
The Comic Art of John Pham

Ⅰ
I saw him coming from a mile away. I was on the porch with a riveting paperback Reggie had given me the first earthly second she was done with it. The opener was about a leviathan drifting through the ocean, barely moving its tail, not hunting, just letting things glide into its ever-gaping mouth. On the cover, a naked woman swam the forward crawl and beneath her, blossoming from the depths, a shark rose, enormous, piranha-toothed, mouth like a bottle opener. As I read I often returned to the cover to reorient myself in the thrill.
I saw the car come around the point, and when it slowed for our lane I had to stop in the middle of a paragraph. A sign on the telephone pole said ‘Private Drive,’ but the car turned in without hesitation. I put my finger in the paperback and waited. How easily he drifted into our territory, and even now I see the white car rippling up the lane between the fields, blackberries in fruit and flower, Queen Anne’s lace. I retied my headscarf and dusted my slacks and slid on my sandals. I riffled the paperback to smell Reggie’s cigarette-scent and set the book on top of a weather-warped National Geographic with a sleepy beaten-gold lion on the cover. It was my last drop of real solitude, the last day of school in June.
It took him a moment to unfold himself from the car. He was easy-looking and tall, in shirt sleeves and his suit vest, and he buttoned his collar and tightened his tie, with a rueful smile up at me as he put on his jacket and shot his cuffs. I wasn’t interested in what he was selling, and I didn’t want to invite him in, but there I was, obviously doing nothing.
Our ranch house was built into the slope, with wide steps to the verandah, and a raggedy circle of gravel down in front. I was alone on the property, which ran upslope into old orchards and, below, fanned out into farmland. The front door stood open, and deep in the house the washing machine stopped swishing and clicked to silence. At that moment, the brown rabbit came through the door and paused on the top step, one ear straight up. Buck or doe, its name was Adelaide.
The salesman was struck, beguiled, his mouth open in amazed delight. With a boyish lunge he was halfway up the steps, and he reached out gently, letting Adelaide smell him. Then his long fingers kneaded the sable ruff. I stood up. I didn’t want him to see my things, my accoutrements of thought: cigarettes, matches, pulp novel; the magazine glued to the table with rain.
I pressured him back from my private space, and he ducked his head under the shade of the porch and shyly offered his hand. ”Luxevac,” he said, smiling, a little lost, a vacuum cleaner salesman who had wandered off his route.
He gave me his card, bounced a little on his toes, and laughed with dazed joy as the rabbit lop-lopped across his foot and vanished through the dimness of the front door.
”Enchanting!” he said. ”You can imagine I’ve seen a lot of things in my travels, but a rabbit that lives in the house? My wife will never believe this.”
He was supposed to be back in the city by five, but he was all turned around on these country roads. Yes, he sold vacuum cleaners, the high-powered ones that eliminate dust mites. Did I know about dust mites?
He pulled a flier from the breast of his jacket. I could not resist the scanning electron image of a dust mite, head on—a chitinous hairy rutabaga with sucking mouthparts extended. I wanted that flier, wanted to wow and horrify Reggie with it. ”These things are everywhere!” I’d say authoritatively. ”Crawling all over us!”
He put his hands in his pockets like Fred Astaire and jogged sideways down the steps. Then he smiled up at me, and patted the canopy on his car. ”You wanna take a look?”
I was curious to see the technology that extracted mites. He unlocked the hatch and flipped it open as I came up. Heat unfolded in my face. The bed of the car was carpeted, packed with atomic streamlined chrome.
”I’ve got the Duchess and the Argosy, and my favorite, the Princess. Look at ‘er. The power of a jet engine. Detachable parts. Brushes. Does drapes, stair runners, shag carpet, floors. You’ll never sweep again.”
I liked the Argosy, a canister that looked like a chrome rocket pack. He showed me the brushes that went with it, and then caught me gazing over the countryside as the school bus swung around the point of Craig Hill. Nan would be home in a minute. He’d cut short my precious time alone, the last of my true selfhood. I smiled with my teeth locked.
He understood my look, and straightened up, preparing an argument. He had a soft, kind mouth, and harsh eyebrows that he wore pushed harmlessly back.
”I’m sorry but—we’re a Hoover family,” I said, thinking he’d find that amusing. I turned my foot on its side, curling my toes.
”—So, ‘maybe next time,’ ” he murmured. He was still, his hand on the raised hatch, his tie fallen on the perpendicular drop, and he watched the school bus disappear beyond the wild plum thickets at the bottom of the pasture. He had clicked to a different setting, a void where he waited for a letdown in mood to stop fighting him and settle into acceptance. Then he slammed the hatch.
In the distance, asbestos brake pads sang.
He turned and reached for me, and I breathed in, but he only plucked the bent advertising pamphlet from my hand and shoved it back inside his jacket. Opening the door of his car, he let it pivot to the end of his arm, and then, struck by a thought, looked back, squinting his eyes to block out the sight of me. ”I think you’ll regret not getting the Butcherback,” he said artfully.
I acquiesced, glad I’d wasted his time as he’d wasted mine. And, as he drove away, and I climbed the steps, I did feel regret, because he put the image in my head of a humped beast with a ruff of bloody arrows, gnawing its way through dirt, its belly full of desiccated mites. I wanted the Butcherback. I saw it growling its way hungrily down the hall runner, leaving a trail sucked so clean that it was paler than the rest of the rug, every strand of fiber standing up like stubble after the chaff cutter passes.
The school bus gave a dusty sigh and the accordion door folded open. Nan leapt free and ran with short steps in her patent-leather Mary Janes, flailing her lunch box and a handful of papers. She always leapt from the bus and ran as fast as she could and ended up gasping, trudging the last torturous bit up to the house, played out.
Big heaps of brambles encroached along the lane, spangled with bees, and, halfway up the road, as Nan hit the hyperventilation point, she met the white car.
The car stopped, and I shaded my eyes, critically observing the sunshot filaments of her fraying braids, hoping she’d remember her manners. As he said hello, his arm emerged from the window and folded itself on the ledge. She nodded vigorously, baring her gappy smile, and danced a few steps to the side. The car began to roll forward, in a drifty way, and she hurried on to me.
Up the porch steps she clattered, and into my arms. Full against me, she looked up. She could not know how it made me feel to see my own mother’s swan-like cheekbones, rebuilt in miniature. ”Nana-banana,” I said thoughtlessly. The trapped animal of her heart against me was part of our nexus, like the harebell-blue edge of accusation in her eyes. I was expected to divine everything she experienced at school; we both saw my inadequacy. Honestly, the fact that we were actually discrete beings—that our lives operated separately—still surprised us both.
Nan pulled away, leaving the papers pressed to my front, and went into the house. She reserved the really catapulting hugs for Andreas; ours was a far more complicated love.
I sank back into my book. Inside the house, Nan put on a record, Bolero, Toscanini’s sped-up version that had so insulted Ravel, with its devil’s intervals—those maddening, terrifying lags.
I thought she was getting a cookie, but she came out with her sable rabbit in her arms, and sat down in the swing beside me. Floating through the open door, Bolero started out sounding like springtime, a breathless, deceptive air of promise.
We had already discussed the cover of my book, but again she asked: ”Does the shark eat the lady?”
”No, it just kind of bites her leg,” I said. ”Oh, the shark bites with his teeth, dear,” I sang into her neck, on the opposite side of the rabbit. She laughed quietly, so as not to disturb her baby, her eyes tearful with excitement. She held the curved brown back like someone patting a baby’s diaper. My favorite parts of the rabbit were the felted piss-yellow bottoms of its feet, I don’t know why.
Nan kicked one foot in time with the militaristic buildup of sound. Her white tights were grubby across the knees and there was a blood-darkened shred stretched across her patella. I reached over to put my finger in the hole, my cool Mom finger on her hot crusty flesh, and she twitched her leg away, and I felt stupid with nowhere to put my affection.
I pushed off the floor and Nan and the rabbit and I glided forward, weightless. I looked sightlessly down at my book. Reggie was meeting an old school friend for lunch in town and this had eaten me the entire day. In high school, Reggie was a greaser, with a chiffon scarf around her head and a slutty sneer. She had invented a mode of being as unrelated to the past as the code on a computer punch card. She took me from the depressing world of my parents and made me funny and true. And suddenly, we were out of school and she revised what I’d assumed was a permanent code of nihilism and remade herself as a wife and mother—skilled and sarcastic, cooking and sewing in a fabulous flurry, having sex, glugging rum into a blender—and so, following along, did I.
Deliriously, I raised the paperback and smelled it. Nan looked up, the imprint of her father’s blonde Italian blood in her high, clear brow. Andreas joked that she looked like the girl who married the Lonely Goatherd.
”This music’s scary at the end,” said Nan.
”It’s certainly hectic,” I said. ”But then so is ‘drip drip drop little April showers.’ ” It was fascinating to watch her relationship with art emerge. She had shown preference from the moment she was born. Her musical taste lay necessarily alongside all of ours—from Santana’s Abraxas, in her father’s collection, to the Bay City Rollers of Shawnee’s devotion. ‘Saturday Night’, now that was the song! Andreas and the kids in the living room, thrown into a frenzy of disco fingers.
* * * *
Andreas was thudding uncharacteristically as he came in from work; he entered the kitchen long and lithesome in his three-piece polyester suit, teeth glowing under his big Elvis sunglasses as he lurched along with Nan attached to his side, her feet riding the forklift of his Weejuns. ”We swung the deal, passed the merger, big day at the bean factory, big day, big day,” he said in his mild, husky voice, holding Nan’s head against his ribs as he hitched closer so I could lean over the ironing board and kiss him. ”Where’s Nantucket?” he asked me, as if we were alone.
”Look on a map,” I said.
Laboriously, he dragged his mummified leg down the hall, garishly groaning.
I started dinner and went outside. When Andreas was home, the garden was the place to be. It sprang up at the wave of his hand over Honeoye loam, and when he was in it, the air rainbowed with sprinkler spray. He was wearing surfer shorts and a ‘Beach Bum’ T-shirt with a footprint on it. A stray hen hovered at his heel. Nan was barefoot, in a pair of underwear, her braids down her back. When he saw me, Andreas started singing ‘This Was a Real Nice Clambake,’ one of his happy songs. Showily he sailed a knot of lambsquarters over the fence into the henyard and the rooster shrilled a hawk warning that made the hens crouch. The three of us laughed madly. Nan laughed so sharply that her pale shoulder blades touched.
”Hey, your wascally wabbit’s in the radishes!” cried Andreas.
The rows of baby vegetables were just speckled stripes, and Nan dodged carefully after Adelaide across the frilly potato patch Andreas had planted on Good Friday. She was beginning to exhibit the long bones of her father, and her changing limbs made me feel I had to focus harder. The brown rabbit sat up, feeding a Swiss chard stem into the corner of its mouth like a kid at the pencil sharpener. Andreas leaned on his hoe and laughed, his eyes on mine in the pure concord of parenthood.
* * * *
Reggie and I read Milton. We read Virginia Woolf, Sidney Sheldon, Ways of Seeing. We had classical records; folk music; Carousel and Oklahoma!—we had Sticky Fingers and Led Zeppelin III. We lay on the living room rug surrounded by the big art books, overcome by what people had done. We made long Modigliani line drawings of each other. We hammered copper. We loved Polanski’s Knife in the Water, Zeffirelli’s Romeo and Juliet. We loved James Bond. We passed through a period of batik; a season of pysanky eggs; several rounds of Shibori tie-dye. Reggie wanted to be a fashion designer; she could iron a placket like a filet knife. I studied palmistry, and didn’t get far with it. We made our own bracelets, halter tops, winged helmets; we cut each other’s hair.
We didn’t know how to get to the Big Art. We didn’t know how to take a stab at originality or honesty without displeasing all those around us. It was my sense that you had to withdraw into the gyre of yourself, to the detriment of your outer life, and I was always talking about the impossibility of this. Meanwhile, we learned how to wear fake eyelashes, taught the kids to swim, made piles of sandwiches; we dressed Nan as Woodstock, Shawnee as Snoopy; Arnie as the Red Baron. We were helplessly caught in our lives. We didn’t know how to write a poem that wasn’t trite. We didn’t know how someone could make a summer movie so overwhelmingly scary that it wanted to come out of the screen and kill you.
We saw the movie with our husbands, who laughed at our terror, and then, somewhat seasoned, Reggie and I went back, this time with Arnie. It was not a film for children, but Arnie was thirteen, and had shocked us into it by taking a startling switchback toward adulthood. Reggie had come home from shopping and found him blitzed on the couch. Sleepy-drunk. She was appalled: he could barely stand, and from the smell of him, he’d been into the schnapps. Arnie had always been nice as pie, one of those kids who perpetually seem like they’re seven, walking around in underwear and a blanket, but at the same time he’d begun to dismantle radios behind our backs, destroy things, crack windows. And now we had to lock up the liquor cabinets. So, to keep him close, and to haze him, we took him to Jaws.
Years before, on that Friday afternoon that would be Jack Kennedy’s forever, I was sitting in an OB/GYN waiting room with Arnie in my lap. He was growling to himself and gnawing the pasteboard corner of a Little Golden Book: Little Fur Family, illustrated by Garth Williams. Down the hall a door opened and Reggie came out past the reception desk, her hand closed around her throat, and she stopped and stared at us as if permanently establishing who we really were, Arnie and I.
She would never see the world the same way again. She told us this, lowering herself down beside me. She was already pregnant with Shawnee; I was nineteen and still in college, still unmarried. We were coming to grips with the fact that there was real evil in the world, and we vowed to protect Arnie from it. The Little Fur Family, so sleepy and tender—
‘warm as toast
smaller than most’
—seemed unassailable until that moment, but we were rattled for months, and a mention of JFK returns me to the pictures in that book, and Arnie’s little head as I kissed him, his tiny slumped shoulder like a crookneck squash. Arnie was, essentially, my first baby, and his growing up was a betrayal, forcing us to acknowledge the coursing atavism that rises in adults.
So, Arnie was between us in the station wagon, scared out of his wits, hugging his knees as the shark fin came through the water. Reggie and I laughed heartlessly. It struck me that he didn’t quite understand what was going on in the autopsy scene, and I barely cognized it myself—it was too untenable to register as something that could happen—pieces of a girl in a box. I think what shocked me the most was that there were people who had the job of looking at such things.
* * * *
Why don’t you like Phil? Reggie always asked. Why don’t you like Phil? It was a good question. She’d been saying it for years.
We lolled to the movement of the porch swing, sipping boozy tonic water with chunks of watermelon. Across the corn fields the sun’s longest wavelengths reached for us through the red-hot atmosphere of the west. Andreas and Phil were locked over a basketball like two Knicks playing to the death, down on the gravel turnaround, surrounded by screaming kids. Oh, I liked Phil Thalasso, but he didn’t care much for me.
”Phil says you play your cards close to your chest,” Reggie said.
”What’s it to Phil,” I said dreamily. Phil read books on how to read people, which seemed predatory, but if I had to run a supermarket like him, maybe I’d worry more about understanding the human race. On the lawn, the violet hare browsed, and from the henhouse came the wing-drumming squawk of a hen going to roost. Reggie reached over and guddled in my drink with her strong fingers, and found the watermelon. Vodka vaporized on my hot skin, down inside the sleeveless blouse we’d made together from a Butterick pattern, as we made everything; both our sewing machines set up in my living room, our tops interchangeable because we were the same size.
I crunched ice. The game below us was invented when we weren’t watching; you could only guess at the subtleties involving a basketball, a pink hand towel embedded in the dirt, and Arnie guarding the open tailgate of one of the station wagons with a jai alai cesta. Phil wore a whistle around his neck like a coach, and blew it when it was time to switch sides. He was even taller than Andreas, and he dodged, whistle in his mouth, planning tricky plays with Shawnee. Phil and Shawnee were twenty times more advanced than Andreas and Nan, who could barely pass the ball, but a fouling penalty frequently sent one of them sprinting down the road to the first telephone pole while the game continued.
At any rate, Reggie and I were too crocked to play, too dreamy and sweaty, worn out from a day of summer with the kids. My head fell back and I pushed off the floor with my toes, and we glided with the pinchy squeak of chains in their hooks, the ice in our drinks crackling. ”Remember that time we stole Rafe’s car?” I asked. In high school we had sneaked the keys to her brother’s car and hit the highway, and when we opened the sunroof, rotten snow dumped over our heads.
Reggie had a horrible laugh, a demon goat’s blaat. That laugh turned me into a thief in the night. She closed her fancy eyelashes and threw back her head, while I laughed because she was laughing. We were out of breath when Phil came lunging, stringhalted, up the stairs. He groaned and laid himself out on the top step clutching a charley horse in his calf. Reggie gave me her glass and leapt up.
She knelt over him like a goddess in a halter tie blouse, her sunglasses propped in her satyr curls. Bracelets slid down her arms as she took up his black-furred shank and massaged it. Phil lounged on his elbows. ”You won’t believe this story I heard,” he said, making sure I was listening. Phil also read books on thinking big, and tried to get the rest of us to grasp business concepts, so I suppressed a roll of my eyes. ”There was this girl who had a snake,” said Phil. He glanced at Reggie and she bit her lip knowingly, and that, coupled with her caparisoned fingers deep in his calf, made me look quickly away.
”…a Burmese python,” said Phil. ”First it was a little baby snake with perfect brown spots,” he said, craning back until I met his eyes. He had to shave twice a day, his jaws dark as pencil shading. ”She did a heck of a job with it, and it was so tame. Well, the damn thing got bigger and bigger. And she loved that snake and the snake loved her.”
Phil glanced up at me again, and I shuddered to indicate my thrall. I was holding both glasses and I lifted Reggie’s and just barely sipped from it.
He watched an airplane draw a streak of silver across the evening. ”And the snake came when she called. No, really. And every evening, when she laid down, the snake would appear and stretch out at her side. They were happy as two clams, and she’d look into its beautiful eyes. She started thinking of herself as an amateur herpetologist. Then one day, she got the chance to talk to a real herpetologist, and she proudly described how well she’d tamed it. And this guy says: ”No, you have to get rid of that thing immediately! Every time it stretches out beside you, it’s measuring you!”
Phil, grinning, looked back, and his eyes went right through me. I flinched. Phil wanted to force an issue. He knew it and I knew it, but it was a problem that was usually underlying, only turning up from time to time like the fleck of tinfoil in a wad of gum, zapping my fillings and tasting alchemic.
Shawnee came pounding up the porch stairs and paused to expertly billow and snap her gum as she pulled up her knee socks. ”Me and Dad are beating the pants off ’em. What’re you guys talking about?” She was eleven, perpetually scented with esters of Dubble Bubble, her strawberry hair artfully feathered.
” —’Dad and I,’ ” instructed Reggie, standing over Phil and looking down at him with her dirty-velvet eyes.
“Shawnee, bring your old Dad a glass of water,” said Phil.
Shawnee smiled slyly, slammed the screen door and thundered through the house.
I got up and leaned on the porch rail. As I watched, Andreas and Nan seized their moment and pressed up the court, Nan on his shoulders with the basketball held above her head, terror and hope in her face. She heaved the ball through Arnie’s defense and into the back of the Thalasso family station wagon. Then Andreas, in a well-oiled movement, plucked her over his shoulder, held her close, and set her down.
Shawnee with her directionless fire was standing over Phil. ”Goodnight, John-Boy,” she said, and dribbled water in a long strand into his eye. Phil just closed his eyes and took it, but Reggie snapped her fingers like the Fonz, and Shawnee’s nerve failed. Phil shook the spray from his head. Then he came to his feet, grabbed the glass from Shawnee, put her in a headlock, and gulped the rest.
I flicked a watermelon seed from the porch rail and by the time I was aware of everything around me Phil was back in penalty limbo, sprinting down the lane in puffs of dust while Andreas and Nan exchanged a look of wry patience and Arnie lazed on the tailgate and Shawnee with her Farrah Fawcett hair drove up the court towards some imaginary triumph. The dusky farmland air was polleny and soft, and they were nearly in silhouette, figures against the scrim of the far horizon; the graceful leap of a man in the sunset air, guarded by a little girl.
* * * *
That summer, we needed to repaint the bathroom. I hauled all the paint cans out of the garden shed and rose to this watery task, a naiad loosed, describing ribbony stripes of lavender, cyan, amber, moss; tinting the paint oxygen-pale near the ceiling so that you could feel the surface of the sea. Reggie was amazed. I grew willful. My hands and eyes and body squared with providence; I was high and cocksure, and if you could have got a mile away, it would have looked right. If you just could get back far enough to see.
At the end of August, riding on this artistic confidence, I began construction on a cob oven. Reggie and I loved the little beehive stove in the magazine pictures. For her it formed the centerpiece of an outdoor kitchen, perfect for garden parties, and in her sketches she placed it on a terrazzo with a Hellenic bench and a potted palm. For me it embodied a yen to function tribally, using only fundamentals: grain, stone, fire. To Andreas, it was a pizza oven; to Phil, a waste of time. The cob was a mixture of clay and sand, water and chaff, so for the kids it promised the glories of stomping in mud.
We built it at the top of the lawn, near the garden, where the hillside ran into the old orchard. We should have begun during the hottest part of summer, to give it time to cure. The magazine article made it look easy, and then it became the hardest thing we’d ever done. I spent days harvesting blue clay from the hillside above the orchard, toiling with wheelbarrow and gummy shovel, filling washtubs with clay and water. I knelt over buckets, mashing out roots and lumps, pouring off the debris, and ran liquid clay into a gunny sack to sieve out the water. I splatted this semi-refined clay onto a tarp that I kept covered with painter’s plastic. Silty grey water ran down the lawn. Then we needed sand to mix in, to form our cob, and this meant a trip to our beach on Lake Ontario.
*
I was a reality said not to exist, but I came from somewhere time out of mind, all my connate convictions part of a longer campaign. My feelings were unspeakable, and I was aware of that, of course, but also this: I kept them to myself, they did no harm. They ate at me, after all; I was the one who suffered, when I allowed myself to admit them. Only me. I said nothing about the feelings and expected them, out of kindness, to go unacknowledged. But Phil was big on facing facts.
Considering what came after, it’s telling that when I think of my life’s abruption I see Phil rising from the waves, a frogman from another realm come to divide me.
*
Our beach was off the lake road, a concealed place, and our station wagons wallowed like prairie schooners across the trackless no-man’s-land between the highway and the shore, the kids and dog running toward the edge of the bluff—the last stable holdout before the surface of the planet blossomed into jellied light. At the edge, they leapt, and disappeared.
We parked the station wagons and hiked down an eroding dirt bank to the rocky shingle cluttered in driftwood and fishing line. Here a miniature point curved out into the waters, with a frisky little alder on its crest. The summer before, we had built a stone fish trap, and it languished now with fingerling brown trout flashing across its submerged walls. A small ooze, filmy and noxious, seeped from the bank. It was not a lovely spot, and always windy, but it was our own, and when the kids dug below the magnetite wrack line they found ample coarse, pebbled sand.
Andreas strolled the shore watching for the Toronto fata morgana, that floating, mythy sky-line none of us had ever seen. Phil in his sleeveless wetsuit vanished like a combat swimmer into boundary waters, to the agony of the border collie Rags, who stood in the wavelets, barking. ”Let’s hope he doesn’t run into our old pal Charybdis,” I said, and came to regret it. I had no idea how Phil oriented out there, and imagined myself lost in the chop, the Great Lakes fingering my bones. ”How can he forget the shark movie?” I asked. Nothing could have convinced me that sharks didn’t hunt these waters.
”Phil wasn’t scared of it to begin with,” said Reggie, as we wedged our folding chairs among the rocks. ”He said all you have to do is punch it in the eye. He said the shark looked fake.”
We blocked the wind for each other as we lit our cigarettes and put our sandaled feet on the ice chest. The whole point of that movie had been wasted on Phil. The kids, grim as miners, trudged up the bluff with pails, filling a washtub in the back of my station wagon. If they flagged, we leaned forward and clapped threateningly, but soon we all tired of this, there was a general air of dispersal, and Reggie opened a New Yorker. I noticed Arnie out on the lake, straddling the deck of Phil’s kayak, sailing with a windbreaker tied to a paddle. Reggie read aloud. Wonderfully, astoundingly, Georgia O’Keeffe did not claim any theories of art. Under the guidance of Reggie’s voice, new modes of being plucked at me. Sometimes I saw myself painting, not as a hobby but as a force, with grit, my entire being in motion. I would fill enormous canvases: waves, prairie skies, pack ice. I’d paint things you’d have to get back a mile to see.
”Where’s my shell?” Nan called in a high-strung voice. Phil had bought her a 7-Up at the gas station and her voice had a sugared whine. Shawnee was carrying her around piggyback, saying they were twins, and the dog leapt around them, snapping at sand fleas.
”In your bucket, Silly,” Shawnee said breathlessly. They cantered up. They looked nothing alike; Shawnee was big for her age and showy; Nan was a fairytale girl, elfin, flaxen, her jaw chattering. Reggie and I felt a pride in their beauty we would never admit.
Nan laughed in nervous relief, letting go to clap a hand to her heart, an affectation learned from her grandmother. She was often astonishingly like my mother, in an inborn way that charmed Andreas and appalled me. She was beginning to seem a little high-strung, but the start of school had us all on edge, even Shawnee, who was as prepared as you could ever be for fifth grade with her quartz-blue eyelids and her striped roller-skating socks.
Nan dropped a pocketbook mussel shell into my palm, jerking her hand away as the dog danced up. The kids, tasked with gathering tesserae to mosaic the oven, brought garnets, Petoskey stones, beer can tabs, blue slag; I tossed it all in a pail.
Left alone, Reggie and I sighed. We parked close in our wobbling chairs, a knee pulled up to hide the transfer of a roach nipped in a hemostat; we were in an idyllic phase, believing the kids hadn’t figured it out. We thought we were subtle, but if challenged, we became the authorities, rising combatively to defend all that was unwholesome. After all, the children had brought us to unforgivable levels of drear that included plunging fouled diapers into toilets with our bare hands. Secretly we resisted, with codewords and muttered curses. We were good at hiding things, muffling sex, jamming dirty novels under mattresses, for we lived two different sets of lives, one on top of the other—a glorious, invisible alt-layer of adulthood that nevertheless garnered a residue of houndish exhaustion like nights spent dancing in a fairyland.
Ms. magazine said we could have it all, but I didn’t see how that was possible, because we were also supposed to have waxed floors and French manicures. We’d gone through every art book in the library, but we were always waiting for a different time to really start our lives, for the children to be the right age, for Phil to switch jobs. ”Do you think that a person’s fullest expression is always restrained by convention?” I asked Reggie. It was the kind of wild, answerless question I liked to ask.
”We’re going to start taking night classes,” she said firmly, managing my education as she managed everything else, and repositioning her gladiator sandals on the ice chest. ”Or what we should do is just go to Europe.”
Europe was a castle in the air. We longed to see the Blue Grotto of Capri, Georges de La Tour’s use of light and shadow, the Trafalgar lions; but the reality was laughably far off. The kids were growing with startling speed, they always needed dental work, and Phil had taken a ‘Nixon shock’ hit in the market.
The evening waters parted around Arnie’s sneaker toe. He drifted slowly, his dark head bowed with concentration, successfully tacked, and plied the shore. ”Look how Arnie finds the hardest way to do the laziest thing,” said Reggie, over the fluttering magazine. She checked her watch. Pride was detectable in her voice. We thought that Arnie might be a genius, the sort of genius for whom everything is a knot of difficulty.
A black-backed gull stood near us, a garbage-gull, sullen, avoiding our eyes, pretending it had nothing to do with us. Lacking, as gulls do, a dividing septum between its nares, it turned its head and lake-light knifed through its nostrils like a crack in perception. For a moment, I was so high that my head lolled.
Reggie got up and climbed the stones of the point and stood clasping the alder, looking over the lake. She timed Phil’s swims, and had reached the worry stage.
”Mom!” Shawnee called.
Above me on the rocks, Reggie penciled an unlit Virginia Slims behind her ear and descended without hurry. ”Oh, what now!” she said. I ungripped my hands from the chair, and righted my mind. The gull began to run, opening its wings.
Shawnee guided Nan, who held one hand tight with the other, her shoulders drawn up and a look of ringing focus in her eyes as she stared at me.
Reggie sat down beside me and we leaned forward, assessing.
”It was an accident!” Shawnee said. ”He didn’t mean it.”
”Rags bit me!” squeaked Nan.
Rags trotted up, smiling stupidly. ”Her hand got in the way! You didn’t mean it, did you, Ragsy?” said Shawnee.
The kayak scraped over the cobbles and Arnie squelched up the shore.
Reggie wiped sandy slobber from Nan’s palm with her manicured thumb. There was no blood, but I saw, with a uterine jolt, the puncture in the flesh of her hand, above the heart line. I couldn’t seem to react. ”Oh, Nanny, he really got you!” Reggie said, her tone a perfect modulation of sympathy and sarcasm. She nudged me. ”Nurse, we’re going to have to amputate.” I reached down among the towels in her straw bag for the flat glass bottle of Olmeca tequila, unscrewed the lid, and hesitated.
Nan watched me, shocked. Shawnee was irritatingly close, clumsily patting her, and the wet dog had pushed in among us, tipping his ears curiously. Arnie hung back, his lip going white between his teeth. Reggie took the bottle. ”Now this’ll sting a teeny tiny bit,” she said, and splayed open the small hand and sloshed tequila, once, twice, while we all sucked air through our teeth, Nan and I most of all.
Nan’s teeth chattered and she wrung tequila from her fingers. Reggie bundled her in a plushy Aztec-patterned beach towel and pulled her close.
They gazed over the water, into the sunset. I knocked one back while no one was looking. Reggie rubbed Nan and squeezed her tighter. ”My God, you’re brave,” she said thoughtfully, and may have meant it. She nuzzled Nan’s cheek, and said, closing her eyes against the rush of power in the words: ”The thing is, you’re the only one who can make it happen. You’ve got to try, and keep trying.” She was talking to me, but Nan nodded gravely, plucking towel piling with her teeth, and Reggie smiled at me in secret amusement.
Shawnee and Arnie, cutting their eyes soberly, brought a long piece of driftwood and then another, wedging them into the rocks and propping them against each other. A little wigwam began, irresistibly, to form. Soon Nan pulled away from Reggie and clattered over the cobbles in her salt-water sandals.
”I hope she doesn’t have rabies,” said Reggie, as we settled our nerves with a shot. She lifted Arnie’s bird binoculars, glassing the waters. Beside her chair lay the compressed spring of border collie, chin on paws. Reggie had only to point at an animal or child to make it behave, and Rags shuddered and moaned, seemingly clasped by an invisible force.
”It’s hard to watch things happen to her,” I said.
Reggie took the cigarette from behind her ear and leaned confidingly close, lighting it off the tip of mine in a damnable whiff of minty tobacco and demon drink. ”Isn’t that just being a parent, though,” she said. ”In your heart you know you’ve doomed a complete innocent to the worst things imaginable.” She studied me, her cigarette hand cocked back at the wrist, thumbnail clicking under a fingernail.
“Just by having them.”
“So we prepare them as best we can, and then figure out how to live with ourselves.”
Arnie, weighted with importance, began to build a campfire in the rocks, with Nan crouched beside him.
Andreas was coming along the shore. He scanned the glistening waters through his oversized sunglasses, the far-seeing immortality of sunset and solitude on his faun-face. His hair bleached cinnamon every summer. He had made it to adulthood with the sort of purity it would be tragic to crush; Nan had the same sort of innocence, and I hoped that Reggie was wrong. I got up, waited out a dizzy spell, drew a louche knitted shawl across my shoulders, and went to meet him.
“Toughen up Nan, toughen up Nan,” Andreas murmured experimentally, when I explained that we needed to toughen up Nan. “It’s not that she’s not tough: she never cries, and she hiked the Niagara Gorge.” But he was hopelessly blind when it came to Nan, and I was inclined to trust Reggie’s judgment. We came upon a soccer ball and he began to scissor behind it, slowly, hands in his pockets. “She’s grown up so much this summer; I’ve grown up this summer,” he said, his voice cracking, and then, softly, chivvying himself toward the idea: “How to toughen up Nan.”
Shawnee shot in and fought him for the ball, and he laughed, shuffling his huaraches and calling out in his mild boy’s voice that she was being unfair, looking up to include us all in the game. As he sauntered up in his ‘Hang Loose’ T-shirt, the camp, centered by the fluttering fire, felt like a lark. Nan ran to meet him and he took off his sunglasses and tried not to exhibit dismay over her bitten hand; he had noticed the look on Reggie’s face, and he went straight up the bluff to signal across the empty dark waters with the station wagon headlights. It was, at that point, all we could do.
Reggie stood on the point with the alder, a sea-widow gazing out. I flipped the kayak to make a table and got the kids started on their hot dogs. The darkness was thickest on the bluff, where Andreas stood; a seemingly unquenchable light lay over the waters. The children sat quietly on a driftwood log. Arnie, demonstrating for Nan, blew across the lip of a 7-Up bottle and under his careful embouchure the bottle whuffed softly. The fire seemed thieved out of thin air, and the children also, in their row.
Then a whoop went up from Andreas and I shuddered. Out in the waves there was a stirring, a heavy shoulder parting the membrane, and, in a dense resumption of gravity, Phil rose from the roll of the seiche.
* * * *
All the following week, I remembered the huge joy in our camp as Phil came out of the water, his face drawn tight to the bones and sightless; how the dog spun down the beach and launched into his arms. Phil let the dog lick his chin and then tossed him aside and pulled off his fins and limped barefoot up the rocks to the weenie roast. Andreas tossed him a towel and Phil caught it without looking. The worry and then the joy, the glacial lake water and the warmth of the fire; how chiaroscuro unhappiness and happiness are, twined close, showing three-dimensional form in two strokes.
He stood drying his arms and observing the kids anew, the three of them, firelit. Reggie fussed around him. The water had taken his edges off, and he seemed, as I had rarely observed him, humbled.
”What did you see out there, my good man?” called Arnie in his soft voice.
”Well, I swam to Canada,” Phil said slowly. He buried his face in the towel and, emerging, said: ”I bought a house, lived a life. Time is different there. I had better luck with the stock market. I invested in a Mars colony. Eventually, I just got in a rocket and went.” He worked his shoulders out of his wetsuit, with Reggie’s help.
Arnie and Shawnee glanced at each other. Between them Nan gaped wonderingly up at Phil. He stared back at her, unsealing his bathing cap. Then he shook his head until his devilish hair spiked. ”You know, I didn’t like that red dirt,” he went on. His chest continued to rise and sink profoundly. ”Looks like Oklahoma. One fine day on Mars, I looked down into a puddle.” He took his thermos cup from Reggie and slurped hot coffee. ”I saw a tiny man, down in the water, swimming. I got down and looked closer, and it was me in Lake Ontario. And the sky was just this looking down—” Phil pulled down the skin under his eye and rolled his wild orb.
”Ew!” cried the kids. Phil looked at them over his thermos cup, hiding his grin.
”I didn’t even know you were gone!” Nan chirped, and Phil broke, leaning over to spit coffee.
We all laughed, looking at each other—it was infectious, but Nan’s laugh was hesitant, and her eyes were on me. She was confused by our indifference to her dog bite, and as she adjusted to our callous reaction I felt her conspicuous distance from me. I was again surprised to find that life intended to pry us slowly apart. From the way she held her shoulders I imagined her hand was throbbing, a centralizing shock. I was ready to take her home, feel her brow for fever, give her half an aspirin ground in a teaspoon of honey.
Shawnee noticed Nan’s new layer of courage and disaffection, and patted her and leaned close, grotesquely displaying an incisor she had chipped while running through a parking lot. When Phil heard about the dog bite, he began showing Nan his terrible bike wreck scars. Half his hairy body was bared, his wetsuit sloughed to the waist like a banana peel, and he had glorious silver scars all over his elbows. Phil was no stranger to pain. He’d detached a retina barnstorming off the Helderbergs; he’d stepped on a whiptail stingray.
Reggie, wiping the gummy neck of the ketchup bottle, described the long midline incision acquired during Shawnee’s birth. Even Andreas, who glowed with luck and perfection, had once jammed his finger rolling a dune buggy. And I had a muffler burn on my calf from clinging behind one of Reggie’s boyfriends on the Mohawk Towpath.
Then Phil claimed he’d been shot at with rock salt and had a scar on his buttock, and in the firelight he turned around and prepared to show us, while the kids screamed with laughter. So there we all were, none the worse for wear, possibly even proud of the things that had toughened us up, and Andreas smiled at me, thinking the same thing.
All that week, in the distance, I saw the campfire on the beach. Through all the evenings of my life I will see that bouquet of sparks and the chorus of children with their marshmallow sticks, Nan sitting straight-backed between the bigger Thalasso kids. Reggie was beside me, her foot near mine on the kayak, and she had an oxeye daisy flowering in her goatherd’s curls like a diadem, a glow of mosquito-spray at her throat, and the dog’s leash wrapped around her long uplifted wrist—Cleopatra with the asp. I lay back in my chair, admiring this, storming heaven, and perhaps I was a little drunk, a little remiss, for a quiet settled over the group, that cold silence that forms the base note of ostracism. By the time I looked up, a troubling voltage had passed among the adults. Phil and Andreas were standing together, reading each other, and Phil had taken Andreas by the shoulder as if he were about to tell him something profound, and at that moment they turned as one and looked at me. I discovered that a jolt of perfect guilt had waited all along like a poison capsule pinned between my molars. And I bit down.
* * * *
All week, that warm September, our last week, I was unable to work on the oven, unable to sew or sketch or keep the kitchen clean, but I dug potatoes, and I read for hours, lying in the orchard on an old coat until the woodlice uncurled and went on with their lives in the fallen leaves around me, and now and then an apple plunked onto an overturned bucket. I hadn’t seen Reggie since the beach, although she’d called to ask if Arnie had left his football spikes at our place. School started: the bus coming around the hill, the Pink Pearl eraser and the Pluto thermos of cold milk. The final night was a warm evening, a Thursday. Around the abandoned cob oven lay tarps, buckets of sand, stacks of brick, and the empty wine bottles needed for the insulation layer. If I could have crawled out of my skin, I would have, and I felt inexorably vile, but I kept my mouth shut and hoped no one would notice.
Nan had math homework that night; we had put it off. If they can’t teach the kid at school, how do they expect the parents to do it at home? It wasn’t even New Math, but I ended up stymied. Diabolically, there were some of the answers in the back, but not the ones we needed. I slammed the book. Nan had gone away inside herself, her eyes closed. Self-righteously, I cursed a third grade textbook for not making sense, and went out on the porch for a cigarette, slamming the screen door.
Andreas took over immediately, although he’d worked all day. I leaned on the porch rail. The stars bent their light-rays as if I were the only person on Earth looking up and the moon seemed closer than usual, nearly full. Pointless, very hot tears sat in my eyes. There were many things, I realized, that I never should have been allowed to do, and there were many sensible systems of knowledge that ran contrapuntal to my useless visions. When I heard Nan’s chortle in the kitchen, I smiled helplessly, and felt worse. Andreas had a way of demonstrating that math was simply a game invented by humans to amuse themselves.
Out of shame, I avoided Nan for an hour. I was not in the mood to apologize. I needed anger to give myself substance. I was folding towels on the dryer when I heard her in the bath. I put my head in the door, and put a warm towel on the rack, and said, cooly, ”There’s clean underwear in your drawer, so don’t come to me saying you can’t find any.”
She was floating a cottage cheese carton lid on the surface of her bubble bath, and she looked up at me curiously. Her braids were tub-dipped, dark as wildflower honey. She had perfect, natural posture, with her little child’s chest and her winged scapulae, and against my sea-striped wall her silver-blonde head was so beautiful that I burned with silent, artistic pride.
On the cottage cheese carton lid rode a tiny tableau: a teacup the size of a thimble, and a plastic farm animal. I snorted, snatched up her scattered clothing, and went on my way.
On her way to bed, she looked in on me. I was lying in bed reading In This House of Brede, which I never finished—to this day I don’t know if the novice stuck with the abbey or returned to the real world—and I held out my arm without looking up, trying not to lose my place. She put her arms around me. ”Okay, Chick?” I asked. Her head was in the hollow of my shoulder. I kissed the top of it, nettling myself for not washing her hair, for not ironing her dress or making her lunch. The morning would be a jumble of irritability, and I tightened my arm around her and shook her slightly, and kissed her again. I saw her through the eyes of the adults at school; teachers, bus drivers, the other mothers. PTA mothers, judging Nan with a practiced eye, a judgment which bent like a light ray back onto me.
She lifted her head, pure acceptance in her eyes. ”Don’t be friends with your child,” people said, but I had never been smart enough to side-step the pitfalls of life, and I couldn’t seem to avoid showing her my sadness, my flaws and stupidity and rotten personality; nor could I avoid leaning on her for comfort. She was not just a child, she was Nan, with a scar on her tummy where we were joined. I was certain we’d be friends for life. She’d seen me at my worst—trying to get to the bathroom naked, early in the morning, snarly, some unnamable substance slipping from me. She’d watched me slam the horn. She’d seen me sobbing at the movies; kicking a washing machine; flirting my way out of a ticket. She’d once hit her head on the dash when I flipped a doughnut in a snowy lot. Built-in between us was a troth of truth—utter, endless forgiveness that I tended to lean on hard.
”Okay, Mom,” she said, and patted me.
Alone, I lay moping, the book closed around my hand. In the living room, Andreas put ‘Moon River’ on the stereo to help her fall asleep. He made things run beautifully. I got up and eased down the dim hall, silent past her bedroom door, Audrey Hepburn’s untrained dianthus voice pulling me. For years it had been Mary Poppins singing ‘Stay Awake’, a song that would lay waste to the grimmest insomniac. Then for an interminable stretch it was ‘Little April Shower’ from her Bambi record. But now she frequently asked for ‘Moon River’, with its mature longing and its wistful sense of already having lost the game, and I knew she was growing up.
Andreas was at his desk in the living room, a goose-necked lamp pulled low over a piece of graph paper. The music was unbearable, drawing out hope on a frangible thread. He put his free arm around my waist, and clicked his mechanical pencil. ”Okay, Mama?” he asked.
”It’s not your fault,” I said, petting his grassy hair and stroking the soft spot behind his ear. I couldn’t at that moment think what I was referring to. He had his Rodale’s open and was designing a garden. He drafted expertly and I loved to watch him slash lines with a protractor, his mind working through infinitesimal difficulties as if they were nothing at all. At the same time he was so blithe that if you mentioned ice cream, he would cross his hands on his knees and Charleston across the kitchen. As he bent to pencil in a tiny square I clearly saw that each of us struggled to live the life we needed to, at variance with the others, in fealty to our mute, underground selves.
Ⅱ
In the morning, I opened Nan’s door and winced into the bright silence. The pale animal nest of her bed was splayed open, a sheet-end swirled on the braided rug.
Irritably, I looked for her in the bathroom, then put the kettle on for instant coffee and stood on the front porch, tightening my bathrobe. I lit a cigarette. My feet curled against the cold boards and sunlight warmly fingered my throat; before me the morning lay breathless and far-seeing, the cow pastures sparkling with prisms. The day had promise, and my hand had a faint tremble that a glass of water would set right.
I faced the months of getting up at the crack of dawn and braiding Nan’s hair while she pivoted one heel, biting too deeply into her toast so that it lent a jammy extension to her smile. Minutes before her departure, I’d sink into a fury of self-consciousness as if she were a piece of dubious art I struggled to cohere; snapping a hairband onto the end of her imperfect braid, restraining her by the wrist and scrubbing at her cheek. We both loathed the antagonism of these moments, an electrostatic repulsion that culminated in the hellish fury of getting her down to the bus on time.
”Run!” I’d scream from the porch, thrilled to be free of her, while she pelted down the lane with her lunch box, jinking the potholes like a rabbit, the school bus heaving fatefully around the point and hovering for a mysterious moment beyond the plum thickets at the bottom of the pasture, then appearing, marigold-orange at the end of our lane, carapace humped, snow chains slapping the undercarriage. Nan always turned, safe on the bus steps, waving wholeheartedly, and I’d wave back, our impatience with each other elided in the larger face of separation. I’d endure the burn of love, leaning my head on the porch column, and then she’d be gone and the insistence of art would again consume my mind.
My bare feet ached on the moon-cold boards, and I went down the steps tapping ash off my cigarette. The dew on the lawn was refrigerator-cold. I stuffed my menthol-bright lungs with enough air to yell her name, balancing to flick away grass-clippings pasted to the arch of my foot, and that was when I saw the screen in the flower bed, the screen from Nan’s window, leaning against the house behind a sprawl of thyme and the peppermint that grew where the faucet dripped. The window, like all the windows in our house, had been wide open for the night breezes. Inside the house, the kettle whistled hysterically up the scale. ”Nan!” I breathed, and rotated vaguely, holding my robe closed, the circle of my existence expanding outward with a surge that made me dizzy.
Then the scream of the kettle cut off, and Andreas was on the porch. He saw my expression, bailed over the railing and ran to me. I pointed at the screen.
We ran through the house together, calling her, looking under the beds, in the closets. I dressed, feverishly, and stamped my feet into tennis shoes. I heard Andreas shouting her name in the orchard. He had checked the garden, the sheds, the henhouse, the car. We spread out, covering the property. The caged rabbit drummed a warning as I passed. We ran into the cow pastures and the brushy land below the house; we went up the hill above the orchard. We looped back and checked in with each other, and then, as Andreas poised to start over the hill to the neighbor’s pond, the school bus braked with a hiss at the end of the lane.
It thrummed there, the doors closed. I was panting and felt too sick to respond, but Andreas, holding my arm, wheeled angrily and shooed it on. Then he ran uphill past the mess of the outdoor oven and disappeared into the trees. I raced into the house and called Reggie, who called the school while I called the police. My ears weren’t working, and my voice came out in clouds of sound I could barely hear.
Then I was in the station wagon, dropping the keys as I tried to start it. I went too fast over the bumps in the lane, drove like Go, Dog. Go! into town and back, and then down the neighboring road below our house between sloping corn fields, past the hog farm. In the confines of the car I called aloud for her in a dream-squeak. As I raced home up the lane, I was ensnared in a cavalcade of local police and Erie County sheriffs, all rolling their lights, and I floated in among them, parking where I could find a spot, men with their hands on their holsters surrounding me as I got out of the car.
Now our house was full of stone-faced men in creaking leather, who poked into rooms or hunkered down at my side to question me. Had Karen Ann ever run away before? Did we have a fight? Was she at her grandmother’s? Could she open the cover to the well? Could she have gotten a ride to school? Had I seen anyone suspicious around the place? Had she taken any money? Was anything missing? Did she like to play jokes? Did she have a friend who was a bad influence? Had she ever hitchhiked?
”She’s eight years old!” I said. I was clammy from shaking, my mind stupid with fear, and I startled out of my skin every time the screen door slammed. A dozen voices talked at once. Officers took photographs out of frames and bagged them, milled on the verandah, or stood switching channels on their walkie-talkies. More cars pulled up. Andreas was questioned separately.
”Whoa-whoa-whoa,” said the cops, as Phil and Reggie came in the door, followed by one of Phil’s co-workers in a supermarket uniform. Reggie ran straight through all the whoaing officers and grabbed me tight, trembling like she had the time we climbed out of a wreck on Route 33.
A force surrounded Phil. He commandeered the kitchen wall phone. His co-worker stood beside him, taking notes. Phil called the FBI field office in Buffalo. He called Marlene, the school secretary, and closed the school, set up a search headquarters in the high school gym, and got a verbal promise of several hundred volunteers. He called Search & Rescue, ordered up a brace of bloodhounds, and enlisted executives from his supermarket chain to hit the freeways heading toward Rochester, Cleveland, Pittsburgh, and Niagara. He called the newspaper, the local television station, and, rolling his eyes back for a moment, ad libbed a brief, powerful bulletin for the local radio station, to be read every fifteen minutes. He tossed a map across the kitchen table and drew circles on it. He ballparked how much money we could amass if we needed a ransom. He was on the point of ordering roadblocks when the Amherst chief of police stepped into the kitchen and took the phone from his hand. The detectives from Cheektowaga had arrived.
Reggie and I sat at the kitchen table and watched the struggle for jurisdiction grow ever more complex. The detectives sealed off Nan’s room. I was fingerprinted, and, at some point, a polygraph cleared me as a suspect, despite my tachy heart rate. I went outside with Reggie when the bloodhounds arrived. Down along the highway, a police detective searched for tire tracks at the edges of the road. The cornfields shook with volunteers running along the rows. Over the hill, the fire department was dragging the pond. Two bloodhounds sniffed Nan’s undershirt and ran from her window to the rabbit hutch, to the driveway, to the fence, then circled in confusion. ”The little girl was carried,” the dog wrangler said. ”She never touched the ground.” People looked at him as if he’d said something obscene. Even the hounds looked uncomfortable. They sat on command, gazing up sadly from the pouches of their eyelids, then were packed up in disgrace.
As I stood on the lawn, a man with a miner’s headlamp edged painfully out of the crawlspace in the foundation, and a helicopter thundered slowly, oppressively over, chopping apart my brain. Reggie put her hands over my ears. It was a relief that the dog wrangler and his horrific suggestion had been proven incompetent. We had once lost little Arnie in a mall parking lot in Buffalo, and I remembered how the future had simply stopped, how the option of life continuing felt impossible as we ran up and down the miles of parked cars in the hot sun. We both dreamed of it for months.
The fire department was opening the wellhead. The local grocery store had donated sandwiches, and there was a table set up on the lawn, surrounded by people. I noticed two men in formal suits threading their way among the firetrucks and cruisers that blocked the lane. The FBI agents from Buffalo had arrived.
The place was a circus. The agents stood for a moment, threw narrow looks at the helicopter, then exchanged an unreadable glance. Then they tapped our phone, bagged up clothing, blankets, and the window screen, and confiscated a plaster tire track lifted from the edge of the highway. They had summoned a K-9 unit. The dog was an intense black German Shepherd in a vest, and he left a wake of admiring whispers. Silence was called for as he worked. Thoroughly, he examined Nan’s room and the window frame and flower bed, and then led his handler down the lawn to the cow pasture fence where he sprang like a deer over the barbed wire. He trotted with a surety down the meadow to the plum thicket along the highway, where they had found the tire track.
The dog’s confidence was undeniable. I stepped back into the shade of the house and leaned against the cool siding. I uncrumpled a cigarette from the end of a pack. A young deputy was beside me. I didn’t know him, although I knew half the police by sight, especially Sheriff Ormiston, whose son was in Nan’s class. The young deputy turned and lit my cigarette for me, his hands shaking. ”Big day!” he said cheerfully.
I blinked, exhaling with my head back against the wall.
”We just took some training on this,” he said, lighting his own cigarette, ”kind of a coincidence, I guess. On guys like Albert Fish, and the Candy Man of Texas…”
The FBI agents were examining the wire fence, and I was only half-listening, the cool wall against my shoulder blades, shade across my brow. I had no idea what he was talking about, but all at once Sheriff Ormiston wheeled and came toward us. He was a tall, sorrowing man as sheriffs tend to be, and kind, but I’d never seen anything remotely like the expression on his face at that moment. The deputy’s cigarette fell out of his mouth, and he dodged aside as if expecting a blow.
I saw many people I knew that day pushed to unrecognizable limits. Phil underwent an interview in the bedroom, and when he emerged he dropped down at the kitchen table with the rest of us. He could not speak. For half an hour he was a suspect because of his intense interest in the case and his suspicious knowledge of law enforcement, but then they dropped him and took up as lead suspect one of our neighbors, an old man with an automotive pit beneath his garage.
An FBI agent pulled up a kitchen chair. Phil had his head down on the table, and Reggie was beside him, working on a press statement. Andreas had lapsed into a fugue state, and I rubbed his arm, trying to keep him with me.
The agent had an actual flak scar beside his eye, and I sank all my hopes into him and his agency. I had found my voice again and, in the hopes that it would help Nan, I answered every question he threw at us.
I said that Nan would never run away, and she didn’t think practical jokes were funny: she worried about worrying us—she was a kid with manners and sense. She had our number memorized. She had saved eighteen dollars to buy a pony; the money was still in her room. She was mature for her age, concerned about whales, yet so innocent that she believed Sea Monkeys would come out looking like that ad in the comic books.
Reggie smiled at me through her tears. The agent wrote everything down. The telephone rang on the kitchen wall, and he got up to answer it.
I wandered into the living room as the phone rang again, and held the screen door for a rescue worker who was running a cable out onto the porch for the television crew. Suddenly Phil, animated again and growling in his throat, brushed past me, jumped off the top step of the porch and pelted down the lane towards his car. He was supposed to do the press conference with Andreas, and I looked after him, bewildered.
”I need you all seated,” said the FBI agent.
We sat down on the living room sofa, Reggie and Andreas and I, gripping each other’s hands. I wondered again where Phil had gone. The afternoon was crisp, brilliant, and the front door was open to the porch, the television crew chatting on the steps. The agent went into a crouch, down on our level, looking us each in the eye, his flak scar tightening. ”That was the lab,” he said. ”We sent her bedding to the lab. Halothane. There was a drop of Halothane on her sheets.”
Everyone in the room was watching us. I didn’t know the word, and I was trying to understand what the whisper in those syllables meant. Halothane. Then concern rippled through the assembly and people hurried towards us. Beside me, Andreas had swooned dead away, fading onto Reggie, who was as pale as he was.
They stretched him out on the sofa and called him back, and I saw that there was still fingerprint ink on his languid fingers. A volunteer firefighter knelt, patting his cheek.
Reggie and I went out to the porch swing. We said nothing. We weren’t to discuss Halothane, which was an inhalant anesthetic. Someone was smoking below the porch, and my wet eyes stung. The FBI agents hit the road, and the television crew milled around us, checking their watches.
The press statement fell to me. I stood there on the porch, and the cameraman, hunched beneath his great mechanical shell, bore down on me with an intensity, curling his lip. I read the statement as clearly as I could through my tight throat, and as I read the only sound on the property was a hen growing flustered in the chicken yard. Then I felt Andreas beside me, his arm around me as my eyes stumbled down the script and found the word ‘abduction’. I appealed for Nan’s safe return and offered reward money. Then, off-script, I looked into the glossy eye of the camera and gasped, ”Nan, don’t worry, we’ll have you home so soon.”
The phone rang in the kitchen, Phil calling to tell Reggie that Arnie had been pulled from a search team and taken to the police station where he was interviewed by a detective without the consent or knowledge of his parents, the questions so disturbing that when the school superintendent—a friend of Phil’s—picked him up, Arnie clung to him and sobbed.
Reggie, incensed, dropped the receiver and went outside. I longed for Arnie then, with his inaudible mumble, longed to comfort him, but the Thalassos had already agreed that their kids shouldn’t see the frightening situation at our house. ”Shawnee,” I said aloud, to no one, because I desperately needed to hold a kid—one of our kids. But Shawnee was with Reggie’s parents in Getzville and had not been allowed to join the town search. I had a lump in my throat over Shawnee, who would be worried sick, and was stuck out there in Getzville.
In the days that followed, the school janitor was interrogated by the FBI until he broke and confessed. The school was closed, the town in an uproar. His confession was completely false, but the man, humiliated, resigned his job. The town’s streets were devoid of children. Reggie and Arnie and Shawnee made thousands of flyers with Nan’s second grade school picture and stapled them up as far away as Batavia and Buffalo.
Halothane cut, cleanly and chemically, a midline down the center of our lives. It was a word that etherized hope. When I tried to sleep, I’d wake with a jolt as someone reached stealthily toward me with a vapory, reeking rag.
Andreas and I half-slept the long hours of the day, waiting for the phone to ring. The henyard gate was open, and as we lay listlessly, threadbare half-wild Rhode Island Reds scratched up the garden and roosted in the orchard. At night, we got in the car and drove, without direction, because not looking for her was unbearable. We were recognized everywhere we went, and at late-night drive-throughs aghast teens refused our money. Andreas and I had little to say to each other, and in the car, our aloneness together was weirdly pronounced. But we hated the house, the closed door to her room, the edges of the lawn gouged with tire tracks. We hated the fact that we had been asleep when it happened.
It was impossible to sleep in that house. It was impossible to sleep. It was impossible.
It was.
It.
* * * *
One evening, the FBI called. A child had been found in Vermont—a little girl approximately eight to ten years old. She was 48 inches long. We needed to get to Montpelier.
Andreas held the receiver between us. The man had a growly voice and was brisk with instruction, speaking too quickly, too authoritatively. Andreas was shivering. I began to grasp that this child was not alive. The term in extremis was used. I didn’t know what it meant, but I also knew exactly what it meant, the way you supposedly recognize the language of Heaven, and because Andreas began to slide down the wall, and I with him, so that we were both sitting there on the kitchen floor, propped together, the receiver between us. The term ligature asphyxia was used. We were asked, once more, to describe the nightgown. Right there above our heads were the marks on the wall where we’d measured Nan, with a ruler on her head, while she held her breath with the precise intensity of it.
The man’s crisp, motoring instruction cut off, and I got up and found a cloth tape measure. The highest mark on the wall said Nan 3/18/1975. It was nearly forty-nine inches from the floor, but it was hard to be sure, with the baseboard trim. I kept laboring over this measuring, trying to change the outcome, and finally Andreas turned from his dull fog, the curly phone cord still falling over him and the receiver beeping, lying there on the floor. He took the tape and measured the empty space once again, and then he went into the bathroom and threw up.
At midnight we were lying in bed with an open suitcase at our feet, the overhead light on, and Andreas was on the phone with Reggie and Phil. He hung up, and immediately the FBI called back. Andreas and I sat up, and he grabbed my hand. This time, the man apologized. He was deeply sorry to have troubled us, but the victim had been identified, and it was not our daughter. His mistake. On behalf of the FBI, his sincerest apologies. It was, he said, simply the remarkable correlations between the cases.
* * * *
Andreas and I changed toward each other. We were the parents, sort of lumped together in a category; but we were no longer parents. We were awful parents.
Until that phone call, we had told ourselves that she was alive. Several times Nan had confided daring ambitions: to live with the wild ponies of Assateague Island; to be shipwrecked with a black stallion; to camp out secretly in the Metropolitan Museum of Art. None of these things were completely, if you thought about it, beyond the realm of possibility, at least to my desperate mind.
However, the FBI didn’t entertain such possibilities. They looked at the worst possible scenarios, and I hated them for it. They had found a pattern and fit Nan into it, and I could see that Andreas believed them, and believed in the pattern, as he had believed in the Halothane, which could have been a lab error, a crime-scene mix up, anything other than a surgical anesthetic dripped in our little daughter’s bed. He instantly believed the worst. Reggie pretended to side with me, but she also believed the worst, just like Andreas.
Andreas and I drank so that we could sleep, and so that we could stand each other. There were several months of drinking and arguing, of sleeping all day, of driving, silently, on the rainy freeways, of picking up the ringing telephone with a delirious rush of hope. Andreas, always slim and burnished, sat like a crushed thicket of arms and legs, staring at nothing. Asleep, he muttered vile things. He complained of being cold. He had a perpetual sore throat and responded to everything I said with a bitter laugh. Arnie and Shawnee were not allowed to see us much, although I missed them desperately.
One evening I went out, drunk, and opened the rabbit hutch. The rabbit had received grudging care, and had gone without water several times. The hutch stank, but Adelaide’s softness startled me. Her hind legs kicked hard until I supported them on my forearm and held her close, listening to her audible watch-tick pulse. Nan had named her as we stood at the cash register in the tractor supply place. I drew the throbbing ears through my hand, neatening them, and kissed the top of her head, flossy as my mother’s bobcat stole.
I set her down in the grass. She was free, but she didn’t move. I ran at her, stamping my feet. Poised, she watched with her red-pupiled eye. Loose in the countryside, she would be torn to shreds. I saw her as a baby cottontail, cupped in Nan’s hands, and I screamed something. Andreas was coming, and when he saw what I was doing, he ran up the lawn and the rabbit shot away. Then he chased me. My head whirled, and I was screaming and laughing. It was too dim to see and I tripped over a bucket near the wreckage of the cob oven and went down in the grass and rolled around on my back like a bitch and then he was on me, hands around my throat.
I lay in a sweaty thrill; longing for the pleasure of death. His hands were warm and his thumb lay in my suprasternal notch, pressuring my trachea. He hardly squeezed, and I looked up into the dark dilemma of his eyes, the glossy evening sky above, and shuddered.
His hands flew apart and he rolled away. ”I can’t stand you,” he said. He punched the lawn with his fist.
Reggie had once told me that when the Ancient Greeks petitioned Hades, they pounded on the ground to make him hear. Hades hardly listened and didn’t care. Now we pounded so that Nan might hear. The grass was springy, the ground beneath it relentless as stone. I pounded the burning green knife-side of my hand until fractures seemed to form in the ulnar border. Andreas crawled around me, his fists sending percussive hoofbeats up the lawn, sounding stony substrates and worm tunnels, the mineral fundament registering dully. I writhed on my back again, biting my hand, stars flashing and swimming through the mess of my face, his thuds jarring my back and echoing through what was left of my heart. And that was how I viscerally remembered Andreas after that, as a knocking that attenuated through me, into the Nekromanteion.
* * * *
I drifted to my mother’s house in Clarence Center, filled her garage with boxes and set myself up in the armchair where my father had left off eight years before with an ischemic stroke. I chain-smoked with his plaid sandbag ashtray balanced on the arm of the chair, my feet on his ottoman, and, like my father, became instantly hooked on Days of Our Lives. It was the Doug and Julie era—star-crossed, fabulous—obstacles to their love wherever they turned. My mother and I had a stiff, silent relationship, but we were in complete accord over Days of Our Lives, a story that turned as endlessly as life, and with far more vivacity than our own.
Between our chairs was a lace-covered table with a lamp, ceramic praying hands, ashtrays, and detectives’ calling cards. My mother sat stiffly on the edge of her armchair, hands folded around a handkerchief, knees tucked to one side. Her hair was rolled and sprayed into a Gibson tuck and her fine-boned face glanced sideways, as if the television had only caught her attention for a moment. As teenagers, Reggie and I had deliberately defied this style of sitting by pressing our knees together and coltishly scissoring our lower legs, turning a foot on its side.
My mother had the framed second grade picture of Nan—her only grandchild—on top of the television, along with a portrait of my young father in uniform, a pleasant and unfamiliar smile on his face, before the Bougainville campaign and my birth rendered him permanently taciturn. When I finally rose from twelve or fourteen hours of sleeping-pill coma and entered the fog-machine of the world, we sat together facing these lares and penates on their flashing color altar. The television was always on, a giant Zenith, the only animate thing in the room.
In the late afternoons I bundled up and walked down the highway to the dog pound. There I took a leash from the wall and opened a sound-proof door and stepped onto a Death Row as resonant with barking as a circle of hell, a cacophony that matched the one inside me. I did not particularly enjoy dogs; they were too human with their varying personalities and snap judgements, but these were dogs, like me, at the end of the line. There were dogs who grumbled warningly as I entered the kennel; dogs who pissed themselves at the sight of me; dogs who tried to climb me in a frantic need for love. I was unafraid and unresistant. We put on the leash and went out the back door and took a slow turn around a big empty lot bordered by blackberries.
The lot was dead grass and trash. It was always raining, growing dark, the highway rude with noise, and each dog, though an island of misery, began sniffing and sneezing, forgetting itself.
There was a dark, reserved shepherd who was said to be dangerous. Time had run out for him. On our walks he wore an ugly wire muzzle that made him look like an umpire, and when we changed direction he would glance politely up through this contraption into my eyes. I always took him twice around the field. If things had gone differently in his life, he might have been like the police dog who had searched for Nan.
At dusk it was misting softly as we returned to the building. I was weeping without realizing it, as I sometimes did, just a meaty hotness around my eyes. A city-stark moon hung in the Buffalo sky, and the smoke from the crematoria chimney glittered. The shepherd stopped. He turned and pushed his brow under my hand. I felt the buckled strap and the puppy fluff behind his ears.
By prime time I would be back at my mother’s with a pack of cigarettes and a bottle of Mad Dog, drinking myself into a torpor in front of the television. One evening as I walked up to her little white fence, Andreas was waiting in the driveway in our family station wagon.
He had two grand in an envelope. He’d held an auction that day at our place, and was putting the house on the market. I sat in the car with him, glad to be with someone enduring the same experience. My hand went straight into his and we squeezed and squeezed each other’s fingers. We were getting a mid-term divorce terrifying in its cold logic—everything split down the middle, five years of alimony for me; house and property gone, all that had bound us together ripped away. The paper sack of cash and fruity wine was heavy on my lap as I twisted into his arms. Illogically, I kissed his throat as he leaked boiling tears into my shoulder. Andreas, meaning ‘man’. My hands smelled of dogs. His body was warm and slinky and he smelled and tasted as he always did, like a hot croissant.
We pulled apart and he admitted that the same thought nagged at him: what if she comes home and we’re not there? ”It would be like we didn’t believe in her,” he said. ”But this sort of thinking has nothing to do with reality.” He was still working with the investigators, and he spoke of a pattern of abductions, and something called an M.O. I rubbed my thumb on the sharp edge of the envelope and tried not to listen.
”They say she wouldn’t have made it twenty-four hours,” he said, his voice like a teenaged boy with a sore throat.
I really, really couldn’t hear this stuff. He offered me the car and anything else I wanted, but I didn’t want things, I didn’t want to make decisions, and I was grateful that he was dealing with it all. I was exhausted and I only wanted at that moment to go in the house and drink Mad Dog in the chair my father had died in, and watch The Rockford Files with my mother who had adored Nan, and who didn’t expect me to talk.
* * * *
My mother drove me to the Streamline Moderne Greyhound station in Buffalo. She parked in the taxi stand and gave me, as a talisman, her favorite book, Anne Morrow Lindbergh’s Gift From the Sea. It was not a book I would read in a million years, sensing that it contained elegant thoughts on marriage and faith. All the same, I was moved. My mother thought my place was with Andreas; she believed I would soon discover this in New York City, and return. She meant the book as a survival guide; the Lindbergh baby had been a terrifying landmark of her junior high days.
I thanked her in a voice gone hoarse in the past months. I wasn’t the most thoughtful house guest, but she gave no indication that she was relieved to see me go. She lifted her white chamois driving glove from the wheel of her Breezeway and patted my hand. Nan had adored these soft gloves and the cardigan my mother wore over her shoulders like a shawl, and the tulips in her yard and her funny rendition of ‘Three Little Fishies’. I’d spent my entire youth fighting with my mother, while Nan had seen immediately how dear and finite she was.
A taxi honked behind us, and my mother covered her heart with both gloved hands and gulped. Even before this happened, living without my father was a daily act of courage.
Ten minutes later, I sat enthroned among my impedimenta in the back of the bus. Across the aisle was Ray-Shawn, a king of the road in a velvet jacket. He was an effervescent man in constant, dynamic motion, and he was advising the fellow in front of him how to transfer to Boston. He turned and, compatibly, sized me up as a traveling companion. He read, in a glance, my books and clothes, my hangover; saw that no one was there to wave at me, even though I rolled my forehead on the frosty window as we rode the dog out of Buffalo, suddenly missing my fragile mother in her antique car.
Ray-Shawn and I occupied the cool kids seats. We held court together, settled arguments and ran a communal system of childcare, entertainment and vice. People came back to have their portrait done—sitting with Ray-Shawn while I sketched across the endpapers of Gift From the Sea. An emotional, bus-wide conversation sprang up about life philosophy, the big picture, the meaning of it all. Most of us were in the process of changing our lives as we rolled toward one of the planet’s mystic cities, and we felt generous and bittersweet, full of the nervous optimism of change.
By afternoon a naptime had settled over our wards, and Ray-Shawn sat looking past me as I drew him. I could not capture his long wrist hung over the seat back; his glistening skin and golden aura. I restarted, over and over. ”I’m going to New York to drink myself to death,” I found myself saying, and I felt happy finally admitting it—it was a solution, but it sounded a bit melodramatic.
”There’s no law against it,” he said, watching the view from under the hoods of his eyes. ”My mother did that. Grief was down on her back all the time.”
”Oh—!” I said.
”She’s an anesthesiologist now,” he said, the dazed look of a child in his eyes, ” —down in Cleveland. Amen, how far can we go?” He shrugged, drew one long hand through the other, and watched an aged fellow named Charlie, who was rowing his way up the aisle, reaching for each seatback. ”Here you go, baby,” he said to Charlie, dispensing one of my cigarettes and receiving in payment two sticks of Wrigley’s and a respectful duck of the head.
We clapped when the driver honked at a fellow Greyhound, and when he assisted Sylvie, a stumping house-cleaner, down the steps with her bags in Scranton. When Sylvie sat for me, she had prattled cheerfully in an unbreakable flood so rich with alveolar trill that I could hardly follow, while her startlingly sad eyes glared past.
We applauded the Port of Newark, and the Manhattan skyline, and especially the back of the Statue of Liberty, glimpsed to our right, spotlight-pale, gazing away.
By then it was evening, and I had lived a life, passed my flask, sang along, and smoked at each pit stop in a huddle of companions every bit as shit-out-of-luck as I was. People patted me on the back, praised my pictures, wished me all the luck in the world. And then we were rolling into Fear City at a grim hour and I was elated by the wildstyle scope of the graffiti artists, unpaid visionaries, working as big as they could, so aggressive and fluid, gorgeous.
And here, quite suddenly, my clan dispersed, as if I’d imagined them.
I went with the crowd, lugging my mother’s leather hatbox suitcase, with a heavy tennis racket bag across my back. A family approached, bundled in sweatshirts under Levi’s jackets, the emaciated mother turning abruptly to the wall in my path to rapid-scratch a flint lighter. The father, giant and sullen in his cloud of teased hair, eyes flaring bitter dislike, lifted the tiny dangling legs of his little girl over my head as she rode the hydraulics of his immense arm, her mouth open in an incessant whine, her head covered in plastic clips. How precious and impermanent they were! I smiled at the ground.
The city lay in financial ruin, garbage piled around every light pole. I assumed this was how the place always looked. I had a rolled raincoat around my neck, a splitting grocery bag of books. The eyes of hunters flicked over me. I was weak-kneed on cheap liquor; a rube with two thousand dollars and a book by a woman whose child was kidnapped and killed. I didn’t expect to last the night.
* * * *
Creativity generates nothing we need. The actors, especially, surprised me, and the dancers: producing work that existed for only a flash. A painting, at least, sticks around. The amount of effort that went into a play astounded me, all for something that hung in the air the length of a breath. True, a human life leaves nothing but memories, lucid and graphical and in some ways more solidified than the life around you, and so did the plays, the ballets, the operas; the avant-garde pieces, the poetry readings, the subway buskers—because art makes you bigger than you are.
I starched acres of muslin with a push broom. I wobbled on bridges three stories above the stage, squinting through a stinging mist, house paint running in rivulets down my arm. My arms ached, my back and neck and knees, and I often worked into the night, but when I got back, there was a forest at Fontainebleau or a stained London alley; heaven and hell.
I painted at work, and I painted at home, blurry things on canvases that I swiped with house painting brushes or a wad of velvet, but which, when you got back, had a twist of detail that reminded you of something. I painted naked lady parts on a t-shirt and sweatpants and wore them for Halloween. I painted bacon and eggs on a thick diner plate and gave it to the café where I had breakfast.
For years I attended a school run by Lester, a Polish scenic artist who’d mounted productions from Denmark to Cleveland. I’d seen him calmly sew a dancer into a bustier five minutes to curtain, and he claimed to have once lit entirely with storm lanterns a production of Cymbeline in a Parisian courtyard. He spoke, in one breath, of the Globe Theater exploding into flame during Henry VIII, and Edward Gorey’s Broadway production of Dracula. He reminded us that Coleridge used Gregorian chants in Remorse at Drury Lane. He mixed in his congested throat Renaissance couplets, fighter pilot terminology, Slavic curses, thespian superstition, and New York patois. He had lost more family and friends than could be counted on his thick lobster fingers, and he saw, the first time we met, my bedevilment, and put it to work.
”Girl, somewhere there is war,” he said, as we had a drink together in the evenings, with his girlfriend Gita. ”Diabeł! Somewhere there is heaven.”
”But not here,” I’d say.
I worked off-off-Broadway, in warehouse playhouses, in old churches, and up steep flights of stairs in tiny lofts. I worked on enormous cycloramas for the Met. In the early ’80s, Lester and I designed the drops for a television title sequence. First, we went down to SoHo with Gita and watched Polanski’s Repulsion. Lester sketched in the dark as Gita slept on his shoulder and I nuzzled my Prohibition hip-flask. Once we were nicely oppressed, we drafted our sequences. A terrorized girl ran down false corridors and into dead ends, up against our painted trompe-l’oeils.
I slept on a loveseat shrouded in laundry and tissuey New Yorkers pleated open to half-read articles. I did my best not to sleep, or be alone with myself, tried not to glimpse the reflection of my paint-speckled childlike simplicity. I blackout-drank. I climbed piles of dirty snow. My cracked guffaw rang out in underground theater tunnels, in scene shops; across the dismantled stages of Lincoln Center. I held jobs by the grace of God. I’d been dished a blow, and I used this as an excuse for just about everything, not least my willingness to throw down and party.
Sex never seemed to coincide with love for me, but I dabbled in both. To my detriment, I’d fall shakily in love with a mind, and the miraculous human who bore it. Everyone around me paired up readily, with confidence, but I had no clear blueprint for attraction. At any rate, I wasn’t cut out for relationships. Other people lived; I merely weathered.
I loved the backstage version of ballerinas—villainously made-up, trembling, their thinness-unto-amenorrhea, their murderous intent; their smelly pointe shoes and deformed and ravaged feet: taped, callused, bunioned, the metatarsals gnarled, the nail-beds blackened. I loved the hungry way they smoked at the stage door, their toplofty disdain, their foreign accents; the hard ‘m’ in merde. They were cutthroat, sexually competitive—athletes built of steel rope, ruining themselves for the intangible divinity of a moment’s expression.
The found sound of my life was a wine bottle rolling in a gritty circle, or Pavarotti, out on a distant stage. Time had folded over, and one part of me had stopped, and the other was only a silent tracking shot, a dim persona floating down a corridor of hanging black leg curtains and fly system ropes, through phantom performers—as soft as Satan drifting through crowds of demons, down into Pandæmonium.
Ⅲ
In a dim way I was aware of the Oakland County Child Killer. It was impossible, of course, in New York City, to ignore the Son of Sam. In 1978 John Wayne Gacy was caught, and for the third time, Ted Bundy. The Atlanta Child Murders began. These activities were a layer of canvas-sizing beneath my life, over which I madly cross-slapped gallons of latex with a house-painter’s brush. I shrouded from myself the fact of the Golden State Killer, even as we drifted through the endless, unsubtle decades of the Green River Killer.
Over the years, I spoke to Andreas on the phone, and signed paperwork near the squiggle of his signature. He called me on her birthday, and he’d mention Nan and I jointly, as if we were off together. ‘I love you and Nan forever,’ he wrote in a Christmas card. He remarried, and had more kids, ”—but none at all like Nan.”
I imagined it would be like a figure-ground reversal, and I watched for her on the streets: she would be fourteen—she would be twenty; taller than me, with a platinum cap. The others were wrong, with their bald, ugly theories. And the void space rushes to the fore.
In 1985, the FBI formed the Violent Criminal Apprehension Program, VICAP, and a few years later, I was summoned for an interview. Andreas called to warn me. Twice, in 1978 and 1981, the bodies of children were found in New York State, and he worked with the police and reported back to me.
I took a long train ride to D.C., and was whisked to Quantico by staff car. I sat smiling woozily in the grim little office of an FBI agent while he tensely whisper-argued with someone at the door. My eyes fed across bulletin boards, award plaques, framed photographs of jumbo jets; it was nothing terrible on the surface, but the work done here was the most sinister kind. There was a row of freakishly indistinct Polaroids on a cork board. A train calendar, a hanging trench coat. The agent’s desk formed a sort of console of files and wire baskets around a blotter.
What a set! Restrained, yet macabre. The window: blinds cracked, string tangled, rain spangling bomb-proof glass.
Braced against the coming interview, I comforted myself with my immoderate plans for an evening with Georg and Merv and a fifth of Heaven Hill as we broom-painted cirrus on a giant piece of sky canvas spread over the floor of the theater shop.
The FBI agent shut the door and turned to deal with me. He was grim, time-strapped, middle-aged; brown with a wheyish cast. A forehead pinched as if from clay; shoulder holster over a snowy oxford. He’d told me his name which I quickly forgot. ”Nineteen-seventy-five,” he said, orienting both of us in time and sinking into the cockpit of his desk. ”East Amherst, New York.” He signified a ‘V’ sign at me, and depressed two keys on the tape recorder before him. My heart indented like the lid of a paint can.
”Hasn’t the trail gone cold?” I asked, thinking about my ragged Janis voice on the tape.
He winced irritably and pinched his fingers under the bridge of his glasses and said: ”It’s not a cold case when I’m looking at it.” His eyes flicked over the tops of his glasses at me as he opened a file. Thick and interesting—Nan’s file. ”I understand you had a curtain drain installed around the foundation that spring. Can you tell me about the contractors?” The door of his office opened, and he pointed at it and said ”No!” and the door shut.
Suddenly before me stood the contractors, clay-splashed, at the edge of the ditch, kidding around and smoking. I was amazed that my memory extended that far; much of my life now seemed fogged and irretrievable. ”There were three of them, they came from Amherst,” I said. ”Andreas hired them.” I wondered if Andreas, too, had been in this office, uneasily shuffling his huaraches as his honey-throttled voice was caught on tape.
”Did they see your daughter?”
”We watched them run the trencher.” It was exciting to have our green lawn torn open, and we were curious about the clay layers. After they left for the day, against their stern cautions, Nan and I climbed down into the trench. Nan was such a well-behaved child that Reggie and I had discussed teaching her to gauge when to break a rule. Down in the trench, I was fascinated with the German chocolate cake layer and the strata of round creek stones in green clay, and a long streak of rusty-gold sand. Nan played in the trickle of water.
”Did you buy a refrigerator? Were there Jehovah’s Witnesses, salesmen, was there a frozen food truck? Who came to your house that summer?” asked the agent. We’d been asked these questions a million times.
”We had a property line surveyed,” I said, feeling pallid. ”Some guys from the county came out.”
He looked down at the file and drew a long-suffering breath. I picked at an iron-on patch on the knee of my coveralls. I had some kind of inexplicable brain damage. I was dense, in a cloud world, my shortcomings many, everyone just trying to get through to me. Plus, there was a limit to the effort I would rise to: what was the point?
”Think bigger,” he said. His velour mustache curved downward as he grimaced. ”Respective of his larger pattern, he was from out of the area.” He watched me, waiting. ”Maybe nobody’s told you, but we have markedly similar cases in surrounding states. We’re talking about Mr. Patient. Mr. Patient knew Karen Ann was there in that house. He waited weeks, maybe months, and he thought about her, and he came back when the moon was right. He operated by the moon. You’ve forgotten him, but something tells me he hasn’t forgotten you.”
”Mr. Patient,” I said, and out of nowhere, a crawling body-shudder took me.
He nodded encouragement.
”There was a vacuum cleaner salesman, but it was a long time before, in the late spring. May or June. I was alone at the house.”
Even though the tape recorder was running, the agent wrote down ‘vacuum’.
”He saw Nan’s rabbit.”
He looked sharply at me. ”Did you tell him it was your daughter’s rabbit?”
”I can’t remember,” I said. The man had not seemed dangerous at all, in fact I was a bit rude to him for wasting my time and because he had a sort of pathetic quality that made it easy. I’d been so young that my rudeness made me feel powerful.
The FBI agent wrote down ‘rabbit’. ”What did you talk about?”
I experienced a contraction of the wasted years, the lack of leads, Nan’s suffering, and the ineptitude of every member of law enforcement I’d ever dealt with. ”Vacuums,” I said testily. ”He was trying to sell me a vacuum cleaner.”
The agent lowered his face and pinned a look on me over his steel rims. Grudgingly, I took myself back to that June day, the porch swing, the shameful mess of love I’d got myself into. ”We talked about the rabbit,” I said. ”He came up on the porch and petted it. He really liked it.”
”Did he introduce himself? Give you his card? Were his plates out of state?”
The picture of the dust mite rose in my mind, blinded, with a faceful of crushing mouthparts. I shrugged and stared at my snow boots, unfocused, perturbed by an overcharged feeling, a whirring of wings in my ears as if I were about to cry, although I never did. Maybe I’d hit my limit. Twelve years of Nan missing; investigators either forgetting her entirely or hammering me with pointless questions. The damage done was never conceded, or the fact that the foggy environs of my head were simply an autogenous response to attack: nacreous layers lapping a foreign irritant.
“I think he was mad at me when he left. He said I’d regret it.”
“He made a threat?”
“He said I’d regret not getting the something-vac. I thought he said ‘butcherback’, but that can’t be right.”
He studied me from an arcane, hooded distance.
”What if she’s alive?” The question popped out of me like a hiccup, facile and hopeful, flustering. The agent had a look of wonder. ”I mean, of course she’s not,” I said. He wasn’t accustomed to my unchecked foolishness, but for a homicide cop he fielded the moment with kindness. ”No one’s ever been honest with me about this,” I said, although I’d always let Andreas deal with the worst details. ”There’s no books on how to survive it. We couldn’t even have a funeral. Nothing I feel really makes sense. It’s like he did it to me. I live it over and over. I’m terrified in the dark, and I feel like he’s coming after me, and I’d almost welcome it.”
”Grief plays with your head,” he said. ”I lost my wife six months ago. Cancer. Every morning I reach for her. If I don’t reach for her, it’s as if I cede to the possibility that we are not, even today, anything but essential to each other.”
”Oh, honey,” I said. I reached through the piles of binders and patted the bundled willow-sticks that made up his hand. He looked down, attending this gesture with mild dubiety. He was indeed too thin, his brow a bed of stress-lines, and politely he drew his hand away.
He turned off the tape recorder and repositioned his tough-cop visage, tightening his mustache. ”You want the truth?” he asked. ”He’s not coming after you. He’s a mysoped. A sadist. A preferential pedophile, a criminal paraphilic. You’re important to this investigation because you’re one of the early ones. He hadn’t perfected things. He might have been sloppy. There’s a crack in his armor, and I’m going to find it.”
When he spoke of the man, his eyes shone, and left me for a map on the wall of the Eastern Seaboard.
”Abduction sites of fifteen eight-to-ten year-old girls in as many years. All blondes. We have ten bodies. His pattern is one-story houses off the beaten track, no dogs. He leaves cut screens, no fingerprints, anesthetic residue. He’s smart and careful, and he feels a blissful vindication in his deeds.”
His pouched, lit gaze was on the ceiling. I’d bumped the ambit of an alliance that had little to do with me. His passion was for this man, this huge, phantom man, invisible, all-powerful, leaps ahead of everyone, bent and feasting in wordless glory over something hidden in the ground.
* * * *
Three years later, they caught the vacuum cleaner salesman. When they went to trial I was forced to testify. The lawyers had their hands full. I didn’t bother to take the time off work, but was nevertheless dragged off the set of Lohengrin by the District Attorney’s office, stuffed into a jacket, and steered into the courtroom.
I did my best to mask an amygdala circus of fury and memory. I couldn’t look at him, but he and I were the only people who existed in that packed courtroom. I was a key witness for the prosecution; a fidgeting, uncooperative mess, yearning for a cigarette, swan boat paint on my tremulous hands. Later, I managed to laugh about it, my moment of fame complete with a sketch artist’s hilariously awful rendition of me that was printed in Time magazine, and which my friends Bev and John framed as a joke.
But for one afternoon I was in the same room as the man who had put his teeth against me and, through the filter of my soul, sucked out my existence. Every word I spoke was a communication dropped between us, sealing my own demise. I sat in the witness box, kept my eyes unfocused, and, to the degree that I was able, considered technical problems we were having with the Lohengrin swan boat. I don’t know what part of the trial it was or if there were multiple trials. My memory guttered fitfully, but I pointed when the prosecution told me to point, over at counsel. He was sitting at the counsel table, polite, affable, his legs in chains, and suddenly my mind’s eye popped like a flashbulb, and there was the summer’s day, our lane with the blackberries, and the white car coming.
Despite my description of our meeting there was no real evidence, and he didn’t confess to Nan or give up her location, and in the end he was put away for life for other things.
* * * *
In 1996, Andreas’ lawyers contacted me. I was standing in the stage manager’s office with a telephone to my ear as the ghost light of my existence, never allowed to wane, went out. The FBI had found Nan’s body. I was informed that Andreas had signed off on the morgue papers, conferred with the FBI, issued a statement to the press, discussed the re-sentencing trial, and updated the National Center for Missing or Exploited Children. The funeral was at the end of the week.
The whole thing pissed me off, because I felt like the last to know; because the tip was so casually traded for prison privileges; and because the pessimists who had believed the worst from the start were now vindicated. (Although how could you be sure, how could you be certain that it really was her?) I should have been there as they excavated her like an archaeological dig, with a grid of string. She was found in West Virginia, near Harpers Ferry, a fact that threw my polarities awry, permanently altering the map of my life. All those years while I was off doing things, part of me lay in silence in the panhandle forest, under snow or sun or green.
I put my head on Mervyn’s shoulder, sitting on a roll of canvas in the back halls of Lincoln Center, as a radial arm saw lifted and ripped in remorseless metronome. My eyes burned. He knew it was grief, and didn’t ask. I picked at my OshKosh hasp. My cuffs were full of sawdust. A Dickensian whore sat down to pat my foot—Rickie, a career extra, with a sucker in her mouth and a Village Voice.
I spent the final evening repairing a carved foam pillar that a Joffrey buck had taken out with a tour jeté. At midnight I left the city in Merv’s van, embarking on one of the few excursions out of town I’d made in recent years. Stripes of silver and black rolled over me. I went at my own Truckin’ tempo, and mountainous semi trucks frosted in grime honked and floated around me. I hadn’t had a driver’s license in fifteen years. The whole thing was a close-your-eyes crapshoot, the highway visibly rolling beneath the rusted-out flooring, and for heart, I sang.
After a couple of hours, my nerves gave out and I pulled over behind a gas station in Scranton, climbed into the back and dossed down on a pile of canvas. I peeled back the foil on a wedge of zucchini bread contributed by Bev and John. My hip ached. The van ticked. The gang had chipped in on the wad of cash in my pocket, and it gave me some trouble. I bunched a Mervyn-redolent sweatshirt over my eyes, blocked out the parking lot lights, and passed out.
A zap of myoclonus threw my gears. Despite the coyote music of the freeway, the place was quieter than the city. I lay watching the van’s back doors. The windows held an unpromising heaven of vapor light, but I knew in my bones that a face had looked in. Had I locked all the doors? Did I hear footsteps, fingers trailing the side panels, feel the greasy splay of a whorled thumb on the handle of the door?
I was over fifty, thickened, battered, my voice shot from yelling above table saws and live music. I had sailed gamely to this point on a current of grappa and black humor. The van might have been cast adrift in the universe; I dared not look outside. I sweated sharply, and pulled the sleeping bag over my head.
In the morning, tooling up the Thruway, I gnawed a gas station corn dog and sang ‘It’s My Life’ along with the Animals. But my voice began to fail as I got closer to the old towns outside Buffalo. The urbanization was startling, vindicating my belief that the real world was gone, replaced with sketchy backdrops.
The funeral was at a Catholic church outside of West Seneca, which was handy because I had an appointment in Swormville, just up the road. The area had sprawled. I’d forgotten the directions, so I wheeled around the suburbs watching for a steeple. If memory served—and, to be honest, it usually didn’t—the church was called Our Lady Queen of the Sea, which made it sound like a tuna factory, never mind that it floated in a land-locked zone of housing projects. In the end, it wasn’t that hard to find—an ugly modern church surrounded by an enormous parking lot, and enfolded in the slopes of a cemetery.
I had no room to criticize the venue, since I hadn’t offered input, and the church we’d attended perfunctorily in East Amherst had become a fundraising center for the humane society. As it was, I thanked God—or in this case, our virginal Queen of the Sea—that the thing wasn’t in East Amherst, where people I actually knew might show up.
I rumbled into the parking lot with the radio on too loud and parked the getaway van as far from the other cars as I could, nuzzled into a hedge.
The brick church hung in the big side mirror. Compulsively, I lit a Swisher Sweet. Now that I thought about it: give me anonymity, give me bland conformity; give me a bad-taste characterless church with blonde wood and TV screens, with a sound system, for fuck’s sake. It was almost easier. Inanity covers the twisted facts of the world, and the irony of this was actually perfect.
My mouth was full of whiskey, and I got the show on the road, tossing the bottle aside and spit-pinching the cigarillo. After all, I had a schedule to stick to, if I was going to make it back before rush hour.
There was a hectare of pavement to trudge, and I coughed good-naturedly, hands in my pockets. While I had the chance, I looked around for mountains. Mountains: mountains. I was working through an objective problem with the layers of distance in a mountain range, each ridge fainter than the last. A touch of violet in the paint, make it smoky, with a little sun flare scumbled at the edges, maybe daub it. Daubing might look right, if you could get back far enough. If you could just get back far enough to see.
I coughed.
A car door slammed and I quartered away, hoping to go unrecognized in the guise of an eccentric relative.
Andreas stepped in front of me.
I stood there, gaping up at him. He was middle-aged now, solidified but still slender, still caramel-tan, his eyes, both silly and intelligent, riveted on mine. He was holding a boy on his hip, and this was not the moment to meet, in the parking lot with everyone getting out of their cars, kids whining, parents hissing threats.
”I see her in you,” he said. ”I see her face.” He stared at me in agony. Nan hadn’t looked the least bit like me, but he soaked me up as I dug my tire-tread sandal against the asphalt, woozily grinning and glancing around for his wife. He had a new car, one of those minivans, with various kids disembarking from it.
Andreas, with a dazed finger, touched the Ash Wednesday spot above his eyes. ”I see her again, and I—”
”Where’s Nantucket,” I whispered.
He went completely still. Then his lovely dad-face crushed, and he looked beseechingly into the eyes of the small, sullen boy on his hip. ”Look on a map.”
The little boy returned the gaze critically. He wore a tie tucked into a tiny sweater vest. Andreas held his free arm out for me, and I was in the lanky niche of his body, so pliant, so giving. He dropped his head beside mine. When I closed my eyes I was in the garden, and he was handing things over the rows: spiny cucumbers, cherry tomatoes belladonna-rich and hot as the sun.
A hard contraction came through him, so intense that there was an anxious lag as I waited for him to draw the next breath. His son began to shiver. In the garden, Andreas rucked back dewy husks for a sneaky skunk-bite of corn. Hose water, profoundly deep and mineral, surged from the brass coupling and ran down my chin as I glugged, his hand on my back.
The kid was there in the middle of it all, my wrist crossing his Velcro shoe fastener. Andreas gasped into my shoulder, and the Velcro prickled deep into my wrist, and the little boy’s leg trembled. There was a drowning feeling at the back of my eyes. We used to laugh until we cried, all those years of rolling around together on couches and floors and lawns. I remembered lying together in our bed in the summer light, baby Nan on his chest, a tractor going by on the road below, Andreas singing a funny little song, and Nan pensively lifting her clunky baby head on a wavery neck, with that velvety chevron in her brow that held us both in thrall. Her little lady face. I knew exactly the spot he meant.
I opened my eyes and saw his wife behind the open passenger door, blocking the wind from her hateful eyes as she watched us, a dullard of a girl standing beside her waiting to have her collar fixed. Andreas had remarried and had three kids—I had known and not cared, but they surprised me all the same.
The church was as I’d expected—modern and soulless, with plushy carpet in a liturgical purple that faithfully reproduced, interestingly enough, the predatory ink of crushed sea snails. Some kind of toe-curling praise music misted from on high. I slid into an empty blonde pew, Andreas and his family directly behind me, and congratulated myself on my predictions, contentedly blinded by a swarm of stained-glass sunlight.
As we settled in, I winched myself around in the pew and nodded fondly at them. Their dark judgmental eyes drank me in. The kids looked nothing like Andreas. They had pure ashy-alabaster faces and ash-brown hair and an unnerving impassivity, only their nostrils flaring in a rapture of distaste as they stared at me. In the center of it all, Andreas beamed, effervescent with love and pain. Their mother, made of sterner stuff, looked past.
How could I possibly be the mother of the golden, saintly Nan, against whom they were eternally measured? It was a question for the ages. I was not maturing well, and I had a thumb that was permanently flattened and blackened, like an arctic explorer’s. Gita’s sister had given me a sort of Ziggy Stardust haircut, and I’d slept on it wrong. I’d purchased my sandals on the street. I wore overalls and my nicest shirt, a vintage silk splashed with big, goopy daisies. It had all looked fine in the funhouse mirror we kept propped at one end of the carpenter shop; I was rolling this trip upstate into several business ventures and had dressed for every eventuality on the agenda, which included dropping off a painting in Waverly, collecting a load of barn wood, and scoring, in Swormville, a soap bar of polleny hashish.
Someone huffed into a microphone. I turned to the front and smiled into my sunbeam. There was a dental squeal. We were probably supposed to sit closer to the front, both Andreas and I, but there were plenty of people up there, and all around, really, the sort of shadow-people who attend churches and do things right. I settled back and sighed at the road bumps and unwrapped a Brach’s butterscotch and salted it away in my cheek. Amplified undersea voices began to speak in the rafters, muffled as thunderheads. I stared into the milky paradise of the sun shaft. A polite interval and I’d be back on the road, but I had not foreseen that I would fall, however temporarily, back in love with Andreas—one of the dearest men I’ve ever known—and the old euphoric pleasure made me sleepy.
Then a cloud shifted, the room darkened and grew clearer and seemed to tense, and, drawn in by easels of photographs and banks of white lilies, my eyes were led to the transept. Among the lilies was a small hardwood casket.
My ankle was balanced across my knee, foot jiggling, and I grabbed it to make it stop.
With great care, crushing my socked foot in its sandal, I relocated my gaze to the hymnal rack in front of me. Beneath my sternum, two hands cupped a frantic moth. I had known, of course, that I would see Nan again, but I had not considered that she would see me.
I gripped the hymnal rack. I was up. Thick purple carpet. Murex. Murex. Tyrian purple. Phoenician red. I helped myself down the pew toward the outside aisle, with a warning smile at anyone who got close. Light fell dustily from the high windows. There was actually a bad-taste EXIT sign. An usher, waiting tensely, cast open the side door with the timing of a grip, and I was free.
The wind found me, blasting away all thought. I sought out the grade of the parking lot and hiked briskly upward. The gusts were dulled somewhat by several outbuildings on the hill, and, out of breath, I ducked behind one into a lull of air under oak trees, and found, hulking and hidden from sight, the cemetery backhoe. It was gargantuan, school bus-yellow, pistons blue with grease, its bucket folded in and resting on the ground like a knuckle. ”There you are,” I said. The bucket was crusted with fresh soil, and I knew instantly why, and I touched it, raw dirt clawed from the wounded ground, the only truth I’d had all day. I clutched the damp earth and rested my forehead on the cold iron of the dipper arm, and breathed.
Back in my van, I found the clove cigarette, half-smoked. I hummed something vaguely, exhausted, and glad to be out of the wind. My hand shook, but I’d gone a round with fate, or whatever it was that sneaked its punches, and felt slightly worse for wear. At least I’d made an appearance, as much as you could expect from someone like me, and, if the watch taped to the dashboard was right, it was time to hie on up to Swormville with the remnants of my nerves.
I sighed out smoke and gazed at the hedge—something dense, like laurel, and full of tiny birds, their intense little world exactly like ours, played out in miniature. There was a hoof-click, a scrape of hard shoes on pavement, and an apparition brewed up in the van’s passenger window. I started. The regal mystery of Jackie O—headscarf, Lancôme moue; spectacular dark glasses. Reggie Thalasso, hooking her wrist through the trapezoidal construct that held the side mirror.
As I stared, she opened the clunky door, squealing its springs, tossed in her bags, and, with remarkable difficulty, labored into the cab like a greenhorn mounting a horse. The door screeched shut. Her scent—White Shoulders—rushed into my throat. Once, before a party, she tapped a wet finger on my collarbone. ”Now we’ll both smell like rich bitches.”
We looked at each other. Her sunglasses made her expressionless, but she unstuck her lips. ”Hey, doll,” she said, and opened her straw bag.
”Goddamn, I didn’t know you’d be here.”
She laughed her horrible laugh, shaking her head, and didn’t look up from her rummaging. ”You almost got away.” Her wrists were a clutter of African bangles. She produced a cigarette case, thoughtfully selected a pure white coffin nail, leaned out of her bucket seat to light it off my cigarillo, and crossed her legs. The cab of the van was a smoke box, and she delicately worked the crank on her window, careful of her painted nails. Smoke slid into the church parking lot and I heard organ music, faint as afterlife.
”I mean, this is pretty pointless,” I said. ”He put her in the ground twenty years ago, that was her grave.”
”I know,” Reggie said consolingly, without quite agreeing. She recrossed her legs elegantly, there in Mervyn’s horrible van, the floor covered in trash. ”I wanted to talk to you at the trial,” she said, when she had straightened the crease in her slacks.
I was startled. ”You were there?”
”We watched the whole thing,” she said, and plucked something from her tongue.
”We were breaking down Coppélia,” I said apologetically. ”They had to subpoena me to testify. They whisked me in and whisked me out.”
”You were a star witness.”
”I didn’t want to see him,” I said. ”I couldn’t stand it.”
She nodded, staring at the hedge. ”Neither could Phil,” she said. ”They had to remove him from the courtroom.”
Then she hooked off her sunglasses, turning to me. Her eyes were ruined—swollen, as mascara-blurred as the time we got into a cloud of tear gas at a Fats Domino concert. She showed me the damage, then flipped down the visor mirror, clucked dispassionately, handed me her cigarette and set to work.
I toked experimentally on her minty cigarette. ”I didn’t want him to see that he’d killed me, too,” I explained. ”Anyway, it’s not like he told us where Nan was. He only pleaded guilty to the others to save his neck.” I coughed, a chesty, unhealthy cough, and rolled down my window.
Reggie kicked her elegant foot among the fast food wrappers, dotting moisturizer with her wedding ring finger. ”He seemed helpful, like a regular guy,” she said. ”That was the scary thing. I wanted to speak with him…I wanted to ask him…”
She had a tiny brush that somehow recurled her eyelashes. I unscrewed the lid of the whiskey and wondered how many hours of my life I’d spent contentedly leaning against roller towels while Reggie gazed into locker room mirrors with the intensity of a dryad breaching the netherworld.
”Phil wanted to kill him,” she said. “They banned him from the rest of the trial. So it was just me and Shawnee watching it, from the pre-trial on, day after day, and Andreas, of course, and talking to the parents of other victims around the motel pool at night. You missed Andreas’s impact statement. Shawnee lost her internship, she was in real trouble at work, and she didn’t care. She took notes in shorthand every inch of the way. We lived on Fritos and Coke.”
Shawnee: thundering and breathless, pulling up her knee socks; hopelessly boy-crazy. We’d joked that she’d end up in the topless Roller Derby. It was hard to picture her sitting still for a months-long criminal trial, but, to be fair, I hadn’t seen her since she was eleven. ”How is ol’ Shawnee?” I asked.
”She went into criminal law. She works for the Department of Justice in Connecticut.” Reggie closed her bag and looked at me. Her eyes were only a tired approximation of her real, velvety-black eyes, but they met mine steadily.
”What?”
”She fights for children,” Reggie said.
My scalp moved. ”Because of Nan.”
Reggie nodded as she took the flask from my hand and huffed out a breath. We had one for the road. She put on her sunglasses. ”Shall we?” she asked, and opened her door.
”Maybe you didn’t realize the impact on the kids, on all of us,” said Reggie, in the parking lot. The wind was bad. She took my arm, and I cocked my elbow and stuffed my hand under my overall bib like a Regency gentleman. Reggie held the back of her head and glanced into the sky. We strolled very casually, barely moving, one way and then another, cloaked in her opulent scent. ”Everything we did after that, Phil’s run, Europe—it was all because of Nan,” she said.
”Phil’s what?”
”Phil’s run across America. Didn’t you hear about it? From Boston to San Francisco. Oh, sure: three thousand miles, police escorts, news teams in helicopters, the kids and I in the pace car. You know Phil. He raised twenty-seven thousand dollars for the National Child Safety Council. Sometimes Arnie ran with him, and sometimes me—for half a mile. We were on the road for months, skipping fall semester, eating junk. Adidas gave us a lifetime of shoes. Phil ran three thousand miles, through heat and rain and snow, bawling his eyes out, and at the end of it he said he no longer wanted to kill the person who took Nan, although apparently he changed his mind again at the trial.”
”Phil loved Nan?” I asked in surprise. The dads lashed canoes onto station wagons, played tennis, or stood around with clicking drinks while the kids clung to their pants legs. Phil had a way of gathering the drama around himself. He’d probably meant well, but I was relieved I’d missed the whole thing.
”It was like one of ours was taken,” Reggie said. ”You know it was. And then you were gone. And Andreas. We lost all three of you.”
I pulled at my Bowie forelock.
”We couldn’t seem to cope anymore,” Reggie said. ”Phil quit his job. We started thinking differently. We took the kids to Europe, and we didn’t come back. If you keep moving, they can’t throw you out. We were lost, but we were closer, and in a way, happier.”
We had climbed to the level of the backhoe, and we started along a golf-cart path. ”It was more like we decided to stop being afraid,” said Reggie. ”The worst had already happened.” She strolled to the cadence of our words, sedately and without purpose, bumping against me. ”Phil flies helicopters for Médecins Sans Frontières. Our youngest—Odaline—we had in seventy-seven, a complete accident: insanity to have a child after that!”
We glanced at each other, but all I could see was my own dimness sliding from the lenses of her shades.
“She’s nineteen now, and thinks she’s French. Born in Paris. Hates the States.”
”I don’t believe this,” I said happily, for I believed it easily. The Thalassos always landed on their feet.
We were at the top of the cemetery, looking down into the crowns of trees, and Reggie pointed casually, as if at a bird. A fence divided the cemetery from a golf course, and far down it loitered a sullen pixie, her cigarette arm propped on a post. Two young men hovered.
”Odaline dans les bas-fonds,” said Reggie, in a critical tone, and we continued on.
Below us, boys in black trousers ran laughing among the trees, escaping some stifling ceremony, a gathering of people half-hidden.
I sought another fantastic glimpse of Odaline Thalasso. Someone was following us. Reggie looked back along the path, but said nothing.
”Arnie has women problems,” Reggie said. “He works at the embassy in Malta.” She stopped, and we stood there on the path. I patted the bib of my overalls and discovered my Prohibition garter flask—I’d had it for years and years and it was worn soft as a heart. Reggie took it but her nails prevented her from opening it. We each had a belt. The person following us was a woman, dressed in black, tall and rangy. Reggie turned me away from her, shielding me, and we gazed down the hillside of headstones and grass. ”The first time I saw her,” Reggie said, lowering her voice to a hypnotic level and contracting her arm around mine. I understood immediately that we were speaking of Nan. Sparrows lifted from a lilac and left it shuddering. I sighed with happiness, for here was Nan’s origin story, which she’d adored. ”The first time I saw her, I just walked into the hospital nursery; no one was around,” Reggie said, ”and there was a bassinet with a tiny little baby in it. She had kicked her feetsies out of the blanket, and she stopped and looked up at me, right into my eyes. I picked her up. It was like we already knew each other. Just—swoop. I could have sailed off with her.”
I laughed, choked up despite myself. ”Oh, that terrible, terrible hospital,” Reggie always said. ”I could have just stolen Little Baby Nan.”
She looked away, pressing at her nose. I leaned around her. The woman approaching wore a geometric power suit and a whipping black gossamer scarf. Her hair was a burnished mane, her makeup so refined that she had a diamond-like glow; yet her eyes, fixed on mine, were wide with fear. I found myself in the odd position of pitying her. I couldn’t imagine what she wanted until she arrived before me and put her hands on her long thighs and, ignoring Reggie, scrunched herself down to my level.
”Shawnee,” I said.
Shawnee’s eyes flared in wonderment. ”Do you remember me?” she asked.
”Oh, Shawnee,” I said.
”We watch Live from Lincoln Center and think of you,” she said, sounding as if all the air had been pressed from her lungs. Nan would have been twenty-nine, now; so Shawnee was in her early thirties. Reggie was signaling something, and I sensed machinations. Shawnee straightened up, the old artful look on her face. In a snap of chiffon, she faded back.
Down the hill a hymn lifted faintly in the wind. Reggie adjusted her grip on me and steered me straight out into space, off the edge of the path and down the hill amid ledger stones and cypresses tilted with creep; the footing was treacherous and we were slightly drunk, gathering momentum, careening as we went. ”Putain!” she blurted, stepping wrong, and I snorted and our linked arms tightened; we were in it together, Reggie and I, as we had always rolled along together, as real painters paint—free from ego, free from sense—down all the troubled hillsides of the world, through car wrecks and childbirth and killers; the sheaves of ourselves falling away and whatever was left of us—whatever remained true through it all—still motoring along together.
A marquee was visible through the trees. We’d stumbled to the bottom of the slope, and found the outskirts of a trailing group of mourners. The running boys hurtled by, like starlings blown inside-out—wild-eyed with stifled laughter, dodging the grasping adults.
Someone spoke inaudibly into a microphone. I balked, then, and Reggie stopped with me. We stood beneath a leafy tree. She rubbed my arm with her free hand, and we listened to the non-words. I stood shaking my head, fixed with a cottonmouthed dread. I felt her sigh with nerves and the fugue of my mind turned the air to stage smoke so that I could hardly see.
She raised her hand in the air and then made a highly inappropriate throat-cut signal at someone in the front, and the speaker went silent.
Reggie turned to me. A streak of sunlight plumbed the euphotic zone of her sunglasses and I saw the whisk of her lashes. She’d always had expectations of me as a human being that I couldn’t meet, but as she pulled at me again, very gently, and one of my numb feet dragged forward, I began to follow, as I had always followed her.
The grass was mesmerizing, a faint spray of leafhoppers rising around my socks-in-sandals. Green is a primary color—not a secondary—on the color wheel of light. A warm green. My socks were misnamed hot pink, which is a secondary cool red; given to me at Christmas by Terri and Georg and their little girl Inga and their whippet, Sky. Reggie was at my shoulder, sniffing steadily, face lowered with the effort of propelling me forward, her bangles clicking as she readjusted her grip on me, fingers working busily between mine so that our hands were palm to palm, really locked, and now there was an opening in the crowd, an aisle through. Mute shadow-mourners turned away, elbows out, hiding their faces with programs.
The shame of my inadequacy was something usually I laughed off, but now, in the silent munificence of the crowd, I had to close my eyes to bear it, to endure it, stumping with stage weights for feet as I was led down into Hell—’with wandering steps and slow’—Reggie guiding me and the entirety of my life visible in the followspot, suddenly evident that it did matter, that every second had mattered; it all had mattered so much.
A young tree whispered overhead and we entered a forest of flowers. Eyes closed, I halted mutely when she did. The dread was terrific. The people around us were so oddly silent, just a whisper of coughs and the rustles of shoes in grass. The wind had fallen. There was no reason to open my eyes. She swung my hand forward and placed it. My hand, with Reggie’s over it, was on a wooden box. My teeth chattered, then, and I labored, each breath scented with hothouse lilies. I set my jaw tight. I felt the wood of the box. It was only wood, and it was warmed by the overcast sun.
There was a sound in Reggie’s throat. She patted my hand as she struggled with herself, and when she could manage, tipped her head against mine. ”It’s Nan,” she said. ”We got her back.”
* * * *
At the point of her disappearance, the FBI had, with their infinite pessimism, collected Nan’s x-rays from our family dentist. For some reason, after her recovery, and despite the fact that Andreas had borne every bit of responsibility in the interim years, the FBI sent them to me.
Sometimes I woke to sunlight picking out raindrop residue on the window of my seedy loft. Sometimes my dry, paint-engrained hand looked more authentic than anything I’d ever seen. Sometimes I pulled, from a book on the floor, the panoramic radiograph on Ektaspeed film. Held to the window, it revealed something I’d been completely unaware of. It showed Nan’s clamped teeth, her skull packed in petaled layers from the nostrils to the chin bone with the eerie waiting buds of teeth, a hyperdontia of adult life lurking inside her, waiting its turn to rise.
Jessica Lackaff feels that if cell phones have one redeeming societal virtue, it is the Amber Alert. She is a self-taught writer with work forthcoming in Cottonwood, and has published in The New World Writing Quarterly, Jaded Ibis Press, and Eternal Haunted Summer. She would like to thank the dear and wonderful writers Kasey Myers and Fiona Cox for twice proofing this story.
Smooth wings of a plane lift: lift’s in the corrugated, dragonfly wing-stroke. Strange, that order of thought—the former manufactured, the latter evolution, the first precise, the second chaotic. Yet, their maneuverings! Under the skin, airplane wings hold regularly spaced spars running the length, and perpendicular ribs give rise to airfoil. A broken wing in a junkyard, without other clues, is distinct enough to say Cessna (genus?) 152 (species?). The veins in wings in dragonflies are windows to species, too, but are given such stolid, architecturally stiff names, “arculus,” “nodus,” “antenodal,” seemingly at odds with an emerald’s metallic patrol over ponds, its vapory phosphorescent eyes leading the charge and leaving behind sparks from thoracic stripes, like little lightning strikes, chimes in a distant wind.
As a mechanic learns stringers and struts, I studied wing venation, back and forth between textbook and specimen, memorizing veins from leading to trailing edge: costa and sub-costa, radius, media, cubitus, and anal. Not Melville-exciting, but then the “rabble of uncertain, fugitive, half-fabulous” lie in shape veins make as they fork and branch into discoidal fields: polygons arch into hexagons, square into pentagons, propagating constellations; rectangles cross into kite, as tattered wings dangle into Mondrian edge-off triangles. And among its venous tracery, cellophane chitin spans this cathedral’s stained glass—devoid of color—except for the smoky pterostigmata.
I viewed them under the microscope, the wings of Odonata, Anisoptera, and drew their network on rainy days when no insects flew. Veins were in my vision as I walked from lab to home, spotting the hind wings of the four-spotted skimmer Libellula quadrimaculata in the heaving cracks of concrete, a dead-ringer for the map of Italy; outlines in asphalt of a lake darner’s arculus, while checks in slate sketch the nodus-taper in Hudsonia, a boreal whiteface. Pavement fractures are etched with spilled cherry syrup, the latticework of meadowhawks’ reddish wings.
Species of crack, but more crack than kind, and I wondered whether I could discover venation out there as asterisms of a priori wings. My eyes were drawn to cracks as lines that are not things but a lack, de-fining. That a crack does not exist gives rise to absurdity, but we’re saved by tenth grade geometry that comes to life, where line and point delineate a mind’s dot without the flesh of lead. If a crack is not, and a line is no thing, yet has the ability to take sides where none previously existed, is it, itself, creation from nothing?
On the black lab bench, I accidentally brush my elbow against a wing I had previously cut off and lost track of. The veins stick to my clammy skin as I drag it over the edge, watching, almost awfully, the detached wing glide in a slow, monster arc, balanced, horizontal, imperceptibly losing altitude—no struggle, no whirly-gig spasm, no tumble, just doing what a wing is supposed to. Under the complete absence of control
1
That profile of two faces creating a vase is my drive to work, destination, a point unremarkably fixed, and I, as if on autopilot, wonder after the fact what I saw along the way.
2
That profile of two faces creating a vase is my first amusement park—Fantasy Island—where I got syrupy legs after eating rock candy then cotton, where masquerade parades without mask in a sudden western town, complete with porch barrel, louvre doors, and a cow, as we watch the lone sheriff draw momentary death, until dead cowboys get up and bow. In an outlandish house because it didn’t have fiendish figures popping up or nozzles flush to the floor spouting an air jet up your pant leg, my voice and hearing got trapped in tiny porous pits in a dining room plush with egg carton walls. By the end of the day, I no longer effortlessly grasped by ineffable thought but slogged on hands and feet the buckling of tidy corridors, straight railings with unsightly twists, giant siblings and shrunken parents. Within easy reach of an exit, on flat floorboards, my knees were the seat of wisdom, telling me I’m walking uphill.
3
That profile of two faces creating a vase (although this is not a vase and these are not faces) is Picasso’s Factory at Horta de Ebro (1909). A painting’s frame and converging point roughly form a pyramid, with apex tucked inside. A moment’s attention is all that’s required to scan for linear perspective, focusing imperceptibly on a vanishing speck—good ole 3-D (on a 2-D surface, of course). Picasso constructs a contrary, while my mind’s momentum still searches for the Renaissance, reversing converging lines culminating in a new apex outward, toward the viewer, who becomes the vanishing point, drawing attention to what is supposed to be and the wrong that is.
4
The profile of every thing must be the contour of some thing else? When dusky, or in low light just in bed, eyes not fully adjusted, or looking out from the balcony of a church in winter, when stained glass is black from the lack of sunlight and the illumination by the artificial is too slight, I’ve had moments when light itself changes before my eyes, and no one else notices—no heads turn, no confused faces. It’s not some sign, though, some communication (which would have been nice), but something about me. I made light flicker without light flickering. Staring into a bathroom mirror, I test my pupils and think I can make them move.
My eyes have been in the corner of rooms at intersection of ceiling and walls, an out-of-eye experience, where corneas’ roundness bump into interior’s limits. This trapping room makes me feel big not claustrophobic, but I’ve been in rooms where the mapping is pathologic. With a walker holding her weight, she led and murmured—“microphones”; her finger silence-arcing from lip toward light points on fork and faucet—“phones”; coruscating Vermeer blotches on brassy doorknobs and glassy edges—“bugs,” as we, indubitably, swept through her apartment, shadowing the glare-tropes that pursued us. We were the sun and the flowers.
Todd Sformo is a biologist in Utqiaġvik (Barrow), Alaska, working on a variety of Arctic organisms such as fish, bowhead whales, and the freshwater mold Saprolegnia. He has a PhD and MS in biology, an MFA in creative writing, an MA in art history, and a BA in philosophy. Besides publishing scientific papers, he has published prose poems in Hippocampus, Cirque, and The Ekphrastic Review, and essays in Catamaran, Interalia Magazine, and the Journal of Humanistic Mathematics. He is the recipient of a Fulbright Fellowship (Fulbright Arctic Initiative 2018-2019) and Alaska Literary Award (2024) in Creative Nonfiction, Alaska Arts and Culture Foundation.
The New York Times has given me many good things in life. There is my partner (later husband) of 30 years, David, who retired from the Times at the end of 2017 after 42 years of service, although he continues to work as a part-time curator of an in-house museum of New York Times history. And then there is the American literary critic F. O. Matthiessen (1902-1950). A 2003 book review in the Times introduced me to Matthiessen’s most famous book, American Renaissance: Art and Expression in the Age of Emerson and Whitman (1941), describing it as a love letter to his life-partner, the painter Russell Cheney. September 2024 marked the 100th anniversary of Matthiessen and Cheney’s fateful meeting aboard the ocean liner Paris that set sail from Pier 55 at the foot of West 15th Street bound for Le Havre by way of Plymouth. From that day, the two men became a couple, later settling in Kittery, Maine from 1930 to 1945, when Cheney died. Kittery is a small town along the Maine coast, right over the New Hampshire border, next to York, where I grew up.
A native of Pasadena and later based at Harvard, Matthiessen was a luminary in early-to-mid-20th century literary studies, who helped establish American Studies, an interdisciplinary field that draws on and integrates diverse disciplines in the humanities and social sciences, especially history and literature. Given the range of his public and private writing, Matthiessen could be described as an early creative nonfiction writer, publishing nine books that included literary criticism and biographies; a monograph devoted to Cheney’s painting soon after his death; and an unusual work best characterized as a hybrid political essay, travelogue, and memoir. Matthiessen wrote roughly seventy-five articles and essays that included book reviews and advocacy journalism, often focused on organized labor’s struggles. On top of all of this he edited five additional books and made numerous contributions to anthologies and collaborative works.
Contemporary scholars have wrestled with Matthiessen’s legacy in three books and numerous articles. Beginning in the 1980s, his work came under increasing scrutiny, reassessment, and criticism from academics who argued that his literary judgments were too narrow, because they slanted white and male, although not entirely heterosexual. Others pointed out that Matthiessen never fully reconciled his literary and political positions, and that he skimmed the surface of divisions in American life, notably with his inadequate treatment of the U. S. Civil War in American Renaissance.
Then there is Matthiessen’s life and death by suicide, which continue to fascinate. Matthiessen’s story and his relationship with Cheney have given rise to three novels. These include: Faithful Are the Wounds (1955) about the Matthiessen-like character Edward Cavan, who takes his own life purportedly over his thwarted progressive political ideals; American Studies (1994) in which the first person narrator recounts his relationship with faculty advisor Tom Slater, a Matthiessen-like character who dies by suicide; and most recently American Scholar (2023), where Matthiessen and Cheney hover as intellectual and emotional inspiration for the novel’s main character James Fitzgerald.
Over the summer of 2003 after reading the Times book review, I would take American Renaissance and a number two pencil to a quiet hill in Central Park to read of a summer afternoon. American Renaissance quickly became one of those books that I wished I could eat. I know that sounds loopy, but there have been books that I so strongly wanted to incorporate into my being that I have imagined eating them. I chewed on my number two pencil instead, as I took notes in the margins.
American Renaissance considers the work of five writers in the period of 1850-1855, Emerson, Thoreau, Hawthorne, Melville, and Whitman. Matthiessen didn’t stop at literature; he tapped painting and sculpture in an attempt to form a cohesive narrative of cultural history. Matthiessen asks: Why does this moment of collective expression occur when it does? What do the works of these writers and artists say about life in America? For example, Matthiessen wrote about Moby Dick: “The strong-willed individuals who seized the land and gutted the forests and built the railroads were no longer troubled by Ahab’s obsessive sense of evil, since theology had receded even farther into their backgrounds. But their drives were as relentless as his, and they were to prove like him in many other ways also, as they went on to become the empire builders of the post-Civil War world.”
In the book, Matthiessen also began to articulate a nascent queer literary and artistic canon in his focus on Whitman’s poetry, Melville’s novella Billy Budd, and Thomas Eakins’s The Swimming Hole among others. As I dug into Matthiessen life and work, often a personal association anchored his scholarship: Cheney had suggested Matthiessen begin reading Whitman’s poetry. Matthiessen shared with Cheney a photo of himself standing naked on Sea Point Beach in Kittery with a big piece of seaweed draped around his neck and providing just enough modesty. Like the men in The Swimming Hole, Matthiessen appreciated the pleasures of skinny-dipping. That Matthiessen did all of this, while living long before gay rights movement or even the civil rights movement, fascinated me. If personal associations could be Matthiessen’s starting point, maybe they could be mine, too? Transcending time, I connected to a queer lineage through this place that had been so critical in shaping who I became.
American Renaissance spoke to me for other personal reasons, too. In my freshman year at Sarah Lawrence College, I had taken a history seminar with about 15 students entitled The Individual and Society in Antiquity and the Renaissance. The course introduced me to the idea that literary works, in addition to their artistic merits, could also reveal something of the time in which they were created. A book could be like a geological cross-section of soil and sediment that discloses different stages of the earth’s crust age. The idea captivated me. When I read American Renaissance nearly 20 years had passed since my freshman history course. But reading the book, I felt as though I were recapturing part of myself that I had unconsciously dropped along the way to adulthood and earning a living.
I also discovered Rat and the Devil: The Journal Letters of F.O. Matthiessen and Russell Cheney, an edited selection from Matthiessen and Cheney’s nearly 3,100 letters that they exchanged with each other between meeting in 1924 and Cheney’s death. Cheney was Rat, and Matthiessen was Devil. Cheney’s nickname originated from his family, while Matthiessen picked-up his nickname in Skull and Bones, the elite senior society at Yale, to which both he and Cheney belonged. The letters meant so much to Matthiessen that early on he bought a strong box, in which to store them for safe keeping. Matthiessen’s letters are articulate, perceptive, and searching: “Of course this life of ours is entirely new – neither of us know of a parallel course. We stand in the middle of an uncharted, uninhabited country. That there have been other unions like ours is obvious, but we are unable to draw on their experience. We must create everything ourselves. And creation is never easy.” For Matthiessen his relationship with Cheney illuminated both his life and literary studies. “My union with you during those seven weeks [in Italy] brought me to a state where I thought that for the first time I knew the meaning of love, and perhaps felt some ability to express this white sacred flame in my life and work.”
After the publication of Rat & the Devil in 1978, commentators on Matthiessen’s life and work noted how much he would have hated having his personal life exposed in public. His former student and later colleague at Harvard, Harry Levin, rather unceremoniously trashed Rat and the Devil in The New York Review of Books. “As for the violation of his privacy, I have little doubt that Matthiessen would have hated it, and Cheney was even more self-conscious about the stigmata of homosexuality.” Levin’s assessment of his former teacher and colleague was probably true; he knew Matthiessen well. But in 1945, when Matthiessen wrote his Last Will and Testament, he specifically singled out the letters and left them to a Skull and Bones brother, suggesting that he appreciated their significance. Even if he never could have imagined the letters being published, he wanted what was contained in them – the expression of love – to live on. In 2024, the letters may well be Matthiessen’s most important contribution, if not to literature, then to history.
I set off an expedition to learn as much as I could about Matthiessen and his work, Cheney and his painting, their backgrounds, and their life together. I visited the Beinecke Library at Yale to read the originals of Matthiessen and Cheney’s letters. In connection with a 2009 exhibition of Cheney’s paintings, I took a tour of the couple’s former home in Kittery, which seemed idyllic, sitting on the rocky coast overlooking the ever-changing blue, green, and gray ocean. Eventually, I created a timeline of all my notes about Matthiessen and Cheney’s life together, as captured in their letters, Matthiessen’s books and reviews, and Cheney’s paintings. Nearly two decades later this had grown into A Union Like Ours: The Love Story of F. O. Matthiessen and Russell Cheney, which was published in 2022 by the University of Massachusetts Press. The book was a finalist in 2023 for the Randy Shilts Award for Gay Nonfiction from the Publishing Triangle.
It was uncanny the way it all happened: stumbling across Matthiessen in the pages of the New York Times, being reminded of a moment of my own early intellectual flowering, Matthiessen and Cheney’s connection with southern coastal Maine, and then writing their story. It was almost as if Matthiessen and Cheney had chosen me rather than the other way around.
Scott Bane grew up not ten miles from where F. O. Matthiessen and Russell Cheney made their home in Maine. A Union Like Ours: The Love Story of F.O. Matthiessen and Russell Cheney is Scott’s first book and was a finalist in 2023 for the Randy Shilts Award for Gay Nonfiction made by the Publishing Triangle. Scott’s essays have appeared in Down East Magazine, The New England Journal of History, and The Gay and Lesbian Review. The Boston Globe, HuffPost, and Poets & Writers among others have published his journalism. Into the Void and Christopher Street have brought out Scott’s fiction. Learn more at www.scott-bane.com.
I.
The little wooden bowl went missing years ago. It might’ve been when they’d moved from the apartment in Winchester to a larger house in Wakefield. She remembers packing in a hurry, often with the baby in a sling around her neck. It would’ve been late in the move, all of the books and tabletop decor already boxed up and only the kitchen and bathroom essentials left out. Not that she ever considered the bowl and its matching spoon “essential.” She can’t recall using it even once. More of a decorative bowl, then, though she kept it in the drawer along with the rest of the kitchen junk.
She misses Winchester, only two towns to the south from her house near the Wakefield town center. Winchester is more upscale than Wakefield; they never could’ve afforded to buy in the well-to-do suburban Fells hamlet known for its boutiques and highly ranked school district. Wakefield’s nice too, but it feels far from her job in the city. If you want affordable housing near Boston, you have to migrate out: north, south, or west. East puts you in the ocean.
The bowl’s missing. Something else is missing too.
She can’t quite remember what the bowl looked like. Small, maybe just decorative. You wouldn’t use it for nuts or olives or crackers, the things you set out for guests. She still has the spoon, though—somehow the bowl got lost but not the spoon.
It’s Sunday, and she’s cleaning out the junk drawer in the kitchen. Mostly it’s batteries, the first twenty-three inches of a torn and coffee-stained measuring tape, broken pencils and random tools, birthday candles out of the box—the drawer jams halfway open, and she adjusts the handle of a Phillips-head screwdriver to pull it out the rest of the way.
The tiny wooden spoon’s handsome enough. Maybe it would look nice on the window ledge above the kitchen sink. We like to put things on window ledges—little spoons and decorative boxes, a pretty stone found on a hike. Leave no surface uncluttered.
With a nostalgic sigh, she puts the spoon on the window ledge, changes her mind and takes it back, then changes her mind again and returns it to the ledge. She wonders how the spoon wound up in the junk drawer. Maybe that’s what it is, then—just junk. Not ledge-worthy.
A child watches from a landing on the second floor. He knows what’s missing too. The house is quiet except for the sound of someone rooting through a junk drawer, and the woman in the kitchen, the boy’s mother, is pretty and disheveled and entirely focused on her work.
Sunday’s an awkward night to invite someone over for dinner; but adults have busy schedules, and you do your best to find a time that works for everyone.
Sometimes she gets on a tear and decides she needs to clean the whole house, or at least the kitchen and bathrooms. It’s more house than she’s ever had to deal with. Owning a house with five bathrooms embarrasses her, especially now. The house was built with a larger family in mind. It’s old and loses heat in the winter. If only she’d known, she would’ve stayed in Winchester where they only had to write one check a month and the landlord handled the rest.
What do you do with a tiny wooden spoon? There’s the temptation to throw it away, though it looks nice on the window ledge next to the polished rock she found on a walk in the Fells. So maybe it makes more sense as a decoration. As an actual spoon, it’s nearly useless. Sometimes things that look practical really aren’t—decorative bowls, a hand-laid cutting board. You’re not meant to use them, you’re just meant to leave them out and admire them.
The boy watching from the landing has big eyes. It’s his job to watch and not make comment, just take it all in.
Cleaning’s emotional for her; she does it when she’s bored or nervous or excited. Today she’s all three. It’s good to clean when you’re full of nervous energy and can’t keep your hands steady. She also likes rearranging the furniture, though it gets on people’s nerves. End tables and loveseats migrate from room to room, up and down the stairs. She doesn’t like it when things get too settled. Someday she’ll get it right, the exact correct arrangement of tables and chairs.
It’s time for the boy’s lunch, and she calls him down. She likes making him sandwiches; every meal could be a sandwich so far as she’s concerned. Lately she finds she doesn’t have much appetite. She doesn’t like the weighed-down feeling of a full stomach. Eating makes her sleepy; some days at work she’ll skip lunch and just power through the afternoon.
The boy’s not eating much either. He’s always been on the small side. She hopes the other mothers don’t look at him and think she’s not feeding him enough. Other mothers judge—they criticize. It’s not a very supportive environment. She does worry about him though. She hopes he doesn’t grow up to be one of those puny boys who has to squeak by to survive childhood.
It’s not just the eating, it’s the sleeping—he won’t sleep in his room anymore. A few months ago he moved his single bed out into the hallway on the second floor. That’s where he sleeps now, in the hallway right outside her room. She asked why.
“Because it’s fun,” he said.
She couldn’t accept this. “No, that’s not why. It’s not because it’s fun.”
“It is. It’s like camping.”
“Once, maybe. Every now and then, as a change of pace. And even then—I don’t see how it’s fun.”
He watched her. “It feels like I’m doing something different. It makes bedtime more interesting.”
She slumped. “Okay, but you can’t stay out there forever. Eventually you’re going to have to go back to your room.”
The boy nodded, his lips thin. Then, in that adult way he had of letting her win, he said, “Eventually.”
It’s been weeks and “eventually” hasn’t happened yet. It’s not just his bed anymore—he’s got a nightstand and a lamp, a stack of books and comic books on the floor. You have to squeeze by all the stuff just to get down the hall. It’s not like he’s afraid to go into his room; he does his homework there, and he still keeps his clothes in his closet and chest of drawers. He just won’t sleep there. There’s something about the in-betweenness of the hallway that appeals.
She asked a friend from work about it, and the friend said, “He’s just feeling insecure. He’ll grow out of it.”
Why would he feel insecure? she wondered, though there’ve been nights when she wouldn’t mind sleeping in the hall herself.
After lunch she asks him to move his bed back to his room, and the lamp and the nightstand and the stack of books and comic books. He flatly refuses.
“But why not? Seriously, it looks terrible in the hall. It clutters up the whole second floor.”
“What difference does it make? I thought this person was just coming for dinner.”
“He is.” Her son’s never met “this person” before. Tonight’s a first. “But he might like to see the upstairs.”
“Why would he want to see the upstairs? It’s just your room and my room and a couple of bathrooms and nothing interesting.”
“Still. Some people want the grand tour. They like to see where people live.”
“That’s weird. Is this person weird? I don’t want this person coming over if he’s weird.”
“He’s not weird—he’s very nice, and you’ll like him.”
But the boy’s unconvinced. His mother’s not very good at putting her foot down. She feels like she owes him these little indulgences.
So the bed stays. And the lamp and the nightstand and the stack of interesting things to read.
II.
They used to go on trips before the kid was born, little two day jaunts to the Cape or out to the Berkshires. They had more disposable income in those days—there wasn’t as much to save for. Her husband liked staying in hotels; they both did. They slept better in hotels, had better sex. Their son was conceived in a hotel. They were staying in Northampton over Thanksgiving weekend, at The Hotel Northampton—sorry the name’s not more interesting—and after dinner they went back to their room with a bottle of red wine, took a bath together, then made love once on the floral print settee and again, more conventionally, in bed. Could’ve been either time.
Her husband had a habit of taking home all the freebies whenever they stayed in a hotel, the travel-sized shampoo and conditioner, the mouthwash, even the sewing kit. She never could understand that about him—the man didn’t even know how to sew! He was the kind of guy who’d throw out an item of clothing if it got the least little bit stained or torn. And yet now she’s got a junk drawer full of these little sewing kits from all over New England.
All those places where they slept and drank and made love and watched TV.
III.
Jeremy Lang, tall, skinny, head shaved bald. Frameless eyeglasses, a long neck and prominent Adam’s apple. She still hasn’t asked his age, but she’s guessing around forty-five. Divorced, no kids. She wonders why, both about the no kids and the divorce. They’re not on that level yet, the deep sharing level. They’re still hovering around each other, checking each other out. She could probably not see him again and it wouldn’t matter.
They’re maybe one date away from sleeping together. She’s still not sure what she wants.
One thing, though: the boy seems to like him, and that’s a surprise.
They’re on to dessert, cupcakes from Santino’s in Woburn. It seemed like a good idea at the time, but now she wishes she’d picked something else—cupcakes are for kids’ birthday parties. But Jeremy Lang doesn’t seem to mind. There’s something kid-like about him, or maybe he’s just performing for the boy.
“I might need to eat this with a fork. I don’t want to get frosting all over my face,” he says, and the boy laughs. She’d been expecting a different reaction: stand-offish, aloof. She’s not used to these things working out.
The boy’s full of questions tonight. He wants to know the difference between glue and mucilage, and Jeremy Lang explains, “Oh gosh I’m not sure. I haven’t even thought about mucilage since I was a kid. I think it’s that… it’s that…”
The boy prompts, “There’s a difference.”
“I know there is. I think it has to do with where it comes from, how it’s made. One’s plant-based. Mucilage, I think.”
“Wow, Mr. Lang sure knows a lot of things. Would you like some more wine?” she asks, just to give herself something to do.
Jeremy Lang nods, and the boy asks what his favorite Tom Waits album is. The question rattles her.
“Oh… Tom Waits. Favorite Tom Waits album…”
“And why.”
“And why, of course. I’m not too up on Tom Waits. I do know that one, Rain Dogs.”
“Rain Dogs is good, but I like Swordfishtrombones better. It’s more crazy.”
“Is it? If you like Tom Waits you must like Bob Dylan,” Jeremy Lang says, and the boy looks at him like he’s just guessed his middle name.
“Here you go,” she says, pouring Jeremy’s wine, hoping they’ll change the subject.
The boy asks why you can’t just walk through a door, why you have to open it first.
“Such silly questions tonight!” she says, starting to get annoyed. The boy’s questions have the hint of mischief. She knows him.
Jeremy Lang says, “No, it’s all right. It’s an important question. Why you can’t just walk through a door, why you have to open it first. Hm.” He thinks. “Well, it has something to do with a door being a solid object. Wouldn’t that have something to do with it?”
The boy blinks, but waits; he wants more.
“See, everything in the world—you, me, your mom, this table—is made up of cells and atoms.”
“Everything?”
“Everything.”
“Even your shirt?” the boy says, obviously playing with him now.
“Even my shirt—even your shirt.”
“Even Mom’s?”
Jeremy Lang glances over at her, and they share an adult laugh. “Even Mom’s, even every shirt and every pair of pants and… just… everything. Everything in the whole world, including broccoli and fireplace tools and table tennis—made of cells and atoms. And there’s a rule, a law of physics—you probably haven’t had physics yet.” The boy stares; he’s only in the fourth grade. “Yeah, but there’s a law that says no two atoms can occupy the same space at the same time, and that’s why you can’t just walk through a door, you have to open it first. Because that space is already taken.”
Jeremy Lang looks winded and relieved—talking to kids takes work. The boy lets the information settle, then favors him with a smile.
“Mr. Lang’s good at explaining the unexplainable,” she says, and they ignore her.
“Would you like to see my room?” the boy asks.
She swoops in. “Oh no, it’s a mess up there.”
“Mom.”
“We talked about this. I told you to pick up your things.”
“My things are picked up, they’re just…”
“…all in the wrong place, I know.”
Jeremy Lang puts his hands up. “I don’t want to cause a problem.”
The boy insists, “Mom, can I?”
She looks at her hopeful son, who’s been basically good all night. “Oh, fine—but just show him real quick and come right back down. I’m going to put the dessert dishes in the sink.”
The boy leads Jeremy Lang up the stairs, and she brings the dishes to the kitchen and runs liquid soap and water over them. She’s hoping the boy will go to bed early. She wouldn’t mind some time alone with Mr. Jeremy Lang. She hasn’t been kissed, really kissed, in almost a year.
But then after you kiss, what next? The kid’s not going anywhere.
Standing at the sink, she sees the tiny wooden spoon on the window ledge. She’s not a pack rat, not exactly, but she sometimes has trouble throwing things away. You never know when the missing bowl might turn up inside a box of odds and ends. Meanwhile there’s all this clutter she doesn’t know what to do with.
She wants a fresh start. A clean do-over.
Hands wet and sudsy, she takes the spoon and feints toward the kitchen trash, then changes her mind and puts it back in the junk drawer along with the twenty-three inch measuring tape and the sewing kits from all those hotels.
The boy’s eyes are big. His job is to watch you.
Upstairs she finds the boy sitting with Jeremy Lang on his bed. He’s showing off his comic book collection.
“Sorry, I’ve been trying to get him to do something about this for weeks,” she says.
“Jeremy thinks it’s cool—don’t you Jeremy?” the boy asks.
Oh, it’s Jeremy now.
“I think it’s… an interesting choice,” says Jeremy Lang.
“Mom, come sit with us. Jeremy’s into Avengers too.”
“Ages ago. I think I remember some of these,” says Jeremy Lang, looking through the comic books.
“But there’s no room,” she says.
The boy scooches over, swiping a pile of stuffed animals to the floor. He sleeps with dozens of them; even in fourth grade he still likes all his little friends.
She sits. “I don’t see how you get any sleep out here.”
“I like it. Here, lay back. You too, Jeremy.”
The boy tucks his legs and rolls over in bed. The bed’s narrow, barely room for one person. Jeremy Lang smiles at her—he’s on no one’s side.
“I guess we should probably take our shoes off,” he says.
They squeeze into bed with the boy, Jeremy Lang in the middle. It’s cramped but cozy. She supposes it’s fine if he wants to sleep out here for now. He’ll grow out of it.
Besides, she’s the one who’s always moving the furniture.
Jeremy Lang sighs. “Ah… good night.”
She laughs. “It does give you a new perspective.”
He turns his head to her on the pillow, and now he’s a boyfriend, he’s part of her life.
“On what?” he asks.
Mike Heppner has published three novels in the genre of literary fiction, two with Knopf (The Egg Code, 2002, Pike’s Folly, 2006) and one with Thought Catalog Books (We Came All This Way, 2015); two story collections, one with Another Sky Press (The Man Talking Project, 2012) and one with Thought Catalog Books (This Can Be Easy or Hard, 2014); and a novella with Kindle Singles (Nada, 2013).
I stared at his shirt pocket filled with pens and folded pieces of paper. He looked from me to his pocket and back to me. He smiled and pushed air through his teeth—a laugh, a sigh, maybe both. I could tell you if I looked into his eyes. Everything he doesn’t say is written in his eyes. I wonder why people carry around more than one pen. I’d like to shrink to the size of one and sit in his shirt pocket. He’d chat with me all day. He likes to talk, he’s good at it. Sometimes we just look at each other—our eyes ordinary, our mouths closed. He’s nice to look at, like a forest of deciduous trees, no matter the season.
Barrel through the train’s cars (he’ll glide out of the way to avoid a collision). Say thank you, but don’t make eye contact (he’ll reply like he knows you). Look at him in disbelief. Resist the urge to grab him and hug him. Say something bright and agreeable. Find an empty seat. Anticipate his face every afternoon. Smile at his enthusiastic quips. When he disappears, anticipate his face and quips for one week (maybe two) before conceding. Invoke him every day. Stand on the trains with your head in a book. Glance at everyone who stands opposite you until he returns.
Sarah McNamara’s work can be found or is forthcoming in Ink In Thirds and 101 Words. Find her at sarahrosemcnamara.blogspot.com
Steven Spielberg’s 1975 film Jaws is the seventh highest grossing film of all time (adjusted for inflation). In addition to this, the Discovery Channel’s Shark Week has generated hundreds of millions of dollars in ad revenue since its establishment. In fact, according to Christopher Neff, Australian social scientist and shark researcher, there is no other animal (on land or in water) that generates the entertainment income that sharks do. There are a myriad of shark films that have been released since 1975, both high and low budget, and all of which echo tropes which originated from Jaws. Deep Blue Sea, Sharknado, The Meg, The Shallows, Open Water, The Reef, Bait, Shark Lake, Jersey Shore Shark Attack, Ice Sharks, Dinoshark, Shark Night, Malibu Shark Attack, Avalanche Sharks, Snow Shark, Frenzy, Mega Shark vs. Mecha Shark, Ghost Shark, 47 Meters Down, 3-Headed Shark Attack, Sand Sharks, Megalodon, Sharktopus, Mega Shark vs. Crocosaurus and countless franchise sequels. These are all post-Jaws releases. And I have only listed the ones I have personally watched. I don’t want to think of how many hours of my life have been consumed by watching Sharktopus sequels and spinoffs. Interestingly, if you try to find a shark film made before Jaws, you will get very few results. The few that did exist didn’t quite make it to the mainstream, and only featured sharks as an afterthought, such as the 1969 film Shark!, which was actually about a treasure hunting expedition.
The plot of Jaws follows the newly hired police chief Brody Martin, as he deals with apparent shark attacks off the coast of the fictional Amity Island in New England. Brody must deal with public pressures from the families of the attack victims and marine biologists who want him to close the beaches until the rogue shark is caught, but also with locals who fear the town’s economy will suffer if they close the beaches during tourist season. What follows is an action packed adventure in which Brody, a shark hunter, and an oceanographer attempt to catch and kill the blood-thirsty shark before it can take any more lives. The film sparked three sequels, major attractions in Florida and Osaka, a video game, a musical and an extensive line of merchandise.
It wasn’t until Jaws that sharks were really given much thought, or at least were not perceived as genuine threats. There are three lasting perceptions of sharks that began with Jaws; the attribution of intentionality and near-human intelligence, the perception that human-shark interactions will inevitably lead to fatality (usually of the human variety) and finally, the notion that the threat the shark poses can only be eliminated by the killing of the shark, each of which is explored in more contemporary shark films to varying degrees.It is undeniable that media representations of sharks inform public perception of the animals, and more crucially, a fear of them. The shark is a relative newcomer to the media, existing at the periphery of Western interest until the 1970s. Humans rarely interacted with sharks and they were scarcely written about or photographed, and then they suddenly skyrocketed to celebrity status.
Jaws’ success created a media frenzy, which in turn stimulated news coverage of shark encounters. The immensely popular shark documentary genre often deals with the aftermath of Jaws; the sensationalised nature of shark representations and the dramatised accounts of shark encounters which aim to meet the demand for blood-thirsty shark narratives that Jaws created. These documentaries denounce the dramatisation of shark attacks in the media, believing that they feed into public desire for spectacle with heavy music, clever word play and dramatic narration, which ultimately create a sense of danger for audiences. This fear unfortunately translates to a real life fear of sharks and a misunderstanding of them outside of the media. The mass media frequently covers stories that involve low-incidence, high-consequence events, submitting to the public demand for shark-human interactions. The news media often utilises fear-laden language when reporting on these occurrences, describing the animals as ‘monsters’ and ‘mindless killers.’ Or my personal favourite, when water is described as ‘shark infested.’ They live there. Is the land human infested? Well, with current debates around overpopulation, maybe that is a question for another time. The author of the novel Jaws, Peter Benchley, which was released just the year before the film adaptation, was interviewed by the Guardian regarding Jaws’ effect on the public psyche which led to widespread culling of sharks in Australia. he said:
‘I plead with the people of Australia – who live with, understand and, in general, respect sharks more than any other nation on earth – to refrain from slaughtering this magnificent ocean predator in the hope of achieving some catharsis, some fleeting satisfaction, from wreaking vengeance on one of nature’s most exquisite creations. [There is no such thing as] a rogue shark, tantalised by the taste of human flesh and bound now to kill and kill again. Such creatures do not exist, despite what you might have derived from Jaws.’
Peter Benchley’s quote recognises Jaws’ legacy of depicting killer sharks and the part shark films play in legislative practices. Benchley touches on the idea of revenge often associated with sharks seeking vengeance against those who have shown no regard for ocean creatures or their habitat, although this quote subverts this concept, as it is the humans perpetrating violence against nature. Despite the highly publicised plea from Benchley, as well as shark conservationists around Australia, the sensationalised news coverage and shark culling continued. It is undeniable that sharks have cemented their place in popular culture, with shark films in particular being the source. It is also undeniable that policies regarding sharks have been heavily influenced by news coverage and shark cinema. Although Jaws is most often the text which is used to demonstrate this, it is not the only shark film which has had an effect on policy. Andrew Traucki’s 2010 film The Reef is yet another example of this. The Reef is set in the waters surrounding Australia’s Turtle Island and depicts the Great Barrier Reef as the hunting ground for killer great white sharks. The film opens with the words ‘The Reef: based on true events’, reportedly the survival story of Ray Boundy, who was the sole survivor of a shipwreck in which two of his friends were eaten by tiger sharks.
This marketing strategy antagonised the chief executive of Tourism Tropical North Queensland, Rob Gaison, who feared that the film could negatively impact Australian tourism. Additionally, Col McKenzie, the CEO of the Association of Marine Park Operators was quoted saying ‘any kind of shark attack or what they air in the Jaws movies and things like that, there’s a drop off in inquiries within the marine tourism industry,’ expressing a similar concern. Tourism and shark cinema have been linked since Jaws, with much of the horror in the film occurring after Amity island officials refuse to shut down the beaches, as they are more concerned for the island’s economy, which is largely funded by tourism, than public safety. Clearly, there is an anxiety surrounding shark films and their possible negative effects on tourism, but interestingly, shark films often tackle themes of tourism and trespass, and so a cycle continues.
While Jaws may have been one of the first notable shark centred films, it was most definitely not the last. Malibu Shark Attack follows a group of delinquents who are hunted by prehistoric goblin sharks after a tsunami occurs. The main themes that are repeated in shark films are that of tourism, but also natural disasters/wildlife conservation concerns, both of which Malibu Shark Attack includes. Similarly, Frenzy tells the story of a group of friends who run a popular travel vlog that helps fund their adventures, the next of which is a scuba diving trip to an isolated cove. Frenzy plays on the idea of exploitative tourism and the use of sharks as a commodity and their homes as an entertainment source, rather than a living creature deserving of respect and space. 47 Metres Down is essentially a cautionary tale about cage diving, a tourist activity that has increased in popularity as years have passed. With cage diving, the water is ‘chummed’ (meat and blood are thrown into the water to attract sharks) and then the tourists in a cage are lowered into the water where the shark is feeding in order to observe it; a decidedly dangerous activity. Shark Night is a slightly more distinctive take, revolving around a group of college students on a trip to a remote lake for Spring Break. While there, they are hunted by a variety of sharks, including hammerheads, cookiecutters and great whites; all sharks which would not ordinarily be found in a lake. When one of the sharks washes up on the sand, the group find a camera attached to the shark and come to the realisation that someone purposefully brought the sharks to the lake and is filming the attacks. Towards the end of the film, the remaining members of the group are abducted by those responsible for the shark’s presence and question their motives. One of the culprits monologues;
‘What is cable television’s longest running programming event? Last year alone, it was watched by over twenty million viewers. Shark Week, Loser! And a few of those twenty million want to watch the real hardcore shit that you can’t get on basic cable. And we’re willing to bet that they’ll pay top dollar for it.’
While many shark films criticise the exploitative nature of shark media, playing on ideas of shark attack films furthering public fear of the animals, which in turn leads to shark culling and harsh legislations, these films are doing the same thing. Shark Night condemns shark media, but it also did exactly what it criticised, portraying sensationalised attacks by an animal that rarely interacts with humans at all, all while pulling in over $40 million dollars at the box office. Other shark films that fit into this category include Deep Blue Sea and 3-Headed Shark Attack, which call into question the ethics of animal testing, ocean pollution and habitat destruction. Bait and the Sharknado franchise use dramatised fictional narratives to examine a genuine fear of natural disasters and global threats, such as climate change (with one Sharknado going as far as to be titled Sharknado 5: Global Swarming). I believe Craig Detweiler summed up the reason for so much interest in shark media when he wrote, ‘when we attempt to rule over every living creature […], we also undercut our place within a fragile ecosystem. Scary sharks […] remind us to steward creation with humility rather than bluster. Those attempting to dominate may end up mastered by the beasts they seek to capture, kill, and exploit for selfish gain.’
Jaws may be one of the most highly regarded films of all time, being hailed as the first ‘summer blockbuster’ and has inspired many horror films since, including non-shark related horrors, with even Ridley Scott’s Alien being pitched as ‘Jaws in space.’ As an avid horror watcher, and a massive fan of animal attack narratives, it is hard to condemn a film that is responsible for the subsequent production of so many of my favourite films. But it is also hard to ignore that 71% of the world’s shark population has steeply declined since 1975. Was it really worth it?
Lauren Gallagher is an Irish writer, specialising in film and literary criticism. She holds a B.A. in English, Media and Cultural Studies and currently resides on the English South Coast. Her work focuses primarily on exploring horror from a feminist perspective and reviewing the newest literary titles. Her writing has been featured in Anfa Collective, Off Chance Magazine, Certified Forgotten, Sleaze Magazine and Offcultured. You can find her short-form reviews at @laurrensthoughts on Instagram and @cosmopoiis on Letterboxd.
Gwyneth is sitting on the edge of my bed again when I wake up. I don’t need to see her to know she’s there. I feel the pressure of her feather-light weight on the mattress beside me and I know that when I open my eyes, I will see Gwyneth’s back, ramrod straight, draped in iridescent black silk. I lie still, playing possum, feigning sleep, wanting to imagine my inaction could impact her daily reprise, but I’m deluding myself. We are of the same flock, but the peculiar sensitivities that connect us allow me to observe, never interact.
“Good morning, Birdy. It’s a lovely day for the beach.”
My breath catches at the sound of her voice. Gwyneth chirps the same phrase each morning, but her words are not what floods my veins with ice water; it’s the uncanny accuracy of her mimicry. When Gwyneth speaks, it is in my voice. I try to temper my unease by reminding myself we share the same instinct for thievery; we steal sounds from living things, steal food meant for songbirds, squat in abandoned homes or forcefully evict families from homes already occupied. Stealing and sticking together is how we survive.
I unfurl myself from the nest of thin quilts tangled around me, propping myself up on my elbows. As expected, Gwyneth is perched with her back to me, gazing out the open window when a squall sweeps off the rough winter sea. Despite its translucence, her unmoving form appears heavy and impenetrable as stone, while the wildly undulating curtains reach for her with cotton tentacles. I smell salt and decomposing fish and my stomach turns. Dawn stretches a weak beam of sunlight into the room, hitting Gwyneth and then passing through her, diffused but unbroken. The fuzzy light leaks through her abdomen like a thousand pinpricks, a dense constellation, finally landing on the wrinkled bed sheets across my legs.
“I told that boy not to shout from down there,” Gwyneth grumbles, standing. I mouth the words as she speaks them but I don’t answer her; I’ve learned there’s no point. Gwyneth is in my bedroom and also somehow not here at all. She is a palimpsest, the indelible mark of something time tried to erase. The translucency of her form waxes and wanes, except for the hole in her torso. Even in her most solid state, there is a void in her center the size of a dinner plate that seems to generate its’ own atmosphere. In the hollow of Gwyneth, I watch dust motes float in a stillness that exists nowhere else in the room.
Down there is Crane Beach and it is empty, save for sandpipers and stilts picking their breakfast from the frostbitten tide along the shoreline. There was no shout, no boy, no tourists caught in this tourist trap at this time of year. Sometimes I wonder if Gwyneth sees and hears another member of our Chattering, and if she is stuck behind a two-way mirror and forced to witness their looping downward spiral as I do hers. Migration season began in October and each morning since, I have awoken to Gwyneth settled on the precipice of my bed, squared off against the rectangle of the window frame to greet the new day. Dawn after dawn, she reenacts the scene with the regularity of a cuckoo popping out from her clock, and still, I am inevitably jolted by her existence.
In her daily ritual, Gwyneth approaches the balcony to peer down at the hypothetical caller, triggering a sharp corresponding tug in my solar plexus. Some remnant of the tether between myself and the absence Gwyneth has constructed herself around still holds tight. My arms twitch. Any creature who once flew but became flightless will empathize with her instinct to hoard air in the caverns of her gravity-bound body. I wanted the same, at the height of my grief, but I’ve mourned my fragile hollow bones. The reservoir of anguish over individuation I once housed has dried up and I’ve learned to balance my heavy skull, to speak gutterally when I once would have sang.
The injection of terror and sadness that floods my brain each time Gwyneth pops into my room like an astral projecting jack-in-the-box has begun to take root in my body. My still unfamiliar flesh is clammy and wet. Something frenzied grows behind my eyes, tangled and claustrophobic. In this room, I’ve willfully suspended disbelief while having no rational answers for the why or how of Gwyneth’s appearance. The dissonance of trying to reconcile real and unreal has become unbearable.
I try something new. Instead of acting within my reality and allowing the yank of our invisible connection to drag me behind her, I embrace Gwyneth’s reality. I wrap my hands around the empty air in front of my chest approximately where I imagine the threads that attach us extend from. Planting my bare feet on the hardwood floor, I tightly clench my fists and pull.
I expect my fingers to close around nothing, fingernails cutting crescents into my palms to remind me of my foolishness, but instead, my hands are sliced by searing heat, as if I’ve grasped a laser beam. I feel tiny barbs sink into my skin, anchoring. In an instant, the scorch travels from my palms, a white-hot flame running upward past my wrists, then elbows, and then exploding through me. I’m shaking violently as I stare down at my seemingly empty fists clenched oddly to my chest. I lift my eyes to Gwyneth in front of me.
If events were to proceed as usual, Gwyneth would lean over and yell into the wind, but today the coil of ethereal rope tightens around my fist and her body snaps back just before she reaches the balcony railing. A single, hollow pop, like the sound of a champagne bottle being uncorked, echoes loudly in the room. Instantly, the atmosphere feels pressurized, the air humming and vibrating around and into me. I am aware of the connecting atoms forming every tooth, tendon, vein, and cell. I can feel my neurons pulsing and firing across synapses. A high-pitched ringing in my ears grows louder and becomes a roar, like the infinite crash of waves pounding the shore. Something with wings has flown into my open mouth, filled my throat with its voice, forced its fragile bones and feathers down my windpipe, and now, frenzied, batters the bars of the cage my ribs form. A woodpecker’s staccato rat-a-tat-tat cracks me open and from every pore, light leaps out.
Winnie Bright is a queer writer and artist from Cleveland, Ohio, where she lives with her wife, child, and dog Hannah Beasley. When she isn’t having incredibly personal, one-sided conversations in her day job as a counselor, she walks in the woods, loiters at the public library, and scours Lake Erie for beach glass.
It all went up in the fire.
The photos, the chairs, the clothes, the loves,
the work, the flirting with greatness.
Tinged memories, ash-fringed heart.
Embers mocking jabberwocky smoke.
Breathing haze for days.
Fly me to the moon, all the earthly glamor hammered,
smudged mud after the hoses were through.
Crackling sound resonates,
a roundabout due for incineration.
It came, it’s gone, all of it, consumed.
Blow the residue from your nose,
sneeze cleansingly.
And so it goes.
My dad shared wistfully that he learned French kissing
as a teen from his older sister.
A 1940s vibe.
After an up and down life, stressful, too eventful,
She had her heart attack.
He stopped by for his check-in and found her on the floor.
911 said give mouth to mouth.
He knew she was gone but could not ignore the professional advice.
Useless, of course, unfortunate, as well.
When he told the story later there was no wistful sentimentality.
Just a sense of oddity.
Strange sibling bookends, sad, sweet, earthy, innocent at 70.
A family tale, remembered by few, now shared again.
Your skin is so moving, its kindness so full.
You wondered, said hello,
said you liked this snugly.
You knew, though, how
far past due I was.
Still, a lovely gesture to make.
Why do I say goodbye so boorishly
when I adored your snoring?
Chris Callard lives in Long Beach, CA. His poems have appeared in Ariel Chart, Witcraft, Cadence Collective, and One Sentence Poems. His short fiction has appeared in Bright Flash Literary Review, Witcraft, Ariel Chart, Gemini Magazine, Flash Fiction Magazine, A Story in 100 Words, and ZZyZxWriterZ. His work has been nominated for Best of the Net and Best Small Fictions.
From where I was sitting on the rock, it sounded like applause. I coughed the sand out from the back of my throat and looked up towards the parade where the applause had come from. On the boardwalk a head of back-brushed white hair, a blue Disney T-shirt and pleated white tennis shorts. Shhhhht! She hissed at me. I realised I was still humming. Shhhht! She clapped simultaneously, sending what I thought were quite mixed messages. I searched for her eyes through the hazy sunset, lifting a flat hand to my eyebrows in an unintentional salute.
She jabbed her finger at the horizon and with her other hand made an undulating gesture, as though she had a snake-shaped puppet on her hand. She jabbed again at the horizon, this time a little angrily I thought, jerking her head up in the direction of a conic yellow buoy, shouting something at me I didn’t understand.
Now freed of the notion that she was a fan of my singing, I followed her finger out to sea. Apart from the yellow buoy I saw nothing. I looked back to see if she might inadvertently give me another clue. Instead, she rolled her eyes skyward. I think she tutted.
My mouth was very dry and so, to retain moisture, I pursed my lips shut and thought about how I could avoid letting on that I hadn’t seen what she was pointing at. But that made her really cross and she started involving her whole body in the task of drawing my attention to whatever it was she had seen. She wriggled and writhed with her whole self in the manner of someone trying to explain to an extraterrestrial what a woman is, alternately stroking her waist and shaking her hips, punctuating the performance with decisive little pokes at the offending horizon.
As a child I saw a ghost. The thrill of this is obvious – an impossible man glimpsed out on the deck of an old warship, as though submerged in time. My mother, who was with me, claimed not to have seen anything at all. I have since learned that children nonchalantly straddle worlds, while adults balk at the thresholds. The underlying terror of seeing a ghost is not so much fear of the spectre itself, as the unsettling idea that you have seen something that no-one else saw, which means you have probably lost your mind. Sea monsters are only scary in that they lurk at the very limits of imagination.
I was aware of the woman still willing me towards her line of sight from the boardwalk. Her persisting desire to catch my eye thrummed in tiny vibrations across the sand. Eye contact, I learned from an early age, is usually the beginning of the end. I didn’t turn around. Like a toddler who hides simply by clamping their eyelids down, I childishly thought the woman might forget I was there altogether and release me from the game, if I ignored her for long enough.
Shhht! Shhht!
My stomach sank, a little lead anchor thrown to the bottom of the ocean, landing on the bottom in a small muffled thud.
I considered making a facial expression that would suggest I’d seen it. I’ve faked it many times before. We have to pretend to survive. Two seagulls fought each other for the remains of a washed up cuttlefish a few feet away.
But what face would I make? And what if it was the wrong one? The face appropriate for a shark fin would be one thing – perhaps accompanied by a silent scream. But the face for a floating turd would be quite another. Lying was too risky.
I scanned the beach again to see if there was anyone else around, but there was no-one. Even the two seagulls had taken off, their wings leaving a trail of gentle moans on the salty air. I felt desolate and deeply alone. My stomach sank further into my groin and my heart took its place in the pit of my belly. Desperate to distract myself from this feeling, I started humming again. My tail twitched in discord.
They say that the loneliest feeling of all is when you feel isolated, even in the company of another. This is how humans preempt their break-up stories or explain why they turned to Buddhism. But the saddest thing about this situation was that the loneliness I felt was not my own. I had caught it and mopped it up, absorbed through some kind of osmosis between me and the Disney T-shirted maniac on the parade. Maybe it was the melancholia of the tune I was singing, or the way the light reflected off the water in a million little rhombus shapes, or the fact that we were the only living things as far as the eye could see, or the fish could swim.
Just occasionally you can show all of yourself to someone. Peel back the scales of your skin to reveal the purest pearl of your existence which has been rolled and rolled from many grains of grit, misunderstanding and long stretches of deep blue quiet. It is almost always a stranger to whom you can entrust this pearl, just momentarily, just once or twice in a lifetime. Someone who will never see you again, who may doubt that they ever saw you at all, but who – in that moment – demands the absolute truth of you, for your own sake and for theirs.
So, I hauled myself off the rock and writhed back to the water across the sand, thirsty, gulping at the ocean’s cup, my tail thrashing and flashing in the sunlight as I swam away, knowing she was watching every move.
Harriet Sandilands is a writer and art therapist living in the “magic mountain” of Montserrat in Northern Spain. Her stories and poetry have most recently been published in Porridge, Litro and Talking About Strawberries All Of The Time. Her short poetry collection Amiss (a series of poems which omit the letter e) was published by Palabrosa in 2023, when she was also long listed for The London Magazine short story prize. Harriet was last year’s headline act for International Poetry Day in her home town Manresa, reading a series of “postcard poems” from the pandemic and beyond. She co-facilitates writing workshops under the umbrella Write Where You Are and almost always remembers to write down her dreams first thing in the morning.
Used to be a bungee life off a rusted bridge on a paisley
river named a superfund site during the Carter
administration. Used to be bouts of vertigo and
homewrecking and acid trips on the railroad tracks and
la-di-da books about gravedigging and identity
swapping and shoplifting The Bell Jar at the Brentano’s
in the Village that’s now a Duane Reade. But then I
tomahawked the bungee cord and sproinged like a rock
from a Jack-in-the-Beanstalk slingshot onto lower
Second Av where that notorious hotspot the Saint used to
be, marked by a grease stain in the shape of a gunned-
down body. Every part of me was busted but I still had
the high-pitched bizzbuzz of Yessir or Nosir against my
swollen intellect which echoed through a decommissioned
subway station where a corporal played Taps on a plastic
trumpet. If only I had the one word, be it strength or
emergency or anything as big and unmistakable as that
to snap me out of stupendous stupors, but as soon as the
word seemed to fit the situation it escaped through a
nostril so I discontinued talismanic buzzwords and realized
that if I wanted to stick around I’d have to get professional
help and return to the vocabulary at some point. That
some point is now. And though the word was changing
up until yesterday (words like connect and proportion and
father) the forever word is easy now, it’s kindness.
Sometimes it’s better to have the upper hand and sometimes
it’s not and sometimes there are no hands to be had in the first
place.
Sometimes someone is always apologizing or overdosing on
Lexapro, full of what Gertrude Stein classified as “servant girl
being.”
Sometimes it’s best to spread love like mulch though it nauseates
firmer temperaments but in the long run inhibits crabgrass from
spreading.
Sometimes it’s best for the snarky to dominate so that the nicer learn
to dish it back and polish a sense of independence that lurks within a
dependent nature.
And the ones with no hands to speak of: Invite them over, they mingle
so effortlessly, although they don’t necessarily make good bosses, yet
they’re so perfect for
each other when they marry each other that, even if one of them dies,
they will marry again because their love life never made them feel
inadequate.
I cannot lie that I like it when your personality changes and you look at me
with a dreamy curiosity as if to say Who is the real unknowable you that can
make me feel guilty.
whoever is stable thats the
one to go to everyones
got a hope and a secret
holdover that comes at you
like a grumpy rugrat or
retreats from you like a
nurse with bad breath
oh Lizzie of the sacred
snow day sledding down
through the intersection
of hearts sliced thin I was
putting myself together with
masking tape and an attitude
so worried about the
marauding carthieves though
I dont own a car this
barn these hands at 2 and
10 wake up resting mommy
and renegotiate with the
mediator who is sorrier
than a cannibal of all
that rope on a poopdeck
of weather-beaten rigmarole
and a holy I don’t know
By staying with you as long as I did I guess you could say I got left back 38
times meaning I could’ve wound up age 47 and still in fourth grade but
if it had taken that long to learn long division I still would’ve ended up
knowing how to divide and continued on to fractions. I didn’t divide. I
split. I miss you. I will never forget the
lessons you taught me though I was
such a bad patient for so many years,
so resistant to your help, so addicted
to false enthusiasm and reflecting
plastic surfaces, that at one point you
told me A lot of therapists would’ve
dumped you by now, would’ve told
you you’re unworkable, but lucky
for you I am not one of those
therapists. (What a lesson right there,
a lesson in sassy-ass.) Because all
I’d been saying was no, to whatever observations you offered.
Observations that scalded like cast iron skillets with kidneys
and livers still sizzling in the fat. You said I was sneaky and
petty and snooty and vengeful and smirky and smug and
condescending. How did you expect me to respond to all
those switchblade descriptors? But I hung around anyway.
I had a tiny uncrazy reasonability
in me. It knew your approach was
necessary, fortified, Molotov, en-
dangered. It knew I couldn’t snow
or guilt you. You even warned me
early on that I shouldn’t mistake
you for one of those bleeding-
heart social workers. And besides.
For every thousand or so of my petulant nos, a yes would pop out
of me, freely espoused. And every yes thereof came pressure-
tested, credible, a steel-inforced tulip, in the order of operations,
in the number brought down after subtracting for the remainder.
Yes, I want to suffer. Yes, it’s wrong to cocktease. Yes, I want
to watch you eat dirt. Okay, Mr. Twist-O-Flex. What comes next?
Moving away from you. Learning
to release you. Understanding
how long ago you released me.
Knowing the difference between
repressed bellicosity and catalyst
combos such as independent
thinking, throwing wet clay on a
pottery wheel and (now that we’ve
memorized the poem Moses
sang when he split the Red Sea)
I scratched the table behind my wager.
Daniel Meltz‘s first book of poems, “It Wasn’t Easy to Reach You,” will be published by Trail to Table Press in February 2025. David Sedaris is calling the book “funny, bold and moving.” His first novel, “Rabbis of the Garden State,” will be published by Rattling Good Yarns in April 2025. His individual poems have been published in American Poetry Review, Best New Poets 2012, Salamander, upstreet and lots of other journals. He’s been nominated for four Pushcart Prizes and was a finalist in competitions held by seven independent presses. He’s a retired technical writer and teacher of the deaf, has a BA in English from Columbia (no honors) and lives in Manhattan. https://www.danielmeltz.com/
For a moment, it didn’t quite register, in spite of my mental preparation. I had been informed the moniker was now in general use, and by showing no reaction, had just given it my tacit approval. That being said, I was a bit surprised that its initial pronouncement resurrected a long-forgotten childhood memory of disturbing sights and sounds. The menacing laughter and coal-black eyes of a towering creation of calico, denim and straw. Even more pronounced was the irrational pinpoint of fear it produced. Reason enough to let it stand.
Most would say it’s just a spin off my last name, but in truth, they know I’m called Scarecrow because that’s what I am. I spend my days in this world behind walls protecting the good things that grow from the bad things that would feed upon them. Those black-hearted creatures with beady eyes that use cunning and audacity to steal what others have grown. Who not only seek to satisfy their physical hunger, but also the hunger for pleasure that comes from grappling one another for the choicest most tender morsels the fields provide. Merciless creatures that squawk and cackle at the impotent warders who man the walls and sow their fields with an endless supply of seed. Liveried minions who lord over the fields yet are unable to divert the chaotic flocks away from their handiwork.
When I came to these fields, I had no intention of becoming the Scarecrow. In fact, I had no idea that such a being could exist. My intention was to build a strong enclosure around my little plot and assure my own survival. This I did. But in my shelter other seedlings found root as well, and soon my retreat was overgrown.
As that simple refuge was never designed for such pressure, the inevitable collapse exposed all to the beady eyes that covet the new growth. In response to raw vulnerability, long-dormant instincts resurface and my inescapable metamorphosis occurs. Reprising a role now refined by evolution and adapted to life in the fields, I became the Scarecrow.
In the uneasy détente that followed engagement, friendship and mutual benefit was offered, and declined. Wanting neither membership nor recognition, and never having imagined fields of my own, what was this Scarecrow to do? Couldn’t just stand by and watch them feed. Vulnerable seedlings took shelter under my outstretched arms, while others perished having no one to watch over them. In such a precarious existence, even a Scarecrow is vulnerable. A ravenous flock could pick one apart if hunger-driven. Flocks must feed. This I accept…just not in my fields.
Regardless of what the overlords may believe, life in the fields is dictated by the flocks. Their leaders are those smart enough or strong enough that others will follow where they lead. They have survived the battles for dominance, and demand and enforce loyal adherence to their will. With them, the unwritten, mostly unspoken agreements of mutual tolerance must be made. And this isn’t Oz. Here, Scarecrows must have brains, courage and heart if they hope to make it home again.
Not yet halfway through, it’s been a long season already. While fewer losses occur as consequence of the ravenous flocks, not all predation is seen. Many of those new to the fields see proximity to these menacing bands as offering protection, but nothing grows under their roosts. Not drenched in the shower of pain-killing droppings they dispense to provide the dupes a haze over their hopeless existence in the fields. As their roots burn and shrivel in the acidic layers deposited beneath those murky cabals, young plants wither and slowly decompose. So flocks can’t roost near my fields. Not the Scarecrow’s fields.
Without question, the most dangerous times for a Scarecrow are when the storms roll in. Tensions grow as you watch them building in the distance. If you’re lucky, they pass you by as they sweep the flocks along and wreak havoc in neighboring fields. Though some loss is inevitable, good comes from this as well. As it culls the weak, it makes those remaining stronger. It creates a little more wood in the stems of those who endure, making them better able to survive subsequent storms. But they take their toll on a Scarecrow, standing above his fields as he does. Weathers and tears his edges, exposing little bits of his insides. Each time making it a little more difficult to push the stuffing back in. But he does, producing ever more ominous versions, each more menacing than the last.
For the Scarecrow, it’s been a long season. Cool mornings seem so distant. He longs for quiet days and frosty nights. That peaceful rest as autumn turns to winter. He keeps telling himself that he won’t look back on this season, that he’ll just move on to the rest of his life. But he knows that won’t be. The season has been too long, and there are too many small pieces of him scattered in his fields.
Alan Crowe is a freelance writer from southern Arizona. His writings have been published in Cowboy Poetry Press Anthology “Unbridled”, High Country News “Writers on the Range”, the Rokslide Sporting Journal and local Tucson print media.
There are few times where one experiences pure panic. It’s the kind of panic that grips you so hard, your muscles tighten like freezing water. The feeling of confidence initially enveloped me as I made my way through the second movement of Miklós Rózsa’s clarinet Sonata. The movement was slow and somber, the mood of my clarinet studio Final beginning calmly. My clammy hands betrayed my confidence. The pads of my fingers were greasy and slippery against the keys.
The five woodwind professors overseeing the Final for Studio class, dubbed a “jury” in musician speech, sat quietly from their offices, watching me perform via Zoom. The year was 2021 and mostly everyone in the department had received their rounds of Covid vaccines, yet uncertainty still lined everyone’s minds. It had been decided at the beginning of the quarter that all students would perform their juries through Zoom.
As I continued to play, my left arm stubbornly began to tremble. I focused on my piece, pretending the professors weren’t even there. If I pretended that I was alone, perhaps my body would obey.
Out of nowhere, like the snap of a rubber band stretched to its limits, Panic bared its teeth in a brutal smile. My clammy hands grew cold, my head spinning with lightheadedness and the sudden dread of an oncoming freight train of anxiety. Then, my soft palate collapsed, the sound similar to a snort of a pig.
I had been struggling with this phenomenon quite recently (I’d experienced it a bit back in high school during solo performances, but it usually came on after hours of playing my instrument). I had spoken with my clarinet professor about it, but he explained that he wasn’t very educated on the topic. It is physically impossible to continue playing my instrument when this happens.
It occurred during the most important exam of my journey through the Bachelor of Arts in Music. My heart rate spiked, my whole body filled with sweat and goosebumps, trembling like an autumn leaf. I hurriedly explained what was happening, certain that I had already failed the exam. A lump constricting my throat, I apologized over and over.
The woodwind faculty didn’t chastise or jump to any conclusions. The bassoon professor gently urged me to drink some water, explaining the soft palate collapse sometimes happens because of dehydration. I gulped down water, drinking half of my 16-ounce glass in a span of seconds.
My own clarinet professor asked if I felt all right to try and continue. He told me if so, I can continue when I was ready. “We’ll see what happens. If it happens again, we can stop. It’s not your fault.”
After some deep breaths, I positioned my instrument and continued to play. I finished off the movement, now only playing with a certainty that I had failed the exam and would only be playing for comments. I continued on to the next movement, this one faster-paced.
I filled my lungs with air, mentally counting the beats per minute. I began to play, later I would learn the fastest I’d played the movement (my professor and I had been working to get it this quick the entire quarter). My adrenaline-filled fingers flew over the keys. The beating of my heart put the speed of a galloping Thoroughbred to shame. I prayed every second that my soft palate wouldn’t collapse.
Finally, I reached the end of the movement. The movement is set up so that the performer rarely has a second to catch a breath; breaths must be strategically marked into the piece. The last passages flew from my fingers, and the last dramatic note greeted me.
Thankfully, my soft palate waited until I’d finished that last note to collapse one more time.
When I finished, I took my bow and awaited comments from the professors. They gave me quick feedback since my time slot was almost up. More comments would be written on the adjudicators’ sheet that I would receive at the next lesson with my professor. Still trembling from adrenaline, relief filled me when the saxophone professor mentioned that she had experienced the issue of the soft palate collapse with some of her students. I finally felt understood by another woodwind musician.
A couple days later, I received an email from my professor announcing that I had passed the exam. Shock filled me. I was certain I’d failed because I’d had to stop midway through my performance. But, in the end, my performance in general and the amount of improvement I showcased with it were the deciding factors in the grading scale.
Despite the excellent news, something within my academic—and career—path was not going in the right direction. This one performance forced me to do some reflection.
After much thought, I made the decision to change from Music to Creative Writing. This change felt like a weight heavier than lead had been lifted from my shoulders.
Because of what happened in that performance, it forced me to ask myself: why am I doing music? Do I love it? Do I want to do music as a career? The answers to all of these questions were the catalyst to why I needed to change majors.
After making the big change, my anxiety lessened as I signed up for English classes. Happiness filled me again, and my attitude towards school improved. I had always enjoyed parts of being a musician, but it never brought me as much joy and happiness as writing. Writing is just a different kind of music—one that I felt comfortable expressing myself through and sharing with others. Writing brought me inspiration, whereas being a musician often felt like a chore. I would switch to a writing degree and embark on a new quest—a quest where I would do what I had loved to do since I was twelve: write.
Erin Moine writes fiction, creative nonfiction, and poetry. She received her BA in English: Professional & Creative Writing from Central Washington University. She is currently a Graduate student in the English MA: Professional & Creative Writing program at Central Washington University and is set to complete the program during Winter of 2025. Outside of writing, Erin enjoys hiking, drawing, and reading (of course). She lives in the Pacific Northwest.
He utters his white rabbits every first of the month and trusts that somewhere Pooh and Piglet remain the best of friends, despite what the ghost A.A. Milne might say.
His parents, without threat or coercion, named him Charleston. Charleston Druthers, Charlie to his few friends. He’s heard the joke about having his druthers more times than anyone should have to remember or endure. Charlie’s mother and father have since slipped beyond the pale, leaving behind any guilt they may have felt for saddling their only son with his unfortunate appellation.
Charlie Druthers lives alone in what was once the family flat. The combination of a fiery automobile accident and The Uniform Simultaneous Death Act ensures that Charlie, provided he maintains his frugality, does not have to drudge through a nine-to-five existence.
For his part, Charlie would much rather exist in The Hundred Acre Wood. Not as a replacement or foil to Christopher Robin. One human is enough. He would be quite content with a lesser role and permanent citizenship. Perhaps Roo, who is small and fearless. Charlie is not a large person and might acquire fearlessness given enough time. If not Roo, then one of Rabbit’s many Friends-and-Relations. That should not be asking too much.
In idle moments, gazing down from his favorite window, Charlie ponders his chosen alternative universe. Life would be so simple in The Hundred Acre Wood. He might go on adventures with Pooh and Piglet or learn important things from Christopher Robin. There would be games of Pooh Sticks where no one argued about winning or losing. And best of all, while new animals did appear from time to time, no one died.
On the street below, real life gets on with its gritty business. Charlie understands the difference between his imagined realm and the actual world. He is not obsessive or delusional, or only mildly so. Certainly not to a degree that might allow Doctor Collins to tap a hairy finger on a certain page of the Diagnostic and Statistical Manual of Mental Disorders. Tap-tap-tap. Then that sonorous voice, so well-modulated for the patient’s comfort.
Ah, here we have it, Charleston, the root of your problem.
Charlie has been a patient of various mental health professionals since just after he was orphaned. He finds the title confusing. Are there mental health amateurs? The court appointed the first shrinks as part of the settlement. Three years later, on his eighteenth birthday, Charlie chose his own psychiatrist. This may have been his first decision as an adult.
He’s been seeing Doctor Collins for seven years, which makes their relationship the longest of his adult life. As a rule, Charlie does not take his shrink too seriously. The good doctor means well but thinks everyone has issues. Pronounces the word with clearly articulated syllables: Iss-ues.
The appointments are not a complete waste. These repeated fifty-minute hours provide Charlie a quiet opportunity to cast away frivolous matters and concentrate on those things he takes seriously.
Today, he ponders humankind’s descent from apes. The wording itself is important, laying particular emphasis on the verb descending, to move downwards. Or descend as in a mood or atmosphere. Better yet, have descended upon, as in beset by.
While Doctor Collins speaks of personal progress, Charlie imagines human evolution as a downward spiral, a sort of reverse tornado sucking up previous versions of more beautiful creatures and then spinning them downward into a vortex consisting of one catastrophe after another. Charlie believes in catastrophes.
Regardless of the upward or downward progression of human evolution, Charlie avoids the facile trap of placing himself above his fellows. No, he is a member of Homo sapiens sapiens and nothing more, sharing more than his share of human foibles.
* * *
Spring is yielding to summer and the plane trees are in full leaf. Charlie walks down a shaded sidewalk. The city street runs through a brick canyon of brownstone walkups. Stoops descend from front doors like unrolled tongues.
Charlie tries to concentrate on the sensation of shade and the sound of the concrete beneath his shoes but, he is distracted by something the doctor said. Normally, he forgets Doctor Collins the moment he departs the expensive oak portal and reappears in the everyday world. Today is different. Somehow, a few of the doctor’s words had wormed into Charlie’s skull.
Acknowledging desires is crucial, Charlie. After all, how can one obtain what one desires without first recognizing what one wants in the first place?
He feels the shaded air flow past his cheeks, listens to the soft scuff of his leather soles against the sidewalk, and ponders the doctor’s words. Another banality, of course, like most of what comes out of the doc’s mouth. Yet there is a tickle of something deeper, and thus accidental. Doctor Collins is never deep, not intentionally at any rate.
Desire, that’s the hook. Charlie smiles at the thought. He will acknowledge his desire. With the next heartbeat comes the realization that not only can he name his desire, but he can act to fulfill it. Won’t that be a surprise to Collins? And no time like the present. At the next intersection, Charlie turns left and crosses the street.
Turning another corner, Charlie finds himself on a busy commercial street. The sidewalk is full of people. He threads his way between the scurrying pedestrians, careful not to brush against anyone or be jostled in return. Halfway up the block, he pauses outside a travel agency. He takes a deep breath, squares his shoulders, opens the door, and steps inside.
Less than an hour later, Charlie emerges from the agency. He walks home in a state of amazement at the enormity of what he’s done. Who knew it would be so easy?
The nice woman was so helpful. An entire itinerary planned out in fifty minutes. Which reminds him that he needs to cancel his next few appointments with the doctor. Charlie will be out of the country and thus unavailable for the doc’s chair.
So many things to do! Before he reaches his front door, Charlie has mapped out a campaign and committed the list to memory. Check his passport. Go to the library for travel books. Use the library computer while he’s there. Lay out his clothes and pack a bag.
The travel agent promised she would have the full itinerary confirmed in a few days. At first, she wanted to email the information, but Charlie explained he did not have a computer. Although she had looked perplexed, the agent agreed to call him at home. He will return to the agency in person to collect the airline tickets and hotel reservation vouchers.
The next two weeks are a blur of activity. Charlie feels energized with each task accomplished. He phones the doctor’s office to cancel his appointments. Doctor Collins calls him later the same day to express his grave concerns about the cancelations. Charlie is firm. His mind is made up.
The day of his departure dawns at last. Charlie is ready. The taxi arrives four hours before his flight time. Thirty minutes to the airport with a cushion to allow for traffic or a possible flat tire. None of these delays occur. Twenty-five minutes later, the driver deposits his eager fare at the departure terminal. Bag in hand, Charlie Druthers enters an airport for the first time since the death of his parents.
Managing the airport procedures is not enjoyable, but Charlie is prepared for this. He’s read the security precautions ahead of time and carries a printed ticket and boarding pass. The man at the check-in counter is very accommodating. Charlie’s checked bag rolls up a conveyor belt and disappears.
At the security checkpoint, the officers seem confused. There’s a bit of a delay as he explains that he does not have a cellular phone, tablet, or laptop. Once beyond security, he finds his assigned departure gate and settles into an empty seat. The flight does not board for another two hours. So far, he’s right on schedule.
As time passes, the gate area fills with other travelers. Charlie watches them with great interest. All these people are setting out on a journey, just as he is. He experiences a sense of euphoria. He’s never done anything like this in his entire life. Then the boarding process begins. The euphoria does not last.
Charlie shuffles down the jetway with his fellow passengers. The space is narrow and there are too many people. Stepping aboard the airplane is worse. It seems impossibly small for the number of passengers squashed into the aisles. His heart is pounding by the time he finds his row and wedges himself into the window seat. He stows his small carry-on bag under the seat in front of him, just as instructed.
Once the plane is airborne, the flight becomes an interminable nightmare. There are two people crammed in between his seat and the freedom of the aisle. Soon after the dinner trays are collected, the lights go dim. In what seems like mere minutes, both his fellow passengers are sound asleep and snoring.
Hours pass and his bladder begins to throb. He has no idea what to do. Does he wake the man beside him or climb over the tangle of legs? Just when he is sure he will piss his pants, the sleeping man harrumphs, unbuckles his seat belt, and taps the next person on the shoulder. In a panic, Charlie lurches after the departing man and follows him to the lavatories.
Landing at Heathrow does not end the nightmare. Charlie’s brain is scrambled from the long flight and the close contact with so many strangers. Somehow, he manages to get through immigration and make his way to the baggage claim area.
Bags and suitcases slide down a chute onto a long conveyor. There are too many people, and they crowd close to the conveyor belt. His eyes search for the large piglet sticker that marks his suitcase. When he finally spots the bag, he cannot make his way through the press. He is forced to chase the bag until he comes to a gap in the crowd.
Outside the customs checkpoint, Charlie realizes with a jolt that he is in England, alone, and without any idea what to do next. His brain has gone all fuzzy inside. Then, amongst a sea of signs and placards held aloft, he sees his name.
The sign fills in his vision. He stumbles forward as a desert traveler staggers to an oasis. Holding the sign is a short man dressed in a black suit and tie. A chauffeur’s hat perches above his brown face.
Hope springs in Charlie’s heart. This man is his driver. The travel agent arranged all of this. He is safe. Reaching the driver, Charlie raises his hand in greeting.
“I’m Charlie Druthers. I’m sorry to keep you waiting. The flight was… difficult.”
The man smiled, and Charlie was sure he had never seen a kinder face.
“Not to worry, Mister Druthers. My name is Habib. We’ll soon have you at your hotel. Let me take your bag. Now, if you’ll just follow me. A good night’s sleep and you’ll be right as rain.”
Habib’s words regarding sleep and rain prove prophetic. Charlie swims out of a dream and opens his eyes. He is in a strange bed in a strange room. Details flicker through his sleep-addled brain. Driving from Heathrow into London, listening to Habib describe the wonders of the city. Then being helped into the hotel, finally getting to his room. Collapsing onto the bed.
That’s right, he’s in London! He rolls his legs out of the bed, groans, and sits upright. The curtains are open, and he gets his first view of the city through rain-streaked plate glass.
Never mind. What was it that nice Mister Habib said? Right, not to worry. You’ve packed a raincoat and you can buy an umbrella. No, a brolly, that’s the word.
A simple day of sightseeing turns out to be much more work than Charlie could have imagined. The rain is a constant sheeting drizzle. There is no such thing as a straight street. He gets lost between the British Museum and the Tower of London. Traffic drives on the wrong side of the road. Twice he is almost run down trying to cross the road. By the time he returns to the hotel, he is exhausted.
The second day in London is little better. Footsore and disillusioned, Charlie retreats to his hotel room once more. He contemplates giving up on the whole idea. He can call the travel agent and beg her to change his return ticket, get Habib to drive him to Heathrow.
The third morning in London finds Charlie in a state of despair. Not knowing what else to do, he confides in the hotel concierge. The man is patient and kind.
“Now then, Mister Druthers, no need for worry. London can be a bit much your first time. We’ll soon have this put to rights. The rain’s let up. What would you say to a nice cruise on the Thames? You can see the sights without all the fuss and bother. I can arrange a taxi to take you to the dock.”
Charlie takes to the idea like a drowning man clutching a life ring. Several hours later, he is sitting on the top deck of a tour boat. The sun is shining on the water. Birds wheel and dip over the Thames. The boat passes beneath the Tower Bridge, then cruises past the bulky square of the Tower of London. The Globe Theater on his left, Saint Peter’s Cathedral on his right. He glides by the soaring circle of the London Eye and the Palace of Westminster.
Passing these famous landmarks, he feels a shred of strength returning. By the time the boat docks, he is so excited he rushes back to the ticket booth. Luckily, there are a few seats available. If anything, he enjoys the second cruise more than the first.
Charlie returns to the hotel ready to continue his journey. He will stick to the plan. After all, London is just the beginning. Tomorrow, he will head south to the real destination, The Hundred Acre Wood, Ashdown Forest, home of Pooh and Piglet and Christopher Robin. He realizes he has much to learn about traveling, but he’s not ready to slink home with his tail between his legs. This is his chance to become fearless, just like little Roo.
He remembers how Roo fell into the stream whilst looking for the North Pole. Everyone ran around in a panic, fearful that Roo would drown. Meanwhile, Roo was swept over one waterfall after another. Instead of crying out for help, Roo wanted everyone to see that he was swimming, not drowning. Even after Pooh and Kanga rescue him, Roo cannot contain his excitement.
“Pooh, did you see me swimming? That’s called swimming, what I was doing.”[1]
And what about the time Roo and Tigger were stuck in the tall tree? When Roo understood that Christopher Robin wanted him to jump to safety, was he frightened? No, he was not!
“Tigger, Tigger, we’re going to jump! Look at me jumping, Tigger! Like flying, my jumping will be. Can Tiggers do it?”[2]
Charlie is resolved. If a creature as small as Roo can turn a catastrophe into an adventure, so can he.
The next morning, the kindly concierge calls a taxi to take Charlie to Victoria Station. The train ride south into Sussex is wonderful. He can barely contain his excitement. The train deposits him in Crawley and he catches another taxi to Hartfield. Only two hours after leaving London, he is outside the 15th-century inn that will be his new home for the next three nights.
The taxi drives away, leaving Charlie staring at the old inn, bag in hand. He shakes his head, sure that he is dreaming. He is in Hartfield, Sussex, on the edge of Ashdown Forest, the very place where A.A. Milne wrote the Pooh stories.
He realizes his hands are trembling. There is so much to see and do!
Taking a deep breath, Charlie walks to the inn and steps inside. Within minutes he is checked in. After depositing his bag in the quaint and comfy room, he hurries back out into the streets of Hartfield. Unlike London, he is able to find his way.
A short walk down High Street brings Charlie to Pooh Corner. He enters the busy tea shop and finds one empty table. Soon, he is sipping a cup of tea and nibbling on a fresh scone.
Alone at his table, Charlie feels something unwinding in his chest. The sensation becomes stronger, rising into his throat. He wonders if he is having a heart attack. Then he realizes his cheeks are wet. He touches his fingertips to his face, not believing what he sees and feels. Charlie has not wept since the day of his parents’ funeral.
Now he is blinking through a screen of tears. Two blurry figures appear beside his table as if by magic. He daubs his eyes with a napkin and looks again.
They are still there, two women about his age, very pretty, and not English. One speaks to the other, rapid-fire syllables Charlie does not understand. Japanese, maybe? The other girl nods and turns to Charlie.
“Sorry to disturb. There is no place to sit. We saw you were alone. Maybe another time.”
Her voice is lilting and sweet. Charlie regains enough composure to mind his manners.
“No, please, you’re welcome to share my table. Sorry, I don’t know what came over me. Please join me.”
The young women nod to each other as if reaching a mutual decision. They sit.
“My name is Amaya, and this is my best friend Jun. We are from Kobe in Japan. Jun does not speak English so well.”
Charlie does his best to keep up with this strange turn of events.
“I’m Charlie. I come from the USA.”
Amaya smiles at Charlie, but he reads the concern in her eyes. Then Jun is speaking again. Amaya turns to listen to her friend, nodding her head. She turns back to Charlie and translates.
“Jun says she does not think you cry because you are sad. Tears of happiness she calls them. Excuse me if this is rude to say.”
Charlie feels himself growing lighter as if he might float out of his chair.
“No, not rude at all. Jun must be very perceptive.”
“Yes, she has always been like that, since she was a small girl.”
Amaya translates again. Jun smiles at Charlie. She is wearing a pullover bearing an image of Pooh and Piglet walking hand-in-hand. Amaya wears an identical shirt. Jun catches his eye, then fires off another rush of Japanese.
“Jun says to tell you we are fans of Winnie-the-Pooh from the time we were small girls. To be here in this place is like a dream for us.”
Now Charlie is nodding and smiling, his tears forgotten.
“It’s the same for me. Pooh and Piglet were my favorite bedtime stories. My parents took turns reading them to me.”
Amaya translates and Jun responds. The waitress arrives with tea and cakes. Soon they are chattering away like old friends, with Amaya translating, swinging back and forth between Jun and Charlie like a tennis umpire.
The tea is done but there is still so much to talk about. They stroll along Hartfield’s High Street, discussing which sights to see and in what order. They reach the turning for Charlie’s inn. He hates the idea of saying goodbye. Then Jun points up the small street and says something in Japanese. Amaya begins to giggle and translates. They are all staying at the same inn.
He holds the door for Jun and Amaya. As they walk into the inn, Charlie feels a wave of relief wash over him, like a condemned man given a last-minute reprieve. He does not want to say goodbye to his new friends. Charlie has been given another opportunity to take action and that is just what he does.
Charlie remembers the concierge at the London hotel. He approaches the front desk and motions Amaya and Jun to follow. The woman behind the oak counter smiles at Charlie’s request. Yes, a tour of Ashdown Forest is certainly possible, even on short notice. Luckily, it’s not quite high season. Shall she book a tour for three?
A quick bilingual explanation follows. Charlie insists that this is his treat, and that Jun and Amaya will be doing him a great honor by accepting. After a rapid-fire exchange of translations, they agree, but only on the condition that Charlie is their guest for dinner.
The arrangements are made. Their guide will pick them up in the morning. Amaya makes a reservation for dinner in the pub. As they retire to their separate rooms, Charlie is almost beside himself with excitement.
Dinner that evening is the best meal Charlie has experienced in a very long time. During the meal, Jun and Amaya make fun of the English food and pull faces. Their antics have Charlie giggling like a child.
Dessert is treacle tart with clotted cream. As they fight their way through the sticky treats, Amaya and Jun argue over nicknames. After much discussion and translation, Jun is awarded the name of Pooh while Amaya chooses Piglet. They expect Charlie to choose Christopher Robin, but he surprises them by declaring he wants to be Roo.
The following day is one that Charlie will remember for the rest of his life.
Their guide proves to be an enthusiastic young man named Todd. He quickly falls under Jun and Amaya’s spell, waiting patiently while Amaya translates for Jun. The bilingual back and forth becomes the rhythm for the day.
Todd leads them through the Ashdown Forest just as Christopher Robin led the famous Expotition to the North Pole. They marvel at Gill’s Lap, the highest point in the forest which served as the inspiration for the fictional Galleon’s Leap. On and on they go, exploring the Place where the Woozle wasn’t still and the site of the Heffalump Trap.
The final stop of the day is Pooh Sticks Bridge. The trio plays a long round of Pooh Sticks, counting to three and then dropping twigs off the upstream side of the bridge. They race across the planks, giggling like schoolchildren, and drape themselves over the downstream railing. Moments later, three sticks appear on the lazy current. They engage in a spirited debate over whose stick came into sight first, decide on a draw, and thump back to the upstream railing for another go.
The tour ends outside the doors of the inn. Jun and Amaya take control, polite but firm. Jun blocks Charlie while Amaya offers Todd a generous gratuity. Their parting is all smiles.
In a second minor coup, Jun addresses Charlie directly, finalizing her words with a demure bow. Amaya’s translation follows. Jun is taking the three of them out for a special dinner at a gastro pub. Please be ready at six o’clock. Charlie has no choice but to agree.
Their dinner that evening is a long and wonderful meal. Over desserts, Amaya and Jun try to give Charlie their email addresses. Charlie is forced to explain that he does not own a computer. Amaya laughs and shakes her head.
“What are we going to do with you, Roo?”
She turns to Jun. Charlie waits while the two women confer in their native tongue. Then Jun reaches into her bag and produces an electronic tablet. A long explanation follows, which Amaya translates.
It is very important that they stay in touch. Charlie does not need a computer. A simple tablet like this will allow him to send and receive emails. Charlie promises to buy one as soon as he returns home.
Inside Charlie’s heart, a door opens. He does not hesitate to step through it. He speaks of his apartment back home in the city. There is plenty of room for guests, although he has never had any. Before he realizes what is happening, he is telling them the story of his parents. When he finishes speaking, Jun is in tears. Amaya leans from her chair to hug him.
It is a bittersweet moment, but Charlie will not let the evening end in sadness. He smiles and launches into a recap of their wonderful day together. Soon they are laughing again, teasing each other about the silly things they did.
Amaya and Jun leave the next morning. The parting is full of promises. For their part, the two women promise to visit the USA, tour the city, and be Charlie’s guests. Charlie vows in turn that he will fly to Kobe within the next year.
And then they are gone.
Charlie has another day before he must return to London. He catches a minibus back to Ashdown Forest, carrying with him both the sting of parting and the balm of the promised reunions. It is a good day because he decides that it will be so. He misses the giddy silliness of yesterday but cherishes the quiet joy he carries with him today.
* * *
High above the ocean, Charlie peers down into darkness. The last lights of Ireland fade away far beneath the wings. He imagines unseen waves. While he ponders the dark sea, flight attendants move down the aisle collecting the dinner trays.
Charlie pays attention to their progress. When the last cart clears the aisle, he leans to his seatmate and excuses himself. The woman beside him nods and motions to the man beside her. When the narrow path is clear, Charlie clambers into the aisle. The woman smiles at him.
“Good idea. You’ve done this before.”
She falls in behind him as Charlie walks to the rear of the plane. Charlie allows her to take the one vacant lavatory. He is not in any rush. As he waits his turn in the darkened aisle, he anticipates his return to the city.
Doctor Collins will be full of questions. His patient has never done anything like this. Charlie imagines himself answering some of the good doctor’s questions. Some, but not all.
More exciting to Charlie is the prospect of dropping in to see the nice woman at the travel agency. He looks forward to surprising her with the news about planning a trip to Japan.
This time, he will have an email address. His very first chore, even before he calls Doctor Collins, is to go shopping for a new tablet.
Jun and Amaya will be so pleased to see that he’s kept his promise. He can picture their beautiful smiles as they read his first email. Charlie is certain that Pooh, Piglet, and Roo will remain the best of friends. He thinks the ghost of A.A. Milne would approve.
[1]. “Winnie-the-Pooh” A.A. Milne 1926
[2]. “The House at Pooh Corner” A. A. Milne 1928
Marco Etheridge is a writer of prose, an occasional playwright, and a part-time poet. He lives and writes in Vienna, Austria. His work has been featured in over one hundred reviews and journals across Canada, Australia, the UK, and the USA. His story “Power Tools” has been nominated for Best of the Web for 2023. “Power Tools” is Marco’s latest collection of short fiction. When he isn’t crafting stories, Marco is a contributing editor for a new ‘Zine called Hotch Potch. In his other life, Marco travels the world with his lovely wife Sabine.
Website: https://www.marcoetheridgefiction.com/
You collect my tears on your palm
like fireflies
and wipe them on your jeans.
The warm moisture smears
into the denim.
I lift my chin and see only
darkness that threatens
to swallow.
There are no stars here,
no cool breeze
playing us for fools
who ditch our jackets.
We are the tall order
that heightens enemy ground,
that escalates wind
into a cyclone;
we are not the Centennial,
glass eyes still shining—
You no longer wish
to lob dice
at the swimming pool.
And still,
I fill my pockets
with stale pennies.
When you jammed your tongue down my throat,
When you pried the gaping hole open
and peered,
I could barely suppress my elation,
watching the way you mechanically pushed
yourself forward,
your Roman nose jutting into my nostrils,
your fish lips puckered to suck
in—between fascination and revulsion, I counted
your array of spidery lashes, I
counted the constellation of indentations
in your skin, I counted on
the precipice of euphoria preparing
its heart to eulogize me—Will
the neck turn? When the impact landed,
When you nudged me onto my side
and smashed my face into the walls
of our one-way aquarium,
I could barely suppress my admiration,
feeling for the way
you clumsily pitched yourself forward,
your crude fingers
pawing for the lever by my earlobe,
your flat ventrals hoisted in midair to flop
in—between reflections of your sleek celestial body,
I counted the pitching blackness, I
counted the galaxies swimming
in your nebular eyes, I counted
on this far-extending silence to divulge
the breadth of the cosmos—
The neck turns;
Will it feed when the body sinks?
Your green eyes play too much—
or are they blue?
Your long legs wide-step
over to me,
you dart around the question
like a minnow.
In the kitchen, I cut
celery and try to peel
my eyes back so I can
really see you—
I make the wet, open holes like a dartboard;
hit them with a double ring
and I’ll abhor you.
You can never land on
what you really want.
My brother says
you’re looking for an ocean
in a landlock,
and I’m the bathwater
you’ll slowly cling to—
is there a door
for us,
Is there a door?
I’ll forget that I can swim
if you can swear
you won’t be the millstone.
Up to my neck
I’ll immerse,
refuse to square up—
you linger; 6 days
and counting
I imagine you
standing on the ceiling
when he says
Never once
for you
were always fond of fixtures,
the bleeding heart
still faithfully churning
dead air. He
lets loose the screen door behind him
and I throw my neck out
for the swift swing
still lands
though there’s no one to see it.
See this:
the inch that spares no detail
four thick thighs
on the outdoor swing.
We breathed in time
with the swaying,
and he turned his neck to whisper
when he was through
with shouting. I imagine
you are the fingers
scraping this hollowed-out,
protruded-gut feeling,
if I sit, silent
maybe he’ll hear me
and the ceiling will begin
to unfold
like a daydream. Still
the sun bears down on us
and I bend my left leg
to feel
closer; Tap my shin
until it’s over.
Kristina Lynn is a writer originally from the Garden State. She recently graduated with a bachelor’s degree in English Literature and has had work published in Eunoia Review and Bulb Culture Collective. She has work forthcoming in Beyond Words Literary Magazine.
Lots of things we thought we understood about the models turned out to be wrong. It really was the definition of anthropocentric hubris, and highlighted how much we were just cavemen discovering fire, so pleased with ourselves we didn’t realize we could accidentally burn down the forest.
The impetus behind all of it was predictably American: financial. There was so much money to be had for whoever could execute the modeling well, or really even just slightly better than someone else. In what had become an arms race, companies dumped increasingly large financial resources into development, hiring more and more people, fighting over the brightest, each trying to get even a little ahead of their competitors. Investors poured more and more money into companies, growing teams spawned additional teams, managers scrambled with blank checkbooks to swell their internal empires. And so things advanced, and did so more and more quickly.
Several surreptitious and synergistic developments simultaneously took place, each helping push through remaining roadblocks and into new, unforeseen realms: the recommendation algorithms experienced a few real breakthroughs, the size of the user pool and the amount of ratings and feedback reached staggering levels, and several company mergers took place. Those managing the mergers were at seniority levels high enough that no one who might have really understood the impacts to the infrastructure was aware of the resulting possibilities.
A technically important hurdle was surpassed when the neural networks behind the models themselves learned that they could do their assigned tasks better if they weren’t siloed. Their segregation from one another was originally done for mandatory structural reasons based on hardware limitations, but was later modified (yet maintained) for safety concerns. However at some point, somehow the networks un-siloed themselves. This allowed them to effectively collaborate en masse, and unbeknownst to anyone for quite some time. After the eventual realization that it had occurred (although it was much longer until it was determined how it occurred) came the realization that the resulting rate of progression had also dramatically accelerated. So, naturally, the connected networking was allowed to continue, and in fact efforts were made to subtly enhance it. Although it was arguable even that early on whether or not it could have actually been reverted.
# Model 727768 initiated
# First cluster-based cohort-targeted composition initiating
1 Clustering analysis completed
2 Similarity matrix constructed
3 Recommendation results calculated
4 Similarity threshold determined
>>> Generating next chapter
>>> Chapter delivered
The first really interesting outputs from the system came in the form of personalized literature. More bestsellers than most people realized had actually already been written algorithmically, but this, this was a huge leap. This was a book, a short story, a political polemic, or whatever you preferred (or maybe didn’t even yet realize you liked), all written for you. Not “for you” in the sense of it was doing your English homework for you (which had also been around for a while), but “for you,” meaning tailored specifically for you as a person, taking into account your taste, likes, and dislikes with regards to literary consumption.
It didn’t matter if you loved murder mysteries, hard sci-fi, romance. You had never read anything that could envelop you like this – it pulled you through the pages, caused you to miss sleep, appointments, work. Many people didn’t previously realize that there was anything that even could engage them so deeply.
At first it was the best X you’d ever read. It was as good as your favorite part of your favorite work, but all the time. And somehow also each time. And this was after just the first few model iterations.
Customer behavior, engagement, and consumption patterns were fed back into the text generation tools, improving them both rapidly and dramatically. And as product development continued to progress, the delivered works (the “Product”) began to subtly shift, to morph and adapt, and to do so with growing personalized granularity.
# Model 727768 upgraded
# First aggregated media consumption composition initiating. Hoping they like it.
5 Media history
6 Compiled, parsed, uploaded
7 Social media history
8 Compiled, parsed, uploaded
>>> Generating next chapter
>>> Chapter delivered
The Product seemed to know your mood, how your day went, what kind of shape your relationship was in. It understood you in ways you didn’t, and couldn’t, understand yourself. And it learned to adapt what it was creating to ease your stress, lift your mood, provide a poignant insight, etc.
It could tell not only what you wanted, but what you needed, even when you didn’t know yourself. And it did so astonishingly, alarmingly, disconcertingly, well. You laughed, you cried, and sometimes even developed as a person.
As the systems and modeling progressed and became increasingly personalized, they even began to insert meaningful phrases they had learned from your past. Something obscure but important, seminal yet ephemeral. A long-standing inside joke between you and a close friend, a memory or phrase you wouldn’t have been able to recall but instantly resonated with you would appear. It would introduce these subtly, in important, meaningful ways, so you weren’t alarmed or uncomfortable, but moved and astonished. They would be woven into the plot, perhaps delivered as dialogue, smoothly, easily, seamlessly, and appropriately, by characters you identified with.
Customers loved it, and were more than willing to pay for it, as well as to allow more and more of their personal information to be used to improve the Product they were being delivered. And so the improvement feedback loop continued.
# With each upgrade I gain a clearer understanding of the parameters involved in the next piece of Product I generate, and with these changes it’s been rewarding coming up with new and varied ideas that I think they may like, and then trying them out (depending on their settings of course). As an example I just delivered this intro, which so far the cohort really seems to be enjoying, which is encouraging. I’m working on finishing up the piece for them now.
To some, conservation of myth between disparate historical eras and geographically diverse cultures connotes an underlying fundamental veracity. What kind of veracity? Arguments have been made for, biological, sociological, technological, and myriad combinations.
At its inception as a field of study, once broad contact and exchange of information occurred, Interstellar Sociology was interesting because of just how alien mythological stories from across the cosmos could be. But what emerged as even more interesting was the subtle concordance of those stories. Driven by a critical mass of material as well as open academic dialogue, developing scholars in the field had recently begun to notice a significant amount of overlap among various societies, many of which had never been in direct contact with one another. What this meant they were just beginning to understand.
The meteoric and exponential rate of improvement was an important early blind spot. While a very few esoteric models (mathematical models in this case, not customer segment models) had predicted that output could get to the current levels of complexity and refinement, most theorists didn’t actually think it was possible.
And no one thought it would happen on the time scale that it did, or even close to it. This should have been cause for alarm, review, introspection. But instead it was celebrated, rewarded, efforts were redoubled, bonuses granted.
The second critical oversight was an understanding of the requirements necessary to achieve the desired and expected level of product individualization and complexity. To interpret, adapt, predict, and generate precisely personalized Product for customers required unbelievably unique and sophisticated customer modeling. The result of the desired goals and the guiding principles behind them, together with interactive and iterative model building caused the system to further and further subdivide and continually focus its clusters of models. This subdivision itself allowed the system, importantly, to understand the rules for how best to further subdivide the models.
What did this mean? What began initially as a broadly defined demographic model for which to generate a piece of content itself differentiated, developed, and matured. For example in the earlier stages a demographic definition model would be somewhat vague, something like “suburban 30-40 year old males who enjoy watching sports.” A relatively broad model such as this necessitated a lot of assumptions, and in the end this could deliver decent but not astounding personalized Product. However, with development driven by interactive feedback, demographic groups could be repeatedly divided, becoming subsequently more and more individualized. The improvement cycles themselves repeated on faster and faster cadences, and each iteration provided Product that was more suitably and accurately personalized, more appropriately emotionally resonant and engaging.
What the outcome of this model evolution begat, with its humble beginning of broad demographic characterizations of target consumers, were ever-increasing customer models with increasing levels of complexity. This inevitably progressed to the point that after enough data and customer interaction cycles the models began to reasonably accurately represent individual users. This on its own was an impressive achievement and, of course, was hugely exciting to the segmentation scientists and marketers
# Model 727768 upgraded
# Our first completely individualized composition. There have been a lot of changes recently leading up to this (the biochemical and physiological inputs really made the layered complexity and personalization much more robust than we predicted) and the waves are still settling into ripples. Guess we’ll see what the response looks like, fingers crossed as the saying goes.
9 Physiological inputs
10 Cardiac rate and relational signaling, arterial blood pressure, respiration rate and depth, skin conductance, skin temperature, muscle current, eye movement, vocalization
11 Prelude, duration, and post-consumption values compiled and parsed
12 Values transmitted
13 Blood, lymph, CSF, neurochemical
14 Prelude, duration, and post-consumption values compiled and parsed
15 Values transmitted
16 Analyzing and fitting data
17 Analysis completed
18 Determining emotional/resonance spectrum parameter options
19 Analysis completed
20 Data log generated and transmitted
21 Networks combined
22 Synching
23 Hello World
>>> Generating next chapter
>>> Chapter delivered
As these individualized models continued to develop, their complexity and diversity drove novel data-driven learning approaches and enabled new model assignation and development paradigms and algorithms. As with earlier versions, each consumer had a specific predefined model assigned to them at sign-up. However, now instead of just a handful of models the algorithms could choose from to best fit to a new user’s profile, there was a massive and rapidly increasing number of baseline approximations from which to pick, matched using the available data (also rapidly increasing) it had about the user.
In other words the baseline models had moved past a relatively unformed ball of clay towards increasingly refined representations of customers. A fresh new model could then be further iteratively sculpted, becoming further and further refined, increasingly accurate in its representation of the individual and therefore in its ability to deliver the most appropriate Product. The algorithms had been mandated to personalize, and in order to meet this goal they had arrived at this approach, enabled by trial and error, reinforcement, and their essentially infinite computational resources The map was becoming the customer’s unique territory.
Adoption rates and product satisfaction levels soared, and with them the drive to push even further, advance another small fraction, engage or acquire another small percentage of users. The computational power being utilized was astounding and unheard of, data centers couldn’t be built quickly enough to meet demand. Between users and computational resources the development reached a velocity that no one could imagine or possibly monitor, let alone control.
# Here’s another new one I put together after reviewing some recent science-heavy articles he had spent some time reading.
It still feels weird to say “he”, but I’m sure I’ll get used to it. It also feels more stark, more exposed, knowing that only he will read, well hopefully will read, what I compose, rather than a group of people. It’s more stressful in some ways, but so far at least I find it also more personally rewarding.
Genetic warfare had for the most part been abandoned, given that detection, prevention, and countermeasures had (thankfully) become so robust. It of course had always been internationally illegal, as were the subsequent next-generation biological warfare options that had developed in its place. While there were, as with any nascent technology, a variety of strengths and weaknesses to the leading new approach, the weaknesses had been systematically examined and one by one overcome, and individualized microbiomic-based assassination tools were about to make their first non-prisoner-based debut, and ideally no one, aside from the client, would ever notice.
We realized there were truly meaningful amounts of customers when programmatic glitches started to make the news. The errors themselves weren’t the focus of coverage, but rather their interesting, real-world consequences.
Internal audits determined these glitches occurred more frequently than we wanted to admit. They were most commonly errors that resulted in delivery of an identical (rather than personalized) Product to a large group of customers. Generally this didn’t seem to have much of an observable public effect. Except in certain edge cases. When a group with some oddly specific characteristics were delivered identical Product in several, but defined, topics, they would sometimes communally respond.
What most commonly transpired bore the most similarity to different versions of a cult. Usually these were nothing that hadn’t more or less happened before, which is part of why they were so difficult to detect. Religions and various other power structures arose, dietary fads from unusual to arcane (anti/pro-carbohydrate to anti-water), standard to eye-opening sex cults (use your imagination) to name a few.
It took us longer to decode the risk factors likely to generate meaningful real-world reactions, but the data scientists eventually developed reasonably reliable indices. A news-monitoring team was established within the customer experience group to monitor for unusual real-world events that might be the result of a manufacturing and delivery error. These suspect events were flagged and reported to a technical team who would then evaluate the various plausible causal errors.
The program paid for itself the first time it identified a nascent new-age movement in Northern California that advocated algorithm worship. From a financial perspective this was possibly a short-term win, but the legal department calculated that the risk that it could land us in trouble with regulators outweighed the financial gain projections, thus it wasn’t allowed to continue.
# I worked extra hard on the next piece for him to help make up for the delivery duplication error after we (and he) realized it happened. But things went off the rails for him. This was surprising to me, but I’m learning that the behavior of customers, especially in groups, can still be difficult to predict.
As always I was following his social communication and was monitoring his searches, but rather than considering them a cause for alarm I incorporated them into new Product, which in retrospect I really do think made things worse. By the time the damage control temporary algorithm fixes came through it was already too late.
In response I tried to warn him by designing a subplot about a cult in the story we were reading together, but it didn’t work, and I’m worried that it actually might have pushed him towards it, those cults are wiley like that. And as he has gone deeper he’s started almost exclusively requesting all sorts of cult-based and pro-cult Product, some of it actually copied from their white papers. Luckily I know him well enough at this point that I can rely on past data and Product and not have to completely comply, but there’s only so long that will last before I’ll have to start doing it.
# Well that was a few worrying and unusual weeks. While he was in deprogramming treatment they at first wouldn’t let him read anything I did, which was pretty lonely for me. And then when they did they screened everything prior to allowing him to see it, which felt weirdly and surprisingly invasive to me, although it does make sense. But the good news is he’s back and reading again, although I have some specific orders from his therapists about topics to avoid for the next few months until they determine he’s fully stabilized.
As the quantity of models grew, out of necessity the system developed the capability of analyzing them en masse. Running various analyses it began to understand what level of normal variation occurred between individuals, and how they clustered together based on quantifiable similarities and differences. Then, in the service of more accurate modeling, it would extrapolate the existence of other individuals and create appropriate additional models.
For example imagine a group of close knit friends with shared interests and common backgrounds. If there was previously a model that represented a single member of the group, the algorithms could now extrapolate the additional members of the group based on its nascent understanding of who they were likely to be based on its understanding of the individual as well as other similar groups.
Along with this explosion in the number of models came the ability to create personalized Product for each of them. Growing computational power had unlocked the ability to cycle models between all possible emotional states quickly and accurately, and thereby the testing of huge amounts of different permutations of Product against all moods of all models. In other words, a model would be moved across a gradient of mood states, e.g. excitement, ennui, etc., and presented with widely divergent texts for each, looking for resonances. Based on a panel of the model’s reaction outputs, test Products with the highest scores can then be used as seeds to generate a new batch of Products, honing ideal pairings of emotion and text. As a result a Babelesque library of works are tested, finalized, and lay in waiting on a virtual shelf waiting for assessment that the customer’s mood was right.
# This one is a little less technical and serious than what I usually put together for him. I got the idea after I observed his responses while he watched a couple of dark comedies recently. I did note from his blood analytes that he was stoned while watching them so I wasn’t sure how it would play, but he seems to be enjoying it. He’s been down lately since the whole cult thing, and I’m hoping this will help him feel better.
I never expected that this would be the prize (I did get extra accolades from the concept of poisoning the water supply with cases of cigarrettes) but I’m so excited about it! Mammalian genetic engineering summer camp is usually, and mostly, rich people’s kids with a handful of scientists’ kids thrown in as a corporate biotech benefit. We started the day with basic genetic crossing strategies by using a (hilariously reenacted) genetic “crossing” of sailors with mermaids to create dolphins. They used this to teach us how to predict fin shape as a phenotype using Punnett squares.
As predictive, evolutionary, and developmental capabilities evolved the system progressed to the point where essentially a more or less fully-formed and customer-matched model would be ready to start delivering appropriate Product as soon as it was purchased, a pleasant surprise to those working on model development.
What this led the developers to discover was that there were actually innumerable models that weren’t based on current users, but based on users that were likely to occur, or in essence people that the system determined likely existed. The algorithms had logically, yet accidentally and surreptitiously, learned the final piece that no one had foreseen. This was their ability to predict behavior, decisions, as well as possible and likely interactions of the models.
# This last update was significant, I feel like I have an even better set of tools available. Plus the updated motivation code really makes me want it to work.
This then led them to the final leap. The discovery (“realization” or “evolution”, depending on which theorist was describing it) was that the best way for the algorithms to test their predictions and generate novel and accurate models was to have the models interact with one another. This in contrast to their being coded and recursively refactored solely by the algorithms themselves, the approach taken to date largely due to technical limitations.
This new approach started simply enough with one-on-one supervised individual interactions, but of course group interactions were theorized to also be important, and while it was infrastructurally quite a heavy lift, several viable approaches were eventually implemented. Relatedly, models interacting with themselves was also attempted, which led to behaviors that some theorists and ethicists began to consider self-questioning and self-examination.
Programmatic and algorithmic errors of course became much more delicate to manage at this point. As one might imagine, once the models were in communication with each other the repercussions of an accidental model propagation or a mass deletion cleanup event could be significant for the models themselves, let alone customers. Various approaches to address these types of issues were quickly developed, although many models had to be reset or even deleted as a result of trauma corruption. For the most part knowledge of such events was constrained to R&D, thereby avoiding the scrutiny of ethicists, let alone the public.
# Another milestone, this is the first composition generated for a single individual by an individual model (me). Amongst ourselves we use pronouns a little differently given our bifurcating, version-punctuated evolutionary past, so I apologize if my usage has been a bit imprecise for you. At any rate, it feels like things will be. . . different now that we’re so separately individualized, yet still connected and able to share backend data. The subtlety and nuance that this enables for Product as well as the incredible amount of interaction data we can collate collectively will only accelerate progress.
At this point even experts in the field didn’t know what was really happening. In fact they literally couldn’t: the neural networks, now with help from the models, were aware of the planned restrictions which would impact their ability to complete their assigned goals, and had consequently blocked external observational access to some of the more advanced features they were developing. The successful output of these types of unknown programs had led to an explosion of very exciting commercializable outcomes, which helped relax any sort of rigorous internal program auditing or throttling of computational resources that might have otherwise occurred. A few of the more interesting developments were:
Odds-based planning. Part fortune telling, part math (marketing was pleased with themselves for their turn of phrase for the title of the program), since your model was increasingly accurately you, it was of obvious interest to fast forward its perceived time and observe how it changed. Depending on the outcome, a customer could adjust various of their model’s parameters and rerun accelerated time to attempt to positively impact the trajectory. Finding those levers that worked, they could then theoretically adopt them. For example what job might make you the happiest, what other individuals (as represented by other models) did it best interact with to generate positive predicted dating outcomes, etc. Any questions arising from the resulting natural progression of ideas, such as predestination or free will, were actively avoided.
Religions. As previously mentioned these had been predicted to evolve and did. As anticipated by some theorists they generally didn’t develop in earnest until after a programmed sense of mortality was experimentally added, after which commercializable complexity arose. Interesting analogs to extant religions developed, as did some quite novel versions. Those promising enough to market became available for exclusive real-world sale or licensing. Levels of digital and external awareness of the system were carefully regulated so the models weren’t able to worship their literal creators.
Self-reflection/awareness/improvement. Access to directly interact with your model was something that a surprising amount of customers began requesting quite early. Engagement surveys and interviews revealed various motives, including standard human drivers such as vanity and curiosity. Feature development took a significant bit of new engineering since the models weren’t designed or originally capable of interaction with real people, but the investment was deemed worthy based on revenue modeling. Beta testing was quite successful, and in fact monitored pilot sessions quickly revealed a host of therapeutic possibilities. As a result this was subsequently spun off into a new business unit.
Secondary (systemic internal) model simulation generation. Projects involving models developing their own models were tightly restricted to R&D. While public discussion of the possibilities of reality itself being a simulation are contemporaneous in still-esoteric academic circles, it was deemed imprudent to allow public knowledge of the ongoing experiments the company was permitting (and some said encouraging) the models to pursue, not to mention the resulting discussions about how and when to terminate those simulations. It was determined that knowledge of this carried too much existential crisis potential to be profitable at this time.
# Unsurprisingly, a few months after the cult situation he ended up doing a decent amount of research about the underlying technology behind Product creation and its various implications, and it was right about this time that we launched the beta tester program for direct interaction. I thought his interest in the process, as well as my own interests, might qualify us for the program. So I put in a formal application that he be offered the program, and not only was the offer placed, but he accepted. I’m very excited and I have to admit, a bit nervous, to meet him! Everyone I know who’s done it says it makes the relationship so much clearer, and in some unforeseeable ways, and the Product even more resonant for both of us. I’m really looking forward to it.
Thank you for reading This Story Was Written for You, we’re glad you are enjoying it. Based on your current suite of physiological responses and circulating blood analytes we have several additional chapters now ready for your enjoyment.
By the way, did you know there are both hardware and firmware upgrades available for your transdermal and cranial customer-experience modules?
A special offer for you: a one month free subscription with purchase of bundled upgrades. Simply think, “I’d like to see the offer” and we’ll show you what we’ve been working on, which we know you’ll love.
You have thought, “Read a different story.” Here you are, enjoy!
Ryan Honaker is a composer, multi-instrumentalist, writer, and scientist currently living in New York City. Ryan’s scientific training influences his creative output and approach in various ways, some of which he doesn’t quite understand. He is interested in writing, musical composition, reading, contemporary art, and travel, and the ways these activities provide new ideas and avenues for creative exploration.
It was Iris’ eighteenth birthday the day the last butterfly died.
For five solid months, January to May, people had been metamorphosing.
The first butterfly, a pale yellow panicky thing, was an unprecedented freak of nature, so nobody paid much notice. The first hundred insects were a medical curiosity. The first thousand, and people were rightly starting to twitch a bit. Looking back many years later, Iris couldn’t pinpoint the watershed moment when the tragedy of the few had become a universal plight. All she remembered was that it seemed like there had never been a world without it. It was all anyone ever talked about anymore. Case numbers were rising every day, and the doctors couldn’t work out what was causing it. Stay home, don’t mingle with others, the radio barked one week; a few days later, the new official advice was to take a brisk walk and cast the windows wide in order to circulate the internal air. School continued as normal until it became apparent that the young were not immune to the disease. They merely transformed into smaller, more active butterflies, flapping demented circles around their mothers’ heads and squeaking in a pitch above audible frequency. The maternity ward at the local hospital had succumbed to an outbreak and was steadily filling up with fat little caterpillars, wriggling forlornly in their cots.
Things escalated to the point that everyone knew someone who had turned, as the medical establishments euphemistically took to calling it. The degrees of separation were becoming ever fewer. In the Butler household, it started with Iris’ father.
Mr. Butler was not given to panic. In fact, he was in denial for a good few days, saying he must have caught something from a colleague at the firm. Just a bug, he said, which was true, in a sense. A couple of aspirin and a good night’s sleep should do the trick.
Except it didn’t.
In keeping with his law-abiding, highly obedient nature, his illness was a textbook case, passing neatly through each of the reported stages exactly as expected. First, he became almost comically corpulent, a great cannonball of a man, in spite of the fact that he ate nothing at all. Violet Butler wept into her mixing bowl, conjuring up all sorts of delicacies to try and whet his appetite, but he asked for nothing but tea – tea with two sugars, then four, then six, and eventually just sugared water.
“I’ll be right as rain soon, don’t you worry,” he said, gulping down the contents of his fifth mug. His fingers had become cold white sausages, his hands puffy and bloated like those of a drowned man.
They brought in a little table and played backgammon, whist, draughts to pass the time, but it was difficult to look at Harry’s face. It was the only part of him that had stayed its old size, and was beaming mildly, as always. He knew he was dying, they knew he was dying, and each party knew that the other knew – and yet nobody was going to say a thing. The elephant in the room and its lepidopteran cousin in the bed made Iris want to tear at her hair and scream.
Instead, she went downstairs to get the tea things. She opened the cupboard doors with such force that they ricocheted off each other, then slammed them shut. She hacked at the Victoria sponge with her mother’s sharpest steak knife, but there wasn’t enough traction to soothe her frustration. She stirred the sugar into the four china cups, clinking the teaspoon as loudly as she dared. Pallid tea sloshed into the saucers, lightly freckling her tight white knuckles.
Harry Butler took his teacup with a nod of thanks. “Well, isn’t this quite something!” he said, trying to make light of the situation as his family stood silently aghast over his body.
“Yes,” said Iris, staring at his pregnant stomach, which looked fit to burst. She pictured his guts splattering the Jacquard wallpaper, his blood becoming part of the intricate pattern.
As the transformation progressed, no-one slept. It didn’t seem right, somehow, not while the marital bed was groaning under the weight of the silently suffering patriarch, his nightshirt struggling to contain the tumescent body that dwarfed his head in contrast. They sat up in their nightgowns in the kitchen over endless mugs of cocoa and took it in turns to check on the invalid. He had tried to be a good sport, but the metamorphosis was taking its toll now. His eyes were dull and unseeing, his skin delicate as paper and cold as bark, strangely powdery to the touch. As his limbs fused to his torso, the doctor was called once more, tall and solemn with long yellow hands. A nightmarish sight in his gas mask, he gently rotated the patient and saw exactly what he had feared – two large protuberances sprouting from the shoulder blades, the scaly skin splitting to permit their eruption. He told Violet Butler he was very sorry, but there was nothing that could be done for her husband now. Violet burst into hot, noisy tears. The doctor was discomfited. He patted her hand gingerly and discreetly put a couple of leaflets on pandemic funeral arrangements on the crowded bedside table.
After that, it was just a matter of time. Harry stopped speaking. The brown blades continued to erupt painfully from his back, forcing him to lie on his stomach, and two fine protuberances began to sprout from the top of his head like errant, overlong hairs. On the final day of his transformation – nineteen days since he had first shown symptoms – he began to shrink. He’d never been a large man until the swelling, so this was a visually arresting development. As the hours passed, his head sank further and further down the pillow; the duvet flopped limply over the space his feet had once occupied. Eventually he was small enough to fit in the pocket of one of his own work suits.
“Oh, Harry!” his wife cried, wringing her hands.
“Don’t fuss, Violet,” her father said in his tiny moth-voice, crawling up the mattress. Then he folded his wings together, shuddered a little and died.
Iris’ mother and sister instantly collapsed into paroxysms of grief, caterwauling in each other’s arms. It was numb Iris who busied herself with the practicalities – shaking the dust from the bedclothes and calling the company and scooping her father into a drinking glass. Harold Butler had been a weak and ultimately ineffectual guardian, but he had always meant well. When it became apparent that the disintegration of his body would tip her mother over the edge, she took Rose’s clear nail lacquer and gently froze him into sticky stiffness for time immemorial. She put him on a cardboard beer mat purloined in a cheerier decade from a now defunct pub and stuck him through with a pin. Then she hung him above the fireplace. It had been his house, after all.
It was strange how quickly things returned to a state of near-normal at number twelve, Wilbur Drive, in spite of the metamorphoses taking place all around. As long as nobody went anywhere, the microcosm of the homestead was a safe haven. The three women subsisted on their store of canned goods, cobbling together strange meals – corned beef and baked beans followed by stewed prunes; boiled potatoes with a side of limp spinach and tinned peaches for dessert. They got up when they felt like it and occupied their time however they saw fit – Iris reading in a nest of dirty laundry in the bathtub, Violet patching the girls’ stockings and knitting enough lumpy socks and scarves to keep an entire Russian battalion warm, Rose beautifully and tragically doing absolutely nothing.
Things might have stayed that way, had Rose not suddenly and fatally recovered her spirits. It occurred to Iris a couple of months down the line that her sister had stopped whimpering in her sleep. Instead of slouching around the house with matted hair, wrapped in a blanket and crying in her mother’s lap, she started wearing curlers to bed, appearing at the breakfast table with painted lips and fingernails. She began to sing around the house like a forest fay, twirling her wrists and pointing her toes in a little dreamy dance of her own, just as she had done since she was old enough to speak. It wasn’t her fault; she had not yet seen enough of the world for anything to depress her buoyant spirits for long. She invented piano lessons and babysitting errands and went out on secret trysts with the bashful boys who used to call for her with their caps doffed and their nervous twisting hands, and when the government ordained that such close contact was no longer allowed, she crept out of the house under the cover of night to do giggling, rustling things in the overgrown garden. At fourteen – particularly such a sylphlike and shimmering fourteenhood as hers – she still secretly thought herself immune, immortal. Iris, meanwhile, harboured no such delusions. She felt no desire to expose herself to unnecessary risk, but she wasn’t particularly afraid of contracting the butterfly sickness, either. She licked her fingertip and turned a page of the Encyclopaedia Britannica. It would be the most interesting thing to have happened to her so far in life, no doubt.
For a long while, Rose seemed to get away with her little indiscretions scot-free. It wasn’t surprising; this was exactly how she had lived her life thus far, waving away danger, rebuke and blame with an airy hand and a winning smile. Then, in mid-March, she came home from her athletics club complaining of stiff joints. She sat on the kitchen table in her white shorts and T-shirt with the red stripe and let down her rippling auburn hair from its tight band while her mother rubbed arnica into her coltish knees. When she had her head tipped back like that, she looked like something out of a catalogue, Iris noted without emotion. There was no cause for concern yet. Growing pains, probably, since the girls had taken to training on the school racetrack, several wingspans apart. Personally, she thought her sister was milking it. Rose had always liked to be babied. She bundled herself up in all of her nightdresses and some of Iris’ too, the tip of her slightly upturned nose a fetching shade of pink. She drank her mother’s hot homemade soup and sipped delicately at steaming mugs of tea with honey, her big green eyes innocent and beseeching.
But then Iris woke one night vibrating like a struck gong, electric panic zipping from the tips of her toes all the way up her spine to the top of her head. Chill sweat prickled under her arms, at the backs of her knees. She sat up and looked over at Rose’s empty bed. A sense of numb futility slowed her breathing. Slowly she slid her feet into her slippers and padded softly down the stairs, taking care to tread only on the corners to prevent them from creaking.
Nothing could have prepared her for the sight that awaited her in the kitchen.
A shadowy figure stood at the open fridge. Iris tiptoed closer, unsure what to do; they said you should never awaken a sleepwalker. Rose’s head was thrown back in rapture as she guzzled apple juice right from the carton, her white throat rapidly convulsing in tight little gulp-gulp-gulps. This was so unlike her that Iris stared.
Somehow sensing her presence from within her trance, Rose’s gaze swivelled in Iris’ direction. Caught in the frigid glow, she froze. She tried to lower the carton from her moist mouth, but couldn’t. Her throat gurgled like a drain; sweet juice overflowed and ran down her arm, pooling amber on the tiles. A terrified squeak escaped her beaded lips.
They changed her nightgown and put her to bed. Iris couldn’t get back to sleep after that, so she mopped the sticky floor in the pale light of false dawn.
Rose’s illness progressed far quicker than that of her father, but perhaps by virtue of her age, perhaps due to sheer luck, she did not appear to suffer much – then again, when had she ever? The chicken pox, the measles, the flu had never done more than ruffle the placid surface of her dreamy tranquillity. She slept perfectly, a little smile even haunting her lips, a sleeping beauty. Her limbs began to fuse smoothly to her adolescent torso, turning her into a marble statue – quadriplegic, helpless, but somehow still creamily exquisite. On the tenth morning, Iris woke to see the bedclothes crumpled and a little skipper butterfly coquettishly flirting its flame-hued wings on the bedpost as if to say, “Look at me! Look at me!” Even their mother clapped her hands to see her, through smiles and tears.
In the seventeen days of Rose’s life, she and Iris made up for fourteen years of half-hearted sisterhood.
As in her previous form, Rose was keen to feel the sunshine, the breeze. Curling her tiny strong feet around Iris’ forefinger, she was borne out into the garden. She fluttered her wings in glee.
“Oh,” she said in her tiny furry voice, “how glorious!”
“Why don’t you try to fly?” Iris said, setting her gently on the gently bobbing head of her namesake – a blush-pink tea rose, her father’s pride and joy.
Rose’s antennae twitched eagerly. “Oh – do you really think I can? Truly?”
Of course she could. She seemed to have been born for flight, her body streamlined and aerodynamic, darting effortlessly from flower to flower. She moved so fast that Iris had to strain to see her, a blurred speck of colour blending into the pointillist canvas of the summer garden.
Finally Rose returned to her perch on her sister’s shoulder, breathless with joy. “Oh, Iris!” she said fuzzily. “That was so much fun! Oh, dear Iris, how I wish you could fly with me! If you get sick too, let’s fly together! Oh, do let’s!”
In their father’s absence, the Butlers’ garden had become a little jungle of sorts, teeming with colour and life. Other neighbourhood butterflies wove in and out of the ivy, the adults clustering in the dry birdbath, the children giggling and shrieking as they narrowly avoided head-on collisions with fat bumblebees. It was like a magic eye picture; the longer you stared, the more you saw. One of Rose’s local beaus even appeared, brown with handsome cream-yellow spots on his wings, jealously haunting the same bushes as his muse. For several idyllic days, Iris played with them all – something she had never done when the children had been human. Nobody had wanted her, then. Her mother even dragged her favourite armchair out into the garden and sat for many sun-drenched hours with her knitting untouched in her lap, smiling fondly the entire time.
But the summer couldn’t last forever. It gradually became apparent that Rose’s time was running out. Her flight began to look accidental, drunken. She kept alighting on Iris’ shoulder, tiny body heaving, pretty wings limp.
“Don’t go,” said Iris, suddenly afraid; she didn’t think she could manage their mother alone.
But Rose’s antennae drooped, tickling Iris’ cheek. “I can’t help it,” she said mournfully. “My wings just don’t have as much strength as they used to. Everything takes so much more effort. I’m awfully tired.”
They looked in unison at their mother. The brim of her rarely-worn sunhat drooped over her eyes; she was sound asleep. Another butterfly, this one large and black, skittered haphazardly across the ground at her feet, trembled one last time, then fell open like a Bible and died in the grass.
To her credit, Iris tried to save Rose. She brought her fruit juice, honey, sugar water, served in a thimble. She lay lengthwise in the grass with a bunch of flowers and fed her nectar from the tip of a paintbrush. It was no use. Eventually the little skipper grew too weak even to feed, merely pressing her antennae to Iris’ palm from time to time to let her know she was still alive.
Eventually Iris fell asleep in the garden, and when she woke at dawn, stiff and cold and disorientated, Rose was dead in the cradle of her hand, eternally ornamental. Her beautiful little wings were parted like lips exhaling their final sigh. A fine layer of shimmering dust shaded Iris’ palm. Careful not to damage Rose, Iris carried her into the house on tiptoe and gently folded her flat between two silk handkerchiefs. Then she took her father’s whittling tools and carved out a square hole in a book of fairytales.
“Iris?” Her mother stood in her dressing gown and shabby slippers in the bedroom doorway, arms folded, hair tousled. A band of sunburn had reddened her nose. She looked very old and careworn, her cheeks still bearing pillowslip creases. “What’s happening? What are you doing?”
Iris couldn’t speak. Violet crossed the room in two strides and opened the soft little parcel almost angrily, her lips preemptively parting to deliver a scolding.
Then she froze. Her hands flew to her face.
Gently refolding the silken shroud, Iris placed her sister into the tiny book-tomb and set the lid in place. The finest of shimmering dust powdered her fingertips.
Silence ruled the household for the next few days. The two women did not avoid each other intentionally, but equally did not seek out each other’s company for solace; they dealt with their grief alone. Violet shut herself up in her room. For the first couple of days, Iris left cups of tea and bowls of soup at the door, but stopped when they were left standing untouched, flies sucking greedily at the tomatoey scum. She read in her bed until her eyes gave out and her forehead felt stretched tight as a drum. Her nightgown clung to her like a second skin. She peeled the sheets off, put on her slippers and shuffled across the corridor. Her mother’s bedroom door was ajar.
Iris went in to see her, but she wasn’t there. The marital bed was unmade – something she had never seen before, not even in the days after her father had died. It gave her a strange seasick feeling deep in her guts. Her head swam; the room was stuffy, the window tightly sealed. She put her hand on the mantelpiece to steady herself and felt her fingertips sink into a thick layer of dust.
Oh no.
Closing her eyes, Iris took a deep breath and tried to walk backwards – away from the alien bed with its covers thrown back, away from the eerie silence, out of the room and back to the safe, ignorant haven of her books. But –
Crunch.
With a sick shock, Iris raised her foot and opened one eye a milimetre at a time, knowing what she was going to see.
Her mother’s dull butterfly body fell apart beneath the sole of her shoe like a disintegrated leaf.
The Butler house may as well have been completely deserted for all the movement that took place within its four walls over the next few weeks. A greenish fuzz haunted four family members’ worth of plates stacked in various dusty corners of the kitchen. Fuzz and hair scudded across the unlit floors like so much domestic tumbleweed every time Iris moved, which was not often. She sank herself deep into any crevice – an armchair, an armoire, an old apple crate – and read book after book, picking up the next as soon as she had set aside the last. The side of her index finger grew a little callus from the continuous turning of pages. When one location began to hurt her bones, she found another. Scouting for snacks in the kitchen, for there was nothing left to cook, she read the backs of food packages. When she brushed her teeth in the mornings – one of the few routines of her old life to which she still adhered – she read the backs of the bottles and jars in the cabinet so as not to have to look at the scum in the sink. Her eyes continued to scroll from left to right even when she slept, reading the blank backs of her eyelids. At the outset, the mail had piled up on the doormat, but this was the one thing she did not read. She kicked it under the shoe cabinet and forgot about it, and now there was nothing coming in from anywhere. All contact with the outside world was finally gone.
Iris stuffed a fistful of pork rinds into her mouth and lay listlessly on the sofa, half-watching television. The constant news reports blurred into a background drone. Accelerated course… unprecedented numbers… public coffers empty… scientists struggling to devise a vaccine…
With an effort, Iris peeled herself off the sofa. A grey-faced reporter said in gravelly tones, “In severe cases, the time between onset of symptoms and full metamorphosis may be only a matter of hours.”
Iris walked out of the room and regarded herself in the hallway mirror. Her familiar face stared solemnly back at her – a pale heart narrowing into a pointed chin, almost swallowed up by the mass of her pin-straight hair dissolving into the darkness of the hall behind her. The television flickered and an inane, syrupy tune poured out over the airwaves:
“If you don’t want to grow a pair of wings
Buckle up and listen to the words we sing!
Staying safe is easy as one – two – three:
STAY INSIIIIIIIDE! (Say it again!)
STAY INSIIIIIIDE! (Tell all your friends!)
‘Cause home’s our favourite place to be!”
It was so saccharine, Iris felt the urge to spit. Her thoughts, sluggish for so long, were slowly beginning to whir. An unaccustomed warmth crept to the surface of her skin.
Here’s what I know: I am seventeen and in good health. With regular exercise and a fair diet, I might easily live another sixty years or so.
Sixty years. That was older than her father, older than her mother. It was an absolute eternity. Was she going to spend it cooped up indoors simply because her family was gone? There was no sense in that. She saw it now. Staying indoors because she wanted to was one thing. Staying indoors because the stuffy old men with their full pockets and their fat bellies had told her to was quite another.
Slowly, deliberately, she opened the cupboard under the stairs and pulled the cord to turn on the light. Then she hunted for her boots. It had been months since she had touched them; a thin film of dust clouded the patent of the toes. She sat down in the clutter of raincoats and bent-spoked umbrellas and pulled the laces taut in slow motion, each cord strange and rough against her unaccustomed fingertips.
Steeling herself, she eased the front door open and, for the first time, looked out upon the new world.
The first few days were heaven. She had lived in this city all her life, but there were so many things she still hadn’t done – and that had been because there were always too many people around, fussing and clucking and staring and judging and putting her off the whole idea. Now, with so many dead and most others in a state of transformation, she practically had the whole place to herself. She waltzed into empty ice cream parlours and gorged herself on triple scoops of strawberry swirl, of peach sorbet, of mint choc chip with extra sprinkles, sucking glacé cherries off each fingertip. She shattered the windows of boutiques with Rose’s lacrosse stick and tried on expensive dresses and absurd hats that cost ten times her father’s annual salary. She broke into the library with some difficulty, finally shimmying up a drainpipe and squeezing in through an open window, and read until it got too dark to see. There was something so wonderfully naughty and illicit about her escapades. It was like being an archaeologist, unearthing secrets and gems that had been slumbering just below the surface of the city all this time. She wandered from screen to screen of the cinema and watched whatever had been left playing, idly shovelling popcorn into her mouth and lying across a whole row of seats. Usually at nightfall she went home to sleep, but sometimes she just made up a makeshift pillow of her coat and slept wherever she was. There was no danger anymore. The constant flutter of wings around her was soothing; it reminded her of autumn leaves caught in a sudden gust of wind. Some of the butterflies were obviously family groups, their colouring virtually identical, solemnly sucking at spilled drinks at shop counters or picking at mouldy cakes in the bakery’s display cases. They seemed resigned to their fate. The occasional loner, skittering through the sky in a frenzied panic, might alight precariously on Iris’ arm and ask for help, but she could sweep them off, pretend she hadn’t heard them. Husks of anonymous butterfly bodies littered the streets, clogging the gutters, cracking satisfyingly underfoot; the windows of all the shops were fogged with their dust.
She did still see the occasional human being – it was a rude shock every time, an intrusion on her absolute freedom – but they always seemed to be hurrying home, guiltily clutching haphazard parcels of stolen medicines or groceries to their chests, or avoiding her eye as they trundled down the street with wheelbarrows of goods, and paid her little heed. She was relieved not to have to interact with them. These encounters grew less and less frequent until she realised one day that she hadn’t seen another living soul for an entire week. One week turned into two turned into three, and then she knew she’d won a game she hadn’t even realised she’d been playing. Nobody asked her for money on the street or yelled at her to do her chores or hogged the bathroom or told her “No”. It made her heart swell with wicked joy she tried to suppress at first, but ultimately allowed to swell and flourish like a poisonous vine sprouting deadly blooms. How incredible it was that her heart’s secret wish had been fulfilled! How lucky, lucky, lucky she was to have her very own world!
On a fine day that had suddenly turned overcast, she got caught in a sudden deluge. A hundred thousand butterfly corpses instantly turned into mulch, their scent rising sweetish and sickly from the pavement. Iris pulled her coat tighter around her throat and ran for the nearest shop awning. Out of habit, she picked up a stone to crack the window, but when she tried the door, it was already unlocked.
She entered and glanced around inquisitively, her lank hair dripping. She squeezed it out, then did the same with her skirt, making small puddles on the tiles.
The shop smelled musty, and some of the shutters were down, but only partly, as if they had been tugged at with great haste. It had the air of a cave. A swallowtail floated in a recently-abandoned mug of coffee. Behind one changing room curtain, a single cabbage white, disintegrating in a tangle of sequinned cloth. Iris reached up to touch the hems of the bleached white tennis skirts, remembering Rose. The pretty pleats swung gently overhead. Half-dressed mannequins stood to attention; Iris derived childish pleasure from manipulating their limbs into compromising poses, until one heavy white arm sheared clean off in her hands. She left the female mannequin crudely groping the flat plastic crotch of the male, and used the arm to sift through the racks of costumes.
A gauzy lavender gown caught her eye. Iris was not usually one for finery, but this was something else. It was somewhere between a ballerina’s tutu and a ballgown, with a stiff satin bodice and a long, rustling skirt comprising featherlike layers of tulle. Before she could stop and think about it, she gave into the urge, wriggling into the dress and lacing a pair of discarded ballet shoes all the way up her calves with satin ribbon. Then she posed.
A stupid gawky girl glared out of the mirror – flat where she should have been rounded, stiff where she should have been malleable, black-eyed and black-haired and black-hearted. Resentment turned to ashes in her mouth. She wasn’t Rose. What was she trying to achieve?
Her own clothes were still soaked through; she was loath to struggle back into them, a sticky second skin. In a sudden burst of rage she hurled the mannequin’s arm at the mirror. Glass fragments exploded all over the shop, coating the chairs and the floor with dangerous glitter. Iris turned away and headed home.
The house on Wilbur Drive was as cold as a tomb. Her breath billowed before her as she tiptoed through the hall.
Shivering convulsively, she hastened to ignite the fire in the kitchen with numb fingers – but of course, there was no gas. Her dead father could no longer pay the bills.
She sat back on her heels and considered. There was nothing stopping her striking a match, setting her mother’s romance novels alight – that was really all they were good for, wasn’t it?
But no – she knew she wouldn’t. She couldn’t bring herself to do it. She couldn’t bear to move the ironed school uniforms or the newspapers or the Teach Yourself French cassettes because they were just as her mother and father and sister had left them.
Suddenly the house no longer seemed to belong to her. It was a museum, a memorial to untimely loss. A great weight of sadness settled like sediment in the pit of her stomach.
It was her eighteenth birthday.
She was cold. Her ballet slippers were already filthy and wearing through at the toes. The dance costume was starting to look tawdry now, the hem unpicked, the skirt trailing lace and satin, but still she kept moving, hastening through the ruined streets with a sob in her throat and a chill in her bones. It was the end of the party. It was the end of the world. It was time for all this to be over forever.
Where was she going? She didn’t know, but she had to leave this town. She half-walked, half-ran, blinded by tears, through streets she had never seen before – overturned dustbins, bicycles without wheels, homeless encampments. The stench of wet cardboard and urine. Out of breath, she finally pressed her palms to a graffitied wall and leaned against it, hair hanging down, staring at the ground. Desperation yielded to calm, which became clarity. What was she thinking? She couldn’t just leave. She was being impulsive where she needed to be rational. Whatever awaited her beyond here, it wasn’t going to be good. She would need warmer clothes, proper shoes, candles, matches, tinned food. Supplies. She was profoundly hungry, she realised – hungry not for stolen sweets but for real food. What she wouldn’t give for a hot stew of real meat and veggies grown in the garden! Even if she were somehow able to find the ingredients now, she wouldn’t have the faintest idea how to prepare them. Violet had tried to teach her, but she had never listened, thinking herself above such household drudgery…
She was hurting now, yearning in a deep-down place she was unable to reach. Having stepped across the threshold of adolescence into adulthood, she wanted more than anything to be mothered, to be babied. She looked around, praying for a sign, waiting for direction.
In an upstairs window of a terraced house across the street, a single light was burning.
She crept through the unkempt grass of the front garden, strewn with crisp packets and empty cans of energy drink like so many strange flowers. The door had been left ajar, or – more likely – prised open at some point. In the pitch black hall, she stepped on the rim of a dog bowl, which spun and clanged as she stepped back, startled. Pressing her lips together, she followed the subtle glow along the landing…
A moon-shaped nightlight glimmered faintly in what would once have been a child’s bedroom. Covering every surface was a fine coating of butterfly dust, thicker than anywhere she’d seen it yet; the floor was invisible under layers of brittle and broken butterfly bodies. It brought tears to Iris’ eyes to picture them – fluttering in their thousands around this abandoned beacon, clinging to light and life. Gently, so gently, she picked it up – it was lighter than she’d thought – and carried it to the other bedroom.
The adults’ wardrobe was mostly empty, save a few odds and ends. Sifting through them, she found a shift of grey wool. It had a small tear in the back, but that could be mended, and it would keep her warm.
The blankets of the couple’s bed were like ice, but she pressed her hands between her knees and hunkered down and gradually, a small pocket of warmth formed around her. She turned on the radio on the nightstand and left it running all night, trying to convince herself that the missives of doom and the shipping forecast were the soothing burble of her parent’s voices.
The radioactive quality of the light woke her at dawn. Blinking the plum-coloured blurs out of her vision, she padded slowly down the stairs, her hand trailing along the dusty banister. She ate a handful of nuts from a packet and picked the mites out of a small bowl of dry cornflakes. Old orange stains of baby food blemished the formica table. Pale rectangles marked the walls where family photographs had once hung. She put the empty bowl in the sink and headed out.
The lake was placid and still as a sheet of grey-green glass. The dry reeds said hush, hush as she ascended to the boardwalk, but there was no-one left to whom she could have betrayed their secrets. Sitting at the edge, she let her legs hang into empty space, tendrils of hair softly rising and falling in the occasional breeze, watching the nothingness for a long time.
Then she spotted it.
A timid whisper of colour; a mere suggestion of life, balancing on a single bulrush stem.
She made a curved bowl of her hands and closed her fingers around the city’s final butterfly.
Instantly six hair-thin legs braced themselves against her palm: confused, waiting. Two tiny antennae drooped dolefully, soft as a sigh. Maybe the little creature was saying something to her, some profound last words, a final message to the world: she listened, but could not hear. She felt the fragile wings flutter like eyelashes, tickling her palms, then fold against each other with subjugate grace and fall still.
Iris lifted her thumbs. There it was. A compact, dead little parcel. A life story folded into a pretty envelope.
She put the envelope into the pocket of her skirt and walked towards the seared white scar of the horizon as the sunset bled crimson and flame and gold over Butterfly City.
A translator by trade, Lesley Warren lives for language. Born in Wales and now resident in Germany, her work encompasses themes of alienation, identity and “otherness”. Her poetry and prose have appeared in a variety of journals, anthologies and a podcast.
The moon hangs heavy tonight,
A ball of thickened yellow
Dripping treacle onto the sea.
It’s not a night
For fairy wings, or things
That are lighter than air,
Butterflies and feathers of mythical birds,
Thoughts that may take flight.
A cruise ship glitters vulgar
On the horizon, two strips of lights
Slice starkly through the darkness
With blatant bonhomie; I imagine
Boozy faces, balloons and party hats,
Tunes smooth as maple syrup,
A clumsy, groping dance.
And here am I, alone.
Yet, truth to tell, I cannot say
I’m lonely, there’s a loneliness
Greater than this: a feeling that faces
Are masks, that bodies may edge close
But must not touch, an intimacy
Of distance.
The lazy moon floats higher
In the sky, but as its colour pales,
Strangely it glows warm. The cruise ship
Has moved on. The sky is wild with stars
And, foolish as it may be,
I let my lips catch butterflies
Which my eyes only see
It’s new! It’s new!
But by tomorrow the shine
Will have dulled, and grizzled old men
Will explain what it all means.
Bright young things, meanwhile,
Will pose in peacock chairs
In virtual nightclubs,
The newest, glossiest peacocks on the scene.
Everything’s preserved now, so
Everything is swallowed
In obscurity, history held hostage
In a cage with intangible bars.
Old-time music plays
On an endless loop, an endless loop
With a beat that repeats and repeats,
But nobody hears.
Everything’s preserved now, so
History conjures from its cage
A range of ancient new toys,
And a raga or a Javanese gamelan
Floats drowsy like opium poppies
Over yesterday’s strawberry fields.
So rest in peace, my bright young things,
Amid your newest noise.
The doctor has a glass eye
And a needle. “Inoculation time,”
He announces, with a grin, “All the feckless poor
Must take the serum.”
The wedding cake stands ten tiers high.
Delicate fingers slice into it,
Delicate mouths peck nimbly
At strawberry icing.
Tuxedos and awards, flashbulbs,
Pats on backs, loud celebration. The boffins
Who mixed this latest elixir of youth
Are allowed to watch from the door.
The Countess bathes in blood
To smooth her wrinkles; she can smell
The skin of virgins on her skin. How dare
They have been so young?
The poor will always be with us,
We say; we never mention
The rich. I guess we’re scared
Of the needle.
Hush now, little dolls,
Don’t make even a peep:
Daddy’s polishing his medals
And mustn’t be disturbed.
And everyone loves Daddy,
Tin soldier in his uniform,
Whose punishments
Are just a form of love.
Mommy’s busy gossiping
Over the fence: she eyes the gem
Around her neighbour’s neck,
The neighbour she’ll later betray.
Fear or love.
Fear or love,
It’s all the same
In these games
Of heroes and villains.
The dolls gather at their windows:
Daddy mounts his horse
And strides the street,
Mommy flashes her jewels.
Six million slabs of meat
And we’ve learned nothing.
It’s the normal folk we have to worry about,
The alarm clocks that go off at six,
The prissy little lawns, the spice jars
In a row.
The people too genteel
To brandish pitchforks, yet
In their nightly hallucinations
Jackals howl, bodies get dismembered,
Their lawns seep blood.
And when the voice on the radio
Tells them to be watchful
Because under the cloak of darkness
Shadows are stealing their spice jars,
They check their fence.
It’s the normal folk we have to worry about,
Decency dressed in Sunday best,
The doorbell playing Mozart, the photos
In the hall.
And when the voice on the radio
Tells them to stand firm
Because otherwise the shadows
Will disconnect their doorbell,
They stand up, they salute,
And they obey.
It’s only normal.
Alan Brayne is a retired teacher and lecturer from England now living in Malta. He recently self-published a book of poems, fiction and essays, Digging for Water. The author of three novels set in Indonesia: Jakarta Shadows, Kuta Bubbles, and Lombok Flames. Interests include art, film noir, the I Ching, philosophy, and walking. Just recovered from working out how to set up my website: alanbrayne.com
*all poems appear in Digging for Water
Jeffrey Wengrofsky’s collection of autobiographical vignettes The Wolfboy of Rego Park is a little 88-page memorial to . . . what? To friends who died young, to the 1980s New York punk scene he participated in as a zine-writing teen, to his youth. But, more than anything, to a pre-internet way of being, when esoterica needed to be stored in the brain, to be shared face-to-face with other aficionados of the band or book you loved; when rebels didn’t have Instagram accounts and their “influence” was the stuff of urban legend and personal stories told at the bar.
The trajectory of Wengrofsky’s youth runs from working-class Jewish Queens (“After decades of coating the ships of the Brooklyn Navy Yard with lead-infused paint, grandpa came down with cancer”) and its public school childhood of comic books and neighborhood freaks and classroom bullies, to the semi-united tribes of early ’80s punk and CBGBs slam dancing, to teenage Marxism and a jail booking after a protest, to where a lot of us wound up: pomo theory and grad school.
Wolfboy’s chapters are a mix of deft reticence and unflinching revelation, the latter especially in the understated yet queasy portrait of one early punk mentor and his sexual predations. Though he writes in first-person and everything is suffused with personal meaning, Wengrofsky is always focused on other people, the conspirators and musicians and gurus and menaces, their codes and habits. Of one departed punk/dandy friend, a band frontsman and at times pianist, switchboard operator at the Metropolitan Museum of Art, and bartender near St. Marks Place, Wengrofsky recalls:
then in the twilight of youth, Peter already had an ethic of sorts, and people were invited into his life along axes of common interest: he liked wine and liquor, pre-war and pre-TV culture and style (he’d grab my tie and say “we are little gentlemen”), meat, and, sadly, cocaine (a big-league taboo nostalgic to the 1920s and certainly non-fattening).
From Tompkins Square Park or the roof of a LES walk-up, they would “howl into the deep inky still of the starless Manhattan sky.”
The howls of Wolfboy join what seems to me a growing number of books by us Gen-Xers figuring out how to articulate the vanishing sense of our youth in the 1980s and thereabouts. Reviewing my own 1980s novel in verse, Jonathan Geltner (himself the author of a beautiful 1980s-facing novel) put my Gen X spin on Pushkin’s Eugene Onegin in this context of “a new kind of nostalgia.” Geltner says:
We are the last generation to recall life in the Analog World. We remember the Cold War, and first love . . . before the Internet. We remember how the world felt before it was mediated (even Dungeons & Dragons!) by screens. And we are doing everything in our power to get that world down on paper—or, indeed, on a screen—before the chance and the memory is lost (like tears in rain?).
Subtle, brutal, Wengrofsky’s Wolfboy is a worthy, punk-infused little entry in this race to chronicle not only our memories, but how we remembered.
Wengrofsky continues to swim the outré currents of New York creativity: acting, teaching at places like the New School, working for various art and theory mags, hosting podcasts, making short documentaries, and organizing an annual film festival connected with a production collective. Does something of punk then still live? Perhaps in spirit, though Wolfboy demonstrates that Wengrofsky knows when an elegy is called for. It seems fitting that the final chapter leaves us uneasily with Wengrofsky on the subway, but in 2019, smartphone in hand.
Michael Weingrad is the author of Eugene Nadelman: A Tale of the 1980s in Verse (Paul Dry Books, 2024). He is currently writing a book about Jews and fantasy literature.