Blurry
By James Croal Jackson
Home is a little bit blurry.
Mom, I swear to you, it might not be
July next time I see you.
Your digital face is a little bit blurry,
but our lighthouse will always be
the one light in dark through memory,
right? I want to climb the ladder
to surveil the roof. Home has
become a wall of atrophied faces.
Near-Collisions
I have driven along red sand roads
knowing my speed uncontainable,
locked eyes with oncoming traffic
on drugs and drink. Death wants
to always remind me how close
we often get, that sometimes
he’s a blur rushing toward me,
and I must know to swerve.
Gummies
Stress-eating sour worms
while working from home.
A dumb numbness. Live
a weekend for a little
joy. A stressed syll-
able. A stretched neon
bleeding the pumps
from my heart, my long
and yellow heart, crusted
from swallowing earth’s
bitter notes back. I used
to take outside for granted.
You Want Positivity? Here’s Some Positivity
The sun shines on my goddamn sunflower teeth.
Thankful my dental appointment was rescheduled
to an indeterminate point for future me (who is
that crooked reflection in the mirror? Relieved
to see bad posture alive and well) to compensate
for. When I graduated college, I fell in love
at the slightest touch– autumn leaves floating
in a pond, the draft of winter wind through
the window. Now I’m older and more ragged
(the other day I tossed a rug with a painting
of a lion so I could replace it with speckled
blue) and, certainly, with so much heat death
to look forward to.
Noodles
tin colander holes parts of me peeking
out into the kitchen horizon past the stove
which so very recently burned blue &
contained above potentially dangerous
gas of which you were in control
unlike last night you did the right
thing begging cathy not to drive
home her slurring sentences
& drunken desperation just
hours before all three of us
together I had to walk home
after downing Nosferatus
and you were there with her
drinking tequila when you called
to say now I really
have to say goodbye
but everything was fine you
arrived at your destination
but she wanted to
drive again the night
air thin
& shivering &
blue when she
departed
BIO
James Croal Jackson (he/him) is a Filipino-American poet who works in film production. He has two chapbooks, Our Past Leaves (Kelsay Books, August 2021) and The Frayed Edge of Memory (Writing Knights Press, 2017). He edits The Mantle Poetry from Pittsburgh, Pennsylvania. (jamescroaljackson.com)