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The Writing Disorder is a quarterly literary journal. We publish exceptional new works of fiction, poetry, nonfiction and art. We also feature interviews with writers and artists, as well as reviews.

WARNER

by M F McAuliffe

 

 

This isn’t the Warner Gilchrist who’s a neurosurgeon, nor the Warner Gilchrist who’s a bell-ringer, nor the Warner Gilchrist who’s an executive lawyer, nor the Warner Gilchrist who’s a male model, but the Warner Gilchrist who’s bone and residue in a closed coffin in one of Adelaide’s cemeteries. His father was James Gilchrist, a local columnist for The Examiner, and one of the most fatuous writers I have ever read. At 15, my rage at his column was boundless. Church-goers’ and rose-growers’ regard for him was likewise boundless. Now even Google can’t find him.

Warner was his first-born, a fat-faced, slit-eyed bounceball of self-regard. He wasn’t tall, he wasn’t lithe, but walked as though he was. I knew a lot about the way he walked: he walked in late, down the full length of the theatre, every time we had an English lecture.

He was as full of shit as his father, and as well regarded.

#

He was very young, they said. There was a law that you had to be seventeen to go to Uni; otherwise you had to petition the Governor. I’d come within two months of having to petition; he’d come within two weeks.

I didn’t know his name. I knew the orange hair and freckles, the stretchy-dakked slouch, the eyes, his lack of folder as he slouched past the front rows of girls busy writing in theirs. I knew he bounced a tennis-ball across the plaza month in and month out; I saw him from the library windows. He never seemed to do any work. I expected him to fail.

At the end of the year I came third. Someone called Warner Gilchrist had come second; Walter Selim, a thin, pale worm, had come first.

In Second Year Orange Boy still had the ball. Mostly in is pocket.

Early in Third Year the student newspaper revived. Someone called Warner Gilchrist, with friends, ran it; Warner was the editor. Van Hulse, a friend of mine, gaunt and haunted flame of a boy, went off and politicked. When he came back we were the joint literary editor.

“Oh?” I said.

Not only that. Warner Gilchrist was the son of: James Gilchrist.

#

As we all waited at the entrance to the large theatre I could see the darkened study of his late nights with his father, typewriter, table, pool of light, whisky-to-whisky, man-to-man help with homework, help… (Did his father help him say the things I wanted to say – the feeling at the tip of the branch when the grapevines are pruned, how the small grey wind came from the gullies, how the scatter and spray and spew of houses lay between the hills and the sea?) He’d had help, had it for years and years and years.

“This means we can be a power on campus!” Van Hulse was glowing, his lips open with hope.

I had pressing problems, lose your scholarship and where are you going to get money problems, the entire Spanish Renaissance in Renaissance Spanish problems, Norse sagas in Old Norse and Beowulf in ornamented Anglo-Saxon problems. (Where did Warner get all his free time?)

“Mm,” I said. Hulse invented projects and cajoled students far and wide. I talked a couple of submissions out of a couple of staff. I had too much work to help him much.

Warner’s articles began to appear. Sex and the pill and the new gloriousness of life; the Hey, Jude review; the penis-piece, a four-pager on the True Humanity of not regarding your penis as a Free Strap-on Gift Offer. It was something his father might have written, if he hadn’t been addressing the middle-aged middle class. “Dear Warner, I have never regarded my penis as a free strap-on gift offer. Love, Veronica.” Did not get printed.

Around the same time Hulse told me that nothing we were digging up was getting printed, either.

Take it up with the Student Union executive?

Hulse white-faced with anger. The paper wasn’t controlled by the Union. The press was owned by a consortium of Warner and his friends.

So. His father had bought him a fake newspaper for a platform, and a press to print it on.

#

He beamed and bounced his way across the plaza and grew more orange hair. My thesis grew a hundred monster heads.

I began to be free again at the beginning of Fourth Year, just in time for the Annual Play. The other half of the Former Literary Editor of The Imperial Scheme sprang the fifty cents, and took me. Over the summer just about everybody had dropped out, Hulse said, and instead of cancelling the show… Towards the end the star and only cast member swung across the stage on a trapeze, jock strap naked, coloured streamers rippling from his arse. Hulse wanted his money back.

But when I saw him afterwards, wearing the green corduroy coat with leather elbows, wearing the shirt that somehow made him look substantial, I felt oddly sorry for that simultaneously pudgy and scrawny body.

And then I began to realize that Warner’s performance had gained him respect among the staff. I think they saw it as brave.

And the staff would decide the first class degrees, the tutorship, the scholarship, and the Medal.

#

Fourth Year.

As you walked down the corridor you could start to get a feeling for your chances, read the layers of latenight thought lodged in the satin finish of doors and doorframes. You could see vague shapes, receding possibilities. Once I glimpsed the ghost of Walter Selim, inching along like a vertical worm, his mind concise and brilliant.

But the most glittering bauble on the Fourth-Year Christmas-tree was a couple of terms’ tutoring before leaving for Oxford. If I could get that job I could do something respectworthy while I went on trying to say the sound of the wind. My heart had been set on it for years.

#

Frenzy. Exams. Orals. Alphabetically I wasn’t expecting to see Warner that week. Our paths crossed at the door; I went to knock; he opened it on his way out. Hearty male laughter within. My heart sank. I knew the sound of satisfied agreement when I heard it.

I’d staggered through my Spanish oral, drunk and mindblank, managed to make an unexpected joke with the only three words I could still remember and escape while their impressions were still good.

I didn’t dare get drunk for this. So we sat, them in front of the windows, me staring at the sun and thee silhouettes, in increasingly bad-tempered argument.

When it was over I went downstairs to the Ladies’ to get out of the dress. I hadn’t worn it for years, knew it was hideous the second I put it on –

Warner intercepted me.

The orals were closer to Christmas; the campus was closed and deserted. To this day I don’t know where he waited that afternoon, to speak to me who he neither saw nor spoke to, to see if his scholarship was still safe.

He looked down from his puff-cheeked, slit-eyed advantage and asked me how it had gone.

I shrugged. I wanted nothing but to be away from the grey terrazzo foyer with its thin brass strips, to be back in my jeans, getting to know by its smell and sound and the saltwater desert my future had just become.

“How long were you in there?” His eyes looked amused. The dress, I suppose.

“An hour.”

The pause lengthened, and lengthened again. He stood looking down. Finally I said, “How long were you?”

“Twenty minutes.”

There was so obviously nothing to say.

#

Selim got the Medal.

#

Van Hulse chatted quietly to the staff. Everything I’d been drunk for I’d done very well in; Warner’s First came largely from his marks in French. I grunted. For all I knew his French was better than Voltaire’s.

#

Teaching on the industrialized edge of the extinct inland sea. Dry geologies so barren that for a sense of human scale I began reading The Examiner again.

Warner’s French professor had become the restaurant critic.

Restaurant critic? The man had to be helped downstairs after the French Society.

I wondered why The Examiner had picked him. He wasn’t scrambling for work; he didn’t need the money. He sat in his office, obscure, bespectacled, unnoticeable to anyone but his students –

Warner’s First came largely from his marks in French.

Warner’s father, The Examiner‘s most popular columnist.

#

None of that made any difference now.

The wind grieved at night, scouring the plain under the treeless moon.

#

I drank the Education Department’s pale cups of Gethsemane and when I had the money I moved to Melbourne. I opened The Age one Saturday soon after and found a recent photo of Warner.

Back from Oxford, apparently. Going to Sid Siebel’s filmwriting workshop, writing for the South Australian Film Corporation. He’d won The Age‘s short story competition. The story stank.

I wondered how his father had fixed the workshop, and shrugged. I had to beat down another door for another part-time job.

The recession ground on.

#

Free entertainment one afternoon! Helen Caldicott Against The Bomb! City Square from 3 p.m.!

I got there after work, to a thinnish crowd. Caldicott had already left, but I wanted to see what I could see, so I followed the thick network TV cables and stopped about fifteen feet from the stage, about four feet behind a squat fat guy.

Large orange Afro. Green corduroy coat splitting at the seams. Leather elbows.

Warner leant down and whispered, directing the guy on is knees next to him with an old Sony Portapak to tape a flag too close to the camera for the average Sony lens to resolve. The portapak belonged to Adelaide Video Access. Someone had come up with the shoestring for a directorial experiment.

#

Christmases in Adelaide came and went. I finally got a job in the Public Service, went back to Adelaide for the following Christmas and caught up with Hulse, who was working for a new political rag. I took riesling, brie, edam, green olives, black olives, stuffed olives, cold tomatoes, bread, the best coffee I could find, and a sinful chocolate cake. We sat in his living room, which was small and dark. The food was on the two small tables that stood between us, touching our knees.

We’d been discussing an article he was working on. I’d just put my wineglass down. I had bread and cheese in my left hand, I was catching crumbs with my right. Hulse was examining the plate, looking for his next nibble.

“Bye the bye, Ron, did you ever hear that Warner Gilchrist is dead?”

Hulse had bought tiny car stereo speakers for his tiny living room. Very soft Haydn.

“Drowned.”

I couldn’t hear the music.

“… He’d got divorced and gone to Byron Bay to do some surfing. They told him it wasn’t a beginner’s beach.”

And Warner thought it didn’t matter. Warner thought he was as good as they’d always said he was.

His father had loved and helped him to death.

#

Solid unbreathable green, lungs starving, burning, mouth forced. Swallowing. Rid of water.

No arms. Green through greening water, no arms rescuing. Cold. Swirled. Buckled, bound, encased, inside and out, water.

I saw him fall and part from me, point of light falling and dimming in an endless exterior dark, falling down and away, my enemy, my identity, my loss.

The light went out.

And I was bolt upright in the dark, gasping and choking and terrified.

#

I saw Hulse a few times over the years before I left the country. Warner’s younger brother was a decent-enough journo at The Examiner. His father was a broken man. Warner was dead, and so was his family’s ascendancy.

#

I’ve outlived him now by thirty-five years, and yet he’s wandering cross my mind this morning, that drowned and fatuous boy. I can see him coming across the plaza, fishflesh white under his orange hair, slit-eyed in the sunlight, ball in his pocket. I’m watching him from the first-floor window, wondering what it must be like to be so favoured by family, money, gender.

I turn and draw breath.

I suppose I’m thinking of him this morning because the weather, a harmless-looking grey, not even dank, has me labouring for breath as though asthma had never been dispersed by albuterol, beclomethasone and prednisone; because I could well end up like him, drowning.

But that will be then. The weather will improve tomorrow, the asthma over the next few days. My third book has just gone to the printer, photographs and essays; my husband’s fourth came out last year.

We work around our illnesses, quietly, and get things done.

 

 

BIO

mcauliffe2M. F. McAuliffe is co-author of the poetry collection Fighting Monsters (Melbourne, 1998), & the limited-edition artist’s book Golems Waiting Redux (Portland, 2011). Her novella, Seattle, was published in 2015; her collection, The Crucifixes and Other Friday Poems, will be published this fall.

In 2002 she co-founded the Portland-based, multilingual magazine Gobshite Quarterly with R. V. Branham. In 2008 they co-founded Reprobate / GobQ Books, where she continues as commissioning editor.

 

 

 

Christina Bavone

 

Manifesto! ignorare!

 

When the leaves change,
I must write about them.
That’s what happened
I wrote about the leaves.

Natural reverence picked me up
and put me in poetry’s basket.
I stayed for a while only straying
to pick up useful adjectives and verbs.

Collecting life in tin cans,
only to pickle later
for safe keeping.

Poetry is life.
Poetry works life like a red-sequined dress,
and then goes out for dinner afterwards.

I want to have a phone conversation with myself.
And then bleed afterwards.
Eventually poetry will bandage me,
and then sometimes it doesn’t.

I want to whistle in the face of poetry.
Then I’ll know I’ve made it
when poetry has felt my
spit on its vibrato.

 

 

mangledadj.

 

I maul adjectives
and eat adverbs alive.
I step out with pejorative
statements clinging to my cheek.
The chocolate chip, Oreo images
smeared across my lower lip
and I couldn’t quite pick the crumbs of allegory
off my blouse.

The characteristics of the protagonist
dangle from my ear lobe
threatening to let go.
Slimy plot dripping from my nose
always trying to get away.

My dimples held dialogue
like ingenious puddles that would
eventually dry up over time.
I didn’t realize my
obsession for the written word
until a passerby yelled out to me,
“Hey, what have you been
doing? Making out with a
book?”

And I looked up to my reflection only to discover
a 3” thick layer of black words
coating my mouth.

 

 

Nerves shot straight to hell.

 

I wait,
straining to hear the telephone.
Red ants creep up my throat;
my stomach turns counter-clockwise this time
                  in paralysis.

                           I’m tripping
off of surreal adolescent films –
the sweet voice of Alice
wondering which land she is in.

Don’t give me that psycho-sympathetic look.
You know how it feels
to try and control
the out-of-control.

Sexual participation one night;
the clutches of murder the next.
Where will it all end?

My voice cracks under the pressure. Is it? Dead?
The twigs crumble beneath me
and I fall.
The hole was pre-dug.
It was a trap.
The judgment of dirt – what a child’s toy.

It’s all the fault of that damned rabbit hole.

My baby sister doesn’t
realize the difference
between life and death,
but I do.

The sweat pours out
in droplets, “I’m sorry, but I had to.”

The rubber band snaps in two
and the release of tension
sends me into delirium.

The Queen’s had my Ace,
but the joke’s on her.
I’m running.

But you always knew
I was crazy, so
I won’t go into disgusting, controversial details.

 

 

Death Comes Upon You

 

it hovers, then falls
like a sheet,

a white one,
translucent.

gossamer skin;
toes pointed skyward;
brick mortar over
bare legs bristly black.

now dark
thick as dinner coffee.
you wait

for an afterlife
that never comes –
stuck in this body
folded over

on the asphalt.

 

 

BIO

christina-bavone_2Christina Bavone is a teacher and writer of fiction and poetry. She currently teaches writing at National Louis University. She holds a Bachelors in writing from Columbia College and a Masters in teaching from National Louis University. She is currently pursuing a Masters in English at University of Illinois at Chicago as a part of their Program for Writers. She has published poems in online lit mag Ophelia Street and international publication Every Second Sunday. In addition to teaching and writing, Christina is mother to a boisterous 4-year-old.

 

The Masterful Art of Angelo Deleon

 

 

Cloudy day over Metro

Cloudy Day Over Metro

 

The City View

The City View

 

City Harbor and Sailboats

City Harbor and Sailboats

 

Gray Skyline

Gray Skyline

 

Teal and Aqua Sky

Teal and Aqua Sky

 

Jazz It Up #4

Jazz It Up #4

 

Neon City

Neon City

 

Lilies in a Pond

Lilies in a Pond

 

The City Bay

The City Bay

 

Neurul Circuitry

Neural Circuitry

 

Panoramic View of a Colorful City

Panoramic View of a Colorful City

 

 

 

ABOUT THE ARTIST:

Angelo Deleon

Angelo Deleon is an American artist and painter, Abstract Expressionist and Impressionist artist who is self-taught and lives in Middleburg, Florida.

 

Links to Angelo’s work:

Instagram

Facebook

 

 

 

 

stephanie renae johnson

Straw

by Stephanie Renae Johnson

 

 

Now, listen. This is why I need you.

Most fathers don’t dip the moon into bottles of their own tears and booze. A father shouldn’t tell his daughter that her moonbeam body echoes her mother’s. But he did, with his mouth and with his eyes. That was why we were going to run away: just our hands clasped tight as we roved the hills. Our bare feet and the mountain laurel. Some sheep, maybe, to keep us warm. We were going to fill our mouths with lamb’s quarters and dandelions. We would find what we could and steal what we couldn’t.

We figured, the world owes us anyway, for setting her up with a dead ma and a pa stuck in a bottle. I’m not much better: a dead pa and a ma who disowned me. A mangled creature, she called me. Sick, she growled.

Her pa is a monster. Coming from me, that’s an insult.

That is why, Grandpa—I need to know how to spin straw into gold. She’s in the tower of that mansion right now, and I need you to tell me how you did it all those years ago.

No, I can’t find Ma. She’ll just spit me out again like a bad batch of moonshine. Just show me … please.

 

Grandpa, the forest at night is a cacophony. Stars swirl in a raucous chorus, coyotes yip and howl; the mosquitoes and cicadas are a damn racket. Since being ejected from home like a knocked-over nest, I’ve grown in the woods. My toes are callused blue with the dirt of these mountains. I know the rough of the bramble; my heels are pricked and pierced by blackberry bushes. But I’ll never get accustomed to the night time symphonies of these azure ranges.

I’m surprised I heard her over it all. She was in the corner of my vision, an extra tangle of roots in the kudzu, until I heard the heave of her sobs.

“Oh hell!”

Trying not to trip when you’re barefoot on a mountain is an art form I’m still learning after all these years. I fell into her lap.

“I am so sorry,” I muttered, sitting up and brushing the dirt from my arms. “Are you hurt, miss? Do I need to carry you home?”

She smiled, despite the rivers carved into her cheeks.

“No, but thank you. It’s just–” she breathed out. “–my father.”

“Ah.”

For lack of anything better to say, I plucked an ivy leaf out of her hair.

“Here,” I handed it to her. “For good luck.”

“Thank you … I’m Brenna.”

“Stilt.”

“What a funny name!” she laughed.

“It’s a family name,” I muttered.

“Oh.”

The woods resumed their noise. I hadn’t noticed it stopped until the drum thrum of “talk-to-her-talk-to-her-talk-to-her” bludgeoned through my mind.

She talked first, though. Her voice was like a newly minted coin, silver and round.

“Do you often walk in these mountains at night?”

“I live here. So…yes.”

“Oh, I’m sorry, I didn’t…” She looked over my shoulder and noticed my clearing.

“It’s fine. I’d rather be here than there.” I pointed at the carpeted view of Ashburn spread beneath our feet.

“It must be beautiful to live here. Have this view every night.” Her chin tilted toward the town, the blinking fires below, the crooked dark line against the other side of the sky.

 

This has happened before, Grandpa. Runaway girls from the town find their way up to my mountain. I never ask for them, but they stumble up as if led. The least I can do is make them a cup of coffee and listen to their reasons for running away.

After the tears dry from their cheeks, they smile at me, they push my hair away from my eyes. They tell me I’m beautiful. They might even kiss me before descending back down the mountain. But then, they realize, they only like the idea of me: the mountain recluse with un-brushed hair, long legs, and longer patience. It’s the reality of me, especially when it comes to taking me off the mountain, introducing me to their kin, their everyday life, the concept of showing me around town on their clean, slender arms that end in uncallused hands. That’s when girls become aware that I don’t fit into a dream life. I’m not a fairy tale ending. You don’t find people like me in any kind of nursery rhyme picture book.

 

That night, I remembered how gold looks when lit by a fire. As I leaned the wood together in a triangle and flung the flint to the center, her hair gleamed. She stared into the flame, but I stared at her.

“So,” I asked, sitting next to her in the dust. “Can I ask what your pa did to deserve you running away up my mountain?”

She laughed. “Your mountain?”

I grinned and glanced around. My pewter coffee pot hung from the branches. My ax stuck up from the stump of what used to be an oak tree.

“Do you see anyone else living here?”

“No,” she allowed. Her smile was like the moon, whittled down to halfway nothing.

“My mountain, then.” I sipped coffee out of my mug and refilled her cup.

She stared through the distance, past me, past the valley below. I almost didn’t want to interrupt her for the fear that her next words would be goodbye. But her lips parted.

“My father is . . . insisting I do something I don’t want to do.” I noticed a dark shadow along her neck as she pushed her shining hair aside. Its twin rested on her wrist. “So I came to the hills to decide what to do next. Seems like I’m not the only one.”

“What will you do next?”

“I’m not sure.” Her eyes swept over my camp. “Why do you live up here?”

I opened my mouth to tell her the same half truths I had told other runaway girls. My parents died. I never had parents. I was raised by mountain men. I was raised by coyotes. But the truth slid out instead, slick as wet leaves.

“When I was ten, my grandpa, my father’s father, fell sick. A little bit of…” I bit my tongue. Never tell, my pa said, never tell anyone about us. “A bit of medical ability runs in my family, so my pa spent all night taking care of Grandpa. But then my father got sick, too. My grandpa got better. My pa didn’t.”

“Your poor mother. What did she do?”

“She went wild, stopped talking to my grandpa. She blamed him for everything.” I stopped, but her eyes were tangled around me like thorns, so I continued. “My ma kicked me out a month later when she found out that I…” Biting my lip, I looked down at her hand in the dirt, inches from mine. They were the same size. Our chests rose and fell with the night air.

“Oh,” she breathed. Her tongue darted forth from between her lips, licked the top, then the bottom. She stared at me and I swear she was finding my soul, just looking at my mouth.

That’s when I fell in love with her.

 

I know you think love at first sight doesn’t happen, Grandpa. I know it took you three nights and a miracle to fall in love with Grandma. It took longer for her to return the feelings. We, as a family, are not that attractive. You have scars from the seam where Grandmother sewed you back together. I remember Father’s bulbous nose that he said you gave him.

And then there’s me. All my unattractiveness collected in my insides, Mother said. All my evil stored in my blood stream underneath my freckled skin and dirty hair. Ma said it must’ve gotten mixed in with the magic blood, like somehow sin came with the ability to make one thing turn into something else. A sickness.

Before Brenna, I didn’t believe in instant connection, either. I was raised on fairy tales just like everyone else; I knew there were witches for people foolish enough to believe in love that took only an eye blink. Witches took a poor girl’s legs. One fed a princess poisoned fruit. I was above all that, high on my mountain, just me and the coyotes, watching the moon. Or so I told myself, nights I was so alone not even the lightning bugs pitied me.

 

But Brenna was different. She listened; I didn’t feel like I had to settle into a type of misunderstood castaway for her. We spun our pasts out in front of the jumping fire. Each laugh that escaped her mouth seemed to hold eternity.

“Do you ever miss town?” she asked as the stars blinked with fury above us.

“What would I miss?”

“Pretty bar maids.”

We both laughed. She had told me how she earned a living, leaning across a bar to serve beer to red faced men. Her laugh sounded like wind in the leaves: airy, musical.

“But I’ve got a pretty bar maid right here,” I boasted. Her eyes glittered at me, the firelight caught up in them. “Besides, there’s so much more to the woods than below.”

“Tell me about it,” she implored, then miraculously—like she’d been planning it all evening and just waiting for the right time—rested the top of her head on my shoulder. The skin there tingled and burned, dancing under her fire-like curls. How many nerve endings can be in my shoulder? It felt like a thousand crinkling constellations had been swept under my skin. I gingerly, carefully, slowly, stroked her hair. It was so soft underneath my hands.

“It’s like this: once you get rid of the people, once you take away the clopping of carriage wheels over brick, every noise lasts longer. I’ve heard bird chirps that have rung through my head for hours. Everything is … easier here, because it’s just me.”

“And me!” she laughed.

I was quiet. I didn’t know how to respond to that. They always leave, these girls. That’s what makes them runaways.

She spoke again. “I wish my world was peaceful like yours.” Her eyes squeezed shut as if blocking the noise out. “My father drinks. And yells. And drinks more.”

But he keeps you. I didn’t say it because I knew how awful it would sound—the man who hits you, makes you work in a stinking bar—at least he doesn’t send you away. So instead, I put my hand over hers and watched the night fall backwards into day.

When she kissed my cheek at dawn, before she clambered back down the mountain, I never expected to see her again. So I watched her as she left, until I couldn’t make out the golden dot of her head on the dark horizon.

 

No, Grandpa, ma won’t help. She’s happier without me there, just her new husband and her pink baby daughter. Ma can only offer the wrong kind of gold. I need straw and all she has are coins, courtesy of her new husband.

In this matter, especially, I don’t think she’s likely to help me. Situations like this are the whole reason she kicked me out. To her, there’s no difference between Brenna and Violet, other than the fact that Violet lies under the earth and Brenna walks above it . . . and even that difference, I’m sure Ma would prefer to fix.

 

Brenna came back the next afternoon. Sitting on the horizontal tree trunk I call my parlor, swinging her feet in the late summer breeze, wearing the sunset in her smile. I almost dropped the armload of wood I was holding. Instead, I set each log down one at a time, staring at her. “What are you doing here?”

She shrugged. “I missed you.”

“How did you know how to get back here?”

“I counted the steps I took back down the mountain and added twenty.”

I placed the last log on the damp earth, still not breaking eye contact with her. “Well, sure, with that logic.” I paused, my chest a jungle. God. I swore she could hear it outside of me; it echoed over the whole mountain range.

“I missed you.”

“When you say that, what exactly do you mean?”

She hopped off the tree trunk and dusted her hands on her dress.

“I mean that I…” She took one step toward me, covering more than half the graying afternoon between us. “Missed.” She put her hand right where my heart felt like it was going to shoot out of me like a bird taking off. “You.” She pulled my face down to her hungry lips. Every sinful kiss, every reason my mother no longer loves me, was all worth her in that moment.

 

Oh, hell. Yes, Grandpa, Violet was that girl at the farm down the way, always stomping with me through the rivers and the dust. You’re remembering right: yes, the girl with hair the color of the earth. But when the fever swept through these hills, when you got sick, when Pa got ill, so did she. She died the month after him, that July that was so sticky hot. Remember? Your fever had broken, but we couldn’t tell because we were all sweating like fevered folk?

Ma found me praying over Violet’s body. Except my prayer, my lips hovering over hers, was the kind of prayer Ma’s God never would hear. Sinner! I can still hear her shrill echo. That’s when I took to the hills. That’s the last time she saw me.

Grandpa, I just need to know how to help Brenna. Please, please, tell me.

 

“Brenn?” I whispered into her hair later that evening. The golden strands held my words for a half-second before she turned to face me. Her eyes were still closed, but fluttered like a butterfly balanced on a falling leaf.

“Mm?”

“Why are you really here?”

“I’m really here because I want to be. Now go back to sleep. It’s night. Unlike you, I’m not nocturnal.”

The skeeters outside convinced me even nature has a metronome.

“Brenn?”

“Stilt, what?”

“I mean. What about your pa?”

“What about him? I’m gone. I’ve left.”

“And what? You just came home, said ‘I don’t want to be here anymore, I’m running away to live with the ragamuffin I met in the woods less than twenty-four hours ago?’”

“Not exactly, no.” I could barely see the thin branch of her mouth.

“Well, then, how exactly?”

“I just left.”

Visions of pitchforks and flaming pyres stamped through my mind. Me, barbecued on a spit. Me, tortured alive, my legs braided shut. Me, eyes plucked out.

“You didn’t say anything?”

“No.”

“You didn’t leave a note?”

No.

“Did you bring anything with you? Anything of his?”

In the dark, her silence.

Then, “Why do you ask?”

I sigh.

“Because I took something from my Grandpa when I left, and I regretted it later. Now I still have ties with him, I still have something of his, something I don’t know what to do with. He still speaks to me, even when I’d rather not hear.”

“What’d you take?”

“What did you take, Brenn?”

“Money.”

“A lot?”

Her hair on the pillow of leaves made a nod, a tender rustle.

“You need to give it back. It’s dirty money.”

“But it’s money we need.”

“No, we don’t. We’ll make it.”

“How?”

“We will, Brenn. Just trust me. We will.”

“Okay. Tomorrow morning, I’ll give it back. But I’ll return by dusk.”

“Promise?”

“Promise.”

A finger poked my side. This girl was lightning, worried to playful in a cricket’s chirp.

“Not fair, you never said what you took.”

The constellations above swirled with my breath. I got up, dusting myself off. Brenna brought herself up to her elbows, watching me as my arm disappeared into the trunk of a hallowed tree. My fingers closed around the thin wheel, the miniature spokes. He’d shrunk it long ago, as a spectacle for their one wedding guest: their baby. My father.

“I took my Grandfather’s spindle.” The weight of it boomed in her palms.

She examined it carefully, as if her fingers held a dying crow. “Why?”

“Because it’s the only indication I’ve ever had that love is real.” I remember the fireplace in my childhood home. Father’s scratching voice, explaining how his parents came to this country, these hills, with nothing but dreams and sheep. The wooden spindle spun between my fat fingers. The center spoke twirled as I laid on the rug, half asleep.

Brenna put her head on my chest and I held her close. From the tops of the trees, we must have looked like two fox pups, curled against the dark.

 

I know I shouldn’t have pressed her, Grandpa. Don’t you think that I know that now? I stood on that mountaintop, watching the sky fill up with messages of “no” the second she didn’t come right back, the hour the sky turned black. I screamed her name into the sky that night until a thousand crows flung from their trees and whipped around my face.

Are you going to tell me that in the year you and Grandma hid your love, in the time you plotted the midnight shout of your name in the woods, her faked nervous attack, her pretended insanity, her leaving the king, you never made a mistake? No, Grandpa, I know how close the prince came to knowing your ruse, how close he came to suspecting the new baby prince wasn’t his. I’m not the only one who has been tricked by the holes in a late night plan.

 

The following morning, I left the mountain. I bathed. Washed my face and behind my ears just like Mother taught me. There’s no soap in the woods, no indoor plumbing running over to make sure I got every last kiss of dirt off my face.

But I did it. I stumbled into Ashburn—the bright metal song of the blacksmith shop, the leather breeze of the cobbler, and everywhere, the selling. Dollar signs looked like snakes twisted over sticks. This is the world she comes from. This is the world I left. My stomach riled with acid over each shop window; some part of me knew it was where she’d return after me.

I counted the steps and added twenty, just like she’d said, but I had no idea which way that twenty needed to go. I pulled on the sleeves of strangers, but they all shuddered me off.

 

When you try to find an alcoholic’s daughter, Grandpa, you go to the town bar. Because either he’ll be there, or she will, trying to drag him off the stool. I didn’t need to look long; I followed the men whose steps curled like a chipmunk’s tail. All bars are the same, and this one was the brown variation on the theme: stinking, a row of men at the counter while the sun still hung outside on a rope.

At the center of the bar, I found her father. He looked exactly like she would if all the wishes had been sucked out of her, leaving leather for skin. Much as I hated to, I knew that the one way to make a man like him talk was to buy him a beer. I uncrumpled one of the last green bills I had saved from the days I used them myself.

He sucked down the dark, frothing liquid from the wide mouth of the cool glass, after tipping it at me.

“Much obliged,” he muttered. I nodded and leaned over a seat next to him.

“Mind if I ask you some questions?” I asked, my thick anger for him housed in my stomach. I tried to keep it from welling up into the back of my throat onto my tongue.

“You some kinda reporter?”

I ignored this and wielded my own question back at him. “Where’s Brenna?” He took another swig of beer. My rage started to taste bitter between my teeth.

“You must be the wild one. Didn’t know you were the type she wanted.” His eyes traveled up and down my form, stopping at the space right below my clavicle. “Makes more sense, now, the fit she threw when Henry stopped by to collect.”

“Who’s Henry?”

“Henry Kilgilt?” He squinted harder. “Are you not from around these parts?”

“I’ve heard tales. Lives in a giant house on the top of a hill.”

“Not just that. The closest thing the Carolinas have to royalty.”

But what neither of us said out loud was that he had a mean streak: even as a mountain recluse, I heard whispers, passed along stories of what happened if you dared go to his parts of the forest to hunt. They say he wasn’t above skinning humans, too.

“What about him?”

“Well, Brenna’s been promised to him for a while now.”

“What? She barely knows him!”

“That’s not true. They grew up together.”

“She didn’t mention-”

“Of course not. Why would she tell mountain scum?”

I bit my tongue. My fingers tightened into a fist, but stayed by my side.

He continued. “Their mothers grew up together. When Jenny died, Charlotte started to take Brenna on. When Brenna started to look like Jenny’s ghost, Charlotte wanted her son to marry her dead best friend’s daughter. It was the least she could do.”

“The least she could do is not steal a young girl!”

“She didn’t steal her. She died before it came time to collect. Henry was just fulfilling his mother’s wishes.”

“Why would a rich man want to marry a bar wench?”

“A bar wench who works so she can keep her father fed and dry,” the bartender interjected.

“Shut up, Jeremy, or you’ll lose a patron!” He threw the rest of his glass right over Jeremy’s head, but it landed against the wall and came to the floor in an uninterrupted crash. Jeremy blinked and went back to dipping what used to be a white cloth into mugs, swiping it over the glass sides and bellies. His eyes were trained at the floor, but his mouth was a white line of lightning. He doesn’t approve of this any more than I do.

“I told Brenna a couple of days ago, right before her sixteenth birthday. She threw quite a fit, that girl. I s’pose that was when she stormed off to the woods and met you.”

“Guess so,” I murmured.

“Good for her, you sent her back to me to return my drinking money. Guess I should be grateful to you.”

My stomach lit on fire and my eyes blurred. He still rambled on, his arms flailing out.

“—problem with promising your daughter to a rich snob like that is that he doesn’t always see the worth in her, not even in the fresh grave of his mother and her promises. So I told him she could turn straw into gold.”

I blinked at his stupidity. Those three words back at me—straw into gold—gripped their fingers around my gut. My family history followed me here, across the generations. The room was too small now. My feet didn’t have enough room. My lungs didn’t have enough air.

“Why straw into gold?”

He shrugged. “It’ll make Henry more wealthy. It’ll make me more wealthy.”

He believed his own lie. He was that drunk or that stupid or both. My fists tightened around his collar and I lifted him off the bar stool; he was just another log of heavy wood.

“But she can’t,” I hissed into his face. “What is he going to do when she can’t?”

He shrugged and spat at me. The glob landed between my eyes, dribbled down my nose. It smelled like feces and beer. I dropped him back down.

“Doesn’t matter. She’s not my problem anymore.”

My fists left sweet kiss marks on his nose and cheeks before my hips punched the swinging door on my way out.

 

That’s why I came to you, Grandpa. More logical folk would say you can’t hear me, but I know you’re still here. The spindle turns. The blue jays shriek in your raspy voice, the whooper wills capture your whispers. Your stone says nothing other than your name, but I need you to speak now, and not just with the wind through the trees. Please, Grandpa, you’ve talked to me before. You told me to stay in the hills, be brave.

I’m trying to be brave, Grandpa, but my hands have nothing but your dirt now. My lover has never touched golden hay, just greasy, creased dollar bills. You did it once. You turned straw into gold for a simple farm girl you loved. Here’s your spindle even: I brought it back to you. Please show me how your fingers touched the wheel. I need to know, for her.

 

 

BIO

stephanie renae johnsonStephanie Renae Johnson is the Editor-in-Chief of The Passed Note, a lit mag for young adult readers by adult writers. She is also a recent graduate of Lenoir-Rhyne University’s Master of Arts in Writing program and has just finished her first book of poetry. Her work has been published by Parenthetical and Penny, among others. She was a finalist for the 2016 Claire Keyes poetry award, judged by the award winning poet Ross Gay. She lives in Asheville, North Carolina, with her fiancé and their seven bookshelves.

 

 

 

Jon Wilkman

Jon WiIkman Interview

Author of Floodpath: The Deadliest Man-Made Disaster of 20th Century America and the Making of Modern Los Angeles

 

Floodpath

 

Jon Wilkman is a writer and documentary filmmaker. Along with a number of documentaries about Los Angeles, he is the author of an illustrated narrative history of the city, Picturing Los Angeles. His new book, Floodpath: The Deadliest Man-Made Disaster of 20th Century America and the Making of Modern Los Angeles, chronicles the events that lead up to the 1928 collapse of the St. Francis Dam, as well as the aftermat, and relevance to today. An Amazon Book of the Month, Floodpath is considered a definitive account of the disaster that took the lives of nearly 500 people 50 miles north of Los Angeles. The event was a tragic turning point in the life and career of William Mulholland—one that would ultimately ruin his reputation and legacy as the man who brought water to Los Angeles. I sat down with Jon recently to discuss his work on both the book and the upcoming documentary film of the same title.

 

Where did you grow up?

 

In the San Fernando Valley suburb of North Hollywood., Growing up in Los Angeles, like every kid, the only history you learned about were the missions and statehood of California in the fourth grade, and that was the last you heard of it. All of the other history we learned took place on the east coast. So when I graduated from high school, I was interested in history and culture. Why would I want to hang around here?

 

What did you study in college?

 

I went to Oberlin College in Ohio. And one of the great things about Oberlin is that you were free to explore. I had a major in sociology, but I had enough credits for a history major or an English degree. By the time I graduated, I knew I wanted to work in documentary films, so that sent me to New York, where some fortuitous events led me to one of the best places to work at the time, CBS.

At CBS I worked on a documentary series called The Twentieth Century, which was a great show. And then I worked on a science series, called The Twenty First Century where I met a lot of people who were designing the world we live in today. The internet was just beginning, and they talked about lasers and satellites, things that were new at the time. They talked about their vision, and they were pretty much right.

After fourteen years in New York, I came back Los Angeles and I saw the city in an entirely different way. It was more than just Hollywood and the Beach Boys. L.A.’s a very interesting city. And that’s when I got hooked on Los Angeles history. I produced a series for KCET called The Los Angeles History Project, which was the first TV series that looked at Los Angeles history in a systematic way, this was around 1988. And that’s when I first learned about the St. Francis Dam disaster.

 

I watched the video trailer for the documentary film on Floodpath, which is a companion piece to your book.

 

Working with my late wife and partner, Nancy, I actually started the film well before I wrote the book. Most of the interviews I conducted, many of which are in the book, were done as early as 1995. There were twenty interviews with survivors of the disaster. They’re all dead now. It’s one of those things. When you are an independent filmmaker, you go from one project to another. There were periods of years when I didn’t work on the St. Francis dam project, but it was always in my mind.

 

Did the documentary come first?

 

Yes, I first started researching it in the 1980s. I hope the book will be a way to attract interest in the film. I only need to complete a few more sequences, including computer-generated photo realistic animation showing the collapse of the dam, and re-enactments of the night of flood.

 

You interviewed the granddaughter of William Mulholland.

 

Yes. Catherine Mulholland, her grandfather’s biographer, has since died. I have the last taped interview with her. I knew her socially. She gave me several boxes of her own research about the collapse, which really helped with the book. I told her that I couldn’t promise anything, and that I would come to my own conclusions. I was honored she trusted me.

 

She didn’t care if your conclusion was positive or negative.

 

She said she’d been burned by others who’d interviewed her. The story is burdened by the movie, Chinatown, which was a wonderful movie,

but more fiction than fact. It contributes to appreciating the complexity of William Mulholland. He’s either the devil incarnate or untarnished icon. In fact there wouldn’t be a city of Los Angeles with William Mulholland. And yet he made some terrible miscalculations with the St. Francis dam. What I tried to do was to tell this as a complex, nuanced story. And so often what you do in books is you look at it in the present, when you know everything. But when I wrote the book, what I wanted to do was to put the reader in the time frame. So what the reader knows is what anybody knew at any particular time back then. The story reveals itself. There were things that happened that weren’t really understood until later. And what I hope I accomplished in doing that is to get people today to think in the same way. It gets them involved in the story as it unfolds in real time..

 

Mulholland also built the Mulholland Dam, overlooking Hollywood. I remember you writing about how it was lowered after the collapse of the St. Francis dam, which was a virtual duplicate.

 

Safety concerns after the St. Francis Dam required the city to lower it. There’s an image of it in Floodpath, looming over downtown Hollywood, which it still does, but obscured by a earthen berm and trees and shrubs.

 

How did you go about finding all these people to interview?

 

One of the pleasures of documentary work, and certainly writing a book, is the research. One aspect of the story that had been underplayed, and again what attracted me, was how this is a great disaster story, and a technological detective story, and courtroom drama also reflects on how history is written. Clearly, it’s the deadliest disaster in the history of twentieth century America. Why isn’t it more well-known or written about?

 

I told several people about your book, and they reacted the same way. They sort of remember hearing something about it.

 

One of the subtexts of the book is how history is written, and particularly how Los Angeles history is written—or not written. I discuss many aspects of this in Floodpath. Many of the victims were Mexican-American farm workers, not the majority, but a sizeable number. Even people who know of the tragedy, don’t know the story of these mostly farmworkers. I wanted to interview everyone involved. So early on, I brought in some Spanish-speaking friends, and they helped us find eyewitnesses and families of the victims that were Mexican-American. We also went through the Spanish press to see how they viewed the story. And a point I make in the book is why they should be included. And how more people are interested in their story today, then perhaps in the past.

When you visit these small agricultural towns along the floodpath, most of the people, and their families, have lived there for generations. So when you inquire at a local historical society, or talk to old-timers in the area, they know, and will tell you, “Oh, you should talk to this person—their mother was caught in the flood.” Or so and so was a little kid at the time.” One lead takes you to another. So my wife Nancy and I began to meet these people, and they would tell us about other people. In some cases you can look at a newspaper of the time and see the names of eyewitnesses. When you look at a phone directory today, you can see that this person still lives in town.

 

How was the story reported in the Mexican press?

 

La Voz de la Colonia was the Spanish language newspaper in Santa Paula at the time. It was basically a one-man operation. They didn’t have a lot of money. In general, they didn’t have the means to report what the bigger newspapers were reporting, but they covered local events. On the editorial page, they also had a chance to reflect on the disaster. The Anglo press would divide them into Mexicans and Americans. But the Hispanic population didn’t see it that way. The editor of the newspaper said, “We are not a race. We are Mexicans and Americans.” He had a very modern idea of American culture. It was an idea that was not popular at the time. You have to remember that in the 1920s, it was a pretty racist society. There was even a proud KKK chapter in Santa Paula.

 

What was the hardest or most interesting part of writing Floodpath?

 

The hardest part about doing this book, Floodpath, but also the most fun, was you already know the ending, you know how it’s going to turn out. So how do you write about, and make it interesting for the reader? That was the most challenging part of the book. You’re constantly trying to keep the reader involved. It happens in the first chapter, the dam is down and everyone has died. So the average reader would look and see that there’s another 250 pages. So it worked to my advantage, as you wonder what’s in these other pages. There’s got to be something interested. So you sort of lure people in. And the story is being told in real time. So you are engaging the reader with events as they unfolded back then. The reader tries to guess what caused the dam to break — was it dynamite, was it an earthquake – what was it? So slowly you uncover the truth about how and why it happened. And then you get to a point where all the official reports are in and you think that’s that final word. And you eventually learn that—no, not really. There are a lot of possible answers. From a writing point of view it was one of the biggest challenges, and the most fun.

What also what attracted me to the story, most people will look at it and say, oh, what a sad event. But it’s also reminder that we have this infrastructure today that is in serious need of repair. The dams and bridges across this country were built decades ago. This tragedy could happen again. So it’s a wake up call, to look at some of these aging structures. Even if they’re maintained, which many are not, they’re still fifty years old or more. They need to be upgraded and properly maintained. There are 4,400 dams that have been determined to be susceptible to failure.

Every time you think this story is over, there’s another aspect to it. So at the end of the book, when you say, it’s finally over, there’s still another chapter that talks about other dams that are at risk of failing—that could collapse. And nobody is doing anything about this.

That’s part of the problem in the making of the St. Francis Dam in 1928, that there were no laws requiring state supervision. That all changed after the collapse. The entire dam safety movement was a result of this St. Francis dam. So that’s great, all the newly built dams after that were deemed safe. But if nobody maintains them, they aren’t safe.

Today, they’re beginning to fill the Owens Lake again, and bring water back to the Owens Valley. And it seems that today a resolution is coming. There’s now a chance to correct these errors of the past. In Los Angeles now they’re trying to reclaim the concreted-in L.A. River.. The question today is how do you create a liveable and sustainable urban environment.

 

When you first started working on Floodpath, did you have a publisher? How did it go from concept to publishing?

 

I saw this new book as a national story. Through a friend on the east coast I found an agent at William Morris. He sold the book to Bloomsbury publishing They’re one of the top publishers in the world. It was a very smooth process. I wrote a treatment and that was how I got the book sold. The writing went relatively quickly because of all the research I had for the documentary film. We had cabinets fill of material. I had an idea of the structure. I had all these photos and interviews and newspaper clips. So I had everything I needed to complete the book in a timely manner. I could have written Floodpath ten years ago. But I was lucky I didn’t. One of the real obstacles to research was accessing the DWP archives. It wasn’t that they were inaccessible, but no one knew where they were or how to do find specific information. Fortunately for me, DWP hired an archivist who began to sort all the material. So I had access to all this information that was never available before., in cluding internal memos and notes from the field.

 

How did you turn all this research material into a narrative?

 

I really wanted to write Floodpath in a nonfiction narrative style so it has dialogue and description in it. But every bit of dialogue has a justifiable source. So when someone says something, I have a record that that’s what they said.

The difference between standard fiction and nonfiction is the narrative style. In nonfiction, unless you have a diary, you can’t get into a character’s mind, but you can tell people what they said and did. For Floodpath, a major resource to do this was the transcripts of the Los Angeles Coroner’s Inquest But when I started researching, nobody seemed to have a copy. It had disappeared — a major reason we didn’t do this book sooner. From my research, I knew the transcript was about 800 pages. But I didn’t have it – nor did the LA City Archives, or even the DWP. So one day my wife Nancy was researching at the Huntington Library and she came back and proudly announced she’d found them in the obscure collection of a retired engineer. I knew then I could do the book and the documentary film.

There’s a lot of engineering information in Floodpath, but I was fortunate to have the help of J. David Rogers, a geological engineer who’d spend decades studying the disaster. As I was writing the book, he vetted a lot of the technical information. But the book is written for a general audience. It’s not just for academics or engineers.

 

Why isn’t this disaster better known?

 

To me, that was another major mystery to be solved. One of the reasons why people don’t remember was that everything was settled fast—people got paid, houses were rebuilt, the valley was restored. That’s what most people wanted. They wanted to get on with their lives and not slow progress. People wanted to put the story behind them, and have it disappear. Also, the DWP and the City of Los Angeles had no reason to keep the embarrassing memory alive. Atr the same time, a the great era of dam building in the 1930s and 40s was about to begin and engineers didn’t want to create what they thought was unnecessary public doubt after the failure.. The Hoover dam was being planned at the time. Lastly, it wasn’t long before Americans were more concerning by the Great Depression and looming World War II. The story of the St. Francis Dam got engulfed by other bigger stories.

 

I think this story could not only make a great documentary, but a dramatic film as well.

 

Well, there’s some discussion about making it into a TV mini-series. But we’ll see how that progresses. There are a lot of intriguing elements to this story, with William Mulholland and his enemies, and the Valley and the dynamiting, the courtroom drama, and the rise and fall of a great man. It’s all contained within this tragic event.

 

Who are some of the documentary filmmakers that inspired you?

 

I think Frederick Wiseman is one of the greatest documentary filmmakers. But starting in the late 1950s, I was watching Fred Friendly and Edward R. Murrow,

and the See It Now series on CBS, which took a more journalistic approach. In the 60s the Cinéma Vérité movement started, because the equipment allowed you to run around and sych the sound. So I was at the very beginning of that. A documentary filmmaker is sort of like a teacher. You go and find something out, and then you tell people about it. When you show people what you’ve produced, they’re learning something for the first time. I find that satisfying and fun.

 

Have you ever written any fiction?

 

No, just nonfiction, and documentary filmmaking work. The pleasure of doing nonfiction is you’re up against the ultimate arbiter – the factual truth, If you’re writing fiction, you can have your characters say and do whatever you want, because you created them. But with nonfiction you’re always up against the facts. And that’s how you have to play it. It’s a challenge. To me, that’s true with any artistic medium, where the really great work is done within a form. I never thought I would be a professional writer. I liked to write. I learned I was good at it. And almost before I knew it, along with making documentaries, I was writing nonfiction books like Floodpath.  It took more than 20 years, but I hope readers will think it was worth it. It was for me.

 

Thank you very much for your time. I hope everyone reads your new book.

 

 

JON WILKMAN

Produced as a companion to the new book Floodpath: The Deadliest Man-Made Disaster of 20th Century America and the Making of Modern Los Angeles, this ninety-minute documentary will include interviews with survivors, rare stills and footage, and 3-D computer graphics that recreate the collapse and aftermath.

SHORT PREVIEW OF FLOODPATH DOCUMENTARY

 

 

 

 

Shay Siegel

Don’t Quiet Down Please

By Shay Siegel

 

I was voted ‘quietest’ in high school, an achievement that required me to send in an embarrassing picture of myself doing the “shh” sign to the yearbook committee (see below). Because being ‘loudest’ is where it’s really at, right? Apparently. It wasn’t one of those things that I developed one day because some traumatic incident occurred that scarred me for life or anything like that. No, I have always been shy. It kind of became the signature thing about me as I grew up—not quite the trademark everyone would strive for. The quiet girl—a la Hampton Bays High School 2008 yearbook.

 

Shay

Me silently hating the yearbook committee.

 

I was diagnosed “selective mute” at age seven. Now, I know what you are thinking, “Is that a thing?” I am here to tell you that yes, it is a real thing. I wouldn’t speak to anyone other than family and a few close friends. So, you see I was selecting whom I would be mute to. I am proud to report; however, that I am no longer selectively mute with the exception of Terrance who I am afraid will remain selected because quite frankly, he deserves it. I don’t see myself as just ‘the quiet girl’, but it isn’t as if I can show people the rest of who I am right when I meet them. That is not something that quiet introverts do. I’m not the person who will spill her life story in the first fifteen minutes of meeting her. i.e.: “Hi, I’m Sandra, OMG that cake looks so good. Is that hazelnut? I have the BEST hazelnut cake recipe, passed down from my grandma. The secret is just a pinch of salt, funny how one ingredient can totally change the recipe, right? Anyway, I really shouldn’t be eating cake, I have this wedding coming up and I have to fit into my dress. Strapless dress! Ugh, that cake really does look good though, maybe just a bite.” Now, me, I usually just say “Hi, nice to meet you.” And, it’s most likely barely audible at that.

In a previous life, I was a European gentleman who was protesting Parliament. At least that’s what one of my therapists told me. After all the sporadic therapy over the years and all the different interpretations as to why I have so much trouble speaking, this one finally did it—she found the cause of my anxiety and shyness. She is an “energy healer” who can sense things in other realms. So, when she told me that I was a Scandinavian activist many lifetimes ago who was beheaded for what he had said at a political hearing, I had no choice but to believe her. I am all for blaming problems on past lives.

Even though I now know the cause of my selective mutism, it doesn’t quite make the speaking pressures any easier. It has been within the last few years that I have really had to accept that this is who I am. When I started the fiction program at Sarah Lawrence, I didn’t realize how much speaking there would be in the writing program. Isn’t this why writers are writers and not speakers? Apparently not. And it isn’t as though these are big classrooms like say a lecture hall or maybe a basketball arena. No, these are tiny rooms with round tables and sometimes as few as seven students in a class. You can’t hide. People do not forget that you are there. And you certainly cannot stand up and explain that you have a condition due to your colorful past as a European Greenpeace activist—not that I would ever stand up to make an announcement anyway.

When I was younger, in school, I used to write notes for my teachers when they would ask me a question. Things such as, “the correct spelling of banana is b-a-n-a-n-a,” (I was a fantastic speller). This writing of notes didn’t only take place in school; it translated to my home life as well. Not my actual home life because my parents were puzzled as to how I had so much trouble speaking to others, but was as loud and annoying as an incessant, buzzing mosquito at home. One time I tried to sell my sister the leftover cheese off my plate at a restaurant, and I would frequently tell my dad to ‘bring all he’s got’ when he’d take me shopping. I would run through the house screaming, porpoise on the bed, and my friend and I even started a “band” where I was the lead singer. But, these instances were all about who I was comfortable with. I used to go over my best friend’s house everyday, and her mom was a receiver of some of my infamous ‘substitute for voice interaction’ notes. One day I was at her house and while we were prancing around the yard on our stick horses, we discovered that her cat, Midnight, had kittens. My friend told me to run into the house and tell her mom about the newborn felines. This is the effective way in which the selective mute child delivered such information:

 

shay siegel

 

My family used to joke about hoping that no one ever got sick or injured around me because I would be too shy to call nine-one-one. I’d like to think I could have overcome the shyness and risen to the occasion when faced with a real crisis, but thankfully I never had to find out. That phone call would have been brutal—only because I’d have to talk to a stranger, of course—and perhaps would have led to my own illness. i.e.: Severe panic attack.

Most people consider being shy a bad thing because we are all expected to not just have lots to say, but to actually say it. We live in a world where exterior success and image is valued over who we are on the inside. You must show who you are! So, of course, those who don’t struggle with social situations won’t realize that shy people do most likely have a lot to say. As a result, you have the teachers who will feel they have to force quiet students to participate by calling on them in class. If I had a nickel for every time I heard, “Now, Sharon, what did you think of that?” Well, I’d have a lot of nickels. It’s not like I’m not paying attention, if anything I’d bet I’m listening more intently than most. It’s called selective mutism! And then, there are all the people who feel the need to keep repeating, “You’re so quiet!” Why thank you for stating the obvious and pointing out that there is something different about me, moreover, suggesting that this difference is wrong. Why not just push my insecurities to the surface, people? How would they feel if I went around saying, “Oh my gosh, you’re so fat!” or maybe “Whoa, you’re extremely smelly!” I’d say it’s probably an equally pleasant experience to hear about how quiet you are every single day. And, for some reason it’s acceptable to point this out, but not to point out weight and hygiene issues. Of course, I’d never say those things anyway. Not just because they’re quite rude, but also because I don’t say much to strangers.

This is who I am, and I have mostly made peace with it. There is a certain girl, let’s call her Marian. She really helped me come to terms with my shyness. Not because she is a nice person who discussed it with me, but because she is the loudest, most annoying human in the world that has to make every situation about herself. (Refer to ‘Sandra’ on page two). So, I had to say to myself “Well, I’d rather not say a word than sound like a cackling hyena from The Lion King all day long.” I would not strive to be someone who talks a lot but doesn’t say anything.

Do I feel stupid when I sit through my classes or at work not saying a word? Sure. But it isn’t logical for me to tell myself I’m going to be the liveliest participant in a group discussion. I’ve tried telling myself that before and my real self knew I was being a damned liar. Sometimes accepting who we are is half the battle. The other half is finding a profession where there is as little human interaction as possible.

 

 

BIO

Shay SiegelShay Siegel is from Long Island, New York. She received a B.A. in English from Tulane University in New Orleans where she was a member of the Women’s Tennis Team. She recently completed an MFA in Fiction at Sarah Lawrence College. Her writing has appeared in The Montreal Review, Burning Word, Mouse Tales Press, The Cat’s Meow for Writers and Readers, The Rusty Nail Literary Magazine, Belleville Park Pages, Black Heart Magazine and Extract(s). Her website is www.shaysiegel.com.

 

 

 

The Beautiful Art of Letisia Cruz

 

Letisia Cruz

 

Letisia Cruz

 

 

Letisia Cruz Letisia Cruz

 

Letisia Cruz

 

Letisia Cruz

 

Letisia Cruz

 

Letisia Cruz

 

 

Letisia Cruz

 

 

Letisia Cruz

 

Letisia Cruz

 

Letisia Cruz

 

 

 

ARTIST STATEMENT:

www.lesinfin.com

LetisiaCruz1My illustrations are primarily rendered in pen and ink on paper. I am inspired by strong, trailblazing, bad-ass women who push boundaries, forge their own paths, and define for themselves what it means to achieve success. I am also inspired by the take-no-shit attitude of the ’90s and transformative self-expression made possible through art, poetry and music.

My illustrations often depict tattooed girls straddling light and dark, gazing into their own abyss, and redefining their sense of self. My work is infused with elements of nature and religious symbolism, from classical Greek and Roman mythology to the goddesses of Nordic, Vedic, and Yoruba Mythology. Whatever I’m reading at the moment usually works its way into my drawings. Much of my work is centered around the seasons of nature and the passing of time, as well as on the endless cycle of birth, life, death and rebirth.

 

BIO

Letisia Cruz is a Cuban-American writer and illustrator. She is enthralled by nature and the acute connection to form associated with ink illustration. Her visual vocabulary emerges through this focus and subsequently explores the connection between man and nature.

She is a graduate of Fairleigh Dickinson University’s MFA program and currently lives in Miami, FL. She is the resident artist at Petite Hound Press and the Online Poetry Re-Features Editor at The Literary Review.

 

 

Janet Buck

A Visit to the Country Club

by Janet Buck

 

I wear the wrong shoes for this place
because I have the wrong feet.
In the banquet room, an ice sculpture
carved as a silk-feathered swan
is a centerpiece servants try to save
from the ineluctable melt—
the hot breath of gossipers & body heat.
Church is done—no talk of God.
As I eat crêpes & lobster tails, foreign food,
in a bucket of butter that makes me sick,
I watch the children through large glass panes
playing on a tablecloth of snow across the crew-cut sod.
I guess their creations on grass.

The spoiled kids are packing cue balls
to pick a fight, bruise the eye of a bird,
but Sadie is not. My neighbor’s niece is four.
She is making pancakes, tortillas rolled flat
by callused palms from pulling weeds as tall as she.
A cup of sand from a nearby trap
helps them hold their shape.
She knows this recipe because
we live so many miles from here
in a trailer court that has no hired gardeners.
Our soil is used for making food
to freeze or can, to stretch
across long avenues of winter months.

As the year 3000 inches near,
Sadie will be the very last woman in town
to bake a pie from scratch
with apples from our neighbor’s tree.
We know how to cut out a bruise or a worm.
She will be wearing comfortable shoes.
A cluster of waning peonies drop petals on kitchen tile.
When the hospice nurse arrives
to discuss her sister’s pressing death,
Sadie will take her rolling pin,
knock the woman on both knees, usher her out.
Sadie will know what a real meltdown is—
swallow every drop of it.

 


When Life is Wool & Not Chenille

 

You tell me, “You deserve a rabbit’s foot—
furry, soft, and tangible
considering what surly Fate
shave handed you—in short,
a quilt with batting made of chicken wire.”
We both laugh a high-strung laugh—
touch metal cinched in loops of poles,
which hold up soaked and heavy towels.

“I know my back is lion prey shredded
by incisive claws and razor teeth.”
I think the things we cannot say.
She’s making tea. I tell her,
“Hey, I live for licorice/mint,
hazelnut and cinnamon,
that lavender with honey drops
for stress reprieve.” We both know
every shape and style and size
of bandages we’ve bought and ditched.

“What about a rabbit’s foot—
the 17th, that visit with this Dr. Stearns?”
I interrupt her with a sigh.
“Did you know that God can’t
make the sun itself boil a simple
pan of water? He or she
can only tell the sun to make
the water somewhat warm.”

My best friend knows it’s plain
I’ll never walk again, that I expect
fillets of cod to come with bones.
“I hear the thunder coming close:
let’s pull the clothes before the hail.”
She knows I don’t believe in soft.
That I won’t settle for a chair—
a lukewarm life.

 


Puddle Jumpers in a Storm

 

Our puppy begs me for my lap; I set her there.
She’s lighter than two quarts of milk—
still pressure sores react with searing arguments.
The small of my back can only hold
just so much weight. I put her down—
as if I tossed a child in dumpsters
on a filthy street, continents away.
Steps become short stanzas
and a backspace key. My foot and calf—
a corndog smashed on curving sticks.
A docx file I can’t revise,
days begin with setting suns.
Squinted eyes of olive pits,
dark punishments for pills I take.

A guesthouse tied to cleavages of broken
bridges falling in a sweeping river,
not the calm along the Seine,
where lovers kiss beneath
a white and bulging moon.
Stuff like that’s a fairytale.
I become a mannequin propped
against a pillowed chair.

I’m puddle jumpers in a storm
that do their best unlocking
wheels that won’t release.
A market in the open air, packed
with loads of fragile fruit,
which cannot handle fingerprints,
let alone smarting strikes of hailstones.
Tendrils of an octopus that meet dry land,
don’t know how to cope with logs.
I stay erect just long enough
to brush my teeth, run my tongue
along a row of broken ones,
down to worn eraser heads.

The Welcome mat of what
I see in bathroom mirrors.

 


The Broken Buddha Pose

 

In kindergarten class—for story time
all the kids sat in a circle,
perfect as a poker chip—
Indian or Buddha style.
My brace stuck out on center stage,
a metal hip attached,
thick leather waist band
digging in my ulcerated skin.
Hyperbole by accident.

Bilging even more—
a shrunken femur with a knee
that didn’t match the other leg,
cloned in one red beat-up tennis shoe
distorted by a bad clubbed foot.
Below the knee that didn’t bend,
a tiny foot—a giant, ugly hernia with toes—
covered with a carbon slab.

Then a steel pole undressed, a plastic foot
to level out my height, when I scrambled
my way to a stand. Invisible at school?
Absurd. Everyone stared,
including the teacher, skipping
words in nursery rhymes,
tripping on loose stepping stones.
Tethers of the theme were lost.

When I went home, I bent the legs
of all my Barbie dolls until they broke,
then drowned them in the bathroom sink.
On & off for surgeries, a nice MD pressed
a rag, soaked in ether, to my nose—
the blessing of a few hours’ sleep.
The first short chapter of a life
kept secret—dusty, ancient living moths—
fluttering—eating sweaters in a trunk
for more than half a century.

 

 

 

BIO

Janet BuckJanet Buck is a seven-time Pushcart Nominee and the author of four full-length collections of poetry. More than 4,000 of her poems & pieces of prose are in print and on the internet. Janet’s recent work has appeared in The Birmingham Arts Journal, Antiphon, Offcourse, PoetryBay, Vine Leaves, PoetrysuperhighwayMisfit MagazineLavender Wolves, and River Babble. Her latest print collection of verse, Dirty Laundry, is currently available at Amazon, Barnes & Noble & other outlets. Visit the ordering link at her new web page: www.janetibuck.com. Buck’s first novel, Samantha Stone, will be released by Vine Leaves Press in September 2016.

 

Lana Bella

THROUGH THE HOURS

by Lana Bella

 

The elderly man was ready to pull those
odd-shaped chairs and tables
in across the shingle floor away from the rain,
when light and water burst through
the bamboo slats,
even the air lost its grip on the weight of
this cold gray day,

he looked up to the dying sliver of the sun
as a tail end of ducks’ V formation
took off into the liquid landscape,
in this mist,
he reached through the hours
to the front of an old dream,
back in the Vietnam war,
where the visible and invisible
covered the ears and eyes and crippled sins
with bullets and cries and vain foresight,

leaning toward the scuttle of rain,
he saw an upside-down soldier being strung
with ropes from his feet, bleeding,
tongue lay sprawl under an August storm,
infinity sat hollow inside his skull orbits,
only birds of prey passed over,
their hunger hung heavy
like ireful sickles in the hands of masked gorillas,
madness greased into their mirth,
and sorrow stained the sky
a magnificent black,

along with the few remaining villagers,
he traipsed the bare-bones rice paddies
under a September rain,
when the bird family came back,
circling above a peasant woman
rocking a child whose body

was mangled, and soaked through,
like a rancid fruit,
he stood rooted on the bed of water-logged soil,
head bent to the wind-swept pour,
listening for the sounds
of soft footsteps of his companions
leaving crunches away from that earthly grave,

stranded here now with the shame of history,
he touched the aged yellow clippings of war,
cautious to the thousand teardrops
collided from the sky
against the ones flooding his insides to fullness,
as always,
he was caught between
an ever tenuous self-conceived fever
that summoned the ghosts of dead ancestors
from four decades past,
and the red pulps of war-torn maelstrom
that swam as wisps of accordion,
limbic, and deep in the underbelly
of his bloodstream,

if he could only know how to
soothe the lacerated language and moans
from bloody shapes,
in his sleep and wake,
for he feared the deciphering
of hands when they were cupped in prayers,
and the long gulps of air
that unceasingly stretched into howls,
turning up the kerosene lamp by the window bay,
he tossed a carafe of hot rice wine
down the tobacco-tempered throat,
chilled, sloshed and arthritic
upon a wool settee,
while his ghosts milled the earth in flaming felts,
spinning together again
the past, present, and future,
with tearing red threads.

 

 

THIS IS EVERY LOVE STORY EVER TOLD

 

you are a rotten tangerine hanging on
the bough of my tree, half in waiting
to splinter off, the other half already
bruised through from maturity and
hungry worms—

I watch westerly wind leap into your
gaping rind, sunlight snakes beneath
your insides like the way the ocean rushes
toward caves and dunes, leaving just
enough mystique in its wake—

seeing your whole spotted and incised,
I arch my limbs past the shingled wall
then over the ground to catch your fall,
you look at me with sad orange eyes still
wet of juice before hurling earthward in
scattering core, seeds and open pith—

someday I’ll look back on this moment
and wish I’d known how to follow you
home through black, for this is you and
me born of sun, sugar and dirt, before
you stumble and fall, before I lose all my
leaves to despair—

 

 

 

BIO

Lana BellaA Pushcart nominee, Lana Bella is the author of two chapbooks, Under My Dark (Crisis Chronicles Press, 2016) and Adagio (forthcoming from Finishing Line Press). She has had her poetry and fiction featured in over 200 journals including Columbia Journal, Poetry Salzburg Review, and Third Wednesday, among others. She resides in the U.S. and the coastal town of Nha Trang, Vietnam, where she is a mom to two far-too-clever frolicsome imps.

 

 

 

 

Robert Boucheron

Very Good English

by Robert Boucheron         

 

 

Webster Fagle had not been idle. He had gotten his client out of jail on the child support delinquency. Patrick Willis was now a free man, if penniless. Fagle had also shone a lurid light on the chief of police. J. D. Ryder carried on an affair with Ralph Willis for years, graphically described by Ralph’s emails to his brother Patrick. Ryder was now a suspect in Ralph’s death, and police detective Stewart Blake would have to question him. But a vital piece of information was missing. Where was Patrick at the time of the shooting?

Blake had the answer. Patrick Willis left the poker game at eleven, drove to his brother’s house, and made one last plea for money. The ensuing argument turned violent, and Patrick shot his brother in the basement. Why there? That’s where he found Ralph doing laundry. Once the deed was done, Patrick dashed upstairs to see what he could take in the way of money or valuables. Alternately, in desperation Ralph had given his brother all he had, and still it was not enough. Either way, it was Cain and Abel all over again.

While Patrick was cooling his heels in the county jail, Blake searched his room at the Budget Motel, searched the rental car, and canvassed pawn shops within a few hours’ drive of Hapsburg. He needed to find the jewelry, any bloodstained items, and above all, the gun. When nothing turned up, he searched again. No one could say that police procedure was lacking.

Blake questioned anyone who had contact with Patrick, such as Gopal Chatterji, the motel manager, and Dick Malone, the poker game host. He questioned those who might have had contact, such as Mary and Skip Willis. The one person he did not interview was the one who had alerted the police in the first place.

Fagle found Jolene Pitt at Hambrick’s Lounge over the weekend. Well past the age of thirty, deeply tanned, with a gorgeous mane that owed something to hair products and extensions, she wore a flame-red blouse and a wide leopard-print belt to match her handbag.

“Keep moving, that’s my motto,” she said. “Live your life, and enjoy every minute.”

Fagle treated her to a drink. He explained what happened to Patrick Willis.

“At this very moment, he lies in a barren cell.”

“Serves him right, the deadbeat.”

“You wouldn’t kick a man when he’s down, would you?”

“If you’re playing on my sympathy, that string is busted.”

“Nobody’s all bad, Jolene. All I’m asking is for you to make a statement to the police. Where you were, at what time, anyone else who was present, any detail that can be verified.”

“I don’t care if I never lay eyes on that man again.”

“You don’t have to. Lt. Blake or the officer on duty will be glad to assist.”

“The police are not real friendly with people in my sphere, if you know what I mean.”

“Patrick told me something confidential while were going over his case. He said the one bright spot in his life was a lady he met recently.”

“Who he was referring to, if I may ask?”

“He said: ‘She’s a lady who lives as hard as I do, and she never stops to look back.’”
“I guess that’s me,” Jolene mused. Then she sat up straight. “How do I know you’re not making this up?”

“Ask him yourself.”

“Did he say he wanted to see me again?”

“He’s up against the worst charge a man can face, and he’s at the lowest point a man can sink. Only you can save him.”

“You made your point, Mr. Fagle. I can see how you sway those juries in the courtroom.”

“This isn’t about me, Ms. Pitt. My client needs you. On his behalf, I beg of you.”

“Out of the goodness of my heart, I’ll do it.”

The attorney brightened.

“But I want you there by my side. There’s been enough funny business lately.”

* * *

Jolene appeared at the police station on Tuesday. Webster Fagle met her there, as promised. Blake was on hand to take her statement. The detective was impressed enough to drop his gruff manner.

“May I take your coat?” he asked.

“It’s not genuine mink,” she said, “but it’s a pretty good imitation.”

“You look fine,” Fagle said. She was dressed much as she had been on Saturday night.

“I’m here to clear a man’s name. If a job’s worth doing, it’s worth doing well.”

Blake and Fagle went over Jolene’s account of the Sunday night in question. They explained that her statement might be entered as evidence in court. They watched as she wrote with a ballpoint pen on a legal pad.

Patrick Willis phoned me at about eleven o’clock from Dick Malone’s, where a poker game was breaking up. I could hear male voices in the background, cards slapping on a table, profanity, and the name Malone.

Willis apologized for the lateness of the hour. The game was a bust, and he needed to wind up the weekend on a positive note. If I was by any chance available he would really like to see me. As chance would have it, I was. He said he would pick me up in a few minutes. A few minutes later, he pulled up in front of the apartment, and I got in the car. My roommate Marla saw us leave.

Right off the bat, I could tell Patrick was hammered. The car veered this way and that. Fortunately there was no traffic on the roads. I told him to slow down. He said he only had one or two drinks and we would get there in one piece, which we did. He’s a man who can hold his liquor, I’ll say that for him.

At the motel, we each had a nightcap. He told me his brother kicked him out of the house the night before. They had been having trouble, and this was the last straw. Patrick came to town especially to see Ralph about finances, and to try and collect an outstanding debt, both of which he was unsuccessful at. He was not bitter and hateful, just stymied.

We retired for the evening. By then it was about midnight. Patrick went out like a light. I tend to be a light sleeper, so I am certain that he did not stir until Monday morning. As a matter of fact, he was dead to the world when I left the motel. The manager called a cab for me. He’s a real Indian, not cowboys and Indians, a nice, young man who speaks very good English.

 

 

BIO

Robert BoucheronRobert Boucheron is an architect in Charlottesville, Virginia. His short stories, essays and book reviews appear in Bangalore Review, Digital Americana, Fiction International, New Haven Review, North Dakota Quarterly, Poydras Review, Short Fiction, The Tishman Review.

 

 

 

Dream Poetry

Last Night in a Dream

by Ashley Inguanta

 

Last night in a dream, I was healthy. You were a rose. You got into my car and I took you home, and when you saw the white flags at the Brooklyn bridge’s arc, you told me the story of a conflicted hero, all shadow and moon, and I told you a story about resurrecting the dead. In your story, the hero did not want to die, so she did not leap. Instead, she turned into a seed. In my story, I kneeled by your grave. When I heard gunfire, I dodged each bullet—and then, finally, I woke up next to you, all new, stripes of sunlight over your hair like a crisp photograph.

Sometimes I wonder: If God could really hear me, what would the moon do? Any good moon would reach over both white flags, carry them to you as you fall asleep. Any good moon would hold me here, in this dream, where I can run to you without losing my breath, where you are a rose and my heart is good as new.

 

Dream1

 

Dream2

 

Dream3

 

Dream4

 

Dream5

 

 

BIO

ashley inguantaAshley Inguanta is a small-press author, photographer, and yoga teacher who has dedicated her life to helping others heal by developing healthy coping mechanisms. She earned her MFA in Creative Writing from The University of Central Florida in 2011, and she earned her 200 hour RYT certificate from YOGAMAYA New York in 2014. She is the author of The Way Home (Dancing Girl Press, 2013 / re-published with The Writing Disorder on Kindle), For the Woman Alone (Ampersand Books 2014), and Bomb, which is forthcoming with Ampersand Books this fall. As a mental health advocate and queer rights advocate, she’s volunteered with organizations and facilities like Equality Florida and Lakeside Alternative, and currently she teaches healing, restorative writing and yoga classes at several locations in Central Florida.

 

PHOTOGRAPHY

Alexander C. Kafka is a journalist, photographer, and composer in Bethesda, Maryland. His photography portfolio is at https://www.lensculture.com/alexander-kafka

 

 

 

Tom Miller

Furniture Store

by Tom Miller

 

As part of the eternal quest for the perfect table, Keith parked the car in front of yet another furniture store. His breakfast nook required a table sixty to sixty-six inches long and thirty-six to forty-two inches wide, with a pedestal-style base so that people could easily slide in and out of the charming window seat. Keith and Laura had agreed that they wanted a solid wood table and not some cheap thing made of pressboard and laminate. And of course, the price had to be right.

Yes, their need was specific, but was there really not such a table to be found within a one-hundred mile radius? It felt like they had searched every brand name furniture store, local dealer, antique seller, junk shop and thrift mart in the continental United States. They had combed the Internet for countless hours, searching, clicking, reading and debating late into the night, as if they were a pair of physicists obsessed with discovering a new sub-atomic particle.

Keith’s intrepid wife refused to admit defeat, but Keith himself was made of lesser stuff. He was ready to suspend a piece of plywood from ceiling hooks and call it a day. Laura insisted that success was imminent; stores they had previously visited had now received new shipments of merchandise. Their dream table was sitting on one of those floors right now, on sale and ready to be plucked up by the persistent shopper.

Before opening the car door, Keith reached for the Ace bandage and surgical boot that he kept on the back seat. He took off his left shoe and began to wrap the cloth around his foot and ankle.

“Not again,” said Laura, shaking her head. “Why don’t you just wait in the car? I’ll go in quickly and check if they’ve gotten anything new.”

Keith secured the bandage and slipped his foot into the boot, which he had received after having bunion surgery. The boot was designed so that when Keith walked, the heel of his foot absorbed all the weight. His foot now felt as good as new, but the boot still had its uses.

“I want a Coke,” he said. At this particular furniture store, smiling salespeople met customers at the door and offered them a twelve-ounce bottle of ice cold Coca-Cola from a strategically placed refrigerator.

“Then come inside and get a Coke,” said Laura. “That doesn’t mean you have to go through this charade. I probably won’t be in there more than fifteen minutes anyway.”

The last time Laura had popped into a furniture store, Keith had sent her a text message two hours later to make sure she was okay. “It could be much longer,” he said.

“It could,” admitted Laura. “That doesn’t mean you have to put on a surgical boot when there’s nothing wrong with your foot. You could just sit down and wait for me like a normal, uninjured person.”

“But the salespeople look at you,” said Keith.

Laura pondered this statement as if she were deciphering a sentence in a foreign language. “What are you talking about?” she asked.

“I’ve felt the vibe,” said Keith. “If I go in a furniture store and immediately sit down, the salespeople give me a look that says, ‘Why did you come into my store just to loiter and sit on my merchandise?’ And here, if you accept a Coke, it’s going to be even worse. They’ll have spent actual money on me, and I won’t even be making an effort.”

“That’s ridiculous,” said Laura, “and anyway, you’re with me, and I’m shopping. I’m sure husbands come in here all the time and wait for their wives.”

Keith tightened the Velcro straps on his boot and picked up a book to read while he waited. “I hear what you’re saying, and it makes sense, but it’s not reality. In reality, I’m getting hostile glares. You don’t see it because you’re busy looking at tables.”

“Fine,” said Laura, as they both started getting out of the car. “Let’s say for a minute that your vibe is not deranged and one of the salespeople actually thinks you’re a loitering moocher. How is the boot supposed to help this scenario?”

Keith started clomping toward the store entrance. “The boot changes everything. The salespeople want me to sit down and rest. The last time I did this, one guy actually rolled a TV in front of me so I could watch while you shopped.”

Laura just shook her head as they went inside. Immediately, a man with a round head, wide smile, gray blazer, and pink, polka-dotted bow tie greeted them. “Welcome to Majestic Furniture,” he said. “Would you like a Coke?” He stood next to a refrigerator much like the ones at supermarket checkout lines. Through the glass, Keith saw rows upon rows of gleaming bottles.

Laura declined. “Thank you, that sounds great,” said Keith, as if the offer were an unexpected surprise. The salesman grabbed a Coke and removed the top with the refrigerator’s built-in bottle opener.

“I’m Scott,” said the salesman, handing the bottle to Keith and looking down at the booted foot. “What happened to your foot?”

Keith enjoyed the feel of cold glass in his palm. “Just bunion surgery,” he said. “The foot feels fine now, but it’s just hard to stand and walk around in this boot. Mind if I sit down while my wife checks out your tables?”

“Not in the least,” said Scott. “We’ve got plenty of seating.” He motioned out into the spacious showroom which reminded Keith of an ancient amphitheater. He was on a stage looking at a front row of plush, leather sectionals. Behind these sat the recliners and wing chairs, as vast in their variety as the middle tier of an audience. Dinette sets and bedding occupied the cheap seats, and china cabinets lined the walls as if in standing room only.

Laura rolled her eyes. “Yes, I’m sorry that my husband is impaired,” she said. As she and Scott headed into the depths of the store, she began to describe her dream table.

With a Coke in one hand and a book in the other, Keith hobbled through the maze of furniture to a remote recliner that also had a cup holder. He settled into velvety gray microfiber and began to read. After a couple of pages he looked up, took a sip of his Coke, and spotted Laura hovering over a table as Scott the salesman checked its dimensions with a measuring tape. Convinced that they would be there a while, Keith returned to his novel.

Just as Keith felt himself falling into another world, a shrill female voice shattered the magic. “No means no, Stevie! If I let you have a Coke you’re going to be bouncing off the walls for the next eight hours! Now stay with Mommy!” Keith looked up at the new customers who had just entered the store. The thin, young mother looked like she had just graduated from high school. She held a baby in her left arm. Stevie, with his thick, unruly mop of brown hair, looked to be about seven or eight.

With a vice-like grip on Stevie’s lower arm, the mother followed a saleswoman into the table section where Laura stood talking with Scott. Keith imagined his wife debating whether a particular table could work in their breakfast nook. A patient shopper, Laura was almost ready to settle for the “good enough” solution that Keith had suggested thirty minutes into their search.

Keith watched the young mother wrestle Stevie into a sturdy wooden chair. She crouched down, pointed at Stevie and spoke to him sternly. Stevie avoided his mother’s eyes, but he also nodded his head in assent. By the time the mother stood up and turned to face the saleswoman, she was all smiles. Mother, baby, and saleswoman began to browse the tables while Stevie remained behind in the chair.

Keith tried to return to his novel. But after two paragraphs, he found himself wondering what Stevie would do. When Keith was eight, he would have never disobeyed a maternal commandment, but kids these days did not have the same level of respect. He looked up from his book. Stevie was on the edge of the chair, studying the surrounding territory and poised to escape. With her back to Stevie, the young mother listened to the saleswoman describe furniture. Five seconds later, like a soldier advancing under sniper fire, Stevie bounded from the chair and took up a position beneath a dining room table large enough to seat eight.

Keith found himself engrossed in the mystery of Stevie. He needed to know what happened when the mother looked back and found Stevie gone from his assigned seat. Keith was not disappointed as the plot took an unexpected twist.

Stevie’s mother never looked behind her. The main character slowly rose from his hiding place until his eyes were just above the level of the table top. The table itself had a rich, deep-brown finish and thick, ornately carved legs. It was set for dinner with eight elegant place settings of fine china, polished flatware, and crystal glasses. While Stevie’s eyes shifted from one side to the other, a small hand reached out from under a table and grabbed a fork. The young ruffian then abandoned his current position. With the fork secured in his clenched fist and his back crouched low, Stevie dashed from under the table and found another safe haven behind a puffy leather recliner. Stevie caught his breath and looked around to see if anybody was watching. Keith quickly put his head back in his book to avoid eye contact.

After several seconds, Keith returned his attention to the boy. Stevie was now working the fork into one of his pants pockets. The kid was not just rambunctious; he was a thief, a shoplifter. And this place was no mini mart where the clerk was hypersensitive about young kleptomaniacs stealing candy bars. Furniture stores did not have to worry about customers palming china cabinets. Stevie was going to get away free and clean unless Keith himself became involved. All he had to do was alert one of the salespeople.

At the moment, the floor staff was busy helping customers. In the back of the store, three women sat behind a long table working the phones or doing paperwork. Keith considered going to the table, reporting the incident, and completing his civic duty, but he really did not feel like hobbling around in his surgical boot. Of course, he could take the boot off and walk to the desk, but that would expose him as a fraud and imposter.

As Keith contemplated his next move, Stevie army crawled to a new location behind a sumptuous beige sectional. Keith decided there was no need for him to get involved. Stevie had not stolen anything yet because he had not left the store. Anyway, it was just a fork. The store used the flatware only for decorative purposes. The utensil may have cost less than the bottles of Coke the store gave out for free. Moreover, Stevie was not his child. A lot of parents resented other adults saying anything that cast a negative light on their child, even if the comment was justified and made in the spirit of helpfulness. Keith was wasting valuable reading time.

Despite his reasoned decision, Keith could not stop watching Stevie. The boy slithered from behind the sectional to the Coca Cola refrigerator. Keith recognized the unfolding story: child wants Coke, child is denied Coke by parent, child ignores parent and takes Coke anyway. All salespeople were occupied at the moment. Nobody stood ready to provide welcome and refreshment to a new customer entering the store. Stevie could grab as many Cokes as he wanted.

The story took an unexpected twist. Stevie dashed for the front door and escaped into the world beyond.

Keith felt a jolt of panic as the situation evolved to a new level. By remaining silent, Keith was not just abandoning a cheap fork; he was endangering a child. Abduction was a common occurrence on the nation’s streets. Even if Stevie avoided this fate, he could be struck by a car, or wander off and get lost.

Stevie’s mother was chatting with the saleswoman, who was making funny faces at the baby. Nobody had noticed a small boy’s escape into a dangerous world.

Keith looked out the front window and found Stevie jogging around the edges of the parking lot. The boy was on the far end of the lot when a car pulled out of its space and left.

“What happened to the other guy?”

Keith turned to see a sixtyish, rotund man examining his booted foot. The man wore a charcoal suit and had a nametag pinned to his lapel that read “Ted.”

“It’s nothing like that,” said Keith. “Just bunion surgery.”

Now would be a perfect time for Keith to sound the alarm. He could tell Ted about the wayward child, and Ted could either corral Stevie himself, or alert Stevie’s mother immediately. Keith considered the aftermath of such a decision. The young mother would glare at him with recriminations. Why did he not cry out when he saw a small boy go out the door? Was he such an impotent slug that he could not summon the energy to help a child in danger? Laura would see him in a different light. Could she continue to stay married to a man for whom she had lost all respect?

“I have a friend who used to have a hammer toe,” said Ted. “He could have had surgery and been in one of those boots for like, six weeks.”

Keith concocted a plan. He would wait until Stevie ran right in front of the store. He would pretend to notice Stevie for the first time and urge Ted to act. The young mother would thank him. Laura would grudgingly admit that his powers of observation impressed her.

“So is his toe all better now?” asked Keith, as he watched Stevie round the back corner.

“Well, he’s all better,” said Ted. “He just had it cut off.”
Keith looked at Ted. “What?”

“He had it removed,” said Ted. “He’s only got four toes now.”

Keith imagined having a gaping hole where a toe had once flourished. “The doctor cut it off?”

“Yep,” said Ted, “lopped it right off. The guy’s even got the toe in a jar of formaldehyde at his house.” Ted smiled. Keith could see that the salesman enjoyed telling this story and shocking his listener. Keith did not disappoint him.

“A podiatrist did this?” asked Keith.

“I assume so,” said Ted. “My friend couldn’t afford to take time off of work. It would have taken six to eight weeks to correct it, but by having it removed, he was back to work in two.”

Keith tried to process this information. Three years ago, the dentist had located significant decay in one of his back teeth. She had given Keith the option of having the tooth extracted or doing a root canal. She recommended the root canal. She was always in favor of saving the tooth, but she realized that not everybody could afford that option. Fortunately, Keith had adequate financial means, and today he still had all his teeth.

A toe, though, seemed more significant that a tooth. One toe represented ten percent of a person’s toes. Would a missing toe have a negative effect on a person’s balance? “So does he get around okay?” asked Keith.

“Oh, sure,” said Ted. “He works for UPS, and I see him out and about, zipping around no problem. A couple of months ago he even ran a marathon.”

“I’m glad it all worked out for him,” said Keith.

A young couple walked through the front door. “Take care,” said Ted as he sprung into action.

Having recovered from Ted’s story, Keith looked out the window to locate Stevie.

The boy was gone.

Keith carefully scanned the entire parking lot from one side to another, but no Stevie. Maybe he had tired of his run and was now catching his breath on pristine furniture. Keith searched as much as the store as he could from his chair, but Stevie was nowhere to be seen.

Though Keith never really thought anything bad would happen to Stevie, there was little question that the boy was now gone and that Keith was the only person who knew about it. Stevie’s mother was watching the saleswoman add a leaf to a table. Laura was sitting and looking at catalogs, the last resort of the desperate and frustrated furniture shopper.

“Stevie, get back here right now,” said the young mother. She had finally looked behind her to find Stevie’s chair empty. The voice increased in volume and seriousness. “Steven Andrew Jorgensen, don’t make me come after you.”

Keith knew that this was his moment of truth. He could remain silent. He could pretend to be as concerned and puzzled about Stevie’s disappearance as everybody else. Nobody would think badly of him for reading his book instead of tracking somebody else’s wandering child.

Whenever he saw Stevie’s sweet, smiling face in the local paper or on a piece of bulk mail, though, he would remember what a selfish coward he had been on the day of the boy’s disappearance.

Keith got a taste of the guilt just by thinking about it. He knew that he would not be able to endure this crushing weight.

He gathered his resolve to shout at the top of his lungs. Everybody in the store would flock to the emergency, and he would tell the entire story. He would even admit that he faked an injured foot. He would make himself look like a self-centered idiot, and maybe—just maybe—Stevie could be returned unharmed to his mother’s loving embrace. Keith had read enough thrillers to know that the longer he waited to sound the alarm, the greater the chance that Stevie would never again be seen alive. The press would revile him for his indecision. Laura would either leave him or stick it out in a cold, loveless marriage. Neighbors would throw raw eggs at his front windows. There would still be regret and self-flagellation, but he just might be able to look at his unshaven, haggard face in the mirror every morning.

“Stevie, come here now!” shouted the mother. Keith thought detected a hint of distress in the voice. In the next few minutes, her fear would begin to outweigh her annoyance.

Stevie did not appear.

Keith cleared his throat.

“That’s it, Stevie,” called the mother. “We’re going home and I’m taking away your video games for a week.”

“Hey!” shouted Keith as he raised his hands.

With the baby in one arm, the woman strode past the bedding and walked right up to a white china cabinet that stood along the side wall. She opened the door, reached inside, and pulled Stevie from his hiding place. “When I say come, you need to come,” she said. With a firm grip around Stevie’s upper arm, she marched the boy to the front of the store.

Ted and his new customers were standing by the refrigerator watching the mother approach with her children. “And give the nice man back his fork,” she said. Stevie reached into his pocket, pulled out the utensil, and handed it to Ted. Ted took the fork and, seeing that the mother had her hands full, held the front door open for her. The mother thanked Ted and left.

Laura had heard Keith’s cry and looked up from her catalog. “What?” she mouthed.

Keith pointed outside and placed his head against his folded hands. Laura waved him off and returned to her table search. Then Keith finished his Coke, stood up, and headed back to the car to take a nap.

 

 

 

BIO

Tom MillerTom W. Miller lives an ordinary life yet finds insight and entertainment from his everyday experiences. He has published a previous story in Red Fez and lives in Virginia’s Shenandoah Valley with his family.

 

 

 

 

vertigo book cover

“The feeling of falling, which was not falling”

A review of Vertigo by Joanna Walsh

Dorothy (US), 2015; And Other Stories (UK); Tramp Press (Ireland), 2016. 123pp

 

Vertigo Joanna Walsh

Review by Ruby Cowling

 

Struck with vertigo, suddenly things are not what you thought. You’re dizzy, disorientated, and it turns out the world is not, after all, what your brain has been constructing every day through its normal sensory feeds. Actual physical vertigo is not pleasant, but a literary style that steps away from the one we know best is exciting, and Joanna Walsh’s approach in this collection certainly does that.

This is not to say that her stories are obscure or “difficult”; I’d hesitate to even label them with that damningly nutritious word “experimental”. They are full of recognisable situations, humour and relatable moments. It’s just that she goes directly for “the truth”, without all the niceness that the mainstream short story slips into so easily. She unhooks herself from common expectations of narrative, in turn untethering the reader from the standard, safe experience of reading short fiction.

Short stories in the form we know best – the form you find in weekend magazines or in annuals from big, safe publishers – typically feature a little aching moment of truth at their heart, which is wonderful, of course; it’s an authentic experience, a quiet, humane offering in a noisy and brutal world. But too often they’re under pressure to deliver that moment up to the reader in a nice velvet-lined box of comfort and familiarity (a named character, going about business you recognise (even if in an exotic setting), working up to a relatable moment of realisation or change). The lid of that beautiful box gently closes at the end of the story, reassuring you of solid ground. However, instead of apologetically working up to a tentative assertion about Life, Walsh just states a truth and kicks it around – no box, no lid, no tethering it to reassuring elements such as softly-introduced character or plot. Because she pulls no punches in her stories – simply stating facts, observing behaviours and honestly presenting the kind of psychic darkness that usually gets fudged – the peculiar is made powerfully universal.

There is so much in this collection: so much intellectual and emotional content, so many direct gestures toward the biggest, scariest parts of human existence. No wonder we get dizzy. One of her skills is to achieve an almost-real-time expression of thought. Internal reality moves quickly and the resulting impression is that we are inhabiting a real mind. “A man sits down at the table next to me. I wonder whether he is French, whether he is foreign, whether he is a tourist. I also wonder whether I could say hello to him, in French or in English, whether we would like each other, whether we could sleep together.” Aren’t characters in cafés supposed to mull things over in a Stately And Important Way, using their observations of the people around them to Come To A Subtle But Profound Conclusion? Once again, we are untethered from expectations, unhooked from the usual steady, authorly manipulation of time. Walsh gives us a more honest experience, and we are giddy.

“The first effect of abroad is strangeness,” says the opening story’s narrator, and it’s because we are “abroad” stylistically that it feels strange at first. But my argument is that these stories are more radically realist than the standard so-called lyrical realism. Drowning, the final story, may be one of the more accessible stories in the collection (perhaps deliberately, so that we think we’re back in safe waters and are even more emotionally unprepared for the stunning ending), and even here Walsh doesn’t shy away from admitting that “the abyss” is real, and although it is “your family who would not like to see” it, it is nevertheless a real part of lived experience which must be acknowledged, however vertiginous that makes us feel.

* * *

Some of the fourteen stories are very short and focused, addressing quite viscerally the internalities of humanhood – and, all right, of womanhood. Here, I get hesitant. It’s essential not to circumscribe Walsh’s intellectual ambition by claiming her focus is “women’s experience”. It’s easy for it to seem that way, because her narrators are female, and because of her “otherly” narrative form – the “other” arguably being aligned with the feminine. She speaks powerfully and concisely of the experience of “failed girls”, and many of her detailed observations encompass clothing, food, and the specific ways people touch each other and use language to manipulate their relationships. Historically, these have tended not to be Great Literature’s dominant concerns; I don’t have a PhD-length space here, so let’s quickly agree that this is because clothing and food have been part of the domestic realm and the significance of the domestic has been side-lined, and that if a writer includes these, the writing ends up with the label female interest. This is not a complimentary epithet: it still carries the accusation of smallness, weakness, intellectual parochialism, so I am loath to bring it up at all. But there is still that political paradox in which you have to marginalize yourself to point out that your voice is not yet, and should be, part of the mainstream – so, there, I’ve brought it up.

These female interest stories are stark and muscular; full of invitation, full of provocation, full of the acknowledgement of the non-separation of body and mind. This latter position has been a concern of feminist thought, and there are certainly explicitly “feminist” moments here (“I’ve heard him shout at her to pick up the telephone, as though she were his extra hand”, says the narrator in Claustrophobia, about her parents). But even to label these as “feminist” is to put a boundary around them: to say, well, that’s an argument, that’s a position, an opinion – instead of a fact. Hence my hesitation to bring up any of these terms.

What Walsh does, in her refusal to use standard story conceits or a banal lyrical realist style to soften the blow, is to bring all this female interest material into the realm of hard fact – of unapologetic, undeniable truth – reminding us that women’s intellectual lives are actually being lived, in reality. They are not a special interest or a theory. They are real.

It still feels radical to be intellectual, in fiction, from a specifically female perspective. It gives us vertigo. “There’s something about our un-control, no men to watch over us,” notes a character in Claustrophobia, a story in which the narrator’s father dies. “What if it never stops?” In these moments vertigo is giddy possibility: freedom, danger, adventure, the sudden removal of the gravitational force of embedded power structures.

* * *

For reasons I’ve just alluded to, clothing is a neglected node of social significance; Walsh’s narrators notice clothing and its meanings perhaps more than any other writer I’ve read. Indeed, the book opens with Fin de Collection, a plot-light exploration of a Parisian department store and its stock (and its customers). In later stories, her eye for clothes is that of an artistic sociologist: she knows what these colours and shapes and fabrics and choices mean. Nurses’ uniforms in The Children’s Ward are unsettlingly the same blue as the attendants at petrol stations; in Relativity a grandmother’s “shades are mint, peach, lemon, blueberry, cream. She dresses as she would like to see her granddaughter dressed: edibly.” A daughter’s “short pink skirt with lace” ignites the title story. And in the Paris of Half The World Over, the young women tourists “are all dressed the same, in the current fashion. The older women are dressed either more primly or more provocatively than the older women, but always in reaction to them.” The iterative effect of these observations is that they are not the stuff of flimsy domesticity but a type of forensic anthropology.

Walsh is preoccupied with the disorientating experiences of contemporary life; its shocks; its threats; the things that throw us off balance. And what delights me most is that she doesn’t shy away from any of it: she doesn’t pull the cozy blanket of standard narrative over the dark and difficult things. Like family. In the complex, multi-generational story Claustrophobia, children are mentioned in passing as “blind lumps of my flesh, detached…”, while the narrator wrestles more centrally with the meaning of her own mother. In The Children’s Ward babies and children are the pulsing, “beeping” heart of the horrific tension of being a parent at all. This story is strung out with the hopeless terror attached to parenthood, the supremely attached status a mother has, against her own will. Young Mothers takes this further: the mothers have become children in the way they dress, behave, and speak, even though it is mysteriously important to everyone that the contract remain “kids be kids” and “mothers be mothers”. Do we get soothing resolutions to these unsettling scenarios? Of course not.

It’s brave and essential to lay out so starkly the details of life – and often, women’s lives – in all their uncomfortable ambiguity. Not to say that laying things out starkly means there are no layers of meaning – quite the opposite; this book is full of those. But the layers of meaning aren’t here because of that standard, MFA-story, show-don’t-tell manipulation. They’re part of the honest presentation of the complexities we negotiate as we go through life, as “good people, who can hardly live in this world, which continues almost entirely at our expense”.

Vertigo is packed full of the stuff we’re afraid of and attracted to, in the way we’re attracted to wild animals and cliff edges and the disconcerting behaviour of other humans we’re close to. And ourselves. The overall experience is exciting in the way only a truly original reading experience can be.

 

 

BIO

Ruby CowlingRuby Cowling is a British writer currently living in London. Her work has won awards that include, The White Review Short Story Prize and the London Short Story Prize, and has been shortlisted in contests from Glimmer Train, Short Fiction, and Aesthetica, among others. Recent anthology credits include I Am Because You Are (a Freight Books collection of work inspired by the theory of General Relativity); Flamingo Land and Other Stories, from Flight Press; and Unreal City: Constructing the Capital, a book of fiction and non-fiction about London, from Cours de Poétique.

Elizabeth Johnson

Chartwell Manor

by Jennifer Elizabeth Johnson

 

 chartwell manor

 

“Forgive and forget all the while, love and pain become one and the same in the eyes of a wounded child”
Pat Benatar

 

*Some of the students’ names have been changed to protect their privacy.

 

Have you ever as a child, been so victimized by a caretaker that you carried the scar well into adulthood? Many of you have, so let me ask you this instead: What if you found out later on in life that other children had been terrorized to a greater extent than you had by that same person? Let’s add another layer: What if you suddenly learn that said perpetrator did prison time for some of the most egregious of his crimes? What would your emotional reaction be? Would you feel sorrow for those with the bigger scars? Would you feel relief or joy knowing that the abuser was punished? What happens when you realize that what happened to you could have been worse, and was for many others?

I went to a nightmarish, Kafkaesque boarding school when I was eight-years-old.   I was a terrible kid, unquestionably, and needed to be separated from my younger sister, Laurie, for her protection. I was a breech birth. I had tried to exit the womb butt first, folded into two slabs of infant meat, with my feet pressed against my head. There was an oxygen shortage and as a result, I had minimal brain dysfunction, which later resulted in a severe behavioral disorder. Or maybe it happened because I fell in the bathroom when I was still a baby and hit my head on the tiled floor, hard. Could it be that my preexisting condition was exacerbated by my father’s unforgiving parenting style? Whatever the reason, I was a monster, but these issues didn’t’t surface until I was two, which is when my sister Laurie came into the world.

According to my parents, I was jealous of the new infant, and I would act out in ways that they weren’t equipped to deal with. I would engage in frequent tantrums, throw things and punch holes in my bright pink bedroom wall. I stopped eating most foods, especially vegetables. My father’s version of this is that it did it all for attention, even though that attention came in the form of a beating. I preferred negative attention to none at all.

As I got older I didn’t get along with other children. Rumor has it that I threw a brick at another child, and that I wasn’t nice to animals.  But nobody suffered my wrath more than my little sister. My mother claims that from a very young age my father beat me mercilessly, and that I turned it around onto Laurie.

My parents’ marriage was an unholy union, to say the least. They fought constantly, and when I was five, my dad moved out, followed by acrimonious divorce proceedings. My mother had to take on the task of policing my sister and me on her own. After the divorce, my father moved to a slum in Piscataway, New Jersey, while we remained in Kendall Park. My sister and I only saw him once every other weekend, so my mother, for all intents and purposes, was a single parent. I can still remember a day when I was especially vicious to my sister. My mother was on her own with the two of us in tow. She needed to run a quick errand, and didn’t’t want to deal with the hassle of packing us up in the station wagon. I was seven-years-old and Laurie was five.

“Let me babysit,” I said.

“That’s a terrible idea,” my mother answered.

I begged. “Pleeeeeaaase? I promise I’ll be good”

Against what I suspect was her better judgment, she agreed. She was barely five minutes out the door when I was on top of my sister, who was lying on our grey velvet sofa, with my knees in her chest, pounding on her with closed fists and a dragon-like malevolence. For reasons I can’t recall, I really wanted to do damage. I was filled with an unidentifiable rage.

My sister’s harrowing screams must have been audible from outside the house because upon her return, my mother bolted through the door, made a B-line for the couch, pulled me off of my sister, and threw me to the floor. I don’t begrudge her that. I’d do the same thing as a parent. I still experience guilt for everything I did to Laurie, but that day stands out in my mind because I was so out of control, that I believe there was some chance I could have killed my sister if my mom had come home mere minutes later. It was a terrifying prospect for my mother. Geographical separation was the only effective solution, so at eight years old I was sentenced to Chartwell Manor for an undetermined amount of time.

* * *

Chartwell Manor, named for Winston Churchill’s estate, was located in the town of Mendham, New Jersey in Morris County. It was run by Terrence and Judy Lynch or as I like to call them, The Lynch Mob. I did three years time there before I was released. The headmaster was a sadistic British man in his thirties. He wore wire-rimmed glasses, spoke in a thick British accent, and had dark hair perfectly parted to one side. His body was slightly rotund and he had a round, cherubic shaped head, which gave him a deceptively innocuous appearance. We were instructed to refer to him only as “Sir”.

His wife Judy was a very large and curvy American woman. She had enormous breasts, a macro-booty and always wore a big, dark brown bun on the top of her head.  She wore form-fitting, dark colored dresses.  I had never seen such a big derriere in my entire life. Her hips moved so much when she walked it was easy to picture her shimmying down a narrow corridor, swinging them left and right, hitting the walls each time. She was cold, stoic and just as intimidating as her husband was. She rarely smiled, and sometimes beat the girls viciously. Although I never witnessed it first hand, one student claims that they saw her beat a girl with a riding crop for what felt like an eternity. Another stated that he and his friend looked on helplessly as she punched a twelve-year-old girl in the face, knocking her to the ground for the alleged crime of having kissed a boy. Judy wore a large diamond wring in the shape of a crystal doorknob, so her punches did some damage. Every time she entered a room, most of us were in the habit of disappearing, whenever that was an option.

 

chartwell manor

 

“Sir” would have made a great post-apocalyptic dictator. It wasn’t until I was much older that I realized just how unhinged he was, and only very recently I discovered that he was far sicker than I had previously imagined.

I can still conjure up a pretty clear image of the day I was taken there for the interviewing process.  We stood at the top of his majestic, sanguine colored staircase as he smiled at my mother and I with that phony, Muppet-like joviality. He looked a little to Pillsbury Dough Boyish for either of us to sense any type of peril.

The large, stone mansion was regal and elegant, stunning to some, I imagine. The building contained The Lynch’s living quarters, the classrooms and the boys’ dormitory. The foyer was huge, with classrooms to the left and a large dining hall to the left of the classrooms. Elegant French doors connected all three sections, and French windows graced the entire building. So did chandeliers.  Red carpet covered every room in the building except for the dining hall and classrooms, which had painted brick and hardwood floors, respectively. The carpeting gave the place a Stephen King like quality and seemed to reflect The Lynch’s blood lust. It extended from the foyer to the double, wrap around, mansion style stairs, to all of the second and third floor hallways, which featured Sir’s office, the Lynch’s apartment, a payphone, and boys’ dormitories.

“Have you ever been to sleep away camp, Jennifer?”, Lynch asked me. I smiled and nodded. “Well this is a lot like that,” he said, grinning.

It turned out that except for the element of living away from home; it was nothing like sleep away camp. I had lived in several summer camps. I remember arts and crafts, roasting marshmallows, volley ball games, campfires and the lush greens of Pennsylvania campgrounds. I don’t remember ever having been beaten or humiliated by a person of authority at such a place.

As I ran in circles around the majestic staircase I overheard Mr. Lynch tell my mother, “Our specialty is hyperactives.” or something to that effect. As his eyes followed my frenzied little feet scurrying around, it didn’t occur to me at the time that he was probably thinking about the beating he’d be giving me, had not been for the presence of my mother. He saw a wild beast in me. I was the shrew, and he was damn sure going to tame me.

The boys outnumbered the girls about five to one. There were approximately sixteen girls and eighty boys, so the girls lived down the road in a separate little cottage, which was actually a five-bedroom house. Each room except for our housemother’s was color themed. There was a red, orange, green, and purple room. The walls were white, but the bedding and carpets had a color scheme. I lived in all of them at one time or another. There was a payphone for collect calls in the downstairs hallway.

The girls’ dorm was a kind of hell in and of itself, despite the lack of “Sir’s” presence there. There was only one bathroom where the older girls picked on me constantly; always trying to force me to take baths I didn’t think I needed.  They called me names: “ugly”, “greasy hair” and others. We had a lovely housemother named Barbara Sainsbury for a brief time during my tenure there, but Olga Reimer, who was far more unpleasant than any of my coeds, soon replaced her. What a nasty old hag Olga was.  She was also British, but much older than the Lynches. I don’t know what her relation to Sir was, but she was a pretty good stand-in for him in terms of excessive discipline. I remember wondering what was wrong with British people, having had such limited exposure to them at that time. I can vaguely recall her dragging me by the hair on more than one occasion. She loved to tell me what and idiot I was. “You’re an idiot, Jennifer. You really are. You really are an idiot!” she’d say in a piercing, high-pitched voice and hoity British accent.

 

chartwell manor

 

In the beginning, I went home every weekend. I’ll never forget the first time I returned Sunday night sobbing in my mother’s car. My mother had moved us New York City, so it was a little over an hour’s ride to the school. After we drove up the long winding driveway and past the snow covered forestry that spanned the distance between the girls housing quarters and the mansion, I begged my mother not to leave me there. I wouldn’t even know how to describe the feeling of terror and abandonment. Mr. Lynch had no love for me. My mother had to drag me to the door and drive away as quickly as possible.  Later that evening, I called my mother, still sobbing. Much like prison, collect calls were the only option.

I would dial zero and the number and when the operator came on line I’d say. “Hi, I’d like to make a collect call, my name is Jennifer.”

My mother always accepted the calls when she was home, at least it seemed that way. But she was back on the dating scene, so sometimes she was out and some babysitter would answer the phone. I hated those nights. On this particular evening I made the mistake of calling my mom from the mansion payphone, just down the hall from Sir’s office and the couple’s apartment.

“Mom please don’t make me stay here. I hate it here. I’m so homesick and they’re so mean!’’

“You’ll get used to it Jen, I promise. It’s just going to take some t…”

My mother barely made it through a sentence before Sir grabbed the phone from my hand and demanded that I go wait for him in his office. As I headed in that direction I heard him talking to my mother.  He was eerily composed. “No worries, Mrs. Johnson. Jennifer is just a little agitated right now. I’m going to try and calm her down.” He hung up the phone.He stormed back to his office and began striking me left and right, mostly on my head and face. “How dare you make a scene like that?!” he told me. I begged him to stop hitting me and finally, after about five or six blows he shoved me out of his office. I practiced what I would say to my mother the next weekend when I went home again. This man was lying to parents. Surely, she would understand that this gulag was no place for her daughter.

Well I wasn’t withdrawn; in fact I started spending most weekends there. My parents decided that I needed to get used to the place, and that taking me home to be with my Mom or Dad was just too disruptive. I’m fairly certain Mr. Lynch was behind this decision. Like most sociopaths, he could be extremely charming and convincing when he had an agenda. Parents saw an entirely different person than we did.  They saw Fred Rogers. We saw a draconian prison guard. Lynch could be so charming at times that many parents donated money to the school on a regular basis, and one student even told me that her mother had put the Lynches in her will. My mother believed that Mr. Lynch was a good disciplinarian who was acting in my best interest, and that my tales were just the result of the active imagination of children.

My mother was wrong, and I made all of my future calls from the girls’ dormitory. Shortly after my escape at age eleven the school was investigated for allegations of child abuse.  In the year of 1976 Lynch’s accusers were unsuccessful in their pursuit of justice. What I discovered recently is that school did eventually shut down in 1984, when I was nineteen years old, after the headmaster Terrence Michael Lynch was sentenced to fourteen years of incarceration, for the ritualistic sexual and physical abuse of young boys. There is also a great degree of speculation that some of the worst abuses were never brought to trial and remain undocumented: incidents including sex trafficking and the creation of child pornography, which was all said to have taken place during Chartwell’s annual excursions to Europe.

Lynch only served seven years of his sentence and was released in 1997 only to become a volunteer at a Beginnings, a substance abuse rehab center where he molested grown men in a similar fashion, in spite of the fact that he was branded under Megan’s Law. Apparently, he wasn’t only a pedophile; anybody vulnerable was fair game. As reported by Kevin Coughlin, of The Daily Record a local Morristown paper, in 2009 three survivors of Beginnings received a total of 780,000 for the abuse they endured under Lynch’s care. More will be revealed later in the essay, but if you’re feeling curious, dubious, or impatient here is one of the sourced articles:

No Spank

* * *

If I had to choose a room at Chartwell as the most ominous place on the campus, I’d have to go with the foyer. We would all stand there downstairs, on that god awful crimson carpet, lined up according to grade in our school uniforms for what Sir called assembly. The uniforms were absurd: navy blue blazers with the Chartwell Manor insignia, with grey skirts for girls and grey slacks for boys.  Both sexes had to wear a tie. I looked ridiculous standing in front of the mirror. Who dresses like this? Was this a British thing too? Mr. Lynch would stand at his podium in all of his eccentric glory, and preach to us about nonsense.

 

chartwell manor

 

Assembly met several times a day. Of all the images of rooms at this school this one stayed with me the strongest, because it’s where Mr. Lynch was the least restrained and the most venomous. It was in this room that Mr. Lynch repeatedly subjected us to his terrifying psychobabble, knowing full well that many of us were too young to understand it. There was nowhere to go and nothing we could do about it unless we wanted beatings, so we would stand there and listen to him, until he dismissed us.

He was our personal evangelist preacher, only unlike a TV evangelist; we didn’t have the option of turning him off. I didn’t understand most of what he carried on about, but the gist of it was about debauchery and disobedience, and the subsequent consequences. Just like any talking head on The 700 Club, he used fear and propaganda to keep us in line.

He would start with a stern yet serene tone of voice, and then get progressively louder and more delusional, waving his hands around while he yelled about drugs, lust, or whatever his scourge du jour was. One of his favorite topics was the benefits of corporal punishment. He never tired of hearing himself “reassure” us that he beat us out of love.

I’ve been interviewing former students, and many of them actually believed that Lynch’s declarations of affection were genuine. While they feared Sir, they also considered him a father figure, and felt desperate for his approbation. According to some of the boys I interviewed, this betrayal of trust was perhaps the most detrimental aspect of the abuse. The pain that some carried around later in life was so unmanageable that many suffered from Stockholm Syndrome, with memories of the abuse repressed well into their twenties and thirties. A few former students responded to my research with reactionary contempt, which I can only imagine stems from the pain associated with these memories, and the need to suppress them.

Beyond the usual “If I don’t beat you, you won’t learn, and if you don’t learn you won’t survive in the world” bullshit, I mostly just recall random words during these assemblies. The only other word group that comes to memory was “Fuck fuck fuck! Lovely, lovely!” His hands seemed to fly every which way as he said it. He was trying to make a point about how ugly curse words were, and what sinners we all were for using them. Other words that I recall hearing were “sin, lust, bedlam, anarchy, drugs, honor, whore, virgin, pure, slut, zeppelin, woman, and temptation.

Terrence Michael Lynch was the first to teach me about the virgin/whore complex. As far as he was concerned girls should be “pure.” He spoke with great contempt about a girl from his school days called “Mattress Mary” who he referred to as a “slut.” The oldest students at Chartwell were 15-years-old. Since teenagers are wired to be both sexual and curious, some heavy petting was inevitable, and occasionally one of the female students was made an example of, in the worst way imaginable. First they were slut shamed in front of the whole student body, and then beaten. I can’t remember the exact words Sir used, but at eight-years-old I knew what a tramp was, and I knew that you could only be one if you were a girl.  I also knew that if you did happen to be one of the girls caught in some teenage dalliance sanctioned by Mother Nature, Sir would convince the rest of us that you were a Jezebel of the worst kind, capable of the darkest of sexual transgressions. Yes, we were the perverts: Projection in action: Calling Dr. Freud! What occurs to me now is that Sir was jealous of girls, because they were the object of the boys’ affections. Judy Lynch was said to have done routine “virginity checks” on some of the older girls. Officials tried to make a case against her as well, but the state lacked witnesses who were willing to testify.

I can’t remember which fundamentalist brand of Christianity Sir embraced, but in light of the fact that I now know that was a convicted sex offender, it’s so much easier to connect the psychopathic dots. It’s fairly common knowledge that there is a strong link between sexual repression and sexual deviation, and the more an orator follows the narrative that “sex is dirty and shameful” the bigger pervert he either currently is, or is destined to become. You know the saying: “Me think thou art protest too much” or something like that. While I attended Chartwell there were at least two girls who were either expelled or withdrawn for sexual “indiscretions”. The official story was that they were expelled, but I knew what a pathological liar Sir was, so I questioned everything.

Dianna Carrington and Courtney Abbot both left Chartwell Manor for these reasons, but not before they were branded with both a physical and psychological Scarlett Letter. Bruising students was commonplace. I remember going home with a giant bruise on my ass, although on that particular occasion it was Mrs. Lynch who had savaged me. My mother was strangely unaffected when I showed it to her. Shortly after Dianna left, her parents decided to take Sir to court. They were not impressed with the welts on their daughter’s backside. The girls were set to be witnesses. Some time before her parents were scheduled to come The Lynches pulled all the girls into a classroom for “rehearsal.”

“Miss Carrington’s parents are going to ask some of you some questions.” Sir told us. “They’re going to ask you if we beat you here and you’re to tell them that we don’t. Is that clear?”

We all nodded in agreement. Nobody was going to martyr herself to this cause. Thankfully, Dianna’s parents never approached me.  I don’t think I would have been brave enough to tell them the truth.

* * *

Assemblies were bad enough when Sir just went on some random diatribe, but once in a while he required an actual victim: someone to accuse, mock or terrify for no good reason.  I can remember at least two times when I was the victim of choice.  I was one of the students he hated, so I was targeted disproportionately. Nothing was more dreadful than being singled out as this man’s personal plaything, especially in front of the whole school. I had seen him do it to others.

Even at eight I was enough of an independent thinker to know that something was horribly wrong, even when he targeted other students. I had seen him make an announcement that someone clogged up one of the boys’ toilets, and then look around for a scapegoat. It didn’t take him long to point to a eleven-year-old and say “Mr. Green, you have a very guilty look on your face! Go up to my office and wait for me.!“ This is how Mr. Lynch adjudicated our alleged crimes. Apparently, he wasn’t a big fan of the American justice system, where actual evidence is required before a sentence is passed.

Not much later, I was accused of a more serious crime. During the weekends most of the students went home, so the girls would sleep in the empty boys’ rooms in the mansion dormitory. During such a weekend, a male student’s belongings were ransacked and his musical apparatus was smashed. I knew nothing of it and had nothing to do with it, but damned if Il Duce let that get in the way of administering his own special style of justice.  After he ranted about the alleged vandalism that took place, he announced without hesitation that I was the guilty party.

“Miss Johnson!” he said. “You broke that boy’s radio just because you didn’t have one of your own! Get up to my office! We’ll be docking your student account to replace it!”

So just like that I was simultaneously losing money, having the entire student body turned against me, AND I was getting a beating? The combination of rage and fear I experienced was unimaginable, because I was so angry I wanted to kill him, but also so terrified all I could mutter was “But I didn’t do it! It wasn’t me! It wasn’t me!” which as you can imagine, was not effective.

I never went up to his office so I didn’t receive that beating. I refused to get a beating with a wooden hairbrush for something I just didn’t do. Luckily, he had so many other kids to beat or violate that day that he must have forgotten about it. I later discovered that it was commonplace for some of Lynch’s former victims to return to the school, often in a drug or alcohol addled state, in order to vandalize the property and steal cars, money and other things. In all likelihood I was taking the rap for someone Lynch no longer had access to.

One of final acts of retaliatory vandalism against the Lynchs: Terrence and Judy’s gravestone was “christened” by a former student.

Calls to my mother were frequent. “When can I come home?” I asked after returning from Thanksgiving break. My homesickness was always worse after visiting my mom or dad.

“Christmas,” she said.

“Christmas?” I asked. “Christmas is like six weeks from now.’’

“It will go by fast, you’ll see,” she said.

Sometimes I begged her. “Let me come back home,” I’d say. “I promise I’ll be good.” But she’d heard that before.

Christmas break would come and go with all the excitement and subsequent heartache that came with seeing family for only a couple of weeks. Christmas and summers were the longest breaks I got from Chartwell, but the longer I was home the harder it always was to go back, although after the first year I was more resigned to the sadness.  I believe the psychoanalytic term is “learned helplessness” It wasn’t like my parents were going to listen to me anyway.

The aforementioned bruise was a consequence of smoking. At the time I lived upstairs with the older girls: Karen, Anita and “slutty” Courtney. There were four of us in the room, and sometimes some of the boys would sneak down from the mansion to the girls’ dorm in the middle of the night. We had a ledge right outside our window, where the boys would hang out, although I have no idea how they got up there in the first place.  My roommates and the boys woke me from the deepest of slumbers. I let out a grunt. I was tired.

“Go back to sleep. You’re dreaming,” Courtney would say over and over again. Eventually I was fully awake. There wasn’t much point in trying to sleep. The girls were all up smoking and talking. I had little interest in smoking at the time, but Courtney said “She’s a witness, so she has to take a security drag.” So I did. I sucked on a cigarette and blew out the smoke immediately without inhaling. The very next morning after my roommates had gone Olga entered the room to do some cleaning and began sniffing.

“I smell cigarettes. Jennifer, were any of the girls smoking in here? I had intended to lie, but became so nervous I just gulped a little and then heard myself saying “Yes” in hesitant, almost whisper like tone.

Later that day all four of us were beaten with the wooden side of a hairbrush. We all sat in the Lynch’s living room and when it was our turn, Mrs. Lynch took us to their bedroom and ordered us to lift our skirts and pull down our underwear. She remained very quiet during the beatings. She hardly uttered a word the entire time we were all in there. Sometimes the quietist villains are the scariest. When my turn came around I tried to block the first blows with my hands, but that hurt just as much. The burn on my ass was intense and I screamed. It was the worst pain I’d ever experienced. I’ve never been so relieved as I was the minute it was over. I don’t know how many lashes I received, probably about ten, but I believed that the grapefruit size bruise that spanned both cheeks had a story to tell.

Child protection laws rendered it illegal to leave long lasting marks, especially bruises. I don’t remember how, but I was familiar with these laws, so I assumed that naturally, this would be the tipping point for my mother. She couldn’t ignore bruises like that, could she?  Her reaction to the bruise was similar to all of my other complaints of abuse. “What did you do?” or “I’m sure they didn’t mean to leave a bruise like that.” I think she felt trapped and conflicted with her lack of choices, which caused her to ignore inconvenient truths. How else does one justify such victim-blaming statements?

On another occasion Sir saw fit to humiliate me during an assembly, for no reason in particular. He was explaining that a new girl from a foreign country had just become a student, but didn’t speak any English.

“You have to talk softly to her,” he said. “Not like Jennifer Johnson. Don’t say ‘Helloooo!’” he said, while making loud, guttural sounds, as though he were mimicking an actual monster. The students laughed as I teared up. It didn’t seem to matter that I was the new girl’s only friend, and had been spending my free time taking her around, pointing to objects and saying them in English so she could repeat and learn, which she seemed to greatly appreciate. I was absolutely mortified. After the laughter died down he asked,  “Is Jennifer crying yet?” with a big shit eating grin on his face. To his great satisfaction, I was.

Mr. Lynch did this to me on more than two occasions, but these were the most memorable. Perhaps my behavioral problems were so severe that I deserved a beating now and again. But I can’t recall any “fair” beatings.  Justified disciplinary actions are far less eventful than flagrant acts of abuse, so the abuse what I remember.

The thing is, I knew he was wrong. I knew that what was happening to me was not normal. I knew it was unjust. I often wonder if this has something to do with the fact that I was raised without religion. Most kids accept what happens in their childhoods as the norm, but I had a better bullshit detector than most, and I wasn’t even remotely impressed with fake father figures with misguided God complexes. I hated the man, through and through. I understood his intentions.

* * *

I can’t remember why, at the age of eleven I was finally withdrawn. Maybe my mother’s guilt got the better of her, or maybe she believed that I would be less violent after living in such punitive, despotic circumstances. I honestly don’t recall many the details of my visits home because as bad as they might have been, it was always better to be home. For this reason, I can’t reliably tell you if I struck Laurie less often or with less malice during visits home or after my tenure at Chartwell. What I can tell you is that I was still a very angry child, probably more so than I had been previously.

What I didn’t figure out until adulthood was that the man was just bat shit crazy. Before that, I was too busy reflecting on how evil he was and how much he had hurt me.  I didn’t have the emotional resources left to consider his illness.  After some processing, the guilty verdict remains in tact. I have no pity for the man and his sickness.  He’s harmed too many people to cash in on any of my empathy. As one victim stated,  “ The ruined lives this guy is responsible for is staggering.”

Brendan Burt was a student in the early eighties right before the school was shut down. He told me that Lynch would routinely bring him into his office, order him to pull down his pants, fondle his genitals, penetrate his anus with his finger and then beat him. He also informed me that on one occasion Lynch threatened to break his mother’s arm if he told anyone about the abuse, and that sometimes after beatings Lynch would congratulate him for “taking it like a man.”

Perhaps one of the most disturbing accounts revolved around a year long epidemic of bowel incontinence that took place in the boys’ dormitories. According to Brendan, some of the boys were defecating in their beds, and the afflicted students were all assigned to designated rooms. “Those rooms should have been quarantined,” he recounted, since the odor was so foul. None of the girls were affected, which suggests it was not the result of a contagious illness. At first I thought it must have been caused by rectal damage resulting from sodomy, but an equally plausible scenario is that it was psychosomatic; students were soiling themselves to keep Lynch away from their rectums. Apparently, some students just stopped wiping themselves after a bowel movement, probably to the same end.

I understand that Lynch died in 2011 after becoming very ill during a trip to Cuba. The official story is that he went there with a group of missionaries, but it is widely suspected that this trip was intended as a sex tour for pedophiles, although I cannot confirm or deny this.

* * *

The worst part about this for me is that my mom had always been dodgy when it came to being accountable for having sent me to this school in the first place. We had blowouts about it every Christmas for a while, until my stepfather Phil, made a point of convincing my mother to accept some blame for what had happened.

I remember wailing, sitting on our soft off-white sectional sofa, all facing one another surrounded by ravaged gift-wrapping paper and an all-white-lit Christmas tree several feet away.  I don’t remember how the conversation started, but I remember saying something like “I came home with a huge bruise on my ass and you sent me back!”

“How do you know you had a bruise? How could you see it?” Yeah, she really asked me that.

“In a mirror!” I said

“What mirror?” my mom answered.

At this point my stepfather Phil intervened. “Gretchen!” he said with a shocked look.

This was the Christmas that put this subject to rest. By her own admission, Phil was the only man my mom ever really loved. She didn’t love my father or my first stepfather. Phil was her one and only true love, so his opinion mattered. My mom realized that this was the time to stop belittling me, and take my complaints about Chartwell seriously. I was about twenty-two or twenty-three and this was the first robust apology she’d ever given me. It was heartfelt, and all I ever needed from her.

“I’m sorry Jen, I’m sorry I sent you to such a horrible place. If I had to do it over I would choose another option. I wish I could take it back, but I just can’t. I was a young mother and I didn’t know how to control the situation. I had no support from your father or anyone else. The seventies were a very mother-blaming era. I thought I was doing the right thing at the time.”

There was truth to a lot in that. They didn’t know then what they know now about ADHD. Every time there was something wrong with a kid it was just assumed that the mother was fully culpable. My mother was working full-time, taking care of my sister, and going through rancorous court proceedings with my father regarding retroactive, unpaid child support. Consequently, she had deluded herself into thinking that a military type environment would protect Laurie for a time and set me straight. She was correct about the former, but mistaken about the latter.

* * *

I googled  “Chartwell Manor boarding school abuse” just recently, and several articles popped out at me. In the internet age with so much information at my disposal, I wonder why I never considered doing this earlier. All these years it was just a button tap away. It might have given me better clarity into the depths of Lynch’s twisted inner workings.  I guess I thought it was all behind me.

According to an article published in 2006 by Peggy Wright also from the Morristown, New Jersey Daily Record, boys were routinely lined up naked, beaten, and molested through various ceremonial manifestations. As Wright points out, Michael Uhl described Lynch as having “a forceful, hypnotic quality that compelled students to obey him, even when he bent them over his knee to beat them with a slipper, his hand, a brush or paddle”.  The article also explains that Lynch “went to prison for seven of a 14-year sentence for sexually abusing boys by spanking them, squeezing their genitals, or giving them enemas.”

I spoke to Mr. Uhl on the phone for five hours recently. Due to the statute of limitations, Uhl was the only student from our era to successfully sue Lynch. His lawyer argued that the memories of the abuse were so painful that Uhl had repressed them until his twenties,

so effectively that he was sending Lynch yearly Christmas cards, even after he had been incarcerated for his crimes. Lynch used various techniques to indoctrinate students. What I remember specifically is being forced to watch the Sidney Poitier movie “To Sir With Love” every year. I also remember graduation ceremonies, where graduates were forced to sing “Thank You Very Much” from “A Chorus Line”. Our yearbooks were filled with self-aggrandizing statements written by and about Lynch in the third person. The pervasive theme in all these examples seemed to be the unending gratitude we should all feel for a person who was essentially, our kidnapper.

Some of Wright’s anecdotes came from students like Andrew Fleisig who claimed he got a “bare-bottomed spanking” just for crying when he arrived at Chartwell for the first time. Sound familiar? Student Glenn Head, who attended Chartwell around the same time I did, claimed that Lynch was fond of “beating the boys, and then cuddling them when they cried.”

Some students claim that they were commanded to masturbate in front of Lynch, while others say that he forced them to perform oral sex on him. Still others have stated that Lynch sodomized them. The school offered an annual trip to Europe for one thousand dollars, which was a lot of money at the time. My parents were broke, so I never went myself. In retrospect I’m grateful for my parents financial limitations, because some-of the worst abuse was said to have occurred on these trips. Since laws regarding the consumption of alcohol are more relaxed in Europe, Lynch allowed the students to drink beer and wine. One student claimed that he was drugged, raped and filmed by a group accompanying Lynch. That student has since committed suicide. He confided in Uhl about the incident, and for this reason I am unaware of his identity. Since then, I have heard of at least four other boys who took their own lives sometime after leaving Chartwell. I did specifically seek out information about suicide in my research. This was all mentioned to me through casual conversation. If you consider the fact that the percentage of former students who are in touch with one another is a mere fraction of all Chartwell alumni, it would be logical from a mathematical standpoint to assume that there were many more, perhaps dozens who took their own lives.

Many students such as Sam Jacobs and Kevin Steiner struggled with substance abuse. Some became criminals. Kevin Steiner died in a car accident, during which time he was in and out of rehab and stealing cars. At one point he stole Lynch’s cars. Sam Jacobs became a convicted rapist at the age of 14, mere weeks after Lynch had sodomized him.

Brendan internalized the blame and engaged in self-sabotage in the form of heavy drug abuse. He didn’t know why until the age of 30, when visions of Chartwell were revealed in a dream. “I barely slept for the next three years,” he told me. Both Mike Uhl and Brendan Burt had managed to keep the memories at bay until adulthood, but in both cases all their recollections came flooding back in a single defining moment, like an emotional tsunami. In Uhl’s case it occurred when Lynch sent him an odd, metaphor riddled, parable from prison, which contained a strange message about embracing victimhood.

But Lynch abused children even before the creation of Chartwell Manor. Bill Moore was a Jewish sixth grader in the 1960s at Somerset Hills School in Warren, Somerset County where according to former teacher Jerry Amedeo Lynch was fired when the owner discovered he was spanking children. The sexual abuse was only discovered after Lynch left, when students felt safe enough to start talking.  Not only were students beaten, forced to parade naked together and selected to cuddle in bed with Mr. Lynch for intimate TV time, Wright explains how Moore described a scene to him where “Lynch would hold part of a comb to his upper lip and imitate Adolf Hitler.” In 2006 Lynch volunteered at an adult rehab center called Beginnings where he molested men, presumably because he no longer had access to children.

His Beginnings victims say he posed as a real doctor to facilitate molestation, and asked to be called “Dr. Mike” In an ironic twist; it was Lynch’s parole officer that landed him the position at Beginnings, on account of his “experience” as a headmaster, in spite of his status as a registered sex offender.  Lynch pleaded guilty to three fondling charges, after which he did spent only ten months in a county jail. The short sentence probably had something to do with how well he was well connected with the local police, to whom he gave expensive bottles of scotch every Christmas.

* * *

The year of 1984 completed almost two decades of Lynch abuse that fell under the radar of law enforcement. I was nineteen that year, and wished I’d heard about his incarceration then. It might have given me some closure earlier. I also might have been able to write this essay while the Lynches were still alive, exposing them to the entire country. I had never realized that I was actually one of the lucky ones. There are undoubtedly countless survivors as well as causalities.

“Sir” Terrence Michael Lynch is dead and in the ground, but his legacy of tyranny will live on a long time. According to extensive psychological research, it is likely that many victims’ stories will bleed into generations of families to come. Jacobs is a case in point.

After a great deal of research I discovered that Sam started sexually abusing girls in early adolescence and at fourteen, raped a girl at knifepoint. According to Sam, Lynch had attempted to sodomize him shortly before, but was unable to complete the act, because Sam screamed so loudly from the pain that Lynch retreated for fear of exposure.

“He would beat me, molest me, and then rub my butt and tell me how much he loved me,” Sam told me. “He was like a father figure.”

“That’s probably what fucked you up the most,” I said.

“It definitely is,” he responded.

Sam committed his first offense as an adult in the year of 1977 and spent ten years in prison. As far as I’m concerned, this is Lynch’s handiwork. I don’t excuse Sam for his behavior, as I believe he made a choice to rape. I firmly believe however, that he would not have become a rapist if it weren’t for the years of abuse he endured.

Sam was released from a treatment facility in 1987 and in 1994, married and had a daughter, but was divorced shortly thereafter on account of heavy drug and alcohol use. He was re-incarcerated from 2002-2006 on a stalking charge. According to court documents from 2006 and 2009, Sam was sentenced to remain at a sex offender treatment facility under a civil commitment mandate, in spite of the fact that he had completed his prison sentence and hadn’t committed an actual sex crime in decades.  Because of the stalking incident, the court decided that he was still a sexually violent predator, even though the stalking charge was ruled as a non-sexual. He is still being detained today.

Sam and I talk on the phone a lot these days.  He told me that Lynch abused him sexually, physically and emotionally with frequency and severity. “ I don’t hate women,” he told me. “When I raped those girls I never really wanted to hurt anybody. Some of them fought back and I let those girls go, because I didn’t want to be violent. I didn’t realize that rape was violent or harmful. I was insecure and didn’t know how to talk to girls. Lynch took away all my control. I thought this was the only way to get it back. I thought it was the only way to prove that I was a man.”

“Didn’t your victims cry?” I asked him.

“No, actually, they just begged me not to hurt them. I told them I didn’t want to hurt them. During my incarceration I underwent a lot of therapy. It wasn’t until then that I realized what kind of damage I had done. Before that, I actually believed that they enjoyed it. I even went down on a few of them before I raped them, so it could feel more like seduction than rape”

Earlier, I had sent Sam a heartfelt letter along with a copy of my latest version of the memoir and some copies of articles regarding Lynch’s incarceration. He said that the pictures of Lynch in the article filled him with terror and that he cried when he read my letter. I don’t think he is accustomed to people treating him with empathy.

“Sam,” I said. “You do realize that when your victims see pictures of you they have the same visceral reaction. You get that, right?”

“I do now,” he said. “I really regret hurting those women. I was an asshole.”

Sam Jacobs was a handsome, young boy. When he was only four years old his father put him in Lynch’s care at Somerset Hills where Lynch was then headmaster. After Lynch was fired from Somerset and created Chartwell Manor, Sam’s father allowed Lynch to take his son with him. Research conducted over a number of years indicates that a child’s conscience and capacity for empathy is not fully formed before the age of six. Some people remember a very different Sam Jacobs than the one that the psychologists, lawyers and inmate staff know today.

The Sam Jacobs I briefly knew as a kid was sweet and playful, never mean spirited; at least not to me. There were plenty of bullies there. He was not one of them, despite the fact that I was an awkward, skinny little girl with buck teeth, six years his junior, who was bullied by many. Amedeo, who was also Sam’s teacher from Somerset recalls Sam as “a great kid.” Lynch robbed Sam of both his innocence and humanity. He never stood a chance. His tragic story gives a whole new meaning to the phrase “school to prison pipeline”

So how do I think and feel, now that I know what I know? I’m sad for his male victims, but thankful that he didn’t molest girls, at least as far as I know. As unpleasantly as I experienced those three years, I take comfort in the fact that I wasn’t a young boy or teenage girl at Chartwell Manor. I now wonder how many former students have become pedophiles themselves. I’m happy Lynch did some hard time, but I wish it had been longer. I’m disgusted that a registered sex offender was given the freedom to abuse again with such apparent ease and negligent oversight.

How many other victims are now out there hurting people? And who will their victims hurt? How many lost, broken Lynch souls are running amok without refuge? These are questions few of us can answer. We only know that the infamy of the man we knew as “Sir” and “Dr. Mike” is likely to live on well after our lifetimes, and that is the most unsettling aspect of all.

 

 

BIO

Elizabeth JohnsonJennifer Elizabeth Johnson has a BA in sociology, studied creative writing at Austin Community College. She currently lives in Newark, New Jersey. She’s lived in five countries and is a cinephile who believes that dubbing movies in another language is a grave crime against art. She wishes Bernie Sanders was her father.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Bloodline

by Janet Damaske

 

 

My mother had the best set of legs; anyone who ever saw them would agree. They didn’t see much sun and they didn’t go on forever like some great legs do, but they were dancer legs, always working, twirling, pointing, flexing, barely ever still.

When she got the call that her cancer had come back for the third time, she and I were standing in a subway station. When I saw her face fall, I sat down on a bench and lowered my head, my eyes resting on those legs. They were still for longer than a moment. But when they started moving again, her body stayed still and her left leg straightened and stiffened, while her right leg swung forward, kicking back, toe pointed. I heard her words, quietly spoken, but kept my eyes on those dancing legs and hung onto a shred of hope.

My daughter Grace, now 4, got her Grammy’s legs. They have more definition than one would expect in a tiny person, solid little calves, a miniature version of my mother’s, with the right calve a bit larger than the left. Her legs do not work with the skill that my mother’s did and her toes are never pointed, but they move just as fast and often. Legs pumping, arms flailing, she dances and skips and she runs, towards me, away from me, sometimes stumbling, always counting on me to steady her, no matter where I am.

Grace and Mom missed each other by six months and seven days. I took the pregnancy test in the hospice house where my mother was dying of ovarian cancer. She cried and then laughed: “I bet that’s the only pregnancy test that’s ever been taken in this place.” It was April then; we thought if only she could make it to Christmas, she’d get to meet my second child. But she was gone by May.

In the weeks when my mother lay dying, Grace was taking form – her heart pumping blood; her brain and spine developing; her tiny nose, toes, fingernails, all brand new. I cannot decide how I feel about this, that at the precise time my mom’s heart was slowing pace, as her body was shutting down for its final rest, Grace’s was booting up. The little girl whom Mom and I had spent years envisioning slipped right past her Grammy, leaving me hopelessly shouting, “You missed her! You missed Grammy! She was JUST HERE!” And to Mom, “Tell me you can see this child. Tell me you aren’t actually missing this.” One is here and one is not.

And now, I see my mother’s legs and her petite hands and her long, narrow fingers and the walnut shell shape of her eyes in my 4-year old girl. I wrap her folded hands in mine and cup them to my face, breathe her in. I never meant to see my mother in my daughter, but I do, and I am grateful, but also troubled.

My mother got her good looks and her hot temper from her mother. Her love of music and her nervous energy came from her father. And, it seems, the mutated BRCA2 gene that we discovered in the years before her death came from him as well. This imperceptibly small error lay along the Chromosome 13, where one particular gene, whose job is to suppress certain cancers, breast and ovarian among them, simply does not work. The BRCA gene ended my mother’s life long before her body should have ever shut down.

I can’t say I was shocked to learn years after her death that the exact same mutated gene ended up on my own Chromosome 13. I have her green eyes and her inability to lie and that tiny dimple at the top of my left ear. I have her nervous energy and I have her bloody BRCA2 mutation, and I have a terrible suspicion that my daughter does too.

“Will Grace have to do what you did?” My 7-year old son asks on our way home from karate.

He refers to my double mastectomy and my bilateral salpingo-oopherectomy, though he doesn’t entirely understand what he’s asking or what’s gone on. My breasts and ovaries and fallopian tubes are gone now, but that doesn’t mean a whole lot to him. He has been told there will be no more siblings, which he’s responded to with relief more than anything. And he knows that if he puts his hand on my chest I will flinch, not out of pain, but because I’ll never get used to this numbness. I’ve been scraped out and refilled, and what is there now is hard, foreign, and entirely man made.

“I hope not, Noah, but I really don’t know,” I say, looking in the rearview mirror as Grace, buckled in her five-point harness, stares sleepily out her window.

When he was 5 and she was 2, and I had just learned I was BRCA positive, I had my breasts removed to prevent my near 50 percent chance of getting breast cancer before age 70. My toddling girl stared at me in bed, poked at my bandages and stared at the drainage tubes protruding out of my skin. “That hurt, mama? Your booboos hurt? Why did you get boobies at the hospital?” The words are used interchangeably and over time, it sticks. Booboos, boobies, they are the same.

My tiny nurse watched over me in the weeks that followed my mastectomy, nestled up to my side, sometimes standing over me as I awoke from medication-induced naps. She’d stay an arms length from the tubes dangling from my chest, but she was not afraid of the rest of me. She’d run her tiny finger along the bandages, and later, along the bright red scabbing lines, and later, along the fading scars. She’d check on me by the day; she’d comment on my improvement. “Oh! Better! The booboos look great, Mama! No more boobies!”

If ever I’d been forced to picture this time of my life, breasts removed, a sense of disfigurement sweeping through me, it was my mother who was standing over me, feeding me comfort and warmth, with soft words and soup from a can. But in her place, a not quite three foot, fuzzy-headed, pacifier-addicted, heavy-breathing, sweaty morsel of energy. She fed me plastic chicken thighs in tiny blue bowls made for stuffed animal tea parties and I felt better.

Early this year, when she was 4 and I, 36, a spike in a routine screening test resulted in a surgery my doctor advised I have as soon as possible, and so out came my ovaries and my fallopian tubes and any hope of one more pregnancy. I came home exhausted and infertile, and began my recovery by sleeping through the day. Grace peered in on me, listless on the couch, that late Friday morning, and then quietly mentioned she was tired too. She walked up the stairs and slept, three long naps within that one day, broken up only by mealtimes. She hadn’t napped in over a year and she’s never napped since. She will likely not remember this day, but I always will.

I did not expect to accept empathy from a 4 year old or nurturing from a 2 year old, but I suppose she started holding me up long before I even met her, perhaps from the moment I realized a life was starting in a place that only sees death. A chance of hope, subdued indeed by my own shame at envisioning a future while those residing in the same space were reaching back into their lives once lived or, worse, simply at a standstill, just waiting to die.

Because I never really believed my mother was actually dying, even as she lay on her deathbed, she held her place in my daydreams, right plunk in the middle, holding the new baby while I chased my son. Still, today, she is there in my head, coming in the front door of my home, whisking the kids away to the park, laughing as she closes the door behind her and runs to catch up with them.

The room across the hospice house hall must have welcomed and parted with at least five people in the six weeks we were there. I always knew when the end had come; calmly whispering nurses, sometimes with tears, followed by a noticeable increase in activity in and out of the room. At some point, our door would get quietly closed as the room across the hall was emptied. I listened and watched as it all took place, every time, and still I could not picture the moment that this scene would be ours to experience.

Things were perhaps more settled in our room, but our shared desperation became more palpable by the day until we could not help but acknowledge it. My mother took the lead, and in stunned, silent resolution, we followed. One day, she asked me to bring my laptop to her bed; we spent that afternoon online buying clothes for her grandkids in ascending sizes to cover the next several years. Another day, she sat the family down to explain where all Christmas decorations could be found. Other days, she talked about where she wanted her clothes to go after she was gone. On the nights when it was only she and I, we talked about baby names.

Most days, I lay next to my mother in a reclining chair and sometimes I crawled into bed with her, unable to put any space between us. At times, I sobbed until I could hardly breathe, and when my mother, sinking deeper, could no longer calm me down, the thought of my little boy and the tiny person I was supposed to be making usually did; I’d catch my breath, anyway; I’d pause to breathe. I wondered if a fetus could survive this sort of stress. Hang on, please just hang on, I thought, hand on my stomach, eyes on my mother.

I hovered over her in those final weeks, checked her feeding tubes, brushed her hair, added blush to her cheeks, and, later on, I sat towards her head and dripped water from a sponge, the slowest drips, every few minutes, onto her lips and her tongue.

What I wanted, every minute, just one more lucid moment with her, and then one more, until the day came when I was too afraid I’d waste her energy if she gave it to me. I begged my father to stop trying to make her talk because I wanted her around longer. He looked at me frantically and I covered my face, knowing full well I had chosen her stability over his.

And there I was, both daughter and mother to my mother, holding on for dear life.

The years following my mother’s death were uniquely lonely and humbling for all of us. I did not stop it – or even realize it – when Grace, in her infancy and in all her innocence, somehow took the reins and blindly guided us along. I welcomed her neediness, my hands in motion all day, changing diapers, offering milk, wiping spit-up, thrusting something new into the life of our family.

I never meant for Grace to help save us from our grief. But it couldn’t be helped. Born into a family in mourning, this six-pound morsel seemed to have passed her maternal grandmother in the night. Six months and seven days after our loss, here was Grace, reflexively grabbing our thumbs and not letting go, and we could not help but feel a relief akin to rescue. It was never fair, but it couldn’t be helped.

And now she is a child. I look towards this little girl and, it seems, I’ve created a miniature version of myself. I see her fine, scraggly hair and hear her raucous, unapologetic laugh. I watch her in her shyness, stepping back, observing, and I see her, in moments, tangle her words in her tongue and quickly ask me to erase what she said. I see her head in the clouds and her eyes on me and, as I look back at her, I see my own reflection.

But oh, how I want a map of her genes, to be assured that if we magnified her Chromosome 13, it would look exactly like her daddy’s and nothing at all like mine. Perhaps the day our coded strands were grabbed and combined at random was a lucky day for her. I am full of doubt, but for now, what more can I do but hold onto the chance that her shapely leg gene and her boisterous laugh gene lie on any other chromosome than 13? Perhaps her BRCA2 gene is entirely intact and we have somehow broken this wearisome, worrisome pattern.

Each morning, she slowly emerges from her room and walks downstairs, a late riser like me, with her arms outstretched. She’s getting big now, but I lift her up and she collapses in my arms. I pat down the thin layer of hair that covers her head, pull it out of her face and look at her. “I missed you last night!” I say, and it’s true. Because, after all, this is a love story. It is a love story with perhaps more complexities than other love stories I’ve been able to tell. It’s a love story between a daughter and a mother and a grandmother, though two of us have never met. Here are three Davis girls who, in and out of life, have held each other together, swapping roles, instinctively grabbing ahold of one another in desperation or support. Yes, we are daughters of BRCA, but more importantly, what runs through our blood is fierce love, an intuitive need to heal each other’s pain, an energy that endures on and on and on. We dance on until we’re entirely out of breath.

I was not there the morning my mother died. After weeks of sleeping on a hospice house couch, I began to think that if this baby did have any chance of surviving, I needed to spend my nights in my home, make steps towards some sense of balance. The last evening we spoke, she was barely conscious and impossibly weak; she had not moved on her own in days. I sat on the left side of the bed, leaned over her head and kissed her again and again. “I can’t say goodbye but I need to watch out for this baby,” I said. “I think I need to go home tonight, Mom. How can I go?” I laid my head and arms upon my mother’s tiny body and shook with sadness, soaking my face and her sheets. And then I felt a hand on my head, the gentlest touch, now smoothing my hair. I looked up and saw her face, drenched in tears, and I saw she was nodding. I will miss you so much, said the sorrow in her eyes. But you need to take care of my daughter and my grandbaby, said their twinkle, still alive, amidst the green. At some point that night, and I don’t know when, I lifted my head, rose from her bed, and slowly walked to the door.

 

 

 

BIO

Janet DamaskeJanet Hope Damaske is a stay-at-home mother with interests in writing, reading, editing and psychology. After earning her BA in psychology with a minor in creative writing at Hamilton College, she worked for several years at a rehabilitation center for people with mental illness, providing job training and running a writer’s group for creative therapy. She later moved onto a career in medical publishing, where she continues to work part-time. Janet currently volunteers with several non-profit organizations in her hometown of Winchester MA, where she lives with her husband and two children. She writes a blog, which can be found at http://jhdamaske.blogspot.com. This is her first published piece.

 

Tips on How to Choose Clothing for the Deceased

by D.G. Geis

 

Something dark is best.
Perhaps a Sunday suit

or formal business attire.
Something you might wear

for a special occasion—
like interviewing for a new job.

Your new position
will require a certain panache.

Stiff determination
and a resolute smile

should make a lasting impression
on your new Employer.

Later, as your suit empties
and you fade slowly

into the woodwork,
it will come to you

how deep
life’s roots really run—

two of which
are already knocking,

discreetly,
at your new front door.

 

 

Hexagram 23

“Bo” (Splitting Apart)

For D.S.

The last man to die the death of 1000 cuts
was a Mr. Fou Tchou-Li. The year was 1905.

In Chinese this form of execution
is called Lingchi or “slow slicing.”

In English there is no exact equivalent,
but “death by fillet” is a good approximation.

The French philosopher Georges Bataille
was said to meditate every morning

on a photograph of Mr. Fou Tchou-Li
midway through the process of his

deconstruction. The object in question
has both arms removed and two

gentlemen are assiduously severing
the quadriceps femoris. The skin

and muscle on both sides of his
upper rib cage have been folded back

to better view the lungs which
continue to function as evidenced

by the look on Mr. Fou Tchou-Li’s face,
a signification which betokens neither agony

nor ecstasy, but something in-between.
It is the astonishment of a thinker

in the midst of a great thought, losing himself
a little here, a little there, until the answer floats by

so pure, so final, so free—
and like all great thoughts,

just out of reach.

 

 

State of the Universe Address

 

Lights out
in this arm of the galaxy

where things spiral wondrously
out of control.

Stars glittering like sequins
on a party girl’s miniskirt

vanilla sprinkles frosting the void
of a trillion year old birthday cake.

And the Good Lord,
our Birthday Boy,

poised in his high chair
waiting patiently, so patiently,

to blow out the candles.

 

 

Busboy

“And that was the whole show.”
—Charles Simic

 

Busboy by day,
Philosopher by night;

This strange world of
Disappearing tablecloths

And naked tables
Flashing leg.

A little cheesecake
For the diners

Or maybe a fork
Out of thin air.

A brief demonstration
In four parts

And the metaphysician
Struts his Stuff.

The cosmology of tableware,
The ontology of napkins:

There’ll be no applause
When he makes

Nothing from Something
And hardly a glance

When the diners levitate
On a cloud of atoms.

Prix fixe, the last course
Is a mystery.

This sleight of hand,
This aproned magician,

Bending over a table
Reshuffling the universe

One spoon at a time.

 

 

 

BIO

DG GeisD.G. Geis lives in Houston, Texas. He has an undergraduate degree in English Literature from the University of Houston and a graduate degree in Philosophy from California State University. His poetry has appeared or is forthcoming in Fjords, Memoryhouse, 491 Magazine, Lost Coast, Blue Bonnet Review, The Broadkill Review, A Quiet Courage, SoftBlow International Poetry Journal, Blinders, Burningword Literary Journal, Poetry Scotland (Open Mouse), Crosswinds, Scarlet Leaf, Zingara, Sweet Tree, Atrocity Exhibition, Driftwood Press, Tamsen, Rat’s Ass, Bad Acid, Crack the Spine, Collapsar, Grub Street, Slippery Elm, Ricochet, The Write Place at the Write Time, Steam Ticket, Razor, Origami, Matador, Cheat River, Euphemism, Two Cities, The Hartskill Review, Sugar House, Literary Orphans, Dash, Zabaan, Clare, Panoplyzine, Boston Accent, Silkworm, Drylandlit, Permafrost, Gingerbread House, and The Machinery. He will be featured in a forthcoming Tupelo Press anthology of 9 New Poets and is winner of Blue Bonnet Review’s Fall 2015 Poetry Contest. He is also a finalist for both The New Alchemy and Fish Prizes (Ireland).

The Adults

by Paisley Kauffmann

 

It began as it always began. A man was there in the morning calling Joe, buddy or pal. The man would pillage their refrigerator, watch their TV, and shit in their toilet. This man, like the others, was tall and probably considered attractive. He had striking blue eyes with long black eyelashes. This man, like many of the others, bore intricate tattoos detailing the significant detours of his life. This man had a daughter.

On Saturday, Joe woke up early to play video games before his mother would insist on turning the channel to a reality show. He kicked through the clothes on the floor until he found his favorite tee shirt left behind by the last boyfriend and pulled it over his head. Tiptoeing past the shut door of his mother’s bedroom into the small living room, he discovered a small figure covered in a flannel shirt sleeping on the couch. Motionless, he stared at the round cheeks and pink, puckered lips of the intruding, unknown child. With a stab of disappointment, he decided it was a girl. He had wanted a brother. The girl snapped open her lids revealing shimmering blue eyes laced with dark feathery lashes. Joe startled, stepped back, and tripped over a pair of size thirteen leather work boots. The little girl smiled but did not move. Joe held his finger to his lips signaling her to stay quiet. Mimicking him, she held her finger to her lips and then stuck her finger into her nose. Joe rolled his eyes.

He waded through empty cigarette cartons, unpaired shoes, and fast food wrappers to his video game. Jamming the power button in a half dozen times, he shook the black box until it resuscitated. He sat on the floor with his back against the couch and ignored her as she wrapped her fingers around his brown curls. The tickling sensation made him inattentive, and he got decimated by a zombie. He closed his eyes and let her light touch put him into a trance.

“Hey, buddy.” Devon’s voice quaked through the room. “How old are you?”

Joe dropped the controller. “I’m eleven-and-a-half.”

“You ever babysit before?”

“No.”

“Well, then now is a great time to start.” Devon swung the refrigerator door open causing the beer bottles to chime together. “I’ll give you five bucks for the day.”

“Twenty.”

“Twenty!” Devon stopped pilfering the refrigerator. “You just said you ain’t never babysat before and now you want to charge some professional rate.”

Joe remained silent.

“Ten.”

Joe resumed pounding on the red button of the controller blasting away at zombies with his laser beam. He always aimed the crosshairs at their heads because, if he hit them just right, the head exploded into satisfying vivid chunks of skull and brain.

“Jeez, kid. Fine. Fifteen.” Devon stood with his hands on his hips.

Joe nodded slightly without moving his gaze from the screen.

“Great,” Devon said, and stuck his head back into to the refrigerator.

Joe glanced over his shoulder at the girl, but she had cocooned herself under the shirt. Devon pulled out the pizza box, leftovers from dinner, and tossed it on the counter. He grabbed a slice of cold pizza, tore off a bite with his large stained teeth, and wandered back to the bedroom. Joe had planned on eating the pizza for breakfast himself, and he would have eaten it immediately if he had known there was going to be competition. The last man, with the cool tee shirts, never ate breakfast. The last man hardly ate anything, only drank. Joe focused on smashing zombie heads and ignored his growling stomach. Devon, barking obscenities, returned to the kitchen and folded the last two pieces of pizza together. He worked his feet inside his leather boots and held the pizza in his teeth while he tied the laces. Devon strode through the apartment searching, first, for a clean shirt and then his car keys.

“Where the fuck are my keys?” Devon said.

Joe’s mother, succumbing to Devon’s tirade, dragged herself from the bedroom into the living room and said, “Well, where’d you put them?”

“If I knew that, Amber, they wouldn’t be lost, would they now?”

“Joe, sweetie?” Amber asked, pressing her thumb and forefinger into the corners of her eyes. “Have you seen Devon’s keys?”

“No,” Joe said. He knew where they were, but he was disinclined to make Devon’s day any easier.

The two adults stomped around the apartment cursing blame at each other about the mess. They took turns banging around the kitchen and shuffling through the shirts and jackets flung on chairs.

“Get up,” Devon said to the red flannel shirt.

The flannel shirt remained still.

“Get. Up.” Devon snatched the shirt off the girl.

With her body curled into a knot, her face was tucked into her knees.

Devon swung the girl off the couch by her arm, and she landed on the matted carpet with a thump. He jabbed his hands between the cushions around Joe, who had no intention of moving.

“Devon. Calm down,” Amber said.

“What’d you just say to me?”

“Look,” she said, pointing at the sliding glass door. “There they are.”

“Where? Outside?” Devon stopped molesting the couch and stood.

“They’re on the ledge of the railing.”

Joe was disappointed in the rapid resolution of Devon’s frustration. Last night, Joe had watched Devon step outside and set his keys down while he lit his cigarette. After Devon flicked his butt from their third floor balcony, which was against Ridgeview Terrace’s policy and could incur a fine, he came inside—forgetting his keys. Joe considered giving them a little push, but Devon was new and his volatility was still unpredictable. After more hustle punctuated with a few sharp words, Devon stormed out slamming the door behind him. His mother flinched, sighed, and turned to Joe, but he ignored her and focused on killing zombies.

In the kitchen, Amber started the coffeemaker and crushed beer cans. The little girl picked up the red flannel and climbed back onto the couch. Waiting for the coffee to percolate, Amber shuffled into the living room and sat cockeyed on the ottoman with a missing wheel. “So, did you meet Mia?”

“Yep.”

“She’s Devon’s daughter, or one of them. He’s got four all together. Three from his ex-wife and this one here from his last girlfriend, who, like a total idiot, got arrested last night trying to buy dope from an undercover,” she said with perverse satisfaction.

“Sounds like you’re babysitting today,” she added.

“I guess.”

“Thanks, because I got to run some errands.”

Amber poured her coffee and sat on the balcony ledge to have her morning blast of caffeine and nicotine to get things moving.

Joe paused his game and turned to look at Mia. She smiled at him with a toothless grin. He snarled at her and she buried her face in the cushion.

Amber, with her platinum blond hair piled into a mess on the top of her head, shoved her cigarettes and phone in her purse. She applied a thick layer of pink lip gloss, and said, “I’ll be back in a few hours,” Amber scrutinized Mia like she was another stain on the carpet, “Keep her out of the bedrooms, she seems kind of dirty.”

“I’m not giving her a bath,” Joe said.

“I know, just keep her out here.”

Joe nodded.

Hungry, Joe paused his game and went into the kitchen. Mia slid off the couch and followed him. Joe opened the refrigerator and searched through the condiments and beer. He found a half package of bologna. He peeled a round slice from the stack, folded it into fourths, and stuck it in his mouth. Mia watched him cram a second slice in with the first. With both cheeks filled with processed pork, he chewed with his mouth open. Mia’s eyes followed his hand as he pulled a third moist piece from the package. He held it up and, like a hypnotist, swung the slice back and forth. Her eyes remained fixed to it. Joe let go, and it hit the floor with a smack. Lunging after it, Mia shoved the bologna in her mouth with both hands swallowing most of it without chewing. Disgusted and bewildered, Joe held out another piece. She froze, waiting for him to release it. He tossed the meat behind her and, again, she scrambled after it. Joe continued to toss Mia bologna until the package was gone. Opening and slamming cupboards, he searched for something else to feed her to continue this fascinating game but was interrupted by a knock at the door. Mia’s eyes grew wide and she covered her mouth. Behind the door, Joe found his buddy Brock with a black eye and a red scooter.

“What happened?” Joe asked.

“Mateo’s older brother found me in their garage.” Brock gasped for air. “I wasn’t going to take anything, but he punched me any ways.”

“Where’d you get the scooter?”

“From Mateo’s garage, but only after he punched me. I better bring it in before he sees me.”

Joe held the door, and Brock rolled the squeaky scooter into the apartment. There was a socioeconomic distinction created by apartment residents with garages and apartment residents without garages.

“Who’s that?” Brock asked.

Mia, covered in a golden powder, peeked out from the kitchen.

“Mia,” Joe said. “Her mom’s in jail.”

“What’s on her face?”

Joe shrugged and led them into the kitchen.

Mia held a box of yellow cake mix, ripped opened and half spilled on the floor.

“What are you doing?” Joe asked.

Mia raised her brows and sucked in her lips.

“Gross. She’s eating cake mix,” Joe said. “Should I take it away from her?”

“I don’t know. What’s the difference if you eat it that way or cooked?”

The boys watched Mia shove fistfuls of cake mix into her mouth and chew it into batter, nearly choking with each swallow. As Mia, surrounded by a halo of yellow powder, finished the last of the mix, the boys lost interest and turned their attention to the video game. Stuffed with bologna and cake batter, Mia wrapped herself in the red flannel and dozed on the couch.

Amber returned with a twenty-four pack of Bud Light. She struggled to slide the case over the threshold into the apartment.

“Hi, Amber,” Brock said, craning his neck in her direction.

“Boys?” Amber dropped her purse on the floor. “A little help?”

Brock tossed the controller and jumped up. Reluctantly, Joe paused their game and rose from the floor. Each boy took one side of the box and carried it into the kitchen. Brock let go of his side and the beer bottles concussed together.

“Careful, jeez. Hey, what is this powder everywhere?” Amber gestured to the yellow ring on the kitchen floor.

“Cake mix,” Joe said.

“Why is it all over the floor?”

“Ask her.” Joe jutted his chin towards Mia.

With cake batter encrusted around her mouth, Mia watched solemnly as Amber groaned and said, “I was going to make you a cake for your birthday.”

“Like over a year ago.”

“I just bought that.”

“No, you didn’t,” Joe said. “You were going to make it for my tenth birthday and I’m eleven and a half.”

Amber did not argue. She yanked open the sliding glass door, slammed it shut behind her, and lit a cigarette. Joe glanced at Mia, and she stared back without expression. He smiled at Mia, not to comfort her, but because he relished the irritation she caused his mother.

“Let’s go,” Joe said to Brock.

Mia followed the boys as they worked on getting the scooter through the doorway.

“She coming with us?” Brock asked Joe, heading down the hall with Mia jogging to stay on their heels.

“Yep.”

“Watch out for Mateo and his brothers,” Brock said. Peeking around the edge of the trailer, Joe watched flashing vehicles fill the parking lot.

“You can’t hide from them forever. You might as well give it back. It’s a piece of shit any ways.”

“It works fine. It’s just a little wobbly.”

In the elevator, Mia picked at the dried cake mix around her mouth.

“Does she talk?” Brock asked. “My little sister talks all the time. I mean, like, all the time, even when she’s alone in her room all by herself. Why doesn’t she have any teeth?”

“I don’t know. I think there’s something wrong with her.”

“Why is her mom in jail?”

“Drugs.”

“Mateo’s mom is in jail too.” Brock rolled the scooter back and forth. “I wonder if they’ll see each other.”

The elevator doors opened and Brock glanced around cautiously before dragging the scooter out. Brock held the front door of the building open and all three stepped out squinting under the bright sun.

Someone shouted, “Get ‘em.”

Joe and Brock broke out into a run. Mia put her hands over her mouth.

“Come on,” Joe yelled at her. Mia looked behind her at the three boys bolting across the parking lot, dodging around cars, towards them. She started to run. Although struggling against the scooter squeaking in tempo with his speed, Brock raced ahead and around the back of the apartment building. Joe cut around the corner, he found Brock lifting the scooter above his head to drop into the dumpster.

“Help me,” Brock said, over his shoulder.

Joe grabbed the handle bars and shoved, and the scooter disappeared over the edge.

Occupying the bottom of the growth chart for eleven-year-old boys at four-foot-one, Brock said, “Now me, push me over.”

Joe linked his fingers together and lobbed Brock into the dumpster. Mia, with bright and wild eyes, barreled towards him as fast as her short legs would take her.

“Come on,” Joe said. “Brock, help me get her over.”

Joe lifted Mia up to Brock and, ungracefully, the two of them fell into the metal box of garbage. Joe climbed the side and jumped in just as the three brothers cleared the corner. Crouched around trash bags and cardboard boxes, the three kids listened to Mateo and his brothers pound by in a flurry of gasping breaths.

“Maybe those idiots will keep running all the way to Iowa,” Brock said.

“They’re a bunch of inbreeds,” Joe said.

“Kinda like this one here.” Brock raised his brows at Mia.

“No shit.”

“Sh.” Brock held up his hand. “I hear them coming back.”

Mia covered her mouth with both fists. The boys’ sneakers slapped against the asphalt around them.

“Hey,” one of the boys shouted. “Look in there.”

“Shit,” Brock said under his breath.

Mia pulled a pink lighter from the pocket of her denim shorts. With both thumbs on the striker wheel, she ignited the lighter. She held down the fuel lever with her thumb and finger and reached for a paper towel tube.

Joe and Brock watched Mia hold the cardboard over the flame. The dry paper flickered and a thin black line of smoke danced wildly, distorting Mia’s face. She waved her wrist back and forth antagonizing the fire.

Mateo and his brothers clambered up the side of the dumpster and yelled, “Gotcha, motherfuckers.”

Joe and Brock kept their eyes stitched to the little fire-starter. She tossed the burning paper tube into the center of the dumpster. All five boys held their breath as the fire leapt across the top of the rubbish.

“Shit,” Brock yelled, moving to escape the sudden heat.

Mateo’s oldest brother yanked Brock out by an arm and a leg.

“Come on,” the other brother screamed at Joe. “Get outta there.”

Joe grasped Mia’s arm. She allowed them to push and pull her limp body out of the dumpster. The flames grew exponentially, rapidly oxidizing the refuse. Joe threw himself over the lip.

Surrounding the dumpster with the blaze reflecting in their eyes, the six children forgot the red scooter feud. The roar of the fire and crackling of plastic, wood, and paper masked the wailing sirens.

“Run,” one of the boys yelled, breaking the through the moment of catatonia, and the kids scattered.

Joe ran away from the burning dumpster and the screaming fire trucks. Sprinting through a small line of trees into the neighboring trailer park, he zig-zagged between mobile homes jumping over yard gnomes and tipped tricycles. He concealed himself between two homes to catch his breath and swallowed against the burning in the back of his throat. As the beat of his heart slowed, his skin began to throb. He twisted his leg around to examine his calf, it was shiny and pink akin to a severe sunburn. Peeking around the edge of the trailer, flashing vehicles filled the parking lot. A commotion of urgent voices and the powerful spray of the water ringing and hissing against the metal dumpster replaced the rage of the fire.

“Mia?” He called out around the other end of the trailer. Weaving through the rows, he ducked behind a tree as a squad car cruised by. He spotted Mia down the hill, naked and pale, standing at the edge of what was generously referred to as the pond of Ridgeview Terrace. Over time, the parking lot run-off water, trapped by cardboard boxes and discarded furniture clogged sewer, created a permanent body of brown, stagnant water.

Joe held tight, rocking foot to foot, waiting for the cop to make a second pass around the lot. Mia bent her knees, swung her arms, and jumped off the edge of the grass into the dirty water.

“Shit.” He ran for it. He imagined pulling Mia’s gray, lifeless body from under the oily black surface and willed his legs to fly down the hill. Splashing into the water, he dropped to his knees and frantically reached around on the slimy bottom. His hands battered against cans and broken glass before he mercifully connected with a warm, soft extremity. He wrenched Mia through the obstinate, dark resistance. As her face broke the surface, her eyes were open wide and she smiled exposing her toothless gums. Her blond hair was plastered across her brow. She coughed streams of colloid water from her mouth and nostrils.

“Jesus,” he yelled at her. “Jesus!”

She flinched between coughs and gasps.

“Don’t do that,” he yelled, tightening his grip on her soft arm. “What the fuck is wrong with you?”

Clumsily, Joe rose to his feet keeping Mia’s head above the water. Holding her under her arms, he staggered towards the edge. He set her down in the grass, dropped down next to her with his elbows on his knees, and wiped the acrid water out of his eyes. She moved closer to him and began to shiver.

“Here.” He reached over and collected her jean shorts and tee shirt. “Put these back on.”

Mia did as she was told and, between intermittent coughs, she delicately manipulated her shirt until it was right-side-out. A curtain of clouds lifted and the sun exposed rainbow shades of bruising on her back and arms. Faded green bruises ringed with a shades of yellow contrasted against the fierce blue and purple bruises. On her head, dark-pigmented lumps shadowed through her wet hair.

Joe raked his fingers through his wet curls. “Why are you even here?”

Mia pulled a fistful of grass out from around her. She examined the smooth green blades before putting them in her mouth.

“Stop. Don’t eat grass. Come on.” Joe stood and lifted Mia into his arms. She was weightless and soft. Wrapping her legs around his waist, she rested her cheek on his shoulder. Joe climbed up the hill, scanned for squad cars, and crossed the parking lot towards the apartment building. The air was sour with the scent of burning refuse.

“Mom?” Joe said, entering the apartment.

There was no answer.

Joe pried Mia off of him and set her down on the kitchen floor. He poured Lucky Charms into a bowl and handed it to her. Lifting the bowl to her lips, she filled her mouth and spilled toasted oats and rainbow-colored marshmallows around her. She plucked cereal off the floor and pressed them through her rosebud lips adding them to her full cheeks. Joe hopped up on the counter, poured himself a bowl, leaned over to the sink and added water. He had long ago forgotten about milk.

The door opened and slammed shut, and Brock raced into the kitchen. His chin was scuffed red against his brown skin. “Can you believe that?” Brock said. “That fire was huge. The cops are everywhere and, lucky for me, they grabbed Mateo’s brother just as he was dragging me out from under a car by my foot.” He held up his scraped palms. “They think he started the fire since he’s already got a record. Is my chin bleeding? It hurts. Can I have some cereal?”

Joe pushed the box of Lucky Charms across the counter.

“Will you pour her some more?” Joe asked Brock. Mia’s eyes had been boring into him since she finished her last marshmallow.

Brock squatted next to where Mia sat on the floor and refilled her bowl. Mia set the bowl on the floor and sifted through the cereal with her fingers.

Brock selected a bowl and spoon from the pile of dirty dishes in the sink. He shook cereal into the bowl, added water, and crammed three spoonfuls of cereal into his mouth. Spitting out cereal, he said, “I had to hide under that car for like an hour. The cops were all over the place. Did you see the size of that fire? We could have burned to death, like dead-dead. She’s crazy. She’s done that before, I betcha.”

Joe watched Mia organize her yellow stars, pink hearts, and purple horseshoes into discrete piles, and eat the blue moons.

“Why are you guys all wet?” Brock asked.

“She decided to go for a swim in the pond, but she can’t swim,” Joe said.

“Gross.”

“Pretty much.”

“Mateo dared me to take a sip of that water once. I said, hell no, but Jackson did it for a cigarette. He ended in the hospital because of it. Remember that? They took his appendix or something out.”

Amber opened the door and stomped into the kitchen. “Have you seen Devon?” She was crying.

“No,” Joe said.

“Hi, Amber,” Brock said, wiping his mouth and smiling at her with gaped teeth.

She glanced at Brock and Mia and turned her attention back to Joe. “He’s not at work. I just went by the construction site and the guys said some woman picked him up. Really, Devon? Really? He’s nowhere to be found and I’m stuck with her,” Amber said, pointing at Mia. “Seriously, this can’t be happening.”

“Did you try calling him?” Joe asked, tilting his bowl to gather the last few bites of cereal.

“Of course, I’ve tried calling him like a hundred times.” Amber wiped her cheek with her sleeve.

There was a change, like a tectonic shift, and Joe set his bowl in the sink. The scent of the fire was replaced by ripe smell of the clogged sink. He noticed his mother’s pink tracksuit stretching across her hips and her stomach pooching over the top of the elastic waistband. Rhinestones missing from both shoulder embellishments created PacMans from the peace signs. “Sorry, Mom,” Joe said absently, examining the newly chiseled lines across her forehead and etched around her eyes.

She stepped back seemingly conscious of his scrutiny.

Brock shook the last of the cereal into his bowl, and said, “Don’t worry, Amber, he’ll probably show up later. He’d be an idiot to leave someone as pretty as you.”

“Well, that cheating son-of-bitch better not show his face around here and she’s definitely not staying here,” Amber said, grabbing at her over-sized imitation purse and rifling around until she fished out her menthol cigarettes. She stuck one between her glossy lips and searched her purse. “Where’s my lighter?”

Brock choked on his Lucky Charms and Joe shot him a look. Amber rummaged through the drawers until she found matches. Standing on the balcony threshold with the door open, she lit a cigarette, and thought out loud, “We’ll drive her over to her mom’s house.”

“I thought her mom was in jail?” Brock said. “For drugs? Right, Joe?”

“She’s got a few other kids.” Amber flicked her cigarette ash over the edge. “Someone must be there looking after them.”

Amber led the mission to her Buick Sedan followed by Joe, Brock, and Mia. Amber still referred to the Buick as Grandma’s car because it was handed down to her after her grandmother died six years ago. Amber’s parents signed the title over to her believing her lack of transportation was holding her back, when they still had hope for her future, but now Joe reads the disappointment on their faces at every Christmas Eve dinner.

“Joe, will you sit in the back with her and keep her down?” Amber asked, unlocking the door with the key. “I’m not getting a ticket, because of her and that carseat law.”

Brock’s face lit up. “I’ll sit in front with you.”

Joe opened the door, but Mia made no move to get in the back seat .

“Come on,” Joe said, gesturing into the vehicle.

Mia remained still.

Amber turned around from the driver’s seat. “What now?”

“Nothing,” Joe said, and held out his hand to Mia.

Mia placed her hand in Joe’s palm and he guided her into the backseat. He climbed in next to her, and Mia scooted closer to him pressing her entire leg next to his thigh. He wanted to move away, but her warm skin exerted an irresistible gravitational pull. She seemed even smaller and more vulnerable in the expanse of the back seat. Amber, as always, drove while she texted and made calls.

“Call Rebecca,” Amber robotically demanded of her phone. “Mobile.”

Amber bitched to Rebecca about Devon’s lies and his miserable, creepy daughter. The conversation with Rebecca, including details of her intimacies with Devon, enthralled Brock. Brock listened and nodded along sympathetically as if Amber was having an exclusive conversation with only him. Mia strained her neck to look out the back window.

“Keep her down,” Amber said to Joe through the rearview mirror.

Joe amused Mia with illusions of removing his fingers at the knuckle and pulling a quarter he found on the floor out of her ear. Tricks he had acquired over the years from a variety of men instructed to entertain him.

Amber pulled the Buick in front of a tired two-story house with chipped yellow paint, and rebounded off the curb twice before she shifted the vehicle in park. Into her phone, she said, “I gotta go. I’m here.”

“Come on,” she said to Mia. “Out of the car.”

Mia squeezed against Joe.

Amber yanked open the back door. “Come on. Move it.”

Mia made no move to exit, and Amber said, “Joe, can you help me out here?”

Joe lifted Mia onto his lap and maneuvered out of the back seat. Mia wriggled herself around and clung onto him. “I’ll come with,” he said.

Amber and Joe, with Mia wrapped around him, walked up the weed-riddled sidewalk and cement steps. The ripped screen door was open about an inch.

Amber knocked on the wood frame and it banged against the jamb. “Hello?” she yelled into the house with urgency.

A child with a blond afro wearing purple corduroy coveralls appeared in the doorway. He or she carried a sippy cup upside down.

“Is your mama here?” Amber asked.

The blinking child did not move, but the cup steadily dripped onto the floor.

“Hello?” Amber tried again louder. “Anyone home?”

“Coming,” a voice returned. “Hold your horses, I’m coming.”

Mia pulled her face from Joe’s shoulder and turned towards the voice resonating from inside the house. A heavyset black woman with gray hair pulled into a tight bun came to the door. She squinted at Amber, and when she saw Mia, she held her hands up and said, “Oh no. That one is not mine. No way, uh uh.”

“But she—“

“Hi, sweetheart,” the woman addressed Mia before she continued her protests against Amber. “I said, no.”

“But she’s the sister, or at least half-sister, of that one,” Amber said, pointing down at the amber-eyed child smiling at Mia.

“I’m looking after mine, and that one is not mine,” the woman said, nodding and winking at Mia. “I’m sorry, but I gots my hands full with the three boys here.”

“That one is not mine,” Amber said, thumbing at Brock’s brown face watching from the passenger seat of the Buick. “But I’m looking after him.”

“That’s your own business.”

“This one belongs here. This is her mama’s house,” Amber said, and tried to pull Mia off of Joe.

“Girl, if you put that child down, I will open this door and come outside, and you do not want me to open this door and come outside. This here is my house. Her mama is not coming back for a long while this time, and that little girl got her own daddy to look after her.”

Amber stopped yanking on Mia and turned back towards the formidable woman behind the screen. “Well, he’s gone off with somebody else. What am I supposed to do with her?”

“I don’t know, but she is not coming back into this house. I got three grandbabies of my own in here and I am too old to keep up with them as it is.”

Amber rubbed her forehead with the heels of her hands and groaned before marching back towards the car.

The woman smiled sympathetically at Joe and said, “I’m real sorry I can’t help ya’ll.”

Joe shrugged and said, “Have a good day.”

“You too, son.”

Joe followed his mother back to the Buick. From the corner of his eye, he saw Mia waving with her fingers at the woman and child in the house. Joe climbed in the back with Mia while Amber stood outside the car smoking, pacing, and yelling into her phone.

“So?” Brock asked.

“She’s not staying here anymore. I guess this is the wrong grandma,” Joe said.

“Aliyah’s grandma and grandpa don’t like me much either,” Brock offered, referring to his half-sister’s father’s parents. “They spoil her rotten. That’s why she’s such a brat.”

Amber threw her cigarette butt into the woman’s yard. She got into the car, and said, “I have an idea.” She held up her phone as the British-accented automated voice asked how it could help her, and, she answered, “Directions to the nearest daycare.”

The phone instructed her to take a few left turns and then a few right turns until they arrived in front a beige rambler with a homemade sign in the front yard incorrectly spelling out, Lisenced Daycare.

“What’s your plan?” Joe asked. “Just drop her off?”

“Exactly. Let them figure out what to do with her,” Amber said. “Come on.”

“Want me to do anything, Amber?” Brock asked.

“No.” Amber scrambled out of the car. “Stay here.”

Amber jogged up the front sidewalk. Joe followed with Mia wrapped around his neck.

Amber rang the doorbell, a dog barked, and she said, “Follow my lead.”

Only a few seconds passed before Amber rung the bell again.

“Jesus, mom.”

“What?”

The door opened and a woman, surrounded by six children of varying heights, wiping her hands on a dishtowel, asked, “Yeah?”

“Good afternoon,” Amber said over the agitated beagle. “I’m looking for a quality daycare for my daughter.”

“Oh, I can’t. I’m at the maximum right now.”

“The sign in your yard led me to believe that you are available to care for children.”

The woman’s gaze moved past Amber towards the sign as if she was surprised it was still there.

“So, can you take her?”

“I’m sorry,” the woman backed up and started to close the door.

“Wait,” Amber said. “Please, if you could just make an exception for today, I’ll pick her up in a few hours.” Amber started to cry. “It’s just that my mother’s in the hospital and they won’t let children under ten-years-old into the intensive care unit.”

The woman eyed Joe who turned away in humiliation over his mother’s histrionics.

“Listen, I’ve got a family to feed and can’t afford to lose my business. I don’t know what you’re up too, but if you don’t get off my property, I’ll call the police,” the woman said, and herded the children behind her before she closed the door and clicked the chain into place.

“What the fuck?” Amber yelled and kicked the door with her pink sequined flip-flop. “What kind of bullshit place are you operating here? Goddammit, I broke my toe.”

“Come on, mom,” Joe said, and walked back towards the Buick.

Amber, shedding genuine tears, limped across the yard towards the misspelled sign. Pulling the wooden sign from the ground, she curb stomped it into pieces.

“Brock, roll up the windows.” Joe said, climbing into the back seat with Mia. “I hate when she gets like this.”

“I can’t. The car isn’t on,” Brock said.

“Turn it on.”

“I can’t. I don’t have a driver’s license.”

“You don’t need a driver’s license to start the car to roll up the windows.”

“Yes, I think you do.”

“Forget it.”

“Here comes a cop,” Brock said, looking over Joe out the back window.

Joe stuck his head out the window and yelled, “Mom! Cops!”

Amber kicked the remains of the broken sign into the street and hobbled to the car. She jumped in the front seat, pumped the accelerator three times, and cranked the ignition. The old Buick revved to life. Slamming the transmission into drive, she sprayed gravel peeling away from the daycare.

“That was close,” she said, eying her rearview mirror and speedometer. “Keep her down.”

“She’s on the floor,” Joe said.

“Great, keep her there.”

The sun inched towards the horizon and graduated from yellow to orange. Brock lowered the visor to block the sun and inspected his raw chin in the mirror. Amber, winding and unwinding a loose strand of hair around her finger, drove in silence, before she gripped the wheel, pressed down on the accelerator, and said, “Let’s stop at the grocery store.”

They pulled into a parking lot of a large grocery store chain and walked in under the scrutiny of the fluorescent lights. The air conditioned store caused Joe’s skin to goose bump, irritating his burned calves. Amber yanked a cart free from the corral. The kids followed her as she limped up and down the aisles thoughtlessly added items. Mia picked up a four-pack of Jello cups and glanced at Amber for approval. Receiving no acknowledgment, she pressed the package to her chest before placing it back on the shelf. Brock slipped a Hershey’s Chocolate Bar into his waist band. They meandered down an aisle with a small section of dog and cat supplies. A basket filled with plush toys for dogs distracted Mia. Picking through the basket, she hugged a pink fuzzy pig to her chest. She grabbed a squeaky frog, chirped it repeatedly, and held it up for Joe to see. He nodded.

“Pick out your favorite one, honey,” Amber said.

Mia grinned a gummy smile at Amber. She stuck her arms deep into the basket and scooped dog toys onto the epoxy floor. Beginning a system of sorting, Mia assessed one toy at a time before setting it in a pile designated by color. Amber released the cart, stepped back, and whispered, “Okay, let’s go.”

“Mom?” Joe said, holding his palms out helplessly.

“Come on,” Amber said. “These stores have protocols to deal with missing kids.”

Joe choked for air.

Amber took Brock’s hand, walked away from Mia, and looked back over her shoulder at Joe and said, “Come on.”

“Mom? You’re going to dump her here? Alone?” Joe asked, his voice cracking into a higher octave.

Amber turned away and pulled Brock along with her.

Despite his protests, his feet obediently followed his mother down the aisle. Trailing behind her, he scowled at his mother’s frizzy bleached hair and the way she walked on the insides of her cracked heels. He flinched with each slap of her glittery flip flops.

Joe walked out of the grocery store without Mia. For the rest of Joe’s life, he was haunted by the voice of the silent little girl.

 

 

BIO

paisley kauffmannPaisley Kauffmann lives and writes in Minneapolis, Minnesota. Life provides her with millions of bits and pieces to stitch together into stories. Her short stories have been published in The Talking Stick and The Birds We Piled Loosely. She writes with one of two pugs in her lap and receives gracious feedback from her husband. The Loft Literary Center, the Minnesota writing community, and her writing group support and fuel her motivation.

 

 

 

 

 

Obligatory Silence

by Claire Tollefsrud

 

 

“Do you play any instruments?” For some reason people always ask that question.

You want to tell the truth: “Yes, I used to.”

But then they ask, “Which one?”

“The piano.”

“That’s a great instrument,” they say. “Why did you stop?”

They wait expectantly, wanting an easy answer, a normal answer. But you’re tired of lying to stay comfortable.

“My older brother was studying piano in college,” you say.

And if they know anything about your family they’ll shut up real fast. The blood will drain from their face and they’ll quickly change the subject, or leave, or say something stupid like, “I’m sorry.”

Not their fault. You wish it were, though, so you could be mad at someone.

Instead, when people ask, “Do you play any instruments,” you say, “no.”

Then you go to the empty, quiet room in your house, where the picture frames have started gathering dust. You sit on the bench in front of the grand piano and let your fingers brush the keys, rifle through the yellowing sheet music. One day, you tell yourself, you’ll play again. Start with one song, something slow and easy, and then work your way back up to harder stuff. Feel that love of music again.

Yes, one day you’ll do that. Not today though. Not today.

 

 

BIO

Claire TollefsrudClaire Tollefsrud is an undergraduate student working on a double major in Psychology and Creative Writing. Storytelling has always been a passion of hers. She also enjoys Tae Kwon Do, singing, and going on small, everyday adventures.

 

 

 

Bethany Pope

A Pretty Smile

by Bethany Pope

 

I didn’t have enough money for a full set of dentures and the county dentist only accepted cash in hand (he said on the phone that he’d gotten sick of chasin’ down late payments), so I had to settle for a bridge. Luckily, I still had a couple of eye teeth to hook the new fronts onto.

I’d been fired from my job at Kash’N’Kary last week (after Bobby got through with me) and if you’ve never had to seek employment while your smile shows the gum where there should be incisors you can count yourself lucky. People look at you like you was somethin’ scraped off the bottom of their shoes if your cheeks get hollow.

I think it’s because people think that poverty is contagious, somehow, and not a sickness that you can’t help, either. It’s treated more like the clap than the flu. Something a better person could avoid, or at least treat with enough willpower and effort.

Anyway, there I was with the choice of gettin’ the water turned back on or financing a new smile, and out of things to sell after I stuck the ‘For Sale’ sign in the cracked windshield of my shitty, rusted out Volkswagen. I paid the phone bill, though. Good luck gettin’ a job if the boss can’t call you. One of my neighbours let me draw a plastic gallon jug of water from her garden hose and I gave myself a cat-bath by pouring about two cups of it onto a dish and scrubbing my armpits with salt. It burned, but it worked. Hell, I don’t mind. My granny cleaned herself like this every day of her life, even when she had soap.

When I was dry, I put on my best Goodwill clothes and walked two miles to the bus stop.

According to the sign, a bus came out here once every two hours. When I finally find another job I’m going to have to plan accordingly. It’s going to be one hell of a commute into Palmetto.

If I could live closer without losin’ granny’s house, I would. It’s just four white-painted wood walls standing on cinderblocks, just three rooms with a leaky roof settin’ on a postage-stamp, but it’s all my family ever had. I got to hold onto it for the sake of my blood.

By the time I made it to the bus stop my ratty old pump-tongued Reeboks were stained gray with the dust and so was the bluejean hem of my dress. I stood there for about an hour, leanin’ against the trunk of a Queen Anne palmtree and smellin’ the sweat-stink rising up from my crotch, before the bus finally pulled up. I slid my quarters into the slot by the driver and settled myself down in the near-empty back row.

The ride wasn’t too bad. I’ve always liked looking out of windows and if you’re a good driver you don’t get the chance to do that very often, unless you got someone drivin’ for you and in that case you’ve got to pay attention to him unless you want to make your honey angry.

We passed the orange groves, those long hollow-eyed trailers they keep the migrant workers in, passed the Tropicana orange juice plant, then the Esso gas station that gave away free coffee two years ago, one paper cup per person, per day, the whole first week it was open. I watched the country degrade into township and I felt somethin’ steel slide into me, somethin’ cold and hard settling into my guts the same way it always does when I cross that border.

I could hear my granny, loud as life, talkin’ to me inside of my head. She said, “Such a shame, Norma. When I was a chile we took care of ourselves. We grew cane and tobacco which we traded for supplies at at the Post. My daddy went out huntin’ and brought home braces of opossums and gators, sometimes he’d catch a rafter of turkeys or even a deer. We didn’t have much, but we took care of ourselves. Now you got to go out there and be a shame to the family. I bet you’ve even forgotten how good a hot, fatty biscuit tastes, or how to make a mess of grits into something edible. If it were my day you’d be married to someone steady. You might have been beat some, but you’d have kept your teeth until you’d birthed a baby or two…”

I turned her off then. That’s the nice thing about the dead. If it’s daytime, and you’re in public, you can shut them off like radio.

Anyway, the bus was filling up fast. There were a lot of black people, more Mexicans, and one or two white faces sticking out like the pale grains in a jar of crushed pepper. I didn’t talk to any of them. Weren’t none of them my kind. But lookin’ at them was enough to serve as a distraction.

I got off three stops from the station and walked the mile into the office of the only local dentist who will take a body without any insurance. It was a cinderblock box, painted with a coat of white that glittered in the sun, peppered with specks of mica. There were some purple wanderin’ Jew plants growin’ by the doorway, and a mummified brown lizard stuck in the corner of the door, caught and flattened between the wall and the hinges.

The receptionist was a heavy blond lady with a set of long, purple acrylic fingernails who looked up and glowered at me so hard from behind her linoleum counter that I felt self conscious at myself and smiled at her. The shocked look on her face soothed the embarrassment I felt at forgettin’ again about the state of my mouth.

I filled in the paperwork, laid my greasy stack of cash by her fat, freckled paw, and sat in the single white-plastic lawn chair decoratin’ the waiting room.

Eventually, the dentist called me into his office. I sat down in the brown reclinin’ chair (it was patched with silver strips of duct tape) while he reached in with ungloved hands and measured my mouth. I felt him palpating my eye-teeth (they wouldn’t move, no matter how hard he wiggled them) and then he did the same with my molars and frowned, sayin’, “Miss Nelson, these back ones are going. You sure you can’t scrape up another two-hundred? You’d be better off if I just pulled them right out and fit a plate in there. You’re getting a used bridge anyway, and a lot of people come to this state to die off. I could get you a fine set for a total of seven-hundred dollars.”

Dr Bronson pulled his fingers out of my mouth, wiping my saliva off on the collar of my dress. I answered him, “I already sold my car to get these-uns. I can’t raise no more until I find myself a job.”

The dentist turned away from me, arranging a selection of ivory-coloured teeth onto his rust-speckled tray. He spoke as he tried them, one by one, against the width of my mouth, “All right. I know how that is.”

I felt a click in my mouth, and Dr Bronson smiled, “Yep. That’ll do nicely.” He winked at me, sliding one thick lid over a rheumy brown eye, “The undertaker sold me this one just yesterday. Lucky for you that old man bought it, or you’d be out of luck. All the others were too small. You’ve got a mouth like a man, practically.”

He held up a blue-plastic hand mirror and I saw my face in it. The dentures were huge, and coffee-stained. They looked like they hadn’t been cleaned in a while. But at least they looked natural. I told the dentist, ‘Thanks’ and resolved to give them a good bleach scrubbing as soon as I could get Miss Ginny to lend me a capfull.

Dr Bronson stuck his hand out and I shook it. He said, “Tell you what. You use these teeth for now but don’t damage them. When you’ve got the extra money saved up I’ll take them back and get you some real dentures. I can always resell these to somebody else.”

I thanked him kindly for that, and told him to plan on seeing me again in three or four months. Then I walked back out into the swelterin’ sunlight and started making my round of Dollar Stores and Cost-Cutters. I had about four hours before the last bus back home and I meant to spend as much time as I could filling out applications.

BIO

Bethany PopeBethany W. Pope is an award-winning writer. She received her PhD from Aberystwyth University’s Creative Writing program, and her MA from the University of Wales Trinity St David. She has published several collections of poetry: A Radiance (Cultured Llama, 2012) Crown of Thorns,(Oneiros Books, 2013), The Gospel of Flies (Writing Knights Press 2014), and Undisturbed Circles(Lapwing, 2014). Her collection The Rag and Boneyard, shall be published soon by Indigo Dreams and her chapbook Among The White Roots Will be released by Three Drops Press next autumn. Her first novel, Masque, shall be published by Seren in 2016.

Guam

by Lucas Shepherd

 

 

Rafters of tall, sprawling
ifit trees. Cobwebs wallpapering
the edge of the road. Fantails
and drongos flapping in and out of sight.

Our guide, a Chamorro woman dressed
in jean shorts and a polo shirt with hair so black
it’s blue like the South Pacific on a cloudless night
when you’re exactly drunk enough to see all the facts God has disguised.

Before this deployment I never knew
the U.S. liberated Guam in 1944. But
we have not let the Chamorro
people forget ever since.

During midshift I light my way with the fiery tails
of F-15s performing full afterburner takeoffs. The
flightline is alive with the glory of freedom, JP-8,
and a coconut crab that has lost her way.

Our guide showed us things we may have
otherwise missed. On this island they say
An guaha guinaiya, guaha lina’la’ lokkue’.
If there is love, there is life.

 

 

Veteran

 

I take the garbage can to the curb, brush my
hand up and down our juniper tree’s waist.

Crows shotgun from the leafy cluster. Wind gusting
down Truman Street sounds like fabric being ripped.

We live our lives so fast—that’s what I think,
out loud. Lemon peel sun, clouds a flavor I tasted

once at a mall and never thought of again.
Hot day cooling down at last. Ides of March

and I forget the setup, only remember the punch
line to a childhood joke: Orange Julius Caesar.

Neighbor’s rusty SUV the color of a two-week-
old banana. Yucca plants—Spanish bayonet—

daggers in their yard. Driveway cracks
reminds me of first-grade cursive.

Someone important once said time is a dish best
served cold. A rolling stone gathers no time. Etc.

 

 

EOD

 

When I left, my friend Tony from Ammo
gifted me a spent 105 millimeter

howitzer shell. Brassy color and smells
metallic, oily. Round as a beer mug,

long as a big man’s boot. It’s hollow.
When you flick the top it rings like

an angry wind chime. For now, I hide it
from my son in the spare bedroom closet.

When he’s old enough we’ll
excavate it together using

a VBIED Inspection mirror, HME
Detector Kit, breakaway pulleys.

Multi-Plier 600 with lanyard ring
and flat-edge knife. Spool with carabiner.

Medical shears, curved forceps.
Blast suit with acoustic impedance.

Radio silence until Alpha Charlie.
I will tell him, this is from the past.

A long time ago. It can no longer
harm us. But you can’t be too careful.

 

 

Paternity

 

Where I come from a doe abandons her fawn at birth
for several days so her scent won’t compromise
the newborn to predators: coyotes, mountain lions, etc.

The buck leaves for less noble reasons, never
to return, which is why we rarely mention it.
Son, I stay for you not because of instinct

but a total disregard for it. I can teach you
how to disassemble a dash sixty generator;
I was never that good at putting it back together.

 

 

 

BIO

Lucas ShepherdLucas Shepherd is an MFA student at the University of New Mexico. His creative work has appeared or is forthcoming in The Atlantic, Aldous Huxley Annual, and Conversation Noises. These and more can be found on his website, lucas-shepherd.com. He is now completing a novel, West by Midwest, about demolition derby and redemption.

 

 

 

STAY IN TOUCH