got her own bed, tiny and swimming in her flowery pajamas, hornrimmed glasses pushed up as a headband holding red bangs from her face. The paintings hanging around us made me think of some Bob Ross assembly line sweatshop, rows of easels and brushes twitching furiously, making the trees happy or else. Past midnight and the TV options are softcore porn and an advertisement for this new acne-busting home laser system, and between the two it’s hard to tell which paid actors are more excited. Tracy clicks back and forth and decides on porn. Nick sleeps next to me, mumbling something about focused light and ray guns. “Bart,” Tracy rolls onto her side to face me. “We haven’t slept in a week. This has to change.” On her wrist is a tattoo of a band-aid and scissors, a kind of warning against permanent mistakes. Hers is the personality that disappears under sackcloth dresses, the Company simply forgets her, she’s quiet and acquiescent-seeming with authorities and they don’t understand irony. “Hey there, Nickers, wake up! We’re formulating a plan.”

Nick snorts or coughs or just something wet catches in his throat.

Tracy takes pen and pad of paper from the drawer with the Bible. Tearing sheets off the pad, she throws them in our direction and they swirl like snowflakes between the beds. “Y or N to the commute,” she says.

“What’s our alternative?”

“Either a Y or an N.” She mutes the moaning TV.

“I mean, if we don’t commute then what?”

“We’re checked in indefinitely,” Nick’s awake. “We stay here.”

Tracy writes on one of the sheets. “I’ll mark that as Abstained.”

“It’s not…” Nick sits up, “it’s clearly an N. Or, wait,” he looks to me.

“Oh good, settled then.”

“You mean Y, Nick,” I hand him a slip of paper. “As in: yes we commute.”

“Too late,” Tracy folds three sheets in her lap. “We’re in unanimous, resounding agreement.”

###

We moved into the library at the end of Finals Week when the building’s mostly a ghost town. The lights go off predictably at night and flicker back on in their little metal cages in the morning. Important administrative things are surely going on elsewhere, though I can’t imagine what they are. But the stacks are quiet. We’re contracted with the university to be here “until we’re done” scanning and the Company made it very clear they don’t care to hear from us until then. Assuming we haven’t all died and rotted first. We left the rental car parked next to a dumpster behind off-campus housing and set up camp in the Medieval French Poetry section, confident we won’t be discovered. Sleeping bags, two flashlights, lots of bottled water and energy bars, pizza delivery on speed dial along with obviously plenty to read. The twelve hour days continue, down on the bottom floor where we started, still, eventually working our way up. We’re already chilled in the unbelievable air conditioning fanning constantly from the vents, sitting alone in our aisles scanning page after page until the lights go out and feeling our way back to camp.

There was at one time a plan for this building, you can tell, but it’s long forgotten. The aisles stretch sometimes forever while others end abruptly against support columns, plastered with yellowed signs taped over each other with call numbers and arrows pointing left or right in the dead ends. The fire sprinkler plumbing and electrical conduits run exposed overhead, the casings for power outlets often hanging empty next to bundles of the multi-colored wires of a newer system. Reflective tape traces paths along the floor where it’s swept clean from the elevators to freshly painted shelves, everything near the stairwells is decaying and dirty. I can only imagine the asbestos waiting to ooze down over us from the cracked HVAC and hot water pipes.

This kind of isolation, of sensory deprivation, of course we’re all going a little insane getting used to it.

Nick reminds me of a woman in drag if she overdid the five o’clock shadow and greased a pompadour to its natural limits, he’s from the East coast and I’m telling myself he was going to crack under Company pressure anyway. He started talking about himself in the 3rd person but weirdly, as if relaying messages to all three of us from some fourth, boss-type person coincidentally named Nick. Like, Nick wants us to work American Literature, 1937-38 today. Or, Nick has an updated completion timetable for us. The orders come down without discernable pattern, and the random changes totally screw us up. Tracy usually shakes in place for a second before saying for example Who fucking promoted Nick? and running off down the aisles. She’s right, too, he’s not in charge—just a little older. I like playing along but this invisible Nick can be a humorless ass. I asked him once if we could take lunch outside for a change and all he said was No, no, Nick doesn’t think that’s a good idea, Bart. Then, In fact, Bart, Nick has cancelled lunch breaks.

Which is really too bad, because this job is boring. Imagine scanning book pages with a handheld gizmo for a living. It’s pretty much the same as holding an extremely docile cat in your lap and brushing it until well after your arm goes numb, then putting it back on the shelf and taking the next cat, then the next, over and over for thousands of hours. The detritus and wisdom, conquests and failures of the world shelved to the ceiling around us. Most of it. Or at least part of it, there’s no way for us to know: for time’s sake, Company policy forbids reading. But I feel the shelves looming so impossibly high, even as I thunk my head on a fire sprinkler standing up. I’ve scanned more pages than I can count, haven’t seen the sun in longer than I’ll admit, and I’m freezing. There are no windows here, no clocks. No floor marked G and I know the one marked 1 isn’t but forget which one is. We take elevators in both directions, stepping off it seems always into basements.

“It’s worth it,” Nick says, “for the future.” Marking the place in his book, he stands. “We think of libraries as social institutions, as a common good, but the building is just a warehouse. An antiquated system. Indexes, catalogues, all that’s gone now. Our warehouse is virtual. And with tags and searchable keywords it’s the end of systems.” He gets that Rally-the-Troops look. “We’re consolidating the network, and once we’re finished this never has to be repeated. This,” raising the book at us, “I could throw this anywhere because we’ll never need to find it again. It’s in the Cloud now. We’re getting rid of old ideas of organization because they’re holding us back like a dead weight, like hobbling a horse.”

“Very eloquent,” Tracy says, checking her email.

Nick looks at the phone in her hand. “By the way, Nick doesn’t want us using our mobile devices anymore. He feels they’re distracting us from our work and so, as of tomorrow, he’s cancelling our internet access. If you want to update your away message, now would be a good time.”

Tracy looks up at him, eyes almost murderous or dead. She opens her mouth to speak but closes it again, looks at me. She stands and walks off and we don’t see her for the rest of the day.

Sanity took a turn for the worse without the internet. There is not a thing left to do but scan, and the constant, endless enormity of it all is crushing. The web becomes a phantom limb, a displaced itch or a tapping on my shoulder for attention. It’s there, I feel it there, but our connection only goes one way now through the scanners: up, out, away into the Cloud.

So for something to break up the day I make lists of new Company slogans, things like Feed the Cloud and We’ll Read For You. I like the Cloud. As abstractions go it’s a good one. An ether-land all around us tethered to a few black boxes, no one knows where, with some demonic genies inside throwing switches and pulling levers, moving little 1s and 0s across magnetic disks buried anonymously in a desert. But it’s a hungry Cloud. It’ll fill the sky and not be filled, though we try—offering what we can, books, pictures and tags, names and where we are, mapping every moment so it can learn. Still it demands more, everything and all of it in three dimensions. And so on the title pages of books I write, very faintly in pencil, The Cloud thanks you for your devotion to its Mission.

Tracy barricaded herself behind a luggage fort and gets up in the middle of the night. I hear her unzip out of her sleeping bag and creep off down the aisles. At first I only followed to the stairwell, it’s so cramped in there with the low zigzagged flights of echoing metal steps she’d hear me instantly. But I grabbed the door as it slammed, before the latch caught, and stood listening and watching for the flashlight beam above and counting her steps rising up and around and up. I figured she’d gone to fifteen and the next night waited until long after she’d left camp, went up there and walked toward the dim light far off in a corner, the smell of mildew and cardboard in the air and the sound only a typewriter makes clacking through the dark. She’s at it for hours each night. Floors below, I lie awake listening for the hammering keys, and wonder what she could be trying to say. Maybe I imagine it, but all night I hear a river of taps washing down over me while Nick snores by my side. And I keep looking but can’t find the reams of typescript she must have.

Meanwhile invisible-Nick is driving our Nick to the brink. He’s scanning with a stopwatch in his free hand, going over the same page again and again.

“Nick, can I ask what you’re doing?”

“Nick wants us to start training to maximize efficiency,” Nick says. “The scanners read one inch per second, Bart, and if we time ourselves we can commit that pace to muscle memory. We’ll move as fast as we can, and no more error messages. Then once we’ve got that, we can address the problem of page flipping, which is inherently wasted motion.”

“You’re joking.”

“Where’s Tracy? Nick would rather inservice all three of us on the new procedures at the same time.”

“Sure, whatever Nick says. I’ll go find her.”

She may as well have vanished into the labyrinths of hell. Floor after floor is silent, empty. I check our camp, nothing. I check the dusted-over corner where the typewriter sits quietly, all of fifteen eerie and dim with most of the lights burned out. Boxes upon boxes stacked full of unshelved books and the unfiled remains of everything else, this will be torture when we get to it. It doesn’t look as if anyone’s been here for 50 years. Age and disuse, mold and crumbled plaster dust, and then a door closing and Nick is behind me. “This is why we’re here,” he says. “People build and they forget, leave everything behind to rot. What we’re doing, in the Cloud, there’s no past so no more forgetting. Everything is continuously updated, all this in front of us in the immediate present, always.”

I open the flap of a cardboard box, lift out a book. The dust jacket’s missing, the black cloth cover frayed, title worn to illegibility on the spine and the binding creaks as it opens. Is it really forgotten, the weight of it left here? Is it lost, I ask myself, as the acid paper dissolves? “Yeah, glad to do my part.”

“Bart, I’m afraid Nick doesn’t want us up this high yet. We have a schedule to stick to.”

“No, I know, I was just looking for her everywhere.”

“We’ll get to this soon enough. Let’s go.”

She doesn’t come back to camp at all that night and I’m worried. Nick mumbles in his sleep, an argument with iNick, like a man overcome by fever and shivering. We’re not losing control, he murmurs, we’re not skipping ahead. She’s here and we’re on task. I pull my sleeping bag up over me and zip as high as it will go, the clicks of hot water pipes and a ringing in my ears.

The next day I’m sure someone’s following me. The air feels heavier, colder, I hear doors open and close. My legs cramp, knees start popping every time I stand. I hear a sneaker squeak on the tile and follow what sound like moans for an hour down unfamiliar rows into corners where the lights have burned out. I find empty study spaces, metal cubicles piled with discarded books and imagine students here, weighted down with fatigue as if chained to these desks. Row after row of silent bodies, lips moving soundlessly, pencils scratching in notebooks and fingers dog-earing pages. I read the titles. At this desk an 18th century economics term paper, at this one a Renaissance history of unknown playwrights. I read notes in margins, imagine outlines on scratch paper, the damned straining to absorb all they can remember, and the ghoulish reference librarian passing between the rows with her strict hair and index cards. Handing down call numbers for more, ever more in a cruel parody of assistance. I imagine them, eyes red and malnourished, one by one collapsing onto the bound journals and ancient encyclopediae strewn before them, dead of boredom and insomnia and if Nick’s right the Cloud can save them.

###

Turning a corner I almost step on Tracy, curled cross-legged between the shelves among unpublished dissertations. She stops scanning, looks at me, she’s started wearing drastic eye makeup. I cough a sort of apology. “Are you lost?” she asks.

“Nick’s been looking for you. He thinks you’re AWOL.”

“I’m not absent; there is no leave. Besides, I’m working.”

“It looks like you’re reading.”

“This is fascinating,” she resumes brushing her scanner down the page.

I sit next to her, “Not the point. We’re already like a century behind, don’t you ever want to get out of here?”

“Do you?”

She loosens the drawstrings of the knapsack at her feet, pulls out a typescript page, lays it flat on top of the page she just scanned and begins brushing from the top.

“What. In. God’s. Name are you doing? That’s going into the same file.”

“It’s like an abacot. Look it up.”

I can only stare at her.

“I’m writing a memoir. Every so often I slip a page in.”

“And you just put the book back? There’s no way to find which ones you’ve ruined.”

“Exactly. No one checks.” She holds the typed page away from her body and lights it on fire, watching it curl and flame and smoke into ash. I launch into a coughing fit as orange and red lick across her face, shimmering spots in my eyes. “I’m adding to the Cloud,” she says.

When she returns to camp Nick’s out cold as he is a bit earlier every day. She drops the knapsack on my shin and leans down over me. “You should start reading before it’s too late. You already missed the beginning,” she kisses my cheek before crawling over her luggage and lying down.

###

Summer’s gone, Tracy’s memoir shrinks and grows from the beginning toward the end, whenever that might be, the last page curling up in flame. I hide with a flashlight in my sleeping bag like ten years old, trying to keep pace with it, the tap tap tap from above racing behind her voice reading the words aloud in my head. With the fall comes Work/Study undergraduates making rounds, wraithlike in black polo shirts, with such maddening regularity and I avoid them. It’s the intrusive eyes that bother me. The lights stay on longer now, and the workday stretches to fill the time but the stacks go on interminable as ever, inch of text after inch, line by line, recto and verso, leaf after leaf, book, then shelf, then aisle, floors, and then the abandoned boxes stored where no one’s seen them for decades in the dust and then books left open and kicked under tables with the marginalia of some doctoral student left in 1924 waiting for us to add to the Cloud forever.

Graduate students are a small but constant presence, as passively nagging as a termite problem. They’re a territorial lot but usually don’t mind if I sit with them, scanning whatever they’re not at that very moment reading, so long as I’m quiet. So godawfully quiet I don’t know how they live like this, sitting in their rows. Some with their own reading lamps plugged into outlets at the desk, fleece blankets over their laps, others getting up every so often to ask the next one to lower the volume of their headphones. It’s unreal the silence they bring onto the floor, they’re living sound dampeners sucking the life out of the air itself. Nick doesn’t have the same rapport with them, and if he’s nearby they move off lumbering in silent packs, grocery bags filled with books, and Nick yelling Wait, we need those!

Nick’s taping charts and pencil-drawn maps and timetables all around the camp, orders and revisions iNick hands down mercilessly. Nick scribbles the hanging papers to oblivion trying to account for where Tracy’s already been. Dark circles spread under his eyes, he’s losing weight and his jaw moves mechanically, grinding teeth in place of food he won’t eat. His delusion’s skewed a bit on him, he talks directly with iNick in the 2nd person now. He says things like This is a good strategy but we need more procedural freedom to accelerate our progress and We’ll meet whatever deadlines you set so long as ultimate responsibility lies with you but the 1st person pronouns don’t seem to have a referent anymore. He’s fanatical about efficiency and holds morning meetings in the washroom, just for me since Tracy’s away wherever. Today he claims to have solved the page-flipping problem. We’re standing against a wall, looking down an unending aisle, and he hands me a book from the shelf.

“You’re going to tear the pages out and lay them end to end. No more flipping. I’ll follow you and scan,” he says.

“I’d literally rather do almost anything else.”

“It’ll be much faster,” he steps toward me, “no more wasted motion.”

“Tearing is a wasted motion, just a different one. Not to mention one that destroys the book.”

“Nick feels the physical object itself is expendable once it’s safely in the Cloud.” He opens the book and starts, slowly and perfectly, tearing out pages. “Fine, I’ll tear. You scan.”

“I’ll be somewhere else. Doing something else.”

“That’s insane,” Tracy says when I tell her later.

“And you’re Miss Rational these days.” She’s grown pale and freckles stand out on her cheeks. We’re sitting among the boxes on fifteen, she’s unpacking and scanning the timecards of some forgotten payroll. “So what is an abacot, anyway?”

“Doesn’t exist.”

“Like something made up?” I hold up a timecard in the dim light: Julianne Peterson Feb. 14, 1957.

“No, the word doesn’t exist. Started as a mistranslation of French, which somebody copied and somebody else changed the spelling a little by mistake. Finally somebody else included it in their dictionary, meaning a crown-type hat worn by kings. Don’t know how they came up with that, then other dictionaries just copied that first one.”

“So you’re adding mistakes to the Cloud?”

She looks at me, glasses slipping on her nose, “I’m adding judgment.”

I arrange the timecards into little stacks and repack the box as she empties it. We sit without talking then until the last card is scanned, the file is uploaded, and the box is again full as though we were never here.

“Want to see something neat?” She stands, wiping at wrinkles in her dress.

I nod. She leads me by the hand running up the stairwell. I hit my head, stumble, and follow floor after floor with my hand in hers. I can’t breathe, pain in my eyebrow and fiberglass needles in my lungs. She stops, bends over with hands on knees. “It’s good for you,” she looks at me but her hair hangs all in the way. “C’mon,” she pulls at my hand again, walking now. I use the railing and make her stop three more times, coughing, as we wind our way into smaller and steeper circles. At the top is a landing, a door and a sign. BookStack Stair 2: No Roof Access. And the door shrieks as she opens it.

It’s a watchtower but with stained glass windows, thick and blue religious figures I’ve never known, the outside light barely coming in. We’re underwater swimming in it, vague shadows of another world darken the glass and I have no idea how high we are, or where. She places her hand against the glass where it looks like the setting sun and I hear the wind pick up just beyond her reach.

“It’s beautiful,” I say mostly to her.

“It is. But it’s not what I wanted to show you,” she points to the room’s large center column, to a door in the column I hadn’t noticed. Inside is a small office, dirty and cobwebbed without even a lamp. She shines the flashlight on the desk, on a rotary phone on the desk. “Nick has no idea this is here. It works.”

I step through the flashlight beam into the room, into a clean swept space on the floor where now I know she’s been sleeping and she follows.

“Is there anyone you need to call?” she asks.

I turn to her, the light rising between us, “No.”

“No one?”

“No.”

She switches off the light, the blue filters deeper in from the outer room, and the saints in the windows stand watch until they, too, go dark.

I wake to whispering, on the ice cold floor, from the best sleep I can remember but cramped all the same. A soft click and rustling and then that shrieking door sends me nearly out of my skin. Her steps fade down the stairwell to nothing, leaving me again to sleep.

###

On three, where I left Nick, there’s nowhere really to step, pages line every aisle, blanket every tile square and still the shelves don’t show a dent. I’m afraid to leave the doorway; it reeks of cigarette smoke here. A sweeping noise moves through the shelves, a whirlwind, then waves of paper in the distance. The undergrads. In the midst of swirling pages, black polos standing out in the white like doomed arctic explorers. They’re pushing brooms, shaking out plastic bags, stuffing them full and the reference librarian’s yelling now so loud, so fast it sounds like German. It’s time, I think, to be somewhere else. But she steps into this same aisle, direct line of sight and here I am backing into the stairwell and letting go of the door. It swings shut with the force of a gunshot and through the little window crisscrossed with wire mesh she’s walking this way, all rage and hate. I run.

The rest of the day I hear her everywhere behind me, and in my poisoned imagination the teenaged furies have grown wings, rushing through the stacks after me with their broom handles poised overhead as flaming swords, their eyes scarlet in the glow and the smoke. I run from every noise, every squeak on the floor and metal click in the pipes above. By lights out I’m utterly lost, under a cubicle desk in a corner, hungry and confused in the freezing air. I lie on my side, arms wrapped around knees, and dream of Tracy when I sleep. She’s bathed in the shades of blue and enfolded in white cloth, her hair turns purple in the light, kneeling and whispering softly over me here on the floor like prayers.

The lights flicker in the morning and burn, I crawl from under the desk and look for the stairs. In the bathroom near camp feet are visible there in one of the stalls, between the bottom of the door and tiny checkered tiles. I turn on the sink and take off my shirt, put my head under the tap and, straightening up again, call out toward the feet, “Nick?”

“Bart?” he answers, hiding from I assume himself and smoking, the cigarette plume’s smothering as it reaches me, I bury my face in a paper towel and hack. I don’t like the look of what remains there when I’m done. That goes right into the trash, I splash my face with water and look into the mirror. “I’m in a nightmare,” sounds like something I’d say, “they’re relentless. Everywhere at once.” But it’s Nick speaking, and then banging on the flimsy walls around him. “They didn’t understand, none of them did. And that woman…” I walk toward him while he describes his discovery and eventual escape, the elevators called for and sent away as decoys, the stairwells and utility closets. His cigarette hisses in the water below him. He tells of the furies and fascist librarian, the long night balancing on the toilet rim and an irrational fear of the sound it would make flushing, that they’d hear him.

“It’s not irrational. They’re really after us, Nick.”

“I know. But Nick tells me he’s negotiating a truce, with a significant payment involved. We just need to lay low.” He draws his feet up and they disappear above the bottom of the stall door.

Camp is well outside the usual undergrad patrols and offers some measure of safety, of what at least feels like safety. Nick’s almost completely encased us in walls of hanging paper at this point. I look around and through Tracy’s luggage fort, hoping to find her memoir, something to lose myself in for a while, but instead find layers of complex lingerie folded and sorted by color and pattern. The purpose of certain buckles, snaps, and webs of strappy elastic are beyond me. I close everything and sit on my sleeping bag, facing away from it all but her disappearances feel sinister now. I think I need to watch her movements more closely at night, and during the day.

Around midterms and finals the stacks fill with actual people around us, but they’re lost and empty in the eyes and we don’t worry. They’re so out of place here they mostly ask us for help even as we wrestle books from them. It’s horrible though, chasing students around this way, their greedy hands trying to take and take from us. Who could know what they’re after? Or when those books would return or how to find them then. I just want them to stay at home, wait comfortably on couches and understuffed beanbag chairs until we’re finished. They’ll never have to come here then, derelict as they are, with the wide eyes and little maps sketched on the damned index cards, the strings of meaningless letters and decimals. Mouths moving dumbly, fingers tracing along the spines for some stitched block of paper, they don’t even know what’s inside, if they need it at all. Wandering, backtracking, they curse the skies for books misshelved or missing altogether. They recall books from each other and fight over limited resources. Just stay home and wait. The Cloud will find what you’re looking for and it will already know what’s inside.

They don’t wait but do stop coming back after exams are done and then it’s very quiet as the snow deepens along the bottom corners of the watchtower windows. Shadowed flurries swim past the angels there and the wind whistles against the blue glass while I sit waiting for Tracy, who vanished in person if not spirit. She still delivers her memoir every day, I find it waiting tucked inside my sleeping bag at night. It started smelling of perfume and, honestly, needing an editor. It’s hurried, as though she’s rushing now toward some end only she can see. I read for clues, some sign of where she is, what she can be thinking, but the story hasn’t caught up with us yet. We’re still stuck in college with her sister and some vague love interest in a water polo player. She buries me in descriptions of falling leaves on the main quad’s rolling lawns, of the blinding sunshine warming nothing and mittens around steaming coffee cups, of hooded sweatshirts and the heavy backpacks on everyone’s shoulders. She writes of the stone buildings and marble columns and crisscrossed paths between them, halls with amphitheater rows of wood tables and too many chalkboards. These long winded lectures she transcribed, it seems, but probably made up with semesters’ worth of notes she can’t possibly remember, all laid out in paragraph after quoted paragraph for reasons only she can know. Telling me of the suit jackets and leather briefcases, the sound of chalk on the cloudy green boards and bourbon bottles pulled from desk drawers in office hours. I read on, racing along the doomed pages, wishing, begging these leaves before they’re consigned to the fire, to get to the point please.

The last several weeks Nick’s been in the bathroom already when I wake, in closed-door meetings with iNick. He hasn’t had time to bother with the nuisance of actually scanning, preferring talk of Taylorized efficiency measurements and motivational strategies, of team-building exercises. He says an increased managerial presence is necessary to keep us all on the same page, and he doesn’t seem to notice the pun, or the irony. By noon he’s visibly shaken, collapsing in nervous exhaustion. And with Tracy MIA I’m left to myself, mostly, making almost no progress. I catch myself sitting frozen, staring intently at nothing, with disconnected sentences stuck in my head like songs, a feeling of remembered dreams. I think of the books now as either empty or solid, like prop books on movie sets for all I could tell you what’s in them. Just endless print and a creeping déjà vu, and I feel like that character in a story I’ve nearly forgotten, too poor to buy the books he wanted so the fool took only the titles and wrote the rest himself.

###

Tracy reappeared after the lights didn’t come on. Either she took pity on us left with only the one flashlight or she’d been somewhere around here all along. Or she was scared, too. Imagine the sun didn’t rise one morning. We felt nothing, no great tremors, no explosion, no trumpets announcing the end of days. At first I thought a Work/Study teen overslept hungover in a strange bed without an alarm clock, woke up lost and sick and fled straight home in shame. But no, the dark lasted long enough we couldn’t explain it away. We were here, sitting on our sleeping bags in the abyss, and no one was coming.

“I, for one, am glad we can just sleep in,” Tracy’s voice from the other side of her luggage.

“You don’t get it,” Nick says. “It was finals last week, this is winter. They don’t have winter classes!”

Tracy shines her flashlight in his face.

“It’s probably a month break,” he continues, “turn that light off. We’re going to be so far behind.”

“Behind what?” is all I can think to ask.

You can only sleep for so long, sadly. Nick hums fugues to himself, setting some kind of mood and Tracy burns through her flashlight battery revising the memoir until the black is all but complete, the mass of these unseen, mute voices collected around us. They haunt me and terrorize Nick, I hear him taking down books and fingering through them as though they were Braille, whispering to himself and inhaling cigarettes, the burning paper and lingering acid trails of glowing red as he gestures toward nothing.

“Bart,” Tracy calls, “I’m bored as shit. Talk to me.”

I feel my way toward and over the walls of her luggage, catching a foot and twisting down to the floor on my back. “There’s no way this is going to last a month,” I say.

“Does it matter?” she reaches for me, hands I think looking for my shoulder, a sense of occupied space.

“I don’t want to sit here like this forever,” I move toward her.

“Then let’s get out of the dark.” She takes me by the arm and stands, leading me shuffling and blind past Nick’s hallucinations up to the watchtower. Every window glows like a lightbox; it must be the middle of the day.

“I’m leaving soon,” she says, sitting down. “I’m done with scanning, I can’t take it anymore.”

“I thought you liked it here. I see you reading all the time. Seems like the perfect job for you.”

“God no, it’s compulsive. If there’s text on a page I have to read it. Can you imagine? Think about all those pages of 8 pt. footnotes, the bibliographies, the indexes.” She leans against the window, breath condensing there under her nose.

“Yikes. I had no idea,” I put a hand on her lower back, “what are you going to do?”

She turns, slides down against the wall to sit. “My sister and I are starting a business. Video editing.”

“Aren’t there already enough people doing that?”

“Not like us. We’re only going to do home movies, tourist’s vacations, that kind of thing.”

“Like kids’ birthday parties and stuff? Nobody watches that crap.”

“Because there’s too much tape to sift through. They already lived it once, who has time to watch the whole thing again? You’d need to live twice as long,” she tucks a lock of bangs behind an ear, brushes an eyelash off a blue cheek. “So that’s why we’re going to go through it and cut out all the boring bits. Voila, the best memories of Florence or nephew’s baptism or whatever. And we’re selling little video cameras that’ll attach to like a hat or coat or something, so people can stop staring into tiny screens their whole trip. You know, if they go to Florence they may as well enjoy it while they’re there.”

“Genius. How are you going to screw this up?”

“Haven’t decided yet, probably something to do with the scraps we cut out.” She wraps her arms around her knees and rests her chin there. “You could come with.”

“I don’t know. I’ll think about it.” And we watch the windows dim and brighten toward blue and fade again four more times before checking again on Nick.

###

The lights were anticlimactically on and we heard him in the washroom, revising revisions of iNick’s schedule. No way for him to know how short lived his plans would be as the librarian’s undergrad minions stepped off the elevator en masse, a lynch mob armed with buckets of soapy water and mops, paper towels and these horrid spray cleaners. We hid like rats, bleach fumes overpowering us on every level, muffling coughs and moving camp every night to stay ahead of them, driven upwards on a rising tide of foaming disinfectant. Days spent in closets, climbing stairs and doubling back, curling under desks until finally we were able to move down past them in the night. We slept then in the chemical smell and worked the next day as they continued upwards, Nick cursing after them.

With Tracy determined to leave, nothing would convince her to just scan a plain old book like a normal person. I followed her around for the company, to spend time with her before insane Nick was the only one left with me here.

“You know you’re not doing what you think you are,” she tells me.

“And what do I think I’m doing?”

“You and Crazy aren’t making some wonderful, liberated world. The opposite, actually. People will look back at this as the moment everything went wrong.”

“But it’s not going wrong. It’s just taking time. When we’re done the Cloud will be there for everyone—whatever they want, whenever they want it, and free.”

“And all stored on Company servers. This,” she holds up her scanner, “is just the first step.”

“A benevolent king benefitting the people.”

“Right,” she pushes her glasses up the bridge of her nose.

She’s scanning floor tiles now, the signs pointing to call numbers, the bookends and dust covered shelves, scanning desktops and sleeping graduate students, brushing her scanner across the spines of books lined row after row, waving it like a wand through the air, scanning empty light.

I asked what she thought would happen to her memoir; she said it’s almost done. Written and mostly in the Cloud and almost destroyed. I think we have two different ideas of what done means. Scattering bits of herself on the wind where they’ll never be found.

I’m about halfway through Holy Alliance: The Unified Force of Church and State Governments in 14th Century Spain and its Effects on the Peasant Population but still thinking about the memoir, my hand freezes. “It’s not that no one will know where to look, but no one will know that they should look.”

“You think maybe that might be part of the point?”

“I mean, someone might stumble across the right search terms and see part of it…” my scanner is giving me all kinds of error messages.

“Somebody will find a page of it while they’re reading.”

“Nobody is going to scroll through a whole book anymore.”

“See? That’s what I’ve been telling you. So my book is like a reward, a little mystery for those who do. If you don’t read the whole book you might miss out on a clue.”

“You’ve got a lot of eggs in that basket there.”

She looks around at the shelves, waves her arm from left to right. “And if they don’t, so what? Same fate as some of the best minds in history.”

My scanner beeps erratically; I turn it off and shut the book. Tracy lays out flat on her back and stretches, “It’s comfortable here.”

###

In the dream I was submerged in fire, but a movie’s fire, like photographs of the sun, blinding orange explosions and the smoke venting mysteriously somewhere. Instead of being consumed in flame and ash the books glowed white hot and melted into thick lava pools on the floor, rising around me. Nick dissolved into a black heart of coal, iNick the fuel, and Tracy’s eyes reflected the flame, her skin shone brightly through the smoke as I rolled and crawled on my belly toward her. Face to the floor, sputtering and burning in the weirdly melted pages. The noise was like a river, a whoosh, a sliding fluid and a crackle. She was a shining skeleton, her teeth exposed smiling, she turned away toward the elevator. iNick stood, stiff and crumbling, charred and barely hanging together, turning his head after her. Raising an arm, fire dancing along the length of it, pointing after her. I was being washed back on a current, swimming for the elevator against it, drowning. Worry in Tracy’s eyes for the first time. The doors opened and she stepped inside. The watchtower’s angels tore the clothes from their bodies and wept, the bookshelves around me disintegrating. Tracy’s face burned to that skull’s helpless grin, waving goodbye as the doors closed, the elevator car rose through the tunnel behind the burning walls. And iNick, unmovable, laughing now as he swung the charcoal arm around to point at me.

I woke, I hope understandably terrified, to a flashlight bulb staring down on my face. Nick snoring off in a corner in the dark and Tracy says, “It’s time to go.” She leads me to the ninth floor and sits me down at a desk, she sits across from me and turns off the light. We sit watching the shapes of one another dissolve into spots of color swimming in the black. It’s maybe 20 minutes before the lights click and flicker on and she’s still exactly there at the table across from me, confirming the statue-image of her I had in my mind this whole time. She stands as my eyes adjust, takes Monotheism and Empire from a nearby shelf and returns, opening it on the table in front of me.

“I’m leaving,” she says.

“I know.”

“No. I mean now. I just want you to do one last thing for me before I go.” She pulls my scanner out of her knapsack and sets it next to my hand.

“Why do you have that?”

“For this.” She places both hands down on the open book, palms up and perfect fingers outstretched. “Scan,” she says.

“Why me?”

“I can’t do it myself, silly. I need your help.”

Her hands, my scanner, her memoir floating in the ether. “I mean, your fingerprints. They’ll be in my scanner. They’ll come to me for everything that you’ve done.”

“They never check.”

“But if they do.”

“Then I want you to know this isn’t everything. It feels like it right now, because you’re inside it, but all you have to do is step outside.”

I take hold of her by each wrist, one at a time, and scan.

“See, that wasn’t so bad. The first step is always the hardest.” She leaves for the elevator then, looks back over her shoulder until the doors open. Inside, she hits a button it looks like somewhere in the middle but it’s hard to tell and she blows a kiss in my direction. She’s gone, I’m coughing again and hard, and since I’m here already I might as well get to work. The scanner blinks, ready for the next file, and I flip back through the pages on the table in front of me to start from the beginning.

 

 

BIO

TE WinninghamT.E. Winningham holds a PhD in Literature from the University of Southern California and a BA from the University of Iowa. His work has appeared in Fourth Genre, Anamesa, and the Overtime Chapbook series, among other journals. He currently lives in Los Angeles.

 

 

 

Homecoming

by Brad Rose

 

My one-armed, little brother is 6’ 2”
his face quirked, like a question mark.

He’s back from the army,
filled with a silent language he doesn’t understand.

Says he dreams of a job,
maybe something at the post office,

or in the library, shelving books.
At dinner he tells mom he just needs a few weeks

to get his bearings.
Some mornings, I catch him in the living room

slack on the khaki couch, his blond hair growing back,
the TV’s anesthesia unplugged. He stares

out the front window, into the slow daylight.
When I ask him what he’s doing,

he says, just staying in my lane, Bro.
Just staying in my lane.

I troop upstairs to hide his nine millimeter,
            again.

 

 

The Problem of the Trees

 

Influenced by Derrida and Foucault,
I’m a drowning man,
electrocuted.
Just your average homologue,
give or take 15 percent.
If I was music, I’d be a police siren,
or an Arabian shriek,
but I don’t want to cut off my own legs.
I’m thinking about 1.3 million women.
Unofficial sources say it’s not a sin,
it’s a case of popular mechanics.

The world is filled with mystery.
The Spanish Steps are in Italy,
fortune cookies are nearly free,
but these days, it seems like all my carrot stories are about sticks.
Some people tell me this is either an evasion of privacy
or catering to a niche market.
Yes, I’m a Jesus capitalist
because it’s always good to have a friend
in customer service.

If there’s one thing I’ve learned
from my many years in the wholesale circus industry,
it’s that our secrets are locked-up in ourselves, like tiny homunculi
with their hats off.
We’re plush mannequins yearning to become tan-toned statues.
Nevertheless, after I turn myself inside-out,
I hope to receive a reduced sentence.

Justine told me her skin didn’t feel like it was really hers,
so I told her to relax, its only formication.
I’m an experienced myrmecologist, even if it means keeping my pants on.
She reminded me that Socrates was convicted
by a very small majority of the jury.
That’s the problem with the whole truth and nothing but the truth.

Outside, the wind struggles with the problem of the trees.
You’d think lightning could solve it.

 

 

Like a Forest, the Unsuspecting Crowd

 

Trekking through the natural history museum,
counting my vowels and consonants,
I like the idea of flames
the way I like paintings of trees.

A man-made lake, unmade,
my eyes, a secret country,
I once read about rage in a book
about fire.

Wild animals have talent,
but they’re sworn to secrecy.
Maybe they aren’t flammable,
but you never know for sure.

I envy my shadow,
as it escapes my bones.
The only thing it lacks
is a good, clean siren.

I’ve been studying fire safety,
I can answer all the questions.
This kind of thing happens
more often than you think.

If the crowd goes wild, stampedes the doors,
who’ll bury the bodies?
On second thought, no worries.
Leave it to me.

 

 

 

BIO

Brad RoseBrad Rose was born and raised in Los Angeles, and lives in Boston. He is the author of Pink X-Ray, Big Table Publishing, 2015 (www.pinkx-ray.com). Twice nominated for a Pushcart Prize in fiction, Brad’s poetry and fiction have appeared in The Los Angeles Times, Folio, decomP, The Baltimore Review, The Midwest Quarterly, Lunch Ticket, San Pedro River ReviewOff the Coast, Heavy Feather Review, Posit, Third WednesdayBoston Literary Magazine, Right Hand Pointing, The Molotov Cocktail, and other publications. Brad is the author of three electronic chapbooks, all from Right Hand PointingDemocracy of Secrets, http://www.righthandpointing.net/#!brad-rose-democracy-of-secrets/c1ec2, Dancing School Nerves, http://www.righthandpointing.net/#!br16-home/c1ujz, and Coyotes Circle the Party Storehttps://sites.google.com/site/bradroserhpchapbook/. Links to Brad’s published poetry and fiction can be found at: http://bradrosepoetry.blogspot.com/. Audio recordings of a selection of Brad’s published poetry can be heard at: https://soundcloud.com/bradrose1. An interview with Brad is available at: http://www.righthandpointing.net/#!brad-interview/cfo5

 

Mitchell Grabois

Art

by Mitchell Grabois

 

1.

I walk into the house. I see that my wife has decided to remove the popcorn ceiling. In fact, she’s removed it. I told her we needed to get it tested for asbestos first. She said we didn’t need to. She sits on a wooden chair, wet crumbles of the former ceiling strewn around her. Her smile is triumphant. It was even easier than they showed on YouTube.

A book is in her hand.

What are you reading? You’re not reading that trash again, are you?

She recites: From a very tiny, underused part of my brain – probably located at the base of my medulla oblongata near where my subconscious dwells – comes the thought: He’s here to see you. My wife begins to unbutton her blouse.

Jesus, you’re reading Fifty Shades of Grey again

I feel the color in my cheeks rising. I must be the color of The Communist Manifesto. My wife throws her blouse to one side atop a pile of popcorn litter. She wears no bra. Her tits are small, but “perky.” We make love on the wet asbestos. Afterwards we take a shower together, but the damage has been done. I already feel the cracklings of MESOTHELIOMA in the lobes of my lungs.

 

2.

I wake at 5 a.m. to drive a neighbor to cataract surgery. I drop her off and go to find a McDonald’s with Wi-Fi, but find none between the clinic and the Front Range, just a Jack-in-the Box. Standing at the counter I peruse a poster, a man with a Jack head and an athlete’s muscular arms. I didn’t get this body eating chocolate milk shakes, the caption reads. Sometimes I got vanilla. I take a table, drink bitter coffee, and remember Bob W. in high school, a tall skinny guy with long, lank hair and a comical face. I remember his night-time raids, stealing Jack-in-the-Box heads from drive-throughs, leaving the “restaurants” bereft of their mascot. Some businessman would be really pissed in the morning, but that was part of the point. There was a connection between the Jack heads and the U.S. military (Bob lectured us as we smoked dope in his bedroom) and the atrocities they were carrying out in Viet Nam. It took me a couple of years before I understood, and then I became an activist member of the small cadre of Jack- head thieves. I finally got caught (though Bob never did) and spent some time in Juvenile Detention, to my parents’ everlasting shame.

 

3.

My wife falls asleep. She’s like her Lithuanian grandmother: she can sleep on a manhole cover.

 

4.

I grew up and moved to “Paradise,” where bougainvillea vines and Poinciana trees blazed, and escaped iguanas made a commune on my front porch. I fed them slices of banana from my palm and regularly refilled the shot glasses I left on the rail with iguana adult beverages, namely water with lime.

But I was exiled from “Paradise” by ugly politics, a kind similar to what Adam experienced in the Garden of Eden.

 

5.

The goldenrod of my new, Midwestern home made my head swell. Wasps stung me in the face when I entered the barn. Holding my spray can of poison, I couldn’t find their nests. Maybe they were high up in the eaves, or hidden somewhere in the hay mow. But the expansive fields of corn and soybeans were a kind of meditation.

 

6.

I drive to my one-room schoolhouse.

It was the Amish school for a while, until the local Amish community suffered a rift. The elders ordered everyone to disband, to scatter like dandelion seeds drifting in the wind.

But while they were still here, the Amish children drove little wagons to school and put the horses in the horse barn, out of the snow, across a miniature ball field next to the schoolhouse.

The horses were bored while the kids were in school, and chewed on their stall boards. It’s amazing how much wood a horse can chew in a school year. After the community failed, I bought the schoolhouse. I thought I might start an art academy, buy some abandoned farmhouses nearby for dorms, use the barns as studios, but the more I thought about it, it just seemed like too much work.

 

7.

The industrial turbines were built, over our protests. By then I was a member of the community, sort of, though my cousins kept their distance. When I was walking on the road and they drove by in their vans or pick-ups, they wore sneers. The turbine blades sliced the air. Surely to say that is metaphorical, but why did I start finding streaks of blood on the floor of my front porch? I had recently scraped it and painted it glossy grey, and the blood was vivid against it.

 

8.

I bought a chain saw, the most expensive one Farm Supply had, went into the horse barn and sawed out the horse-chewed boards. They were old boards, probably milled on the adjoining farms. I put them in rough frames, branded them with the image of a laughing horse, called them: Horse-Chewed Board #1, Horse-Chewed Board #2, up to #26. I shipped them to my agent. The art world was astir, me coming out of retirement. Some folks had assumed I was dead. Each piece went for about two-hundred grand. They sold out within the month. My total cut was about 3 mill, if I remember right. I love art. I was reconsidering starting an art school, out in that verdant township.

 

9.

As in a horror film, the streaks became small pools, scattered across the porch floor like grisly polka dots. Hypotheses straggled across my mind. Had animals been fighting there?

 

10.

Eventually it became too much and I took to the road. The Front Range rose before me like a mirage, as if I were a Spanish pilgrim on the trail. But I have no faith so I can’t be a pilgrim. I’m merely homeless, like so many others, like the refugees of the Dust Bowl.

 

 

 

 

 

Climate Change

by Mitchell Grabois

 

Day One

Dear God, let everything broken be unbroken.

Tiffany: The roadway is not asphalt but the bodies of Doberman Pinschers. Sometimes they come back to life.

Still, an urge to swim in her father’s pool, her breasts desperate for her children, or needing violence against her pale skin, a voice whispers: run run run.

Global warming has stopped ice bridges from forming, isolating the wolves who live on this island, as if fenced in barbed wire, trapping the Doberman Pinschers who inhabit Tiffany’s nightmares, trapping Tiffany as well on this Alcatraz-like place.

Inbreeding has made the wolves as twisted and angry as those humans who live in my township (off in another part of the state), in which the wind turbines, erected too close to our homes, have destroyed our health, the enjoyment of our property, the value of the property itself.

 

Day Two

Everything is gone, but they demand I get out of bed and brush my snaggle teeth. Can’t you hold me, Hank? Close, as if I were beautiful?

After years of hospital work, I am ubermensch with x-ray eyes. Under ugliness, I see beauty,

under dysfunction, capability. I see Tiffany before illness’s smears. She kneels in sunshine, in rich earth, like Mary Magdelene.

Greed shows itself in infinite forms, as does grief.

 

Day Three

Soggy collard greens.

Tiffany is not here.

Toilet graffito: Eternity—too long to be wrong.

At Highcastle Pharmacy, I stand in front of the lipstick display and read the names of colors.

She said: You buy me a tube. I shake from medication and you guide my hand,

I gaze at her new-colored lips. What if all the barriers —including her illness—suddenly collapsed?

So porcupines hurl themselves from trees at the greedy, climate changing humans, making themselves suicide bombers, though each hopes he’ll survive to bomb again. They have plenty of quills, and know how to hide as skillfully as French resistance fighters during WWII.

 

Day Four

At the grunge band crash-pad: Dax: prison tattoos, ragged hair, pinwheel eyes. Couch-bound,

he stares at the ceiling, his electric guitar on his chest, its neck between his legs.

“Wazzup, man…? Tiffany? Yeah, she’s here. Shaggin’ our new drummer.”

My heart soars, then falls to the pit of my stomach. I am ready to vomit with elation.

Dax leads me into a room with a bare, cum-soiled mattress, crushed PBRs on the floor.

“Probly went to score. You gonna bust her?”

“She’s a chronic schizophrenic, an escapee.”

“Dig, you gotta let people tune their own karma. You can’t just lean in like a shade-tree mechanic, spray ‘em with WD-40, and re-torque their mind with your kryptonite wrenches”

“So terror and confusion are Tiffany’s fate, and we should let her die under a freeway?”

“I’ve got to head for the McJob, man”

Drowsy, I lie on the couch, cover myself with his Fender. I’m a three-headed dog, Cerberus, at the gates of Hell.

I awake in deep dark, sneeze four times, feel dizzy. There’s meth in the couch cushions. I stand, grip the guitar—an ax—and head for the cum room. No grunge punk is gonna interfere with my treatment plan.

 

Day Five

As long as climate change continues, the porcupines will remain at war. If some call them terrorists, so be it.

 

 

BIO

Mitchell GraboisMitchell Krockmalnik Grabois has had over a thousand of his poems and fictions appear in literary magazines in the U.S. and abroad. He has been nominated for the Pushcart Prize, The Best of the Net, and Queen’s Ferry Press’s Best Small Fictions for work published in 2011 through 2015. His novel, Two-Headed Dog, based on his work as a clinical psychologist in a state hospital, is available for Kindle and Nook, or as a print edition. To see more of his work, google Mitchell Krockmalnik Grabois. He lives in Denver.

 

 

 

The Comic Art of Brad Gottschalk

 

Gottschalk Curiosity

Gottschalk Curiosity

Gottschalk Curiosity

Gottschalk Curiosity

Gottschalk Curiosity

Gottschalk Curiosity

 

 

BIO

gottschalkBrad Gottschalk is an exile from the realm of live theater. Currently he is a cartoonist living in Madison, Wisconsin. His art and comics have appeared in Raven Chronicles, Nerve Cowboy, and Berkeley Fiction Review. Read more of his work at www.slienttheatercomics.com.

 

 

 

 

 

 

Oliver Perrin

The Music of Eastern Europe

by Oliver Timken Perrin

 

For Andrea Jurjević

 

The boots of Sultan
Tsar and Kaiser
leave muddy prints
on your mother’s breasts

Fanged wooden spires
rise like dog hackles
from the deep snow
that sometimes causes
frost-riddled gypsies
to drop from their trees
like stiff and staring fruit

Your sad fiddles
invoke immodest sorrow
with merciless reliability
because everyone
is missing a string

In the frostbitten hour
before dawn
ten thousand tiny hussars
flutter their wings
in your crooked wells

They’ve been waiting for Spring
for centuries

Your dancing masters
resort to strong drink
and minefield choreographies
to ensure their art survives

Your soil is fertile
blood makes it black
like krvavica sausages
or the rings that stain
Báthory tubs

Every bandit is a prince
and every prince a bandit
with a bulge in his pants
formed by a fat roll
of bills or what might be
red opera gloves
if it weren’t for the dripping

And wolf brothels
where boards beds and babes
all squeal like little pigs

Close your eyes and listen

The howling is beautiful.

 

 

Weightless

 

I’m in a café

a refuge from
the damp chill and
acrid coal smoke

Istanbul in winter

a table for one
outside the circle
near the door
shoved in beside
narrow wooden steps
leaning upward

my spoon clacks
in the criss-crossed
narrows of Beyoğlu
5,771 miles from home

from foreigner or stranger
it’s only a stone’s throw to enemy

when Istiklal street
is less crowded
I draw suspicious eyes
simply because
I’m walking alone

they talk to each other
like the big family
I’ve never been part of
abi, abla, teze, amca
big brothers and sisters
bigger uncles and aunts

I humblehunch
over my cooling bowl
in the real fear
somebody will kick
crumbs and dirt
into my soup

women with long
red noses and scarves
come in just behind me
with an irritating bell jangle
with deep voices
and laughter
spinning threads of perfume
from full and heavy
heads of gleaming hair

the muddy shivers
trail them too
and sometimes snatches
of the evening ezan
summoning the faithful
to sock footed prayer
in rolling waves
from graceless bullhorns

I can’t resist
the furtive glances

puzzlement and longing
twisting my neck
to glimpse
the taught contractions
in the muscles of their legs
stomping upward

one pair of shoes
after another
passing in review
at eye level

it seems so strange
that they strain
to climb something
as mundane
as a few steps
to another floor

I can almost hear
their bones creaking

it seems so strange somehow
that they do not float.

 

 

A Postcard From Greece

 

In Thrace
on a slow
dirty train
a shirtless
young soldier
didn’t like me
with one wet eye
while the other
wandered drunk

I learned to say
Malaka

 

 

 

BIO

Oliver PerrinOliver Timken Perrin is a native of the American South. His poems have appeared in Bohemian InkScapegoat Review, and the Negative Capability Press anthology Stone River Sky. Perrin also co-wrote the independent feature film Crude which received the 2003 IFP Los Angeles Film Festival Target Filmmaker Award for Best Narrative Feature and a Special Jury Prize at the Seattle International Film Festival.

 

 

 

 

WAXenVINE Photography

The Beautiful Images of Scott Irvine & Kim Meinelt

 

WaXenVine

 

WaX en Vine

 

WaX en Vine

 

WaX en Vine

 

WaX en Vine

 

WaXenVine

 

WaXenVine

 

WaXenVine

 

WaXenVine

 

WaXenVine

 

 

ABOUT THE ARTISTS:

HAUNTED ::: photographs

WAXENVINE is the collective vision of husband and wife team Scott Irvine and Kim Meinelt.  Their work centers around themes of light, shadow, texture and beauty. They are drawn to finding the unusual within the mundane and beauty in unexpected places. Their process often involves blending multiple images together – resulting in a haunting dreamscape that transcends reality and the singular image.

SCOTT IRVINE received his BFA in photography from Rochester Institute of Technology.   His work has been exhibited internationally. Scott manages one of the few remaining black + white darkrooms where he works and lives as an artist in Williamsburg Brooklyn NY.

KIM MEINELT studied at North Carolina School of the Arts with an intense focus on set design and scenic painting. After freelancing as a sculptor, painter and interior designer in NYC, she crossed paths with Eileen Fisher in 93 evolving into a successful career as the Creative Concept Director.

www.waxenvine.com

www.instagram.com/scottirvine57

 Scott Irvine scott irvine photography (@scottirvine57) • Instagram photos and videos

www.instagram.com

Brooklyn NYC. Film, Polaroid, Darkroom, Silver-gelatin, Rolleiflex, Holga, Lomo, Wet-plate, Vintage cameras, Hipstamatic.

 

www.instagram.com/kimmibird

 Kim Meinelt kim meinelt photography (@kimmibird) • Instagram photos and videos

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See Instagram photos and videos from kim meinelt photography (@kimmibird)

 

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Kim Meinelt and Scott Irvine at Home in Brooklyn « the selby

theselby.com

Kim Meinelt – Artist and Visual Director at Eileen Fisher, and Scott Irvine – Photographer and Musician

 

Kristian Hoffman

David Bowie Diary Entry

by
Kristian Hoffman

 

I was introduced to David Bowie because of a Rolling Stone article about “Hunky Dory.” Yes, I was THAT pedestrian. But it seemed sort of “gay-ish” with that Lauren Bacall cover, and piqued our nascence stirring for an outrageous representative, and our perhaps too forgiving love of all things British. Atypically of the time, my friend Lance Loud had already schooled me in the fine art of shoplifting, and, being a completist, I drove down to Tower Records in L.A. and proceeded to steal everything in the current David Bowie catalogue, which included The Man Who Sold the World, Mad of Words, Man of Music, and a few British import 45s. It was love, and some befuddlement, at first listen.

Then the local record store on Coast Village Road, in Santa Barbara, from which I regularly sneaked out LPs under my faux Portabello Road Pepper-adjacent epauletted jacket, happened to have a whole cardboard box of Bowie’s ill-reviewed Deram 1rst LP, for 10 cents apiece! I actually think I paid for that. I was confused by the Newley mannerisms, and didn’t care for the lumpen “comedy” moments, but was intrigued enough that when “Images” was released, I easily fell profoundly in love with “In The Heat Of The Morning,” a song I have occasionally attempted to perform, with varying, but not altogether unpleasant results, ’til this very day.

It’s hard to imagine a time when I could make out a diary entry as specific as the one I have included here. By the time I moved to NYC in the 1970s, the bridge between the NY Dolls and the CBGBs/Max’s scene was so dizzying with daily incessant adventure and event that I could barely keep track.

But I thought I’d share with you an actual diary entry from 1970, when a fairly unsophisticated child trapped in the rusticating environs of Santa Barbara suburbancy had to share, if only with ‘Dear Diary” his fledgling experience of “La Bowie.”

 

Kristian Hoffman (ACTUAL) Diary Entry
March 7, 1973

 

Last night I went to see David Bowie at the Long Beach Arena with Michele and Delilah Loud, both sisters of my long time “best friend” Lance Loud. Both endearing little nippers in their own way; however I must confide in you I like Michele’s “own way” a trifle more than Delilah’s — I know comparison is odious – but if it’s unfair, that’s just fine, because it’s MY BOOK. It’s just that Michele really laughs when she sees old people fall down.

Anyway, Mr. Bowie (I will resist the temptation to make Mr., Mrs., Miss, and Ms. jokes, but won’t resist it very well) has been one of my very few self-indulgent, coveted, and clipped fave raves lately, and his concerts are “events,” or at least time markers in my life right now. And they are also nice fillers of comfortable small talk for letters to “friends” (still one of my favorite words, along with the meaningless “special”) which otherwise might have been embarrassingly short.

I can chat about him, express concern, delight, and even interest in his hair dressing methods, his clothes, and of course the latest albums, which I can play OVER AND OVER again — a real redeeming feature!

And besides, he’s just so great — he’s made his entire life into a great show, and if the “jams” are too long, the romantic interest makes up, as do the cute idiosyncrasies, so worthy of classic fan magazine write-ups.

On the way down to Long Beach in my fairly recently purchased Chevy Vega ($2,000.00 new, as I recall; I asked for it in silver because I thought that was Andy Warhol-esque), we had to stop for gas at a strange freeway turnoff near the venue, and some stranger who could be kindly described as rumpled, but less kindly described as “homeless” or “a bum” accosted the girls and asked, “Where are you going?” They kindly but a little trepidatiously replied, “To see David Bowie!” The apparently culturally attuned vagrant replied excitedly, “Jane Boo? I LOVE Jane Boo!” without further incident.

Anyway, Michele and I sat, rather conservatively dressed, next to a sparkling and glittering Delilah, whose whole-hearted commitment to a sort of strumpet/contempo prom queen attire is one of her best features, and exchanged turns with the binoculars while waiting with avid attempts at breathlessness for SOMETHING to happen.

It finally did – the lights went down, and as the communal oooh-aaah loosened itself free, a reluctant and somewhat washed-out crowd, a spotlight revealed that, NO! It wasn’t Mr. BOO-wee. It was just the hitherto unnamed “Supporting Act”, which turned out to be JUST THAT – a mediocre, if fashionably imported, ’50s revival band called Fumble with a pleasant lead vocal that failed to even whisper the rumor of competition to the obvious rival in the field, Sha Na Na.

I allowed myself a modicum of irateness because OF COURSE it was an insult to the negligible part of the crowd who had come to see Davey-Baby, and NOT just to make the scene. But even though it didn’t seem like it, Fumble was over soon enough.

Then the already familiar Clockwork Orange-ified Beethoven came on, with the same old familiar strobe, and David and band did “Hang Onto Yourself” with Mr. B in the first of FIVE costumes: a slick white tapestry (with culottes) suit and orange patent leather space boots.

Then a couple more quick rockers and a switch into gold lame, which was quivering and quavering on the edge of fashionability (DANGER! DANGER!) but still looked pretty keen. Mr. B had not brought the “show” that Lance had ranted and raved over, but had brought a quite nice horn section, and a mellotron, so “Space Oddity” didn’t sound quite so much like a rich kid’s home movie, and “Suffragette City” took on a pleasantly pregnant tone.

Then, in “Width of a Circle”, he changed during the ENDLESS GUITAR BREAK (evidently part of the ENDLESS things that showbiz has given us to ponder, and be endlessly ponderous) into the UGLIEST DRESS which Lance calls a “KAFTAN”, which was white satin with those green and orange sort of bird/rainbow deals on it that reminded me of a nice plastic bib to protect a loving but appearance-aware mother from baby’s messy strained pears, and he billowed about in that for a while before settling on an invisible chair to sing “My Death,” which was the FIRST song the crowd warmed up to, oddly enough.

I mean – I like that song – but in my automatically condescending frame of reference towards “THEM,” it never occurred to me that “THEY” would like it.

Then he stood up and these “mysterious” green-clad figures emerged from the shadowy sides of the stage, each grabbing a sleeve from Mr. B’s outstretched arms, and as they pulled back, the costume pulled off “LIKE MAGIC” to reveal the looniest outfit I had seen in a coon’s age.

It was this skin tight sort of double-knit pantsuit with a silly Penney’s stripes and squares pattern on it, completed with detached leggings and sleeves. The main part of it might have been a tank top, except that it extended up the middle of his chest with the sort of turtleneck collar. And of course his sometimes self-consciously posturing bare feet were a sight for sore eyes, or an eyesore, because I had always wondered if he was really THAT white all over.

So — ON with the fluffily light green feather boa, and a vamp with an ENDLESS cigarette holder (to add to that ENDLESS list) to the tune of a great new song called “Time,” during which the rest of the group re-emerged with a bare chested Mick Ronson, who, mere moments before, had sported a fetching black patent leather outfit, and a bass player ensconced in some sort of madcap bird costume – VERY SPACE AGE OF COURSE – with the stupid but fetching little growths curling out from his shoulders.

Oh dear, am I beginning to sound, heaven forbid, like Star Magazine’s fashion editor?

Well, at least I won’t have to bother to remember it all, because, you – dear diary – will remember it for me!

Anyway, B made his ultimate bid for Piaf-dom with that song “Time,” and then pranced around for a few more songs before ending with the aforementioned “Suffragette City,” only to come back for an encore of “Jean Genie” in a white satin jump suit and white iceberg clogs transparently appropriated from the New York Dolls’ Mercer Arts shows, which caused him some consternation and a very near fall. He kicked them off in the general direction of a pretty enthusiastic crowd. What a show!

But that crowd – they were too boring and wishy-washy to rush the stage, and although Delilah and I tried to fend off the brutish security guards and scramble down the aisle, we were thrown back into the backs of an already despairing audience who were heading towards the exits. What are floor seats floor if not to overcome security? So we sat there in our seats, soaking up energy with no release, and that was time enough to nervously ponder the prospects of just GETTING OUT OF THERE before we were trapped in a jumble of bumbling Long Beach-ites. Almost before the encore was over, Michele, Delilah and I rushed out to the parking lot, and, finding all the exits barricaded for some obscure reason, drove my trusty Vega right over the curb – where it teetered agonizingly for a moment next to the screaming “No Stopping At Any Time” sign, and headed back to Santa Barbara. Jane Boo!

 

 

BIO

Kristian HoffmanKristian Hoffman was the founder and main songwriter for Mumps, his CBGBs era punk/pop combo with Lance Loud of PBS’ “American Family,” also being a member of the Contortions, the Swinging Madisons, and Bleaker Street Incident. He went on to become musical director and songwriter for Klaus Nomi, musical director and songwriter for Ann Magnuson, musical director for Rufus Wainwright, and toured with the Kinks’ Dave Davies for five years.

He has since released four solo CDs, while playing keys, touring and/or songwriting with Congo Norvell, Abby Travis, El Vez, Jane Wiedlin, Prince Poppycock, Timur Bekbosunov, Lydia Lunch, and many more.

 

Jill Jepson

The Drowning Time

by
Jill Jepson

 

Edith Brinkerhoff is given her medication at 6:00 a.m. The nurse might be Judith Green, a stout woman with big, blond legs, who is brusque to the point of meanness, and who leaves the room as quickly as she can, closing the door loudly—not quite a slam, which would be a violation of protocol. Sometimes it is one of the male nurses—Edith thinks of them as “the boys,” she can never remember their names. This morning, it is Helen Arlington, an efficient black woman with thin arms in short, cuffed sleeves.

“Good morning, Mrs. Brinkerhoff. I hope you slept well. I hate to wake you so early. Doctor’s orders. Here, you go, your treat for the day.” She rolls the bed to a sitting position and hands Edith two miniature paper cups each containing an assortment of pills, pastel blue triangles, green disks, pink disks. Edith tips her head back and pours one cup then the other into her mouth. She holds the pills on her tongue while Helen Arlington hands her a glass of water.

“There then,” the nurse says. “Let’s get you to the bathroom.”

Helen Arlington chats even though she knows Edith will not respond. Edith has not spoken for decades. The nurses say that, even if she had thoughts in that head, she wouldn’t be able to speak them, her vocal cords atrophied by now. Judith Green mutters that she’s glad the old bag is mute, who would want to talk with that one? Nazi bitch. She says it out of earshot of their supervisor, and of Edith, except for once, when she muttered it under her breath, just as she shut the door behind her. Most of the nurses are not so openly hostile, but they look at Edith warily as they rush through their work.

Rumors about Edith Brinkerhoff lurk in the corners of the nursing home. Every new nurse learns the first day in a whispered conversation that she was once a member of the Nazi party. That she was guilty of war crimes.That she murdered a Jewish family in her home—her own home—a family she’d known all her life.

How she escaped the authorities is anyone’s guess.

There was no proof. There were no witnesses.

Should have been tried with the rest of the war criminals. Should have been hanged.

Just a rumor.

It’s no rumor, look at those eyes.

Some of the nurses, but not Helen Arlington, secretly call her Frau Brinkerhoff or the Commandant.

Edith knows what they say. They do not say these things to her face, but she knows. She has trained herself not to care. They roll her onto the deck when the weather is pleasant and position her in front of the window of her room when it is not. She occupies herself with the movement of sunlight across the room. Now it is at the corner. Now it has reached the smudge on the wall, where a swath of paint covering a stain does not quite match the rest. It creeps across the door to the hinge. The nurses come with her medication and meals. Sometimes they speak to her, sometimes not.

“Well done, Mrs. Brinkerhoff,” Helen Arlington says when Edith is finished in the bathroom, as if urinating were an accomplishment. Edith brushes her teeth and washes her face. The nurse wheels her back into the room to get her dressed. She knows precisely how to maneuver her patient, how to pull her forward and support her as she lifts her buttocks. She fastens a brassier around Edith’s chest and pulls on underpants. She gathers a dress in her hands, and drops it over Edith’s upraised arms. She does not care whether the rumors about Edith are true. Patients are to be cared for. A job is to be done. She is neither kind nor unkind. She is professional.

Edith allows herself to be moved, jostled, dressed like a doll. She watches the nurse fold her nightgown into a perfect rectangle and slip it into the drawer.

She knows this: Six hours later, Helen Arlington will be dead. She will be driving home after her shift. A driver coming east on Appleton Parkway will be texting to his girlfriend. You were with him. I saw you. Dont lie 2 me. The nurse will be listening to All Things Considered on NPR, a bag of groceries on the passenger seat, a loaf of raisin bread on the top, a bag of not-quite-ripe peaches. At the stoplight, she will reach to punch a radio button, turning to soft jazz. She will enjoy the music, which she finds relaxing. She will think about her son, how he’s doing better in school. The light will change. She will toe the gas pedal. There will be no screeching breaks, for the driver of the other car will be reading his screen. U R such a baby i dont even like him.

The impact will hurtle Helen Arlington’s body forward and to the right. The other car, an SUV belonging to the parents of the texting driver, will tear into the body of the nurse’s old Saturn, into her own living body. The pain will be shattering explosions, purple, red. It will last for 9 minutes and 16 seconds before Helen Arlington dies.

The sunlight reaches the edge of the dresser in Edith Brinkerhoff’s room. Edith looks at the clock. It is 7:05. Helen Arlington will die at 1:17.

“Here comes your breakfast,” the nurse says. The aid has arrived with a tray. Steam rises from a bowl. The aroma of oatmeal mingles with the scent of hot tea.

The aid places the tray across Edith’s chair. “Enjoy your breakfast, Mrs. Brinkerhoff. I’ll come and pick up your tray in an hour. It’s a beautiful day out, so I can put you on the deck for awhile. Would you like that?” The aid is young and uncertain. It embarrasses her to talk to Edith, since there seems to be no point. The woman’s mind is clearly gone. Lights out. No one home. She looks up at Helen Arlington with a questioning expression. The nurse nods approval. Pleased that she has done the right thing, the aid turns and leaves.

Helen Arlington fills Edith’s pitcher with fresh water. She picks up crumpled tissues from the stand next to the bed and opens the blinds. “I’ll tell the girl to check on you every hour,” she says. “Have a good day, Mrs. Brinkerhoff.” Edith watches her leave, the last glimpse of her dark ankle in her white shoe.

After breakfast, Edith is pushed to the window. The day is sunny and warm, but the aid has forgotten her promise to take her outside. Mrs. Brinkerhoff will spend her morning watching the cars through the glass, noting their colors. Light blue. Dark blue. Silver. Maroon.

The rumors about Edith Brinkherhoff are true, mostly. Now, when her life consists of the moving wedge of light, the counting of cars and days, she has only this: to remember.

She remembers the Levinsons. Samuel, a quiet man with dark eyes and a threadbare jacket saturated with pipe smoke. His late wife, Rachel, cheerful, blond as any pure German, who died young of influenza. The twin boys, toddlers in her earliest memories, then raucous schoolboys, then awkward twelve-year-olds, who had left cuteness behind and would never have the opportunity to become handsome. The boys played the piano. The Brinkerhoffs heard the music from their apartment every afternoon, major scales, minor scales, Mozart, Chopin.

The Levinsons were the Brinkerhoffs’ neighbors for fifteen years. They were friendly, but not friends. The Brinkerhofs didn’t care that they were Jews, not until later. They were too absorped in their own troubles—the broken stove, the leaking pipes, the rising price of everything—to worry about the Levinsons. Edith’s father drank too much. Her parents argued.

She was not Mrs. Brinkherhoff then, but Fraulein Edith, a bony-kneed, nervous child, easily overlooked. Not disobedient or rowdy, but neither cute nor charming, and with a tendency to say odd things.

The bird stood on my palm, and that’s when I saw it—the wall coming so fast. I felt my shoulders move, not shoulders but wings.

Good God, girl, what are you talking about? Stop tugging at your hair. Stand up straight.

I didn’t see the wall, and then I did, it was white and it came so fast I couldn’t stop.

Go to your room and read one of your books. Papa is not in the mood for nonsense.

The bird was a wren who had eaten seed from her hand as she stood on the landing one spring afternoon. She found the wren—she felt certain it was the same one, though she could not say why—lying by the wall of the school, ants in her beak and eyes. Edith was with her sister Ilse, who was seven, two years younger than Edith. The younger girl wrinkled her nose at the sight of the bird’s broken neck and swarming eyes, and made gagging sounds to indicate her disgust. Edith took her hand. Come on. Class is starting. Ilse ran up the stairs, but Edith turned to look at the bird, the white wall.

It did not happen for a long time after that and Edith began to think perhaps she’d dreamed about the wren. No one can experience the death of another, a death that hasn’t happened yet. But she could not forget.

One day, Herr Levinson met Edith on the stairs.

“Wait here. I have something for you.” He disappeared into his apartment and returned with a small bag containing two chocolates, one for her and one for Ilse. A relative had sent them from Holland. “I suspect you do not get chocolates often,” he said.

“Thank you, Herr Levinson,” Edith said. She had been taught to be polite.

The same week a boy from Edith’s school died of measles. Rainer Muller was a tall, studious boy in her class, a boy who liked science and wanted to be a chemist. Many children had measles that year, but while most returned to school in a week or two, and were soon running around as if nothing had happened, Rainer was buried in the graveyard by the church two weeks before his 12th birthday.

Edith told her parents she’d dreamed about it before it happened. She called it a dream, though she knew it wasn’t. She was wide awake when Rainer’s hand brushed hers as he walked past. She felt the burning fever, her eyes like hot stones, the drilling pain in her forehead, the sweat-laden weight of the quilt. She heard the soft sobbing of a woman. When she opened her eyes she saw not her own mother, but Rainer Muller’s, clutching a handkerchief, her face damp and swollen. Edith closed her eyes and lay in the still center of the pain until she felt Rainer’s death, the slip-sliding away.

Her mother told her it was a coincidence that she saw Rainer’s death just before it happened. You’ve heard people talking about children who died of measles. It’s made you anxious, and your worry turned into a dream, that’s all. Now, go outside. Why don’t you take your sister to the park?

Edith was not like Isle, who was dimpled and empty-headed. Ilse sat on papa’s knees and giggled. She sang, and the relatives beamed and applauded, not because she was talented, but because she curtseyed so cutely and had such a pretty little mouth. Edith sat, lost in thought, ignored.

The child is so odd.

Herr Levinson did not give Edith chocolates again, but he did invite her in for tea. He told her to ask her parents if it was all right. She didn’t, but she told him she had. She sat politely in his living room while the little boys played the piano and showed her their books. She was not interested in music or books, but she was happy sitting in the Levinson’s apartment. Herr Levinson showed her a picture of him and Frau Levinson when they were young. Edith thought the couple looked very beautiful together, that they seemed to be glad to be married to each other.

“You are lonely, I think,” Herr Levinson said. “I was a lonely child, too. With an elder brother who grabbed all the attention.” He lit his pipe, filling the room with fragrant smoke. “If you ever want to come play with the boys, you let us know. Our door is open.”

When Edith left the apartment, she sat in her room and cried silently, as if Herr Levinson had opened a wound that needed cleaning. She was much too shy to come for a visit again, but every time she saw Herr Levinson, he smiled and stopped to talk. Even after she stopped speaking, he talked to her.

One day—autumn, gray—she stood in the rain outside the door of Herr and Frau Hofmeister’s, neighbors two doors down, for more than an hour, trying to get the nerve to knock. From beneath the door came the smell of sausages and potatoes frying, children shouting. She raised her hand three times and put it back down three times. The fourth time, she forced herself to be brave. Frau Hofmeister, who knew her only as the Brinkerhoff’s daughter came to the door in a grease-spattered apron, her hair frizzing out from her bun.

What is it then? Speak up.

I just came to say…

Yes? Say what? Frau Hofmeister turned to shout over her shoulder. Maddalen! Ferdy! Stop running in the house! Then back to Edith. If you have something to say, say it.

I came to say…please be careful of your cat, Frau Hofmesiter.

My cat? Wenzel? Frau Hofmeister turned to look at the smooth white cat reclining on the sofa, licking his side. What about Wenzel?

Please don’t let him outside. It isn’t safe.

What are you talking about?

He could get run over by a car. You wouldn’t want that to happen, would you? If you keep him in the house, he won’t get hurt.

Frau Hofmeister was busy and tired and she sent Edith off, but two days later, the Hofmeisters appeared at the Brinkerhoff’s door, Frau Hofmeister clinging nervously to Herr Hofmeister’s arm, both of them peering inside, looking around the room anxiously for the strange child. Edith listened from the stairs.

Wenzel has gone missing. Two days now! He is always home at supper time. I give him scraps from my own plate. He must be hurt—or worse.

The girl did something to him. Not Ilse, of course. The other one.

The other girl? Our Edith? She’s not the kind of child to harm an animal. She would never… Edith heard her mother’s voice dwindle. She heard the doubt.

She came to our house. She threatened us! She said she would harm Wenzel if we let him out.

Papa called Edith’s name.

Edith, what do you have to say? What did you tell the Hofmeisters about their cat?

Wenzel had sauntered up to her one day outside her house. She crouched to pet him, heard the squeal of tires, felt the crunch of bone. She jerked her hand away and stood, staring at Wenzel as he snaked around her ankles.

I dreamed it I dreamed it I dreamed it. It wasn’t a dream.

Edith was not punished. Mama and Papa told the Hofmeisters they were mistaken, that cats run off or die, it happens all the time. Still, Edith saw something new in their eyes. That night, she heard them discussing her. Such a strange girl. She’d heard this many times before, but now it had taken on new meaning.

After that, she kept her dreams-that-were-not-dreams to herself, and since she could not tell the most powerful thing she felt and knew, she fell into a silence broken only when adults demanded it, and sometimes not then.

The images came and came. When Frau Schmidt touched her palm while giving her change at the bakery, Edith saw her slip on a slick bathroom floor, felt the impact of the sink cracking her skull. It would not happen for another year, but it would come. An elderly man brushed past her on the streetcar and she felt his chest explode, saw the light grow white in his eyes before it blinked off. Two years in the future. Inevitable. She held the Schneider’s baby and knew his breathing would stop, unexpectedly and for no reason, in three months and four days, at 2:04 A.M..

She tried only once to stop it. There was a dog, a stray who lived in the neighborhood, and whom Edith fed scraps of bread and fat sneaked from her own plate. He was shy, but one day he lowered his head and allowed himself to be petted, and in that way she learned his death would come on a Tuesday morning in August, in the canal near the bridge, not far from the church. He would be trying to drink when he slipped. Cold water, a desperate flail of limbs, the burn of the lungs the hold hold hold hold hold of air, and the one thing that is worse than not breathing, and that is breathing water.

She thought about the dog every night, week after week, and as the day of his death approached, a deep, firm determination formed in her chest. She could not keep the wren from the wall or Rainer from measles or Wenzel from the crushing wheels of the car. She could not stop Frau Schmidt from falling or make the Schneider’s baby breathe. But she could keep the dog from the canal.

The day before, she waited, sitting on the ground, dirtying her dress, knowing she would catch trouble for it. She waited a long time, several hours, and finally, the dog came. She had a rope and a bit of bread. The dog was hungry. He knew her. He was a sleek, bony dog, completely gray with gray eyes that studied her face. He hesitated only a moment before lowering his head and humbly coming to her. He did not snap or bite when she slipped the rope over his head. He did not protest when she led him home. She managed mirculously to get him into the house and up the stairs without her parents knowing. She put the gray dog in the closet. He seemed to know to remain quiet. She lay down a blanket, and he curled obediently on it. She filled a bowl with water and placed it down for him, and that night, she sneaked him scraps wrapped in a napkin. When the family was asleep, she allowed the dog out of the closet and onto her bed. He would be safe now. When the time came, he would be nowhere near the canal, but in her room. In the morning, she would release him because the drowning time would have come and gone. He would die someday, but not this day. She closed her eyes and breathed next to the contented snoring of the dog.

A scream woke her. It was early morning, cold, and the scream came from her mother. The door to her bedroom was open. But how could it be? She had made sure to close it. She stumbled out of bed and down the stairs in her nightgown, rubbing sleep from her eyes.

Mein gott! Mein gott!

Papa swore. “How could such a thing have happened? How did that mutt get into the house?” The gray dog lay on the kitchen floor, his eyes glazed, his muzzle in a pool of blood. He had eaten the white powder Mama used to kill rats. He had ignored the scraps of fat and crusts of bread in the garbage, which he could easily have reached. He worked the cupboard door open, going for the one thing in the house that would kill him.

That is when Edith learned. Death comes when it comes.

In school, Ilse grew popular. At fifteen, she had large round breasts. She giggled, and no one minded that she did poorly at her lessons.They called her sweetie and angel. She no longer sang for the adults, her voice so out of tune that even her prettiness did not make up for it.

Edith, to her great relief, no longer went to school. She did not listen to the radio with the family or pay attention to Papa’s pronouncements when he read the paper. The world changed around her, and she grew more silent. She was sent out sometimes to buy bread or cheese. Mama could not stand the way she shut herself in her room. It frightens me, the way she stares. She made up errands to get her out of the house.

On a snowy day in February, Edith went to the butcher in Haupstrasse. She returned with a miniature piece of beef and a dish of cabbage and chicken the butcher’s wife, had made. She was a friendly, smiling woman, who more than once had given Mama pieces of meat when her husband was not looking. No, no. Pay later! Times are hard.

It was nearly seven by the time Edith returned. If it were not for that, she would never have met Herr Levinson on the stair, where he sat smoking in the evenings. He would never have said, Guten Abend, Fraulein Edith. He would never have helped her with the key. She would never have touched his hand.

She staggered back. The dish fell, shattering on the concrete, shards of glass mixing with cream and cabbage.

“Oh dear dear,” Herr Levinson said. “A terrible shame. I will get the boys to help clean it up.”

She stared. She did not speak. Her breath would not come, then it came too fast. She fled Herr Levinson, the stairs, the mess of meat and glass, up the stairs, through the apartment into her room. She closed the door. It is not a dream.

She had known a hundred deaths by then, but never one like Herr Levinson’s. It was far off, months or possibly years in the future, but coming, coming. There would be unbearable cold. There would be hunger. Not ordinary hunger, but a raging yearning for food, a burn in the gut like cold fire. Look at the wrists, the jutting bones, the skin hanging like rags. These are my wrists, my hands, these claws. She saw the eyes of strangers, too large in shriveled faces. She saw a face, a well-fed boy, not a man yet, rosy cheeks, cruel eyes. She smelled death everywhere, everywhere. Where are the boys? The boys, my boys, my boys. What did they do to my children?

Edith locked herself in her room. She curled up in her bed, but she did not sleep.

In the morning, the Levinson boys came to the door. She heard their voices and got out of bed to press her ear to the door.

“We cleaned up the mess, but our father was concerned. She seemed unwell.”

“She is fine. Thank you.” Mother said nothing more. She didn’t thank the boys for their concern or their father’s help. She closed the door. She no longer spoke to the Levinsons.

Edith heard the boys’ voices, and she remembered their father’s words, the words he had not yet spoken, that he would speak some day. My boys my boys my boys my boys.

Edith refused to leave her room, despite her mother’s roaring demands, the pounding of her father. Come out this minute! She would not speak. She heard footsteps on the floor above her bed, and muffled voices—Herr Levinson and his sons. They would all die, the boys before their eighteenth birthdays, grotesque, lingering deaths, without dignity or comfort, and their names would be forgotten.

Death comes when it comes. How long ago had she learned that? She remembered the wren, the cat, Rainer Holtzer dying in a fevered haze. She remembered the gray dog. She could not save any of them.

On a gray March afternoon, Edith Brinkerhoff knocked on the door of the Levinsons’ flat. She held a covered dish, one hand resting on the bottom, a potholder shielding her palm from the heat.

“I wanted to thank you. For cleaning up the mess. For inviting me into your house that day. Long ago now.”

Herr Levinson’s eyes widened. “You are speaking, Fraulein. It has been so long since I heard you speak.”

“I brought you a dish. Kugel. I hope…” She hoped the Levinsons would eat the kugel. Perhaps they ate only Jewish food. Perhaps they would be wary of eating a dish prepared by such a strange young woman. Perhaps they would throw her kugel out, not knowing it was their only chance. They did not have long. Things would get very bad soon. Later, they would get worse. A few months, and it would be too late to help them.

Herr Levinson took the dish, smiling.

“Come in, Edith. Have some tea.”

She said no. “Good evening, Herr Levinson. Say hello to your boys for me.”

“I will, Edith. Thank you.”

Edith’s mother ranted. She ranted when the Levinson’s died. Poisoning themselves! What trash! Good riddance! She ranted about her silent daughter, the price of meat, her husband’s drinking. She ranted, too about the rats. What had become of the white powder she kept below the sink? There was half a jar last time she looked. That Jew poisons his own sons and we cannot get rid of the rats in our walls. Later, she opened her eyes her heart speeding in the middle of the night, when the connection she could not make in the daylight came to her in the dark.

Ilse was relieved when her husband went to war. She did not mourn when he died, though it left her with two hungry children and not enough money and the bitter sense that she had been robbed. She listened to the radio and believed the stories of triumph and patriotism and was bolstered, thinking of her sacrifice for her nation and her race. When the war ended, her only regret was losing her beauty at too young at age.

In 1952, she and her second husband emigrated to St. Paul, Minnesota. There was nothing for them in Germany now, they said. Mama and Papa had died by then, both of colds that turned into pneumonia. Ilse insisted that they bring Edith, despite her husband’s protests.

We can’t leave her alone. She’s crazy as a bat. A murderer. If it got out what she did…

We can’t live with her, Ilse. Think of the children. We have to keep the children safe.

We’ll find a place for her.

Ilse paid for the nursing home out of her inheritance, and then from her husband’s salary, a dear price. Edith was, after all, her sister.

“I won’t be back,” she said, parking Edith by the window on the day she brought her to the home. “Ever. We’ve had enough, Edith. We know what you are, what you did, and we don’t want you in our lives. You will be provided for. We would not let you out on the street. We’re not monsters. Not like you.” She left the room. A few minutes later, Edith saw her below, walking through the parking lot to the car in her gray wool coat and hat. A cloud of exhaust puffed from the back, and Ilse was gone.

The same day, struggling with a strange country, a language she spoke imperfectly, an angry husband, and the burden of a sister she feared and hated, Ilse told someone—a new friend in her new land—the shame that burned like fire smoldering under ice, swearing the new friend to an impossible secrecy. Ilse must talk, as Edith must be silent. She didn’t know the way words spread, from one person to the next to a nurse who tends to Edith every morning.

Edith does not know how long ago it was that Ilse brought her here. She has watched the sunlight move across the room perhaps ten thousand times. Judith Greene brings Edith her lunch, and one of the boys comes in with her afternoon medication. She watches the clock hands move inevitably toward 1:17.

It is nearly two when she hears alarm in the voices from the hall. She cannot make out the words, but she knows they have gotten the news. They liked Helen Arlington and will grieve her.

You just never know when it is going to happen. You get up in the morning, and you just don’t know.

The sun moves to the small table, where there have never been flowers. It glares on the metalic edge of the mirror. It dims.

From her window, Edith counts the cars. She notes their colors. Three blue. One white. Four silver. Doors open and doors close. Footsteps mark out complex patterns, thousands of steps back and forth, leaving and returning, each one stepping toward the same end.

 

 

BIO

Jill JepsonJill Jepson is the author of Writing as a Sacred Path: A Practical Guide to Writing with Passion and Purpose (Ten Speed Press) and the editor of No Walls of Stone: An Anthology of Literature by Deaf and Hard of Hearing Writers (Gallaudet University Press). She holds a doctorate in linguistics from the University of Chicago and an M.F.A. in Writing from Vermont College of Fine Arts. She is a full professor at St. Catherine University in St. Paul, MN.

 

 

 

Maximum Compound: Mug Shots

by Stephanie Dickinson

 

“Anything with glitter is great. The girls go crazy over that. We use it for make-up and art so when you see a card with glitter, send it.” — Krystal Riordan, Inmate #661387

 

&

CLINTON, NJ. Edna Mahon Correctional Facility for Women

Maximum Compound revolves around the sun but the air’s darker and more confined. Understand these aren’t the femme fatales and sex selling dahlias, not the thieves and drug dealers, not the welfare cheats or DUI violators, these women are the violent offenders. They don’t pull up in a Porsche; they’re transported under armed guard. They’re young, they’re ghetto, white trash, a few are middle-aged college-graduates, some will get their GED here and take college classes, others will become senior citizens, some will die here. They’ll arrive pregnant, psychotic, post-traumatically stressed, they’ll deliver their baby here, or have a hysterectomy. They’ve got dreads, and natural blonde locks, they’re tattooed like a graphic novel and wearing the last address of their baby daddy inked on their wrist. Many of these women have killed or kidnapped an employer, neighbor, husband, child, a stranger. Maximum Compound women arrive encumbered with their crimes and the weight of their sentences. They arrive put upon and willing to use anyone.

 

“I need to get some favors if it’s possible. I’m really struggling. I have not been getting my state pay for the last 2 months. I have 1 bar of soap to my name. Is there anyway you can send me $30 by next Wednesday so I can order? I feel like a bum. Also can you call this number for my friend Shanikah and tell him to write her or email her. He lives in Newark but has a house in Summit NJ. Happy Holidays

Krystal Riordan, Inmate #661387

 

&

It’s a rule bound world, a world where dance competitions and making birthday chili and rice for your girlfriend co-exist with fight blood on the floor. Although time is filled with a job, a routine, a mess hall schedule, real time stales. It pools around you, goes stagnant, and doesn’t flow. Each day is similar from the view of a locked world, a day hard and long to get through, and the years flying away. There are no hickories and maples and quaking aspen, no huge-eyed deer. No smell of burning pretzel dough. No strolling into a Starbucks for a coffee tall. No dressing to go out looking edible as tiramisu. The outside world stands still, remembered. The inmates in Maximum Compound count their absence from the outside in decades. Television is their one window. Rules, rules. Yet life teems here—new inmates arrive, new friendships, new loves, new hates. I’ve been a friend to this prison planet, this Maximum Compound where the most dangerous women in New Jersey live, the ones who the media portray as topping the depravity index. EMCF lies outside Clinton, a two-hour trip by car from Manhattan, but for those visitors without vehicles, there’s a prison bus that leaves from Midtown on Friday evening and arrives eight hours later. All must prepare to be searched, and to stow their possessions in a locker, before visiting an inmate. No water, no sodas, nothing but your flesh covered appropriately, i.e. no halter tops or bustiers.

 

Can you please find me an image or 2 of Woody Woodpecker, Angry Birds, and Stewie from the Family Guy. My friend needs 3 more copies of gothic lettering. Books must arrive via the publisher or Amazon, but Amazon consistently leaves out the packing slip.”

—Lucy Weems, Inmate #922870-C

 

mugshot #1: Krystal RIORDAN

The reason I’m drawn to this world is Krystal Riordan, Inmate #661387. She’s pictured here in sneakers and the white, knee-length shorts and white, short-sleeved t-shirt inmates wear in warm weather. Summers in the New Jersey heat there’s no air conditioning to cool inmates in Maximum Compound only the administrators can control their climate. Winters, Krystal wears grey sweats, an undershirt, a hooded sweatshirt, and tie-up boots. Visiting days, blocks of two hours, a photographer comes and the inmates can pay for pictures with their commissary money. Everything runs through commissary, the real food, the fun food, Tampax and toothbrushes, shampoo and stamps, sneakers and underwear. Krystal is a beauty, her height 5’10”, her skin, the plush pale of an eighteenth century beauty whose face never sees sun and whose lady maid dusts it with a lead powder. Incarcerated for nine years, she’s moved farther beyond the headlines that once focused on her as if she was guiltier than the perpetrator, as if a male’s lust and aggression could be understood, but not a female who doesn’t to stop an attack on a fellow female. On July 26, 2006, Jennifer Moore, age 18, was abducted after a night of underage drinking. Jennifer’s friend drove them in her mother’s car to Manhattan from New Jersey, to go clubbing. The girls parked in a No Standing Zone and when they returned, discovered the car had been towed. The night has interested me since first seeing Jennifer Moore’s picture on the New York Daily News cover. Teen Missing after Night of Underage Drinking. Her face appears as if born underwater of the half-fish, half-human species, dreamily sloe-eyed as if she’s looking over your shoulder. It’s a mysterious face, her half smile like the Mona Lisa’s. The next day the teen’s body is found in a Weehawken dumpster and a pimp and prostitute are under arrest. Weehawken, New Jersey. The ménage à trois that ends with one girl dead, the other girl charged as an accomplice, and her boyfriend confessing to kidnapping, murder, and rape. The city built on the rock cliffs overlooks the Hudson, the pristine waterway that Henry Hudson, the great navigator, marveled at like the Hackensack nation before him. Manhattan lies just across the river and from the ferry launch Weehawken’s cliffs appear as pedestals for trees and stone mansions—like dreams half-remembered in the sleeping heads of robber barons.

 

 

“I used to get a lot of mail but I never wrote them back. “I’m glad you’re in my life. I asked my Mom if she would be interested in talking to you. She said she doesn’t want to dig into the past. That time was hard for her. The Media following them. People they thought were their friends stopped talking to them. She said when she goes out people still whisper behind her back. She will be 70 in November.”

Krystal Riordan, Inmate #661387

 

&

And it was a mugshot I first saw of Krystal Riordan on the cover of the New York Daily News. Hooker Watched boyfriend kill teen. Arrested at age 20, the prostitute girlfriend of ex-con and small-time pimp Draymond Coleman, she had watched him beat and strangle eighteen-year-old Jennifer Moore in a Weehawken hotel room. Panicked, frozen, she’d not tried to stop him. Although, she’d left the room during the assault, she’d alerted no-one and had used the venting machine to buy a soda. This act was caught on the hot-sheet hotel’s video camera, a shabby black-and-white world where green plants, blue water, and air didn’t exist. Sure he would kill her next, she’d split into two beings, one watching herself from a distance. Not quite a robot programmed to obey him, but loyal to a fault. Wearing a pink tube top with spaghetti straps, a nose piercing, and silver necklace, her lips looked caught in mid-tremble. The mugshot that captures her soft face and frightened eyes speak their own truth. Draymond had cracked wide open, he’d snapped. Terrified, she helped him clean the dead girl’s body, and together they disposed of Jennifer in a nearby dumpster. A public defender represented her. Her sentence: thirty years. The maximum. Tabloids had a field day with the story—the underage girl/victim, a hooker, rape and murder. Fox News blamed the victim, pointing out Jennifer’s scanty attire as if a halter top had made the teen deserving of her rape. What should have been a teenage misadventure, an impulsive flirtation with the forbidden, led to ultimate consequences. Bloggers portrayed Draymond Coleman as a force of nature, bestial, hardly human and uninteresting, while they pilloried Krystal as if she were the murderer. On the escort circuit I imagine her blinking her blue icicle eyes but warm icicles. Later she will tell a friend that Draymond had sex with Jennifer after she was dead. In county jail Krystal stared at the floor for month, not speaking.

 

“Please look in the jewelry section for a cross and chain (Walkenhorsts.com caters to Institutions). The cross no larger than 1 inch by 1 inch. The chain no longer than 12 inches. I want to give Krystal a cross for her birthday. It is the only necklace they allow.”

Lucy Weems, Inmate #922870-C

 

&

After you’ve befriended an inmate, the Maximum Compound of requests comes at you, things that only someone on the outside can finesse. “Please help me buy a toy for my daughter’s birthday from Kmart or Toys R Us. Some type of fashion design kit of lip glosses or a cute purse from Hey Kitty.” You who can make duplicates of court documents, who can goggle and download welfare applications, who can Xerox copies in full-color of the nameless photographs that come in stacks. The photographs are so old especially those of the outside: photos of three girls sticking out their pierced tongues, arms thrown around each other; girls in indigo-blue robes graduating, choir girls singing; girls in slinky club clothes blowing lipsticked kisses. Some photos are so taped they stick to the glass of the Xerox machine and you feel the heft of something precious in your hands, many are of children—brown-eyed boys and girls ages 2 to 7, infants in flannel footsie pajamas, many of the children’s photos are old and those pictured have grown and left behind the selves they are here, but to their mothers the children are fixed, they do not change. The new photographs are from the inside of Maximum Compound—a parade of women in pairs standing before colorful wall painting (as if an altar) wearing winter’s grey sweats or summer’s teeshirts, lovers, friends, cellmates. The newest inmates have Facebook pages and you can look up their profile and page and print pictures from their photo gallery, but no pictures with gang signs or middle fingers or else you can color out hand signs with a marker, but please do send information i.e. the inmate number and address to dirt buddies, (friends from the cradle to the grave).

In Maximum Compound a Santa comes on Christmas. The state pays for the holiday bus that brings children of inmates to Edna Mahan. Here for photographs the inmates wear beige dress slacks and mannish short-sleeved shirts.The pretty mother, heavily tattooed with arms crossed over her chest, stands next to Santa, a scowling black man in red suit and dazzlingly white beard. He’s an inmate from the men’s prison and the baby boy on his lap is howling. On the back of the photo the 20 year old mother Evy Shine has written, “My baby boy don’t like Santa. Me and my Prince Duce.”

 

&

When Krystal first entered the locked land of EMCH she had a cell to herself and worked on the grounds detail. She mowed lawns, painted, waxed floors, took out the trash, and moved people from Maximum to Minimum Security. After almost nine years into her time served her public defender requests through the courts for a sentence reduction. It is denied. Here everyone likes her, both inmates and guards, but that can change in an instant. A slight. A perceived insult. She rarely criticizes anyone and never the prison. Every word leaving or entering the correctional facility is monitored. The Edna Mahan website itself says: “Incoming general postal correspondence may be read as frequently as is necessary to keep safety and security or watch any problems regarding any inmates.” And then a new inmate punches her in the face in the mess hall. Krystal defends herself and finds herself taken to solitary confinement, so too the new inmate who rumor says is psychotic. The only way Krystal could have avoided punishment would be to let herself be hit.

 

“Can you send this to Shaniqua Pierre. Hey Puddin Cup, I was going through my stuff and found letters from you. I really miss you and need you in my life. You were and are my better half. You know we always find our way back. I love you so much. I will be down there on Saturday. Maybe we can get some time together. Write me back on here. Stephanie will send it to me. I wish you were with me right now so I can do some things like we did in Ad Seg.) I didn’t want to leave. I could have done my whole time with you in there. Well I love you. I miss you. Love Always. Snuggle Bunny.”

Krystal Riordan, Inmate #661387

 

In solitary you have quiet time 23 hours a day. 3 showers five minutes each a week. No commissary so Krystal stops eating. She lies on her bunk remembering movies she’s seen. In one a jet stream opens the sky with its tail of mist. Clouds herding, long blue tusks and storm brewing. Panning shots of the Greek caves, temple ruins, islands—chunks of burning lamb over the sea’s fire. If you talk like that with the street pimps their eyes roll back. On the third day she starts making her own movies up. She stars in them. The fine restaurant in Acapulco and on her cocktail fork the white of a shrimp with red vessels. Dessert’s a flaming baked Alaska. Dining out takes three hours. She stars herself as the Marriott maid who cleans the room of Tristan Wilds from The Wire, a hot black actor under 30 Soon they’re both sprawled in the chaises, the remains of breakfast, scrambled eggs and muffins, spilled over. Raspberry jam and butter for lube. She wears a long billowing white robe. The robe’s spreads across the aquamarine pool’s surface like a napkin. The blue is the color of her eyes, she dives in. Here is another movie the one in which she escapes Draymond and her own fate. Her blond hair is matted. She’s wearing a long skirt and a tube top. There are red crumbs around her nostrils. The bell clerk is from Guyana, (like the one at the Park Avenue Hotel) and he’s fallen in love with her. It is the Park Avenue Hotel and the murder hasn’t yet happened. “That lout must have hit you,” he says. “I want to take you away from this place.” She’s picked Jennifer Hudson from Dreamgirls for the role. Funny, it’s a woman she’s cast in the role of a man. “I don’t know how it can be but your face takes my heartbeat away. You are just the right pretty for me.” They are in a tropical country and Krystal’s wearing a thong. She shouldn’t be half naked like that in her fiancé’s Guyana with mosquitoes like small birds and disapproving eyes everywhere. You smack your arm when you feel them drinking their blood meal and your hands come away wet. But soon the woman-man and Krystal are naked and making love.

 

“Steph, me and Nicole were damaged when we got adopted. I would always tell the Riordans they weren’t my parents. I just wanted to go home. I feel like I’m losing it. Please don’t think I’m crazy but I’ve been smelling sometimes lately…I don’t know what it is. But it’s triggering something in me. It’s a bad feeling and my stomach starts to turn. I get scared and want to go somewhere and throw up. I think the smells goes back to when I was young and my uncle was touching me.”

Krystal Riordan, Inmate #661387

 

&

In solitary there is time for life review. Krystal is 29 years old. The child of a prostitute and a drug dealer, Krystal spent the first five years of her life in a dirty apartment sharing a bed with her two sisters, growing up hungry and neglected, nights the oldest sister would ferry out into the wilds of the kitchen in search of food, pilfering the empty cupboards and refrigerator, coming back with treasures of dill pickles and canned ravioli. Tomato-mouthed little girls nestled against each other. Then the night men would visit, brought to the bedside by her mother. The silver bellied men. There are fishes who build nests in the weed-choked waters, like the stickleback, with its long body and strong jaw. The mother lays the eggs in the seaweed nest, and the father fans water over the eggs, then he guards the hatched offspring until they are ready to leave the nest. Krystal’s birth parents were less nurturing than the stickleback. Once the wan blond girl started school, in the fluorescent’s objective light the neglect was apparent. Now Eva has reached her 49th year and her picture on the people profile finder shows Krystal’s biological mother living in Connecticut and still married to Krystal’s father. The tiny photo shows a black-haired woman dressed in grey stretch pants tights bent over and mooning the camera, so what you mainly see is her buttocks. In Charlie’s photo he wears a white t-shirt imprinted with a pot leaf and exhales a gigantic cloud. When Krystal closes her eyes and tries to remember her early years, there’s nothing there but her uncle stroking her hair and then his fingers moving over her, touching her.

 

“As far as the “work” goes, most of the men were okay. A few jerks. The police were the worst. One put a gun to my head. Another put a knife. They would force you to do favors for free. Usually some weird stuff. How would you feel about me putting you on my phone list? It can only be a land line. I think one goes in within a few weeks.”

Krystal Riordan, Inmate #661387

 

Krystal once lived at night and slept days. She worked in the world’s oldest profession inviting strangers to enter her body. I want to ask her about the sex, and while I’ve asked her about the murder, I’ve not gone too near the sex. Did she always use condoms? How did the work make her feel? How much of it was straight sex? When her ad read full-service what did that mean. What kind of men did she attract, and how did she find them? craigslist? I read on-line that one of the escort services Krystal worked for accused her of cheating them out of their percentage.

“My sister Nicole hasn’t been seen or heard from since December. She’s getting high again. Steph, you send me books. My family hasn’t sent me one book in 8 years. I don’t think they understand the whole commissary concept. I have to order everything, nothing is given out. I need to order clothing, sneakers, food, cosmetics, personals. You’re really my only source of income.”

— Krystal Riordan, Inmate #661387

 

&

Krystal tells me of being sent to Elan, the exclusive boarding school for troubled teens. Her adoptive parents, partners in the Greenhaus Riordan accounting firm, don’t know what to do with her. She’s ruining their reputations. Once at Elan she’s made to write a letter to them confessing her sins. She’s never had sex, never had a boyfriend, yet she’s forced, this virgin molested before the age of five, to call herself a whore. “It was a lockdown residential school. I was there for three years. If I’d never been sent there, I might have had a full basketball scholarship. The scouts were watching me from junior high on. In group therapy I started to believe I’d done all those things.” And in Elan she meets other troubled teens, many will later appear in police blotters some charged with murder. After graduation Krystal escapes to New York City, moving in with a girl she went to Elan with. The girl works as a prostitute and initiates Krystal into the trade. You don’t need a resume. No references. Men desiring her enough to pay money for her favors makes her feel beautiful. A princess in a fairy-tale. Placing ads on craigslist, calling herself Lisa, offering the $150 special. The good money buys her clothes and a truck; the good money attracts Draymond Coleman, the husky ex-con.

 

Please send Antoinette Carter the Cristal Bic Pens. Please send ASAP. Her numbers are #179192E/761091. Well I love the Halloween cards. I can’t wait to use the glitter for make-up. I also received Love Highway today. I will start it tonight. Don’t worry I won’t be mad. Your friend Krystal

Krystal Riordan, Inmate #661387

 

&

Sometimes she dreams of returning to the weathered buildings of Weehawken—its sooty cliffs. The Park Avenue Hotel, a single-room occupancy, five-story brick dungeon in the middle of the block, is gone, torn down after the “notorious murder of an 18 year-old girl” in one of its rooms. A senior center has taken its place. Is that a sign that Krystal will be 50 upon her release, almost a senior? Thelonius Monk spent the last years of his life in Weehawken. And Monk’s syncopations might have been playing on WBGO in the taxi ferrying the soon-to-be murdered Jennifer and her Good Samaritan through the Lincoln Tunnel and into the cliff city. The jazz musician’s genius—tinkling piano like the bebop stirring of ice in a mixed drink, like one of the many—the blue licorice, the amaretto—the doomed teen had consumed that night. Across the street from the now senior citizen center there’s still the Dunkin’ Donuts where Candida Moore wishes Jennifer had sought shelter. Krystal staggers into the darkness, “Hey, wait,” she calls to the girl in white mini and black halter. Who doubts that Jennifer is still out there wading into the darkness. Alone.

 

“When you love someone too much, you can’t see past that person. That’s how I felt about Dray. I thought I couldn’t live without him. I can’t compare the way I loved Dray to the way you love Rob. But if I did, I hope that wouldn’t offend you. I never considered myself a strong person. People say if they got the time I got. They would kill themselves. They ask how I do it. Why I’m so nice.”

Krystal Riordan, Inmate #661387

 

&

The Krystal who lives behind bars seems freer than the baby-faced prostitute trapped between her pimp/boyfriend Draymond Coleman, the funny charmer, and Draymond, the killer ex-con. Letters still come from him. “You showed me true love and I didn’t know how to handle it. I thought it was all a game, but it was true. You put your name on your body. You had my baby. You gave me everything. Now it’s all gone thanks to my stupid ass.” There are paragraphs of complete sentences with no misspellings, letters written in a delicate cursive. “We’ll be Natural Born Killers,” he told her after Jennifer’s last breaths. It surprises me to see the handwriting, and think of the same hand breaking every bone in a young girl’s face. Yet Krystal’s never forsaken him. You could interpret that as a great weakness or a strength. “I’m no longer in love with him but I still care for him. He has no one else.” Yes, Krystal bore him a baby girl who Child Welfare Services removed after finding marijuana in the infant’s blood. The night of his arrest Draymond claims that he’d picked up a working girl at the Port Authority. “I am not a wholesome man,” he tells police, “but I am no murderer.” Wholesome, such an odd word to choose. My mother’s generation used it to describe a good girl, a wholesome girl, what they hoped for in their daughters.

 

“Krystal and I can both have 24 pens sent to each of us, and I found a place that will send 24 pens, including shipping and tax, for about $16.50 in total. The pens would be very helpful in many ways to us. I will e-mail you the info when I get a chance (website, item #’s and costs).”

— Lucy Weems, Inmate #922870-C

 

Eight years after the murder, the inmate Krystal is bitten by a spider and her elbow and forearm swell up. When the redness starts to fade, another bite appears on her arm, and on her leg. Krystal goes to Medical and is told the spider’s venom has caused a blood infection. The poison is oozing out through those spots. The spots are like weeping red eyes that open on her torso. Where the poison seeps out it eats away at her flesh, leaving deep and painful wounds. The inflamed sore on her leg makes it impossible to walk and then the soaring fever sets in. Antibiotics and Motrin are at last prescribed. I wonder if Dray is finally leaving her body. Pour rum over yourself and strike a match—ultimate flambé. His dark poison, his love.

 

* * *

 

 

BIO

Stephanie DickinsonStephanie Dickinson, an Iowa native, lives in New York City. Her work appears in Hotel Amerika, Mudfish, Weber Studies, Fjords, Water-Stone Review, Gargoyle, Rhino, Stone Canoe, Westerly, and New Stories from the South, among others. Her novel Half Girl and novella Lust Series are published by Spuyten Duyvil, as is her recent novel Love Highway, based on the 2006 Jennifer Moore murder. Heat: An Interview with Jean Seberg, was released in 2013 by New Michigan Press. Her work has received multiple distinguished story citations in the Pushcart Anthology, Best American Short Stories, and Best American Mysteries.

 

 

 

Janice E Rodriguez

Ground Control

by
Janice E. Rodríguez

 

 

I blame the International Astronomical Union for my mother’s departure from rational thought. Their announcement of Pluto’s demotion from planet to planet-like object left schoolteachers racking their brains for a my-very-excellent-mother-just-served-us-nine-pizzas replacement, museum curators wondering whether to snap the last orb from their orreries, and my mother, always sensitive to minor shifts that no one else felt, floating away from reality, converted into a mother-like object.

“I’ve sold the house,” she said on an October morning.

Our waitress circled the diner with coffee pot in hand, lingering a second too long by our table, sniffing the air for resentment and gossip. I waved her off.

“Mother, it’s too soon after Dad. You should wait a while before you make a big decision like that. Give it until Christmas.”

Mother wiped her mouth on a paper napkin and counted out her half of the bill plus a tip, stacking the coins into neat piles.

“The papers are signed. ’Tis done,” she said, affecting a vaguely Scottish accent. “You two should come over and see if you want anything. It won’t all fit in my apartment at the retirement community. I can’t keep the telescope, and I’d like someone to have it. Of course, that supposes that David will deign to set foot in my place.”

I kept my face bland and soft, refusing to rise to the bait. She stood and headed for the door.

Irrational. On a whim and probably at a marked-down price, she’d signed away the house whose threshold she had crossed as a bride, my childhood home, the single fragment of our family existence my father was able to recognize when his other memories had fled.

“She hates retirement communities,” I said. “So did Dad.”

The waitress looked at the bill and money and then at me, and I scrabbled in my wallet for my half.

“That your mom?” she asked. “You’re like two peas in a pod.”

“Not really.”

Since I escaped to college, Mother had maintained an untidy orbit on the far reaches of my existence. Six visits a year were plenty—three melodramatic and disastrous holidays, her birthday, and two random days marked in black on my calendar. David always stayed away, which gave Mother an opening line: “Is he at home, or did you finally kick the pompous ass out of your house?” This she alternated with, “Did you wise up and move out yet?”

We scheduled all six visits for neutral ground, like two wary souls on a blind date or two weary spouses navigating a divorce. She had never been abusive; she wasn’t evil; we were just too unalike to get along.

And now, three years after the IAU sent those unexpected vibrations rippling across the solar system and through Mother’s body and soul, she’s gone, a clot shaken loose from a leg or an arm to lodge in her brain. Her pastor and a hospital social worker assure me that she went in an instant.

I stand at the door to her apartment, empty boxes next to me on the floor, her purse tucked under my arm, her key in my hand. The keychain, a battered souvenir of the 1964 World’s Fair, swings heavily, and I hope for a second that its weight will pull me away from the door. I look at the fob, a heavy disk depicting the Unisphere, one of my only memories of that vacation. Mother and Dad hated traveling. The mother-like object that entered my life three years ago visited Cape Cod and the Jersey shore four seasons out of the year and sent tacky postcards with enigmatic messages.

I insert the key in the lock and am pushing open the door when my cell rings.

“Hey,” my husband says.

I juggle the two purses and the phone. “Hi.”

“Your Aunt Betty called. She said nice funeral and she wants your father’s burial flag and his Army medals.”

I stare in horror at Mother’s apartment, decorated in Dad’s least favorite color, blue.

“Are you there?”

“Yeah, David,” I say. Navy wall-to-wall carpeting. “I’m here.”

“She says that the widow has first priority but then after that, that stuff should pass to the nearest living male relative.”

“To cousin Rob.” Blue willow china in the corner cupboard. Toile cobalt children and farm animals scampering across the sofa.

“I gave her your cell number.”

“What? No, David. I have too much to do today.”

“So do I,” he says. “She can’t keep calling me here. I have a business to run.”

I yank the key from the lock and let the door fall closed behind me.

“Did you pick up my dry cleaning?” David asks. He sounds like a cliché.

“It’s on my list. I’ll see you tonight.”

The counselor would be proud of us. It’s the most civil conversation we’ve had without her supervision in six months.

I walk to the kitchen and dump the phone and purses on the table. As I dig for my to-do list, I notice that the kitchen is awash in a sea of blue, too, with some sunny Provençal yellows to keep it company. I pencil the word cleaners where it belongs, between the post office, where I need to find out how cancel Mother’s mail, and the liquor store, where I need to buy a bottle of anesthetic to get me through this week.

On the bookshelf, a gaudy ceramic rooster and chicken stand in front of a jagged skyline of cookbooks. Mother preferred her cookbooks in alphabetical order by author, blind to the untidy look that created.

The rooster and chicken were table decorations at Aunt Betty’s reception the second time she married, the first and last country hoe-down theme wedding I ever attended, and my twelve-year-old self never expected a bride in a patchwork prairie skirt or a groom with a bolo tie, especially when the bride was from Philadelphia and the groom from Secaucus.

Grandmom Parker and Great Aunt Irene sat at a gingham-covered picnic table with us that day. There were ribs and fried chicken, applesauce, potato salad, and a brownie wedding cake. Grandmom ate nothing but applesauce. Great Aunt Irene explained that their hotel was too close to the railroad tracks and Grandmom had ground her teeth—her gums, really, because her full upper and lower dentures had been in a jar on the nightstand—the whole of the sleepless night, and her mouth was too sore to put the dentures back in.

“Isn’t that a shame?” Aunt Irene asked. “Her own daughter’s wedding, and she can’t say or eat hardly anything.”

Grandmom glared at her.

“Of course, there could be a third wedding. With Betty you can’t tell,” Aunt Irene said.

“Harry’s a good man,” Dad said. “He and Betty have known each other for a long time.”

Aunt Irene helped herself to a second drumstick. “Know each other? Well, you know what I always say.”

Grandmom’s eyes narrowed at her in warning.

“I always say that you never really know a man until you’ve seen him naked.”

Our table and the two beside us went quiet in response. Another round of scratchy, bouncy fiddle music started up a few tense moments later.

“Isn’t that right?” Aunt Irene asked Grandmom.

“Let’s dance!” Mother said to Dad, smiling, eyes shining.

“When have you ever known me to dance?” Dad said.

I avoided the withering look he gave her by knocking my fork to the floor and spending more time than necessary recovering it. Under the table, Mother’s feet kept merry time with the music.

I move the ceramic rooster and chicken and begin to pull the books down, unsure of whether to box them up or to reshelve them by height. The doorbell rings and helps me avoid a decision for a little while.

Three elderly women stand in Mother’s doorway, sad smiles on their faces.

“We’re the Transitions Committee,” the first woman tells me.

The second hands me a business card. Happy Meadows—There’s No Place Like Home. Transitions Committee.

The third pats my arm and says, “We’re so sorry to hear of your loss.”

They have matching perms, tight curls blown dry into soft helmets, a blue rinse.

“You look just like your mother, dear,” the first woman says. She hands me a brochure.

They bustle into Mother’s apartment in unison, a single officious body with three heads and six legs.

I remember them now. They were at Mother’s funeral. David and I had been seated in the front pew, with Aunt Betty, Husband #3, and my cousins behind us, their kids behind them. I saw the three-headed, six-legged beast in the back pew on my way to the ladies’ room.

“TB, the family disease,” Mother would have said. “Tiny bladder. Give us Miller women an important occasion, and we just have to go and go.”

I paused on my return from the ladies’ room and listened to the three women.

“The son-in-law is an architect,” said the first.

“I understand they don’t have children,” the arm-patter said.

“That’s a shame,” said the card-carrier. “Is that the son in the second row with all those kids behind?”

 

“No,” said the first. “It must be some other relative. She only had the daughter and no grandchildren at all, poor thing.”

The card-carrier pointed to the left and said, “Is that the organist’s husband?”

“He’s gotten awfully heavy,” said the first.

The arm-patter shook her head sadly, “I never would have recognized him.”

The first woman opens the brochure, which is in my hand, and begins to speak while her two companions eye Mother’s blue living room. “Some families, when they have finished dividing a loved one’s possessions, find that there are usable goods left over. It can be difficult at times like these to find worthy charities to accept the goods. The Transitions Committee has assembled a list of places in the community where your loved one’s memory will live on in the form of donations.”

The arm-patter points to an address. “This food bank will accept perishable foods, within their expiration date, of course, and will even come here to make a pickup. We suggest that you tackle the refrigerator first, even if you don’t want to call the food bank. Otherwise, it becomes an unpleasant job.”

The other two concur with delicate shudders, and their shudders turn to startled jumps as my cell rings. It’s Aunt Betty’s area code.

“Thank you so much, ladies,” I say, closing the door on their surprised faces. “I’ve got to take this call. You’ve been so much help, really. Thanks. Thanks again.”

I put the chain across the door and toss the phone onto Mother’s blue recliner on my way back to the kitchen.

There are only two cookbooks that I remember, a Betty Crocker and a Fannie Farmer, and I put them in a box with a yellow sticky note—yellow for you is how I’ll remember—before loading the rest into a second box. I slap a green sticky note on the box; green for Goodwill. The bottom shelf holds Mother’s collection of astronomy books. I box them and affix a green sticky note.

The kitchen cabinets are next, the cans and jars alphabetized, for heaven’s sake, with no thought to the fact that lentil soup is tall enough to obscure the sliced button mushrooms. There are three boxes with blue sticky notes marked Food Bank when I finish. I search in vain for Mother’s good china. The everyday dishes—more blue and yellow Provençal—go into a box with a green sticky note.

Mother was a gifted and adventurous cook. In the back of the large bottom cabinet are the tagine, the fondue set, the madeleine pan, the springerle board, the wok, the bamboo steamer, and the little metal cornets on which she rolled delicate cookies into cornucopias. Dish after dish of exotica she would set before us when I was growing up, relentlessly innovative even with my favorite, macaroni and cheese, and Dad would patiently eat most of it, only occasionally delivering words that set her lips into a tight, thin line: “Well, we don’t have to have that again.”

I keep the madeleine pan. The rest goes in a box that I carry to the living room before tagging it a green sticky note.

The Transitions Committee be damned; I’m not going to save perishables. I put aside some bread, peanut butter, and juice for breakfast and send the remaining contents of the refrigerator sluicing down the garbage disposal, sad vegetables, fruit that’s seen better days, sour milk and memories. The frozen food goes in the trash.

It’s nearly five, and there’s not enough time to make it home and get dinner on the table before seven. I pick up the phone and dial into David’s voice mail; the counselor would tell me I’m avoiding authentic communication, but she’s never seen how he gets when his routine is disrupted.

“It’s me. There’s a lot more here than I thought, so I’ll stay the night. I left dinner in the fridge. Just reheat it. The dry cleaners will give you your suit if you give them your phone number, well, my cell phone number.”

Mother used to say that husbands have to be treated like colicky newborns—kept on a strict schedule. I remind myself that even the most distant planets align from time to time.

I pull Mother’s phone book out of the recycling bin and dial a pizza parlor, smiling and thinking that when the cat’s away, the mice order out.

Awaiting dinner, I put pink sticky notes on the living room and kitchen furniture—pink for the poor—all of it destined for pickup by the Fourth Street Shelter, all of it new, the furniture from my childhood home apparently jettisoned with the rest of our family memories.

There’s a bottle of wine in the corner cupboard in the living room, a little too sweet and effervescent for my taste and far too pedestrian for David’s, but it goes great with the pizza.

The combined effects of wine, packing, and memories leave me feeling sleepy. I choose Mother’s guest bedroom—her own room would be far too strange—which is mauve. I search the closet for a guest bathrobe.

No bathrobe, but a box marked china. I slide a thin blue photo album from on top and toss it onto the bed for later inspection. I peer inside the box; Mother and Dad’s wedding china is there. I smile and put a yellow sticky note on it. In a box below it, I find her wedding dress, draped over a busty form beneath a plastic window, preserved in its acid-free box, awaiting the day when her daughter or granddaughter might wear it. I disappointed her twice on that one.

There’s no guest robe in the bathroom either, so I go into her bedroom. Everything inside her closet smells like flowers and summer hay, and I shut the scent of her away, unexpected tears burning my eyes.

I open the bottom drawer of her dresser. It’s a new dresser destined to be marked with a pink sticky tomorrow, but I know Mother. Her bottom dresser drawer always contained clothing she never wore but felt guilty giving or throwing away. Front and center is the tee shirt David and I bought her on our trip to Hawaii ten years ago. Beneath that is the fifteen-year-old one from Paris.

I pour myself another glass of dreadful wine and crawl into the guest bed, wearing the Paris shirt and steeling myself to look through the photo album. Before I open it, I make a trip to Mother’s room to retrieve a box of tissues.

Mother and Dad in their twenties, at a picnic with friends, everyone’s arms linked, everyone’s face contorted against the sunshine. Mother and Dad at a meeting of the church group for young couples, The Twosomes, Dad out of focus. Dad bowling, Mother looking off camera. Mother and Dad at Niagara Falls, Mother’s eyes closed and Dad’s popped open in surprise.

Me on Dad’s lap, Mother standing behind us, one hand on Dad’s shoulder and the other on mine, smiling through clenched teeth. Mother and Dad at one of Aunt Betty’s weddings, sitting apart, the air tense between them.

Anniversary pictures, posed and stiff. Me graduating college, arms thrown around both my parents’ waists, leaning into Dad, away from Mother. Candid photos, with one or the other smiling, but never both.

I swallow wine. Leave it to Mother to compile a record of the unhappiest moments of her forty-six years of married life. There is another, thicker photo album on the nightstand, and I fortify myself with another glass of wine before opening it.

The first pages are blank, and I turn the album upside down. But then the photographs are upside down. I right the album and begin at the back. Mother and Dad in their twenties, seated on a picnic table, their knees, heads, and shoulders together. Mother and Dad as secretary and president of The Twosomes.

Mother has arranged this album in reverse chronological order, and every photo shines with happiness and family pride. Then, as I page backward through the album and forward in time, Mother with new friends, people I don’t know.

Mother at Mount Rushmore. Mother with another woman and two men by Lake Louise. Mother and her friends in front of the Eiffel Tower. Mother in London. Mother in a store in Scotland, holding a kilt in front of her waist. Mother dressed as an elderly Christmas elf serving dinner at a homeless shelter. Mother and a white-haired man at a Western-themed Halloween party. Blank pages, and I sleep.

***

Thin-crusted, cardboard-boxed pizza undergoes a magical maturation process overnight in the refrigerator, and it makes a delightful breakfast, one I usually enjoy only when David’s out of town, so I give it the full treatment—serving the slices on a paper towel instead of a plate, crooking one knee and resting my foot on my chair, watching the television and reading a magazine while I eat.

The pizza keeps my morale high as I strip Mother’s bed and put pink sticky notes on the furniture. I’m prepared this time—windows open to draw her perfume away, the television keeping me company, and it works until I open her closet door. Headless, handless, empty clothes sag on hangers, looking like her and not like her. Front and center is an outfit that crowds the others, one I recognize from the fatter of the two photo albums, a pink top with a ruffle under the scoop neck, ruffles under the puffed short sleeves, a pink and green plaid skirt that flares out, and underneath that, about a mile of stiff petticoat. I shake my head.

Except for the green and pink costume, the clothes are organized by color, and I pull them out, sort them into piles by season, bag them, and put green stickers on them. Shoes go into a box. Underwear I throw out, mechanically, purposely avoiding thought. The detritus and whimsies of life grow when they’re released from the confines of their storage spaces and pose impossible questions: Why did you buy me? What do I say about you? Why wear that to a Halloween party?

Cooking magazines and romance novels form an irregular tower by the bed. I throw them into a heavy-duty garbage bag, sweep a parade of tiny perfume bottles from the nightstand after them, and pull the plastic drawstrings closed.

Curled around the base of the lamp is one of Dad’s watches. He bought and lost a half-dozen a year, cheap ones, even before the Alzheimer’s, the kind you used to be able to buy in a corner drugstore. My eyes sting. I can’t believe Mother saved one of them. I find the box with the good china, wrap the watch in tissues, and tuck it inside,

The bedroom takes up the rest of the morning, with a brief interruption for the pickup by the food bank. Only the bathroom remains, where I suspect that I’ll throw out everything, and the closet by the front door. My cell rings. Aunt Betty. I ignore her.

I haven’t found Dad’s service flag or the medals. Aunt Betty will declare this a perfect opportunity for a melodramatic scene. To the closet, then, to find a way to shut Aunt Betty up.

I hear a knock as I go, and I’ve got the front door open before the man outside has withdrawn his lightly closed fist. He stands there, hand raised, one knuckle extended beyond the rest, face frozen like a mask, eyes shifting away so I can’t read them.

“I, uh … hadn’t heard. She never … The ladies told me when I got back this morning.” He jerks his head to the right, and I see three blue-haired heads disappear around the corner of the hall in unison.

I pull him inside and close the door.

He smiles and pats my hand. “So you take in strays, too, just like her. I’m John Bailey.”

I can’t figure out whether to pull back my hand to shake his or to put the other one on top, so I settle for stepping back and offering him a glass of water.

His throat catches. “You sound just like her, too.”

When I return, he’s blinking back tears as he surveys the stacks of boxes and piles of bags.

“Would you like a few minutes alone, Mr. Bailey?” I ask, and I retreat to the bathroom before he can answer. I wonder out loud if the Fourth Street Shelter can use opened toiletries.

I hear sniffling and shuffling, and he appears at the bathroom door.

“The tissues aren’t in the bedroom,” he says.

“Guest bedroom, Mr. Bailey.”

“John,” he says.

“John.”

He returns with the box, blowing his nose loudly. “I was visiting my kids in Michigan. No one called me.”

“I’m sorry. I didn’t know.”

“I brought her this.” He extends a blue folder.

I usher him back to the living room, and we sit so I can read the certificate inside.

Belles and Bucks Modern Western Square Dance
Mrs. Doris Parker & Mr. John Bailey
First Prize
Division 3—Senior Beginners

“May I buy you lunch?” he asks.

I’m not sure why I accept. Perhaps it’s the way he holds his grief back, under the surface, wrapped in a thin and fragile skin. Perhaps I think the skin will be less likely to burst if we’re in public. Soon I find myself in the retirement home’s café, fiddling with a menu, ordering a cheeseburger.

John leans forward confidentially. “So have you thrown that no-good husband of yours out of the house yet?”

I cough iced tea up my nose.

“Sorry. It’s what your mother would have asked you.”

“And it’s just about exactly the way she’d ask, too.” I let several minutes pass in silence to show my disapproval before asking about the square dancing.

John talks between bites of sandwich. “Your mother was a terrific dancer, God rest her. If she had started sooner in life, she could have been a professional.”

“There are professional square dancers?” I ask.

He stares out the window. “I can’t believe she’s gone.”

I repeat the comforting words of the pastor and social worker—no pain, gone in an instant—hoping they’re true.

Being in public is no proof against John’s grief, and he begins to cry in the way of those who rarely permit themselves to do so, a few fat tears smeared away with the balls of the hands, then wracking, painful sobs.

I walk him back to Mother’s apartment, people giving me angry and suspicious glances as we go. I cannot carry or assuage the grief of this man I do not know, so I settle him in Mother’s blue toile armchair, fetch him tissues, and begin sorting through the last closet.

A cardboard box with Mother’s bank statements and bills, yellow sticky note. Coats and jackets for all seasons, green sticky note. Boots, green sticky note. Umbrellas … trash?

“You’re very efficient, very contained,” John says. “I can see why Doris would have thought that seemed cold sometimes.”

I’m glad my back is turned. I find a box the on the top shelf of the closet. Dad’s flag and medals.

John is standing behind me now, looking at Dad’s things.

“She was proud of you,” he says. “Proud of your work. You know, there was no such thing as art therapy when I was your age. I wonder if it would have helped the boys who came back from Korea.”

“I work with children, not adults.”

The doorbell rings, and the workers from the Fourth Street Shelter are here for the boxes and bags with pink sticky notes. The Goodwill people are next. I hand them the estate donation forms, and they carry out everything marked with a green sticky note.

“I should go,” John says. “You keep this for her.”

He presses the certificate into my hand. I have no way of explaining to him that the thought of Mother square dancing is completely alien to me.

He’s halfway out the door when he asks, “Did you find a watch? It’s nothing fancy. Brown leather band. I left it here last time.”

“No.” So long as that watch is in the box with the good china and a yellow sticky note, it’s mine. It’s Dad’s.

“I’ll give you my address in case you find it.” John writes it down, draws a little map. “I guess you’re going soon.”

“Tonight.”

His eyebrows quirk, his lips twitch, words forming and unforming and failing to emerge from his mouth. He gulps and nods and pats me on the shoulder.

“Wonderful woman, your mother.”

When he leaves, I consolidate my boxes and bags and begin to haul them to the car. I open the fatter of the photo albums and flip through to the picture of what I supposed to be a Halloween party. I scan the background—azaleas in bloom, green grass, the women dressed in ruffled tops and flared, tiered skirts with petticoats, the men wearing matching fabric on the yokes of their Western shirts or on their ties. Next to Mother, arm behind her back, is John Bailey. There are tiny indentations at her side where his fingers must surely be clasping her to him. His tie matches the green and pink get-up she wears; his broad smile mirrors hers.

I slip the certificate that John has brought into a blank page in the album and close Dad’s—John’s—watch between the cover and first page. On my way out of town, I stop at his place and put the album on his doorstep. I ring the doorbell and walk away, but he hails me before I get to the car and does an old man’s half-jog over to me.

He points down the street. “Half a mile from here is the turnpike. Past the grocery store. Two more lights. You’ll see the sign on your right when you get to the gas station. There’s a whole universe out there. You’d be happier without him, you know.”

I thank him and nod and head the way he pointed, toward infinite possibilities and alternate worlds. When I’m out of sight of his place, I double back and drive home.

 

 

BIO

Janice E RodriguezJanice E. Rodríguez inhabits two realities—the rolling hills and broad valleys of her native eastern Pennsylvania, and the high, arid plains of her adopted land of Castilla-León in Spain. She currently teaches Spanish at Albright College in Reading, Pennsylvania. When she’s not teaching, writing, or gardening, she’s in the kitchen working her way through a stack of cookbooks. She can be found online at janiceerodriguez.com.

At the beach

by Abigail George

 

Bright lights in the city.
You had been made of iron.
Your memoir is made of whirlpools.
As vital as a tombstone.
I can thrive in this cancer ward.
Filled with the song of mannequins.
In the dark, I turn black.
Sea of trees I cannot fathom you.
Swimming pool once a myth.
Upside down and wishful.
I can see Jonah’s Whale from here.
Stars in the fabric of moonlight.
Everything smells of spirit.

 

 

Hibiscus and insects

 

Now I meet with disaster.
I come with bereavement.
The ways of water run deep.
Salt and light. Before disability struck
Do you remember?
The epic heights you reached.
The cigarettes you smoked
In high school. Boys made out of paper.
Men made out of gin.
You were unsuitable for both.
You stopped drinking milk.
You stopped eating altogether.
Anorexia they called it.
The elephant in the room.
You went to the moon
In addition, back in dreams.
You held the autumn chill
In your hands. Its journal.
There were the walks you took
Around the church. Up to the
Garage where you bought peanuts
And raisins with your father.
The cashier would not smile
As he bagged your purchases.
Your dad’s granadilla hands
He is in the autumn of the years.
It is that festive time of year again.
When you eat, drink, and be merry.
I will not be doing that this year.
I am fragile. A mountainous
Version of tenderness. I melt in the
Presence of children. No good
For anyone. Stay away from me.

 

 

Jericho

 

I am a cat person. I collect strays
Like others collect coins or stamps.
I believe in God, love and crashing
Into things. I spend too much
Time inside my own head.
I am tired of instructing my own work.
I write about the song in the wind.
It becomes my own song.
The song of loneliness. Of Rilke,
Of Nabokov, of Akhmatova,
Of Ernest Hemingway driving
Ambulances during the war.
I write about the seasons
As if I were a poet. The leaves that
Leave fingerprints behind them.
A pint of milk. A jar of honey.
I write about angels and goddesses.
I am impatient and angry
At the human condition and I read
To find myself because this is
This is what the river whispers to me.
Sometimes the road inside too.

 

 

BIO

abigail georgeAbigail George is the author of ‘Africa Where Art Thou’ (2011), ‘Feeding the Beasts’ (2012), ‘All About My Mother’ (2012), ‘Winter in Johannesburg’ (2013), ‘Brother Wolf and Sister Wren’ (2015), and the forthcoming ‘Sleeping Under Kitchen Tables in the Northern Areas’ (2016). Her poetry has been widely published from Nigeria to Finland, and New Delhi, India to Istanbul, Turkey. Her fiction was nominated for the Pushcart Prize. She briefly studied film and television production at the Newtown Film and Television School opposite the Market Theater in Johannesburg. She is the recipient of writing grants from the National Arts Council (Johannesburg), the Centre for the Book (Cape Town), and ECPACC (Eastern Cape Provincial Arts and Culture Council) (East London). She writes for Modern Diplomacy, blogs with Goodreads, and contributed to a symposium for a year on Ovi Magazine: Finland’s English Online Magazine.

 

 

 

MP Stien

The Oracle

by
P.M.  Neist

 

 

He was in no position to miss the meeting, or cancel it for that matter. He hadn’t written a thing in months: not a paragraph, not a sentence, not a word. And he had to admit: they’d been nice about it. Yes they had. They had granted him a six-month sabbatical, followed by a two-week creativity retreat in Colorado. When that had failed, they had stepped it up, and he couldn’t blame them: weekly mandatory group therapy, a writer’s boot camp in Nebraska, goal setting, visualization, coaching, hypnosis. Now this.

He had driven bumper-to-bumper for two hours and parked in the last spot on the roof of the garage across the street. It was raining, the hard October wind pushing moisture into his shirt collar. He should have worn a scarf. He should have shaved. He hurried into the stairwell and made his way to the ground floor, bracing himself for the short walk to the Bellevue. He remembered going on a date there, eons ago, with someone’s sister.

He pushed the door open.

The hostess, lumpy and myopic looked vaguely familiar. He handed his coat, finger-combed his hair into some semblance or order, and scanned the dining room.

There she was, the only guest at a square table under the oversized crystal chandelier. She was shorter than he’d imagined, much older, with what looked like a dead animal around her neck, or was that a fur collar?

Peter Knudsen, he said. Pleased to meet you.

She squeezed his fingers, limply he thought.

I have taken the liberty to order. The mussels are excellent here. I hope you don’t mind.

He was allergic to seafood. Surely that would be in his file? But would they have shared this information with her? He wasn’t sure how these things worked.

That’ll be great, he said.

She smiled and motioned for the waiter. The baby blue walls, the fussy gilded dining chairs and the tall windows with their two layers of semi-transparent curtains were as he remembered. The menu was probably be the same as well, and the catatonic-looking waiter pouring the white wine.   She lifted her glass.

Cheers.

They each took a sip, hers considerably deeper than his. He’d barely set down his glass when the waiter came back with two steaming black pots of mussels, and two small plates of French fries balanced on his inner wrists. She made an ambiguous noise. Was that a hint of a mustache on her upper lip? He made an effort to return her gaze.

So, Peter, why don’t you start by telling me about you? Writer in Chief for the Little Sisters of Prayerful Mercies is an impressive position. How did you get there?

This was simple enough. He’d answered an ad for a part-time position his senior year of undergraduate studies in romance languages.   The Sisters had started him with the weekly prayer at the back the their children’s magazine, Papillon, she must have heard of it? (She hadn’t). Within the year, he had progressed to writing the monthly prayer of contrition for Spiritual Teen and by the time he was finishing graduate school, he was in charge of the congregation’s seven annual novenas: for the well-being of expectant mothers, the safe return of the troops, the recovery from cancer, pneumonia, croup and bankruptcy and of course the two semi-annual retreats at the shrine of Our Lady of Infinite Pardon.  One thing led to another.   When the previous Writer in Chief died of a heart attack, a month before his graduation, the Little Sisters offered him a full-time job. That was it. He paused, considering the food.

Married?

Divorced.

Children?

Two dogs.

She gnawed at the foot of an impressively large mussel, juice dripping from her chin. Should he say something? Offer his napkin? She was older than his mother. Certainly his gesture couldn’t be misinterpreted as anything but kindness. Before he could act, she reached for her own napkin and slurped at the sauce in the shell.

Soulful repose?

Pardon me?

Do you write for the deceased?

Rarely. There is another writer who is in charge of funerals. But I do write the annual card for All Saints Day and the Prayer of General Mercy for the Unborn.

He watched her work the food.   He’d not touched his plate yet.

The sisters make quite a bit of money from all those prayers don’t they?

I don’t deal with the business aspects of the congregation.

But he had thought about money. In fact, he had toyed with the idea of going into business on his own, writing a small prayer book perhaps, under a pseudonym, something comforting and light, one of those small formats that sold in the magazine rack of drugstores. But he had never had the stamina of an entrepreneur. In any case, his non-compete agreement prevented him from writing anything spiritual for anyone but The Little Sisters. There were ways around it of course, and the sisters had never refused permission for him to write an occasional heartfelt birthday or sympathy card for friends or family. He just never had the time to explore anything else. That was all.

She burped into her fist.

Excuse me.

She dabbed at her lips, leaving two scarlet crescents on the linen napkin. He picked up a French fry, dipped it in mustard.

Are you a believer Peter?

Of course.

She lifted an eyebrow.

Are you sure?

I have always had faith.

She could fish all she wanted, the old bat. Mass every day, confession once a week, altar guild: he had absolutely nothing to fear in that department. She rested her hunched shoulders against the back of the chair.

Faith is a given, you know, a bit like a piece of family furniture, something that’s being passed on to you by your upbringing. Believing, on the other hand, is an act of will. It takes grits to believe. With believing comes doubts and with doubts come suffering. So I am going to ask again.

She paused for effect, a bloody drama queen.

Are you a believer Peter?

He didn’t even raise his sight from his plate.

With all due respect, I don’t agree with your semantics, though you are perfectly entitled to your opinions.

He hadn’t felt this calm in months.

She looked to the left and must have made eye contact with the waiter because the guy appeared almost immediately, a trained dog answering her call. They remained silent through the next glass of wine. Suddenly, without ceremony and certainly without asking, she switched her near empty pot of mussels for his full one and started eating his food. Seriously? Did she think he was going to fall for this?

You know who I am, don’t you? She asked.

I know what they call you: the Oracle.

Her laugh startled him: deep and pebbly, unsuited to the size of her body.   And what had he said that was so funny? Everybody had heard of the Oracle. There were plenty of stories of people whose lives had been done and undone by her predictions. Happy stories, sure, but plenty of sad ones too. She was nothing to laugh about, and nothing about this meeting seemed remotely pleasant or funny to him. She was quieting down.

What do people call you, Peter? Prayer Man?

He felt the pang of anger rise in his chest. He counted to six, a trick he had learned at one of those annoying day-long workshops the Little Sisters scheduled twice a year: “Managing the range of feelings” ,or something of the kind. At least, this one had proved to be surprisingly memorable and effective. He breathed out, slowly.

To tell you the truth: I have never cared what people call me. I do my job, do it well and leave it at that.

You used to do your job.

He counted again, staring at the framed reproduction on the dining room wall above her right shoulder: “Oldham from Glodwick” by John Howe Carse. He was surprised he could name the painting. The waiter was back, clearing the table.

Dessert? Coffee? She asked, like the good hostess she wasn’t.

Not for me, thank you.

She ordered cherry pie and a triple espresso.

And a cognac, she added.

They sat in silence for a while. She was rummaging through her purse, absorbed in her search for something or other: phone or notes. He disliked her small, ferret-like movements, the way she pursed her lips. At least she was no longer talking and that was a huge relief.   Soon, the waiter would bring the last of the food and drink and they would be done. He would find himself into the safety of the street and later, that of his apartment where he would lie down on the couch and listen to music as he had done almost every day for the past eight months. If the Little Sisters decided to fire him, that would be fine.

But when she finally looked up, her eyes had turned an intense shade of blue that shook him to the core. This was it. He’d read accounts of other people’s meetings with the Oracle, how there was never a way out, how you just knew you had been cornered and would have to learn your fate. His heart was racing like a miniature pony trying to escape from his chest. When her voice finally came out to him, it sounded like one of those old vinyl records, scratchy and smooth at the same time.

Listen Peter, I believe you are a good person, I really do and so do The Little Sisters, which is why we are having this conversation. But I must let you know: your chances at happiness are getting slimmer by the minute. You can keep being tossed about by life and your brand of anxieties or you can start believing – really believing – that your fate has nothing to do with you or what you do. Take me, for example, do you really think I can predict the future?

She didn’t wait for his answer.

Frankly Peter, I have no idea whether or not I can. I show up, say what I think I must say and let others worry about the outcome. You should consider doing the same.

He nodded. Whatever she was saying, he wanted it to end, the sooner the better. She leaned forward and took his wrist, her fingers warm as a ring of fire.

All of this…

She made a vague gesture toward the curtains and the street beyond.

It’s one big motion: a process. That’s all. We do our part, we move on. It’s not really our concern. Do you understand me?

He had no idea what she was saying.

Yes.

Excellent.

She let go. He felt himself go slack. The waiter was back, placing a slice of pie, coffee and drink on the table in front of him.

This is not for me, Peter told him.

But the Oracle was up from her chair, a hand on his shoulder.

Oh, but it is, she said, her hand heavy as an iron chain. Eat it. It will do you a world of good. You’ll see.

She shushed him with a firm pat on the shoulder.

So this was it? All he had to do was eat and drink, and it would be over? He felt relieved, but as he reached for the spoon, she lowered her head, tenderly it seemed, and for a moment he thought she might kiss him.

She bent further, her lips grazed his right ear.

Peter? She whispered.

He didn’t dare look up, or move.

Do us both a favor will you? Get the fuck back to work.

 

 

BIO

MP StienRaised in a French fishing village, P.M. Neist acquired her storytelling skills from a colorful cast of spirited relatives. After moving to the United States, Neist switched to writing in English. Soon after, she started drawing. She is the author and illustrator of Barely Behaving Daughters, an illustrated alphabet of girls who like to do as they please.

 

 

 

 

Taylor García

Monica in Georgetown

by
Taylor García

 

Pie Sisters isn’t packed on a Sunday night, and though I want it to be darker, the place is airy and bright, and the smell of butter and sugar almost knocks you out. On first glance, it’s just students with Macs and books, and couples over slices of pie and cups of coffee. Then, toward the back, her black hair and unmistakable profile jump out. My palms sweat and they never do. My mouth goes dry. Sure, this was Mom’s idea, and I’m only appeasing her yet again, but shit, this is Monica Lewinsky.

“Ms. Lewinsky?” I reach, then pull back. No hand offered from the cool invisible bubble that surrounds her.

“Oh, hi.” Only a flat acknowledgment of a smile. “Troy?”

“Are you alone?” I say.

Monica shifts her eyes left. A big, bulky brother in plain clothes, sits a table away, deep into his smart phone. It would make sense she has protection. The presidents and their families have it for life. Why not their mistresses? Though Monica, not the taxpayer, must be fitting the bill for this guy.

I’m overdressed in a button-down and tie against Monica’s modest Gap-ad wear and her detail’s gym clothes. Her manicured fingers lace around a latte.

Way back, when I wrote for my high school newspaper in Little Rock, our advisor, the lovely Ms. Georgiou, drilled it into me to be a train on a track when interviewing. “They’re giving you their time. Don’t waste it,” she’d say. I had brought that into my budding journalism career in D.C., had it wired for years, but right now, it won’t work. My skin is shriveling up into itself.

Monica gives me the flat smile again, takes the lead.

“I typically don’t meet with strangers, or discuss the Clintons, but the story you told my publicist sounded—provocative.”

“Well, thank you for meeting me. Especially here in D.C. I’m sure it’s the last place—”

She waves it off. “I happened to be here for a fundraiser. It all lined up.” She waits, but I’m still speechless. Here’s Monica Lewinsky, not that much older than me, both of us merely children in the summer of ’98, both of us starry-eyed for the man that would never love us back. She: that woman, publically shamed, and me, her lover’s illegitimate son, waiting, plotting to come forward.

“So,” she says, “you claim your mother had a liaison with President Clinton?”

According to Mom, it was back in 1978 in Arkansas. Nine months later, me. I’ve told her a million times it would make a much sexier story if she came forward first, Clinton’s secret African-American mistress, and then me, the product of that affair, but she’s too chicken. She’s been putting me up to this since I first came out here for college.

“Well, he was just elected Governor of Arkansas then.” I lick my lips, trying to get my mouth to move again. Monica must think I’m a perv. But wow, she is pretty. “She was a staffer on his campaign.”

“And you know, without a doubt, that he’s your father?” she says.

“Yes. That’s what my mother says.” I can channel Mom when I need to. She adjusts her frame when talking about Dad, like I’m doing now.

“Well, you’ll need DNA proof,” Monica says, “otherwise there’s nothing.”

She sips her coffee, makes brief eye contact with her guard. He gives her an imperceptible nod. This won’t last long, I know. The vultures could swoop in any second. I used to do it all the time as a reporter.

“What do you do, Troy?” she says.

“I’m out of work. My paper shut down. Right now I’m just spending a lot of time at the Libertarian Party office. Getting ready for the election.”

“Are you running?” she says.

“One of these days.” My palms have stopped sweating, and her face has softened. Still no vultures. “I want to be President some day.”

“Oh,” she says. “Just like your father.” She flashes that classic toothy smile from her intern I.D. badge, circa 1990-something.

“Yeah, just like him,” I say, embarrassed. At least that’s what Mom has always wanted for me. Our plan has never changed: expose the truth with Monica’s help, then use that vortex fame to topple the Clintons and build my own campaign to be the first third-party president.

Monica’s smile vanishes. She moves her coffee aside. “Do you know the full story? Has your mother told you everything?”

“No.” Every time I’ve tried, she changes the subject. Gets testy. Something hurts.

“It’s quite possible she was a victim—who knows?” Monica says. “And I understand if she wanted to keep it secret and avoid the humiliation. But you need to know the truth.”

“Yeah, you’re right.”

“And, I’m never one to bash anyone’s dreams, so please don’t take this the wrong way, but I think a Libertarian president in this country is a long shot. It’s a two-party system.”

Her bodyguard stands. Monica glances up at him. It suddenly feels like a break up. No. A straight-up dumping. I’ve got a fresh one in mind: Deepa Viswanathan. A cute Indian girl from Philly and a die hard Democrat. Hillary all the way. Deepa spent one night at my place in Alexandria a couple of weeks ago. We had two more dates, then she dropped me when I told her the family secret.

“No, no, I get it. I just—we just thought you could help us. I’m sorry to trouble you. Coming out here tonight.”

She leans forward. “Troy, I wish I could do something for you, but this is between you and mother. Face her.”

Monica stands. Flat smile. She seems so alone. I know exactly how she feels.

***

The Oakwood has that depressing Sunday night vibe. Grills gone cold, pool decks dry and empty, and cars waiting to be rocketed back into the Beltway come Monday. It’s the time of night you’d want to watch a movie and open some wine with your lady, if you had one.

Whatever happened to Mom on his Arkansas gubernatorial campaign shorted some fuses in her head. That much is clear. What kind of person goes from being a Democrat to Green, then Independent, then Republican, then eventually Libertarian? And who goes along with it, door-to-door, passing flyers, shaking hands, and serving chicken dinners, following along with her dream? A good co-dependent son, that’s who.

My phone blinks with a voice mail. Must have missed it on the Metro back to Alexandria. It’s Mom again. She’s frantic. Something about a pain in her left arm and neck. Headache, too. Calling Mrs. Wilson for a ride to the hospital. She didn’t have any of those symptoms when we talked earlier, just before I left to go meet Monica in Georgetown.

This might be a false alarm. It wouldn’t be the first.

There’s no answer at home in Little Rock. I try Mrs. Wilson, our life-long neighbor.

“Hi, Addie. It’s Troy. Is my mother okay?”

“Oh hi, honey. Yeah, she’s fine. They’re just running some tests. She needs to talk to you though. You ready for the phone number to her room?”

Mrs. Wilson’s daughter Niki and me used to fool around in our shed growing up. In elementary, we mostly kissed, and by junior high, we helped each other lose our virginities. Mom and Mrs. Wilson never knew a thing. Kids learn from the best how to keep secrets.

My phone vibrates. It’s a number I don’t know, but from a Little Rock area code.

I know what’s killing Mom in the hospital. Curiosity. She wants to know about Monica. She still thinks she’s the girl in the beret. But that girl is a ghost. Monica’s a grown woman now. She’s not a victim anymore. I shouldn’t be either.

A fourth ring. I answer. Mom’s out of breath.

“Oh baby,” she says. “I thought I was having a heart attack.”

“But you’re not.” What I’m about to say to her just might give her one.

“No. I’m—I’m just tired, I guess,” she says.

“Are you still lying down? Still comfortable?”

“Yes, baby, thank you.” She sounds suddenly all better. “So how did it—”

“Before that, let’s clear something up.”

“Oh, baby, I feel that pain coming back,” she says.

“You’re fine, Mom. You’re at the hospital. Now, listen to me. I need to know what actually happened with you and Bill Clinton. Did you two have a… sexual relationship?”

“Oh, son, I’m in so much pain.”

“Mom. The truth.”

There’s a certain silence between two people on the phone when the conversation temporarily dies. That living breathing person on the other side, regardless of their location, waits for you, and you for them. That absence of sound swallows you both.

“He—tapped me on the behind,” she says.

“It that all? Nothing else?”

“Yes, that’s all.”

“Who’s my real father?”

“Oh, honey let’s just talk about­—”

“Tell me.”

“Will Dumas.”

“The bus driver?”

“Yes.”

Willie Dumas. The older white bachelor all the kids knew, but no one ever thought a second more about. I had known him all the way from elementary to high school. The man who was checking up on me, asking why I never went out for sports.

“Why didn’t you two ever make it right?”

“It was a different time, son. Black women didn’t just have babies out of wedlock with a white—son, just come home. We’ll talk it over.”

The silence builds solid again. Reminds me when I actually spoke to Monica’s publicist a few months ago. The woman had said, “Yes, she can meet with you. Privately.” In the stillness of the open line, I couldn’t speak.

“Hello,” she had said. “Are you still there?”

“Are you still there, honey?” Mom says.

“No, Mom. I’m not coming home. Not for a while at least. We both need some professional help. We’ve needed it for so long. I mean, I don’t know why you’d keep up this twisted-ass revenge plot with me thinking Bill Clinton was my goddamned father. The politics, the story. Why? Why? You know, it’s kind of fucked.”

“I know, son. I did you wrong. I was confused and scared. Know that I love you more than anything. I always will.”

“I have to go, Mom.”

“Please call me, baby. I’m so sorry.”

“I will. Just give me some time. Bye.”

We hang up, and instead of smashing the phone against a wall, a sudden calm stirs up inside me. It surrounds me, like a hug. It’s that fear and confusion she was talking about, morphed into the truth you can’t ignore. It’s holding me tight, rocking me gently.

I’ve often wondered what it was like to have my father hold me. Maybe like this. But maybe not, because this is the feeling you get when you’ve known all along you’re all you need. Could be why Clinton always got out of the jams he was in. He was always holding on to number one.

My chest expands, fills with the best breath on record. I could probably grow wings and fly right out of this apartment if I tried. It’s been 17 years in this dead air, and it’s no coincidence I’ve been thinking about folding it all up.

Monica’s right: there won’t be a Libertarian anything. This chapter’s over. Boston’s been on my mind for some reason. Maybe Chicago. Hell, even California. Just the other day I read that in St. Croix, you drive on the left side of the road, and in certain bays, the water glows at night.

 

 

BIO

Taylor GarcíaTaylor García’s short fiction has appeared in Chagrin River Review, Driftwood Press, Fifth Wednesday Journal, Hawaii Pacific Review, McSweeney’s Internet Tendency and Caveat Lector. He also writes the weekly column Father Time at the GoodMenProject.com.

He lives in Southern California with his wife and young sons. www.btaylorgarcia.com

 

 

The Art of Harumi Hironaka

 

Regret by Hironaka

Regret by Hironaka

 

Warg Witch by Hironaka

Warg Witch by Hironaka

 

Lenore by Hironaka

Lenore by Hironaka

 

Chimama by Hironaka

Chimama by Hironaka

 

Manos by Hironaka

Manos by Hironaka

 

Fetish by Hironaka

Fetish by Hironaka

 

Little Things That Fall by Hironaka

Little Things That Fall by Hironaka

 

That Other Universe by Hironaka

That Other Universe by Hironaka

 

Sullen by Hironaka

Sullen by Hironaka

 

 

ABOUT THE ARTIST:

Harumi HironakaHarumi Hironaka is a Japanese/Peruvian self-taught painter and illustrator, living in São Paulo, Brasil.

artemanifiesto.com

 

some afternoon activity

by
adam l.

 

two hours before
sunset in the stale air
the hammock sways more than
me. the sand floats
around me in muted consideration
as i walk into

shade. Kitty follows, tail
brushing my ankle, and i can’t decide
to scratch her
back or return
to the hammock for another
nap.

 

 

some certain persons

 

some certain person
came up to me on the streets
when i was just smoking
the cigarette still between my charred lips
burn-
ing burnt by
faded kisses

some certain person said
do you have money
and i did
just run dry of myself
not much to give
so i listened to her story

and this certain person
was more intimate
with me
than the love i share-
d with some certain someone’s
mouth

 

 

but you are from me

 

i am from the faraway nights of
sleeplessness
the evernear days of your
screams that perch on
my sunken heart
and the vision of your knowing
eyes slashed across my brain

i have held you, your
weight, and added some that you cannot
burden
you give me nothing
less than what i’ve given
(i hope to have given a
lot) dearest,

i am from the womb of a
mother i call mother
but for you i know i am
not

 

 

BIO

adam ladam l. is currently a freshman at Yale-NUS College, Singapore. he is drawn to the limitation of words, and how even in this limitedness, meaning and emotion can be conveyed effectively. he believes that all poetry is confessional, for all poetry came from within us; and the best ones are vulnerable and raw. at times when words seem utterly insufficient, he turns to physical movement in dance and theatre. if interested in interacting or collaborating, he can be reached at theartistadam@gmail.com.

 

 

 

Matt McGowan

The Bridge

by
Matt McGowan

 

My wife was feeling carsick anyway. We were coming out of the mountains, heading southeast on a two-lane, state highway between Yellowstone and Laramie. The Tetons were behind us, and we were sad about that.

I hadn’t talked to my daughter in four months. She sounded scared, her breathing clipped and hard. Gulps and puffs of oxygen punctuated spurts of angry words.

I heard only bits and pieces before I could pull over. Bad reception. Something about a landlord and roommates, an “asshole” and money. There were problems with money.

Outside, the sun was high and the air thin. I too struggled to breath. I walked around the front of the car. When I reached the passenger side, I felt that weird sensation of being strung between the old and the new, the latter walking away from me, her arms spread out, resting on the shoulders of her eight-year-old twins.

My daughter and I lost reception. I re-dialed and waited for her to answer. While listening to the ringing, I watched my wife and the kids walk down a gravel road. They stopped at the bottom of a short hill, where the road bottlenecked and bisected a retention pond. The kids picked up rocks and tossed them into the water. My wife turned then, looked up the hill and smiled.

 

“Hello?”

“You there,” I said.

“Dad?”

I walked to the road. “Can you hear me?”

“Yes,” said my daughter. “I can hear you now.”

“I couldn’t understand much earlier. You kept cutting out.”

“I’m so stupid,” she said.

“You’re not stupid. What happened?”

“I guess I can’t get out of this lease. I signed it back in… October, I think. Stupid.”

We hadn’t talked about leases and contracts. There was a lot of stuff we hadn’t talked about. We hadn’t even lived together for the past four years.

“What’s the problem?” I said.

“Five people were living here, but only three of us signed the lease. Now three people have moved out, and I…”

My daughter sucked oxygen into her mouth. Her voice trembled. She was trying not to cry.

“It’s okay,” I said.

“Logan says I owe eight hundred dollars! He’s a dick! I don’t have that kind of money.”

My heart sped up. This was the kind of thing I ran into with her mother. Her problem was now my problem.

“I have a little money,” I said.

“I just want out of here! Damn it! Why am I so stupid?”

“Stop saying that. This is just a youthful mistake. I made a thousand of them when I was your age.”

She was calming down. “I’m sorry for calling you,” she said.

“Don’t be,” I said.

At the bottleneck, they were skipping rocks. I’d been teaching them. It was a quaint scene down there, a little slice of Americana. My wife said something to her son, who turned around and said a few words back to her. She laughed. She was beautiful in the Western sun, the way a person glows when they’re back home. As if she could be any prettier. The boy picked up another rock and flung it. It didn’t skip. I needed to work with him some more.

“The university probably has an office,” I said to my daughter. “Some kind of legal clinic or services to protect students from unscrupulous landlords.”

“He’s a dick too,” she said. “He never fixes anything. The heater was broken all winter. It was fucking cold. This is Minneapolis.”

I hadn’t heard her drop the F bomb before. It annoyed me, the way it would coming from anyone’s mouth. But who was I to judge. I said it thirty times a day.

“I could send something,” I said. “Maybe a couple hundred.”

I was waiting for her to accept. I wanted her to say that her mother had offered too, that we could cobble together eight hundred. But she didn’t say anything, not even thanks.

“Do you really owe that much?” I asked.

“No!” she said. “I owe three hundred, but because my name’s on the lease, I guess I’m responsible.”

“How much does … what’d you say his name was?”

“Logan,” she huffed, extending the first syllable.

“How much does he owe?”

She didn’t answer. I could hear sniffling.

“Do you know?” I said.

She coughed and inhaled deeply. “No, I don’t know anything.”

“Well how have you handled it in the past? Did each of you pay a fifth or whatever to the landlord?”

She coughed again. It sounded chronic and pulmonary. Was she sick, I wondered, spending some of the rent on cigarettes? Then I heard what sounded like crinkling wrapping paper. There was a loud knock, then a scratching and muffled sound.

“What?” she said.

“Who have you written checks to?”

“I pay him…”

More background noise. Then everything muffled out. I could feel her slipping away. Someone had entered the room.

Just like her mother; come to me with a problem and then recede when I try to help or offer a solution.

“I gotta go, dad.”

“But…

“I gotta go.”

“Okay,” I said. “Just call me back when…”

She hung up.

 

Did this happen to the parent of every adolescent? This child, this little human who drove me crazy talking ten-thousand miles an hour in the back seat when she was five, was now … a woman? It was painful to admit: I had no idea who she was. Did I make her?

I walked back to the car. The twins were standing on a large rock, a barrier between the road and one of the ponds. They were singing and dancing silly. Shielding her eyes from the sun, their mother was watching them. She was laughing.

“Okay,” I yelled. “We’re done.”

The kids jumped down off the rock and jostled with each other, bickering, no doubt arguing about who had shoved the other first. Watching them, I felt a hard knot forming behind my sternum. As they came up the hill, looking normal and well adjusted, I forgot who I was, or rather which version of myself was standing there on the side of the road, forever caught between two worlds.

 

Fifteen miles down the road, the kids settled in with a game of hangman, my wife asked me if my daughter was okay.

“I guess,” I said.

There was a tinge of melodrama in my voice. I knew what that was about. I needed her to feel sorry for me. Here was a little plea for attention, rising up from the subconscious.

But her question wasn’t about me. It had nothing to do with anything except my daughter and her welfare. Was she okay? Did I know this?

My wife didn’t play games or waste time on words that had nothing to do with what she was thinking about. No hidden agenda or passive-aggressive manipulation. Knowing this forced me to answer her question again, this time without emotion, without all the guilt I carried around about the divorce.

“Yes,” I said. “She’s okay.”

“What’s going on?”

“Some kind of problem with a lease. Lots of drama.”

“Does she need money?” asked my wife. “We’ve been talking about sending her some.”

“I know,” I said. “I offered.”

“And…?”

“I thought that’s what she wanted. Now I’m confused. She didn’t seem … I don’t know … interested. Maybe it was because I didn’t offer the full amount. But I don’t think that was it. I think she would have responded the same way regardless of how much I offered.”

“Maybe she was just trying to work it out in her head,” said my wife. “Or…” She paused here, leaning forward and smiling. “Maybe she just needed someone to listen to her.”

“I did that, I think … I don’t know, maybe I had too many solutions.”

My wife smiled again and placed her hand on my leg. “I’m sure you did fine, babe.”

 

We were trying to make it to Fort Collins, but it was getting late and the kids were hungry. So we stopped in Cheyenne. My vegetarian wife consulted Urban Spoon and found a diner, the kind of meat-and-potatoes place she knew her son would love.

“But first,” she said, “we need to find a Walgreen’s.”

“What for?”

She didn’t answer. She just leaned forward and looked at me like I should know what she was talking about.

 

We drove around a long time trying to find the Walgreen’s. It wasn’t our fault. The GPS directions stunk. We passed an Air Force base, a poorly lit mall and a decent-sized rail yard, all of which destroyed the city’s grid system critical to a visitor’s successful navigation.

Restless and punchy, the twins wrestled in the backseat. My wife, usually eminently patient, sighed several times and then finally snapped.

“That’s enough!” she said. “I’ve asked you several times. It’s not safe for the driver when you do that.”

They quieted down.

Finally, I spotted the sign up ahead and pulled into the Walgreens parking lot. By this time, my wife was humming oddly and swaying back and forth in her seat. When I slowed to a stop in front of the sliding doors, she bolted out of the car, her absence followed by a synchronized, harmonic sigh from the back seat.

I parked the car and I dialed my daughter. The phone rang several times. No answer.

While waiting for his mother, my stepson asked me a question I’d heard him ask her before. “Cy,” he said, “what’s your worst fear?” When he asked his mother this question, her reply was the same every time—“That I wouldn’t have had you guys.”—to which he would complain: “That’s what you always say. What’s your worse fear other than that?”

My stepson and I had a good relationship—all the normal ups and downs—but I felt honored that he’d finally asked me. I took as a sign of love.

“That’s some heavy stuff,” I said.

“Yes it is,” he said.

I thought about it. I saw my daughter, sitting in the back seat, talking incessantly, driving me nuts. Her beautiful face, those big blue eyes and fat, rosy cheeks.

“I guess I’d have to say … It’s sort of like the flip side of what your mom says. That’d I’d lose my … That I’d lose one of you. Or your mom.”

I expected him to argue the merits of my fear, as he had with his mother. Because really, the whole exercise was nothing more than a way for him to talk about his own worst fear – flesh-eating, mind-controlling zombies. But he didn’t argue.

“Yeah,” he said. “That would suck.”

Finding the restaurant was no problem. We drove downtown, near the capitol. Our waitress brought us coffee and water and silverware wrapped in paper napkins. She was a scrawny, rough-looking woman with a scratchy, country drawl and leathery, Western skin. I imagined her helping out on a ranch as a little girl, younger than the twins. She called my wife and me “hon,” and she took care of us like a doting nurse. Which was golden, because we were strung out when we got there.

After we ordered, the twins ran off to the bathroom to wash their hands. My wife took a deep breath and exhaled. She was relieved, happy to be off the road, but I could tell something was wrong. She seemed distracted.

“Everything okay?” I said.

She perked up and smiled. “Yeah. Just these kids. But they’ve been so good overall.”

“They really have,” I said.

She smiled and lifted the pearl-colored ceramic cup and took a drink of coffee. She was forty-three, I forty-seven. She treated my son like he was her own, but she hadn’t even met my daughter.

Setting the cup back on the table, her brow furled, and her face in general changed from placid to worried. “Did you hear back from Steph?” she asked.

“No,” I said. “I tried her again while you were in Walgreens.”

She curled her upper lip. “No answer?”

I shook my head.

Then the twins returned with the energy of an Oklahoma tornado.

 

Caffeinated, stomachs full, we headed south on Interstate 25, the Front Range looming to the west like the outstretched wings of an enormous bird. The kids had calmed down, and in this replenished, satiated condition, we actually enjoyed the drive to Fort Collins. My daughter still had not called back.

The twins were nothing but pleasant – chatty and laughing and playfully teasing each other and their mother, whose mood had improved immensely. She was laughing too and playing along with them, but I swear—during a lull in the backseat-frontseat banter—I heard a rapid inhale-gasp and then a hushed sniffle-snort. Did her lip quiver? I leaned forward to check on her, but it was dark inside the car and just loud enough to prevent me from knowing with any certainty that this had actually happened. I felt awkward too, leaning forward like that and looking her way, as if I were invading her privacy.

And then it was over, if it even happened at all. She was right back to playing with the kids.

 

She booked one room at The Armstrong, an historic hotel on the main street in downtown Fort Collins. We rolled in much later than expected but at a decent time, around 9:15. After we hauled all the suitcases and backpacks up to the room, my wife asked me if I’d take the kids for a walk. “Or,” she said. “I think they have a exercise room.” All code, of course, for “I need a minute,” which was fine with me, because on the way in I spotted a creamery at an intersection a couple blocks to the north.

 

I got two scoops of vanilla with caramel and chunks of Heath mixed in. The kids ordered disgusting concoctions of bubblegum ice cream covered with sprinkles, Gummy Bears, frozen M&Ms and iced animal crackers. We sat outside, where the mile-high air had turned cool enough for a light jacket.

“Listen to me,” I said. “When you’re in college and living far away in a different town, don’t forget to call your mom.”

“I’m going to live in a big city,” said my stepdaughter. “With skyscrapers.”

“Great,” I said. “We’ll come visit you. But until we do, or in between visits, call us.”

“I will,” she said.

“No you won’t,” I said.

“I will!” she said. “I promise.”

 

The sugar made me dream. Walking down a short alley, I heard wood cracking and snapping. When I reached the street, I looked to my right and I saw an entire house, a once-proud, two-story, wood-frame structure from the early 1900s, leaning over like a slow-moving train was pushing on it from the other side. Then it toppled and crumbled into heap of splintered wood and broken glass.

I woke up on my side. There was a light on in the room. I was at the edge of our bed, and I was facing the kids’ bed. My stepson was snoring.

I rolled over. My wife wasn’t there. I couldn’t see clearly because I didn’t have my glasses on, but I could tell she was sitting in a chair on the other of the bed, between the window and the lamp that provided the only light in the room. I located my glasses on the bedside table and put them on.

“You okay?” she said.

“I was just going to ask you the same question.”

She was holding a mug with both hands, like we were in a cabin in the dead of winter. “I’m fine,” she said. “You were talking in your sleep.”

“I was? What’d I say?”

“I couldn’t tell,” she said. “Nothing coherent. Just whimpering and gibberish.”

“Oh yeah?”

“But you didn’t seem afraid. It was more like you were protesting, pleading maybe.”

“Hmm, I don’t know,” I said. “There was a house falling down. I guess it had something to do with that.”

My wife laughed. “Oh,” she said. “Ominous.”

“What do you mean?”

“Nothing,” she said. “I’m teasing you.”

I looked over at her and squinted. My eyes still hadn’t adjusted to the light. “What are you doing?” I said.

“Couldn’t sleep.”

My vision improved, I looked right at her. She smiled at me.

“I have something that might scare you,” she said.

“Oh yeah?”

“Are you awake?”

“I think so. We’re not buried under a demolished house, are we?”

“Not yet.”

“Ah, hell, babe,” I said. “Come on, what is it?”

She drank from the mug and then cleared her throat. “I’m pregnant,” she said.

I detected the slightest hint of sadness in her voice. Maybe it was fear. But that was foreign to me, because I rarely saw her in that state. It just wasn’t who she was or how she lived.

Before I could say anything, I saw my daughter again, chattering away in the back seat, singing, asking a thousand questions, pointing out the obvious along the side the road. “That’s a fence. There’s a house. Look at the barn.”

“Whoa,” I said.

“I’m forty-three years old,” she said.

“Uh huh. And you’re fit as a fucking fiddle.”

A burst of laughter and then tears. “I’m sorry,” she said.

“What about? You mean, ‘You’re welcome.’”

Now laughter through tears.

There she was again. This time my daughter was stepping up onto a wide platform. She was wearing that ridiculous hat, walking across the stage, reaching out to accept her diploma.

As if my wife was seeing it too or knew I was. “Man,” she said. “you’ll be sixty-five when she graduates from high school.”

“I already thought about that,” I said.

“I know you did.”

“But I bet I won’t be the oldest parent there.”

She laughed again.

Then I knew what it was all about, this whole business with my daughter. I could see it clearly.

“It’s the bridge,” I said.

“The bridge?” said my wife.

“Nothing,” I said. “Come on, baby. Come to bed.”

She stood up and turned out the light.

 

 

BIO

Matt McGowanMatt McGowan has a bachelor’s degree in history and a master’s degree in journalism, both from the University of Missouri. He was a newspaper reporter, and for many years now he has worked as a science and research writer at the University of Arkansas. His stories have appeared in Valley Voices: A Literary ReviewDeep South MagazinePennsylvania Literary JournalOpen Road Review and others. He lives with his wife and children in Fayetteville, Arkansas.

 

 

 

Michael Penny

Out of Office

by Michael Penny

 

I am away from the clouds
and will not be checking the wind
but if it moves me
I will return to the sky.

I am off the planet
ascertaining the space between stars
but if they become too bright
I will put away my measure.

I have left my memory behind
preferring the now and instantly lost
but if you knew me then
I will, to please you, pretend.

I have lost consciousness
and now spend my time in black
but I may know you
so please leave a message.

 

 

Anatomy Lesson

 

My nose breathes in viruses
and my ears accept deceit.

My skin invites irritants in
and reddens at its effrontery.

Muscle pulls away from bone
offended at its ivory rigidity.

My bladder refuses liquids,
even water

and my bowels growl
unhappy with the menu I provide.

My lungs, once puffed up
with their importance, are deflated

and the liver says
what the hell, you need a drink.

My nerves keep everything else
awake all night with their loud jangling

and blood gets into everything
insinuating.

My eyeballs cloud over
as the sky’s become too bright

and my heart simply
flubs it.

Oh brain, why are you
leading this charge?

 

 

Island Time

 

Clocks are irrelevant
to the pieces of time dropped
on islands.

Our arrangements do require
a time to meet
and agreement.

Appointments are only late
if expected to start on time
and no-one expects

even rain to fall as forecast.
It’s no excuse but things
do happen when they do.

Events react to minutes
the way waves do, with momentum
and a crash or a drawing back.

Something happening when it should
removes surprise
which might delight

and the wounding
of expectations missed
can leave bruises.

But go with it, on its time
which will be on time
as islands allow escape

from the selfishness of schedule
while the sea’s surrounding
perimeter fence guards

with its barbed foam of waves.
When time is neither fast nor slow
it warns against attempting departure.

 

 

BIO

Michael PennyMichael Penny was born in Australia, but moved to Canada as a teenager. He now lives on Bowen Island and works as a consultant on regulating professions. He has published five books of poetry, most recently, Outside, Inside from McGill-Queen’s University Press.

 

 

 

Larry Fronk

Bad Soldiers

by
Larry Fronk

 

Tarek lay sleeping next to his mama on the concrete sidewalk, with his head resting on a frayed backpack, in front of an ancient stone warehouse in the Turkish port city of Izmir. He and his mama arrived late that night with his uncle, aunt and two cousins. Tarek mumbles in his sleep kicking his feet. He rolls over and his foot lands on his cousin’s lower back.

“Tarek. Tarek. It’s OK. It’s a bad dream. You’re safe now,” his mama says stroking his short black hair.

“Ummi,” Tarek says taking hold of his mama’s hand with his trembling right hand, “It was the bombs again. I ran, but could not get away.”

Tarek is eight years old with a ruddy, dirty face. He is naturally thin, though not under nourished. He’s wearing a white shirt, black shorts and sandals. The bottom of his legs and his feet are covered with sand from the dusty ride across the Taurus Mountains the day before. His back and bottom are still sore from the bumpy truck ride that began three days ago in Gaziantep. His scarred, left arm hangs limp by his side.

It seems like forever since Tarek loaded up his backpack and left his home in Aleppo, Syria. The backpack holds everything Tarek owns and cherishes. There are two striped shirts, two pair of shorts and two pair of underwear. A picture of his papa in his soldier uniform. A pad of paper, two pencils and two apples. A prayer rug that belonged to his papa.

The sun rises over the tall glistening buildings of Izmir reflecting orange and yellow light off the windows offering the first glimpse of a new day. Tarek stands up and takes a deep breath and is overcome with the oily smell of fish and the sweet smell of fruit coming from crates and baskets lining the docks. He feels salt hitting his face, just like sand blowing off the desert. Tarek sees a crowd of people wrapped in red, yellow and blue blankets on the sidewalk huddled together in small groups. Some are stretching as they wake to the new day. Mamas are picking up their children.

He gets his first look at the docks. The water is lined with boats, both small and large, some with sails, some clean and shiny and others dirty with rust, slime and peeling paint. Men dressed in grey coats and hats scurry up and down the docks carrying boxes, nest and poles. In the distance he sees two very large white boats; bigger than any boat he had ever seen.

“Ummi. What are those big boats?” Tarek asks pointing out to sea.

His mama follows Tarek’s finger and spots the large boats. “They are called cruise ships. They bring visitors to Turkey from other countries like Greece and Italy.”

“Are we going on one of those boats to Greece?”

“No Tarek. Our boat will be much smaller.” his mama answers. Seeing the sadness on Tarek’s face she adds, “Our boat trip will be more of an adventure than going on a bigger boat.”

Tarek hears his uncle approach through the crowd and tell his mama, “Stay here with the others. I will check on the boat.”

“Are you sure we still want to do this. I heard the stories about France and Germany. Anas, I am scared. Maybe we should stay in Turkey.”

“There is nothing more for us here than in Syria. It will be safer in Greece.”

His mama hands Uncle Anas a package and his uncle disappears back into the waking crowd. Tarek and his mama move closer to the building and huddle with the other Syrians waiting for boats. Tarek chooses a spot where he can still see the docks and the sea. He watches the boats sail out to sea and disappear into the horizon. He sees a soldier in a green uniform carrying a gun walking down the street.   He falls back into the crowd and grabs his mama’s abayah.

“It’s OK, Tarek. The soldier is not a bad soldier. He is a good soldier. He is here to help and protect us. This is a safe place.” mama said.

The soldier walks by without stopping or even looking their way.

About four hours later, Tarek’s uncle returns and says, “The boat leaves in two days and will pick us up on a beach about ten kilometers north of the city. We need to find a comfortable place to rest and get food.”

For Tarek two days is forever. He pulls his paper pad and pencil from his backpack and flips pages until he reaches a blank page. He writes about his trip on the truck from Gaziantep, the stories the adults told about Syria, before the war. He writes about the exciting city they are in, the tall buildings, the colorful awnings and doors. He writes about the boats and fish. Once or twice, maybe more, Tarek asks his mama how to spell a word. His mama tells him how proud she is that he practices his writing even when there is no school. Tarek smiles and writes about the good soldiers. Finished, he places the paper pad and pencils in the plastic bag his uncle gave him and put it into his backpack.

The day of the boat trip arrives and Tarek can’t wait to see their boat and start the adventure mama promised. Before leaving his mama changed from her abayah into black jeans, a grey print shirt and a black scarf. Tarek’s uncle leads the group on the ten kilometer hike to reach the boat that will take the group of forty-five Syrians to Greece. They walk two by two. Tarek holds his mama’s hand as they walk along the sidewalks that turn to dirt paths as they leave the city and approach the countryside. Other than scattered green bushes and a few small trees, there is only rock. The path turns toward the sea and comes to an end at a bluff. Below, white caps can be seen over the rough water and waves crash against the grey and black rocks that line the beach. Above, grey clouds can be seen in the distance.

Tarek’s uncle directs people to a path made of small and large rocks that lead down to the sea. Tarek cannot walk on the path. He crawls, climbs and is sometimes lifted over and around the rocks. It is hard work and it takes Tarek an hour to reach the beach. He climbs over the last rock that stands between him and the beach. Tarek stares out at the sea that seems to go on forever. Waves splash against the rocks and spray salt water on his face which he quickly spits out on the ground.

“Ummi, can I put my feet in the water?” Tarek asks.

“OK. Go with your cousins and stay close,”

Tarek takes off his sandals and walks into the water letting the waves flow through him. He runs and splashes his cousins. He turns to let the waves hit his back and sees his mama watching him.   She has a big smile on her face. His uncle stands on a large rock looking out into the sea.

“The boat is coming,” his uncle shouts.

Tarek runs to his mama as the rest of the group gathers together on the beach. The roar of the engine of the black pontoon boat could be heard above the crashing waves. The boat rises and falls with each wave. Each wave brings it closer to the shore. As the boat gets closer, Tarek can see the captain. He is wearing a yellow coat and an orange life jacket. His long dark hair is blowing in the wind. The boat rides a wave onto the sandy beach and slides to a stop. The captain steps off the boat.

“We need to move quickly. The water is a little rough today. Life jackets are in the boat. Everyone needs to put one on,” the captain said.

“The boat is very small.” Tarek said.

“Yes it is,” his mama said, “get in and we’ll put our life jackets on.”

Tarek is the last to get on the boat. With everyone on board Tarek’s uncle asks for quiet.

“Fee Amaan Allah,” his uncle prays.

“In the protection of Allah,” everyone repeats.

Tarek’s uncle and two other men push the boat off the beach. The engine sputters once then starts to roar. The captain turns the boat toward the open sea. Everyone sits very close. Tarek could not even move his right arm. Tarek sits between his mama and his cousin on the side of the boat. His mama wraps her arms around Tarek to protect him from the constant splashing. Tarek’s wet shirt is sticking to his skin. The life jacket rubs on his neck. His backpack is soaked and seems to gain weight with every wave. He shivers from the cold.

As the boat moves further from shore the waves rise higher. Tarek bounces as each wave passes under the boat and the straps on his backpack dig into his shoulders. Another wave and he bounces even higher and his mama’s arms falls away. Another wave splashes over the boat and pushes Tarek over the edge of the boat with his backpack over the open sea. His mama reaches to grab Tarek, but it is too late, he falls into the water.

Tarek hears his mama’s scream over the roar of the engine and the waves. The engine stops.   Tarek’s head is bobbing over the surface of the water and he is waving his right arm in the air. The sea water is burning his eyes and mouth. He yells. He kicks his legs frantically to stay above water and move back to the boat. He sees two men jump off the boat into the sea and swim toward him. He sees the captain throw a life preserver attached to a rope at the two men. One of the men grabs it and swims toward Tarek. Tarek is lying face up in the water when the first man reaches him. His eyes are closed. The second man swims up with the life preserver. Each holds Tarek with one arm with the other on the life preserver. The working together the men in the boat pull the rope.

Tarek is lifted up onto the boat and placed in his crying mama’s arms. Tarek coughs once, then again and again, spitting salt water from his mouth onto those around him. He is shaking uncontrollably. A women hands Tarek’s mama a blanket that she wraps around him. Tarek and his mama sit down in the center of the boat. Tarek’s uncle and several other men surround them. Everyone links arms and they sit as low as possible in the boat. The engine starts and the captain continues their voyage to Lesbos.

Four hours after the frightful rescue the rocky beaches of Lesbos are in sight. The captain turns the boat and heads for a beach nestled between two rock cliffs. As they near the beach several men jump off the boat, grab the ropes and pull the boat ashore. Once off the boat the captain tells the group Camp Moria is a short walk along a path between the cliffs. He returns to his boat and leaves the island.

On shore the group says a prayer to Allah for granting them passage to Lesbos and for saving the life of Tarek. Tarek’s uncle, carrying Tarek in his arms, leads the group along the path to Camp Moria. After walking half an hour the group is stopped by two men in green uniforms with guns.

“We come seeking asylum,” Tarek’s uncle said, “We have a boy that needs a doctor. Please, we ask for your help.”

Tarek’s mama, crying says, “I beg you. Help my son.”

The soldiers look at Tarek, his uncle and his mother. Waving their hands up and down the soldier’s motion the group to sit down. One of the soldiers talks into a radio while the other moves his eyes from person to person. Three other soldiers in blue uniforms join them along with a man and a woman dressed in white. The woman has on a white hat with a red cross on it; the man carries a bag. She looks at the ground listening to one of the soldiers. Two soldiers walk among the group looking at each person. The woman steps forward and begins speaking in Arabic.

“Where is the boy that needs a doctor?” she asks.

Tarek’s uncle stands holding Tarek and his backpack tightly in his arms. The woman motions them to come forward. The man carrying the bag comes up to Tarek and says something he cannot understand.

“He is a doctor,” the woman translates.

The doctor examines Tarek. He says something to a soldier and the women that Tarek cannot understand.

“The doctor says the boy has a mild case of hypothermia.   He needs dry clothes, a warm blanket and a warm drink. A soldier will bring them soon,” the woman said.

Tarek sees more soldiers coming toward them. One is carrying a red blanket and cup.   He hands them to Tarek’s uncle. One soldier stops to talk with the woman.

“Ladies and gentleman,” she says, “I realize you have journeyed a long way to get here. I don’t know what you heard about France and Germany, but things are bad in Europe right now. There is much fear among the people. You will not be allowed to stay. A few hours ago the European Union voted unanimously to close the borders until they can evaluate the situation. I am very sorry, but you cannot stay in Greece. There are boats in the bay ready to take you back to Turkey.”

“No,” Tarek’s uncle shouts, “We have come far. We have risked everything. We are families trying to escape the war. We are not terrorists. We come seeking asylum.”

“I am sorry, but there is nothing I can do. The order comes directly from the Greek President. You cannot stay,” the woman repeated.

“Ummi,” Tarek says, “What does she mean?”

“The bad Syrian soldiers attacked Europe and they won’t let us stay. The people in Europe are afraid of us.”

Tarek sees others standing and shaking their fists and pleading, “We can’t go back”, “Please let us stay,” and “Don’t blame us.”

Tarek looks at his mama. She is wiping tears from her eyes with her scarf. His mama walks up to the woman.

“If a Greek man murders a Turkish man, does that make all Greeks murderers?”

The soldiers move closer and remove the guns from their shoulders with the barrels pointing in the air. The voices fall silent.

“It’s not fair. We hate the bad soldiers too!” Tarek yells at the woman, “They killed my papa. They hurt me. We hate them too. I will show you.”

Tarek unzips the backpack his uncle is holding and reaches in. A soldier runs to Tarek and his uncle and pulls the bag away, but not before Tarek takes out the paper pad.

“Read. Read,” Tarek says handing the pad to the soldier, “We hate the bad soldiers.”

The soldier shakes his head, looks at the pad and shows it to Tarek. The pages are wet and the words smeared.

The soldiers push the group down the path to the bay.

“We hate the bad soldiers too,” Tarek cries.

 

 

BIO

Larry FronkLarry Fronk grew up in the foothills of the Adirondack Mountains in Upstate New York, and now resides on the east side of Cincinnati, Ohio. Larry recently retired after a 36 year career of public service working in local government in the areas of urban planning, community development and local government management. Upon entering Act II of his life Larry decided to pursue his passion for writing and enrolled in a creative writing class at the University of Cincinnati, Clermont College. This is Larry’s first published work.

 

 

 

Belinda Subraman

Buckling the Bible Belt

by Belinda Subraman

 

I pledge allegiance to my hillbilly past
cheap fan motor buzz
black dirt harshness
inbred bullies and bigotry.
Winter baseboard rumbles heat
in thin walls of fear
walls that work as refuge
enshrine weakness with
corporal punishment in tombs of shame.
Echoes down a backwards hall
require humility and magic prayer
as earth boils and fumes in science.
Reason is a devil’s turd
as we eat the flesh of white Jesus
and drink his blood.
Crackers and grape juice with guilt
and submissive independence
whirlpool around inherited drains
one slang language misunderstood
bucked up with guns
and ambivalent Bibles for all.
Amen.


 

Contrails and Entrails

 

I’m flying over a popcorn sea
finally out of turbulence…
Southern sanctioned abuse.
I’m flying, released
over the veins of earth.

My roots have claws
anger and fear
language of permafrost
tests curved to the negative
surprise pits of darkness
in a house of correction
where nothing is right
nothing is realized
but the changing rules of God
from Bibles living
in tombs of protection.


 

Lunch With Jesus

 

We held hands around the table
at Applebee’s and prayed before eating.
Fox Network was there and low self-esteem.
“The white cops were right, “one said.
“More people need beating.
We need more guns.
Too many getting rich off welfare
too lazy to work.”
“Christians have no rights,” another claimed.
“What about the Christians?”
I kept quiet. Dogs were howling for meat.
Jesus turned his head away.
Bibles slept in their cars.

 

 

BIO

Belinda SubramanBelinda Subraman has been writing poetry since the 6th grade and publishing since college. She had a ten year run editing and publishing Gypsy Literary Magazine. Six of those ten years were from Germany where she was a Bohemian outcast among officer wives. She edited books by Vergin’ Press, among them: Henry Miller and My Big Sur Days by Judson Crews. While in Germany she also published the Sanctuary Tape Series which was a mastered compilation of audio poetry and original music from around the world. If you interview her about her publishing days you will discover that she threw out a whole Charles Bukowski manuscript because he told her to just trash what she didn’t like. THEN she found out he was Famous. She might have kept the manuscript but still would not have published it. (It wasn’t his best work). Bukowski, Burroughs and a few other literary figures did make it into some of the first Gypsy issues, however.

Over the years Ms. Subraman’s work has appeared in print journals, anthologies and online journals including: Best Texas Writing, The Louisiana Review, The Arkansas Review, A New Geography of Poets, Puerto del Sol, Borderlands, Rio Grande Review, Social Justice, Gargoyle, Between the Cracks, Out of Line, Mondo Barbie, Big Bridge, and Lips Unsealed. In the past year her work has appeared in: Poets and Artists, Red Fez, Unlikely Stories, Tribe Magazine, Yellow Chair Review, and Chiron Review.

 

 

 

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