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Marco Etheridge fiction

White Rabbits

by Marco Etheridge


He utters his white rabbits every first of the month and trusts that somewhere Pooh and Piglet remain the best of friends, despite what the ghost A.A. Milne might say. 

His parents, without threat or coercion, named him Charleston. Charleston Druthers, Charlie to his few friends. He’s heard the joke about having his druthers more times than anyone should have to remember or endure. Charlie’s mother and father have since slipped beyond the pale, leaving behind any guilt they may have felt for saddling their only son with his unfortunate appellation.

Charlie Druthers lives alone in what was once the family flat. The combination of a fiery automobile accident and The Uniform Simultaneous Death Act ensures that Charlie, provided he maintains his frugality, does not have to drudge through a nine-to-five existence.

For his part, Charlie would much rather exist in The Hundred Acre Wood. Not as a replacement or foil to Christopher Robin. One human is enough. He would be quite content with a lesser role and permanent citizenship. Perhaps Roo, who is small and fearless. Charlie is not a large person and might acquire fearlessness given enough time. If not Roo, then one of Rabbit’s many Friends-and-Relations. That should not be asking too much.

In idle moments, gazing down from his favorite window, Charlie ponders his chosen alternative universe. Life would be so simple in The Hundred Acre Wood. He might go on adventures with Pooh and Piglet or learn important things from Christopher Robin. There would be games of Pooh Sticks where no one argued about winning or losing. And best of all, while new animals did appear from time to time, no one died.

On the street below, real life gets on with its gritty business. Charlie understands the difference between his imagined realm and the actual world. He is not obsessive or delusional, or only mildly so. Certainly not to a degree that might allow Doctor Collins to tap a hairy finger on a certain page of the Diagnostic and Statistical Manual of Mental Disorders. Tap-tap-tap. Then that sonorous voice, so well-modulated for the patient’s comfort.

Ah, here we have it, Charleston, the root of your problem.

Charlie has been a patient of various mental health professionals since just after he was orphaned. He finds the title confusing. Are there mental health amateurs? The court appointed the first shrinks as part of the settlement. Three years later, on his eighteenth birthday, Charlie chose his own psychiatrist. This may have been his first decision as an adult.

He’s been seeing Doctor Collins for seven years, which makes their relationship the longest of his adult life. As a rule, Charlie does not take his shrink too seriously. The good doctor means well but thinks everyone has issues. Pronounces the word with clearly articulated syllables: Iss-ues.

The appointments are not a complete waste. These repeated fifty-minute hours provide Charlie a quiet opportunity to cast away frivolous matters and concentrate on those things he takes seriously.

Today, he ponders humankind’s descent from apes. The wording itself is important, laying particular emphasis on the verb descending, to move downwards. Or descend as in a mood or atmosphere. Better yet, have descended upon, as in beset by.

While Doctor Collins speaks of personal progress, Charlie imagines human evolution as a downward spiral, a sort of reverse tornado sucking up previous versions of more beautiful creatures and then spinning them downward into a vortex consisting of one catastrophe after another. Charlie believes in catastrophes.

Regardless of the upward or downward progression of human evolution, Charlie avoids the facile trap of placing himself above his fellows. No, he is a member of Homo sapiens sapiens and nothing more, sharing more than his share of human foibles.

*  *  *

Spring is yielding to summer and the plane trees are in full leaf. Charlie walks down a shaded sidewalk. The city street runs through a brick canyon of brownstone walkups. Stoops descend from front doors like unrolled tongues.

Charlie tries to concentrate on the sensation of shade and the sound of the concrete beneath his shoes but, he is distracted by something the doctor said. Normally, he forgets Doctor Collins the moment he departs the expensive oak portal and reappears in the everyday world. Today is different. Somehow, a few of the doctor’s words had wormed into Charlie’s skull.

Acknowledging desires is crucial, Charlie. After all, how can one obtain what one desires without first recognizing what one wants in the first place?

He feels the shaded air flow past his cheeks, listens to the soft scuff of his leather soles against the sidewalk, and ponders the doctor’s words. Another banality, of course, like most of what comes out of the doc’s mouth. Yet there is a tickle of something deeper, and thus accidental. Doctor Collins is never deep, not intentionally at any rate.

Desire, that’s the hook. Charlie smiles at the thought. He will acknowledge his desire. With the next heartbeat comes the realization that not only can he name his desire, but he can act to fulfill it. Won’t that be a surprise to Collins? And no time like the present. At the next intersection, Charlie turns left and crosses the street.

Turning another corner, Charlie finds himself on a busy commercial street. The sidewalk is full of people. He threads his way between the scurrying pedestrians, careful not to brush against anyone or be jostled in return. Halfway up the block, he pauses outside a travel agency. He takes a deep breath, squares his shoulders, opens the door, and steps inside.

Less than an hour later, Charlie emerges from the agency. He walks home in a state of amazement at the enormity of what he’s done. Who knew it would be so easy?

The nice woman was so helpful. An entire itinerary planned out in fifty minutes. Which reminds him that he needs to cancel his next few appointments with the doctor. Charlie will be out of the country and thus unavailable for the doc’s chair.

So many things to do! Before he reaches his front door, Charlie has mapped out a campaign and committed the list to memory.  Check his passport. Go to the library for travel books. Use the library computer while he’s there. Lay out his clothes and pack a bag.

The travel agent promised she would have the full itinerary confirmed in a few days. At first, she wanted to email the information, but Charlie explained he did not have a computer. Although she had looked perplexed, the agent agreed to call him at home. He will return to the agency in person to collect the airline tickets and hotel reservation vouchers.

The next two weeks are a blur of activity. Charlie feels energized with each task accomplished. He phones the doctor’s office to cancel his appointments. Doctor Collins calls him later the same day to express his grave concerns about the cancelations. Charlie is firm. His mind is made up.

The day of his departure dawns at last. Charlie is ready. The taxi arrives four hours before his flight time. Thirty minutes to the airport with a cushion to allow for traffic or a possible flat tire. None of these delays occur. Twenty-five minutes later, the driver deposits his eager fare at the departure terminal. Bag in hand, Charlie Druthers enters an airport for the first time since the death of his parents.

Managing the airport procedures is not enjoyable, but Charlie is prepared for this. He’s read the security precautions ahead of time and carries a printed ticket and boarding pass. The man at the check-in counter is very accommodating. Charlie’s checked bag rolls up a conveyor belt and disappears.

At the security checkpoint, the officers seem confused. There’s a bit of a delay as he explains that he does not have a cellular phone, tablet, or laptop. Once beyond security, he finds his assigned departure gate and settles into an empty seat. The flight does not board for another two hours. So far, he’s right on schedule.

As time passes, the gate area fills with other travelers. Charlie watches them with great interest. All these people are setting out on a journey, just as he is. He experiences a sense of euphoria. He’s never done anything like this in his entire life. Then the boarding process begins. The euphoria does not last.

Charlie shuffles down the jetway with his fellow passengers. The space is narrow and there are too many people. Stepping aboard the airplane is worse. It seems impossibly small for the number of passengers squashed into the aisles. His heart is pounding by the time he finds his row and wedges himself into the window seat. He stows his small carry-on bag under the seat in front of him, just as instructed.

Once the plane is airborne, the flight becomes an interminable nightmare. There are two people crammed in between his seat and the freedom of the aisle. Soon after the dinner trays are collected, the lights go dim. In what seems like mere minutes, both his fellow passengers are sound asleep and snoring.

Hours pass and his bladder begins to throb. He has no idea what to do. Does he wake the man beside him or climb over the tangle of legs? Just when he is sure he will piss his pants, the sleeping man harrumphs, unbuckles his seat belt, and taps the next person on the shoulder. In a panic, Charlie lurches after the departing man and follows him to the lavatories.

Landing at Heathrow does not end the nightmare. Charlie’s brain is scrambled from the long flight and the close contact with so many strangers. Somehow, he manages to get through immigration and make his way to the baggage claim area.

Bags and suitcases slide down a chute onto a long conveyor. There are too many people, and they crowd close to the conveyor belt. His eyes search for the large piglet sticker that marks his suitcase. When he finally spots the bag, he cannot make his way through the press. He is forced to chase the bag until he comes to a gap in the crowd.

Outside the customs checkpoint, Charlie realizes with a jolt that he is in England, alone, and without any idea what to do next. His brain has gone all fuzzy inside. Then, amongst a sea of signs and placards held aloft, he sees his name.

The sign fills in his vision. He stumbles forward as a desert traveler staggers to an oasis. Holding the sign is a short man dressed in a black suit and tie. A chauffeur’s hat perches above his brown face.

Hope springs in Charlie’s heart. This man is his driver. The travel agent arranged all of this. He is safe. Reaching the driver, Charlie raises his hand in greeting.

“I’m Charlie Druthers. I’m sorry to keep you waiting. The flight was… difficult.”

The man smiled, and Charlie was sure he had never seen a kinder face.

“Not to worry, Mister Druthers. My name is Habib. We’ll soon have you at your hotel. Let me take your bag. Now, if you’ll just follow me. A good night’s sleep and you’ll be right as rain.”

Habib’s words regarding sleep and rain prove prophetic. Charlie swims out of a dream and opens his eyes. He is in a strange bed in a strange room. Details flicker through his sleep-addled brain. Driving from Heathrow into London, listening to Habib describe the wonders of the city. Then being helped into the hotel, finally getting to his room. Collapsing onto the bed.

That’s right, he’s in London! He rolls his legs out of the bed, groans, and sits upright. The curtains are open, and he gets his first view of the city through rain-streaked plate glass.

Never mind. What was it that nice Mister Habib said? Right, not to worry. You’ve packed a raincoat and you can buy an umbrella. No, a brolly, that’s the word.

A simple day of sightseeing turns out to be much more work than Charlie could have imagined. The rain is a constant sheeting drizzle. There is no such thing as a straight street. He gets lost between the British Museum and the Tower of London. Traffic drives on the wrong side of the road. Twice he is almost run down trying to cross the road. By the time he returns to the hotel, he is exhausted.

The second day in London is little better. Footsore and disillusioned, Charlie retreats to his hotel room once more. He contemplates giving up on the whole idea. He can call the travel agent and beg her to change his return ticket, get Habib to drive him to Heathrow.

The third morning in London finds Charlie in a state of despair. Not knowing what else to do, he confides in the hotel concierge. The man is patient and kind.

“Now then, Mister Druthers, no need for worry. London can be a bit much your first time. We’ll soon have this put to rights. The rain’s let up. What would you say to a nice cruise on the Thames? You can see the sights without all the fuss and bother.  I can arrange a taxi to take you to the dock.”

Charlie takes to the idea like a drowning man clutching a life ring. Several hours later, he is sitting on the top deck of a tour boat. The sun is shining on the water. Birds wheel and dip over the Thames. The boat passes beneath the Tower Bridge, then cruises past the bulky square of the Tower of London. The Globe Theater on his left, Saint Peter’s Cathedral on his right. He glides by the soaring circle of the London Eye and the Palace of Westminster.

Passing these famous landmarks, he feels a shred of strength returning. By the time the boat docks, he is so excited he rushes back to the ticket booth. Luckily, there are a few seats available. If anything, he enjoys the second cruise more than the first.

Charlie returns to the hotel ready to continue his journey. He will stick to the plan. After all, London is just the beginning. Tomorrow, he will head south to the real destination, The Hundred Acre Wood, Ashdown Forest, home of Pooh and Piglet and Christopher Robin. He realizes he has much to learn about traveling, but he’s not ready to slink home with his tail between his legs. This is his chance to become fearless, just like little Roo.

He remembers how Roo fell into the stream whilst looking for the North Pole. Everyone ran around in a panic, fearful that Roo would drown. Meanwhile, Roo was swept over one waterfall after another. Instead of crying out for help, Roo wanted everyone to see that he was swimming, not drowning. Even after Pooh and Kanga rescue him, Roo cannot contain his excitement.

“Pooh, did you see me swimming? That’s called swimming, what I was doing.”[1]

And what about the time Roo and Tigger were stuck in the tall tree? When Roo understood that Christopher Robin wanted him to jump to safety, was he frightened? No, he was not!

“Tigger, Tigger, we’re going to jump! Look at me jumping, Tigger! Like flying, my jumping will be. Can Tiggers do it?”[2]

Charlie is resolved. If a creature as small as Roo can turn a catastrophe into an adventure, so can he.

The next morning, the kindly concierge calls a taxi to take Charlie to Victoria Station. The train ride south into Sussex is wonderful. He can barely contain his excitement. The train deposits him in Crawley and he catches another taxi to Hartfield. Only two hours after leaving London, he is outside the 15th-century inn that will be his new home for the next three nights.

The taxi drives away, leaving Charlie staring at the old inn, bag in hand. He shakes his head, sure that he is dreaming. He is in Hartfield, Sussex, on the edge of Ashdown Forest, the very place where A.A. Milne wrote the Pooh stories.

He realizes his hands are trembling. There is so much to see and do!

Taking a deep breath, Charlie walks to the inn and steps inside. Within minutes he is checked in. After depositing his bag in the quaint and comfy room, he hurries back out into the streets of Hartfield. Unlike London, he is able to find his way.

A short walk down High Street brings Charlie to Pooh Corner. He enters the busy tea shop and finds one empty table. Soon, he is sipping a cup of tea and nibbling on a fresh scone.

 Alone at his table, Charlie feels something unwinding in his chest. The sensation becomes stronger, rising into his throat. He wonders if he is having a heart attack. Then he realizes his cheeks are wet. He touches his fingertips to his face, not believing what he sees and feels. Charlie has not wept since the day of his parents’ funeral.

Now he is blinking through a screen of tears. Two blurry figures appear beside his table as if by magic. He daubs his eyes with a napkin and looks again.

They are still there, two women about his age, very pretty, and not English. One speaks to the other, rapid-fire syllables Charlie does not understand. Japanese, maybe? The other girl nods and turns to Charlie.

“Sorry to disturb. There is no place to sit. We saw you were alone. Maybe another time.”

Her voice is lilting and sweet. Charlie regains enough composure to mind his manners.

“No, please, you’re welcome to share my table. Sorry, I don’t know what came over me. Please join me.”

The young women nod to each other as if reaching a mutual decision. They sit.

“My name is Amaya, and this is my best friend Jun. We are from Kobe in Japan. Jun does not speak English so well.”

Charlie does his best to keep up with this strange turn of events.

“I’m Charlie. I come from the USA.”

Amaya smiles at Charlie, but he reads the concern in her eyes. Then Jun is speaking again. Amaya turns to listen to her friend, nodding her head. She turns back to Charlie and translates.

“Jun says she does not think you cry because you are sad. Tears of happiness she calls them. Excuse me if this is rude to say.”

Charlie feels himself growing lighter as if he might float out of his chair.

“No, not rude at all. Jun must be very perceptive.”

“Yes, she has always been like that, since she was a small girl.”

Amaya translates again. Jun smiles at Charlie. She is wearing a pullover bearing an image of Pooh and Piglet walking hand-in-hand. Amaya wears an identical shirt. Jun catches his eye, then fires off another rush of Japanese.

“Jun says to tell you we are fans of Winnie-the-Pooh from the time we were small girls. To be here in this place is like a dream for us.”

Now Charlie is nodding and smiling, his tears forgotten.

“It’s the same for me. Pooh and Piglet were my favorite bedtime stories. My parents took turns reading them to me.”

Amaya translates and Jun responds. The waitress arrives with tea and cakes. Soon they are chattering away like old friends, with Amaya translating, swinging back and forth between Jun and Charlie like a tennis umpire.

The tea is done but there is still so much to talk about. They stroll along Hartfield’s High Street, discussing which sights to see and in what order. They reach the turning for Charlie’s inn. He hates the idea of saying goodbye. Then Jun points up the small street and says something in Japanese. Amaya begins to giggle and translates. They are all staying at the same inn.

He holds the door for Jun and Amaya. As they walk into the inn, Charlie feels a wave of relief wash over him, like a condemned man given a last-minute reprieve. He does not want to say goodbye to his new friends. Charlie has been given another opportunity to take action and that is just what he does.

Charlie remembers the concierge at the London hotel. He approaches the front desk and motions Amaya and Jun to follow. The woman behind the oak counter smiles at Charlie’s request. Yes, a tour of Ashdown Forest is certainly possible, even on short notice.  Luckily, it’s not quite high season. Shall she book a tour for three?

A quick bilingual explanation follows. Charlie insists that this is his treat, and that Jun and Amaya will be doing him a great honor by accepting. After a rapid-fire exchange of translations, they agree, but only on the condition that Charlie is their guest for dinner.

The arrangements are made. Their guide will pick them up in the morning. Amaya makes a reservation for dinner in the pub. As they retire to their separate rooms, Charlie is almost beside himself with excitement.

Dinner that evening is the best meal Charlie has experienced in a very long time. During the meal, Jun and Amaya make fun of the English food and pull faces. Their antics have Charlie giggling like a child.

Dessert is treacle tart with clotted cream. As they fight their way through the sticky treats, Amaya and Jun argue over nicknames. After much discussion and translation, Jun is awarded the name of Pooh while Amaya chooses Piglet. They expect Charlie to choose Christopher Robin, but he surprises them by declaring he wants to be Roo.

The following day is one that Charlie will remember for the rest of his life.

Their guide proves to be an enthusiastic young man named Todd. He quickly falls under Jun and Amaya’s spell, waiting patiently while Amaya translates for Jun. The bilingual back and forth becomes the rhythm for the day.

Todd leads them through the Ashdown Forest just as Christopher Robin led the famous Expotition to the North Pole. They marvel at Gill’s Lap, the highest point in the forest which served as the inspiration for the fictional Galleon’s Leap. On and on they go, exploring the Place where the Woozle wasn’t still and the site of the Heffalump Trap.

The final stop of the day is Pooh Sticks Bridge. The trio plays a long round of Pooh Sticks, counting to three and then dropping twigs off the upstream side of the bridge. They race across the planks, giggling like schoolchildren, and drape themselves over the downstream railing. Moments later, three sticks appear on the lazy current. They engage in a spirited debate over whose stick came into sight first, decide on a draw, and thump back to the upstream railing for another go.

The tour ends outside the doors of the inn. Jun and Amaya take control, polite but firm. Jun blocks Charlie while Amaya offers Todd a generous gratuity. Their parting is all smiles.

In a second minor coup, Jun addresses Charlie directly, finalizing her words with a demure bow. Amaya’s translation follows. Jun is taking the three of them out for a special dinner at a gastro pub. Please be ready at six o’clock. Charlie has no choice but to agree.

Their dinner that evening is a long and wonderful meal. Over desserts, Amaya and Jun try to give Charlie their email addresses. Charlie is forced to explain that he does not own a computer. Amaya laughs and shakes her head.

“What are we going to do with you, Roo?”

She turns to Jun. Charlie waits while the two women confer in their native tongue. Then Jun reaches into her bag and produces an electronic tablet. A long explanation follows, which Amaya translates.

It is very important that they stay in touch. Charlie does not need a computer. A simple tablet like this will allow him to send and receive emails. Charlie promises to buy one as soon as he returns home.

Inside Charlie’s heart, a door opens. He does not hesitate to step through it. He speaks of his apartment back home in the city. There is plenty of room for guests, although he has never had any. Before he realizes what is happening, he is telling them the story of his parents. When he finishes speaking, Jun is in tears. Amaya leans from her chair to hug him.

It is a bittersweet moment, but Charlie will not let the evening end in sadness. He smiles and launches into a recap of their wonderful day together. Soon they are laughing again, teasing each other about the silly things they did.

Amaya and Jun leave the next morning. The parting is full of promises. For their part, the two women promise to visit the USA, tour the city, and be Charlie’s guests. Charlie vows in turn that he will fly to Kobe within the next year.

And then they are gone.

Charlie has another day before he must return to London. He catches a minibus back to Ashdown Forest, carrying with him both the sting of parting and the balm of the promised reunions. It is a good day because he decides that it will be so. He misses the giddy silliness of yesterday but cherishes the quiet joy he carries with him today.

*  *  *

High above the ocean, Charlie peers down into darkness. The last lights of Ireland fade away far beneath the wings. He imagines unseen waves. While he ponders the dark sea, flight attendants move down the aisle collecting the dinner trays.

Charlie pays attention to their progress. When the last cart clears the aisle, he leans to his seatmate and excuses himself. The woman beside him nods and motions to the man beside her. When the narrow path is clear, Charlie clambers into the aisle. The woman smiles at him.

“Good idea. You’ve done this before.”

She falls in behind him as Charlie walks to the rear of the plane. Charlie allows her to take the one vacant lavatory. He is not in any rush. As he waits his turn in the darkened aisle, he anticipates his return to the city.

Doctor Collins will be full of questions. His patient has never done anything like this. Charlie imagines himself answering some of the good doctor’s questions. Some, but not all.

More exciting to Charlie is the prospect of dropping in to see the nice woman at the travel agency. He looks forward to surprising her with the news about planning a trip to Japan.

This time, he will have an email address. His very first chore, even before he calls Doctor Collins, is to go shopping for a new tablet.

Jun and Amaya will be so pleased to see that he’s kept his promise. He can picture their beautiful smiles as they read his first email. Charlie is certain that Pooh, Piglet, and Roo will remain the best of friends. He thinks the ghost of A.A. Milne would approve.


[1]. “Winnie-the-Pooh” A.A. Milne 1926

[2]. “The House at Pooh Corner” A. A. Milne  1928



BIO

Marco Etheridge is a writer of prose, an occasional playwright, and a part-time poet. He lives and writes in Vienna, Austria. His work has been featured in over one hundred reviews and journals across Canada, Australia, the UK, and the USA. His story “Power Tools” has been nominated for Best of the Web for 2023. “Power Tools” is Marco’s latest collection of short fiction. When he isn’t crafting stories, Marco is a contributing editor for a new ‘Zine called Hotch Potch. In his other life, Marco travels the world with his lovely wife Sabine.

Website:  https://www.marcoetheridgefiction.com/









Word May Set You Free

By Marco Etheridge



Sweeney thought the kidnappings would be the difficult part, but they proved to be the easiest. What he discovered is that people are disconnected from their surroundings. Each of the abductions went down more or less the same way. One of the agents would be walking down a city sidewalk; strolling from the office or the subway station. Their faces were invariably glued to their smart phones, oblivious to the world around them.

Buck Mulligan and Sweeney worked as a team. They slipped up from behind while the agent was busy reading texts or yakking into the phone. Sweeney zapped their target with a stun-gun. Buck grabbed the sagging body under the armpits before their victim turned into a rag doll. While Buck held them upright, Sweeney popped a sack over their lolling heads. The van pulled up, side door already open, Stephen’s strong torso leaning out. The wobble-legged agent was thrown to the yawning door of the van and Stephen Dedalus snatched the hooded body into the shadows. After scooping up whatever belongings the victim had dropped, Buck and Sweeney followed. The van door slid shut and Molly Bloom drove them away. It was as simple as pie. No one seemed to notice or care. Maybe that was because it was New York City, or maybe because even in NYC, nobody likes a literary agent.

No, the hard part wasn’t snatching them off the street. The hard part was the long van ride from the City back to the warehouse in middle-of-nowhere New Jersey. That first drive, after they snatched Jeff Lyons, that was the longest. The guy whined and babbled like a little girl: What do you want from me, I don’t want to die, please, please. It went on forever, over and over, until Sweeney wanted to club him like a baby seal, which would have spoiled the plan.

After that first interminable ride, Banshee said she was damn sure going to show them another use for duct tape. She did just that. The second drive was quieter; mostly just inarticulate moaning and nose breathing. Leave it to the mystery writer to have a practical solution.

It was blind luck that they got two of the bastards in one day, or, more correctly, a bastard and a bitch. In retrospect, Sweeney realized they shouldn’t have been all that surprised. The literary agencies in Manhattan are grouped in clusters, like infected buboes in the armpits of the island. Set off a big enough bomb on West 21st Street, and you were liable to take out four or five agencies. Not that Sweeney would consider that as an option. Bombs were far to random, far too anonymous. It was a much more specific revenge that he craved.

When Allie Stark ducked into the alley behind Greenburg-Golden, she practically stepped into the van. The crew had just snatched the Reuben guy, so why not?  Bad luck for the stylish Ms. Stark, and one less trip into the City for them. At least the Stark chick was quiet, unlike Mr. BJ Reuben. He blubbered and made eyes at the Stark woman like he knew her. She ignored the crybaby, keeping her eyes focused on her abductors. All that long drive to Jersey, she didn’t make a sound.

*  *  *

Molly leaned through the heavy steel door, her voice coming thick and dull from under the latex mask.

“Are you ready for the opening monologue? I want to lock these parasites in their boxes. Everybody is sick of listening to their shit.”

Sweeney rose from a battered steel table, five manila folders in his left hand.

“Yes, Ms. Bloom, I am ready.”

“It’s Mrs. Bloom, as you know all too well. Don’t forget your mask.”

“Right, the mask.”

Sweeney dropped the folders onto the chipped tabletop and reached for a crumpled pile of latex. It was the distorted face of a nightmare leprechaun; a corpse face without an Irish skull. He stretched the thing over his head, letting it snap into place around his neck. The latex pulled against the stubble on his cheeks.

“How do I look?”

“No more of a fool than the rest of us.”

Molly Bloom raised a hand to either side of her distorted head, miming alarm. A fake orange beard wobbled below an exaggerated nose as she rolled her costumed head in a show of alarm.

“Oh, the humans, they be after me pot of gold! C’mon, Sweeney, let’s get this show on the road.”

Molly disappeared through the doorframe.

Sweeney watched her go, this woman he loved, the woman who would always be his best friend and never more.  He stood alone in the room, his breath was hot under the latex of the mask.

Sweeney’s mind wandered back to the conversation that had changed everything, before she was Molly or he was Sweeney. They were celebrating the completion of her latest work, some of the most poignant and beautiful memoir he had ever read. Over drinks in the corner of a favorite bar, their talk was of the usual frustrations, and the struggle to get published. Then the words were coming out of his mouth: It’s time to teach these bastards a lesson, change the rules of the game.

More than a year of planning followed, with endless discussions over endless pints of beer. Sara was brought into the scheme and became Banshee, then Joe became Buck Mulligan. What began as a formless fantasy of revenge took on sharp edges. By the time Stephen Dedalus joined the group, the thing had become real. Sweeney shook himself out of his memories and looked through the open doorway. And now it all comes down to this. Are you ready?

He grabbed the five file folders from the table and stepped past the rusted steel door.

*  *  *

Evening light leaked into the warehouse through jagged holes in the painted-over windows. Layers of surplus industrial paint peeled from the concrete wall; huge patches of pea green sloughing away from baby-slime yellow. Water dripped into puddles at the windowless back wall. Time had not been kind to this abandoned hulk, and it had been abandoned a long time. A collection of five small shipping containers stood in a rough row; ten-foot long steel boxes in faded colors of blue and red and green. The doors of the containers were standing open; eight-foot-wide by eight-feet-tall.

In front of the containers sat a row of five aging steel chairs. In the chairs sat two women and three men, all looking decidedly worse for the wear. Each of them were manacled; one ankle hand-cuffed to a heavy chair leg.

Sweeney crossed the chipped concrete floor, taking his place beside four masked figures standing in front of the seated line. He slapped the file folders against his thigh. Five sets of eyes looked up at him, eyes that were angry, or confused, or frightened. Sweeney ran his own eyes across the faces, looking for the cracks.

The Collin woman looked scared; just plain, ordinary scared. The first one they’d snatched, Jeff Lyons, he looked ready to burst into tears. The BJ guy was a bluster of anger and indignation. It was the last two that mattered. The older guy, Peter Schear, his eyes were taking everything in, looking for a way out. But the Stark woman, her eyes never moved. They were staring straight into Sweeney’s. He smiled at her, just to see what would happen. What he got in return was the slightest raise of an eyebrow, nothing more.

“Right. Let’s get started, shall we? Some of you have been with us for a few days. Others have just arrived. Now that we are all here, we can begin by laying out the rules. I…”

The BJ Reuben character interrupted him, his voice loud and angry.

“What the hell are you talking about? What rules? Are you some kind of crazy terrorists, or what?”

Banshee started forward, a Taser gripped in her left hand. She aimed her outstretched hand at the crotch of Mr. Reuben’s expensive slacks. He became suddenly very quiet, wide eyes staring at the thing Banshee held.

“Well, then, let’s move straight into introductions. BJ Reuben, I’d like you to meet Banshee. She will be your handler. I would advise against any more outbursts. I don’t think she likes you very much. Ms. Banshee, here is Mr. Reuben’s file. And would you pass the rest of these down, please?”

Banshee reached for the files. Through the holes of her grotesque mask, Sweeney caught the bright gleam in her eyes. Someone is enjoying this far too much. He had no doubt that Banshee would turn this whole escape into a cutting edge mystery novel. Sweeney turned his attention back to the seated captives.

“Moving right along then, let’s get to the rules. I am sure most of you are aware that you are in the same business. In fact, I am reasonably sure that some of you know each other quite well.”

He watched for any furtive glances and was not disappointed.

“Think of these rules as submission guidelines. If you don’t follow the rules, exactly as they are laid out, your stay here will be a long one, and more uncomfortable than it needs to be. Each of you will be paired with a handler. You will speak only to your handler, understood?”

“Ms. Collin, you’ll be working with Stephen. I think you’ll find Mr. Dedalus to be quite a gentleman. Peter, you’ll be with Buck Mulligan. He’s a bit hard at the edges, but I’m sure you two will hit it off.”

“Jeff Lyons, you’ll be working with Molly Bloom, you lucky devil you. That takes care of everyone but Ms. Stark, who will be working with me. My name is Sweeney. Ah, yes, Mr. Schear, thank you for the raised hand.”

“Mr. Sweeney, I’m guessing that we’ve been abducted for some reason, but I’m struggling to figure out what that reason is. I mean, we’re just literary agents; not exactly high ransom targets if I understand the situation correctly.”

The man’s voice was calm and smooth, probing for an advantage.

“If we could just hold off on the questions, I think this will go faster.”

Peter Schear shrugged, his hands in his lap.

“You are here for one reason, and that is to write. The way you are going to get out of here is to write your way out. Your choice of project is up to you. It can be a novel, a collection of short stories, even a play if you like. Buck, what would you think about the choice to write a stage-play?”

The answer came rough and hard.

“Delusional.”

“There you have it folks; and from a source that should know. Buck writes some of the best dramatic dialogue out there, but I’m sure none of you have ever heard it. His work is performed so far off Broadway it might as well be Uzbekistan. As you can see, Buck is a large man, and I can assure you he has no love for agents. I would not cross him if I were you.”

Sweeney paused to let his remark sink in.

“Now, back to why you are here. Whatever project you choose, it will be submitted to a jury of your peers, namely other agents. We will, of course, have to submit your work under assumed names. If an agent, any agent, asks to read a full manuscript, or further chapters, or expresses the slightest interest in representing your work, you will be free to go. One simple, positive response is your magic key.”

“Wait, you want us to write something, submit it to an agent, and wait for a response?”

“Another country heard from. Yes, Mr. Lyons, that is exactly correct. You will write, your handler will transcribe the manuscript into a computer file, and then we will send it off with as perfect a query letter as we can conjure.”

 Sweeney watched the change in the man’s face; the look of a little boy about to cry replaced by the look of a little boy struggling with his maths. Jeff Lyons swung his eyes up as the difficulty of the problem dawned on him.

“But, but, that could take months!”

“Yes, it could, Mr. Lyons; all the more reason for you to write well and quickly.”

“Ah, Mr. Reuben, you wish to comment?”

“Is this some crazy stunt to get published? Some elaborate piece of performance art?”

“An astute and hopeful question, Mr. Reuben, but no, this is not a stunt. Besides, each of us have published work, though perhaps not to your standards. After all, you are the gatekeepers, are you not? You judge who is worthy to walk the hallowed ground and who will remain out in the cold, dark night. No, we are well past stunts or trickery. This is about something much simpler; it is about getting even. I admit that there is some thought of making it better for the writers coming after us, but mostly this is just revenge. Banshee, do you have Mr. Reuben’s wish list?”

Banshee swung the folder open with a flick of her right hand, the Taser still held in her left.

“Got it right here, Sweeney. BJ Reuben, always willing to take a chance on a debut author. Looking for something that makes him miss his stop on the subway. Likes literary fiction that is quirky; surprise him. The usual rot.”

Sweeney raised a hand to cut off any more comment. I should just let Banshee Tase this bastard in front of the others. That would move things along. Just a nod and she would be so happy to oblige. She’s angry and ready. Sweeney knew he could count on Banshee to do her part.

“We are wasting time here. Forgive me, perhaps I have not been clear. If you wish to leave, you will write. Behind you are your accommodations. Think of them as monastic cells. Each has been furnished with a cot, a desk, and writing materials. Chairs you already have. Meals and other essentials will be provided for you so long as you write. If you want to eat, you write. If you want to shower, you write. It’s quite simple, really. Three thousand words per day, seven days a week; in four weeks you will have a novel of eighty-four thousand words. That is, I believe, your optimum length for a debut novel, yes?”

“And what if we refuse?”

Lauren Collin has found her voice. Sweeney looked into her brown eyes; attractive eyes. She may be scared, but at least she is thinking.

“That is a very good question, Ms. Collin. There must be penalties, of course, else how would the system function? If you refuse to write, you will not eat. You will not shower. You will not be allowed out of your comfortable cell. There are some other penalties as well, which I should make clear. You may write whatever you wish. Your work can be tailored to your own wish list, or the wish list of an agent that you know. But do not try to plagiarize someone else’s work. If you do, we will know it. The penalty for plagiarism is death, and I do not mean that in a metaphorical sense. You will be shot, and your body will be dumped in a place where no one will ever find it. Likewise, for any attempt at escape or mutiny. Do I make myself sufficiently clear?”

The words seemed to sink in. There was a silence from the line of chairs, then one raised hand.

“Yes, Ms. Stark, you have a question?”

“I just want to clarify. I write a novel. You send that novel out to other literary agents. If one of those agents requests additional material, or expresses any interest other than a rejection, then I go free?”

Sweeney smiled to himself, making note of the careful choice of pronouns. There is no ‘we’ with this woman.

“That is exactly correct, Ms. Stark. I couldn’t have put it more succinctly.”

There was that same barely raised eyebrow, the slightest nod as if she were confirming something she already knew; then nothing. I like this one, even if she is an agent. Careful, Boyo, this is not the time or place.

“Very well, if there are no further questions, we need to get you back into your cells. We must start the dinner preparations. There are some good cooks amongst us, as some of you already know. You will not suffer unduly. Tomorrow is our first work day, so you will want to get your rest.”

Sweeney turned to his companions.

“If you will, please; one at a time of course. Escort our guests back into their cells.”

*  *  *

Buck Mulligan bounced his ass down the bench between the concrete wall and the long table. He pushed a plate of breakfast down the worn surface. Once the big man was settled, he smiled across at the others.

“G’morning Banshee, morning Ka… sorry, Sweeney.”

“Morning, Buck. What, two weeks of practice and you’re forgetting your lines? You’re the stage professional.”

“Yeah, sorry, a momentary lapse. Your two shining faces put me off my guard. Banshee is smiling like a cat in a canary factory.”

“Understood, of course, but no mistakes in front of the guests, please.”

The bigger man grunted, stabbing a fork into a mound of scrambled eggs and roasted peppers. He chewed and nodded before he spoke again.

“Mmm… that’s some fine tucker. I don’t know if the original Dedalus could cook, but our modern version is a wizard. What is the line? God made food, the devil the cooks, or something like that.”

Banshee smiled at Buck from across the table. She was curled around her coffee; a soft smile gleaming through a tent of dark hair and bare forearms.

“You have it exactly, Mr. Mulligan.”

Buck looked between the two of them, Banshee’s dreamy smile and Sweeney’s smirk. His suspicion grew in spite of the known facts. He pointed his fork at them as he spoke.

“Okay, what’s the deal? Have you two been laying pipe?”

The first response was laughter, then more smirking.

“You have a suspicious mind, Buck Mulligan. Banshee and I have done no more than sit here and enjoy each other’s company.”

Sweeney leaned into Banshee’s shoulder.

“Not that I wouldn’t jump at the chance, my dear, if proclivities weren’t what they were.”

“Yeah, yeah, I’ll send you a memo if something changes. As for you, Mr. Mulligan; laying pipe, really? This is how a man of the theater speaks?”

Buck waved them off with his free hand, reaching for his coffee with the other.

“Theater is the art of the people, don’t you know, written in the language of the common man. Unlike the fancy prose of your highbrow novelists like Sweeney here. So what’s with all this bliss and happiness then?”

Banshee pushed herself upright, raising her coffee mug between thin, spidery fingers.

“I can honestly say that I haven’t felt this good in years. Almost three weeks of dealing with that whiny shit Reuben, and yet I feel fantastic.”

“Is he actually writing anything?”

“Just enough to eat, and what he’s scribbling down is crap. Worse than you would expect. Bitching, moaning, and scribbling shit; that’s pretty much his daily agenda. It’s a good thing we aren’t actually submitting this garbage to anyone.”

Buck nodded, savoring the tang of the peppers against the smooth taste of the eggs. He looked between the two faces sitting across the table, his fork poised midair.

“So what do we do with him?”

Sweeney turned to the smiling Banshee.

“He’s your guy. What do you think?”

She smiled even more, wrinkling her forehead as if it were a stupid question.

“Look, I signed on for the long-haul here, just like the rest of us. But I don’t have two years to waste on this little bitch. He doesn’t have a bad novel in him, much less a decent one. I have my own projects to write, and lovely maidens to chase. So I think it’s obvious: We kill him.”

The two men nodded their heads. Buck shoveled another forkful of eggs into his mouth. Sweeney spoke first.

“Sounds reasonable to me. When do you want to do it?”

“After breakfast tomorrow. I’m feeling too relaxed right now.”

“Who do you want to help you?”

“I don’t need any help to shoot him, but Stephen can help me dump the heavy lump of shit. I’ll have more free time after that, so I can play in the kitchen. I’ll bake you some biscuits, Buck.”

“I like biscuits.”

Buck pushed the empty plate aside, reached for his coffee.

“Listen, I’m worried about this Peter Schear cat. He’s the exact opposite of Banshee’s BJ. Pardon the pun.”

“In your dreams, Buck Mulligan.”

“I only dream about flying monkeys. Anyway, my guy is following the rules like a hall monitor. I swear, it’s like he’s analyzed the entire program, trying to figure out how to unlock it.”

Sweeney sipped at his cooling coffee.

“What about the stuff he’s writing?”

“Well, that would be worse news. It’s pap, pure and simple. Setting that elitist judgment aside, it’s the kind of pap that would sell in very respectable numbers. A dog, a pretty girl, a mildly shocking conflict; every element is lifted from somebody. But we can’t shoot him for plagiarism. He’s not lifting from one person; he’s lifting from everyone.”

“Well, I suppose it was bound to happen. It’s not unreasonable that one out of the five would turn out to be a writer. Maybe we just handed him an opportunity. At least he’s not trying to bust your balls.”

“No, but he’s a calculating bastard, I can tell you that. I wouldn’t want to be on the other side of a negotiation with him. A fella would come out short on that deal.”

“Think about what we should do with him, Buck. Banshee will have a bit more time after eliminating the annoying Mr. Reuben. When she’s not baking biscuits, perhaps she could give Peter Schear’s cage a bit of a rattle?”

Banshee shook back her hair, grinning a wicked grin.

“I’d be delighted.”

*  *  *

It was after breakfast when they came for him. The captives were all in their cells, but she could hear every word. The steel boxes did not hide sounds as much as magnify them. Every noise, every groan or fart, was broadcast across the open concrete room. Allie Stark heard the outside door open, the footsteps heavy across the floor. This wasn’t part of the routine. The handlers usually stayed away in the morning. No one had shouted for a bathroom privilege. Allie sat absolutely still, the tip of her pen hovering above a yellow legal pad. The footsteps passed in front of her box, the sound of two people moving further up the line. She heard the wrenching creak of a steel handle, then the groan of a heavy door opening.

“Okay, Reuben, on your feet.”

It was the woman, Banshee, with that voice like soft gravel. The other one was silent; maybe one of the men.

“What do you want? What’s this about?”

Allie shook her head at the tone of BJ’s voice. You poor idiot, three weeks and you still haven’t figured these people out. As if you were still in charge of everything. You never were much for learning things. Banshee’s voice cut across her thoughts, harsh and metallic.

“Shut up. I am sick to death of listening to you. Turn around and put your hands behind your back. We’re going for a little walk.”

“But I…”

“I said shut up. I won’t say it again. Turn around, hands behind your back, or I stun you right now. Dragging you will be more work, but if that’s the way you want it, fine.”

There was the creak of a chair, the muffled sound of movement, the faintest click of steel on steel. Then the sound of shuffling feet, footsteps being retraced. Allie Stark sat quite still, listening to the quiet that followed. She knew the others were listening as well.

The first gunshot cut through the silence, rolling like thunder against the concrete walls. Two more shots followed, the echoes mixing and dying. The thunder fell away, replaced by the sound of weeping from the next cell.

*  *  *

“Dammit, Stephen, couldn’t you two keep your hands off each other for a few more weeks? I thought you were the writer who wanted to reinvent the modern love story. Instead, you get involved in some pulp romance.”

Molly Bloom stood in front of Stephen, her hands on her hips. Dedalus raised his hands from the arms of the chair, shook his head, dropped the hands to his lap. Molly blew out a huge sigh, turned to the others.

“Does someone want to help me out here? Anyone?”

Sweeney was slumped over the long table, silent. Banshee leaned against the wall casting dangerous looks. Buck Mulligan sighed and scratched at the stubble on his jaw, thinking of where to start.

“I think it’s safe to say that this changes things a bit. Stephen, can you give us the quick version? But please, without any graphic bits, because I am really not in the mood for that.”

Banshee laughed out loud.

“Yeah, I’m dying to hear this. At least someone is getting laid. Please tell me that you took that stupid leprechaun mask off.”

“Look, I’m sorry; really I am. It was after you took that Reuben prick out. Lauren was scared; I mean really freaked out. We were just talking, you know. We had to whisper, so we were leaned in close. Then it just happened.”

Sweeney raised his head from the table.

“Yes, it just happened. The Stockholm Syndrome kicked in, or the earth moved beneath the two of you. It doesn’t matter at this point. This pretty much tears it. Ms. Collin has to go, and so do you, Stephen. Then you two can live happily ever after, or she can hand you over to the Feds.”

“I don’t think Lauren would do that.”

“Sure, of course. Buck, would you care to script this one out for us?”

“No, Sweeney, I most certainly would not. But I agree that they have to go, and they have to go quickly, which means we have to close up shop. The question is, how long is it going to take to clean everything up?”

Sweeney’s laugh was sour.

“When we were planning this thing, we weighed out a lot of contingencies, but I swear, I never thought of this one. But at least we have an evacuation plan. I need to go over the checklist, but I originally figured two days at the outside. We can probably get it done in one. After we serve our guests their dinners, we can start packing up the gear. Stephen, you’re going to have to wait a day or two before we can spring you two lovebirds. Can you live with that?”

“Sure, of course we can. Look, I’m sorry. I’ll never breathe a word of this to anyone. And you guys can keep my share of the profits.”

“No, Mr. Dedalus, a deal is a deal. We spent an entire year planning this thing. One of the rules was that if there were ever any royalties, we split them evenly. You did your part, just like everyone else, so the deal still stands as far as I’m concerned. Besides, you may need some money when you finally get out of the slammer. As far as talking goes, never is a long time. But we can’t kill you; we all go back too many years. Is everyone okay with that?”

There were nods around the room. Sweeney shook his head.

“Right. There’s not a lot more we can do tonight besides packing up the miscellaneous stuff. Tomorrow we move everyone out. Buck can drive Stephen and Ms. Collin to the Denville Station. That’s in the opposite direction of where we dumped Reuben. They can get to the city from there, or wherever they choose to go. Stephen, you need to do whatever you can to keep a lid on your new girlfriend until we can get clear of here.”

 Stephen Dedalus nodded his head, still slumped in his chair. Sweeney rose from the table.

“We’ve got a lot of work to do, so we better get to it.”

*  *  *

Hers was the last dinner to serve. Sweeney rapped twice, his knuckles ringing on the steel door. Heavy cams groaned as he rotated the thick handles. Before he fully opened it, Sweeney peeped through the gap in the door. There was no need. Ms. Allie Stark was not poised to attack, sharpened pencil raised to stab. She was sitting at her makeshift desk, as always, her eyes calm and waiting. Vaguely disappointed, he retrieved a tray of food and pulled open the door, edging into the steel box.

“Good evening Ms. Stark; here is your dinner.”

“Good evening, Mr. Sweeney. Mmm… it smells like curry. It must be Stephen Dedalus’ turn in the kitchen. He is a very good cook, Mr. Dedalus. I may actually miss his curries.”

Sweeney set the tray on the desk and took one step back.

“Are you leaving us, Ms. Stark?”

“Everything must come to an end, Mr. Sweeney, even this little vacation.”

“Yes, well, I will leave you to your meal.”

Her voice stopped him before he could move.

“Would you mind very much staying for a bit? I am sick of eating alone, truth be told.”

Sweeney shrugged, seated himself on the narrow cot.

“A bit of time is all I have, I’m afraid. Lots to do, dishes to wash; you understand.”

“Yes, and love affairs to see to, I would imagine.”

She caught his harsh look and gave him back a half smile.

“Relax, it’s no business of mine. The walls are quite thin, that’s all. But it would make a very good party story, don’t you think? A wonderful response to that awkward ‘how-did-you-two-meet’ question. Speaking of questions, do you mind if I ask you one?”

“I believe you just did.”

“Alrighty, let’s make it two.”

Sweeney raised his hands palm up.

“Your name; how did you choose it? I mean, I understand the others, the Joyce characters: very clever. And Banshee, that requires no explanation. She has the sexiest voice on the planet, all gravel and threat. It is a treat to listen to her.”

“She would be pleased to hear it.”

“Yes, I’m sure she would. But back to your name. Which version of the Frenzy of Sweeney are you? Were you cursed for insulting a holy man, or broken in the shock of battle.”

“I am impressed, Ms. Stark. You are well-versed in your Irish literature.”

“Allie, please; I think we are long past the formalities. And yes, I have a little something to show for all of that money my parents handed over into the coffers of the Ivy League.”

“Brown University, if I remember correctly.”

“Yes, six years of it; and you?”

“I spent a bit of time in academia, but nothing so prestigious.”

The woman ignored her food, her eyes fixed on his.

“Tell me, Sweeney, what do you think of my story?”

You asked for this, Boyo, engaging in a serious conversation with this woman. All you had to do was drop off the food and go on about your business, but no.

“To be honest, I like what you’re writing. It’s good, edgy, but it will never sell.”

“I wasn’t thinking about it selling. You never had any intention of submitting our manuscripts, so what does it matter? I may as well write what I want. Isn’t that the way to create something real?”

Sweeney rose to his feet in one motion.

“Damn you, Allie Stark. Damn you to hell.”

*  *  *

Buck Mulligan stepped into the room. His crumpled leprechaun mask dangled limply in one hand. The other three looked up from the cramped table. Molly was the first to speak.

“Did everything go okay, Buck?”

“Sure, by the numbers, just like we planned. I dropped the two lovebirds off at the Denville Station and came straight back here. But the clock is ticking. We need to wrap this up if we want to stay out of prison.”

Sweeney looked up from a pad of paper.

“Buck’s right, of course. We need to get the others out of here and clear out ourselves. Let’s run through it one more time. Banshee, is the pistol taken care of?”

“It’s handled, Sweeney. I ran the tap thing down through the barrel. There were metal shavings everywhere. No one is getting ballistics from that pistol. I swept up the shavings and mixed them in with some other piles of junk.”

“And you dug the three slugs out of the hay bale?”

“You know I did. We can’t be leaving any bullets for the cops to find. They went down the toilet.”

“Good work, thank you. We can toss the gun when we leave. One more pistol in a New Jersey ditch; no one is going to notice or care. I can smell the chlorine, so the bleaching must have gotten done, right?”

“Yes, we made Stephen do it. It seemed only fair. He doused the toilets and the kitchen like a madman. I don’t think there is going to be a lot of DNA left. Better if no one ever finds this place at all, but we did our best.”

“Okay, Mrs. Bloom, that’s checked off the list as well. Everything went to the storage unit this morning. I paid three months rent on that thing, so no one will be opening it anytime soon. I don’t think anyone will ever connect a bunch of pots and pans with a kidnapping, but if they do, we will have a long head start.”

“Do we tell them anything about the cel phones, Sweeney?”

“Sure, tell them the truth. We’re not thieves, but we couldn’t have the cops tracking us. Their phones are in a package buried in the mail room of the Reuben Park Group. It’s disguised as an unsolicited manuscript. If they look hard, they may find it in a week or two.”

There was grim laughter around the table. Sweeney pushed the legal pad away and looked at the others.

“You know they’ll never stop looking for us, right? Kidnapping, a Federal offense and all of that; we need to get this last part over with.”

Everyone nodded. Buck Mulligan’s voice cut across the group.

“We need to be careful about the finger prints. Everything has been doused with WD-40. All the doors will be open, so there should be no need for anyone to touch anything, but make sure you keep the latex gloves on until we are in the van and driving.”

Sweeney nodded his head.

“You all know what to do. You three take the van. You dump Lyons and Schear near the train station. Their hoods don’t come off until you push them out of the van. I do the last wipe down, then I take Ms. Stark in the car. Once we’re all clear, we head for Philadelphia. Remember to watch the speed limits and all of that. Any questions?”

It was Molly Bloom who spoke.

“The wild card is that prick Reuben. Banshee, you dumped him in Patterson, right? He’s had a few days to do whatever he’s going to do. What do you think?”

“We gave him the spiel, about how we know where he lives, where his family lives. I think he’s scared enough to keep his mouth shut, at least for a little while. I told him that if he talks, someone will find him and kill him for real; slowly and painfully. Stephen said there is a lot about this that Reuben wouldn’t want made public, but who knows.”

“I suppose we will find out soon enough. We give the same talk to the others, of course. Let Banshee put the fear of all the gods into them. Buck said it best; the clock is ticking. You guys get a move on. As soon as you’re clear of here, I’ll do the last walk through and follow. See you in Philadelphia.”

Without a word, the crew rose and set to work.

*  *  *

Sweeney crossed the concrete floor, a canvas bag in his hand. The warehouse was in shadows. Steel doors gaped open on four of the shipping containers; empty mouths on empty cells. The nearest, the fifth, was shut tight. Sweeney rapped twice, then pulled at the heavy handles. The door wrenched open, the handles clanged. A feeble light trickled in from a small overhead vent. The generator was gone and the lights had gone with it. 

Allie Stark was seated on her narrow cot, hands in her lap, as if she were waiting on a bus. She held a hand to her forehead to fend off the sudden light, weak as it was.

“Good afternoon, Sweeney, or evening; whichever it is.”

“Sorry to keep you waiting Ms. Stark. Late afternoon would be accurate, I suppose.”

“If you call me Ms. Stark one more time, I’m going to scream. And I can scream really loudly, so fair warning. Not that it matters, since everyone is already gone. They are gone, aren’t they?”

“Yes, Allie, everyone else has left, as I’m sure you heard. “

“Then I should be terrified: Trapped alone with a legendary Irish madman.”

Sweeney did not think she looked at all terrified.

“What is it you’ve got there?”

Stepping into the gloom, he held out the canvas bag.

“I brought you your things; your purse, wallet. You’ll have to do without your cell phone.”

Allie Stark took the bag with one hand, motioned to the cot with the other.

“Have a seat while I pack.”

Sweeney shrugged and sat, leaning against the steel wall at the far end of the cot.

Allie rose, took three steps to the desk, reached for a stack of legal pads. She fit the pads into the canvas shopping bag and returned to her place on the cot. It creaked under her slight weight as she sat.

“I’m packed.”

Her smile flashed in the dim light. Sweeney reached into a side pocket of the work coat he was wearing.

“You should add this to your packing. It’s your manuscript; as best as I can transcribe it.”

“Oh, a thumb-drive, how sweet. Now I will have something to remember you by.”

“Right, a keepsake. I didn’t want you to lose all of your hard work, that’s all.”

“One of the lessons I have learned in the last four weeks is that I rather like working with paper and ink. I had forgotten that lovely scratching sound the pen makes as it slides across the paper. Speaking of lessons, did you learn yours?”

“And what lessons would those be?”

Allie Stark turned away from the bag in her lap, giving Sweeney a frank stare.

“You know exactly what I am talking about. This elaborate abduction; weeks of watching and listening. There must have been some surprises, lessons you weren’t counting on.”

Sweeney looked away from her probing eyes.

“I’m going to need to get back to you on that. I wish I had something profound to say, but I’m still trying to sort it out in my head.”

“I suppose that’s fair. Did you at least get what you wanted out of this whole thing?”

“No, not so much, or rather yes and no. I think there was more of the unexpected than the expected. Let’s just say that things didn’t stick to the outline.”

“Maybe not as much as our friend Banshee? Direct anger, driver revenge; she is very good at it.”

“Yes, I think you’re right. Banshee got exactly what she was looking for, exactly what she was needing.”

“Are any of the others really dead?  Mr. BJ Reuben in particular?”

“Dead?”

“Yes, you know, shuffled loose the mortal coil: Dead.”

“No, no one is dead.”

“Good, I’m glad for that.”

“You’re glad for them?”

“No, I’m glad for you, Sweeney.”

She raised a hand, pointing to his face.

“Since it’s just the two of us, would you be willing to take off that stupid mask? It’s most unflattering, you know.”

“No, Allie, I would not be willing to take off this stupid mask.”

Her eyes were on him again; grey, serious eyes.

“Then I am stuck with the image of a horribly disfigured man; saber scar across the left cheek, a crooked, broken nose.”

“That is remarkably accurate. We should be going now.”

“All right, Sweeney, but just one more thing before we go. When you send me the query letter for this novel, make sure you put in a line, a code word, something I can recognize. I know, use this sentence: And your words may set you free. I’ll make sure my assistant is looking for that.”

“What makes you think I’m going to write a novel about this?”

“You’d be a fool not to.”


BIO

Marco Etheridge lives and writes in Vienna, Austria. His fiction has appeared in Literally Stories, Dime Show Review, Five on the Fifth, Storgy, Inlandia Journal, Manzano Mountain Review, Every Day Fiction, Dead Mule School of Southern Literature, Literary Yard, Mobius: A Journal for Social Change, Czykmate, Cleaning Up the Glitter, and Fleas on the Dog. His non-fiction work has been featured at Route 7 and Bluntly Magazine. Marco’s third novel, “Breaking the Bundles,” is available at fine online booksellers.

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