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The Writing Disorder is a quarterly literary journal. We publish exceptional new works of fiction, poetry, nonfiction and art. We also feature interviews with writers and artists, as well as reviews.

Little Nell Answers the Bell

by James R. Kincaid

 

 

“It is not the death of Little Nell, but the life of Little Nell, that I object to.”
—K. Chesteron

 

 

“You realize, Nell, this Ohio Valley League we’re in is about as tough as they come.  You realize that?”

“I do, Coach.”

“’Ohio Valley’ sounds cozy, I know, like a mother’s arms, but it’s more like a brass-knuckles free-for-all when it’s football we’re talking about.”

“Uh-huh.”

“You realize that?”

“I do, Coach.”

“This isn’t the military, Nell; you can loosen up.  I want to get to know you a little, understand what’s driving you.”

“You mean what bats are flying in my belfry.  Why would a sane female want to play football?”

“I don’t mean to say you’re crazy.”

“What is it you want to know?”

“Why do you want to join the team?”

“Because it’s there.”

“Not bad.  OK, then, next question:  why do they call you ‘Little Nell’ at home?  I assume they do since I heard your brother yell that at you a couple of times in class.”

“That important to my football career?”

“Absolutely central.”

“I was named for my grandmother seven generations back, part of a string of Nell’s, all connected to Dickens’ famous—or was then—Little Nell.”

“I see.”

“Really?  You know about that?”

“Oh yeah, most famous child death in the century—fictional child death, I mean.  People crowded the New York docks as the packet ships came over carrying the latest serial part of The Old Curiosity Shop, calling out ‘Is Nell dead?’  Almost as if readers couldn’t wait for her to croak.  1840, around in there?”

“I’ll be damned.”

“Language, Nell!”

“Sorry.”

“That’s OK.  Didn’t think I’d know that, did you.  Took a lot of English classes in college, but I also Googled some stuff last night.  It sounded familiar, Little Nell, and there it was, all official and scholarly on Wikipedia.  Nell Trent, your name and hers.”

“And it’s been the name of all my Trent grandmas, Nell has.  Pretty goddamned corny.”

“Well, anyhow, foul mouth, tell me about football, which I don’t remember reading about in Dickens.”

“I’m fast on my feet, quick to learn, tough.  I can be the best running back you ever had.”

“Running back, huh?”

“You were expecting place-kicker, water-girl?”

“Maybe.  God, Nell, running back!  It’s not just open-field, you know, little of it is.  You go through the line, you block, you get the shit kicked out of you.  Not like you’re hefty, not at all.”

“Put me in coach!”

“Yeah, that John Fogarty song.  But it’s about baseball, where you’d not end up in seventeen different hospitals.  Look, Nell, I’m entirely open to you trying out, joining the squad.  But let’s be reasonable.”

“Just give me a chance, coach.  Don’t decide yet.”

What could he do but agree?

The physical arrangements—dressing area, showers, uniform, attitudes of the other players—were simple, simple, at least, compared to letting this little girl (and little she was) be a running back, participate in even one play at that position.  But how could he let her on the squad as a running back and not let her run a play from the backfield?  He could tell the boys on defense not to hit her hard, not to hit her at all, but word might get back to Nell, or the Title 9 people, or his own conscience.

So———————–

“You all know Nell Trent, I expect.  Here she is, anyhow, and we’re going to go through the playbook, Section 4-A and -B, with Nell at tailback.  She knows the plays, I think, and the rest of you idiots sure as hell should.  You’d better, as we have our first game in eight days.  OK, go get ‘em.  Defense, get ready.”

Section 4-A was safe enough, he figured:  passing plays where the tailback had sideline routes and some option runs, two to her, but even these allowing her to scoot wide and get her little tail out of bounds.

4-B was another matter:  off-tackle plays, a pitch-out that turned inside, some brutal blocking assignments.  Holy Hell!

But then it happened.  This kid, this Charles Dickens freak, not only could run routes faster than hell, she could somehow snake through the line and even block like nobody’s business, throwing herself at the ankles of boys double her size, getting herself upright in time to throw a second block.

No sign she was getting tired or, more important, mutilated.  More likely she’d cause serious injuries than sustain one.

Nell was the only one on the field not surprised by the way things were working out.  If anything, she was pissed at herself, disappointed in not shining more brightly, kicking ass more resoundingly.

* * *

The first game went well enough.  Nell played maybe a third of the plays on offense, Coach not entirely trusting what he’d seen in the practices, practices where Nell offered nothing but consistent evidence of being the best tailback in the conference – in any conference.

Still, he wanted to be cautious and limit the damage, if damage there were to be.  What damage there was, however, was all to the other team.  Nell not only scored a touchdown on a long run but managed to clear the way for a teammate to score another, caught two passes and completed another on an option.  Nobody on the field was playing at her level.

What choice did he have?

Nell, meanwhile, wasn’t exactly patient, willing to bide her time.  She understood well enough what the coach was doing and thinking, but it made her furious that he’d be such a candy-ass.  Smart enough, though, not to claw at him directly, she let loose on the kid she was getting used to bumping against in the huddle, the big and ungifted fullback. She knew him mostly by way of his ass, which she followed into the line on straight-ahead plays.  He wasn’t fast enough to block defenders on outside plays; the problem was keeping him from getting in the way of the ball carrier, her own self.

“That shit, that miserable shit!” she explained to DeCastro, the fullback in question.

He didn’t pretend to misunderstand:  “Yep.  Coach sucks.”

“He does that again next game, I’ll. . . .”

“Want me to talk to him?”

She was so stunned so forgot to abuse him:  “Would you do that?”

“Sure.  Why not?”

“Damn, that’s so nice of you – but no.  It’d seem like I didn’t have the balls to confront him myself.”

“OK.”

“You like football, De Castro?”  She had no idea why she was getting personal, as this blub was the last person she’d want to do that with, assuming she wanted to do it with anybody.

“No.”

“Why you here?”

“My dad.  Real boys play football, you know, like they also spit and cuss and fondle their balls.”

“You do all those things?”

“No.”

“Damn.”

“I’m lost out here, Nell.”

“On the field?”

“Yeah, on the field.  At school.  Everywhere.”

“Can I help?”

“Sure.  You’re the one who can.”

 

 

 

 

BIO

James R. Kincaid has published about forty stories and some novels: A History of the African-American People by Strom Thurmond (co-authored with Percival Everett), Lost, You Must Remember This, Wendell and Tyler (a new adult trilogy), Just Wally and Me, and Chasing Nightmares, along with a collection of short stories and a play, “The Court-Martial of Lt. Calley.” He has taught at Ohio State, Colorado, Berkeley, Southern Cal, and is now at Pitt.

 

 

 

Spirit Named Forest

by Marvin Rosel

 

A long time ago when father God created the spirits before He created man He saw the earth dusty and rocky. He liked what he saw but his heart wasn’t satisfied, so He created a spirit named Forest. He told Forest to cover the whole planet at the beginning of time, to turn it green and colorful and to make himself be present everywhere as a sacrifice of beauty to God who had created him. Forest did as God requested and other spirits were following Forest’s path—animals, flowers, and humans. But God told Forest there will be a time that those you give shelter, food, and resources will try to cut you down. They will put stone over you and you won’t be able to breathe anymore. They will set you on fire and water will cover you God told Forest. But yet from deep inside, Mother Earth won’t forget about you and I will tell her to turn on her fire and she will make volcanoes erupt until everything that has tried to destroy you repents. Then as a signal I will tell the  spirit of water to cover earth completely. Your beautiful spirit will rejoice that day because nothing will harm you again and it will be a new day, a new start for you Spirit named Forest because thanks to you I see life in this planet I created. Then I will be pleased said God.

 

 

 

Got You

 

It is another beautiful day in Southern California, sunny and warm, perfect weather for the people living in Los Angeles. In one of the neighborhoods of the City of Angels dreams are born like bread coming out of an oven. Raven opens her eyes and with the right purpose, she wanted the right pet so she went looking for a fish. She didn’t like the fish at the pet shops, then she went to the Los Angeles River but didn’t like how the river was. She moved on and went to the beach. She got in the water and came across a big surprise, a colorful, beautiful fish that had a sign attached to it that said “I Got You.”

 

 

 

Dancing Can

 

The sardine is trapped in the can. It moves. It shakes. It is in there. The sardine is alive. “Can you pass me the sardine can?” I asked my beautiful daughter. She screamed, “Papito, Papito, the can is alive.” I told her, “It’s okay. Just grab it and don’t be afraid.” She ran outside and told me, “No Dad, you grab the can.” I got up to look at the dancing sardine can. I grab it and open it, and the sardine jumped out. I hear the sardine singing “I’m free at last.”

 

 

 

The Language

 

There is a universal language. Can you feel it? Annie had a vision the other day and her heart felt the connection, good intentions, and a lot of love. She ought to make the vision become a reality. The Universe listens to her heart, dances with her love, adores her intention. Time passes and the Universe delivers Annie what she visualizes. She first received a lot of money, then she was put in the right places as Annie and the Universe spoke to each other. The day came when Annie finished her new musical. Annie visualized God through the Universe’s response to her. It’s good to be in LA.

 

 

 

 

 

BIO

Marvin Rosel was born in Sonsonate, El Salvador, where he lived until he was 14. His father brought him, along with his brother and sister, to South Gate, CA. He spent several years living in Miami, FL. Marvin arrived to the Skid Row community in November 2017, where he continues to write and live.

 

 

 

 

 

 

 

 

 

Black Velvet Elvis

by Guinotte Wise

 

The creek runs black, unfrozen, between white
snow banks, cutting a jagged tear of chiaroscuro
the dogs stop to drink and ripple the dark water
and my mind flashes back to Tulsa and falling
through thin ice in winter creek to my waist as
a boy, maybe ten, thinking I will never be this cold
again, but I was, in Aspen, skiing in a snowstorm.
I warmed in a tub in Tulsa, in a bar in Aspen near
a firepit where a black velvet painting of a Maori
tribesman caught my eye. I’d never seen that way
of painting before, then I saw Elvis everywhere.

 

 

Clouds Through Blue Plastic

 

A girl and a boy, she streaked with dirt,
he has managed to stay a bit cleaner,

and he holds the raft as if it would float
away as she pumps it up laboriously

it assumes its shape if not its calm pool
use, blue in color. She pulls the bicycle

pump needle, and caps the whooshing
airhole. It’s losing all its air he says and

frowns. She ignores him, her brother,
wonders why she thought it necessary

to include him in this project. She may
push him overboard when they reach

the pond, not on their property. They
carry the raft down the gravel road and

she can see blurred clouds through its
translucent skin. She will send him back

to get her bamboo pole and bait, shove
off without him, no doubt redfaced and

screaming, but first the pond. They lay
it over the barbed wire fence but snag

the thin balloonlike plastic and it makes
a raspberry sound at them. They walk

away, dismayed but only momentarily
defeated, leaving the limp blue flag to

catch the eyes of farmers driving by as
though it was a blue coyote skin. The

boy said, it farted. And they both laugh
so hard they hiccup and become dizzy.

 

 

Organization Man

 

Round bales lying touching side by side
wrapped in plastic look like rockets or
giant cigar tubes. The farmer who chose
this pool table flat area and made sure

they were so meticulously laid gives me
to wonder if he laughs or plays or throws
a ball for pet or son, and does he stack
the dishes neatly after eating, does he

have a pegboard with sharpy outlines in
his workshop, where tools must stay to
wait their use. Nothing wrong with being
ordered, things in their place and a place

for things, but when he’s gone and laid
to rest, will his spirit be contained or will
it bemoan the flaking barn paint and the
slightly canted shutter with a louvre out

of place? The Jimson weed that grows
undaunted, the leaning fence, the carved
arroyo deeper after every rain, gutters
full of seedlings growing vines and trees

that will reclaim the farmhouse, conceal
it from the passing view. His hands are
clasped already but are they wringing in
impatience to get things put right again?

 

 

BIO

Guinotte Wise writes and welds steel sculpture on a farm in Resume Speed, Kansas. His short story collection (Night Train, Cold Beer) won publication by a university press and enough money to fix the soffits. Four more books since. A 4-time Pushcart nominee, his fiction and poetry have been published in numerous literary journals including Atticus, The MacGuffin, Santa Fe Writers Project, Rattle and The American Journal of Poetry. His wife has an honest job in the city and drives 100 miles a day to keep it. Some work is at http://www.wisesculpture.com

 

 

 

 

The River Kent

by Annie Blake

 

for mein kleiner geist

 

paper is white like snow / my pen skates / scores the shine / i moved a mountain this morning / like it was running on wheels / because my five year old daughter said / look / i can now crack my own egg /

 

there was someone inside me who kept moving / i smoked a cigarette by the lake / the sun

the color of the inside of a blood orange peel / and the light of the fall / she wanted to keep trying to save kent / i held my breath / i knew dying had to do with patience / letting go of my greed

for money / when i planted my impatiens and it drowned sideways into the soil / i turned myself upright / my children were so happy / they clapped and sang like they were in a concert / saving the children of the world /

 

 

i still need to focus like the point of a spin / dive in without a splash / to retrace his old tracks / but i couldn’t suck in enough breath / showers of the holocaust / the tunnel i’m in / growl

of the sea / massa confusa / nine circles of hell / hot and spiritual / it doesn’t feel like a holy blessing /

 

i don’t want to leave men on sinking ships / children need their mothers / but if he was my son and he was all grown up /

 

i’m a gemini / twin pillars / gates of jerusalem / the east gate / jachin and boaz / promontories / there is a space on the shore where you can lie down and sunbake under its blue lights /

mountains have nipples like eyes / moist and primitive / they are still looking for something /

 

reductionists give me headaches / her voice / hollow tree / dead wood / my mouth an oval mirror  wide enough to swallow newborns / shape-shifting / inlet of her waist / the more fixed her core the more water can purpose her body / her face red / and her eyes hot and body wet in childbirth /

 

my husband shows me how to let hot water run through / till the pipes sound hollow / dirty water rises like reflux /

 

when my eyes open before dawn / i see a girl who is looking through my tallboy / i fold back

my blankets / i walk towards him / he is as tall as a man even though he is just a boy /

she said he was a hautbois / i said to her / who do you think you are / where did you come from / she continued kneeling and rummaging through my drawers like she owned them herself /

 

i told her to at least wait till i took out what i wanted / since everything belonged to me / she moved to one side / but when i searched / there was nothing there that was worth keeping / she took out all the clothes and washed them in the fireplace / bleached them till they were almost white / but i was still angry / so she put them back in my drawer / she told me to make an oboe out of all the wood / her voice was in her eyes / it came out in tufts of hair / they hurt me

like splinters of wood / she said hautbois was pitched wood or woodwind / syrinx /

 

i keep skating around on ice like my pen on paper / i have to stay in a circle

because that was one of the rules / two of my children deviated / skated through a wall

and into another room /

 

there was an underground kitchen my whole family was building / it was difficult to get into

this complex because there were skirting boards surrounding the entrance / we went down

an elevator / the kitchen could only be viewed like we were looking at it like a doll house /

it was opulent / and very expensive / we were all in a cherry picker because it was so high /

our heads were swinging and swimming like the clouds do before they break through with rain / cotton balls dipped in mud instead of chocolate / it wasn’t finished yet /

 

because idealism can never be realized /

 

i wake at five in the morning / pouring cereal like marbles into my cup / my doubts succulent

at sunset / they quaff water after a run /

 

living here is living without connective tissue / my surrogate father / hubristic like a fat balloon /  we wash our hands with spirits under the same tap / a ghost swung open the hallway doors

like the saloon doors of a country and western tavern / they told me she was curled up in a box

in the attic / or some other obscure place /

 

i broke my neck trying to wind through reeds / when i was young i thought they were weeds / i can hear a song within the ogham / crafted a flute and a whistle like the wind weaves them

for the thatching of my roof / that poke heaven / teeth through gum / she protected me

even as i dragged her around the house like a broken doll / she whines like a two year old / i have decided not to buy any more masks for my children to play with / i realized

that it was wrong of me to construct them from my own wood / i found her in a box in the attic / she was sitting in there / her legs crossed /

 

my children ask me to remember to smile when dropping them off at school / one says i look like a cross between an old man and a ghost / my other child says i’m a plum / sweet on the inside but my skin is so sour / they laugh / i frown / i say / i always smile to the children / for the grown-ups / it’s too much effort hiding what i’m really feeling /

 

a cross is hard to bear / loss pinned down with a nail on his feet / narcissistic triangulation

of families / the triangle and the trinity / hypostatic / a man with a black fencing mask is sitting fat like buddha and wrapped like an egyptian / he waits cross-legged for me /

 

i want to know the secret of nakedness and the stone soup / the girl rose and stepped up

the drawers like they were stairs / her body was blue / wings of flames / chimneys

are like cigarettes / they eventually burn out / she flew up the chimney / music of the oboe /

a channel or a river / songbird and church smoke / prima materia and flight /

au-dessus de la mêlée /

 

doors and windows can look simple / one or a hundred / zap me like static electricity / a man approached me / he said he just needed paper and spirits / i found some of my father’s whiskey and rolled up some paper / sunk it inside / message in a bottle / he gave it to me / i carried him up the drawers like i was climbing a scrubbing board / he was so heavy / his head dangled

like a newborn’s / the pain in his body made up his bones / i left him lying in the fireplace /

 

my sheer bed canopy / that reminds me how beautiful cages are not meant for birds

with wings /

 

the tiniest birds / the roundest bellies made of velvet or felt / like i dress my children’s chest /

as sticky as velcro / familiar names / i have tried so hard to forget / scare me like the groans

of planes skidding the sky when i’m supposed to feel safe in my bed / the robinia tree / the blood in rubinia and rubedo / is the most beautiful tree in my yard / but long enough to crash

into my children’s room if it falls a certain angle / my rapture in listening to what the wind

has to say is not full-bodied or pure / beauty is safety / i can never grip it for very long /

 

white journal paper / lines and snow / horizontal / snow white lies dead / horizontal like lines / schooner on a green lake when there is no smoke / she needs unity to rise to sit up like a chair /

for introspection / life and air in a glass box / holy water and fish / like saint rita in her coffin / her god gown is mystical but / i would rather sleep without it because when i sweat / my dreams are too morbid /

 

my child cries before bedtime / she said her dreams are scary because she can’t move or speak

in them / she might try to walk down the stairs and fall / i tell her i’ll come and settle her

if she cries / but she says / how will you know if you don’t hear me cry / mothers are like tooth fairies / they know how much it hurts to lose old teeth / to have a finger and money and blood

in your mouth /

 

 

i have to trust my mother / the one that’s grown with blue wings / trust she can take flight /

like airplanes flying for hours over the ocean / some birds look like fairytale animations /

i like them but i get confused / i don’t know whether these birds are made or real / they have tails / blue and precise like airplane wings / and a spoonful of sugar / marys

are always dressed in blue / she stares at me and never gives answers / i have to find the answers myself /

 

clouds pinned to wooden ceilings like cotton wood / like the overly thick eyebrows

of the president / his carrot and the stick / i’m sick of being mutually exclusive / of being patient with my legs / our feet are not a tail or wings / they tangle before i fling them into the sea /

my hand over my mouth / not to stop gulping water or to stifle a laugh / i have words that i can’t let spill /

 

i make letters from alphabet soup / anything linear and sensory that mutually exclusive people understand / they enjoy reading everything about me as long as i taste like honey /

i have a craving for sweetness / but i will never eat anything with more than eight percent sugar / i trained myself on blandness / so that i can taste hypervigilance / when everything is sweet

there’s no longer any inherent value / like sex without foreplay /

 

i walk into the bathroom and wring out the mat / i didn’t notice there was a flood / i see my shadow in the bathtub / i start panting like a hot animal / it looks like an egyptian pyramid

with long wooden legs / it’s my son / he’s sitting in a tomb or in linen / i pull up the body / i vomit skeins of threads / green and gold and a wine cork / his head is a jar / circumference

and the portal of pi / piping of the steam and the whistle of his beaks /

 

four and twenty blackbirds baked in a pie /

 

 

 

 

BIO

Annie Blake is an Australian writer and divergent thinker. She is a wife and mother of five children. She started school as an EAL student and was raised and, continues to live in a multicultural and industrial location in the West of Melbourne. Her research aims to exfoliate branches of psychoanalysis and metaphysics. She is currently focusing on in medias res and arthouse writing. She enjoys semiotics and exploring the surreal and phantasmagorical nature of unconscious material. Her works are best understood when interpreting them like dreams. She is a member of the C G Jung Society of Melbourne. You can visit her on annieblakethegatherer.blogspot.com.au and https://www.facebook.com/profile.php?id=100009445206990.

 

 

 

 

Role Play

by Chris Fox

 

Tonight, I’m the world’s foremost lepidopterist.

You enter through the window and force me, at gunpoint,

to swallow the eggs of the dreaded Novalis Blue:

once warmed, you remind me, they’ll hatch,

larva devouring the host

from the inside-out,

replacing flesh with moonlight.

Already I feel caterpillars ripple along my bones,

diligent fingertips

translating me into Maeterlink stanzas.

Vertebrae, mushroom-pale, unbutton one by one,

my final breaths turn azure.

I am a poem in French now, metamorphosis complete.

You’ve changed into your Composer’s costume,

white wig luminous with moths.

You sit down and set my words to music,

set what’s left of me to you.

 

 

Fifty Shades of Text Me the Fuck Back

 

I’m John Cusack standing outside

the bedroom window of your cemetery,

holding up a Ouija board like it’s a boombox.

 

I haven’t heard from you in a while.

 

My bedroom is a desert island.

For companionship, I’ve drawn a face

on the coconut of my own skull.

I think you must be drinking the messages

out of all the bottles I set adrift.

 

The last four decisions I’ve made

spell out HELP when seen (and ignored)

by rescue plane buzzing overhead.

That faint rumbling beneath your feet

is the reverse-skywriter I hired,

tunneling out in cursive eight feet below the ground:

I miss you, if you’re into it.

 

 

The Furniture

 

The furniture remembers that day

Your friends hid behind it to surprise you.

That was a few years ago.

Hasn’t happened since, or at least

Not since that other person

Who often shared the couch

And the chairs

And the bed with you

Stopped coming over.

 

Another birthday.

Between the cushions of the couch you find

An impossible sixty-eight-cent coin.

A game token lost years before?

No—spare change from various places around the apartment

Congealed into a single gift.

All the furniture chipped in.

Surprise.

 

 

 

BIO

Chris Fox is a poet and librarian based out of Greensboro, NC. His work has appeared in numerous journals, including Rosebud, Treehouse Magazine, Lady Churchill’s Rosebud Wristlet, Oddball Magazine and others. His poem “You” was a runner-up for the William Stafford award, and his poem “Scorpions” was nominated for the Rhysling Award. He is currently at work putting the finishing touches on his first chapbook, “Time Travel Love Poems”.

 

 

 

 

 

As I Lay Scratching

by AN Block

 

 

“Happy Valentine’s Day,” I tell my probably soon-to-be-ex-wife, Mad Lee, offering her a half-empty bottle of calamine lotion and some cotton balls.

Once we communicated just through our eyes. Today, I never know which Lee I’m going to get: Silent, Dangerous, or once in a rare while now, Romantic.

She shakes her head, as though flabbergasted I’m still hanging around, snatches the peace offering, tightens her lips, and says, “Keep your distance! Asshole!”

 

Our first so-called date, wandering around campus, amounted to a procession of awkward sound bites. Hot Lee was out of my range, but she looked so eclectic to me, even with the crazy eyes and corny holiday sweater, I got goose bumps. All I knew, this girl inhabited Planet Chameleon.

The Saturday night following I bumped into Mysterious Lee prowling the shadowy lit quad in sunglasses, wielding a flash light. “My roommate’s visiting some Yalie,” she blurted out, when I waved hello. “All weekend. Shacking up.”

“Yeah? And, I just scored some killer weed,” I told her.

“I like your style,” she said.

Shortly thereafter we landed in bed, don’t even ask how, but the fact that I’d had minimal prior amatory practice, without being dead drunk, that is, came to life quickly.

“Cool it,” she told me. “I got this.”

“Go for it,” I said, keyed up to the max. “Be my guest.”

So, Inscrutable Lee placed an ancient Paul Anka 45, Tonight My Love Tonight, on the turntable, set it to automatic replay, lit a ginger-scented candle, and we just slammed away for what seemed like an hour, before crossing the finish line in tandem.

“This,” she said, “is an omen. A new all-time record.”

We high-fived.

She brought me home to meet her mother Bella, who rolled her eyes and said, “True love? I’ll believe it when I see it. You two better shit, or get off the pot.”

We eloped four months later and spent our wedding night vowing we would never-ever-ever fall into the same traps our parents did, or settle for what they settled for in life. We would escape the cycle, liberate our consciences, stay relevant and transpire through every obstacle. Pure Lee made me swear we’d add only raw unirradiated milk and brown sugar to our coffee. We’d squeeze our own OJ.

Right after which she freaked out.

“We’re twenty-one,” she said, as we whizzed through the White Mountains on our two day honeymoon. “This is insane.”

“You’ll be twenty-two in a few months,” I said.

“But I don’t know who I am yet,” Hysterical Lee told me. “What my identity is.”

Right then, glancing up at the craggy-faced stiff lipped Old Man of the Mountain, I thought, Holy fuck, Smart Lee’s right!

“Come over here,” I said though, “and let’s play house. Worse comes to worse, we get a divorce. What’s the problem?”

“I like it,” Soft Lee said. “Hey, pull over, you.”

I got paranoid someone might de-materialize, but felt so invigorized from my Perfect Lee, I thought I’d bust. Was this really happening, could something this beautiful last?

Trouble surfaced one month in. “Ooh, Lee, thank you Lee for cooking such a delicious healthy dinner,” she’d said. “Why, Russell, so considerate of you to show your appreciation,” she continued.

One might conclude that our initial utopia had worn off.

 

Now, she stands in front of me, her eyes oblique slashes. She stops tearing at the scaly skin on her arms long enough to slather on gobs of lotion.

At times like this I go for a nice easy 7 miler, and let whatever sweat I work up drip where it may, but I’m nursing an Achilles now and there’s ice on the streets, so I stand there cringing, licking my lips.

“I’m an asshole,” I start singing, basso profundo, “I’m an asshole, I’m an asshole till I die, but I’d rather be an asshole, than a drunken Theta Chi.”

“Rules have been violated,” Righteous Lee says, and she goes on in her usual inherent manner.

“Okay, stop. Sweetheart, what are we gobbling about?” I ask her. “Did I commit the unpardonable digression of mixing whites up with reds and blues again?”

“I’ve told you, don’t throw your gross scummy nauseating clothes in with mine, ever. Do yours separately, dumb-ass.”

“No disrespect,” I say, “but isn’t there something still not quite right with you, upstairs? Shouldn’t you be still seeing that counselor-in-training?”

She goes bulimic on me. “Who ran out of gas on the highway? Who drops his oily junk oozing germs everywhere, leaving a bloody mess in his wake? Who married me under false pretenses?”

“Pretenses? Did I claim I had a neat fetish? Did I promise to fit you out in jasmine?”

“You led me to believe that you’d have a real job by now. Not tending bar. The situation is not under control, okay?”

“Hey, peace, baby.”

“Ooh, Russell Stone, high scorer on the basketball team!”

“I was.”

“Woo-hoo! At some Montessori School where your teammates just circled around the court and wouldn’t shoot the ball.”

Fill in the blanks: today it’s posing I’m an athlete, yesterday it’s how bartenders are drug pushing retro-bates who’ll lie in your face. “Weasels!” she’d said. The day before, I’m a loud “party hearty” fraternity brother polluting her air space with Old Spice.

The worst is this full-blown allergic reaction Awful Lee’s developed. She’s so fair-skinned, all I have to do is brush against her and she breaks out in rashes and welts. She starts to itch. Forget an occasional kiss, if I even dare step forward she shrinks back, scratching like crazy.

I get it: she’s trying to rewire my brain to her specifications.

What I don’t know though, being stuck in this whole allergic quagmire, is it really me, or is this more just Insane Lee?

 

 

 

BIO

AN Block teaches at Boston University, is Contributing Editor at the Improper Bostonian and a Master of Wine. Recent stories have appeared in Buffalo Almanack (recipient of its Inkslinger Award for Creative Excellence), Umbrella Factory Magazine (a Pushcart Prize nominee), Lowestoft Chronicle (a Pushcart Prize nominee), Solstice, The Maine Review, The Junto, Constellations, Contrary, and several others.

 

 

 

 

a dream i

by Mary Kasimor

 

wind whistles
ion strands
on an existential beach

meditating in a hole
a procession of little girls
red lips with little bodies
born in wooden houses

an exit of asylum
a bee’s escape

 

 

broken light

 

morning exploded with light
over and over again
it bored me

                       the dirt sighing
intrusion encircling
and then dead
without skylight

an erased comma
                       the broken sentence

a swarm of gnats

it is beautiful circulating
apples
there is still night in my eyes

 

 

a short history of water

 

in hollow water
light is the exception

and falls from the wall
holes in a bottle

the dark wood
door shut

in the white boned afternoon
oh to be so clean and calm

with no expectations
bleaching the air

 

 

in strip malls

 

there are no poets in hell
but poetry in strip malls exist
in solid matter
there is plenty to go around
and now you are folding into words
i am almost missing you
along with my assorted lost socks
i can’t lose myself by simply
taking off my clothes
lost in the curves
hips settle into greed
the world is stoned by shadows
and they fall like plums
metal tenderness fixes everything
but she said “give me another daughter”
the crows picked out her eyes
hanging out to dry heavier than voices
in straight lines there is no limit to madness
cover your ears as you drown
cover the storm with your tracks
exiting through your mouths
in broken fields

 

 

BIO

Mary Kasimor has been writing poetry for many years. Her recent poetry collections are The Landfill Dancers (BlazeVox Books 2014), Saint Pink (Moria Books 2015), The Prometheus Collage (Locofo Press 2017), and Nature Store (Dancing Girl Press 2017).

 

 

 

Herman Loves Brooke

By Anthony J. Mohr

 

 

Tonight, Herman likes what he wrote. His head rests in his hands; his fingers reach up to what’s left of his hairline before they massage their way to his temple, then down the pale cheeks to the stubble on his neck. Even though the window of Herman’s apartment is open to the marine layer that makes summer nights in L.A. so blessedly cool, he sweats, for he is gazing at Brooke’s yearbook picture.

Herman feasts on her dimples, her eyes, the bangs across her forehead. He turns to her signature, Brooke Day Lord, sloping upward in the brisk penmanship of a seventeen year-old who revels in the adoration of her peers and the love of both parents. Nothing more than her signature appears in Herman’s yearbook, not even “Good luck.”

To other classmates Brooke wrote much more. Herman has a list, taped to the wall, of her send-offs. “Loved your parties.” “Remember the dancing Sunflowers.” “I’ll never forget that concert.” And she signed every one, “Love, Brooke.”

Then there’s what Brooke wrote to Matt Harper, about the grunions. They really exist, those little fish who ride in on the waves at night to spawn on the beach. Ask anyone who lives in Southern California. Grunion hunts make Herman recall how, when they were seniors, Matt Harper snatched away Herman’s chance with Brooke, snatched her thanks to call waiting, eight minutes into Herman’s only phone conversation with her. She had asked Herman to call back. He’d tried for two hours, but this time she had ignored the call waiting signal. That Friday night Matt had taken Brooke to the football game, and eight months later, to the senior prom. Herman had watched them dance, had gaped at them until his date got angry and went home. Matt Harper is now married to a ditz named Amber, but she is a friendly ditz, and when they happened to meet four years ago, Amber  had actually invited Herman to dinner. Herman accepted so he could employ the tactic he’d used with so many other classmates: ease the conversation into their high school days and keep evoking memories until Matt had suggested they browse through his yearbook. When they reached Brooke’s photo, Herman memorized as much of her message to Matt as he could. Moments after Matt turned the page, Herman had excused himself and gone to the bathroom, where, fighting back tears, he wrote down every word he recalled.

Herman knows he is not a stalker. Others may think him dim, but Herman is smart. Indeed, Herman can be brilliant when the topic interests him, and Brooke has enthralled Herman since they’d met in English class. A normal person would have banished her to the edge of memory. But Herman is not normal. No, that is not true. It is Brooke who’s not normal. She is charming, gorgeous, always talking with someone or laughing at something. How could anyone find comfort with another girl after meeting Brooke? Despite the years that have passed since graduation, as he did in school, Herman loves Brooke.

Herman’s plan is to make Brooke come to him. Yes, he will write to her, and his missive will be long, so long that everyone, including Brooke, will call it a novel, but every word in Herman’s novel will call to Brooke Day Lord. Brooke won’t realize what Herman has done. She will hear that an old classmate wrote a book, and—Herman prays —she’ll read it. Once she starts turning his pages, Brooke will realize that everything Herman says resonates with her. Herman will offer her prose carefully culled, at times from Brooke’s own words, so that Brooke will conclude that Herman understands her so completely she will want to know him once more, this time forever. Brooke will never learn Herman’s plan, for he has not approached her since high school. Of course Herman has dated since then. One girl snorted instead of laughed. Another swore too much and prefaced her sentences with “you know.” A third couldn’t stop saying “awesome.”  Worse, none of these women liked to read. Can you blame Herman for remaining faithful to Brooke? In her senior sketch, Brooke had confessed a passion for fiction, and mutual acquaintances tell him that Brooke still devours novels. If Herman can write a novel that sells, it will get into Brooke’s lovely hands.

 

Herman reflects on the progress of his plan. First he learned to write, a feat that should stun his teachers, should they read his novel. Ms. Skovern gave him a B in English but called his work insipid. Brooke got an A in that class and went on to an elite New England college where her degree in English came with a Phi Beta Kappa key. Herman matriculated to the local community campus, where they taught him to write business memos. Since then Herman has spent many dollars to develop a voice that calls to the world, not just to the insurance company where he works as an adjuster. First came the extension classes; next, the workshops:  Aspen, Breadloaf, Sewanee. Tin House, Kenyon, Squaw Valley. Within two years Herman had become such a fixture at these gatherings that many attendees were greeting him by name.

Herman has absorbed Steinbeck and Styron, Cheever and Roth. He writes constantly, to the point that more than one instructor gently suggested that “there is nothing more I can teach you.” That was the signal to enter Phase Two, during which Herman generated words about Brooke, at sunrise and at two in the morning, words about her body and her hobbies, her pet sayings and favorite movies, palaver at first, but turning sharper not only with practice, but data mined from Google and Lexis/Nexis. Some of his information came from beefy investigators working out of dumpy offices, happy to pocket a C-note for a couple of hours’ effort. And when Herman stumbled upon former classmates, he asked them about Brooke, always making sure to focus his inquiries on someone else—have you seen Amanda Bramalea? What’s new with her?—and then, as an aside, toss in a question about Brooke. Eventually Amanda Bramalea sent Herman a polite e-mail asking him to stop spying on her. He told the bitch he would—why risk trouble?—and switched the focus of his inquires to another girl until, seven months later, she too had called to protest. Herman never cared. He and Brooke hardly talked in high school, but now, trait by trait he was discovering what to write to convince Brooke Day Lord to link her life with Herman Blix.

He knows so much about Brooke now. When a dollop of information arrives, it goes into a file consisting of notes, some typed, some scrawled, but each a window onto the girl. Many of Herman’s finds are thumb-tacked across the wall above his computer. Almost three hundred identifiers—Herman’s word for them—are ready to make their way into his text. In high school Brooke liked Mustangs; now she drives a BMW. She once invited her friends to a lunar eclipse party that started at midnight. Her parents took her to Café Swiss for her fifteenth birthday. Taped to the opposite wall are articles—chiefly from their high school newspaper and a few from her college—that mention Brooke. Naturally her senior profile is there. Beside it is a photo of the Ala Wai Yacht Harbor in Honolulu, taken from a room on the twentieth floor at the Ilikai Hotel, the exact suite where Brooke and her parents once stayed. Below it is Brooke’s wish list from Amazon.com, featuring Above Hawaii and collections of works by Picasso and Miro.  She also wants Ann Patchett’s next novel, anything by Mark Twain, and several CDs.  (Among them, three Billie Holiday albums and Fetes from Nocturnes by Debussy.)  Thanks to his investigator, Herman possesses her handwritten voter registration form and a car loan application. Next to them is the report from a handwriting analyst: The tail on her y swings back, making her “clannish.” Her self-esteem is strong because she crosses her t’s at the top of the stems. Brooke has high ideals and aspirations; look at the height of her f’s. Farther to the right hangs one of Herman’s prize catches: a copy of a paper Brooke wrote for a college English class. Some Internet bulletin board had contained a statement that her professor returned student essays by leaving them in alphabetized slots outside his office. A hundred dollar payment to a friend’s cousin back east had convinced a townie to go there early in the morning, filch the paper, make a copy, and replace it before Brooke showed up. That essay contains golden nuggets that Herman can sprinkle throughout his book.

And the two have so much in common. They like orange juice. They don’t like scallops. They don’t like Snapchat. They use initials in their email addresses. They share the same birthday month. Their mothers play bridge.

Herman relishes weaving these snippets into his plot, every word of which arrows toward Brooke. Once, during Christmas vacation, Brooke sat on her date’s glasses. The first time Brooke kissed a boy, KOST-FM was playing Al Stewart’s Time Passages.  That one hurts, but to succeed, Herman must employ such details for his project.

 

Herman’s iPod plays a suite of hits from his senior year, the last time he was near Brooke, even though they walked the halls in opposite directions. The music drives him forward, typing ever faster until his fingers produce a mash of letters on the screen. Sheryl Crow sings, “All I Wanna Do,” and Herman’s head sways. “At least you had fun, and that’s what counts,” Brooke told Herman when he awkwardly described a party to her. Herman inserts the quote at a strategic plot point. Cruisin’ by Booker T & the MG’s blasts into his ears, and he patterns a paragraph’s cadence after that instrumental.

He stops drinking his Pepsi when the iTunes queue plays Sting’s If I Ever Lose My Faith in You. Herman types to the tune. He must retain some faith in Brooke for him to pursue this project, mustn’t he? Four songs later, at two A.M., Whitney Houston belts, “I Will Always Love You.” “I will always love you, Brooke,” Herman whispers after he backs up his chapter.

 

Work is sludge-slow the following morning. Telling his supervisor he must visit a hospital to interview a man who was hurt in a fall, Herman leaves his cubicle and drives his Toyota Camry to 2517 La Presa Drive, the house where Brooke lived as a teenager. The new owner is demolishing it next week, and Herman wants a final look. Herman breaks the lock with a hammer brought along for that purpose. As he suspected, the bolt is old and weak. No one will care; they’re tearing the place down. The interior offers bare walls in bad need of paint. No matter. Herman photographs it all, fills a memory chip with pictures of the house—even the closets. Herman is proud of his imagination. He has already guessed the layout, admittedly with the help of Google Earth and drive-bys. He happily realizes that only minor revisions will be needed to the scenes that take place in her high school home. But now he can add more details that Brooke will recognize: the step down into the living room, the view from what must have been Brooke’s bedroom into a back yard full of flowers, citrus trees, and the swimming pool.

Herman resumes writing the moment he returns home. Dinner consists of a bologna sandwich, consumed between key strokes. Tonight Herman focuses on Brooke’s early years. Obviously, he has copies of her birth certificate as well as her parents’ birth certificates and marriage licenses. He has found a blog about parental traits that produce model offspring, and he creates characters based on that information. The mother has no job, although before getting married she worked in New York for a fashion magazine.  Her father is a judge, which immunizes him from the pressures of business and frees him to spend time with his child. Mom and Dad are fair, affectionate. Neither parent ever spanked Brooke. Her parents are inseparable, for only a storybook marriage can produce such a happy girl.

Herman knows less about the grandparents. He re-reads their birth certificates and marriage licenses and goes on-line to verify that they are still—my God! Coleman Day died last week at the age of ninety-three. Natural causes, it says. The brief obituary serves up four identifiers: Brooke’s grandfather graduated from Syracuse, owned a chain of hardware stores, enjoyed playing the trombone, and saw action on Okinawa. “He is survived by his wife Martha, his daughter Marian, son Leon, and his granddaughter Brooke Day Lord. Services will be private.”

Herman kills off one of Brooke’s grandfathers. Beat up your characters, they told him in his writing classes, and be merciless about it. It pains him to expose Brooke to tragedy, even in fantasy, but Herman must touch her, and what better way than by taking her alter ego through a loss that, when Brooke reads the book, will be relatively recent? Herman debates between a heart attack and a lingering death. Which hurts more? Sudden death. He won’t let Brooke say good-bye. And then comes one of those moments when Herman just knows that he’s connecting with her. He writes furiously about how Coleman used to tickle Brooke. “She laughed so easily.” Herman knows Brooke seldom played with dolls, and he has Grandpa Coleman ask her why. “‘They’re for lonely people,’ Brooke said.”  Herman pauses to consult an identifier before moving on. “That night,” he writes, “Coleman told Brooke a story about a Princess and her invisible monkey who lived in the castle. One day the monkey ran away.” Herman describes how everyone in the kingdom searched for the creature. “Brooke clapped her hands when they found it, because even though no one ever saw it, the subjects knew that the invisible monkey made them happy.” Herman checks another identifier to confirm that she called Coleman “Papa,” and then Herman takes off again, fingers flying over the keys. “’Papa,’ Brooke said in a serious voice. ‘There’s no such thing as an invisible monkey. You made that up.’” When Coleman admits he did, Brooke hugs him and says, “’Now I know how to tell a story.’”  Finally—he can do it because he is writing a novel—Herman shifts into the grandfather’s point of view for the departure scene:

“After dinner you asked how you could become a princess. Something I ate did not agree with me and I asked if you could wait until tomorrow night for the answer. Sure, you said so lovingly. Brooke, I died that night, quietly, without kissing you goodbye. I heard you at my funeral saying that now you will never know how to become a princess, but you know that stories can make you happy. Brooke, that is the only time I remember you not smiling.”

 

Two nights later Herman invents a high school boyfriend and names him Harold. (Herman refuses to give the character one of those alpha male names like Rod or Brett.) Harold resembles Herman. This part is tricky, but Herman blends a few of Matt Harper’s qualities into Harold’s psyche, not many, just enough to increase the chance that Brooke will be drawn to the character. Herman has thought clearly about this and realizes that Matt Harper has more, well, life skills than Herman. But Herman can learn. By the time the book appears and Brooke reads it, Herman hopes to possess many of the qualities he gives Harold. Harold is the man to whom she will become engaged in the final chapter.  But first he must keep them apart through college, dialing down their relationship to occasional dates when they come home for the holidays. Harold must suffer through their Diaspora: “Harold broke free from his fraternity brothers just before one vomited on the slobbering babe who was next to him, grinding hard. Reeling up the stairs to his room, Harold staggered to his desk where he opened the yearbook and read, once more, what Brooke had written on graduation day:  

Herman reaches for his identifiers. He spends an hour blending her farewell messages, and every word that emerges belongs to Brooke:

Dearest Harold,

Remember me in your lifeRemember the good times, the parties, talks, midnight swims, papers, parents, teachers, tests, grunion runs, fun, dancing, birthdays, concerts, roses, roses, roses, roses, and sunflowers! Remember them all, and remember me.

Love and love,

Brooke”

 

A hard Santa Ana wind blows the following night, but the whoosh against his window doesn’t faze Herman, for somewhere in France’s Languedoc region, Brooke skips through a field, holding hands with her European boyfriend—an Olympic ski hopeful with a diplomat for a father. He presents her with a rose and a kiss. Is Brooke vacationing or studying in Europe? Both. She’s spending a year in Florence. Where is Harold? At home that summer, missing Brooke. Beat up your characters. Harold works at a wastewater treatment plant where only the thought of Brooke allows him to survive “the acrid, putrid stench that pierced the deepest recesses of his being.”

The wind abates moments before Herman finishes the chapter and withdraws a piece of apple pie from the refrigerator. Another hour and the street sweeper will appear in a snub-nosed truck that hisses as it moves. Herman’s iPod is not playing tonight because he preferred an easy listening station, thinking it would help him write the sunflower scene. It did, but now the music makes Herman reach for the phone and dial the first four digits of Brooke’s phone number before replacing the receiver.

“It’s 63 KBDeegrees in the Southland,” the disc jockey says. “You heard Ten Sleep perform a cut off their Woodwind album. Just got a call from Daryl in Santa Monica. Says he wants to thank us for playing Ten Sleep because it gave him the nerve to propose to Carla. And Carla said yes. Congratulations, Daryl and Carla. Now if any of you want to call in and dedicate your favorite love song to someone special, the request line is open. Call 323-KBD-HITS. That’s 523-HITS. Our music may change your life as well.”

Herman telephones the station and somehow gets through. He knows that Brooke does not have a favorite love song, so he asks the request line operator to pick something heartfelt to dedicate to her. He gives his name as Harold, for his plan could be in jeopardy if Brooke learns of his love too soon.

“You sound like you really care about her,” the receptionist says in a sympathetic voice.
“Yes,” comes Herman’s instant reply, and he adds, “I love Brooke.” Herman has whispered that sentence so often in the dark, but until this moment, no one has heard it.  His eyes turn moist. To Herman, Brooke is there, her perfect head resting on his shoulder.
“We’ll get it right on for you. I have a good feeling about you and Brooke.”
Whoever answered that phone keeps her word. “We just got a call from Harold, in Tarzana. He wants to dedicate a special song to Brooke. Are you listening, Brooke?  Because I think Harold loves you. Here it is, for you, Brooke. Harold’s a good man.  Don’t let him get away.”

The DJ plays the Luther VanDross version of Superstar. Herman stares vacantly across the room at the window through which only inky black is visible. He wonders if Brooke is listening. Is she with anybody tonight? She must be, even though last week Herman confirmed that Brooke is still single. Tears drop from Herman’s eyes, and he doesn’t bother to wipe them away. The music transports him to a beach on a night when  every inbound wave shimmers with grunions en route to the sand where they will lay their eggs and try their best to escape Herman and Brooke’s laughing attempts to catch them. She was supposed to be his girlfriend. If Matt Harper had waited one more minute before poaching on their phone call, Brooke would have hunted grunions with Herman, not Matt. She actually had asked him to take her come the summer. Since their phone call had occurred on October 10 (Herman still has that year’s calendar with October 10 circled), Brooke was asking for a date eight months hence, a date to spend hours with Herman in the dark, waiting for the grunions to arrive. In what would have been one of the few suave remarks Herman ever made in high school, he was about to reply, “You’re on, Brooke. How’s June 29? But I hope I get to see you before then.” But he never uttered those words, because Brooke had suddenly said she had another call, the call from Matt Harper.

Finally, Herman is ready to write about the grunion hunt that should have been theirs. Once he does, his first draft will be complete, ready for editing. Before starting that chapter, however, Herman must make certain preparations. He’ll begin tomorrow. He has saved enough money.

 

He calls in sick. Then, armed with a copy of the Times’ real estate section, Herman drives to Sunnyvale, the neighborhood where Brooke lives. His chest tightens as he turns onto Starlight Drive, Brooke’s street, a lane graced by eucalyptus trees. Herman avoids the urge to pass by her off-white cottage with its red shutters and roses in the yard. He has enough pictures of it. Instead he turns onto Jupiter Way, where he spots the house for rent. It is the closest available dwelling to Brooke’s, but its address is 12874, and Brooke once swore she would never live at an address with five numbers, so neither will Herman. Slightly farther away is a stucco duplex at 1103 Neptune Drive. From the roof, he can see Brooke’s chimney. He puts down a month’s rent. Being this close, Herman ardently hopes, will provide added inspiration as he writes the grunion scene and polishes his manuscript.

 

Nightfall. Tired after transporting his computer and reassembling his identifiers on the walls, Herman faces the empty screen. No words come. He climbs to the roof, where he sees Brooke’s chimney etched against golden moonlight. Still no words. Herman walks the neighborhood, as near to her house as he dares, and he lingers there until words emerge from wherever in his brain they slumber. Repeating the nascent phrases under his breath, he races back to his keyboard. Tonight, yards from where Brooke sleeps, Herman finishes that phone conversation, and his alter-ego Harold drives to the beach with Brooke.

Herman writes furiously without making a sound except for one “oh shit” when he accidentally deletes a phrase. Harold’s meeting Brooke’s parents in the foyer, the small talk Brooke and Harold share en route to the beach, the taste of the roast beef sandwiches Brooke made for their picnic—Herman piles on the identifiers. As they eat the carrots and celery she packed, Brooke and Harold talk of English class and Student Council, of ball games and algebra. After finishing Brooke’s chocolate chip cookies, they saunter along the beach, holding hands until the waves turn silver with grunion and Brooke runs toward the water. Herman peppers his prose with her trademark shrieks: “Neat,” as she sees the fish riding in on the waves, “Ick,” when she tries to pick one off the sand. Even when his iPod runs out of tunes, Herman does not stop typing. He hears no sound now except the tap-tap of fingers on keys. When the street sweeper whines past at three-thirty A.M., Herman doesn’t pause to look. Although the grunion run is over, the couple is not ready to drive home. They sit quietly in Harold’s Mustang, conversing through the night, listening to the surf, until Brooke announces that recently, a friend taught her to play the harmonica. The moment Harold says he would like to hear a song, she withdraws the  instrument from her purse and launches into Row Row Row Your Boat. Then Harold accepts her invitation to play, but he never makes it to the first merrily. After he blows  futile air, Brooke musses his hair and says he’s “cute.” He gives her back the harmonica, their hands touch, and then their fingers interlock. Neither speaks. Brooke and Harold are about to experience a sunrise, and so is Herman, who drips with sweat. His stubby fingers start missing keys at the same time that Harold’s fingers caress Brooke’s cheek. Herman has injected every joule of energy he possesses into this fictive moment. The lingering kiss at dawn, written the moment the sun illuminates Brooke’s chimney, makes Herman shiver, as does Harold when Brooke purrs, “That’s so good.”

 

On the day his lease at Neptune Drive ends, Herman finishes the book. Writing with Brooke nearby has yielded spectacular results, impelling Herman to hone his prose beyond what he believed his abilities allowed. Now, his last night near Brooke, one task remains before he performs the final spell-check and the final back-up. He needs to change Brooke’s name. To have done so earlier would have eliminated the impact that typing her name has had on him. Slowly, fighting his fingers which drag on the mouse pad, he slides the cursor up and left to the Edit prompt and clicks. The word “Find” appears. Another click. “Find what:” “Brooke,” Herman types. He feels unfaithful to her, but he must continue. Click number three: “Replace.” Up comes “Replace with:” Herman pauses. He is certain he’d feel just as nauseous if he were about to knife Brooke. “Do it,” he calls out and forces his fingers to type—he’s struggled for months to pick a name—“Jennifer.” Herman exhales before forcing his cursor to the “Replace All” tab. He grips his mouse harder. Press, and Brooke disappears from his book. “Darling, I didn’t want to hurt you,” Herman says aloud after he absorbs the message on his monitor: “Word has completed its search of the document and has made 1,104 replacements.” One more global search and replace, and Brooke Day Lord becomes Jennifer duPaige.

Tomorrow he will begin the hunt for a publisher. He knows it will take time, and he expects rejections. Charlotte Bronte, Agatha Christie, James Joyce. They all were turned down. Herman will be patient and persistent, and if he fails to place his novel, he will  publish it himself and seed every bookstore in Sunnyvale with copies. If he must, he’ll pay the merchants to display them. To place a copy before Brooke’s green eyes—Herman asks for nothing more.

 

The creamy white envelope jiggles between Herman’s fingers until he mangles it open and withdraws the check, a small advance but high for this little publishing house that Herman found on the Internet. But after months of queries and form letters saying no, Herman feels too shocked to scream, and he feels too good to cry. Wanting to do something besides stare at the draft, Herman bolts from his apartment and drives out to Brooke’s neighborhood, where he navigates his Camry along a route that resembles a comet’s elliptical orbit, streaming in from afar to approach but not touch Brooke’s Starlight Drive home before retreating into the cosmos via Moonridge Way and out to Morningstar Avenue until it intersects with Aurora, and Herman can retrace his orbit once more. As he drives, Herman ponders the effect his novel will have on Brooke. Will she reach for the phone or e-mail him? Will she suggest a grunion hunt or coffee? His book should appear in April, cool for the California beaches but a month into grunion season. They’ll meet at Starbucks, the one off the Coast Highway, a mile from her house, where they will giggle together as they plan their belated grunion hunt. Brooke will pack a picnic dinner, and Herman will find the best place to encounter those delightful little fish.

 

Herman remains disappointed that Brooke did not attend the launch party, held, at his insistence, in a book store near her home, even though within days his work is galloping up Amazon.com’s list. Reviewers warmly welcome him as a “new voice, mature beyond his twenty-nine years.” The publisher’s Monday morning flash reports stagger Herman. Several weeks later, his editor calls with the formal announcement: Herman has written a best-seller. The author manages to whisper thank you before stumbling to his couch where he lies torpid for the rest of the day, watching Brooke against his closed eyelids as she reads his pages and emits dainty gasps. Images of Brooke’s “aha” response remain with Herman for weeks, through speaking engagements in bookstores stocked with comely women who stroke their hair and try to flirt with Herman while he autographs their volumes. They want you, the Denver store manager says with a trace of envy. They think Harold is you. Harold is so caring, so devoted to Jennifer. Harold is a SNAG—sensitive new age guy. That’s you, Herman. But Herman remains expressionless as he signs his name, politely accepts the business cards women hand him, and sleeps with none of them, doesn’t even fantasize about them. Instead Herman repairs to his room in whatever hotel his publisher has ensconced him in whatever city he is visiting, and wonders if Brooke will contact him tomorrow. It’s been weeks since the publication date. Surely tomorrow an e-mail from Brooke will appear on his screen. Surely tomorrow.

But tomorrow does not bring Brooke Day Lord. Instead a studio executive calls, and a week later, when Herman enters the patio at The Ivy, the executive actually turns off his iPhone and exclaims that Lamm Brown has agreed to play the part of Harold. Dude, that’s huge. He’s got two Oscars. And we’re casting Alexandra Fields as Jennifer. She loved your book. Dude, she’s single. You hear what I’m saying? Now have your people call so we can make a deal. Herman hears but does not taste as he swallows his young greens. En route to the bathroom, he surveys the patio, for he knows that Brooke frequents this restaurant.

 

Herman misses it when he checks his e-mails the next morning. The suite of fan messages is especially long and he does not notice the initials “bdl.” Only later when he scans the list again does Herman see, in the “subject” column, “Congratulations from Brooke Day Lord.” Herman’s trembling hand cannot control his mouse. The cursor resembles a seismograph as it whips down the screen. If this is what he thinks it is, he is poised to embark on a new life. They will have so much to talk about, so much to do. And they’re still young, their lives ahead. Herman allows himself a two-second smile before his mood plunges and he wonders if he can hold Brooke’s interest through even one date. It took over a decade to craft the precise phrases that, he finally knows, have touched her. He won’t have time to do that during their first dinner, let alone across the rest of his life. Herman tries to reassure himself. Brooke has written. He has won her. With that thought, Herman double-clicks Brooke’s e-mail. Her words burst onto the screen, and Herman immediately hits the print key, fearful that a computer malfunction will make her precious electrons scatter. Only when he holds the hard copy in his hand does Herman stop shaking enough to be able to read:

“Congratulations on your book. It’s good to see a classmate doing well. Sincerely, Brooke”

Herman dives for the landline. He will not risk a dropped call by using his cell phone.

 

As his fingers race across the keyboard, Herman occasionally pauses to fork a dollop of apple pie into his mouth, eating it slowly, getting all the juices. He finishes his treat moments before the street sweeper arrives. It comes earlier here on Jupiter Court. The advance for his second book has enabled Herman to buy a house on this Sunnyvale street, less than a quarter mile from where Brooke lives. He sits there now, in his capacious writing space above the three car garage that contains Herman’s new BMW, the same model as Brooke’s. Taped to the left of Herman’s monitor is Brooke’s e-mail. He needs her inspiration. The sequel is harder to write, because his first cry to Brooke consumed Herman’s choicest identifiers, forcing him to rely on anecdotes he initially rejected. Oh, he can re-use some of her key speech patterns, but now Herman has to mine deeper for prose that will summon Brooke into his arms. Fortunately, the royalties permit him to hire a better investigator.

Whenever Herman becomes too tired to write, he estimates the weeks it will take to finish his book, the months before it’s published, and the date Herman might hear again from Brooke. At least a year and a half, more likely two years. Herman and Brooke will have entered their thirties, still time to start a family, still young enough to have fun. Herman remains optimistic. Brooke is still single. And did she not contact him? Yes, but when he phoned and left a message on her voicemail (“Hi, Brooke, this is Herman Blix. I really appreciated your e-mail and would love to talk to you.”), she didn’t call back. She also  ignored his second call. Is his Brooke that shy? He knows he can get her to come, this time to stay. And they’ll go grunion hunting. They will pick a silky night and pack a picnic and….

Stop daydreaming, Herman commands himself. Finish the book. Herman’s fingers take off again, tapping tapping tapping on the keys, reaching for the words that will make Brooke seek him once more.

 

He notices the e-mail three nights later only because he recognizes the name: Amanda.Bramalea@carefree.net. Even then Herman delays reading the message until his creative energy wanes, which tonight does not occur until three A.M.

“Oh my dearest Herman,

I am stunned at the way your book touched me. You kept me up all night, which is amazing because, as your character Jennifer says, sleeping is one of my favorite pastimes. When I finished, there were tears in my eyes and a smile on my lips. 

Herman, I am so sorry I suspected your motives last year. If only I had realized how you felt about me. I sensed you next to me turning the pages, saying all the right words. You know me so well, but how can that be?  We hardly talked to each other in school. I had no idea you were so perceptive. How did you learn about me and roses and sunflowers? I love them and love them. And calling Jennifer The Cat. I always wanted that nickname in school, but that flit Brooke Day Lord got it because she had green eyes. And she was allergic to cats. Fred, my little kitty, has blue eyes, just like mine.  Had I known what you were really like back thenoh well, that opportunity has passed. But has it really? We’re still young, aren’t we? If sixty is the new forty, our twenty-nine has to be the new fourteen. Okay, seventeen. That means we’re still kids. Herman, let’s be kids together. It’s fun to be a kid, isn’t it? Oh listen to me, so forward. What I mean is, let’s spend time together, while we’re twenty-nine and carefree. Let’s pick a night when the grunion are running. Do you have any idea how few people have ever seen a grunion run? You and I know that those fish are not mythical creatures. We’ve actually seen them, and it would be magical to be by your side the next time I watch a grunion ride in on a wave. If you will indulge me, I have to tell you about my last grunion hunt. It was in June after we graduated, and I was with Justin. I had packed a picnic dinner, and we drove down to the beach….”

To read the rest of Amanda’s e-mail, Herman must scroll down. He does not. He deletes it after scribbling the new identifier and taping it to his wall. Brooke is allergic to cats.  Herman did not know that until now.

 

BIO

Anthony J. Mohr’s work has appeared or is upcoming in, among other places, DIAGRAM, Eclectica, Evening Street Review, Hippocampus Magazine, North Dakota Quarterly, Saint Ann’s Review, War, Literature & The Arts, and ZYZZYVA. He has been anthologized in California Prose Directory (2013), Golden State 2017, and elsewhere. His work has received five Pushcart Prize nominations. He is an associate editor of Fifth Wednesday Journal. Once upon a time, he was a member of the LA Connection, an improv theater group.

 

 

 

 

“Herman Loves Brooke” originally appeared in the May 2008 issue of Word Riot.

 

 

 

 

Listening to the Voice

by Eve Dobbins

 

I can draw her portrait without looking at her picture: slight of build, ethereal with a wide smile and enormous dreamy eyes.  She was the type of friend you wanted when you read Nancy Drew mysteries.  An idealist with everything to look forward to and of the same fiber you recognized that you possessed but somehow you managed to escape whole entering adulthood and she didn’t.  Right now, she should be in University studying medical science or forensics.  That is how you see her but that is not how her future played out.

How both of you grew up is different:  she was surrounded by an urban environment living on the outskirts in suburbia which is supposed to be “safe” protecting her from what happened.  You grew up in an agrarian area where your nearest neighbor was 2 miles away located up the big hill on your way to Youngsville.  Gladys Connelly, who used to spy on you and your unusual family, relocating from New York City to the Catskills, Your small “ville” was once part of a makeover on a reality TV show because of its quaintness and a step back in time.  Her suburb, Brandon, just outside of the enormous metropolitan area connected to Tampa is often referred to on America’s Most Wanted and other odd incidents that happen.  Many tourists and snowbirds visit this area.  Gladys Connelly and the others who made up your small community may have kept you safe with their gossip held carefully and listened to as the telephone game was played in your small community, “Have you heard….” or “Did you notice…” Maybe it was your sixth sense as you grew older which kept you safe as your Irish mom believed.

Remember that time with the French Club on tour in Montreal and you were alone when a strange man approached and tried to befriend you.  You were 19 but your sense of something not right took over and you moved away eager to join up with the other French club members.  She was 17 years old and attacked outside of the Bloomingdale Library in quiet suburbia.  It was dusk and I often imagine the conversation she might have been having with herself when she may have noticed him.  A strange young man in his late teens sitting outside on the library bench watching her.  So, she calls her friend with her cell phone and proceeds to chat easily while dropping her library books in the book drop.  The library is set off from the road in a wooded area and it is a Sunday, but she can see the road from a distance and she hears traffic.  She feels very safe and I imagine, she wants to complete #2 o her list:  return her library books.  Those library books, fiction or non-fiction, did she imagine that one day her story would be included in the news.  So, she leaves her car running and the door open with the keys in the ignition.  It is the end of her junior year and summer vacation has arrived.  She is thinking of next year:  college applications and the road to her future.  I imagine she feels very safe and invincible but he is watching and her intuition has no voice.  Or maybe it does, but she disregards it.

The drop box is right there but as she reaches it, he rushes toward her and proceeds to hit her violently beating her until she is worn down.  Her friend on the phone hears the screams and the phone drops.  She repeats her friend’s name and there is no answer.  Desperately, she calls out her name again and then rushes toward the door with her car keys only to remember she has no idea where her friend is calling from.  Eventually, they will find her battered body badly damaged.  She will require surgery and will never be the same.  Senior year, college, career will be put on hold but the young man who attacked her is caught.  Both lived in same neighborhood and most likely attended the same schools but the schools and classes are very big in this suburb, so it is likely that they did not meet one another.  The lawyer’s defense is that his client is mentally handicapped and has no idea of what he did while she lays in a coma in a hospital bed, her pretty face marred and the doctors uncertain whether she is brain damaged.  His attorney states his client never had a chance and reminds the jury that the glass was always “half-full” for him growing up with a single mom and an abusive father.  But the jury sees the same truth portrayed by the TV stations, media, etc.  They convict him and he is sentenced to prison for many years while her friends and family rally around her encouraging her.  Progress is very slow as her body and mind are damaged. The attack left her unable to walk, talk, see or eat on her own. She had limited movement. It was a very brutal crime. Maybe he should stay in jail until she walks again.  He was scheduled for 65 years in prison for two attacks.

There are very bad things out there.  What can we tell our children to help them emerge from childhood to adulthood? We can share with them that sometimes the power of fear and the intuition is a tool.  We can tell them to listen to their intuition … that sometimes the glass is not full for others … sometimes it takes years of living, time and experience to know when to heed your intuition or listen to your instincts.  We can’t put away all the bad things out there but we can make them realize that we want our children to reach adulthood and no, we are not overreacting.  Walk away if something makes you feel bad.  Ignore that to do list. Listen to your gut.

 

 

BIO

Eve Dobbins was born in New York City and raised in a small town located in the Catskill Mountains where everyone knew your name. After graduating from Stony Brook University with an English degree, she spent several years working in Manhattan in the garment industry; as a real estate property appraiser with the city of New York and a girl Friday for local radio talk show host, Barry Farber, as well as a stint in the United States Navy. Her favorite authors are Lee Child, Lisa Unger, and Ann Rule.  Her favorite quote for inspiration is “Everyone has two eyes but no one has the same view” (Wael Harakeh). Her husband is her co-conspirator in writing and baking which paved the way for Cupcake Cache, a gourmet cupcakerie which closed in 2015. Mrs. Dobbins has a MA in TESOL and has lived and worked in Asia and the Middle East. Presently, she makes a living as an English teacher. She was named in August 2017 “Poet of the Month” by “The Horror Zine.”

 

 

 

the parts v the hole

by Zach Trebino

 

i
rain
from
haunted
shelves,

wood
fingering
my
selves,

disciples
line up
to
gather
me
in
buckets,

my
damp
head
cradled
between
books
growing
out
their
fur
to
make
themselves
more appealing,

the disciples
make
sandwiches
and tea,
brush my teeth,
and train to see the
entirety
when all they’re looking at
are little bits of me.

 

 

stock market trends don’t necessarily predict
the rates of births and deaths

 

because of your disordered senses,
i’ve had to hide securities in luggage
for my own defenses, take your car
keys, and lock my knees for impact
all just so we can go play blackjack
at a dimly lit roadside motel against
marsupials wearing stethoscopes who
pick their teeth with the scraps of
snail shells while shooting up insulin
cause their mom used to call them
sugar babies but really it’s the same
old babies spewing absurdities from
their fontanels meanwhile the mother
says “hit me” and all hell’s bells are
wrung by arthritic alcoholic hands
begging for a euthanist, damned to
a trance, dancing through case
histories of infant incest like a stock
market analyst.

 

 

prophecy

 

i was thinking of
all the wombs i’ll never know
when i unfastened my
seatbelt, grabbed onto my
genitals, and drove right into
my future so hard i flew through
the windshield and found it on the pavement.

 

 

BIO

Zach Trebino populates the world with absurdly grotesque performances, videos, and texts. His performances have been seen in cities and truck stops throughout the US (and a few times in Bulgaria and Argentina). His friend Zack Bwaff (www.itsmezackbwaff.com) is a celebrity chef. His texts have appeared on stages in some places, on pages in some others, and a few times on both at the same time.

 

 

 

 

 

Gail

by Lily Tierney

Gail just started her new job at a bank, and she could not help but notice the furtive looks the other employees were giving each other.  Gail didn’t know it then, but they were betting how long she would last.   It seems that they have a constant turnover with this particular job.  The job is stat typing long charts that seem to go on forever.  Gail knew what she was getting herself into, but her unemployment was just about to run out when this company hired her.   It sounded like a lot of work with little pay, but she thought it was better than nothing.

So today she is sitting up straight typing a bunch of numbers bored as hell.  Gail knew everyone was watching her especially the supervisor.  Her name was Gertrude, but they called her Trudy.  Her hair was completely gray, and she bragged about having all of her own teeth.   Her skin was surprisingly smooth without many wrinkles, and she wore high heels to make up for her diminutive height.    She was well past retirement putting her age at about seventy two or seventy three.  She was an old battle axe that kept her eyes on Gail all the time.   One time she rushed back from lunch to make sure Gail had enough work to do.   The other employees pretty much stayed away from Gail because they were afraid of Trudy.  On the other hand, Trudy stayed on their good side by not demanding too much from them.  If she tried any nonsense with them, they would bully her out of her job.  They all knew she didn’t really have any job, but came in each day to keep an eye on the stat typist.  Gail was given one break in the morning, and had exactly one hour for lunch.  One day, she tested Trudy by coming back a few minutes late.

“Gail, I expect you to be back on time.  I don’t tolerate any lateness.  You’re getting paid to be here to do your work,” Trudy scolded Gail in front of her co-workers.

It was the same with coming in the morning and going home at night.  If Gail was a minute or two late, the old battle axe was mouthing off about it.  The other employees would come and go as they pleased taking their time coming back from lunch.  Trudy would not say a word pretending not to notice.

Gail kept to the everyday grind wondering how long the previous typists lasted.  When she got her first paycheck, she felt a little better but not much.  She knew she had to get the hell out of this job.  It was the worst she ever had.  The bank rented five floors in the building.  Gail was on the elevator going to lunch when it stopped on the floor below.  A very professional looking man walked into the elevator and smiled at Gail.  She thought to herself that he must not know the rules about speaking to the stat typist.

“Hi, I have seen you around.  My name is Hank,” he said.

“Hello, I’m Gail the new stat typist on the floor above yours,” Gail said, taking a closer look at Hank.

“Are you going to lunch?  Well, how about if we go together?” he asked.

“Yes,” Gail blurted surprised by her forwardness.

Gail was a cute blonde in her thirties with an alluring smile.  She had beautiful green eyes that most men could not look away from.  Hank was under her spell.

“I don’t know much about the bank.  I am an outside auditor, and have been here for about a month,” he said.

“I’ve been here for only a week myself,” Gail said.

“How is your job?”  Hank asked.

All she could do was look silently at him with a little smirk on her face.

“I get it,” he said laughing.

She explained the job to him, and then told him about Trudy.  He listened shaking his head from side to side.  Gail admitted she would be going out on interviews soon.  She did not intend to stay there any longer than she had to.  Hank laughed and agreed with her.

“If you want, I could check with my company to see if they are hiring,” he said.

“That would be great,” Gail exclaimed happily.

Gail looked at her watch and realized she would be late coming back from lunch.  She finished her food, and explained to Hank she had to get back.

“Please, sit back down,” he said, grabbing Gail’s arm.

“But, I really have to go,” she exclaimed.

He picked up both checks and paid, and walked with her back to the office.

“Thank you for lunch.  I really enjoyed myself for a change,” she said, looking at Hank.

“How about you give me your number, and we can get together some time?” he asked.

“I would really like that,” she said, looking for a piece of paper and a pen.

She quickly wrote her number down and handed it to Hank.   They rode the elevator up together, and Gail watched Hank get off on the floor below hers.  The elevator doors closed and all she could think of was Trudy’s mean twisted face.  She arrived on her floor walking quickly back to her desk.   To her surprise, Trudy was nowhere in sight.  Gail sat down and started typing her numbers.  Then she heard Trudy’s loud mouth.  Apparently, she was having lunch with her granddaughter.  Well, wouldn’t you know Trudy was late coming back herself.  Gail was seething sitting there typing.  She felt like she was in a sweatshop or worse. Once, when she was in the bathroom getting ready to go home, she overheard two women talking.  They were guessing when Gail would quit.  One asked whether or not she would walk out like the last one did, or actually give notice.

Sitting at her desk, Gail felt like picking herself up and walking out.  She hated the job, but she knew she needed it.  She sat and continued to type the stupid numbers.  Trudy was talking and laughing with her granddaughter, on company time, and watching to make sure Gail was typing her fingers to the bone.  Trudy knew Gail hated her and the job equally.  It was some kind of game they all played with the stat typist to help the days go by.  If they were having a bad day, or something personal was bothering them, all they had to do was look over at the stat typist and think how lucky not to be her.

The day finally came to an end, and she hauled ass out of there.  It was 5:01 p.m. when she walked toward the elevator.  It was empty when she got on and it stopped on the floor below.  Hank walks in and was surprised to see Gail.

“Are you heading straight home?” he asked.

“No,” she replied.

“Well why don’t we go to dinner?” he asked.

“I would love to,” Gail replied.

At dinner, Gail tried to unwind from a hectic and stressful day.  Hank realized how much the job was affecting her.  Hank was divorced with no children in his forties.  He was a pleasant looking man who looked distinguished with his glasses.

“Do you know anything about the numbers you are typing?” He asked Gail.

“I don’t know or care, but there is definitely something going on.  There is something weird about Trudy hiring me, because she knew I had no intention of staying,” Gail stated flatly.

“Anything else strange that you have noticed?” he asked.

“Everything,” remarked Gail half-joking.

“Do you think you could make copies of the stats you are typing?” he asked.

Gail looked shocked and surprised.  All she could think was something was fishy.  She thought of Trudy and a disgusted feeling washed over her.

“Yes, I can make you copies,” she said.

Hank smiled and looked very pleased.

The next day at work all Gail could think of was how to make copies of the charts she had already typed.  She needed a miracle and got one.  That afternoon one of the employees on the floor below them was having a birthday celebration.  Everyone including Trudy went to the party leaving Gail alone on the entire floor.  Gail took the charts and hurried to the Xerox Room to make copies.  She kept listening for anyone that might be coming back.  She heard no one.   She quickly came back to her desk putting the copies in her pocketbook.  She put the originals in the bin that Trudy would take at the end of the day.   She heard someone approaching, and saw Trudy coming back.  Gail sat back down and immediately started typing ignoring Trudy.  Trudy ran over to the bin removing the typed charts placing them in her desk drawer, then went to the ladies room.  Gail dialed Hank’s extension, and let it ring three times then hung up.  Gail thought to herself she could not wait to give Hank the copies.

At five o’clock Gail picked herself up without saying goodnight to Trudy and headed toward the elevators.  Hank was waiting across the street in the coffee shop.  She walked in and handed Hank the copies of the charts she had made.

“Gail, I am so proud of you.  You don’t know how much this means,” he told Gail in a very sincere tone.

“I am glad to help,” Gail said, looking triumphantly at Hank.

Hank suspected there was enough evidence in the charts to charge Trudy and her accomplice with bank fraud.  Her accomplice worked on the same floor as Hank, and was a co-worker she knew for years on the job.  His name was Steve, and he was married with five children.  Surprisingly, no one knew they knew each other.  The two were fraudulently obtaining loans with fake documents.  Steve would approve the loans then deposit the money into his account.  He would then transfer the money immediately into a foreign bank account by international wire transfer.

The next day at exactly nine o’clock in the morning, FBI agents were waiting for Trudy and her co-worker Steve.  Gail watched as the FBI handcuffed Trudy leading her out toward the elevators.  Steve on the floor below got the same treatment.  The employees were all in shock, and some started to walk over toward Gail to see if she knew anything about it.  Gail ignored them, picking herself up and headed toward the elevators for the last time.  She was starting a new job the following week with Hank as his assistant.  She could hardly wait!

BIO

Lily Tierney’s work has appeared in Harbinger Asylum, Veil: Journal of Darker Musings, The Stray Branch,  Illumen Magazine, Polu Texni, and many others.  She enjoys reading and writing poetry.

Setting Sail

by Jared Pearce

 

She said, Honey, let’s drop it all, take
The money from our home and put it
In this fifth wheel, tour the nation,
Live on the brushing powder I’ll sell,

On the leadership lectures I’ll hawk
To cruise-line passengers. What do we need,
Besides the roof, the road, the broad
Sea releasing us from dock to dock.

He agreed and spoke positively, giving up
His bus-driving, just as he’d sundered computer
Work, forsook the walls he’d refurbished,
The wood he’d planed and paneled for her.

It may be unfair to say his eye was like
A castaway’s, a man with only one anchor.

 

 

There’s no time to lose.

 

We’ve got to hurry, she
Said, the darkest space
Hurtling past us,
If we’re to find that wayward planet.

We sheared ourselves blind,
Our antennae going berserk
For some lush haven,
A tighter gravity, a syzygy of meaning.

When her capsule docked
There was a moment she feared to remove
Her gloves and helmet, having
Traveled so far so sightless

To where time began again, clicking
Its course and dragging us with it.

 

 

Not all plants need the sun to grow.

 

She said she wanted to love me,
And then the day ripped her like a tide,
Then the night blasted her like a diabetic
Dream, then sleep held her and she loved

Darkness. She broiled herself on
The bedclothes and folded her head
Like a door that trapped me in the closet
Of the morning. She rolled this way

And that way, away and always away.
Shooting forth a root, I didn’t catch her,
And so fed only on the night, nibbling
The hush hush of her breath, hoping her
Subconscious taxi would drop me at her place
With my bouquet she’d set in a wet-brimmed vase.

 

 

BIO

Jared Pearce’s collection, The Annotated Murder of One, was released from Aubade last year (www.aubadepublishing.com/annotated-murder-of-one).  Some of his poems have recently been or will soon be shared in Adelaide, Xavier Review, Aji, Wilderness House, and Switchback.

Kathryn Harrison Interview

 

While reading a Los Angeles Times review of Kathryn Harrison’s new book, On Sunset, I was immediately fascinated by the story of someone growing up in a large whimsical Robert Byrd house on Sunset Blvd., yet never experiencing the life around her. She was not so much trapped as she was protected from a Los Angeles of the 1960s by her over-protective — somewhat eccentric — well-mannered grandparents. She lived a life that most children dream of, living in a beautiful affluent neighborhood, but she rarely ventured out from her home other than to attend school. Quite a story. Shortly after reading the review, I contacted Kathryn, who now lives in New York, and she graciously consented to an interview for this issue.

Kathryn Harrison is the author of the novels Envy, The Seal Wife, The Binding Chair, Poison, Exposure, Thicker Than Water and Enchantments. She has also written memoirs, The Kiss and The Mother Knot, a travel memoir, The Road to Santiago, a biography, Saint Therese of Lisieux, and a collection of personal essays, Seeking Rapture.

Ms. Harrison is a frequent reviewer for The New York Times Book Review; her essays, which have been included in many anthologies, have appeared in The New Yorker, Harper’s Magazine, Vogue, O Magazine, Salon, and other publications.

Her latest book is On Sunset: A Memoir. She lives in New York with her husband, the novelist Colin Harrison, and their children. She is currently working on a novel.

 

INTERVIEW:

 

What made you want to write about your childhood at this time in your life? Is this something you’ve been wanting to do for a while?

It’s taken me this long to recognize how unusual a childhood I had.  I had to have raised a family immersed in American culture before I could regard my childhood in contrast.

Mine took place 100 years before I was born; it began with my grandparents’ parents, who were more alive to me than my classmates.  The unexpected child of teenagers, I was brought up by my mother’s parents, who like most old people lived in their pasts, and took me along.  They were both wonderful story-tellers, with dramatic pasts, and there were days I spent hours enthralled by my family’s history.

 

How long did it take to write this book? Was it conceived as a tribute to your grandparents?

The writing itself took about 18 months, the research preoccupied my youth—all those hours of listening to family stories.  I was lucky enough to inherit countless photographs, letters, diaries, and objects, as well—which allowed me to include illustrations, which makes for a richer experience.  Grownups like pictures, too!

It wasn’t intended as a tribute, but my feelings for them, my missing them as much as I do decades after their deaths, it was inevitable that the book turn out to be, as a couple of critics observed, a love letter.

 

You grew up in a spectacular Robert Byrd designed home — a lavish, quirky, sprawling ranch style home. I’ve seen photographs of the exterior and interior, with the lush grounds and swimming pool. It must’ve been like living in your own private oasis, hidden in the middle of Los Angeles.

It was.  I’m sure if I were to return to that garden it would seem small: it would have to, because my 50-year old memories include no property lines, Sunset, my internal landscape, is limitless.

 

There were times in your childhood when your grandparents were around to watch and raise you, and other times when you were on your own. How did you feel living in such a large home and being somewhat isolated from the rest of the world?

People comment that mine seems a lonely childhood, but I don’t remember it that way.  For me it was a mythic time of safety, over which my grandparents ruled, benign dictators.  I was a solitary child, shy and bookish—way too bookish according to my grandmother, who called me a bluestocking.  I took it as a compliment, although it was not meant as one.  I was happy left to myself and my overactive imagination.

 

You couldn’t really walk out the front door and down the street to a store, being such a busy boulevard without sidewalks. But you probably wandered around the neighborhood at some point.

I didn’t actually.  I saw the neighbor boys’ house, but there was truly no access to anyone else’s: no sidewalk, no wandering.

 

What was your school life like? Did you have close friends, a best friend? Did you enjoy spending time at your friend’s homes? What did you do on weekends? Were there pool parties at your home?

I had a best friend, Francesca, whose greatest appeal was that she was also being raised by a flighty young mother’s European grandparents.  I lived among families in which there were few divorces.  No one else had a single mother and absent father, no one but Francesca.

I didn’t like being at other children’s houses, not when I was a young child.  I never slept over; I was always scared of being left in the care of other children’s parents.

I loved school.  I was a teacher’s pet, often closer to teachers than classmates, perhaps because I spent so much time in the company of people many years my senior.  Weekends were blighted by ballet and Christian Science Sunday school, at least during the years we lived on Sunset.  I was always in the pool, and usually by myself.  By the time my grandparents were in their 70s, the pool party years were waning.

 

It seems like a lot of your outdoor activities were spent shopping and dining. Department stores were quite elegant back then. How do you remember them? What were some of your favorite restaurants?

I didn’t like shopping.  The stores were elegant indeed, and there was an abundance of customer service — too much of it as far as I was concerned. I was a tomboy who didn’t want the dresses I was buttoned into.  The salesladies struck me as part of a conspiracy to ruin my real outdoor life, largely spent climbing trees.

My grandparents were Victorian, and thus I was to be seen and not heard, excluded from any restaurant that wasn’t casual.  I remember Hamburger Hamlet, where I was allowed to leave the table to ponder the extremely odd little dioramas that hung on the wall that ascended alongside the red carpeted stairs.  One was captioned, “Get thee to a Bunnery.”  There was also Uncle John’s pancake house, where children were given black mustaches cut out of cardstock, with two prongs to insert into your nostrils.  They hurt, which was one more reason not to put one on.  I didn’t go to restaurants that required reservations.

 

Have these memories always been with you, or did some memories come back to you while writing this book?

Always.  I have damnably good recall, especially for emotionally charged situations.  My mother’s problematic and erratic presence made me a vigilant child, always paying attention.

 

Were you free to move about the city and take in the unique qualities of Los Angeles? Were you more in tune with the local culture at this time?

I was raised to form myself in opposition to American children and culture, which meant I lived in 1900.  Outside the door was the pool and the garden, inside there was Shanghai and Alaska.

 

Your grandparents also lived in a home on Hilgard across from UCLA?  When did they move into the home on Sunset Blvd.?

My grandparents worked with Robert Byrd who built the house on Sunset in 1951.  They lived there for 20 years.

 

I love this line in the book. It seems to capture the essence of your world. — “I live where I can’t be followed, where I don’t need and wouldn’t bring other children…”

I was very protective of my magic kingdom.  I knew no other child would respect its boundaries.

 

What are you working on now?

A novel set in Vienna in the 1920s,

 

Any advice for writing a memoir?

Lean toward discomfort.

 

What is your daily writing routine like? What do you do for fun and recreation?

I’m a morning person, so I am at my desk by 6 or 7.  I work until I go to yoga class around noon, as I do every day.  Then I might put in a few more hours—it depends on how full-tilt I’m going.  I’m a homebody with a night life that is currently mostly going to class, as I’ve begun psychoanalytic training.  A long-held dream I can satisfy now that my youngest is in college.

 

Are you involved with Facebook, Instagram, Twitter, etc.? How much time do you spend on the internet each day?

Not with any of them, so they take up no time.

 

What are some your favorite books currently?

At the moment it’s all Freud, Klein, Winnicott, Lacan …  Not everyone’s leisure reading, but I’m fascinated.

 

You mentioned that your grandparents worked with Robert Byrd — in what capacity? Were they friends?

My grandparents worked with Robert Byrd to design the house they wanted.  It looked like an out-sized Tudor ranch house — L.A. qua London  — with a lot of playful details.

Byrd was a renowned architect at the time, and my grandparents had the money to be extravagant. They didn’t for long, but in 1950 they could request any fancy, or luxury:

  • Windows made of bottle bottoms.
  • Actual bird houses built into the house, under the eaves.
  • My mother’s bedroom had a copper-hooded fireplace, with a delft tile hearth.
  • The living room fireplace had a wood-box built into an adjacent wall, with one door inside the house and another outside, so you didn’t have to carry wood through the house.  In Los Angeles, we burned a cord of wood every “winter.”  My grandparents hated to be cold, and the flagstone floors had hot water pipes running underneath them, so with a flip of a switch, they were soon warm beneath your feet.

 

On Sunset: A Memoir

In the tradition of The Hare with Amber Eyes and Running in the Family, a memoir of the author’s upbringing by her grandparents in a fading mansion above Sunset Boulevard — a childhood at once privileged and unusual, filled with the mementos and echoes of their impossibly exotic and peripatetic lives.

“Stunning … This is Kathryn Harrison in top form.” –Augusten Burroughs

“Transfixing… Fairy-tale fascinating, profoundly revealing of cultural divisions, and brilliantly and wittily told … Harrison’s entrancing look-back casts light on resonant swaths of history.”
—Donna Seaman, Booklist 

“Evocative and tender, this delightful memoir pairs the distant past with a safe and sacred time in the author’s young life.”
Publishers Weekly

 

For more information:

http://www.kathrynharrison.com/

The Art of Anna Angrick

 

 

 

 

 

 

 

 

 

 

 

 

 

 

BIO

Anna Angrick is an illustrator from Indiana studying at School of The Art Institute of Chicago. Her work is inspired by mid-century children’s illustration, retro-futurism, and early Disney concept artists like Mary Blair and Rolly Crump. Anna is currently freelancing and working on personal commissions, but once she graduates she wants to concentrate on doing children’s book illustration and hopefully writing and illustrating her own children’s book.

 

 

LINKS

Instagram

 

José María Writes A Story

by Annette Freeman

 

“You know very well you’re not real.” —Lewis Carroll

 

A man met another man going towards the faculty office. It was last Wednesday evening, and I overheard their conversation. I was waiting for a bus. The two men stopped to speak, and I heard one ask the other if he knew the story of the English Department colloquium that had taken place some years ago, the one which prompted the decision to remove Experimental Fiction from the curriculum. The second man said he had not been there himself, but he had heard the story from someone who had been present. I happened to have some information about this famous (or infamous) incident, and I turned towards the two men. I introduced myself and apologised for interrupting them. After explaining the reasons for my interest in their conversation, and also intimating that I had some details about the incident in question, I abandoned the bus stop and we all retired to the faculty common room. We settled down to listen to the story that the second man had heard from someone who had been there.

 

“This was six or eight years ago,” he began. I interrupted briefly to suggest that it could have been as many as ten. He nodded in assent, and continued. “A group of English post-grads had gathered over an evening wine in the campus courtyard café. There were six or eight in the group and the topic under discussion was The Story. I mean, of course” (he said) “the concept of narrative as a vehicle for revealing life, truths — or lies. Each of the students present had a different view. One argued deeply for the merits of Moretti’s views on distant reading and the irrelevance of the canon. Another was passionate about Barthes’ views on the pleasures of the text. Yet another was a fanatic about Borges and talked for half an hour about labyrinths. Each had a particular spin on how fiction worked, and what the limits were (or even if there were any) on what a writer could achieve.  After four or five of the students had given their views, each subtly different but equally earnest, there was a pause as a waitress hurried towards them bringing the pizza they’d ordered.”

It was at this point that I was able to interrupt again with the information that I had been that waitress. My companions were surprised and interested. I explained that I had been an undergraduate at the time, working a part-time job, and I’d managed to overhear only mere snatches of the now-legendary discussion, but I’d heard enough to make me wonder ever since just precisely what was said. I was intensely excited to have the chance to finally find out. Our companion continued.

“An older member of the group, a man with studious glasses and a striped scarf, returned from the bar with another bottle of house white (legend has it that it was chardonnay) and began refilling glasses. His companions reminded him that he had not yet given his views on the subject of The Story. His name was Dr. Joseph Martin and his specialty was Experimental Fiction, particularly that in the Hispanic tradition. Dr. Martin took a comfortable cross-legged posture on the couch and said that, indeed, he had a story for them. “Back in the ‘nineties,” he said, “I borrowed a copy of Lewis Carroll’s Alice Through The Looking Glass from a fellow I knew at school. He’d been given the book by a great-aunt, and he presented me with an anecdote to go along with it. I’ll tell you what he told me, and though I can’t vouch for the authenticity of it one way or the other, I’ve always thought that it had the ring of truth. You’ll have to decide for yourselves.” The students assumed expressions of alert interest. They approved of unreliable narrators, and prepared to engage with this story, whatever it was.

“Inside the front cover of the Lewis Carroll novel” (he went on) “given to my school friend by his great-aunt was a dedication, inked there in copper-plate handwriting: “To Mary Jo, from an admirer.” The great-aunt, whose name turned out to be Maria, told her great-nephew that she’d bought the book at a second-hand bookshop, long since closed, and that she’d found inside it, not only the inscription, but also a set of thin-folded pages.”

At this point, the students in the group couldn’t help some light-hearted jeering. The story was already difficult to believe, and it had barely begun. But their companion assured them that he was getting to the point, and that it was a point worth considering. He continued:

“My school friend and I discussed at some length how these pages might have found their way into the novel, and who their author might be. I wondered about the proprietor of the second-hand bookshop (who had been a notorious eccentric), but my school friend suspected his Great-Aunt Maria, a busty spinster who favoured pink crimplene outfits and who was known in their family for her pretensions to be a writer of fantastical allegories. When you hear the story told by those pages, you may understand why we were so interested in knowing their authorship.”

“Joe Martin was certainly a raconteur,” said the man who was telling us this story. “He knew how to craft the build-up, the hook, the tension, the telling details.” Certainly, I have never forgotten that pink crimplene outfit (though I had to Google ‘crimplene’). We had found a bottle of chardonnay in the common room fridge, overlooked from the last faculty drinks, and had settled down to listen, unconsciously mirroring the students in the story. The man who knew from someone who had been there, went on:

 

“ “This is the tale that was in that hand-written manuscript,” said Joe Martin. “My school friend had read the pages through as soon as his great-aunt had given them to him. He’d read them lying on his stomach on the floor of his bet-sit, on the floral carpet with the smell of dust in his nostrils. The hand-writing was, he told me (for I never saw the sheets myself) clear and legible, in blue ink; and the prose was literate and straight forward, leaving no ambiguities as to its meaning. It told a well-made story which followed a classic arc.”

The students protested: would he never get to the plot-line? Half the bottle of chardonnay was already gone, and they needed more pizza. At last he began…

“There was once…” What could be more classic than that opening? It lacked only the dark and stormy night, as I remarked to my companions in the faculty common room. “There was once a thin bearded man, a lawyer, who ran his own practice from an office in the city. Which city was not specified, but from the details which followed, I assumed it to be” (said Dr. Martin) “a modern western city in the 1970s or 1980s. The area of law in which he practised focused principally on commercial disputes. His days were filled with leases, contracts, commercial property, intellectual property, dictation to his secretary, and the reading of letters from his clients transferring their problems to him. In short, it was not a life that our hero found particularly congenial.”

I interrupted again at this point, as I wanted to know whether the story-teller’s use of “hero” indicated that we were going to hear a conventional Joseph Campbell arc; but our friend said no, Joseph Martin had merely adopted that term in re-telling the story to indicate the principal male protagonist, whose name was not yet revealed but which would be, momentarily. I nodded, and urged him to go on.

“Our hero was a great book lover. In his small apartment, where he lived alone, he had many books stored lovingly on bookshelves built for the purpose. There was little else in the apartment, as our hero was not someone who valued what he derisively called ‘things.’ In fact, apart from a large sofa which was also his bed, and a cupboard for his clothes, and of course a bathroom, the apartment held little other than the impressive array of books.

Many of these books had not yet been read by our hero, but his view was that a library of unread books was much more valuable than a library of books already read. Amongst his titles were the Karma Sutra, The Tibetan Book of the Dead, and Lewis Carroll’s Alice Through The Looking Glass. As soon as he had time he planned to read The Tibetan Book of the Dead, as he thought from its title that it would be a book after his own black heart. As to the Karma Sutra, he had purchased this in his youth when he had been under the spell of eroticism, but of late his interest in this subject had been waning. While he continues to admire pretty women, and is not immune to the pleasure of contemplating an impressive cleavage across a dinner table, these days he finds himself bored by the messy and brief business of sex. Alice Through The Looking Glass had been given to him by an aunt.

There was no kitchen in the ascetic apartment. Our hero ate all of his meals at a small bar downstairs where the waiters knew him, as he was such a frequent customer. He had his preferred seat on a stool at the window bench where he could read the daily newspaper, drink two or three espressos, and work himself up into a rage against the politicians of the day. After he’d been frequenting the bar for several months the waiters began to address him as ‘José María,’ which was not his name. He assumed that either they had mistaken him for someone else, or they had christened him with this Spanish name because of his dark beard and his habit of swearing colourfully under his breath while reading about politics (both well-known Latino traits.) He never corrected the waiters; he smiled to himself behind his beard when they called him José María. He liked the idea of having a nom de guerre, his real name unknown. He was a solipsist at heart, he thought.

One day, fed up with his daily work at the office, our hero decided that he would write a story. All his reading had convinced him that he too could write like those published authors” (the listening chardonnay drinkers smiled wryly in appreciation of this sentiment) “and in any case, his story would not be published. He would write for his own satisfaction.” (Chardonnay glasses were raised in salute.) “So in the afternoon he moved the hated commercial files from his desk, told his secretary that he was not to be disturbed, closed his office door firmly, and sat at his desk to write. He felt that he had some important and interesting things to say. For some time past he had been thinking, while driving to work, about a short story that he wanted to tell.

The story has as its heroine a woman, quite attractive, short, dark-haired, a nose like a strawberry and prone to smile a lot. José Marìa calls this character ‘Mary Jo’. He is pleased with this sobriquet, alluding as it does to his own pseudonym. This story, his first, describes Mary Jo as a rather eccentric person who lives alone, enjoys the company of handsome men, likes to read and to drink wine, and is a loyal friend. In the story, Mary Jo is taken out to dinner by a handsome bearded man, and the couple orders a good Rioja with their meal. It turns out that the bearded man” (who seems rather similar to someone we know, said Joe Martin) “is an incorrigible gossip. He asks Mary Jo a lot of questions about mutual friends of theirs, and about her love life. Since she is rather drunk, she happily gossips along with him. As the meal is finishing they are still chatting together amicably and maliciously. Mary Jo asks if the restaurant would serve her a glass of champagne. Champagne is one of Mary Jo’s weaknesses. The bearded man gallantly orders a whole bottle of Moet et Chandon and the two proceed to enjoy it together.

At this point in the conversation the bearded man asks Mary Jo to tell him an interesting story about her past love life. Mary Jo, it turns out, is a woman of little discretion who cannot hold her drink, and consequently she tells the bearded man about an affair she had in the past. This affair involved a love triangle and made a particularly interesting story, and the bearded man was well repaid for the champagne he had bought. The high point of Mary Jo’s anecdote came when she let slip a crucial detail about the man with whom she’d had the affair, whereupon the bearded man exclaimed: “I know him!” And indeed he did; and Mary Jo was mortified, even through the champagne haze.

Our hero, the putative José Marìa, was pleased with his first attempt at writing a story. He felt that his little tale illustrated the perfidy of the female and the reasons why sex is nothing but trouble. He drove home satisfied, and enjoyed dinner and a glass of red wine in the bar where they called him José Marìa, smiling behind his beard.

The next day he was sitting at his desk in the afternoon, dealing with the many terrible letters from his clients who wanted him to do many things immediately, and he was feeling put-upon and tired of it all. Perhaps, he thought, I will leave all this behind and become a full-time writer of clever and revealing stories. His secretary came to his door to announce that he had a visitor. A woman had arrived without an appointment and according to the secretary she was anxious to speak with him as soon as possible. Our hero put aside his daily mail and politely welcomed his new client into his office. The secretary closed the door as she went out and the visitor sat in the comfortable visitor’s chair in front of the desk. She was a short woman with dark hair, a distinctive strawberry-shaped nose, and a worried look. Our hero did not find her unattractive but he had sworn off all that sort of thing lately; he repressed any erotic thoughts. As he looked at his visitor she seemed strangely familiar, but he couldn’t place where he might have known her.

She soon came to the point of her visit. She blurted out her troubles, telling our hero that her name was Mary Jo, and that she had come to consult him, as a lawyer, about what she could do to stop a serious breach of confidential information. ‘José Marìa’ was dumbfounded. In a blinding light he recognised his visitor.

“But you cannot come to me for help!” he said. “You are my character and I am your author!”

At this Mary Jo burst into tears and the result was that José Marìa found himself in the peculiar situation of warmly embracing and comforting his own fictional character.”

By now the students drinking wine in the courtyard were laughing. I, waitressing at the time, was clearing glasses from nearby tables and I distinctly remember this moment, though I had no real idea of what had caused the outburst. I now learnt that the post-grads suspected Joe Martin of concocting this whole tale as a post-modern joke — the school friend, the manuscript in Alice Through The Looking Glass, the pink crimplene. Why couldn’t you tell us this funny tale without all that backstory, they asked? But he insisted that the story wasn’t his, that he had heard it from his friend who had found it in a book given to him by his great aunt Maria. And he went on: “it has another side, if you’ll stop scoffing for long enough to hear it.” The students urged him to explain himself, and he continued the story:

“Despite the fact that Mary Jo was a character whom José Marìa had invented in a short story, she felt real enough to him when he had his arms around her in a strong hug. Although he had recently decided that sex gave very little return on investment, this hug was pleasurable to both of them, and soon the author found himself in the possibly unique position of having an affair with a character from his own story.

But being the kind of man he was, José Marìa could not think about settling down domestically for more than an infinitesimal moment, and within a short time his affair with Mary Jo was over. She was rather upset about this, and for a while she would telephone and write him notes. But as he said to her, how could the relationship be expected to work, given that she was an invention of his?

Eventually Mary Jo accepted this philosophically and went back to the life he had created for her, living in her small apartment, reading books and drinking wine. At first José Marìa was curious as to whether Mary Jo could continue to have things happen to her, if he, her author, did not write more stories with plots and narratives describing her life. But curiously she seemed capable of carrying on alone, if in a rather monotonous round of doing the same things. But there was another concern. José Marìa was a kind, if eccentric, man and he didn’t like to think that Mary Jo, his Mary Jo, was sad or lonely. As she was his character he felt some responsibility for her. He decided to write another story in which her life improved.

In this new story Mary Jo was described as leading an inexorably happy life. She was given a wide group of friends, men and women, she went to parties, and enjoyed all the fun, sun and peace that her author could imagine. José Marìa couldn’t bring himself, however, to write a new lover for her. In this second story she always remained a little wistful and it was implied that she was carrying a torch for a certain handsome bearded man. Mary Jo came home to her apartment one afternoon after drinking wine in the sun with friends to find that a gift had been delivered. It was a small volume of Alice Through The Looking Glass. It was accompanied by an unsigned inscription which simply read: “from an admirer.” Mary Jo was thrilled to receive this gift and thought immediately that she knew who had sent it, though her author tried his best to stop her from leaping to conclusions. Similar small gifts continued to arrive intermittently over the next few weeks — nothing too ostentatious: a slightly worn copy of the Karma Sutra, or another small item that José Marìa didn’t want. He liked to see Mary Jo smile.

Despite that fact that he was a lawyer, José Marìa was also a skillful storyteller and he soon realised that his character Mary Jo was becoming flat and stereotypical, and to round out her character and make her more believable he needed to introduce some conflict into her life. So Mary Jo found the gift-giving puzzling, given her assumption about the identity of the gift-giver. She wondered if it indicated that José Marìa (her author) would like to renew their romantic relationship. Certainly she had been enjoying life recently, and she was smart enough to realise that she owed this substantially to José Marìa. She thought of him fondly and looked forward to the possibility of reviving their love affair. Unfortunately this possibility was scotched when, one evening on the promenade by the sea, she spotted José Marìa having an aperitif at a small beachside café (which had once been “their” favourite café) with a dark Spanish-looking beauty. It seemed that José Marìa had moved on in his love life.

Mary Jo, being only human, felt a twang of jealousy. Her author had included this trait in her character when he had first invented her. It was his belief that the tendency to jealousy is innate in all women (he was, at heart, a gentle misogynist), and so he felt that he could not leave this characteristic out of Mary Jo.

Mary Jo’s jealousy was well-founded. José Marìa had indeed gone back to his philandering ways. He took the Spanish-looking beauty on a short vacation to a tropical resort where they enjoyed a romantic weekend in a luxurious hotel. This was rather a large investment for José Marìa, but to ensure that he got value for money he took home with him the free souvenir sarong that the hotel had left covering the sumptuous bed. It featured palm trees and parrots and was vividly and tropically coloured, and had printed across it “Port Douglas” in large curlicue letters. José Marìa was happy with this souvenir, reminding him as it did of the enjoyable time he had spent on the hotel bed.

He returned home. Some weeks passed, as did the Spanish beauty, who moved on like all of José Marìa’s women. She had been a passing fancy. One day he was looking through his desk drawers for a misplaced document when he came across the half-finished story he had written about Mary Jo. He felt a little sentimental at the thought of her and decided to continue the story by sending her another little gift. After all, she was special amongst all the women he had known, in that he had invented her. So he wrapped up the souvenir sarong and left the small parcel on the doormat of her apartment on his way home from work. He had written on the package, in rudimentary Spanish (which he’d picked up from his last girlfriend): ‘para Mary Jo, un abrazo fuerte, J-M.’

When Mary Jo discovered the package and saw who it was from, she was rather annoyed. “Just another useless gift, sent to confuse me!” she said. She tossed it onto her coffee table with some junk mail and forgot about it for several days. Eventually she was curious enough to open it. Her character naturally had some stereotypical feminine curiosity, so she couldn’t resist forever. Mary Jo opened the package and shook out the sarong. She saw the words “Port Douglas” emblazoned across it and recognised it immediately as a souvenir sarong from a certain big hotel. It so happened that she was quite well aware of José Marìa’s trip to Port Douglas and with whom it had been taken. It had been the subject of extensive gossip in the chic waterside bars where their mutual friends drank cocktails, and of course, as we know, Mary Jo’s author had created her to be a gossip (that was where the trouble had started.) It did not take too much feminine intuition (with which Mary Jo’s author had generously endowed her) to imagine the sarong draped over the hotel bed and the goings-on which were accomplished on top of it.

José Marìa had included patience and intelligence in Mary Jo’s character, so she waited for a few days, thinking the matter over. Eventually she decided that José Marìa needed to know what an insulting gift he had given. She decided to write to him and explain the error he had made. As she composed this note in her mind a better idea came to her. She would write a short story in which retribution was delivered to José Marìa, gently but very clearly. She sat down at her kitchen table with a pen and paper.

Mary Jo took for the form of her story the contemporary fable. She favoured stories with a clear-cut moral message. After opening with a moving passage reprising their early relationship, and describing the shock of the gift in poor taste, she added a confrontation on the telephone. She called José Marìa and told him firmly that his gift was insulting. She included a little shouting (for verisimilitude — they were, after all, both strong-minded people). At first José Marìa could not understand what he had done wrong. However he eventually understood Mary Jo’s point when she threatened to send him an intimate item belonging to her new boyfriend (a person she invented for the purpose of the argument). José Marìa agreed that he would certainly not like to receive such a thing, even freshly laundered.

José Marìa was chastened, but he decided that it was best to move on and to forget all about Mary Jo, even though she was his creation. Mary Jo, for her part, certainly wanted to forget all about José Marìa. She went on with her life. One afternoon she was in her apartment stirring a risotto (her specialty — her author had made sure she was a good cook), and she was listening to the radio. The broadcast was a talk show which José Marìa often listened to when he was driving home. The radio host began taking phone calls from people who were encouraged to describe the worst gift they had ever been given. Mary Jo realised immediately that she had a winning story, so she phoned the radio show and broadcast — to the whole city — the story of José Marìa’s gift to his ex-girlfriend of the sarong upon which he had had his adventures with a new woman. The radio host was incredulous. People began calling in from all over the city, amused and amazed at the idiocy of José Marìa. As he listened in his car her author was appalled. She had named him to the world, but luckily ‘José Marìa’ was a nom de plume.

This story was Mary Jo’s revenge on José Marìa and she was satisfied with it. It suited her sense of justice, which her creator had made strong in her. The radio show was offering a prize for the best ‘bad gift’ story, and Mary Jo won it hands down. The next day a huge bunch of red roses and a beribboned basket full of chocolate was delivered to her door. But the day after she also received a letter from the radio station sending her two movie tickets as her prize. She wondered who had sent the flowers and chocolates. She had not written that ending to her story.”

 

As the man who knew from someone who had been there finished his report on Joe Martin’s tale, the chardonnay bottle stood empty and the faculty common room was still. We silently contemplated the devastating effect of allowing a fictional character free reign, of undermining authorial authority, and of generally letting meta-fiction get out of hand. We gulped a little and each turned pale, as the full import of such a nightmare scenario sank in. Unlike the mocking students of long ago, none of us doubted the truth of the tale. I rose, walked to the common room bookshelf and picked up a copy of Unamumo’s Neibla, a text which had, for a while after the incident, been more or less banned in the English Department. Now I knew why.

 

 

 

BIO

Annette Freeman is a writer living in Sydney, Australia. She was born and raised in Tasmania, which she suspects is reflected in her writing in ways too mysterious to analyse. Her shorter work has appeared in the University of Sydney Student Anthology, BrainDrip Magazine, Collective Hub Magazine and Travel Post Monthly. She has a Masters of Creative Writing from the University of Sydney, the support of a terrific writing group, and boundless respect for a fine sentence.

 

 

 

 

 

Still Sharp

by A.C. O’Dell

 

Even while I suckled, the spirits knew, and when the blueprints arrived, I chewed on them with the emerging razors of my tiny teeth. Truly, how can you be surprised?

 

 

Vanilla

 

When I was quite small, I remember you teaching me to bake in the kitchen. You wore a tired apron and I stood on a scarred chair, and when I scented the raw vanilla, my little eyes lit and I leaned greedily toward the be-battered bowl. I think I commented on it, and you smiled kindly and said, “try it.” Then you watched me, and laughed as I made a face and spat out the biting bitterness. You poured me a fresh glass of water. And then we went on, because I knew.

 

 

within the partition entitled ‘once’

 

[recollection, evocative]

I: #6, A-C
cavernous echoes
in an empty shower stall1,
and [the scent]
ephemeral, elusive
suggesting a thin, sleek ponytail
and a track jacket
with red trim
his skin felt

I: #6, A-D
the soft clicking [sounds]
of a manual desktop mouse
grey and smooth,
with the smell of
warm electronic equipment
and a sterile tiled floor2
his hands were

I: #6, A-E
nubile bass and electronic vamp,
bouncy
the security of nestled earbuds
and [the feel] of cool spring raindrops
against the tips of the ears3
his eyes looked

  1. Brown
  2. Stroup
  3. Fox

 

 

Forever from now (hold fast)

 

forever from now,
(you mustn’t cry then)
((and indeed i doubt you’ll be able to))
the sky will be hung low
with bruised purple smoke,
and washed in peach, maroon and tangerine.
shadowy silver clouds will move like glaciers—
whoever heard of clouds scuttling? (in this age!)
with industry at its feverpitch-iest,
great unknown shudders will split the air,
and my children will hold aloft sweet lights
(that others might find their way).
though your body be gone,
you will yet see the thing,
for i have your eyes.

 

 

 

BIO

A.C. O’Dell is a writer and flash poet living in Virginia. She received her B.F.A. from Mars Hill University and her M.F.A. from Regent University. She has two chapbooks, Woman These Are Yours and Slightly Bitter, and has published two zines with watercolor artist Marni Manning: Americana Culture and Inktober. Her piece “The ordinary-ness” was recently published in Blakelight Literary Magazine. One of A.C.’s favorite things to do is run her pop-up poetry booth, where she composes extemporaneous pieces for clients as performance art. It is one of the most beautiful and challenging projects she has ever worked on.

 

 

 

 

 

Meetings

by Margaret Karmazin

 

I.      I adjust my coat collar, straighten my shoulder bag strap and put on my Meetings Face. Better to do it now, like a method actor – get into character and make sure it doesn’t resemble Resting Bitch Face which I have a tendency to normally wear unless actually smiling.

This particular meeting is political, so I have made myself look competent and even slightly corporate.  Smoothed the hair out, put on a dark gray outfit, gold earrings and my gold colored watch. I have added an official looking notebook, which I will doodle in during the presentation, but unless you are sitting next to me and making a point of looking, I will appear to be “taking notes.”

Let me tell you right here that I hate meetings.  Anymore, I pretty much abhor most social gatherings, but I continue to attend them because They keep telling you that if you don’t, you’ll probably die sooner.  Really though? Enduring shallow relationships where no one gives a hoot about you except that you make financial contributions to the Cause or you fill up a space and make it appear that whatever this meeting is about is “working” are good for your health and give you more of a chance to make it to a hundred?

Gretta, the leader (she started it and we play with her bat) and Marcella, who is apparently going to be Treasurer/Secretary though no one seems to have any say over how the money is spent besides Gretta, are sitting at the head table. Everyone politely listens to Gretta’s stream of consciousness.  She has forgotten to shave or wax her throat, which is sprouting a forest of post-menopausal hairs. From this point on, out of terror, I will shave my own neck just in case.

“We need to come up with a different design for our business card,” Gretta says, which immediately gets my hackles up since I was the one who designed the logo, though I was not permitted to lay out the card.

Like the butt-licker I am, I immediately start doodling potential card designs in my official looking notebook. The problem is that Gretta seems to want entire paragraphs on this two by 3.5 inch piece of cardboard. Nevertheless I persevere, knowing the entire time that no matter what I submit, she will not choose it.  If it were up to me, I would make the card simple with a web address on it so anyone can just look at the website to see what the group is about.  Later I hand my sketch in only to be told by Gretta, “Several people have handed in ideas. We’ll decide later.”

What?  Were they all frantically sketching during the meeting too and somehow passed their papers up to her table without me noticing? Or did she collect these at some earlier secret rendezvous? And why won’t she smile?  Why can’t she fucking ever SMILE?

But I remain in my professional political meeting mode, holding onto my composure while visualizing her being ripped apart by hyenas.  The thing is though, I am not planning to do any of thing things she wants people to do like canvas for our Party or harass voters by phone. This is a rural area, people have barking watchdogs and guns, and a serial killer might live in one of the farmhouses – who knows?  And I personally hate it when people call me to tell me whom to vote for. So what am I even attending this meeting for?

I’ll tell you what for – just to be with other people of my own Party in this vast sea I live in of citizens from The Other Party.  I am here just for human companionship with people I don’t want to run over with a steamroller.

So I smile ingratiatingly and stay till the meeting is over, after which I escape to my car and drive the half hour home.  Soon I will be comfortably dressed in sloppy stretch clothes while wearing my Resting Bitch Face, and smug about having made the effort to socialize so that I won’t drop dead earlier than expected.

 

II.      I’m preparing for my Meditation/New Age group discussion meeting. For this, I adorn myself in the local New Age style of one hundred percent cotton leggings and soft tunic top, also cotton and preferably of ethnic design. Shoes, which will be removed at the door where you line them up neatly on a woven mat, are Birkenstock and constructed of nicely weathered leather though many of the participants are vegetarian or even vegan for the purpose of respecting animal rights. (Leather covering for massage tables is also conveniently overlooked.)

I wear my graying hair loose and fluff it as wildly as I can, before inserting large silver dangle earrings, handmade in Indonesia, and a silver bangle bracelet, ethnic looking though counterfeit. Gold is a no-no. Gold implies a woman who kowtows to The Man. My shoulder bag is soft brown leather so it can pass between the Political meeting and the New Age meetings even though a cow died in the making of it.

When I arrive, the leader, Sage, is setting up for Meditation with the help of Bodhi – her given name is Christine but she was blessed with this new moniker by a guru in Phoenix. Bodhi doesn’t talk much since she believes that talking distracts from her communion with the Universe and drains her spiritual energy. She is arranging an altar at the front of the room with little Hindu statues, incense and other paraphernalia. Sage regards me critically.

“Dennis and I would like to have a session with you.”

“What for?” I innocently ask.

“You need to work on some issues that have to do with honesty. We can help you. Maybe Thursday evening?”

“Honesty?”

“Uh, yeah. We feel that you need to work on that, that you’re not being totally honest.”

“I don’t know what you’re talking about,” I say, though I kind of do. She and I both know that I don’t live my life fully in the New Age/Hippie manner. So much for meditational tranquility; this cocky New Age dictator with her tousled red hair, hippie dresses and frequent supposedly subtle attempts to get everyone to take their clothes off and massage each other has ruined my mood.

“Interesting,” I say.

“What is?” she asks, her hand in midair as she decides where to place a Ganesh statue.

It occurs to me to wonder why all the Hindu stuff.  Are we supposed to be worshipping Hindu gods and if so, why?  I realize that I really don’t fit into this group…well, I do and I don’t.

“It’s interesting that Dennis would be giving advice on honesty when he spends all of his time complaining about what the war did to him instead of making a serious effort to clear up his own psychological problems and get on with his life.  I find it curious that he, who has no experience in counseling, would take it upon himself to advise me who took several courses in psychology and who read the entire DSM for pleasure. I think I will pass.”

Of course, Sage does not know what the DSM is.  “Well, if you change your mind, I think it would be good for you.”

I nod.  “I suppose you do.”

The others arrive, including Dennis who looks sourer than usual, and we sit on the floor in a circle. Everyone appears properly New Agey, especially Crystal who, though middle-aged, maintains an ethereal look with her floaty Indian dresses and pale blonde, fly-away hair.

“Why don’t we continue our work on expressing our anger before we meditate?” suggests Sage, which is not really a suggestion but an order.  Sage has a lot of anger of her own built up, due to having married while young and still a virgin and never having enjoyed sowing her wild oats. Apparently men in general are to blame for this or so one can deduce from her frequent ranting against them. She passes around throw pillows for people to beat up during tirades of their own and starts the ball rolling by handing the woman next to her the Talking Stick.

“Dawn, what is your state of mind today?”

Dawn, who is a wraithlike drama queen, gets right to it.  “I-I-,” she says flutteringly, “I just think I need some space. Joe just doesn’t understand. I mean he babysits Ariel whenever I ask, but it’s more than that. What we need is to see other people when we want to. You know, experience so we have more to bring back to the relationship.”

Uh huh, I’m thinking. Why doesn’t she just say she wants to fuck around? Talk about honesty. We’ve been over this before and somehow, her conventional husband expects her to stick to their original agreement made four years earlier at her childhood church in a white dress and tux and then celebrated at a backyard picnic.

I listen to her go on and then to the next person, a young guy wearing a man bun who is so accommodating that I want to punch him hard on the arm and shout, “MAN UP!”  He is worried about school. None of the offered classes enrich his soul.

This goes on until it’s my turn and I don’t really have anything to say.  It’s not that I never get mad – hell, half the time I am mad about something, but just not mad about the sort of things the group approves of.

But I try to fit in.  After all, don’t I come here for human contact and to make friends, though now I realize that these are not really people I’d want to have lunch with. I accept the Talking Stick and say, “Uh, yeah, the Me Too thing. While I can’t say that anyone has sexually abused me, I can identify with the rage.” I realize that this is coming out in a totally dispirited way. “I mean,” I add lamely, ” the men I personally have dealt with in my life were for the most part decent.”

Oh dear, I shouldn’t have said that.

Sage regards me with disgust and I hear a low moan from Crystal on my left.  “Maybe you’ve blocked out things that happened to you. Whatever.”

“This doesn’t mean that I believe Kavanaugh,” I clarify. “Because there is no doubt he did it. I just mean-”

Crystal reaches for the Talking Stick and in defeat, I hand it to her.

By the time I’m back home, I am so grateful to be there that I kiss the cat so intensely that he meows in protest. I set him down and vow never to return to that group, but undoubtedly, I’ll be there again the following week.

In the bedroom, I remove the silver earrings and, in rebellion, put on big gold hoops.

 

III.       It’s a half hour until I have to leave, but I’m dressed and ready. Driving at night is not my favorite thing to do, but the Writers Group has to meet then since some of the members have full time jobs. For this, I dress like I do at home, only without stains or bleach marks on the clothes. I do comb my hair and the earrings are silver hoops for no reason; I just like them.

The meeting takes place at Richard’s house. Richard lives with his partner Thomas and is Libertarian though only Democrats appear to support gay rights. Thomas greets us as we enter, but soon leaves for a meeting of his own. Richard sets out a plate of cookies and offers tea or coffee. I wonder if he minds hosting the group and would offer my own place, but it is not central to where the others live, as is Richard’s house.

Four others arrive, three long time regulars and the new Christian guy.  Christian Guy is in his forties and very meek – Walter Mitty of the twenty-first century.  He is, from what I have observed so far, a bit on the dim side, but everyone treats him with kid gloves, as they might someone with Down syndrome attempting to compose a poem. Christian Guy’s real name is Michael and he has brought the same story as last month, but revised.

Rachel begins. She is in her late fifties and comes off somewhat hard-edged and I remember she is a dog trainer, so appears to enjoy being Alpha and in control.  She reads her mystery story, which isn’t bad. The others critique mildly but everyone seems to like it. I don’t have anything to add, it seems okay and ready to submit somewhere. Myra reads her poem, which is about a sunset and is trite and boring, though of course I don’t say this. Rachel speaks up and implies that the poem is good and Richard chimes in with a restatement of what Rachel just said. I keep quiet; I’m a bit afraid of Rachel.

Then it’s Michael’s turn to read his revised story. Just like last time, the characters are simple-minded and it is ingenuous and saccharine sweet. God wins all in the end. I am thinking that no publisher I have ever submitted to would even consider it. Michael will have to send it to some cheerful, sentimental magazine if such a thing exists; possibly religious periodicals accept such things? Yet, no one mentions this problem, while I know full well they must be thinking about it.

“Um,” I say tentatively, “Marsha seems…um…a bit…not sure how to put this…maybe childish? Like she just accepts what Gregory tells her and decides to keep the baby even though she already has two kids she doesn’t take care of and has no means of support?  I mean, exactly how is she going to live? And what about her husband’s parole coming up? Will he get it or not? And will he continue to beat her up if he does?”

“Oh, I think it’s fine,” says Richard.

“Yeah, I don’t have a problem with it,” says Lee Ann, the mother of a teenage girl who is currently driving her insane and shows up frequently in her irate essays.

I feel confused, as if I am suddenly on another planet and not wearing any pants. The eternally suspicious mother is saying that these characters are just fine swallowing anything anyone tells them and that whatever the preacher says is right? Because Michael is fundamental Christian, we have to pamper his belief system?

Suddenly, I feel a violent stab of homesickness, picturing my sweet husband in his recliner cozily watching Netflix. I could be there with him now. What am I doing here with these people who obviously don’t like me?

But now it is my turn to read my latest sci-fi story, which takes place on a space station and involves a prostitute and a smug, rightwing head of security who wants to banish the ladies from the station even though the men are lonely.  A delegation of aliens is arriving for first contact and since the aliens communicate best through body contact and smell, the prostitute is called in to facilitate this form of communication. She is the heroine of the day while the smug head of security ends up humiliated.

At first, Richard seems to like the story though the others are quiet. Finally Rachel says, “Maybe you don’t need to be quite so descriptive of what the prostitute does in the opening. I mean, you can just say she is a prostitute.”

I don’t mention that this is exactly what rejecting editors tell you not to do.  Show, don’t tell, they always say. None of these people have had as much experience as I have of being rejected, nor have they had anywhere near as many things published.

“You know,” says Lee Ann, “I don’t think they really would ask the prostitute to meet with the alien. They just wouldn’t do it.”

I silently nod though I’d like to ask her how much sci-fi she has actually read.

Richard, who first said he liked the story, now says, “You had to bring politics into it, didn’t you?”

I am rather stunned and my face flushes. Yes, I brought politics into it since politics are actually related to everything in LIFE.  I want to scream, how come Michael can “bring politics into it” just by being fundamental Christian, but if I do it, it’s not kosher?

“That reminds me,” Richard goes on, “a friend of mine read your letter to the editor, the one about the Middle East? And he said, ‘I thought you told me she was intelligent.'”

While my face burns, I make the decision then and there that I will not return to the writer’s group. As I drive home, I wonder why I go to meetings at all.

Oh, I remember…it’s to make friends.

 

My husband turns his head as I open the door.  He is cozily in his recliner just as I had pictured, Roger the cat on his lap. The TV is on to a nature show where a mother cheetah is worried about protecting her cubs while she desperately searches for food. I have never been so happy to see all this in my life.

The next day there is a lake association meeting but I refrain and let husband go by himself.

 

 

 

BIO

Margaret Karmazin’s credits include stories published in literary and national magazines, including Rosebud, Chrysalis Reader, North Atlantic Review, Mobius, Confrontation, Pennsylvania Review, ASIM, The Speculative Edge and Another Realm. Her stories in The MacGuffin, Eureka Literary Magazine, Licking River Review and Mobius were nominated for Pushcart awards. She has also published a YA novel, REPLACING FIONA, a children’s book, FLICK-FLICK & DREAMER and a collection of short stories, RISK.

 

 

 

 

 

A Last One for Richie

by Lauren Sartor

 

While you drove your date home
safe and unused,

I waited for you
in a cream-colored slip
keeping time
with a scented flame.

When you finally came,
you placed down a bag
of carefully measured drugs
as if you were preparing
for a parking spot.

You’ve always be so meticulous,
never leaving a sock caught in my quilt
or a piece of jewelry forgotten
by the alarm clock.

You must think it’s funny –
turning the cunt awkward
and disappearing soon afterward

leaving behind only
a few specks of soreness
and the casual
interruption
of self-esteem.

 

 

 

Shit

 

Life is full of anuses,
and cigarette butts.
It’s full of dicks
with no names, vaginas
with anuses. Everything
constantly needs cleaning,
(especially anuses).
Sheets need to be washed
between lays, old beer cans
dumped out and recycled.
The floor is sticky
and the refrigerator
smells like anuses.
Bed is a place to dream,
masturbate and fart.
There are blood stains
on each pillowcase.

The first cigarette
calls the bowls into motion.
Ashes drop on my thighs,
my anus clenches
and lets go. The first
inventory comes
from inside. It drops
past a halo of piss,
stains the porcelain.
Every day I check
to see whether
the turds are small
and tight or loose
like a scrambled
mind. My anus is a
mouth, the excretions,
the tongue escaping.

 

 

 

Almost

 

“I’m never so happy
as I was in East
Seneca Street,” he said
to nobody.

He his fingers moved
disjointedly, he stuttered
and was there all day.

It was almost
enough. It almost
made me
leave.

The poorest bars
are always richest,
where nobody drink
shelf.

Where do women go
when they’ve drunk clean
the well of youth?
I can’t tell you

yet. The man kept
on talking
to nobody and
sitting next
to me.

It was disgusting
as if he were violating
a social contract.
It was

almost enough
to make me leave,
to make me
tell him

To shut up, to throw
my drink
in his jaundiced face,
to get up

and find
what happiness
could be housed
on East Seneca.
 

BIO

Lauren Sartor has an MFA from Sarah Lawrence College. Her work has appeared in publications, such as Black Fox Literary Review, Broad! Magazine, Calyx Journal, Literary Juice, Easy Street, and The Former People’s Journal. Her work takes an earnest look at the conflicted, and often misrepresented, facets of ordinary livelihood. She is currently a Ph.D. candidate at SUNY Binghamton.

 

 

 

 

Suit Yourself

by Lindsey Godfrey Eccles

 

 

This afternoon while I’m showing a new listing the weather finally turns, and when I put on my rain jacket I find something in the pocket that I should have thrown away a year ago.  I continue the walk-through, showing my client the rock fireplace, the exposed beams and the “lodge” feel – he’s a nice young guy, born overseas, polite and sophisticated, the kind of tech money we depend on now – but the whole time I’m also palming a children’s puzzle piece, exploring its shape, noting the way it fits into my hand.  By the time we get to the chef’s kitchen I am feeling too warm.  Breathless, and a little nauseated.  I have to duck outside, and I sit down too hard on the damp stone steps.  My client is nice about it, but he’s spooked.  As we shake hands and I watch his car go down the gravel drive I know I won’t hear from him again.

I’m finding it hard to care.  I pull the piece out of my pocket.  It’s from the cheap kind of puzzle, hasn’t been treated well, and the shiny paper has almost come loose from the cardboard.  I slide out from under the porch roof and run my fingers over it, letting the misty drizzle cool my cheeks and the back of my neck.  I don’t want to think about the puzzle piece or where it came from or why it’s in the pocket of my rain jacket.  But what the hell.

 

I’m in my mid-fifties, and I live alone, which is absolutely fine with me.  I’m not married anymore, and I don’t have any children.  I do have a niece who lives in Florida.  Amanda.  She’s just three years old now, and she’s the light of my life – that is embarrassing to say, but it is exactly what I mean.  I can see things more clearly when she’s around.  I used to go down there every few weeks or so to see her, but my last visit was more than a year ago, when my brother kicked me out of his house seven hours before my flight.

I should say that I never got along with Stevie all that well when we were kids.  He’s a lot younger than I am, and we’re just different.  He didn’t finish college, and I did, and he thinks that means I think I’m better.  I do think I’ve done more with my life than he has.  That sounds wrong.  What I mean is that I’ve gone farther.  The distance from where we started and where we are now is farther, for me.  For example, Stevie tells jokes that make me uncomfortable.  I don’t think he’s a racist but on the other hand, I would have trouble defending him to someone else who thought he was.  Sometimes, I want to ask him, haven’t you been paying attention?  Haven’t you learned anything at all?

I always loved Stevie, but we weren’t close, and after our parents retired and moved to a golf course in Southern California we didn’t see each other much.  The gap between us always felt faintly embarrassing to me.  It’s a question, usually unspoken, but a question, when I mention Stevie to somebody.  Your brother is twelve years younger?  And they wonder.  But Stevie married Whitney, and now they have Amanda.

Things were getting better between me and Stevie.  He likes it, or did like it, when I visited, and for a while he was sending me photos and videos every single day.  I watch them over and over now, sometimes while I’m on the phone with a client or another agent.  There is one video of Amanda jumping into foam pit one of their neighbors built in his backyard for the kids.  The foam pit is safe, I guess, but the way she launches into it, belly first, it gets to me.  She is so brave.  I watch her over and over, flinging her head back, not even looking at the pit, not even watching where she is going.  She lands, rolls, stands bottom-first and lifts her arms for someone to pick her up.

But all of this is how it was a year ago, not how it is now.  From what I understand, Stevie and Whitney – she’s his wife, did I mention that? – have been having problems, as they say.  Stevie is more or less a stay-at-home dad, though I doubt he would describe himself that way.  He does some kind of freelance marketing, I think, but he doesn’t work much, and he doesn’t pay the bills.  This is okay with me, and I think it’s okay with Whitney, but I don’t think it’s okay with Stevie.  Whitney is a nurse practitioner in the maternity ward of the county hospital down there in South Florida, where they live.  They live on a golf course too, like our parents, but it isn’t very nice.  A little embarrassing, mostly flat, not many trees.  People drive golf carts around on Stevie’s street as if they were wealthy people of leisure, but to me they just look like they can’t afford cars.

Anyway, Stevie doesn’t work, and he stays home with Amanda.  They can’t afford day care on Whitney’s salary, even with overtime.  Stevie loves Amanda.  I can tell, from the photos he sends.  He likes to dress her up.  She has cheerleader outfits for the Dolphins and the Marlins and the Hurricanes.  We’re not even from Florida originally.  What gets me isn’t the outfits, though, so much as the way that he does her hair.  When he dresses her up he always puts her hair in braids, and not just the simple Pippi Longstocking style sticking-out braids, either.  He can do it all – French braids, the braids that look like fish skeletons, you know, intricate stuff.  He can do the braids that make her look like a Bavarian barmaid that snake all around her head.  It’s amazing what he can do.  I don’t know where he learned these things.  My mother never braided my hair, and even if she had, he would have been too little to notice.

It isn’t easy, I don’t think, even for a man in his generation, to stay home and take care of the kids.  He must get lonely, and he must have doubts.  I am not sure I could have done it myself, if things had worked out differently for me.

 

Stevie’s house is like a shoebox, a giant baby blue shoebox, lined up alongside dozens of other shoeboxes painted in various shades of pastel.  I always felt uneasy, walking down that street, which doesn’t have sidewalks or even a curb, but just sort of slopes down into a shallow drainage ditch.  Before the last time I had never visited during a big storm, but anyone could see that it wouldn’t take much to flood this whole neighborhood.  When I take Amanda for walks we stick to the middle of the street, which is okay, because the only traffic is retirees in electric golf carts.  Amanda likes those; she points at them and says “golf carts!”  “Are those cars,” I ask her, and she shakes her head all the way side to side with a big smile on her face: “Those are golf carts!”

The day before the morning Stevie kicked me out of his house was a Sunday and because it was September, that meant football.  I don’t watch the NFL myself, but I don’t mind the game.  It reminds me of when I was younger – there were so many afternoons in New Orleans at the bar I tended in the Quarter, with every sort of person walking in and out and the game on all day long.  And it’s something to talk about when there isn’t anything else.  I am sitting with Amanda on the pale green carpeted floor in the long hallway that connects the rooms of the shoebox like buds on a vine.  We are putting together a thirty-five piece puzzle, which is a little old for her, but she is remarkably good at puzzles.  This is a jungle scene, with every manner of African animal peeking out of a tangle of vines and leaves – including some that I am pretty sure belong on the savannah, not in the jungle.  I have my back propped up against the wall, and Amanda is sitting cross-legged on my lap.  It is hard to put the puzzle together on the soft carpet because the pieces wouldn’t stay joined when you try to add another piece, but there isn’t a free table in the house.  We do the best we can.

“Where’s the rest of the elephant, honey?”

Amanda frowns at the piece in her hand, then holds it out to me.

“Nope.  What color is the elephant?”

Stevie pounces on Amanda out of nowhere.  “The elephant is purple!” he shouts, and he lifts up Amanda, who cries “Purple Daddy!”  The puzzle piece falls on the carpet.

“Hey,” Stevie says to me, holding Amanda over his head like a trophy he’s just won.  She is giggling and kicking her legs.  “How about we invite some friends over for the game later?”

“How ‘bout that?”  Amanda says.

“Um,” I say.  It’s the last day of my visit, and I want to spend it with Amanda, and plus there are some things I want to discuss with him and Whitney.  Just some suggestions.  I’m not that kind of older sister – I would never tell somebody how to raise their child – I’m not my mother – but I have a couple of suggestions.  Plus, I don’t like the way he said it, as if he hasn’t already invited his “friends” over, as if I really have any say in it at all.

“Of course not,” I say.  “That’s fine.”  Stevie gives me a look.  I’m not always very good at hiding my feelings.  “That would be fun,” I say, stretching my lips into a smile.

“Great!”  He holds his hand down to me.  “Want some help up?”

I shake my head and brace myself against the wall to stand.  Stevie is already walking down the hall with Amanda held high, her auburn curls bouncing against the ceiling with the rhythm of his steps.  He knows I’m watching.

In the kitchen Whitney is cooking.  Or doing what passes for cooking in this house.  Sometimes it seems like days pass before I see these people sit down to something I recognize as a meal.  Whitney is digging through the cabinets pulling out bags and boxes, then reaches into the fridge for a three-quarters-full quart jar of something viscous and pale yellow.  My stomach rolls a little.  When she notices me watching she smiles brightly.

“Jackie!  Want to give me a hand?”

I nod and walk around the kitchen island.  I grab a saucepan from the drying rack where I left it earlier that morning and reach my hand out for the jar of yellow.  Nacho Cheez.  It is too thick to pour, so I try shaking it over the pan, and when that doesn’t work I run a little bit of water from the tap, close the jar, and shake it.  It pours like a charm.

I start when I notice Whitney watching me.

“This looks really good,” I say.  She smirks and turns back to the cabinets.

I’m not sure how to handle Whitney.  She seems to care about my brother, and she’s pretty, though maybe fifteen pounds overweight.  She used to be a dancer, apparently, but that is hard to imagine.  Now she works in a hospital and supervises a team of about a dozen other nurses, pulling three or four long shifts a week plus all that paperwork.  I appreciate that she supports my brother and my niece, really I do.  I just wish she could be home more.  Amanda misses her mother.

I turn the electric burner under the saucepan on low and find a little plate to put under the serving spoon I’m using to scrape up the yellow goo from the bottom so that it doesn’t stick or burn.  If there were an exhaust fan or a hood I would turn that on, but there isn’t.  I turn to Whitney.

“Maybe I’ll take Amanda to the park before the game?”

Whitney frowns a little, then smiled again.  “The game,” she repeats.  “Yes, that sounds like a good idea.  It’s so kind of you to come help us out.”

The park isn’t actually a park, but it is a good excuse to get out of the house.  At the end of the road, where the development ran out of steam in an open marsh, there is one lot with a driveway but no house.  It has been leveled, or built up, or whatever they do in this part of the world where developed land has to be wrestled from the swamp, but no house was ever built.  It’s okay for playing so long as you keep a close eye on Amanda, because God knows what would happen if you let her wander off the abandoned plot into the tall grasses and wetlands beyond.  You know the stories you read about alligators appearing out of nowhere and pulling little kids under the water?  I can’t think about it.  But I know other neighborhood kids play here sometimes, because we sometimes come across a deflated basketball or a plastic doll with multiple amputations in the scrubby weeds.  It’s like a sad little treasure hunt.

We haven’t been there long when Amanda starts complaining about being hungry, which, to be fair, she probably is, so we walk back.  The sky is low and close, like a winter hat I don’t want in this heat, and I have learned to be wary of ominous skies.  It isn’t like where I live now, in Western Washington, where the clouds can hang over you for days without giving up more than a drizzle.  Here, clouds mean business.  Amanda pulls her hand out of mine and runs up the cement walk to her house, startling me.  I look around and see two or three cars I haven’t noticed before, big shiny cars alongside the rows of pink and yellow and blue shoe boxes.  The cars seem so much more permanent than the homes.

Inside the party has started.  Rap music blasting away like no tomorrow, like it isn’t the middle of the day on Sunday.  I stoop a little and rest my hands on Amanda’s shoulders.  “Shall we go find your mama, little honey?”  I ask.  She nods, slowly, with a tiny frown etched between her brows.

I have to tell you a little bit more about Whitney.  I admire her.  It isn’t easy to do what she does, support a family on a nurse’s salary.  But, honestly, I don’t understand her.  I know this makes me sound old, and I feel old when I talk to her.  And I don’t understand her relationship with my little brother.  He treats her well enough, from what I can see, but she always has to check in with him.  Do you know what I mean?  Not just about important things, like what kind of car she’s going to buy, but about everything.  How Amanda will wear her hair that day.  Whether the jeans Whitney is wearing look all right.  And sometimes it seems to me that Stevie will say, seriously?, or you’ve got to be fucking kidding me, for no other reason than to remind her that most of the time she is wrong.

“Here’s your mama,” I say, as we work our way down the hallway to the little kitchen at one end of the house.  Whitney is still standing over the stove, but the pan of yellow goo has been set to the side to congeal.  She is chewing thoughtfully on a tortilla chip while she stares at a pot of water on the burner, uncovered, tiny bubbles forming and releasing from the bottom of the pot, well short of a boil.  A half-empty package of discount macaroni rests on the counter next to the stove.  “I decided to cook something healthy instead,” Whitney says.

“No like it!”  Amanda screams suddenly.  “No like paaahsta!”  Whitney flinches and her shoulders rise up around her ears.

“It’s okay, honey,” I say, lifting Amanda to my hip.  “Something healthy.”

“Pasta is yucky and bad!”

Whitney sighs and folds her arms across her chest.  She starts flexing and pointing her left foot, dragging her toes along the green linoleum of the kitchen floor.  Green to match the carpet.

“You don’t have to eat it,” she says.  “Mama’s just a little tired of chips and dips, that’s all.”

“How about I cook something?”  I say.  I love to cook.  On Saturday mornings I might drive an hour both ways just to visit the farmer’s market in Tacoma.  “How about I roast a chicken?  That makes a lovely Sunday supper.  And I could mash some potatoes to go with it, with maybe a little parsley sprinkled on top, for a bit of green.”

Whitney looks at me as if I am absolutely insane.

“Pars-ley?”  Amanda says, frowning again.  “No like it,” she says, but more softly this time.

“Or not,” I say, picking up a dirty sponge from the sink.  I wipe up some stray bits of gooey cheese dip and drop the sponge back into the sink.  “How about I order a pizza?”

“How ‘bout that!”  Amanda says.

“We’re fine!”  Whitney shouts.  She grabs Amanda, who squeals happily and kicks her legs, and puts her down on the countertop.  Amanda reaches her hand into the pan of cheese dip and presses a gooey yellow palm to her face.  Whitney takes a deep breath and sighs.  “I’m sorry.  Please do order pizza.  That would be very helpful.”

An hour later Whitney and Amanda and I have joined the “guests” in the living room at the other end of the shoebox, with a sofa, two reclining chairs, and an eighty-five-inch flat screen television.  I can barely look at it.  Amanda holds her hands over her ears.  We sit together on the floor in the corner of the room, next to the sofa, as far away from the television as we can get.  Sitting on the sofa is a large, friendly-looking man whose name, he tells me, is Sal.  I try to chat politely with him, but the noise from the television is so loud, even during the commercials, that all I can really do is smile and shrug my shoulders.  Amanda has found another jungle puzzle, one that I sent to her last month, and sets to work.  I try to watch the game a little, but the television is so large and close that I can’t focus.  It’s all flashing colors and bodies colliding and sportscasters yelling and really, it’s just too much.

I do notice something ticking across the bottom of the screen, separate from the game.  I find that if I ignore most of what is happening on the screen and focus only on the words at the bottom, I can just about make it out.  There are exclamation points and little symbols that look like rain clouds and lightning.  I try to look out the window, but the shades are drawn.

“I’ll be back in two minutes,” I say to Amanda, leaning against the wall for support as I stand.  I miss my yoga during these visits.  There doesn’t seem to be anywhere to do it that doesn’t feel silly and uncomfortable.

“Two minutes,” Amanda agrees.

I walk back down the hallway, scrunching the fuzzy carpet between my toes.  Outside I can see that the weather is about to turn even worse.  The air has that strange quality that you get down here, where it is so humid and so warm that even before it rains moisture beads up on the cooler surfaces of the sidewalks and the cars.  And then, while I’m standing there looking at the sidewalk, the first drops fall.  I look around to make sure nobody’s windows are down on the cars parked outside, but they’re all fine, closed up tight.  Then I take a few steps down the sidewalk so that I’m clear of the porch roof and tip my face up to the sky.  A drop lands on my right eyelid; another hits my chin.  I open my eyes when I realize another car has arrived and is idling in the street.  A reed-thin teenager is standing there, hefting a large, cube-shaped bag made of bright red plastic.  “Pizza?” he says.

After I’ve paid and thanked the delivery boy, I place the pizza boxes carefully on the kitchen counter, hoping the grease doesn’t soak through.  I’m looking through the cabinets for the largest set of matching plates I can find when Whitney appears.  “Amanda is asking for you,” she says.  “Oh, you don’t need to do that.  Let’s just bring it into the living room and throw the boxes on the floor.  Nobody will use plates anyway.”

“Fine,” I say.  Whitney grabs a roll of paper towels and leaves me with the pizza boxes.  Maybe I shouldn’t have ordered so many.  I manage to get them into the den – I can’t help thinking of it as a den, it reminds me of a room in our parents’ house, growing up – and look around for someplace to put them.  There isn’t a coffee table.  “I’ll take those!”  Sal shouts, jumping up from the sofa, and lifts the boxes out of my hands.  Then he drops them right on the floor.  Everyone laughs.  My cheeks start to burn, but I feel Amanda’s hands gently take hold of one of my legs, hugging me like a tree.  My hand drops to the top of her soft little head.

 

It is raining hard now.  I can hear it on the roof just a few feet overhead.  I’m squinting at the little ticker at the bottom of the television screen, but I can’t really read it and I don’t want to get any closer.  They are still showing the little cloud and the little lightning symbol, all the time now.

The game seems to be going well; everyone is happy.  Another one of the guests, Sue, who I’m told is the wife of the hospital supervisor, is pouring shots.  She seems nice, but I don’t like to drink during the daytime.

She won’t leave me alone.  “Julie!” she shouts.  Sal nudges her and whispers in her ear.  She corrects herself.  “Jackie!”  I smile and shake my head, pulling Amanda closer into my lap.  I should have mentioned, there are other little kids there, three in total, counting Amanda.  One of them is standing right up against the television screen, reaching out to touch it until Stephen swats his hands away, over and over, like it’s part of the game.  The other one, a girl, is trying to use the toilet in the one bathroom down the hall.

Sue has a bottle in her hand.  It looks like whiskey, with a picture of a red demon on the front.  “Are you sure?” she smiles.  Sue must be my age, at least, though she is very fit.

“No, thank you,” I say.

“It’s easier with some cherry coke.  I bet Whitney has some.  Want me to go see?”

“No, really.  Thanks.  I’m fine.”

“Suit yourself,” Sue says, and shrugs.  “I’m gonna keep my eye on you, though.”

Amanda squirms around in my lap until we are nose to nose.  Very slowly she opens her hand and presses her palm flat against her eye, then moves it to mine.

“Want to go for a walk,” I say, before I remember the rain.  “Want to check on the rain?  How about that?”

Amanda tilts her head to the side, then nods.  She scoots off my lap holding a puzzle piece that looks like an anaconda, or maybe just part of a tree branch, I’m really not sure.

Outside the rain has started to collect in the muddy drainage ditches on either side of the road.  The ditches don’t actually seem to drain anywhere.

“How deep do you think that is?”

“Two deep!”  Or maybe “too deep.”  I’m not sure.

I squat down on my heels next to Amanda on the concrete porch step.  “Now you know, honey, you must never play in the ditch when it fills up with water like that.  You know that, don’t you?”  Amanda nodded.  Then she threw her puzzle piece out onto the wet lawn.  As I was standing up to go fetch it, she took off running for the street.  When she reached the part of the lawn that sloped down into the drainage ditch – this didn’t take long, the lawn isn’t very big – she slipped, landed on her bottom, and slid towards the ditch.  The water was only a few inches deep, and she didn’t topple all the way over, thank goodness, but her sky blue cheerleading outfit was soaked.  When I caught up to her her lower lip was sticking out, her eyes screwed up like tiny wet pebbles, her face brightening to tomato red.

She screamed and screamed, and when I picked her up she kicked, not happily, trying to get me, kicking to hurt.  I held her away from my body as best I could – not easy, but I think I mentioned the yoga – and carried her back into the kitchen, Amanda screaming “I hate Auntie Jackie I hate Auntie Jackie I hate Auntie Jackie I – ”  It was raining hard now, and we were both wet.  I plopped her down on the counter and turned around to find some paper towels.

“Oh my God – ” someone was shouting, and I whipped around, just in time to see Amanda tumble head first off the kitchen counter, reaching out for something, I don’t know what.  Somehow I got my hip and part of my leg under her, so instead of diving straight to the floor she thudded into me, slid down my leg, and rolled across the floor.  I dropped the roll of paper towels but before I could get to her, Sue had scooped her up.  Sue was already wobbly, but she kept a tight hold on Amanda.

“Oh my poor little girl, poor little girl,” she was whispering, pressing Amanda’s soft coppery head against her chest.  Amanda was squirming and whimpering, and I needed to take her back and make sure she was all right.  “I’ll take you to mama.  I’ll take you.”

“Oh no,” I said, “Let Whitney rest.  I’ll handle it.”  Sue gave me a sharp look and turned towards the television room.  “Don’t worry, Jackie,” she said.  “I know you aren’t used to having small children around.  I’m sure her parents understand.”

I stood alone in the kitchen.  The counter in front of me was wet and muddy in spots from Amanda’s soiled outfit, and I could see streaks of crusty yellow cheese dip where the pan had been sitting earlier on.  There was some shouting from down the hall – happy shouting, I think, but was hard for me to tell – and all of a sudden I felt very warm.  It was warm in the kitchen and I knew it would be even warmer in that tiny room with the huge television and all those people.  My clothes were already wet, so I thought, what the hell, and I walked back out into the rain.

 

It was halftime, and the President was on the television.  I was watching from just inside the doorway.  I had heard her voice and got curious – what did the President have to do with any of this?  But of course tomorrow is the anniversary of the attacks, and people’s emotions will be high.  And she was even a New Yorker herself, sort of, for a while.  I guess it makes sense for her to say something.

“I still can’t get used to that voice,” Stevie says.  “Or that face.”  Everyone laughs.  The rain on the roof has gotten so loud that I can hear it even over their laughter, over the music and the television, but I can’t hear what the President is saying.  Instead I look at her face.  She is serious today, no toothy grins.  It is a difficult day for her, but I miss her grin.  I fell in love with that grin during the debates last fall, the way she could just shake her head a tiny bit and smile, no matter what happened.  I wish I could do that.

“It’s better than last year, at least.”

“I don’t think so.  At least Obama had a little class.”

“Are you kidding me?  What do you know about class?”

Two fat thighs, two small breasts, and a left wing,” stage whispers one of the men.  I take a step back while everyone starts laughing again.  I look at Whitney, holding Amanda, who is squirming away towards her daddy.  Who is also laughing.  Whitney is laughing.

“That was a good one,” Sal says.  I look around the room.  I was introduced to everyone, at some point, but I’m not all that good with names, especially when they come rapid fire, one after another, boom boom boom.  Besides me and my brother and my niece and Whitney, there are two couples – Sue and her husband, who is tall, slender, and silent, and Sal and his round little wife – and the two little kids.  The little boy, who I think is Sue’s grandson – is that possible? – is still right in front of the TV, though now he’s sitting cross-legged and picking at something on the floor that looks like a piece of pepperoni.  The little girl, who must belong to Sal, is pulling books off the shelf at the back of the room.  I remember what Sue said about how I wasn’t used to “small children” and the back of my neck gets hot again.

“Would anybody like a cup of tea?”  I ask, as loudly as I can without shouting.

Sal’s wife hears me and chuckles, patting my hand.  I stare at the President’s serious face, her calm blue gaze, her blond hair shorter than ever, almost a pixie cut.  Maybe I will get a haircut like that when I get back home.  I could drive into Seattle, have lunch with somebody, make a day of it.  I do that a lot.  I have a lot of friends, back home.

There isn’t much seating in the television room, but most of it is empty.  Everyone but Sal’s wife and Sue’s husband is sitting on the floor or leaning against a wall.  The floor is covered in pizza boxes and wadded-up paper napkins and half-eaten slices.  There are plastic cups of coke and whiskey all over the place.  I have a vision of Amanda picking up one of the cups of coke – which Stephen lets her drink when Whitney isn’t around – without knowing it has whiskey in it.  I want to gather them up but I don’t know which ones are abandoned or whose cup is whose.  I make my way over to where Amanda is sitting in Stephen’s lap, staring open-mouthed at the screen.  The President lifts a hand in farewell, and a car commercial comes on.  I lean down and whisper into Amanda’s ear.  “Want to come into the kitchen with me?  I could get you some milk in a sippy cup.”  Amanda frowns and Stephen wraps his arms closer around her shoulders.

 

I’m standing in the kitchen, looking out the front door, which is open.  The next door neighbor, an older gentleman like most of the people around here, is bent double under the weight of the sandbags he is carrying from a shed behind his house to his front porch.  I wonder if he needs help, and then I wonder if we should be doing something about sandbags.

One of the most irritating things about being a divorced woman in my fifties is the fact that everyone assumes my husband left me for a younger woman.  I can see it, the pity edged with contempt in their eyes.  These days, as often as not, I don’t mention my marriage at all.  It ended for a lot of reasons – not just the fertility problem, although that didn’t help – but to tell you the truth I just couldn’t stand the thought of growing old with him.  Couldn’t imagine a future with him that I wanted any part of.  And here’s something else I don’t mention very often – I felt the same way about my friends’ marriages.  Even the ones who seemed happy, or who said they were.  By the end, marriage just seemed pointless, ridiculous.  So I left him.  Of course if we had children it would have been harder to get away.  So that’s a blessing, I suppose.

My house sits in a little clearing, almost an acre, in the middle of a second-growth forest close to Mount Rainier, which is a big volcanic peak southeast of Seattle.  A lot of the homes I list are in the same area.  There’s a ski mountain nearby, so lots of vacation rentals in winter as well as summer, but you would be surprised by how many people live there year-round, like me.  Mostly retirees, of course.  There’s a former airline pilot, a somewhat well-known novelist, some people in their early forties who started at Amazon at the right time.  I’ve been there for fifteen years now, and I don’t imagine I’ll ever live anyplace else, so long as I can take care of myself.  You’d be surprised how many people visit from Europe and Asia, just to see our national parks.  I’m out and about with clients most days, especially on weekends.  It’s not as lonely as you might think.

 

I tip my chin to my chest and the warm water soaks my hair to the scalp, streams down my shoulders, my back, my legs.  My bare feet sink into the prickly grass, saturated now so that I am standing in a couple of inches of water, at least.  The drops pound onto the top of my head like a shower with a massage attachment.  I lift my face and smooth back my hair.  The neighbor with the sandbags appears on his porch, gives me a long look, and goes back inside.  The ditch between the lawn and the street is full now, rushing merrily with frothy brown water.  I see a styrofoam cup float by and disappear.  Next come a dirty tennis ball and a child’s sock.

Back inside I sneak into Whitney and Stephen’s closet to look for a robe, but I can’t find one.  Instead, I strip down to my underwear and wrap myself up in an oversized bath sheet.  When I turn around, Whitney herself is sitting on their bed with a plastic cup in her hand.  When I start to say something she lifts her other hand and sighs, then pats the bedspread next to her.  I sit.  She drinks the brown liquid in one long swallow, then wipes her mouth and tosses it on the floor.  I can hear shouting, and then the light pounding of a toddler’s feet running down the hall.

“Shut the door, will you?”  she says.  “I don’t want to drink anything else.”  She shrugs.

“Okay.”

She is still looking at me so I go on, “I think that’s fine.”

“I guess so.  You know Steve and I only drink on weekends.”

“Okay.”

“As far as I know, anyway.”  She laughs.  “We’re doing the counseling.  It isn’t helping, Jackie.”

“If you can just – ”

“I’m not blaming you.  I know you only try to help.  Please understand that.”

“I know you aren’t blaming me.  What would you blame me for?”

Whitney looks at me.

“Does this mean – are you going to file?”

Whitney lies back, crosswise on the bed.  “I don’t really have time.”  She puts her hands over her eyes.  “I’ll let Stephen do it.”

“Do you think, if you did something about the drinking, it might help?”

Whitney inhaled sharply.  “Watch it, Jackie.”

“I really don’t care if you drink or not, Whitney.  You brought it up.  I just want – ”

“I know what you want.”

A thought occurs to me.  Whitney has no siblings, no parents any longer.  How bad are things between Stephen and Whitney, really?  If they divorced, would she get custody?  Would she need help?  No, it can’t be as bad as that.  I push the thought away.  “Amanda is such a lovely little girl.”

Whitney sighs.  Her hands are still covering her eyes.  “Lovely, lovely, lovely.”

I stand up.  “Can I make you some tea?  I brought along my favorite.  It’s herbal and it tastes like licorice.  Will you try it?”

“Jackie, Jackie, Jackie.”

I sit back down on the bed next to her, staring at the window shade, which is drawn down, as always.  I listen to the rain pounding on the roof.

 

The little kids are running races down the hallway.  All three of them have been outside, I can see.  Amanda is still wearing her muddy cheerleader’s outfit.  They leave tiny damp footprints on the carpet.  Sal is leaning in the hallway at the end closest to the television.  He winks at me, then stumbles away.

I make my way slowly down the hall, hoping none of the little kids run into the backs of my legs.  I think maybe the game is over.  Someone has finally turned down the volume on the television, but the rap music is back on.  Maybe it’s hip hop.  I don’t really know the difference.

Amanda rushes past me yelling, “Daddy, Daddy, Daddy I am so fast!”  And then she stops dead right in front of me.  I stumble against her and have to reach down and grab the stiff collar of her jumper to keep from knocking her over.  I look where she’s looking, at the sofa.

Stephen is lying there, on his back, wobbling a little bit from side to side as if he’s trying to get up.  I start to laugh until I notice the look on his face.  He’s not trying to get up, I realize, he’s reaching for the bottle lying on the carpet next to him, demon side down.  He can’t reach it, and he’s getting frustrated, and then the smell hits me.  The whole room reeks of alcohol.  The other two little kids run past me and knock over a stack of books on the far side of the couch, shouting happily.  Sue is perched on the edge of the sofa and she swats at her grandson half-heartedly.  She turns and looks over her shoulder at Stephen.  “You want some help, sweetheart?” she asks, then leans down and tries to kiss him on the lips.  At least that’s what I think she’s trying to do, though her aim is poor and she ends up planting one on his chin.

Stephen sputters and rolls away from her, landing on the carpet.  I pull Amanda back so that he doesn’t land on her.  “Daddy?”  She says.

Stephen’s eyes are closed, but when he opens them he is looking straight at me.  He snarls, like an animal, an angry, wounded animal.

Sue laughs.  “What was that?”  Stephen snarls again, then falls back, his eyes closed.  Slowly he turns so that he is resting flat on his back on the floor.  His cheek is pressed against a plastic cup lying on its side.

“Could you take Amanda to her mother, please?”  I say to Sue.

“No no no no mama no mama no.”  Amanda presses against my legs.

“Sweetheart, she passed out a few minutes ago.”

“What?”

Sue scoots over to Amanda on her knees, then leans into her face.

“Sweetie, your mama is having a little rest.”

“Daddy?”  Amanda says again.  She pulls away from me and climbs onto Stephen’s chest.  He’s built like a bear, barrel-chested.  Whitney has told me, in one of those wine-fueled conversations where we are both saying more than we should, that she likes that about him.  But now I worry that Amanda will fall off.  Stephen’s t-shirt has ridden up towards his shoulders, and she grabs handfuls of the hair that covers his belly and chest as she climbs.  He grunts a little but otherwise doesn’t move.  Amanda lies belly to belly with him for a moment, then pushes herself up and sideways so that she is kneeling on his chest on her hands and knees.  It could be comical, but it isn’t.  “Daddy, play,” she demands.  Stephen doesn’t move at all.  “Honey,” I say, but Amanda won’t look at me.  I move towards her but she screams and wraps her hands in her father’s shirt and won’t let go.  “Daddy, Daddy, Daddy, Daddy!”  Stephen doesn’t move.  Amanda is red and sobbing now, screaming, bobbing up and down gently with the rise and fall of her father’s breath.

 

Sue was right; Whitney has passed out on the bed.  Amanda has fallen asleep too, on Stephen’s chest.  I have been checking from time to time to make sure that he’s still breathing.  I realize that I haven’t seen the two other little kids, Sue’s grandson and the little girl, in quite a while.  I can only assume that the rest of the adults have passed out in various places.  It isn’t really my problem – is it? – but they’re just kids, and none of this is their fault, and so I go looking for them.

They aren’t in the house, I quickly realize.  It isn’t a big place, with no attic and of course no basement, not in South Florida, and the house is not a whole lot more than a kitchen and a television room with a hallway in between.  Amanda and I sleep together in a closet-sized nursery next to her parents’ room.  When I woke up this morning I saw her sleepsack-covered bottom high in the air, her cheek pressed against the bare sheet.  She is so little, so delicate, so perfect.  There’s no one in the kitchen or the room with the television.  I think about turning off the rap music, which has gotten even louder and more unintelligible, but then I think, why bother.  I don’t want to listen to the rain.

I’m hesitating outside the door to Amanda’s room, but then I think to myself, what the hell, it’s my room too for this weekend, so I push it open.  It takes a moment for my eyes and my brain to connect, for me to begin to understand what I see, but there is a tangle of half-undressed arms and legs strewn across my blow-up bed on the floor next to Amanda’s white wooden crib.  “Mmm,” says the tangle, and I shut the door again.  No kids in that room.

I peek in on Whitney just to make sure the toddlers haven’t wandered in there, but they haven’t, and she is still alone on the bed, which is a relief, I will admit – one less thing for me to decide whether or not to do something about – so now I have to check outside.  The rain hasn’t slowed, and the thunder is coming regularly, booming and booming while the rain thumps like thousands of tiny fists over our heads.  This time the lights flicker when the lightning flashes, and I start to count, one Mississippi – but before I get to two the thunder booms again.

When I push open the front door, my breath leaves my body, my hands fall limp against my side, I am rooted to the concrete porch.  I wait, hoping that my eyes will stop seeing what they are seeing, that the images will resolve into something different, something that is not unthinkable.  Sue’s little grandson and the older girl are floating in the drainage ditch that runs along the street.  But – they are on their backs, on their backs, on their backs, and even as I start to run for them, stubbing half the toes of my right foot on the steps, stumbling down onto the waterlogged lawn – there are at least three or four inches of water standing over the grass now, rising up and up the porch steps, and I’m bleeding from my scraped-up toes into the water – the little boy surges up like a hooked fish, splashing and kicking the soiled water, and the little girl follows, grinning as she punches him in the belly; they are both gasping for breath and soaked, wet to the bone, but all the same they are laughing and yelling at each other and the little girl screams over and over, “I won I won I won I won I won.”  I make my way towards them, feeling the Florida mud ooze up from underneath the lawn between my toes as the water laps around my shins, seeping into the cuffs of my jeans.  The little girl is so delighted with herself that she lets me pick her up without a word and sits on my hip, grabbing my shirt with two dirty hands.  The little boy tries to stand up but he can’t, there’s too much water and the lawn with the mud beneath it is too slippery, and he falls down face first, so I have to put the girl down to lift him out – so he can breathe, for Christ’s sake – and then, because she thinks it is funny, she falls face first into the water too, toppling like a little tree, and yes it could be funny, couldn’t it, if it weren’t all so horrible.

Finally I have got the kids inside, and I’ve stripped them both to the skin, but the girl is too big for Amanda’s clothes and even if she weren’t, I’m not going back into that little room anytime soon.  The boy is still in diapers but I don’t see a bag anywhere that looks like it might have diapers in it, so I just wrap them both in towels and sit them on the kitchen floor.  There is a brilliant flash of lightning and the lights go out and the rap music stops as the thunder rolls over us like a train, before I even have time to think about counting.  The children are both staring at me, wide-eyed, as if I have something to do with all of this, as if the storm or any of the rest of it is my fault.  “Come on,” I say.  “Let’s go check on your friend.”

“We don’t have any friends here,” the little girl says.

 

Amanda is still asleep on her father’s belly, and so I take the last dry towel from the bathroom and cover them with it.  I stand over them, dripping onto the carpet.  Asleep like this in the dim, filtered light, Stevie looks so young, far younger than forty-two, which I still have to remind myself is his age.  When your little brother who is so much younger than you that he was in diapers when you started high school – when that man is in his early forties, then you know something has slipped away, gone forever, and you might as well just forget about ever getting it back.

I am standing in front of the quiet, dark television now, and I take a deep breath, close my eyes, listen to the rain on the roof.  It is so insistent, not like the rain back home, so soft that by the end of November I hardly even hear it.  People were never meant to live in places like this.  I walk around the room pulling up shades but it doesn’t make much difference, we are right in the thick of the storm.  I wonder if there is a radio, something that runs on batteries.  I wonder if there are flashlights.  I look out the window to the golf course across the street but all I can see is water.

I look back at Amanda.  I could take her now, right now, just take her and wrap her in a blanket and start walking.  Or, we could drive off in one of the trucks parked outside – it would be hours before anyone noticed.  By that time we would be so far away.  We could get onto the interstate before the water rises too high, drive north, fast, out of this storm, out of this swamp.  I look at Amanda again, sleeping on her father’s chest.  Her fingers are curled gently around the hem of his shirt.  He snores a little, and she rises up and down, up and down.

Back in the kitchen the other two children have gotten into the pantry cabinet, and there is breakfast cereal spread in brightly colored lumps all over the floor, which is damp.  I look around for an overturned bottle or carton, but I don’t see anything.  “Hey,” I say, “hey hey hey,” and I lift them onto the counter.  I sit on a stool in front of them and lean in.  “What are your names, anyway?  Please tell me your names.”

“Beth,” the little girl says smartly.  She tugs at the towel I’ve wrapped around her shoulders.  “And this is Josh.  His daddy is Sal.  He’s just two, like Mandy.  You should put a diaper on him.  He’s gonna poop in that towel.”

“Thanks, Beth,” I say.

“You better do it now.”

“I will,” I say.  “Can you two stay right there?  Can you be very still and very safe?”

Beth nods seriously as I point to the floor.  It is unmistakably wet, and a little stream of water is slithering from the front door towards the hallway.  Beth holds her towel in one hand and puts her other arm around Josh’s shoulders.

With the shades down it is almost dark in Amanda’s room.  I try not to look at anything as I sidle towards the chest of drawers where Whitney keeps her diapers.  This room, aside from what’s been going on down on the blow-up bed, is well kept.  You can tell that the child who lives in this room is loved.  I’m not looking at my bed – or what was once my bed, you can bet I won’t be sleeping on it again – but I can hear breathing, and there is a smell of alcoholic breath that pervades the air of the room with its tart funk, and another vaguely familiar smell that I am not going to talk about.  I can’t tell who’s in here, but I need to get out as soon as possible.  I slip my hand into the drawer and grab a package of diapers and the wipes from on top of the chest.  While I’m at it I pull out a handful of Amanda’s clothing too.  The drawer bangs a little when I close it, but no one stirs from the mattress on the floor.  When I leave I close the door quietly but very, very firmly.

In the kitchen we play dress up.  Beth is in a cheerleading outfit that won’t zip up the back, and Josh is wearing pink jersey pants and a sparkle tank top, but at least I got him into a diaper without incident, even though Beth was shouting, he’s pooping, he’s pooping! when I came back.  He wasn’t.  Apparently this is her favorite joke.  I take the towels I had wrapped the kids in and mop up the soggy, multicolored piles of cereal from the kitchen floor.  Then I roll them up –a breakfast burrito! I say, but Beth just stares at me – and push them against the bottom of the front door.  That doesn’t really keep the water out, and it just keeps snaking its way across the kitchen towards the hallway, as if the whole house sags right down the middle.  I walk down the hallway in my bare feet, and it already feels damp.  Back in the kitchen I study the front door, but there isn’t a bolt, no way to lock it except with one of those little toggles on the handle that doesn’t lock from the inside.  “Do not,” I say to the kids, holding up my index finger, “do not open this door.  Do you hear me?  Don’t open it.”  Beth nods at me, then looks at Josh.  Who knows what they think of me.  Who knows what they will do.

 

The next morning the sun is shining hard and bright, right through the unshaded windows into my eyes.  I’m lying on the sofa in the television room and Whitney is standing over me.  “What the hell, Jackie?” she says.

The light is blinding and I shade my eyes as I look down at the floor where Stephen and Amanda were sleeping next to me.  They’re not there anymore.

“What did you do?  I’m so embarrassed.”

“What did I do,” I repeat stupidly.  I have a pounding headache even though I didn’t have a drop to drink yesterday.  Whitney sighs, loudly.  I am running through what I remember: the water in the kitchen, the tangle of limbs on the blow-up bed in Amanda’s room, Amanda herself, Stephen snarling on the floor, the flood.

“I don’t know what you’re talking about, Jackie.  Where is Amanda?  Is she all right?”

“Of course she’s all right.  She’s in her bed.  Finally.”

What is that supposed to mean?  Finally in her bed?

“What about Stephen?  Is he okay?”

“Everyone is fine!  Why do you keep asking that?”

“Good,” I say.  “Great.  That’s great.”

“The floor isn’t fine though.  Just look at the goddam floor.”

When I stand on the carpet I can tell that it is wet, even here.  When I look down the hallway I see the front door standing open and sunlight glinting off brown water beyond.

“Why is the door open?”  I ask.  “There’s still so much water.”

“Why is the door open?  Why is the door open?”  Whitney laughs, and covers her eyes with one hand.  “That’s really funny.”

“Did everyone go home?”

Whitney’s laugh sounds a little insane now.  “You have no idea how embarrassed we are.  But we’re so lucky.  So lucky!  What if something worse had happened!”

I’m shaking my head.  I’m so confused.

“Jesus, how much did you drink last night after we went to bed?  That’s really sick, you know.”

What is she talking about?

“At least Josh was with you on the sofa.  Why you thought it was appropriate, or funny, or whatever it is you thought, to dress him up like that, I do not know.  Sue didn’t say anything, but I can tell you from the look on her face, she won’t be bringing him around here anymore.”  Whitney wiped the back of her hand across her face.  “Jesus, Jackie.  My boss’s wife.”

“I’m sorry, Whitney, but I really don’t know what you are talking about.”

Whitney stared at me.  “Sue woke me up this morning.  Standing over me and Steve and holding Amanda by the hand.  Apparently she was trying to wake you up but couldn’t.  The front door was standing wide open, Jackie – wide open – and Beth was playing around naked in the standing water in the front yard.  You know how dangerous that is?  There could be snakes, there could be alligators, there could be human feces – Jesus, she can’t even swim!  Anyway, Sue got Beth back inside and put some clothes on her, changed Josh and brought Amanda back to me and then she left.  So yeah, everyone is fine.”

I’m staring back at Whitney now.  I know that a lot of things depend on what I say next.

But none of this is my fault.

“It almost sounds like you are blaming me for what happened yesterday,” I say slowly, enunciating each word.

“Jesus Christ, Jackie!”  Stephen explodes from the hallway.  “You wanted to babysit!  You begged me to babysit Amanda this weekend.”

“What?  No – ”

“That’s why you’re here.  Just like always.  You know that, Jackie.”

I look at Whitney, but she is staring at the floor with her lips pressed together as if she’s afraid something will pop out.

“That’s not right.”

I came so far to get here.

“It is right,” Stephen says.

I sit back onto the sofa and curl my legs up under me.  “I’m visiting,” I say.  “I came to visit you, and Whitney, and Amanda.”

Stephen starts laughing an ugly laugh and turns away.

“I’m your sister,” I say.

Stephen spins around and faces me.  “Get the fuck out of my house,” he says.  “Just get the fuck on out.”

Whitney follows Stephen out of the room.

 

Amanda is lying on the blow-up bed and watching me pack.  There isn’t much to do, and most of my things are damp from resting on the wet carpet.  I want to tell Amanda not to sit on the blow-up bed but then I think, why bother.  She is clutching a ragged old stuffie in her hand and singing softly, “Ay, bee, cee, dee, huh eff gee.  Ellempee.”  Only two.  She is so smart.  She is going to be so brilliant.  “Come to your Auntie, little honey,” I say.  Amanda shakes her head no, then grins and crawls over to where I’m kneeling on the wet carpet.  Something inside me slips loose.  “What doin’?”  she asks.  “I have to pack, little honey,” I say.  “I have to go away now.”  I pick her up and I want to ask her to put her arms around my neck, but I know better.  She lets her head fall on my shoulder and kicks her legs gently against me.  I stand, holding her like that, for a long time.

Outside I send for an Uber but the driver calls my cell and says he can’t come down the street because of the standing water.  We consult on where to meet.  I take off my shoes and step onto the lawn.  Floating there, half stuck on some taller blades of grass, is a piece from a puzzle, waterlogged and peeling apart.  I put it in my pocket and wade across the drainage ditch.  In the middle of the street there is only an inch or so of water, and I almost call the driver back, but then I think what the hell, I’ve got seven hours until my flight, and I start walking.

 

 

BIO

A native Texan, Lindsey Godfrey Eccles has lived in Seattle for many years, spending as much time as she can in the mountains and occasionally practicing law. She is looking for a good home for her first novel, a magical reimagining of the early history and culture of the Pacific Northwest. You can find her on twitter at @LGEccles.

 

 

 

How to Change Your Name

By Jayelle Seeley

 

  1. Get Engaged
    • Go to the court with your fiancé the day before your wedding.
      • Fill out the marriage license application.
        • Get to the line where you are asked what last name you’d like to take.
        • Freeze.
        • Say, “I’ve never even written my first name next to yours. I haven’t even said the combination out loud.”
        • He says, “You don’t have to take my last name if you don’t want. Or you can hyphenate.”
        • “I always planned to change my last name when I got married, so I guess I’ll just take yours.”
        • Cry.
          • Ask yourself, “What is wrong with me?”
    • Get married.
      • Get harassed for the next six months because your voicemail and Facebook still say, “Jayelle Marie Seeley.”
        • Change your last name on Facebook.
        • Re-record your voicemail so that it just says, “Jayelle.”
    • Complain to your new husband.
      • I’ll have to take an entire day off.
      • I’ll have to go to the Social Security office which means driving downtown which I HATE.
      • I’ll have to park on the street which I HATE.
      • I’ll have to go to the DMV and get a new license which I HATE.
      • I’ll have to change my name on everything I own which I will HATE.
    • Quit your job, the one you hate.
      • Drive downtown.
        • Park in the lot.
        • Walk toward the building.
          • Entrance closed.
          • Walk around to the side.
        • Sit and wait.
        • “Congratulations, Mrs. Johnson.”
      • Spend an hour on your makeup before you go to the DMV.
        • The man at the door sees you holding an envelope in your left hand which hosts a big sparkly ring.
          • “Name change?”
          • “How did you know?”
          • “Congratulations.”
          • Smile demurely, “Thank you.”
        • Take the best damn license photo of your entire life.

 

  1. Leave Your Husband.
    • Use your middle name as your last name on all your social media.
    • Two years later, the divorce decree arrives.
      • Don’t read it.
        • Too painful.
    • Every time you’re asked for your legal last name:
      • Say it in a low tone.
      • Mumble it like a child who was just forced to apologize.
    • Wait another two years.
      • Maybe I’ll just change my last name to Marie!
      • Maybe I’ll make it Jayelle 2.0!
      • Maybe I’ll be Jayelle The Magnificent!
      • Maybe I’ll use a last name from a random generator!
    • Get a job at a school where all the students need to call you “Ms. Johnson.”
      • Lose that job.
    • Get accepted into a master’s degree program.
      • “He has nothing to do with me earning my master’s. I have to ditch his last name.”
      • No other brilliant ideas come your way
      • Decide to take back your maiden name.
    • Hear all the horror stories about expensive name changes.
    • Assume there was nothing in your divorce paperwork that would allow you to resume your prior name.
    • Print out a document using online software to change your name with The Supreme Court.
      • Fee of $210
      • Alerting the papers.
        • This seems extreme.
    • Call your lawyer friend.
      • “Just go down to City Hall with your divorce decree!”
      • “I didn’t think the divorce included that.”
      • “It’s a standard provision.”
      • Finally read your decree.
        • “Oh.”
    • Drive downtown on a Monday morning.
      • Find street parking near City Hall.
        • Line up the side mirror with the other car’s side mirror.
        • Cut it hard.
        • Mirror lines up with bumper.
        • Start turning the wheel back.
          • Hit the curb.
            • “Fuck.”
      • Find a different spot.
        • Feed the meter for two hours.
      • Walk to City Hall.
        • “I don’t know if I’m in the right place but I need to change my name because of divorce.”
          • “You’re in the wrong place, go to the court.”
      • Walk to the Court Building.
        • Get through security.
        • No one asks where you are going.
        • Look blankly at a sign.
        • Do a lap around the first floor.
        • Climb the staircase to the clerk’s office.
          • “You already have it written into your decree. All you have to do is go to the social security office.”
        • You could walk to the federal building but you’re sure your parking time will expire before you’re done there.
        • Walk back to your car an hour early.
      • Park by Café Kubal on Water Street because you remember that was right next to the lot where you parked for the federal building.
        • Pay for two hours.
      • Remember the entrance is not at the front.
        • Walk to the side.
          • Entrance closed.
          • Follow the signs.
          • Go around back.
          • Follow more signs.
          • Entrance here.
            • Look over and notice your parked car.
              • Realize that you did a lap around the entire building.
      • Check in with Security.
        • “What are you here for?”
        • “Social security.”
        • “It’s going to be a long wait.”
        • “Well, I’m here.”
        • Take a number.
        • Wonder if you will run out of parking time.
      • C435
        • “I need your divorce decree.”
        • “This is from April?”
        • “Yes, April of 2016.”
        • “I was being indecisive.”
        • “I’ve never been in that situation before so I don’t judge.”
      • “Here you are MIZZ SeeleyYou’ll get your new card in two weeks.”
        • “That’s it?”
        • “That’s it!”
      • Look down at the receipt
        • Jayelle Marie Seeley.
          • Notice that it has been over four years since a new piece of paper has been handed to you with that name.
            • Feel unexpectedly elated.
    • Realize you have another hour before your parking time expires.
    • Every time you pass someone:
      • Smile broadly.
      • “Good morning!”
    • Get a scoop of vanilla raspberry swirl ice cream topped with hot fudge.
      • Take off your sandals.
      • Roll up your pants.
      • Stick your bare feet into the fountain at Clinton Square.
      • Kick your feet back and forth with childish glee, splashing water.
    • Wait at the DMV for two hours.
      • “Sign here.”
      • “1 2 3”
      • “You look pretty.”
      • $12.50
        • “That’s it?”
        • “That’s it!”

 

 

 

BIO

Jayelle Seeley has called Syracuse, NY, home for the past 8 years. She is currently studying for her master’s degree mental health counseling. This is her first published piece.

 

 

 

 

 

 

Uniting with Beauty

by M.A. Istvan, Jr.

 

Ecstasizing us, placing us beside ourselves,
items of beauty drive us to reproduce them:
painting them, poeticizing them, and the like.

The most basic form of such reproduction
is simply keeping them present: following
the scent to stay in its plume; savoring
the taste to forestall the loss; moving
where the man’s whistling moves; tracing
the eagle to engrave it within your mind.

Is it a wonder that more beautiful women,
the best muses for begettings, are not eaten?
Is there not an urge to eat a dewy white rose?

 

 

Nostalgia’s Darkness

 

Nostalgia peeks in the face of crisis.
Items around us—our son’s first teddy,
the Christmas blouse, Main Street, the cotton gin—
revives a story, a home, now gone. “Things
were great then,” we think, mad perhaps at how
we took that time for granted. “If only
it was that way now.” We think this because
that was before our troubles now. Often,

though, there are other sides. It is not just
that there were likely forgotten struggles
then too. Some of these sides can be quite dark.
Take Gone with the Wind’s dark nostalgia
for a time—of unchallenged slavery.
Take as well my own dark nostalgia
for years—when my wife fought to swallow
what she most feared: full blown lesbianism.

 

 

 

 

BIO

M. A. Istvan Jr., PhD is a Texas citrus thief. He pinches not just a few grapefruits or oranges here and there. He has coordinated large crews to help him plunder entire acres in the secret of night. Most people stay out of Istvan’s vicinity. His hurried step, fierce expression, and wild hand gestures while speaking (speaking in what is best described as auditory cursive) set off the insanity-detectors ingrained in us by deep history.

 

 

 

 

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